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7"
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Last in:14.11.2024
Label:Expansion
Cat-No:EXS049
Release-Date:22.11.2024
Genre:Soul/Funk
Configuration:7"
Barcode:5019421109488
Recorded in 1973, these two gems were originally album tracks on Marvin's "You're The Man" LP. Now these two and only gems curated by the Mizell Brothers are back to back for the first time on a 7" single. While on Expansion, the label art pays homage to Tamla. Marvin was never on Motown. There is a later, alternative remix of "Where Are We Going", but this 7" is the 1973 original.
Tracklisting:
A. Where Are We Going? (3:52)
B. Woman Of The World (3:29)
SALES POINTS:
- First Time back to back on 7"
https://www.youtube.com/watch?v=2XqIwvorqK8
https://www.youtube.com/watch?v=yCDeeBWco0I More
Tracklisting:
A. Where Are We Going? (3:52)
B. Woman Of The World (3:29)
SALES POINTS:
- First Time back to back on 7"
https://www.youtube.com/watch?v=2XqIwvorqK8
https://www.youtube.com/watch?v=yCDeeBWco0I More
12"
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Label:South Street
Cat-No:SOUTH010
Release-Date:26.05.2023
Configuration:12"
Barcode:5060202596874
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Last in:22.08.2023
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Last in:22.08.2023
Label:South Street
Cat-No:SOUTH010
Release-Date:26.05.2023
Configuration:12"
Barcode:5060202596874
1
Marvin Gaye - I Wanna Be Where You Are (Unedited Mix)
2
Marvin Gaye - I Want You (Jam - Alternate Mix)
Marvin Gaye at his very best! Two classics from Gaye’s esteemed catalogue, ‘I Wanna Be Where You Are’ and ‘I Want You’ with alternative mixes that have never been on 12 inch before. Plucked from the Deluxe Edition of the spellbinding ‘I Want You’ album that was mixed Kevin Reeves & remastered by Ellen Fitton, these two cuts have always called out for loud and proud pressing on either side of a 12.
Up first, ‘I Wanna Be Where You Are’ written by the magical pairing of Leon Ware and Arthur 'T-Boy' Ross with Ware also behind the production controls. An abbreviated cover of Michael Jackson’s hit, it sees Gaye take a brief respite from his usual steamy and sensual swooning to express his love for his family. Jackson would then return the favour, taking influence from Marvin’s 1977 hit ‘Got to Give it Up’ to make ‘Don’t Stop ‘Til You Get Enough’.
Originally a 1:17 minute segue on the album, the Unedited version clocks in at over 6 minutes, turning it from a transitionary passage to a standalone gem. Extending those delectable grooves, building and breaking with a sun-kissed, funk channelling feeling that washes over like a warm wave. With the 7 inch release trading hands for over £75 on Discogs this ain’t one to miss.
On the flip, ‘I Want You’ written by the same duo as the A, with Leon Ware once again on the production and released as part of the same ’76 album. It was an LP that introduced a change in musical styles for Gaye, songs such as this giving him a disco audience thanks to Leon Ware. The Jam-Alternate version leaves Gaye’s vocals till the final section, letting that sweet soaring soundtrack sing to its absolute emotive peak. Sunrise or sunset, this one is not to be used lightly - tears of joy on the dancefloor guaranteed. More
Up first, ‘I Wanna Be Where You Are’ written by the magical pairing of Leon Ware and Arthur 'T-Boy' Ross with Ware also behind the production controls. An abbreviated cover of Michael Jackson’s hit, it sees Gaye take a brief respite from his usual steamy and sensual swooning to express his love for his family. Jackson would then return the favour, taking influence from Marvin’s 1977 hit ‘Got to Give it Up’ to make ‘Don’t Stop ‘Til You Get Enough’.
Originally a 1:17 minute segue on the album, the Unedited version clocks in at over 6 minutes, turning it from a transitionary passage to a standalone gem. Extending those delectable grooves, building and breaking with a sun-kissed, funk channelling feeling that washes over like a warm wave. With the 7 inch release trading hands for over £75 on Discogs this ain’t one to miss.
On the flip, ‘I Want You’ written by the same duo as the A, with Leon Ware once again on the production and released as part of the same ’76 album. It was an LP that introduced a change in musical styles for Gaye, songs such as this giving him a disco audience thanks to Leon Ware. The Jam-Alternate version leaves Gaye’s vocals till the final section, letting that sweet soaring soundtrack sing to its absolute emotive peak. Sunrise or sunset, this one is not to be used lightly - tears of joy on the dancefloor guaranteed. More
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Last in:12.07.2024
Label:Universal
Cat-No:7716339
Release-Date:29.03.2019
Genre:Classics
Configuration:2LP
Barcode:
You’re The Man is the first-ever planned “lost” Tamla/Motown album from Marvin Gaye. Fifteen (15) of the album’s 17 tracks are on vinyl for the first time and three tracks are newly mixed by SaLaAM ReMi. The album also includes the rare long LP version of Marvin Gaye’s cancelled Christmas single from ’72, as well as an unreleased vault mix of its instrumental B-side, and new essay by Marvin’s biographer, David Ritz. The release will coincide with the 60th anniversary of Motown as a label and also Marvin Gaye’s 80th Birthday (April 2).
While the tracks have been issued on various collections and deluxe editions, this is the first time they have been placed in their proper context. In addition to context, You’re The Man was the album that was proposed to follow-up the monumental What’s Going On, and it contains all of Marvin’s solo and non-soundtrack recordings from 1972 (his next two albums in quick succession: Trouble Man and Let’s Get It On).
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While the tracks have been issued on various collections and deluxe editions, this is the first time they have been placed in their proper context. In addition to context, You’re The Man was the album that was proposed to follow-up the monumental What’s Going On, and it contains all of Marvin’s solo and non-soundtrack recordings from 1972 (his next two albums in quick succession: Trouble Man and Let’s Get It On).
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More records from tamla
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7"
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Last in:-
Label:tamla
Cat-No:t42945
Release-Date:31.05.2013
Genre:Soul/Funk
Configuration:7"
Barcode:
Rare limited edition pressing (500 copies only) of Motown/Tamla songs, previously unavailable on vinyl. TIP!!! Co-written by Stevie Wonder in 1966 and recorded by both Brenda & Tammi Terrell that same year. It wasn’t released officially until 2002 for Tammi’s version and 2005 for Brenda’s mono version.
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