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Last in:22.10.2012
Label:bar 25
Cat-No:25-17
Release-Date:29.04.2011
Genre:Minimal
Configuration:2x12"
Barcode:
This album builds more than just one bridge between the best worlds of frivolousness and dependability – horizontally, vertically, all the directions in between, and in time. No matter what the current when you cross, the beginning and the end dissolve into an everlasting flow in true 25 character. The journey is fueled by its own limitlessness, all the while delivering crucial reference points for a purposeful riptide ride. The experienced hedonist lets herself be driven through her beloved quarter-note spheres, relishing the moments when, in certain beats, twinkling details lead her towards a different route – one familiar but long forgotten. She strings this pearl on her chain of rhythm-driven moods, calling upon it at the right times to amplify her individual push. The allure of the impact’s unfolding redeems each secret whispered by the spirit of the sound.The adventurous disciple of a sensually charged culture is pushed to peer beyond the limits of his exhilarated expectations. He cannot resist reaching for the starlit beats, wishing to adorn himself with their shine. Born anew, a master, he is forever received as a welcome guest (+1) in each of the best of all worlds – this is how the multiplicity of all their denizens takes its outrageous and dazzling form. Together they are deeply moved by the messages that the bass massages into their collective body. The anxious ones dive into the pheromone-soaked vapors of the new terrain, whose very strangeness makes it so attractive. They are kindly incorporated into the beat’s commanding dimension by fellow travelers already in the know. Primed in such a manner, they too can be led across the bridges with playful ease, bridges from which they first expected only precarious footing. In the freefall of boundless fervors, any worry that something might one day end is drowned out, since the shock will be softly absorbed by the warmth of the vibe in the pool of electric delight.This congregation, whose sleeplessness and bliss are one and the same, celebrates every transition as a promise of salvation. This is the ingredient that lends the flow its joyfully received immortality. For them, Matt John’s “Bridge” is a welcome bond between the memories of his old residence – the home of intoxication – and its future, which has propagated itself in the label. Connected by bridge, the worlds of frivolity and dependability promise excess, delirium, security, euphoria, beauty, progression, hope, song, softness, safety, desire, sentimentality, form, function, forcefulness, starry nights, love, searching, arrival, farewell, summer vacation, crispy-crunchy, creation and exhaustion.
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Last in:19.05.2022
Label:Perlon
Cat-No:perlon49
Release-Date:03.06.2022
Genre:House
Configuration:12" Excl
Barcode:661956354960
1
matt john - A1 Princess Unknown
2
matt john - B1 The Rising Scope
3
matt john - B2 Ferro Sanol Duodenal
2021 Repress
Tracklist:
A1 Princess Unknown
B1 The Rising Scope
B2 Ferro Sanol Duodenal
Release Info:
Perlon's 49th release is brought to you by Berlin based Matt John. Entitled "Joker Family Park One" itmarks the first part of a story with an open ending... At the beginning, we meet miss "Princess Unknown", who rings the bell with great passion. Af ter a pleasant ride through "The Rising Scope", we finally finally reach the hypnotic fields of "Ferro Sanol Duodenal", which marks the end of this stunning debut of mister John. More
Tracklist:
A1 Princess Unknown
B1 The Rising Scope
B2 Ferro Sanol Duodenal
Release Info:
Perlon's 49th release is brought to you by Berlin based Matt John. Entitled "Joker Family Park One" itmarks the first part of a story with an open ending... At the beginning, we meet miss "Princess Unknown", who rings the bell with great passion. Af ter a pleasant ride through "The Rising Scope", we finally finally reach the hypnotic fields of "Ferro Sanol Duodenal", which marks the end of this stunning debut of mister John. More
Label:bar 25
Cat-No:25-25
Release-Date:13.11.2014
Configuration:2x12"
Barcode:
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Last in:17.11.2014
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Last in:17.11.2014
Label:bar 25
Cat-No:25-25
Release-Date:13.11.2014
Configuration:2x12"
Barcode:
1
matt john - A1 - Hello Again (Californian Sunrise)
2
matt john - B2 - Meatball
3
matt john - B2 - Dolphins
4
matt john - C1 - The Bridge
5
matt john - D1 - Space Caravan
6
matt john - D2 - The Rising Horse (Vers.5)
Outstanding Remix Edition of Matt John’s 2×12” Vinyl Maxi Single “The Bridge”
The Original was released as Matt John “The Bridge” (bar25-17)
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The Original was released as Matt John “The Bridge” (bar25-17)
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Label:Cocoon Recordings
Cat-No:corcd034
Release-Date:10.06.2013
Genre:House
Configuration:CD Excl
Barcode:827170130524
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Last in:27.05.2013
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Last in:27.05.2013
Label:Cocoon Recordings
Cat-No:corcd034
Release-Date:10.06.2013
Genre:House
Configuration:CD Excl
Barcode:827170130524
UPC: 827170130524 Release: 27. Mai 2013
Tracklisting: 1.Interview PT1 2.Angels Dust 3.Monogramm 4.The River feat. Marc Lorbeer 5.Ocean Inside 6.My Pocket 7.The Keys 8.Britz Wind 9.The Surf Owl 10.Today 11.Froydish
Retro was the by far most overworked musical term in all areas house and techno. And well, we have to admit it it: So is this release by our new player MATT JOHN and his debut for Cocoon Recordings. However, this time "retro" works a bit different. It's Sheffield, Warp, the early Hacienda- and LFO-days that are shining through here. We are talking northern sound inspired techno here, dark but hedonistic, analogue synths and for those who remember: A Certain Ratio feeling all over the place! Of course this is what we hear here and what we feel and we have no idea if Matt John did all this on purpose but to be honest: We don't care! This is great, this is good, this is techno as we like it and most important: This is hard to find these days. So let the show begin, ladies & gentlemen here comes MATT JOHN! The style and vibe of Matt Johns collection is defined right from the start: "Interview" is built around slim analogue drums and shouts out loud that you won't find loop-house and overpolished drum-sounds in here. It's about feelings and all the colours of sound that create this certain atmosphere. Relaxed organsounds, spoken words and echo-effects form a decent and warm entry in this album full of depth. A perfect door opener, so let's step further into Matt Johns world of sounds. "Angel Dust" will show many youngsters how effective a clean and banging 808 can be. The classic backwards-strings on top lead to that special dark but hedonistic vibe that is almost dying for some cool MC Tune rhyme! Matt John continues with his very own bleeps & plonks revival and with "Monogramm" it is almost undeniable that master John must have been a big fan of the "Sweet Exorcist" and all the other WARP legends. Well, maybe he's not, maybe he never even heard of them but again, we don't care as this is pure dope! No more cut-up vocals, no more Ableton-loop-tools, this all sounds handmade. Simply real as electronic music can be when not created by binary codes and arranged by numbers. However it's not all about sounding real and retro here. With "The River" Matt John shows his jazzy side and introduces more warm organ sounds and heavy beats and even a guitar is joining the game. Not retro at all but not 2013 as well, a unique piece of music with no real reference. Berlin? Frankfurt? London? Nothing really fits and this means we are listening to a timeless and big piece of music. "The Ocean Inside" sounds far more contemporary and way more up to date then the rest of the album. A dry bassline, dub-echoes, warm strings and a pretty cool groove makes it a nice connection to the techno of today however without leaving the basic "clonk" touch of the album. "My Pocket" follows this and more jazz vibes are spreaded, almost in a soundtrack-style this tune breathes the air of a hard night, of too much alcohol and the cool and grey summer morning after all this. Epic! And "The Keys" is the right answer to this, the sound after you got over the hangover, the energy is back and the beats start banging again and the vocals call us to "enter the signs of today". "Britz Wind" slows down the tempo again and is introducing the near end of the album. A round package, again soundtrack-loaded but still the right sound for the summer. Track number nine ("The Surf Owl") is a bizarre melting pot of heavy beats, ocean surf and synthesizer bird-sounds, a creation that will not be loved by everybody but so far the track with the highest creative potential on this album. Brave, different, not easy to eat but very tasty if you try to. And Matt Johns stays brave with "Today": A New-Order-bassline and vocals that appear to be recorded through DJ-headphones meet a funky guitar and create a great piece of music with a high recall value. Last but not least there is "Froydish" waiting for us as the last track that is literally closing the door of Matt Johns musical world. A hypnotic beat and sounds that follow a more contemporary direction form a soft and warm ending for a heavy album. A collection of tracks that want time and attention from the listener but takes one on a journey into musical madness in return. More albums like this and Techno will exist for at least 20 more years!
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Tracklisting: 1.Interview PT1 2.Angels Dust 3.Monogramm 4.The River feat. Marc Lorbeer 5.Ocean Inside 6.My Pocket 7.The Keys 8.Britz Wind 9.The Surf Owl 10.Today 11.Froydish
Retro was the by far most overworked musical term in all areas house and techno. And well, we have to admit it it: So is this release by our new player MATT JOHN and his debut for Cocoon Recordings. However, this time "retro" works a bit different. It's Sheffield, Warp, the early Hacienda- and LFO-days that are shining through here. We are talking northern sound inspired techno here, dark but hedonistic, analogue synths and for those who remember: A Certain Ratio feeling all over the place! Of course this is what we hear here and what we feel and we have no idea if Matt John did all this on purpose but to be honest: We don't care! This is great, this is good, this is techno as we like it and most important: This is hard to find these days. So let the show begin, ladies & gentlemen here comes MATT JOHN! The style and vibe of Matt Johns collection is defined right from the start: "Interview" is built around slim analogue drums and shouts out loud that you won't find loop-house and overpolished drum-sounds in here. It's about feelings and all the colours of sound that create this certain atmosphere. Relaxed organsounds, spoken words and echo-effects form a decent and warm entry in this album full of depth. A perfect door opener, so let's step further into Matt Johns world of sounds. "Angel Dust" will show many youngsters how effective a clean and banging 808 can be. The classic backwards-strings on top lead to that special dark but hedonistic vibe that is almost dying for some cool MC Tune rhyme! Matt John continues with his very own bleeps & plonks revival and with "Monogramm" it is almost undeniable that master John must have been a big fan of the "Sweet Exorcist" and all the other WARP legends. Well, maybe he's not, maybe he never even heard of them but again, we don't care as this is pure dope! No more cut-up vocals, no more Ableton-loop-tools, this all sounds handmade. Simply real as electronic music can be when not created by binary codes and arranged by numbers. However it's not all about sounding real and retro here. With "The River" Matt John shows his jazzy side and introduces more warm organ sounds and heavy beats and even a guitar is joining the game. Not retro at all but not 2013 as well, a unique piece of music with no real reference. Berlin? Frankfurt? London? Nothing really fits and this means we are listening to a timeless and big piece of music. "The Ocean Inside" sounds far more contemporary and way more up to date then the rest of the album. A dry bassline, dub-echoes, warm strings and a pretty cool groove makes it a nice connection to the techno of today however without leaving the basic "clonk" touch of the album. "My Pocket" follows this and more jazz vibes are spreaded, almost in a soundtrack-style this tune breathes the air of a hard night, of too much alcohol and the cool and grey summer morning after all this. Epic! And "The Keys" is the right answer to this, the sound after you got over the hangover, the energy is back and the beats start banging again and the vocals call us to "enter the signs of today". "Britz Wind" slows down the tempo again and is introducing the near end of the album. A round package, again soundtrack-loaded but still the right sound for the summer. Track number nine ("The Surf Owl") is a bizarre melting pot of heavy beats, ocean surf and synthesizer bird-sounds, a creation that will not be loved by everybody but so far the track with the highest creative potential on this album. Brave, different, not easy to eat but very tasty if you try to. And Matt Johns stays brave with "Today": A New-Order-bassline and vocals that appear to be recorded through DJ-headphones meet a funky guitar and create a great piece of music with a high recall value. Last but not least there is "Froydish" waiting for us as the last track that is literally closing the door of Matt Johns musical world. A hypnotic beat and sounds that follow a more contemporary direction form a soft and warm ending for a heavy album. A collection of tracks that want time and attention from the listener but takes one on a journey into musical madness in return. More albums like this and Techno will exist for at least 20 more years!
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Last in:19.11.2014
Label:cocoon
Cat-No:corlp034
Release-Date:10.06.2013
Genre:House
Configuration:2LP Excl
Barcode:827170495968
UPC: 827170495968 Release: 27. May 2013
LP (Vinyl pack incl. the CD too) A2: Ocean Inside B1: The River feat. Marc Lorbeer B2: Monogramm C1: My Pocket D1: The Keys D2: Froydish
Retro was the by far most overworked musical term in all areas house and techno. And well, we have to admit it it: So is this release by our new player MATT JOHN and his debut for Cocoon Recordings. However, this time "retro" works a bit different. It's Sheffield, Warp, the early Hacienda- and LFO-days that are shining through here. We are talking northern sound inspired techno here, dark but hedonistic, analogue synths and for those who remember: A Certain Ratio feeling all over the place! Of course this is what we hear here and what we feel and we have no idea if Matt John did all this on purpose but to be honest: We don't care! This is great, this is good, this is techno as we like it and most important: This is hard to find these days. So let the show begin, ladies & gentlemen here comes MATT JOHN!
The style and vibe of Matt Johns collection is defined right from the start: "Interview" is built around slim analogue drums and shouts out loud that you won't find loop-house and overpolished drum-sounds in here. It's about feelings and all the colours of sound that create this certain atmosphere. Relaxed organsounds, spoken words and echo-effects form a decent and warm entry in this album full of depth. A perfect door opener, so let's step further into Matt Johns world of sounds. "Angel Dust" will show many youngsters how effective a clean and banging 808 can be. The classic backwards-strings on top lead to that special dark but hedonistic vibe that is almost dying for some cool MC Tune rhyme! Matt John continues with his very own bleeps & plonks revival and with "Monogramm" it is almost undeniable that master John must have been a big fan of the "Sweet Exorcist" and all the other WARP legends. Well, maybe he's not, maybe he never even heard of them but again, we don't care as this is pure dope! No more cut-up vocals, no more Ableton-loop-tools, this all sounds handmade. Simply real as electronic music can be when not created by binary codes and arranged by numbers.
However it's not all about sounding real and retro here. With "The River" Matt John shows his jazzy side and introduces more warm organ sounds and heavy beats and even a guitar is joining the game. Not retro at all but not 2013 as well, a unique piece of music with no real reference. Berlin? Frankfurt? London? Nothing really fits and this means we are listening to a timeless and big piece of music. "The Ocean Inside" sounds far more contemporary and way more up to date then the rest of the album. A dry bassline, dub-echoes, warm strings and a pretty cool groove makes it a nice connection to the techno of today however without leaving the basic "clonk" touch of the album. "My Pocket" follows this and more jazz vibes are spreaded, almost in a soundtrack-style this tune breathes the air of a hard night, of too much alcohol and the cool and grey summer morning after all this. Epic! And "The Keys" is the right answer to this, the sound after you got over the hangover, the energy is back and the beats start banging again and the vocals call us to "enter the signs of today".
"Britz Wind" slows down the tempo again and is introducing the near end of the album. A round package, again soundtrack-loaded but still the right sound for the summer. Track number nine ("The Surf Owl") is a bizarre melting pot of heavy beats, ocean surf and synthesizer bird-sounds, a creation that will not be loved by everybody but so far the track with the highest creative potential on this album. Brave, different, not easy to eat but very tasty if you try to. And Matt Johns stays brave with "Today": A New-Order-bassline and vocals that appear to be recorded through DJ-headphones meet a funky guitar and create a great piece of music with a high recall value. Last but not least there is "Froydish" waiting for us as the last track that is literally closing the door of Matt Johns musical world. A hypnotic beat and sounds that follow a more contemporary direction form a soft and warm ending for a heavy album. A collection of tracks that want time and attention from the listener but takes one on a journey into musical madness in return. More albums like this and Techno will exist for at least 20 more years!
!
More
LP (Vinyl pack incl. the CD too) A2: Ocean Inside B1: The River feat. Marc Lorbeer B2: Monogramm C1: My Pocket D1: The Keys D2: Froydish
Retro was the by far most overworked musical term in all areas house and techno. And well, we have to admit it it: So is this release by our new player MATT JOHN and his debut for Cocoon Recordings. However, this time "retro" works a bit different. It's Sheffield, Warp, the early Hacienda- and LFO-days that are shining through here. We are talking northern sound inspired techno here, dark but hedonistic, analogue synths and for those who remember: A Certain Ratio feeling all over the place! Of course this is what we hear here and what we feel and we have no idea if Matt John did all this on purpose but to be honest: We don't care! This is great, this is good, this is techno as we like it and most important: This is hard to find these days. So let the show begin, ladies & gentlemen here comes MATT JOHN!
The style and vibe of Matt Johns collection is defined right from the start: "Interview" is built around slim analogue drums and shouts out loud that you won't find loop-house and overpolished drum-sounds in here. It's about feelings and all the colours of sound that create this certain atmosphere. Relaxed organsounds, spoken words and echo-effects form a decent and warm entry in this album full of depth. A perfect door opener, so let's step further into Matt Johns world of sounds. "Angel Dust" will show many youngsters how effective a clean and banging 808 can be. The classic backwards-strings on top lead to that special dark but hedonistic vibe that is almost dying for some cool MC Tune rhyme! Matt John continues with his very own bleeps & plonks revival and with "Monogramm" it is almost undeniable that master John must have been a big fan of the "Sweet Exorcist" and all the other WARP legends. Well, maybe he's not, maybe he never even heard of them but again, we don't care as this is pure dope! No more cut-up vocals, no more Ableton-loop-tools, this all sounds handmade. Simply real as electronic music can be when not created by binary codes and arranged by numbers.
However it's not all about sounding real and retro here. With "The River" Matt John shows his jazzy side and introduces more warm organ sounds and heavy beats and even a guitar is joining the game. Not retro at all but not 2013 as well, a unique piece of music with no real reference. Berlin? Frankfurt? London? Nothing really fits and this means we are listening to a timeless and big piece of music. "The Ocean Inside" sounds far more contemporary and way more up to date then the rest of the album. A dry bassline, dub-echoes, warm strings and a pretty cool groove makes it a nice connection to the techno of today however without leaving the basic "clonk" touch of the album. "My Pocket" follows this and more jazz vibes are spreaded, almost in a soundtrack-style this tune breathes the air of a hard night, of too much alcohol and the cool and grey summer morning after all this. Epic! And "The Keys" is the right answer to this, the sound after you got over the hangover, the energy is back and the beats start banging again and the vocals call us to "enter the signs of today".
"Britz Wind" slows down the tempo again and is introducing the near end of the album. A round package, again soundtrack-loaded but still the right sound for the summer. Track number nine ("The Surf Owl") is a bizarre melting pot of heavy beats, ocean surf and synthesizer bird-sounds, a creation that will not be loved by everybody but so far the track with the highest creative potential on this album. Brave, different, not easy to eat but very tasty if you try to. And Matt Johns stays brave with "Today": A New-Order-bassline and vocals that appear to be recorded through DJ-headphones meet a funky guitar and create a great piece of music with a high recall value. Last but not least there is "Froydish" waiting for us as the last track that is literally closing the door of Matt Johns musical world. A hypnotic beat and sounds that follow a more contemporary direction form a soft and warm ending for a heavy album. A collection of tracks that want time and attention from the listener but takes one on a journey into musical madness in return. More albums like this and Techno will exist for at least 20 more years!
!
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Last in:13.04.2007
Label:Perlon
Cat-No:perlon54
Release-Date:30.03.2006
Genre:House
Configuration:2LP Excl
Barcode:
Spending a lifetime at Joker Family Park is highly recommended! ...And the grand-opening of Park Two is getting closer. After being busy doing remixes for Alter Ego, Alex Smoke or MyMy, Matt John continues to guide us through his territory. Last years "Park One" (PERL49) already caused some serious reaction all over the world. Now there's 6 new songs, waiting to be discovered on this double 12" package. The A-side "Hawaii You" is coproduced by Ricardo Villalobos.
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More records from bar 25
Label:bar 25
Cat-No:25-25
Release-Date:13.11.2014
Configuration:2x12"
Barcode:
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Last in:17.11.2014
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Last in:17.11.2014
Label:bar 25
Cat-No:25-25
Release-Date:13.11.2014
Configuration:2x12"
Barcode:
1
matt john - A1 - Hello Again (Californian Sunrise)
2
matt john - B2 - Meatball
3
matt john - B2 - Dolphins
4
matt john - C1 - The Bridge
5
matt john - D1 - Space Caravan
6
matt john - D2 - The Rising Horse (Vers.5)
Outstanding Remix Edition of Matt John’s 2×12” Vinyl Maxi Single “The Bridge”
The Original was released as Matt John “The Bridge” (bar25-17)
More
The Original was released as Matt John “The Bridge” (bar25-17)
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Last in:05.12.2014
Label:bar 25
Cat-No:25-24
Release-Date:02.11.2012
Genre:Minimal
Configuration:12"
Barcode:
The Cheapers are Berlin DJs Ruede Hagelstein and Franzen Texas. Both are resident DJs at Watergate Club, and call Upon You Records their home label. Our friends’ contribution to the Bar25 discography has been cooking for a long time, and now, finally, is ready to meet the light of the musical world. The title track, “Too Late”, is a cooperation with Berlin DJane and singer Meggy, who has already seen success this year with Re.You & Rampa. The Original is a soulful deep house track that’s been freshened up with a tech-housy remix by Smash TV. Vinyl Only, the Cheapers have also added a particularly special track which features some dark sampling that the two artists refer to as gothic house
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Last in:17.02.2014
Label:bar 25
Cat-No:25-21
Release-Date:10.05.2012
Genre:Minimal
Configuration:2x12"
Barcode:
For some time now the Bar25 label has wanted to put out a release with all of our Swiss musician friends – the many folks who came to the Swiss Weekends at the Bar and generally made a habit of visiting us in Berlin. The Bar always had a deep Swiss connection, manifested not least in the legendary Swiss Cabin, home away from home to larger groups of visiting friends and Monday evening after-hour hotspot. “Alpenglühen – Feines aus der Schweiz” (Alp Glow – Swiss Bliss) is a swanky double vinyl of high-quality production art made in Switzerland. On vinyl 1, Animal Trainer from Hive Audio share a side with Andri, the Zurich native. Techno gladiator Wandler and live artist Canson play the other side, while vinyl 2 lets two matadors from the new Zurich club Frieda’s Büxe – Don Ramon and San Marco – steer for a while. And the two music geniuses from Galoppierende Zuversicht are also here, fittingly, using sounds recorded live at Frieda’s Büxe for their track. The sampler concludes with the exceptionally talented Mastra, who contributed a special song to this Swiss musical collage. The digital release also comes with a bonus live track by sublime stage band Rizzoknor.
Even the cover was designed in Switzerland, during a Bar25 night at the legendary Cabaret in Zurich. We’re all excited about this release since it’s a special one for the 25 label. Marked both by good old times and new horizons, this record is a musical compilation representing the very special kind of artist that will always be welcome in wild Berlin!
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Even the cover was designed in Switzerland, during a Bar25 night at the legendary Cabaret in Zurich. We’re all excited about this release since it’s a special one for the 25 label. Marked both by good old times and new horizons, this record is a musical compilation representing the very special kind of artist that will always be welcome in wild Berlin!
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Last in:30.05.2012
Label:bar 25
Cat-No:bar25-23cd
Release-Date:07.05.2012
Genre:Techno
Configuration:2CD
Barcode:827170123724
LIMITED DIGIPACK EDITION INCLUDING THE POSTER!
Coinciding with the cinema premier of "Bar25 - Tage ausserhalb der Zeit" (Bar25 - Days Out of Time), the Bar25 label is releasing the official soundtrack. Together with its closest musician friends, the label began work over a year ago on exclusive tracks that would be included in the final cut.
The result is a remarkable compilation of works from a number of music genres - a unique collection of musical contributions by steadfast companions of the exceptional place that was Bar25. The sampler is divided into two worlds - the dancefloor and the Zirkus - each representative of the distinct atmosphere these two core places emanated during the Bar25's existence. The dancefloor was the club's central point - this is where time seemed to melt into itself and more than a few DJs played the longest sets of their lives. The Zirkus was its counterpart - a place for everybody who wanted to retreat into a dream world. It hosted bands, cabaret, theater and cinema, and on special occasions, legendary confetti battles. Faithful to this subdivision, the compilation "Bar25 - Tage ausserhalb der Zeit" comprises two CDs that reflect the moods found there. CD1 "Dancefloor" contains 11 club tracks on a spectrum ranging from exclusive, unreleased songs to the dance hymns of the Bar25's last season. CD2 "Zirkus" is a dazzling roundup of special songs, some by artists who usually make very different music. Taking turns in musical styles, 15 songs give an auditory sampling of what made the Bar25 Zirkus's artistic mix. Like the film, this compilation a tiny testament for eternity to the late, great Bar25 - something definitely worth having on the shelf for reliving the feelings experienced there when it existed from time to time.
Supporting the release's distribution is noted techno label Word and Sound. Together with the producer Arden Film, everybody is joining forces to promote the Bar25 - Tage ausserhalb der Zeit project. The whole team has been working on the realization of this ultimate farewell gift to itself and its friends, and now it's ready.
01 Acid Pauli - Abschied25
02 Soil ain't Solid feat. Reecode - 25/7 Mod
03 Oliver Koletzki - Ingwer-Orange
04 Marcus Meinhardt - Endjoy
05 Nu feat. JoKe - Who Loves The Sun
06 Niconé & Sascha Braemer - Thänk You
07 Dirty Doering - I Would
08 Nico Stojan - Ginkhoe
09 Channel X - Deliverance
10 Britta Arnold - You Can See Me
11 Daniel Dreier & Dale - LaBouf
01 Reecode - Catching The Dawn
02 Jake The Rapper - Crazy Paradise
03 Wareika - Bazar
04 Budzillus - Berlin Waltz
05 Kiki Bohemia - Baptism Of The Dolls
06 Hey-O-Hansen - If You Loving Me
07 Pilocka Krach - Oh Yeah Voll Krass
08 Jahcoozi - Jimmi's Dad
09 DOP - December 25
10 Lee Jones - Quartet
11 Margaret Dygas - Elsewhere
12 Don Shtone - Barcese
13 Rizzoknor -Thin
14 Beaner - Me Busca
15 Capey Cash - There Was A Bar
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Coinciding with the cinema premier of "Bar25 - Tage ausserhalb der Zeit" (Bar25 - Days Out of Time), the Bar25 label is releasing the official soundtrack. Together with its closest musician friends, the label began work over a year ago on exclusive tracks that would be included in the final cut.
The result is a remarkable compilation of works from a number of music genres - a unique collection of musical contributions by steadfast companions of the exceptional place that was Bar25. The sampler is divided into two worlds - the dancefloor and the Zirkus - each representative of the distinct atmosphere these two core places emanated during the Bar25's existence. The dancefloor was the club's central point - this is where time seemed to melt into itself and more than a few DJs played the longest sets of their lives. The Zirkus was its counterpart - a place for everybody who wanted to retreat into a dream world. It hosted bands, cabaret, theater and cinema, and on special occasions, legendary confetti battles. Faithful to this subdivision, the compilation "Bar25 - Tage ausserhalb der Zeit" comprises two CDs that reflect the moods found there. CD1 "Dancefloor" contains 11 club tracks on a spectrum ranging from exclusive, unreleased songs to the dance hymns of the Bar25's last season. CD2 "Zirkus" is a dazzling roundup of special songs, some by artists who usually make very different music. Taking turns in musical styles, 15 songs give an auditory sampling of what made the Bar25 Zirkus's artistic mix. Like the film, this compilation a tiny testament for eternity to the late, great Bar25 - something definitely worth having on the shelf for reliving the feelings experienced there when it existed from time to time.
Supporting the release's distribution is noted techno label Word and Sound. Together with the producer Arden Film, everybody is joining forces to promote the Bar25 - Tage ausserhalb der Zeit project. The whole team has been working on the realization of this ultimate farewell gift to itself and its friends, and now it's ready.
01 Acid Pauli - Abschied25
02 Soil ain't Solid feat. Reecode - 25/7 Mod
03 Oliver Koletzki - Ingwer-Orange
04 Marcus Meinhardt - Endjoy
05 Nu feat. JoKe - Who Loves The Sun
06 Niconé & Sascha Braemer - Thänk You
07 Dirty Doering - I Would
08 Nico Stojan - Ginkhoe
09 Channel X - Deliverance
10 Britta Arnold - You Can See Me
11 Daniel Dreier & Dale - LaBouf
01 Reecode - Catching The Dawn
02 Jake The Rapper - Crazy Paradise
03 Wareika - Bazar
04 Budzillus - Berlin Waltz
05 Kiki Bohemia - Baptism Of The Dolls
06 Hey-O-Hansen - If You Loving Me
07 Pilocka Krach - Oh Yeah Voll Krass
08 Jahcoozi - Jimmi's Dad
09 DOP - December 25
10 Lee Jones - Quartet
11 Margaret Dygas - Elsewhere
12 Don Shtone - Barcese
13 Rizzoknor -Thin
14 Beaner - Me Busca
15 Capey Cash - There Was A Bar
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Last in:16.09.2014
Label:bar 25
Cat-No:bar25-23cdjc
Release-Date:07.05.2012
Genre:Techno
Configuration:CD
Barcode:827170124127
Coinciding with the cinema premier of "Bar25 - Tage ausserhalb der Zeit" (Bar25 - Days Out of Time), the Bar25 label is releasing the official soundtrack. Together with its closest musician friends, the label began work over a year ago on exclusive tracks that would be included in the final cut.
The result is a remarkable compilation of works from a number of music genres - a unique collection of musical contributions by steadfast companions of the exceptional place that was Bar25. The sampler is divided into two worlds - the dancefloor and the Zirkus - each representative of the distinct atmosphere these two core places emanated during the Bar25's existence. The dancefloor was the club's central point - this is where time seemed to melt into itself and more than a few DJs played the longest sets of their lives. The Zirkus was its counterpart - a place for everybody who wanted to retreat into a dream world. It hosted bands, cabaret, theater and cinema, and on special occasions, legendary confetti battles. Faithful to this subdivision, the compilation "Bar25 - Tage ausserhalb der Zeit" comprises two CDs that reflect the moods found there. CD1 "Dancefloor" contains 11 club tracks on a spectrum ranging from exclusive, unreleased songs to the dance hymns of the Bar25's last season. CD2 "Zirkus" is a dazzling roundup of special songs, some by artists who usually make very different music. Taking turns in musical styles, 15 songs give an auditory sampling of what made the Bar25 Zirkus's artistic mix. Like the film, this compilation a tiny testament for eternity to the late, great Bar25 - something definitely worth having on the shelf for reliving the feelings experienced there when it existed from time to time.
Supporting the release's distribution is noted techno label Word and Sound. Together with the producer Arden Film, everybody is joining forces to promote the Bar25 - Tage ausserhalb der Zeit project. The whole team has been working on the realization of this ultimate farewell gift to itself and its friends, and now it's ready.
01 Acid Pauli - Abschied25
02 Soil ain't Solid feat. Reecode - 25/7 Mod
03 Oliver Koletzki - Ingwer-Orange
04 Marcus Meinhardt - Endjoy
05 Nu feat. JoKe - Who Loves The Sun
06 Niconé & Sascha Braemer - Thänk You
07 Dirty Doering - I Would
08 Nico Stojan - Ginkhoe
09 Channel X - Deliverance
10 Britta Arnold - You Can See Me
11 Daniel Dreier & Dale - LaBouf
01 Reecode - Catching The Dawn
02 Jake The Rapper - Crazy Paradise
03 Wareika - Bazar
04 Budzillus - Berlin Waltz
05 Kiki Bohemia - Baptism Of The Dolls
06 Hey-O-Hansen - If You Loving Me
07 Pilocka Krach - Oh Yeah Voll Krass
08 Jahcoozi - Jimmi's Dad
09 DOP - December 25
10 Lee Jones - Quartet
11 Margaret Dygas - Elsewhere
12 Don Shtone - Barcese
13 Rizzoknor -Thin
14 Beaner - Me Busca
15 Capey Cash - There Was A Bar
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The result is a remarkable compilation of works from a number of music genres - a unique collection of musical contributions by steadfast companions of the exceptional place that was Bar25. The sampler is divided into two worlds - the dancefloor and the Zirkus - each representative of the distinct atmosphere these two core places emanated during the Bar25's existence. The dancefloor was the club's central point - this is where time seemed to melt into itself and more than a few DJs played the longest sets of their lives. The Zirkus was its counterpart - a place for everybody who wanted to retreat into a dream world. It hosted bands, cabaret, theater and cinema, and on special occasions, legendary confetti battles. Faithful to this subdivision, the compilation "Bar25 - Tage ausserhalb der Zeit" comprises two CDs that reflect the moods found there. CD1 "Dancefloor" contains 11 club tracks on a spectrum ranging from exclusive, unreleased songs to the dance hymns of the Bar25's last season. CD2 "Zirkus" is a dazzling roundup of special songs, some by artists who usually make very different music. Taking turns in musical styles, 15 songs give an auditory sampling of what made the Bar25 Zirkus's artistic mix. Like the film, this compilation a tiny testament for eternity to the late, great Bar25 - something definitely worth having on the shelf for reliving the feelings experienced there when it existed from time to time.
Supporting the release's distribution is noted techno label Word and Sound. Together with the producer Arden Film, everybody is joining forces to promote the Bar25 - Tage ausserhalb der Zeit project. The whole team has been working on the realization of this ultimate farewell gift to itself and its friends, and now it's ready.
01 Acid Pauli - Abschied25
02 Soil ain't Solid feat. Reecode - 25/7 Mod
03 Oliver Koletzki - Ingwer-Orange
04 Marcus Meinhardt - Endjoy
05 Nu feat. JoKe - Who Loves The Sun
06 Niconé & Sascha Braemer - Thänk You
07 Dirty Doering - I Would
08 Nico Stojan - Ginkhoe
09 Channel X - Deliverance
10 Britta Arnold - You Can See Me
11 Daniel Dreier & Dale - LaBouf
01 Reecode - Catching The Dawn
02 Jake The Rapper - Crazy Paradise
03 Wareika - Bazar
04 Budzillus - Berlin Waltz
05 Kiki Bohemia - Baptism Of The Dolls
06 Hey-O-Hansen - If You Loving Me
07 Pilocka Krach - Oh Yeah Voll Krass
08 Jahcoozi - Jimmi's Dad
09 DOP - December 25
10 Lee Jones - Quartet
11 Margaret Dygas - Elsewhere
12 Don Shtone - Barcese
13 Rizzoknor -Thin
14 Beaner - Me Busca
15 Capey Cash - There Was A Bar
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Last in:14.02.2023
Label:bar 25
Cat-No:25-20
Release-Date:08.02.2012
Genre:Minimal
Configuration:12"
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Long-winded essays on the musical qualities of Wareika are unnecessary. The trio has been playing its way in to the hearts of electronic listeners and party-goers since their first release in 2008 – especially with their brilliant live performances. Wareika’s solid output has been proven over and over with steady releases on noted labels like liebe*detail, Conaisseur or Perlon. Falling categorically somewhere in between house, jazz and dub, Wareika have remained individualists and their music is a hot topic for DJs, clubbers and festival visitors alike. Now, at the end of the 2011 season, we’re proud to release “Amber Vision” – a Wareika record that couldn’t fit better into the Bar25 musical family. The track “Red Sun” plays with the clownish atmosphere particular to special times enjoyed in our own four walls. Brass, piano, and a crazy male chorus suddenly give way to harmonies from the far east – as always, one of the miniature all-you-can-eat musical buffets provided by Wareika. By contrast, “Forest” is a hypnotic bassline number dominated by wonderfully weird vocals. A runway made for take-off… …directly into the arms of Mathias Kaden, our good friend and travel companion from Vakant. This lush ending to the release offers something for the club DJ. Taking elements from both tracks, Mathias tinkered up a phenomenal, rolling house ride, inspiring us to thank him in the name of the sweaty club crowd before it even hits the dance floor.
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