Boris Bunnik with a Vernon Felicity debut album! Days Of Leisure is a very well produced warm and analogue sounding house album. Think Metro Area vs. Larry Heard and you are almost there.. This is the sound of the summer and a future classic in the making.

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Tracklisting:
A1 Vernon Felicity - Chord Memory
A2 Vernon Felicity - Hindsight
B1 Vernon Felicity - Contemplation
B2 Vernon Felicity - Alternate

Release Note:
Boris Bunnik returns to the Fluid Electronics label after his remix for Rob Belleville. This is his first outing under the Vernon Felicity alias since 2016. Boris - better known for his work as Conforce and Versalife, steps up with four cuts joining the dots between sci-fi-infused scenarios, rapturous synthy vistas and AI-powered club dynamism, bound to have dance floors phasing in a paradox of hi-intensity wares and textures-splattered sonics tailored to maximal effect.

Breaking the EP in, "Chord Memory" lets out a thunder of raucous machine gargling. Navigating a league of its own, halfway proper muscular EBM and no-frills techno from the deep, this one attacks pedal to the metal with great loads of aggro kicks, rattling snares and monster bass swells surging upon the ravers with ominous presence. Doped on laser blasts and liquid-like vintage keyboardry, "Hindsight" blazes a trail of dusty acidness across, laying it thick with FX-riddled stabs and octave-shifting pads out an oddly distorted VHS score.

Flip it over and here is "Contemplation" - a synth-heavy, Chicagoan style mover, smoothly drifting into Blade Runner-esque hyperspace as bars run by. From minute first to last, VF serves up a premium skittish and playful disco chug endowed with the right dose of neon-doused, widescreen escapism to keep the brain and body organically synced. Final number "Alternate" tops it off on an even breezier note, pulling out an impeccable arsenal of crudely dressed hats, solar-powered keys and stealth sub bass moves that simply do not let loose on their raving prey until all lights have gone out for good.


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The elusive Vernon Felicity comes with a stark and stomping 4 tracker for the Basement series. Motorcity meets Harbourcity...



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VF is a most zealicous producer. With joy and pride we announce his second instalment in the series!



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Conforce alias Vernon Felicity with his first Delft EP, heavy with Detroit leanings and acid crackles.



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Vernon Felicity is also known as Conforce and Boris Bunnik, the tireless Dutch producer who marries analog and digital sounds together into otherworldy sound tracks. Now he is back on MOS once more after a new Conforce album on Delsin, and again he impresses with his unique ear for detail and ability to craft intricate sonic worlds. The label's excellent 23rd EP kicks off with 'Fake Profile', an icy bit of deep techno with a sprawling 303 acid line and typically deep and soulful pads in the background. Dance floor ready but also super heady, it is rich in detail but full of groove. 'Induce' is a more broken beat pattern with lumpy 909 drums, lazy open hi hats and gloopy bass. Sombre, downbeat chords add real emotional resonance to this mid tempo house cut as it slowly trudges though the cosmos. The flip finds 'Dropping Faces' get all manic and out of control, with whirring machines, wild drum programming and plenty of angst percussion. Subtle cow bells and distortion add texture and scale and it is the angriest cut here. Lastly, 'Running Late' rounds out an expertly varied EP with lush synth drones that slowly uplift you as the drums and percussion do their slick work down below. Once again, Vernon Felicity proves he can make every style of electronic music, and does so with real personality.

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The unstoppable Boris Bunnik is back once again, this time as Vernon Felicity with a four track EP for MOS Recordings. The tracks see him explore his usual analogue heavy sound, but there is a little more space in his arrangements, a more rueful mood. The title track 'Dawning' is slow and purposeful, with acid pricks and twitches peppering a churning groove. Next, 'Breaking Silence' is more kinetic, with claps, hits and squiggly melodies all bouncing off each other as pronounced basslines strike a melancholic note below. On the flip, 'Wrong Notion' has plenty of height to it, again with eco systems of analogue lines and acid belches all weaving their way around each other and the raw, splintered beats below, before last track '3' explores wide open cosmic synth spaces with lingering pads, mournful Blade Runner style synth lines and gently churning rhythms all soothing your brain and body in equal measure.



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