4 track ep from Alex Gloor's edit archives, obscure dance music with no additional production just cut and paste which keeps the original sound intact
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Schaltkreis Wassermann is one of the pioneering electronic groups of the early eighties. Their album PSYCHOTRON of 1982 has become a much sought after cult object. Now In Flagranti have remixed released and unreleased material by Schaltkreis Wassermann from the early 80ies.

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In Flagranti releasing a collaboration project with Ayakamay a contemporary conceptual artist living in New York City. Including mixes by Das Komplex & Mytron
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It's been nearly 3 years since the last MODE 'Lo Fi Odyssey' release on Codek Records and it's been worth the wait. What we got here are 2 excellent tracks, very melodic with a superb production. Play the Game is 12 min of Balearic bliss. It's the kind of tune that makes me imagine sitting near the beach and sipping frozen Margaritas and playing it on loop.. watching girls go by. Although the Vibe is very mellow, at 115bpm it goes well with any of the current Nu Disco/Deep House releases. On the flip side is the track You don't Know which i had in my CD bag for almost 4 years, since Daniel Mode gave me a demo copy and i have played it out on many occasion and it always delivered on the dance floor. Now for this release MODE exchanged all the plug in synth with his beloved Juno 6 and it sounds so smooth!

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Third in the series from the highly regarded In Flagranti - additional Keyboard playing by Toby Tobias on Belt Freeway

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The eraly years of a decade are good times for exploration, just like in 1993 when we (Alex & Sasa) first started working together. We rented a huge loft space on Ave B & 2nd St. in the East Village in Manhattan. The winter was tough, we had 16 snow storms and due to a landlord who hated everybody, we had our heating turned off except for a few hours in the morning, sometimes not even that... The only way to stay warm was to wear hats, gloves and scarves the whole winter... But that was fine because nightlife was a lot of fun. There was a good club/party every night. Right below where we lived was one of the best after hour clubs called "Save The Robots". But one of my favourite parties was "Sugar Babes" which was at the CBGB's gallery space right next door to CBGB's, every Monday night. The DJ used to sample parts of the records he was mixing and then just play the loop of the sample and alongside was a drummer playing to it. It was really inspiring. So we wanted to go back to this idea of sound assembly and create a new series for us to work with called "Skematics" it's like a diagram or manual to help understand the interconnections between the odd parts we find and assemble, an imaginary manual for a new decade that has not been musically defined yet. More

Four more remixes from the Worse For Wear Album with three different takes on Hallow Discourse from Pete's edit which is close to the original, Abstarxion's high energy Italo style to the pitched down version by Fabrizio Mammarella. Stopmakingme version of Peculiar Protagonist is straight for the Big Room.
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Two new remixes taken from the album Worse For Wear. On side A the title track WFW gets a 90’s House rework by Shit Robot. on side B Latter Day Methods got a nice bouncy mix from Moullinex. Both mixes have been tested in clubs with great response from the crowd.

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Sampler 1 of 2 from In Flagranti's new album. Predictably jacked to the brim full of their signature no-gristle, no-glory aesthetic. Succeeding 2006’s Wronger Than Anyone Else and 2009’s Brash & Vulgar, In Flagranti’s Sasa Crnobrnja and Alex Gloor have left behind their vintage porn-chic sensibilities and instead turn to yesterday’s trashed goods for inspiration.“Flea markets and recycling parts of our production are really at the center of this album,” said the now London-based Crnobrnja. “I like things to be old and run-down,” added Alex Gloor, who still resides in Basel. “So I let myself be inspired by one of my favorite places to spend time: 1970s- 80s New York City.” Among four killer tracks, “Prelude to Chaos” reminisces the days where the finest of 69-cent wines glistened in the gutters outside the arcade.
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Sampler 2 of 2 from In Flagranti's new album. Predictably jacked to the brim full of their signature no-gristle, no-glory aesthetic. “Hallow Discourses” swaggers in on a gritty bassline, revealing excess in its degenerative electro finest, and “The End of the Road” leave a bit of the sleaze at the massage parlour door, opening up a new chapter of sound for the band. More outer space dump diving than straight-up vulgar.
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Predictably jacked to the brim full of their signature no-gristle, no-glory aesthetic, In Flagranti introduces their new album, Worse for Wear. Succeeding 2006’s Wronger Than Anyone Else and 2009’s Brash & Vulgar, In Flagranti’s Sasa Crnobrnja and Alex Gloor have left behind their vintage pornchic sensibilities and instead turn to yesterday’s trashed goods for inspiration. “Flea markets and recycling parts of our production are really at the center of this album,” said the now London-based Crnobrnja. “I like things to be old and
run-down,” added Alex Gloor, who still resides in Basel. “So I let myself be inspired by one of my favorite places to spend time: 1970s- 80s New York City.”
Using experiences from Gloor’s past trips to the Forty Deuce, Worse For Wear conjures up ghosts from the finest of adult playgrounds past. “Hollow Discourses” swaggers in on a gritty bassline, revealing excess in its degenerative electro finest, and “Prelude to Chaos” reminisces the days where the finest of 69-cent wines glistened in the gutters outside the arcade. But standing at a right angle from In Flagranti’s better-known, dirty disco sound are tracks with a peculiar sense of calm. Tracks like “The End of the Road” and “On the Fringe” leave a bit of the sleaze at the massage parlor door, opening up a new chapter of sound for the band. More outer space dump diving than straight-up vulgar, Crnobrnja also added that the album “Works with old recordings that we have not used yet, such as vocals recorded years ago that I didn’t like at the time.” Bringing back the past has meant a softer edge for the duo, who still work from different countries. The only time they come together is for music.
TRACKLISTING :
1. Worse For Wear
2. Prelude To Chaos
3. Hallow Discourse
4. Latter-Day Methods
5. On The Fringe
6. Three-Piece Suit
7. Peculiar Protagonist
8. The End Of The Road
9. Anglo-Saxon Pragmatism
10. Knock Out Logic
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