Aubrey has always brought a detailed sense of sound design to his heavy techno. The Berlin-based artist does that again here on a first EP on his own Solid Groveos since 2016. Two tracks delve into his archives to come up with some rare and obscure jams from the 90s. One is 'Lose Yourself' - a bright and cosmic take on techno that prime-era Derrick May would be proud of then the other, 'Breaking Out', offers golden US-style house with nice frayed synths and smoky depths. Two new cuts are 'Chase Mind' - a cavernous and dubby, with whimsical pads and unrelenting bass locking you in a trance, then 'Mr Muscle', a twisted acid techno closer that completes a varied and vital EP.

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Shift Imprint gives a warm welcome to one of the best producers and DJs ever to come out of the UK, nothing more, nothing less than Mr. Allen Aubrey!

The sixth cut of the label is composed by four original tracks fueled by dark, noisy, foggy, groovy, distorted jazzy and funky vibes, accurately named as the “Sleeze Funk EP”, no other title could do the job better.
So, here’s an invitation to transcend the mundane and expand your thoughts deep into the raw sound of the British maestro, Aubrey.


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Long time unsung UK techno artist Aubrey is to release Gravitational Lensing, a first artist album since 2001 and his third in all. It lands in early 2019 on Out-ER and across 12 tracks it finds him getting more personal and instinctive than ever before with jazz, techno, broken beat and house all colouring this most coherent of musical adventures.
Aubrey s discography dates back to the early nineties, when he was a key part of the UK scene on labels like Solid Groove, Textures and Mosaic. Up there with the greats from Chicago and Detroit, he has turned out a steady stream of music that marries perfect dance floor functionality with real musical invention. Always inspired by anything deep with a good groove, everything from synth band Japan to funk king George Clinton, electro break beats to Jean Michel Jarre all inform his work.
As a DJ, he cut his teeth playing the biggest raves in the UK with names like Carl Cox and Eddie C having been swept up by the acid house records that hit English stores when he was just 15. Add in a love of jazz, ambient and US house, and you have all the eclectic influences that this criminally under-the-radar artist has drawn on for his latest album.
It is one that finds him really put his personal stamp on his sound. It s a chance to be more who you are and what you feel without pressure to conform to a particular sound, it s a chance to be free, says the artist of the album process. It was partially produced at Out-ER s studio in Nard , Lecce over the course of a year s worth of studio jam sessions, and is his finest and most cinematic work to date.
Things kick off with the ambient synth modulations of Aerglo Visible before exquisitely loose jazz drums and sci-fi pads suspend you in the cosmos on Floating to Rigel. There is an experimental feel to the off grid drums, rippling chords and drunken keys of Doctor Portia that keeps you brilliantly off balance, and the first deep techno trip is Journey To the Blue Planet , which has gorgeous ambience swirling over rolling, dubby kicks and soulful Detroit synth work. Carrying on through more lush, musical synth work and inventive drums, there are moments of heads down dance floor power and hi-tech soul, serene techno landscaping and chord-laced deep house that is superbly cerebral throughout the album.
In all, it makes for a complete and storytelling record that draws on a rich variety of genres and reworks them into something deep, multi-layered and hugely emotional that works as well in headphones, at home, as it will in the club.

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Return of the UK producer Allen Saei aka Aubrey on the mighty Barba label is another bold statement in the discography of this well-versed artist. Building on the relationship with the Burek/Barba/Pomalo family established through remixes of Information Ghetto's "Inspiration" track (Burek 2013), DJ Stingray's "Communication System" (Barba 2015) and his solo "Clock Funk EP" (Barba 2017), for this record Aubrey presents us with a continuation of his previous Barba release, simplistically titled "Clock Funk 2" EP. As is to be expected from a guy who's been spending time in the studio for better part of the last three decades, this 12" is pure techno, in the best sense of the word. As mature and consistent as the previous record of the series, we have Aubrey building on that ground and expanding the range into more abrasive and rough on one side, and even more subtle and humane on the other. A1, titled "Clock Funk 2" is among the subtle ones. Beautiful cascading keys, glitchy synth bleeps and lead lines intertwine into a gorgeous composition grounded by a driving bassline and counterpinted with distorted ride cymbals. Uniquely sounding track which draws influences from many corners of the planet. A2, titled "Sel Moulo" sets a point for the other side of the spectrum. The heaviest and roughest, it locks the frame in which this EP works. Direct, abstract and firmly aimed towards the dancefloor, this cut is for the peak moment of the night when its combination of jacking beats and trippy leads will just push the craziness off the edge. B1, the most humane and gentle track on the EP, "Triads" is a perfect match for the A1 cut, although slower and calmer. Again, the similar approach is used, where the perfectly tuned combination of small synth and keys elements form a complex image which will stay ingrained into anyone's mind once you play it in the right moment. Again, it's hard not to reach for the word "beautiful" when describing this one. B2, Ghost Mist, is on the other hand a match for the heavy A2, but also not as intense. A repetitive affair, with abstract synth lines and disharmonic pads serving as an emotion injection just when they're needed. Common thread moving through all four cuts is an infectious groove intertwined with synth lines that would not be misplaced amongst the best examples of space-influenced techno music firmly grounded on the floor. All that, pressed onto a heavy duty 180 gram vinyl and beautifully packaged in an original artwork by local artist EmaEmaEma.

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UK producer Allen Saei aka Aubrey is no stranger to Burek family, having already remixed Information Ghetto's "Inspiration" track for Burek in 2013 and DJ Stingray's "Communication System" track released on Barba in 2015. As is to be expected from a guy who's been spending time in the studio for better part of the last three decades, on 13th Barba release Aubrey delivers a mature and consistent space-themed club 12" titled "Space Funk". Although pretty self-referential as a whole, each track on the 12" offers a different take on the topic. "Clock Funk" and "Space Jazz" are quite direct and peak time, "Spaceship Blues" is a chunky funk workout and "Path To Nowhere" is somewhat deeper introspective piece. Common thread moving through all four cuts is an infectious groove intertwined with synth lines that would not be misplaced amongst the best examples of space-influenced techno music firmly grounded on the floor but with eyes on the future. All that, pressed onto a heavy duty 180 gram vinyl and beautifully packaged in an original artwork by local artist EmaEmaEma.

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10 years of Thema is not a milestone we take lightly, and we have absolutely no intention of slowing down. In fact we will be celebrating with a string of releases commemorating this accomplishment starting with this EP and going through to our 50th release with an all star line up ready for battle. Sometimes there is a sound that lifts you so high you can’t possibly come down. It’s the kind of sound that many strive for, but few can ever reach. UK mainstay Aubrey has been hitting this pinnacle for years through his releases on renowned imprints such as Metroplex, Ostgut Ton, and Skudge, as well as his very own Solid Groove Records. “The Reflection” EP comes as no exception. As only a DJ and Producer of his stature can do, Aubrey goes above and beyond to take the listener through a spectrum of moods that culminate in a rounded and complex experience. From the uplifting, fast paced pads in “Peligro 45” to the disorienting rhythmic voodoo of “Roger Doger” and peak energy drive of “Train To The Fire” there is a sense of direction and otherworldly ambiance that will take any dance floor to the place it needs to be





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Allen Saei, also known as Aubrey, has the experience of a record shop owner mixed to the one of a warned label manager. His music tastes are very varied. With his first love of Hip Hop as a teenager moving quickly onto the emerging Acid House scene from Chicago, then to Detroit Techno and New York House, his music productions testify the perfect knowledge of all three genres. First taste of this record is Pleased to meet you, an original track from the Texture 005 released in 1997. As his fellows, all songs on this wax, except the most recent one but non-the less, Air Strike, were recorded on Digital Audio Tape format and come out of analog machines. A2 - Taken Away is a dance floor killer. Recorded in 1996 this theme follows a straight but efficient techno rhythm that reminds the French Touch at the same period of time in Paris, kind of a darker British “Knight Club” song. The vernal Equinox is the last piece of this EP, recorded in 1998 but never released; it is more techno and rave oriented than the others. Discret for a long time and with recent releases on Syncrophone, Komplex de Deep, and Ferox Records, Allen delivers a wide retrospective of his work and surely gives some perspective for the future.



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Starting in 1990 recording for Sheffield label Ozone records under the name of Panic with a release called Voices Of Energy, which was then licensed to Buzz in Belgium, Buzz 001, Buzz then went on to release classics by Carl Craig and Derrick May. He set up his own label in the same year Solid Groove Records. The label had 30 vinyl releases over thirteen years and tracks were licensed by Derrick May, Terry Francis, Pete Tong, Adam X, and Carl Cox.As well as this he ran another four other label's, Textures, Dark, DOT, and Cheap Knob Gags.

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Fourth release on farden from Sweden who keep on pushing the boundaries of pure and relentless techno. This time two funky '90s inspired tracks by techno legend Aubrey. Hot!



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As we've revelled in the abstract jazzy tones of label chief Master-H on KDD ..... Its time to take things from the smokey cellar floor to sweaty warehouse spaces, as we welcome Aubrey back to Komplex De Deep. Allen Saei aka Aubrey has over 23 years hands on experience of the scene. His DJ career took him from his first residency in Portsmouth's 'Central Park', to playing London's biggest raves and parties in the 1990's, sharing the decks with the likes of Carl Cox, Groove Rider and Mr C. Launching his own Solid Groove Records in 1990, Aubrey's career went from strength to strength. Releases and remixes followed for labels including Sublime, The End, Ferox, Mosaic, Reel, Intec and Leftfield's label, Offshoot. His material was licensed by Derrick May, Terry Francis, Pete Tong and Carl Cox, and his track 'Early Riser' co-written with Max Brennan, featured on the very first Fabric 01 compilation, mixed by Craig Richards. 2010 saw him release 'Dark' on Belgian label Mowar, and he followed that with his Komplex De Deep debut, the 'High Pass Highway' EP . Today we are proud to be bringing you his first release of 2011, the "Harlequin Opal" Ep. A four track selection that sees Aubrey move seamlessly from the atmospheric synth-laden joy of the title track to sparse, metallic and acidy sounds of Octavius. On the flip "Power Of The Drums" is an expansive, cinematic and industrial tinged cut, whilst "Radiatus 40" spins us headily in into the ether with is waves of spacey synths. Perfect! Adam Carter



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For the second opus of the popcorn diary we are proud to present some some parisian collaborations… Vadim Svoboda &Paul Cut, Seuil &Yakine, Siler & Flabaire, 6 producers for 3 original tracks !!! Don’t’miss it



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For his first solo record label founder Antoine Molkhou aka Siler present us his “Still a kid” Ep.Two orignial tracks and the a great collaboration on “Spatial Purim” with the Popcorn Family member Flabaire.



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A little more than a year after the release of 'Basement Jam', and following a first album played and greeted by many renowned artists such as Moodymann or Mr G, the hyper talented Paul Cut is back on Popcorn records with 'Brooklyn Lady EP', and asserts himself as one of the pillars of the Parisian label. With 3 originals and a remix by the awesome Leo Pol, it is a record not to be missed...



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Despite his young age, there is no need to introduce Flabaire, eminent founder member of the excellent records label D.ko and considered one of the most talented artists of his generation. It is with great pleasure that the Popcorn Records family welcomes him for this release, backed by a remix of the legendary English producer Aubrey



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For the eleventh vinyl release of the label, Popcorn Records is proud to welcome the Detroit house veteran Rick wade, after Chez Damier and Aubrey the label seems to have moved into the big leagues with 5 tunes from deep house to down tempo with some rework of the hip hop and house French producer Matsa and a remix of the main track Your Strength by the very gifted Parisian new comer Flabaire.





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Allen Saei, also known as Aubrey, has the experience of a record shop owner mixed to the one of a warned label manager. His music tastes are very varied. With his first love of Hip Hop as a teenager moving quickly onto the emerging Acid House scene from Chicago, then to Detroit Techno and New York House, his music productions testify the perfect knowledge of all three genres. First taste of this record is Pleased to meet you, an original track from the Texture 005 released in 1997. As his fellows, all songs on this wax, except the most recent one but non-the less, Air Strike, were recorded on Digital Audio Tape format and come out of analog machines. A2 - Taken Away is a dance floor killer. Recorded in 1996 this theme follows a straight but efficient techno rhythm that reminds the French Touch at the same period of time in Paris, kind of a darker British “Knight Club” song. The vernal Equinox is the last piece of this EP, recorded in 1998 but never released; it is more techno and rave oriented than the others. Discret for a long time and with recent releases on Syncrophone, Komplex de Deep, and Ferox Records, Allen delivers a wide retrospective of his work and surely gives some perspective for the future.



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Now part of the family for more than a year, TvFrom86 aka Thomas Zander is releasing his 1st solo EP on the imprint. Tvfrom86 did a brilliant debut on Roche Musique with the single “Loosing you” including the very good electro funk song “Brooklyn Business”. Keeping the good work and the talent for sampling, TvFrom86 explored the funk with dexterity and exactness in Purple People adding just what the sample needed to sublimate it and make it as powerful as it deserves to be. Creative Swing Alliance, side project of the talented label manager for MCDE, Pablo Valentino, and Steven Wobblejay, gave their own interpretation with and heavier bass and no less efficiency. S3A was invited on the project for the rework of Flying Piano, the third original of the release. The French producer, very proactive at the moment with releases on Lazare Hoche, Hold Youth, Faces, Large Musique and more, definitely didn’t steel his nickname. S3A Is telling us three stories in one with a rough analogic sound for an impressive result. Efficient DJ tool, perfect to turn a dance floor into a mess, By all means combines great rhythmic, samples and voices around a bass guitar for the last original of this French touch record.



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After a remix for Daso’s So Sexy last year, the German-Peruvian artist Martin Patiño confirms his presence on Popcorn Records with an entire EP. To begin with, Solid Ground is born from the collaboration with Astrid. We already heard them on the great Hunter EP on Cadenza at the beginning of the year. The result of this new featuring is an original techno track with all the good components you expect from TR707 drums to a xylophone melody, in addition to the sexy and reassuring voice of Astrid. The American Pezzner honored us with a particular interpretation. A deep theme, with percussions, long and subtle panpipes breathe. As if Pezzner was paying tribute to Martin’s Patino’s roots. Finally, Routinary Coffes comes to conclude this warm and deep record done for the sweating parties of the upcoming winter.




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Mihai Popoviciu joined the team for the fifth vinyl release of the Popcorn Records’ fabric. From Sibiu, Romania, Mihai is known and respected as a major producer, being part of the Highgrade family, and freshly signed on Poker Flat Recordings. We begin this record with Sortable, evolving with a deep vibe around a subtle patch that conveys you in weightlessness. The whole theme is sprinkled with a synth that unconsciously reminds you the cue of a famous pink comic of your childhood... D’Julz (Bass Culture, Circus Company) have been seduced by this original track, and gave us a great rework by using all the elements in a total different way, focusing on the drum’s effects. On the B face, Blur close this records with melodic patches and slight strings flying around a deep bass for a perfect summer result.



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“Music and love are the most important things in my life, and this message I want to spread through my songs. Love not only to people but to all kind of beings and things.” – Daso For its ninth release Popcorn is proud to present the second EP of the man from Koln that we do not introduce anymore: Daso. This artist who became a real friend and mainly one of the head artist of the label is one of the talented producer in the recent electronic music circus. Immer, the main track of this release, gathers a collection of generous and deep sounds sprinkled with hypnotics’ synths: No mistake. The Italian Nico Lahs (Ovum, Poker flat...) gives us a brilliant own interpretation playing with the bass through acid touches. Definitely underground. Schub the second original of this opus confirms Daso’s potential to produce Deep House. Strong original themes, romantic piano, voices and Rolland’s drums are a sweet taste of springs. Chordster is the last original but not the least. The lead piano drives the acid snare all along the track. The result is more than effective and brings your mind right into Daso’s universe, forever.


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Popcorn Records is proud to present the collaboration between Mirco Violi and Hooved, for his seventh release. These two talented Italians artists from Milan offers us a rich La Sorbonne EP with atmospheric beats as well as deep sounds and mysterious vocals. With the main track La Sorbonne, the Italian duo drops an original Deep house theme. Synth tones and groovy aerial sounds will transport you into an intersiderealspace. Rue de Plaisance's boss and respected French producer, Varoslav unleashes an experimental remix with a hypnotic deep theme sprinkled with acid touch on the vocals and heavy bass. On the B-side of the vinyl, Mirco Violi and Hooved take us to La Defense. This little bomb coming from Italy carries you into a deep house odyssey. A profound bass mixed with a languorous voice that will make you sweat this summer. Daso, the talented producer and special friend of the label, signs a beautiful remix. A warm bass is mixed to the classy melodic loops of the original track.

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“Music and love are the most important things in my life, and this message I want to spread through my songs. Love not only to people but to all kind of beings and things.” - Daso The Popcorn machine is proud to announce its fifth outing with his German and romantic friend Daso. Being one of the most talented producer in the recent electronic music circus, Daso released on labels such as Connaisseur, Flash Records, Spectral Sound and more. His tracks are played by many prominent DJs and can be found on countless compilations. The head title here, All my people gathers a collection of generous and warm house sounds sprinkled with techno sonorities. This emotional track abruptly and unexpectedly changes into a truly Techno hymn. As a gift and exclusively in digital version, Daso offers us an alternate house version of All my people. In Dan Lyke the second original of this opus, Daso seduces us with his ever so particular “Pop approach”. A fast and warm rock’n roll bass, techno drops and wide ping-pong vocals are distilled for an admirable result. So Sexy clearly reveals Daso’s potential producing amazing Deep House. Through bass guitar, piano, voices and drums mixed in a perfect harmony, Daso offers here one of his best B face of a vinyl. Flash Recordings pillar Martin Patiño, whose Italian background has in no way overpowered his intense passion for exploring his Peruvian roots, concludes this release with an hovering and lyrical track. Along with Daso, Popcorn Records wish you a happy, healthy and lovely year 2012.


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Former member of French duo Lownza, Lowris devellops here his solo project futher. While his first record along with Chris Carrier received the highest praises, his presence on Piemont's remix album, next to Jay Haze or Uner, shows that Lowris is gently tracing his own path in the electronic field. The "Carambar de Toi" EP gathers a collection of generous and warm deep house sonorities. Spectral Sound new recruit Pawas is on remix duties for the title track of this third Popcorn release. On his version, Pawas blends pads, drums and guitars with a round driving bass. Freshly signed on Poker Flat, is frenchman Andrade who offers here a gliding reword of Jackin'oz. The original version is a subtle track structured by a frank bass and a distant sonar. To round up this EP, Lowris threw in a digital bonus - Random. However, nothing is left to chance here, as a serious kick drum and shuffled bass makes this track a strong DJ tool.



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It's hard to keep up with the hugely prolific output of UK don Burnski and his several different labels these days but one thing is for sure - Pilot keeps on serving up the goods. For its 15th release, the tech and minimal focussed label welcomes Robin Graham who opens up with the lively and colourful synths of bustling groover 'Check Me Out'. 'Spark Plug' is more business-like - the dry drums and hits overlaid with retro chord stabs that amp up the crowd and 'For You' then gets loose and funky with some twisted and sugar synths over garage-flecked beats and 'What's That' (Refix) offers a jumbled percussive sound full of dynamism.

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The third in a series of self-released Liquid Earth Physical Records, “Three Dimensional Rocker” is a sonic cheese plate for the dedicated dancer.

The 12” navigates through four robust club tunes, surely an expected outcome from the seasoned Californian producer. From Aside titles’ full throttle funkery to the equally nauseating floor fillers on the flip, LEP003 is one big kahuna.

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The Oyster Cult’s Naarm continent grows larger with the addition of Ebbs N Flow. The unholy alliance of Dashiell and Will Holden of Hybrid Man touching down with some precision-tooled tech house variants, and considering their only previous collab came on an Animalia compilation back in 2022, this has been long in the making.

OYSTER56 marks the first full release from this lesser spotted project. The handiwork of two producers, both accomplished in their own right but transcending their respective styles for a 4-track dose of late nite propulsion. Seductively stripped-back and engineered for optimum impact.

Flexing a deftness of touch, and a far cry from the smudged, dubby FX Holden tends to deploy under the Hybrid Man banner, these tracks set the duo’s stall out as purveyors of the nocturnal and club-ready. Sultry, sleek, and sumptuous like only the dankest cuts can sound.

It’s fitting that a track with the title 'Deeper Dream' might feature on a release feeling like a transmission from the other side; a parallel dimension where the after-hours never end.

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For their 9th release, AGT Records is happy to present a highly sought after two-tracker from Eric Spire. Originally released in 2003 on his own Silver Pearl Records, the ‘Big Brother’ EP provided the perfect blend of tech house, acid and progressive house that took the US scene by storm.

Each side has its own time and place at the party. The A Side is a peak time percussive workout, with drums and acid lines flying around the constant pulse of a big old bassline. The B Side is designed for the more horizontal after-hours, with a psychedelic melody and groove that keeps on swirling round and round and round.

AGT Records is excited to get this one back onto turntables, all in good time.

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Underground hero and label boss DJ Steaw makes his Nu Groove debut with ‘Seascape EP’, a four-track odyssey of deep, soulful house. With over 12 years of experience, the revered DJ and producer is known for his arresting sets appearing on famed stages including Berlin's Tresor, London's fabric, Amsterdam's Shelter and all over his home nation of France. As an electronic tastemaker spanning multiple genres and influences, DJ Steaw has launched House Puff Records, Steaward and Rutilance Records, the latter of which he co-founded with crate digger Gunnter. Having already received support from tastemaker Chris Stussy, this four-track package is a perfect fit for the cult NYC label. Opening with the powerful stabs of ‘Take It There’, ‘Seascape EP’ explores the producer’s signature, bass-heavy sound as well as the myriad of influences from further afield. The title track ‘Seascape’ contrasts breathy pads with bright, dynamic percussion, as ‘Close To You’ and ‘Exotica’ further demonstrate a recognisable, nostalgic aesthetic that is both club-ready and dreamlike in quality.

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Indeep was the brainchild of New Jersey native Mike Cleveland, who with vocalists Rose Marie Ramsey and Réjane (Reggi) Magloire recorded the original “Last Night a DJ Saved My Life” for the struggling Sound of New York Records in 1982. For the song Cleveland reunited with producer Reggie Thompson (with whom he had worked with on Glass’s “Let Me Feel Your Heartbeat” that same year for West End Records, a track co-produced by legendary DJ Larry Levan.) Becket Records first distributed “Last Night” but within a year was releasing all Indeep’s music under their own imprint, where the group fit in perfectly with that label’s roster of funky New York electro and early hip hop artists. This Unidisc release sees two new remixes by British house DJ George Smeddles, who departs from his trademark ‘90s sound, and the original track’s 808 slow groove, for an intense, faster house beat that puts the Chic-influenced guitar/bass riffs front and center. Also here, from the 1982 12” single, are the original “Acapella” mix with vocals including Cleveland’s rap and the “Sure Shot” vocal mix by house DJ Tony Humphries, who had built a reputation in New York for his KISS FM radio show but broke into the mainstream with this mix, the first of many club hits for this iconic DJ.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Tracklisting
A1 Coeo - Planet Earth
A2 Coeo - Satellite Bay
A3 Coeo - Rush Hour
B1 Coeo - Kawasaki Racing Club
B2 Coeo - The Stage Is Yours
B3 Coeo - Nina's Theme (The Berlin Skit)

Sales Note
Coeo join the Shall Not Fade family with 6 luscious deep house anthems!

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

The second part of Sushitech's three-part vinyl-only series looking at the work of Dexter is another 12" doozy. The UK underground mainstay has been behind many cult and much sought-after records over the years and they all fuse obscure dub and acid tech house in smart ways. They were recorded between 1997-2004 and if you can find any OGs then you will be paying upwards of 100 quid for them. This slab has three driving but deep sounds carefully detailed with wispy pads and filtered vocals for perfect backroom deployment.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Tracklisting
A1 Carlo Di Roma - One Night In New York
A2 Carlo Di Roma - One Night In New York (C H K L T E remix)
B1 Carlo Di Roma - Big Fuking Surprise
B2 Carlo Di Roma - Big Fuking Surprise (Franco Cinelli remix)

Sales Note
For the third edition of Oblivium vinyl we present this exclusive project : Carlo di Roma "Subway ep" is an ambition project together two amazing remix from Franco Cinelli and Chktle


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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Naya Beat continues to champion South Asian musical heritage with the aptly titled Bhangra House Xtc EP featuring music from the late great Manjeet Kondal with remixes from Mr. Scruff and new tracks from label heads Filip Nikolic and Raghav Mani aka Turbotito & Ragz. It celebrates the overlooked influence of late 80s dance and dub music on Bhangra and comes complete with over-the-top artwork, an ode to Bhangra sleeves from the era.

This EP pays homage to a special and relatively untold time when Asian and Western producers collaborated to bridge musical cultures on the dance floor and when British Asian youths were finding their own space at daytime raves. It is in part a tribute to Bhangra innovator Manjeet Kondal, who passed away late last year, and part a tribute to the forgotten yet scintillating confluence of acid house and dub music with late 80s and early 90s Bhangra, now highly sought after as long out of print 12”s.
Kondal, a founding member and percussionist of the legendary band Alaap, left to pursue his solo career as a vocalist. He helped broaden the Bhangra sound by incorporating elements of dub and house into Punjabi folk and traditional instrumentation. His first album, Holle Holle became a household hit, and it is from there that the originals for this package are taken.

The famously deep digging and eclectic selector that is Manchester's Ninja Tune regular Mr. Scruff remixes Kondal’s proto-house banger Ishkaan De Mamle. He first became a fan of Turbotito & Ragz after their label’s superb Naya Beat Volume 1 release and doesn’t disappoint here with a sublime acid house-inspired take with the most infectious and bounciest of basslines. He also serves up an Instrumental Dub and Vocal Strip Down that twists the original into subtly different moods.

Next up, Turbotito & Ragz deliver a dub tribute that works with Kondal’s vocal stems from an assortment of tracks from his album ‘Holle Holle’. It's a compelling and vibrant sound with exotic instrumentals and dubbed-out low ends, all held together by hooky Punjabi vocals. It also comes as a Lovey Dubby Dub version.
With dance music now coming full circle and South Asian DJs increasingly regular faces on the mainstream festival, club, and underground circuit, this release is a fitting and timely modern tribute to the pioneers that came before.

A1 - Ishkaan De Mamle (Mr. Scruff Remix)
A2 - Pyaar
B1 - Ishkaan De Mamle (Mr. Scruff Instrumental Dub)
B2 - Pyaar (Lovey Dubby Dub)

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More