Sigha returns to his OCS imprint for his first solo ep in over two years. 'Move To Speed' leans on the heady electronics and stylistic freedom of his Faugust project, pushing the approach into more club ready territory. Wrapping shifting sound design around frame works of thrumming rhythm and bass heft, the result is a set of tracks that nod explicitly towards the hardcore continuum as much as they take in the artists' exploration of contemporary Techno.

A1. Sigha - Collapse
A2. Sigha - Plastic
B1. Sigha - Alpha
B2. Sigha - Contact

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After the celebrated Metabolism LP from last year, Sigha is back with an untitled 4-track cut for TOKEN84.


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(Function, Wata Igarashi & Marco Shuttle Remixes) Sigha's lauded Metabolism album is further commended with a remix EP for Token 77. With three highly qualified label newcomers enlisted to the task of reimagining aspects of the album, the music is reworked into a new context to powerful effect.


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(180 gr vinyl incl. cd) Token is pleased to announce the sophomore album from Sigha. Metabolism represents an arrival: the artist offers his definitive statement on a production aesthetic that has been in development over the last few years.



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Blueprint are pleased to announce 'Pluralism', the latest EP from Berlin based techno protagonist and Blueprint affiliate Sigha. Sigha is a name that has become synonymous with forward thinking techno and electronic music. His interest in immersive sound design and experimentation combined with a staunchly British take on the genre have helped him carve a unique path through a densely populated field. Having first cut his teeth on acclaimed imprint Hotflush Recordings as well as his own branded label Our Circula Sound, Sigha then fomented a relationship with Blueprint since his 2011 EP I Am Apathy, I Am Submission. Now 2015 sees a return to Blueprint with ‘Pluralism’. Opening track, ‘Pluralism’ is rife with melodic glitches and punchy bass. Beautifully dark, immersive and hypnotic, ‘Desire’ hits the middle ground where techno meets drone, and ‘Demonstration’ is geared towards the final assault on the dancefloor, when techno feels like the only coherent medium of communication.

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Sigha returns to Avian for his first release of 2015, with a distillation of the processes that made up 'The Purification Loops', also released on Avian in 2014. Written shortly after this release, 'Techno Derivatives' continues its concept of rite, ritual and repetition, setting stuttered rhythm and synth work against a backdrop of low end hum.


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This April James Shaw follows last years caustic A Vision of Love project with a debut release as Sigha for Avian, blurring the lines between the dance floor and the ritual chamber. Over the course of six tracks scuffed rhythm and analogue bleed blend together, combining a techno aesthetic with something more primal. The tracks both lean on club tradition and abandon it, veering away from standard structure in places, in favour of fragmentation and prolonged repetition.


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After an outstanding pack of 12-inches for Scuba's Hotflush Recordings, London DJ and producer Sigha a.k.a James Shaw confidently returns to the label with his heavily anticipated debut LP, 'Living WIth Ghosts'. For this offering he presents twelve impressive techno and ambient productions and fuses his love of classic UK techno with the contemporary sound that currently pulses through Berlin’s Berghain. Since his 2009 debut on the label, Sigha has organically shifted further and further into the straight 4/4 realm of techno, embracing the subterranean, darker soundscapes of his new production homebase, Berlin. However, hiding under all that bass, one can still hear the whisper of many long forgotten shoegaze numbers - My Bloody Valentine, Sonic Youth and Slowdive, some of Sigha's heaviest influences, vibrate throughout. Years of playing guitar in London bands defined Sigha's musical start and gave him an ear for the emotive. He was able to merge both worlds after quite literally stumbling across techno by chance, igniting his love of electronic music. Ever since, he's expertly navigated the halls of UK Garage and dub,
releasing on Hotflush, Blueprint and his own fledgling imprint, Our Circular Sound....
Tracklisting:
1 Mirror
2 Ascension
3 Puritan
4 Scene Couple
5 Translate
6 Suspension
7 Dressing For Pleasure (Ideal)
8 Faith And Labour
9 Delicate
10 Dressing For Pleasure (Extract)
11 She Kills in Ecstasy
12 Aokigahara

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After an outstanding pack of 12-inches for Scuba's Hotflush Recordings, London DJ and producer Sigha a.k.a James Shaw confidently returns to the label with his heavily anticipated debut LP, 'Living WIth Ghosts'. For this offering he presents twelve impressive techno and ambient productions and fuses his love of classic UK techno with the contemporary sound that currently pulses through Berlin’s Berghain. Since his 2009 debut on the label, Sigha has organically shifted further and further into the straight 4/4 realm of techno, embracing the subterranean, darker soundscapes of his new production homebase, Berlin. However, hiding under all that bass, one can still hear the whisper of many long forgotten shoegaze numbers - My Bloody Valentine, Sonic Youth and Slowdive, some of Sigha's heaviest influences, vibrate throughout. Years of playing guitar in London bands defined Sigha's musical start and gave him an ear for the emotive. He was able to merge both worlds after quite literally stumbling across techno by chance, igniting his love of electronic music. Ever since, he's expertly navigated the halls of UK Garage and dub,
releasing on Hotflush, Blueprint and his own fledgling imprint, Our Circular Sound....
Tracklisting:
A1 Mirror
A2 Dressing For Pleasure (Ideal)
A3 She Kills In Ecstasy
B1 Puritan
B2 Dressing For Pleasure (Extract)
B3 Suspension
C1 Translate
C2 Delicate
D1 Aokigahara

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Hotflush presents the return of Sigha with a new EP entitled ?Abstractions I-IV?, his sixth on the label. On this release he reaches into darker territory, beginning with a beatless, ambient suspension, drawing the listener in his submerged sonic sphere before dropping into a series of chilling compositions that seem to seethe and smolder at sub-zero temperatures, adorned with haunting electronic blips and synthetic machinations throughout. Having already gathered support from many figures in the electronic world over the last year including Marcel Dettmann, Brendon Moeller and Francois K, as well as making appearances on Scuba?s recent DJ-KICKS mix compilation with ?Where I Come To Forget? amongst others, James Shaw continues to make his mark with ?Abstractions?.

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Hotflush presents its fifth release from rising producer Sigha. This EP continues his progression into subterranean techno hauntings. Since his debut on the imprint in early 2009, Sigha has accumulated support from DJs across the electronic sphere such as Francois K, Brendon Moeller, Marcel Dettmann, Ben Klock, Peter van Hoesen, James Ruskin, and many others. With this release he takes a more direct approach that maintains the cavernous atmosphere and spatial tension of his previous work on Hotflush and his own label Our Circula Sound, resulting in a collection of club tracks that evolve and sizzle with burning tenacity, ultimately bursting into the beatless closer that echoes about in an otherworldly space

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Back to normal releases now for Blueprint after the final instalment of Regis and Ruskin's Post-Traumatic Son project. Emerging from the more experimental side of the Dubstep scene in late 2008 with a number of releases on the much lauded Hotflush Recordings imprint, Sigha’s sound has evolved into a deep, dark, introspective take on Techno. He has also worked with Echocord, Metalheadz and Immerse among others and runs the ‘Our Circula Sound’ label.



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It's now almost two years since German producer Sawlin made his debut on Ann Aimee, but now he is back for a third EP on the Delsin sister label. Entitled 'Niedertracht', it features four more tracks of searing techno in truly uncompromising Sawlin style. 'Kontraktion' goes first with heavy metallic hits, lots of industrial machinery found sounds and thumping kick drums. It's lumpy, mechanical and stiff stuff that is slow and purposeful. The surface of 'Padjam' is then covered in squirming, scratchy little effects as syncopated drums swing deep down below. Eventually the thing gets fleshed out with some malfunctioning melodies and slurred vocal stabs yet still it sounds like no other techno out there. 'Niedertracht' takes up the b1 with a spangled techno track that has gurgling synths and fizzing drills all encased in a ravey arrangement of horns and windy howls. The broken sounding 'Weibhaupt' is made up of metal loops, punctured drums and rasping synths that sou nd like factories in melt down. This is truly inventive electronic music that's laced with a very real and unmistakable sense of industrialism, and proves Sawlin is one of the day's most exciting producers

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Mancunians AnD have lead the way when it comes to the industrial techno revolution of recent times and now serve up three such tracks on Ann Aimee. Coming after plenty of great work on their own eponymous imprint. The titular track 'Ard Core Krew' kicks things off with squealing machines, huge dump piston sounds, metallic synths and brutalist kick drums. It?s a hostile world of sound in which it is easy to get disorientated, and ?Changed My View? is much the same, with every single element sounding raw, frazzled and under plenty of strain. It?s a fuzzy, dirty track with lots of detailed activity as well as huge stomping kick drums, which pin it all together. 'Free At Last' is the most propulsive and forward moving; surging as it does on a grimy brew of splintered hi hats, incessant kick drums and low fizzing frequencies. Aggressive techno never sounded so fresh!

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Sawlin's debut EP on Delsin off shoot Ann Aimee went down so well it only made sense to have him craft another. 'Eviment' is that EP, made up of three more deep and subterranean techno cuts that play with plenty of textures. Title track 'Eviment' is a tortured and paranoid offering that has a nagging vocal stretched out over splashy claps and a foreboding bottom end thud. It's vast and dark, spare and haunting where 'Kretze' is a bigger and bolder track. The analogue percussion and serrated lines all sound old and aged as they mark out a scraping, dystopian vision of a world well away from here. 'Sour Tear' has a more syncopated, techno-funk groove but is still padded out with plenty of dubby undercurrents. Sawlin's percussion sounds are wholly non standard, from clanking metal to twanging strings, everything sounds like a real world sound, which makes his music as arresting as anyone's, despite being made firmly for the techno back room.



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Delsin’s sister label Ann Aimee (pronounce it however you like) has unearthed another techno talent here in the form of Yan Cook. The Ukrainian has collaborated with a number of people in the past, as well as working under aliases like Eigenes Rezept, but is now focusing on his own style fully: heavy dancefloor techno with haunting atmospheres. Listen to his (vinyl only) 2x2 EP and you’ll get the picture immediately: ‘Rhomb’ is as heavy and subterranean as they come. Apocalyptic sounding searchlight synths pan over the whole arrangement as microbial sounds busy them selves in the foreground. Vast, echoing claps seem to hang in the air and you can imagine someone like Dettmann dropping this in Berghain to a rapturous reception. ‘2x2’ bangs the box even harder – the kicks hammer the same spot over and over rather than rolling onwards, where the gradual forward motion instead comes from the rattling, melting synth chords that flood the arrangement each bar. This one’s aggressive and raw, splintered and forceful: Yan Cook’s grip on the dancefloor, then, is a firm one to say the least.



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Mosca drops some killers on Ann Aimee!! Fine work!




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Having lain out it's darkened techno vision with the epic and enthralling Inertia compilation over the last few months, Delsin's little sister, Ann Aimee, is back. Back with another bang, this time from mysterious Vault Series associate Sawlin who drops four cuts of grainy, scratchy sounds with his Techno Dumping EP. 'Boring Feels' is the deepest offering, gently pushing forward as sharp percussion sounds roll off the heavy and hunched over bottom end. 'Techno Dumping' is a punchier affair with trippy background atmospherics and a cantering bottom end that’s paranoid as hell, whilst 'Datamen Working' is a dubbed out destroyer with eerie shapes craft sounds and muffled vocals throughout. Closer 'Neid Auf Vacuum' lets in some shafts of melodic light to its clappy house heart, with rippling keys and train-track sounds fleshing out the backdrop: more finely crafted dance floor weapons you simply need in your collection.

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The final of four in the Inertia series with four new exclusive techno tracks. The final hurrah for Ann Aimee?s Inertia compilation sees four modern techno heavyweights add their exclusive sounds to the fold. Recent album stars Skudge are as economical yet efficient as you?d expect with their booming ?Pollution,? before Conforce designs yet more lush sounds with his deep technoid cut ?When It Appeared.? Restless Romainian Cosmin TRG confounds expectationst again with his rusty, rolling cut ?Plaisir Interdit? before Fachwerk co-founder Sascha Rydell gets a little spaced out on his kinetic and melancholic effort, ?Rainy Days? Stand out on its own, but peerless when paired with the other three parts, Inertia 4 ends a special project indee

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Delta Funktionen delivers his third and final part of his Setup series. More freaked, frantic and robotic as ever before.

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Delta Funktionen delivers his third and final part of his Setup series. More freaked, frantic and robotic as ever before.

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