Aubrey has always brought a detailed sense of sound design to his heavy techno. The Berlin-based artist does that again here on a first EP on his own Solid Groveos since 2016. Two tracks delve into his archives to come up with some rare and obscure jams from the 90s. One is 'Lose Yourself' - a bright and cosmic take on techno that prime-era Derrick May would be proud of then the other, 'Breaking Out', offers golden US-style house with nice frayed synths and smoky depths. Two new cuts are 'Chase Mind' - a cavernous and dubby, with whimsical pads and unrelenting bass locking you in a trance, then 'Mr Muscle', a twisted acid techno closer that completes a varied and vital EP. More

Shift Imprint gives a warm welcome to one of the best producers and DJs ever to come out of the UK, nothing more, nothing less than Mr. Allen Aubrey!

The sixth cut of the label is composed by four original tracks fueled by dark, noisy, foggy, groovy, distorted jazzy and funky vibes, accurately named as the “Sleeze Funk EP”, no other title could do the job better.
So, here’s an invitation to transcend the mundane and expand your thoughts deep into the raw sound of the British maestro, Aubrey.
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Long time unsung UK techno artist Aubrey is to release Gravitational Lensing, a first artist album since 2001 and his third in all. It lands in early 2019 on Out-ER and across 12 tracks it finds him getting more personal and instinctive than ever before with jazz, techno, broken beat and house all colouring this most coherent of musical adventures.
Aubrey s discography dates back to the early nineties, when he was a key part of the UK scene on labels like Solid Groove, Textures and Mosaic. Up there with the greats from Chicago and Detroit, he has turned out a steady stream of music that marries perfect dance floor functionality with real musical invention. Always inspired by anything deep with a good groove, everything from synth band Japan to funk king George Clinton, electro break beats to Jean Michel Jarre all inform his work.
As a DJ, he cut his teeth playing the biggest raves in the UK with names like Carl Cox and Eddie C having been swept up by the acid house records that hit English stores when he was just 15. Add in a love of jazz, ambient and US house, and you have all the eclectic influences that this criminally under-the-radar artist has drawn on for his latest album.
It is one that finds him really put his personal stamp on his sound. It s a chance to be more who you are and what you feel without pressure to conform to a particular sound, it s a chance to be free, says the artist of the album process. It was partially produced at Out-ER s studio in Nard , Lecce over the course of a year s worth of studio jam sessions, and is his finest and most cinematic work to date.
Things kick off with the ambient synth modulations of Aerglo Visible before exquisitely loose jazz drums and sci-fi pads suspend you in the cosmos on Floating to Rigel. There is an experimental feel to the off grid drums, rippling chords and drunken keys of Doctor Portia that keeps you brilliantly off balance, and the first deep techno trip is Journey To the Blue Planet , which has gorgeous ambience swirling over rolling, dubby kicks and soulful Detroit synth work. Carrying on through more lush, musical synth work and inventive drums, there are moments of heads down dance floor power and hi-tech soul, serene techno landscaping and chord-laced deep house that is superbly cerebral throughout the album.
In all, it makes for a complete and storytelling record that draws on a rich variety of genres and reworks them into something deep, multi-layered and hugely emotional that works as well in headphones, at home, as it will in the club. More

Return of the UK producer Allen Saei aka Aubrey on the mighty Barba label is another bold statement in the discography of this well-versed artist. Building on the relationship with the Burek/Barba/Pomalo family established through remixes of Information Ghetto's "Inspiration" track (Burek 2013), DJ Stingray's "Communication System" (Barba 2015) and his solo "Clock Funk EP" (Barba 2017), for this record Aubrey presents us with a continuation of his previous Barba release, simplistically titled "Clock Funk 2" EP. As is to be expected from a guy who's been spending time in the studio for better part of the last three decades, this 12" is pure techno, in the best sense of the word. As mature and consistent as the previous record of the series, we have Aubrey building on that ground and expanding the range into more abrasive and rough on one side, and even more subtle and humane on the other. A1, titled "Clock Funk 2" is among the subtle ones. Beautiful cascading keys, glitchy synth bleeps and lead lines intertwine into a gorgeous composition grounded by a driving bassline and counterpinted with distorted ride cymbals. Uniquely sounding track which draws influences from many corners of the planet. A2, titled "Sel Moulo" sets a point for the other side of the spectrum. The heaviest and roughest, it locks the frame in which this EP works. Direct, abstract and firmly aimed towards the dancefloor, this cut is for the peak moment of the night when its combination of jacking beats and trippy leads will just push the craziness off the edge. B1, the most humane and gentle track on the EP, "Triads" is a perfect match for the A1 cut, although slower and calmer. Again, the similar approach is used, where the perfectly tuned combination of small synth and keys elements form a complex image which will stay ingrained into anyone's mind once you play it in the right moment. Again, it's hard not to reach for the word "beautiful" when describing this one. B2, Ghost Mist, is on the other hand a match for the heavy A2, but also not as intense. A repetitive affair, with abstract synth lines and disharmonic pads serving as an emotion injection just when they're needed. Common thread moving through all four cuts is an infectious groove intertwined with synth lines that would not be misplaced amongst the best examples of space-influenced techno music firmly grounded on the floor. All that, pressed onto a heavy duty 180 gram vinyl and beautifully packaged in an original artwork by local artist EmaEmaEma. More

UK producer Allen Saei aka Aubrey is no stranger to Burek family, having already remixed Information Ghetto's "Inspiration" track for Burek in 2013 and DJ Stingray's "Communication System" track released on Barba in 2015. As is to be expected from a guy who's been spending time in the studio for better part of the last three decades, on 13th Barba release Aubrey delivers a mature and consistent space-themed club 12" titled "Space Funk". Although pretty self-referential as a whole, each track on the 12" offers a different take on the topic. "Clock Funk" and "Space Jazz" are quite direct and peak time, "Spaceship Blues" is a chunky funk workout and "Path To Nowhere" is somewhat deeper introspective piece. Common thread moving through all four cuts is an infectious groove intertwined with synth lines that would not be misplaced amongst the best examples of space-influenced techno music firmly grounded on the floor but with eyes on the future. All that, pressed onto a heavy duty 180 gram vinyl and beautifully packaged in an original artwork by local artist EmaEmaEma. More

No needs to introduce Allen Saei Better know as Aubrey, the uk legend, for his second record on the imprint. This Time for this eternal worlds ep Popcorn Records gather only exclusives tracks from the past for a trip into uk techno





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10 years of Thema is not a milestone we take lightly, and we have absolutely no intention of slowing down. In fact we will be celebrating with a string of releases commemorating this accomplishment starting with this EP and going through to our 50th release with an all star line up ready for battle. Sometimes there is a sound that lifts you so high you can’t possibly come down. It’s the kind of sound that many strive for, but few can ever reach. UK mainstay Aubrey has been hitting this pinnacle for years through his releases on renowned imprints such as Metroplex, Ostgut Ton, and Skudge, as well as his very own Solid Groove Records. “The Reflection” EP comes as no exception. As only a DJ and Producer of his stature can do, Aubrey goes above and beyond to take the listener through a spectrum of moods that culminate in a rounded and complex experience. From the uplifting, fast paced pads in “Peligro 45” to the disorienting rhythmic voodoo of “Roger Doger” and peak energy drive of “Train To The Fire” there is a sense of direction and otherworldly ambiance that will take any dance floor to the place it needs to be



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Allen Saei, also known as Aubrey, has the experience of a record shop owner mixed to the one of a warned label manager. His music tastes are very varied. With his first love of Hip Hop as a teenager moving quickly onto the emerging Acid House scene from Chicago, then to Detroit Techno and New York House, his music productions testify the perfect knowledge of all three genres. First taste of this record is Pleased to meet you, an original track from the Texture 005 released in 1997. As his fellows, all songs on this wax, except the most recent one but non-the less, Air Strike, were recorded on Digital Audio Tape format and come out of analog machines. A2 - Taken Away is a dance floor killer. Recorded in 1996 this theme follows a straight but efficient techno rhythm that reminds the French Touch at the same period of time in Paris, kind of a darker British “Knight Club” song. The vernal Equinox is the last piece of this EP, recorded in 1998 but never released; it is more techno and rave oriented than the others. Discret for a long time and with recent releases on Syncrophone, Komplex de Deep, and Ferox Records, Allen delivers a wide retrospective of his work and surely gives some perspective for the future.

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Starting in 1990 recording for Sheffield label Ozone records under the name of Panic with a release called Voices Of Energy, which was then licensed to Buzz in Belgium, Buzz 001, Buzz then went on to release classics by Carl Craig and Derrick May. He set up his own label in the same year Solid Groove Records. The label had 30 vinyl releases over thirteen years and tracks were licensed by Derrick May, Terry Francis, Pete Tong, Adam X, and Carl Cox.As well as this he ran another four other label's, Textures, Dark, DOT, and Cheap Knob Gags. More

For the first time since his Solid Groove label shut down in 2002 Aubrey is back with a new label DOT. Let the music and remixes by Paul Mac and Miles Sagnia speak for themselves.
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Two killer techno tracks taking things further! Post minimal Detroit with a twist. Its probably not fair saying this... but if this would have been the new Jeff Mills everyone would go mental!. Plus a bonus ambient track with the dark title When Life Ends. Swedish Färden records is keeping it real! TIP!.

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The third release from Färden Records from Stockholm, Sweden. Pure quality techno as usual. This time featuring Julien H Mulder who takes us out on a trip in far away territories. This is some real dope stuff!

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