2022 REPRESS
WAS rights : World excl. France, UK, Belgium, The Netherlands, Luxembourg, Switzerland

10" solid neon green vinyl in printed sleeve with 3mm spine. Paper inner-sleeve.


Tracklist : A. Pharmacist (feat. Roméo Elvis) / B. Tsicamrahp (feat. Oémor Sivle)





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Rights: World excluding France, UK & Eire

From ‘Viandes Légumes Véhicules’ which sounds like Dopplereffekt scored a movie from Jacques Tati, to ‘Dolce Vita’ on which Italian crooner Phra cries his pain out after being dumped, the French U.F.O. builds a bridge between Flying Lotus and DJ Snake.

Tracklist:
A1. Rythme Plat / A2. Viandes Légumes Véhicules
B1. Dolce Vita (feat. Phra) / B2. Nuque

Short info:
Mr. Oizo plugs in his Korg MS 20 once again to deliver new treats. From ‘Viandes Légumes Véhicules’ which sounds like Dopplereffekt scored a movie from Jacques Tati, to ‘Dolce Vita’ on which Italian crooner Phra cries his pain out after being dumped, the French U.F.O. builds a bridge between Flying Lotus and DJ Snake.
With 4 tracks, 4 rooms, 4 atmospheres and an introduction from Beastie Boys’ Mike D on the track ‘Nuque’, “Rythme Plat” (literally “Flat Beat” in French) is the proper celebration fans have been excepting for the 20th anniversary of Mr. Oizo’s world-famous track ‘Flat Beat’, demonstrating once again the timelessness of his unique music touch.





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Territory: World Ex France & UK
2017 10th Anniversary Reiissue of this Oizo Cult Classic EP/2022 REPRESS
Tracks:
A1 HELLO A2 TRANSEXUAL A3 OVOMA B1 PATRICK 122 B2 BLIND CONCERTO


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Territory: WWIDE EXCL FR & UK - Release in Deluxe 2 LP Gatefold Edition. Includes CD for the first time!

QUENTIN DUPIEUXClassic from 2008... featuring UFFIE, ERROR SMITH, and CARMEN CASTRO

Tracklist LP:

A1. Hun
A2. Pourriture 2
A3. Z
A4. Cut Dick
B1. Two Takes It feat. Carmen Castro
B2. Rank
B3. Bruce Willis Is Dead
B4. Jo
C1. Positif
C2. Lambs Anger
C3. Erreur Jean feat. Error Smith
C4. Steroïds feat. Uffie
D1. Gay Dentists
D2. Pourriture 7
D3. W
D4. Lars Von Sen



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CD CAT: BEC161732 - EAN: 5060281617323
Tracklisting CD :
1. COPENING REDITS
2. WC
3. CUT DICK
4. FLIP BAT
5. TRANSEXUAL
6. TEXTES7. Z
8. JO
8. SOLID featuring Marilyn Manson
10. CROWS & GUTS featuring Gaspard Augé
11. BELLYBALL ROAD
12. CAMEL FUCK
13. POSITIF
14. DRUIDE
15. FRANCE 7
16. STUNT featuring Sébastien Tellier
17. POLOCAUST featuring Gaspard Augé
18. PEEHURTS
19. DE LUCA
20. LARS VON SEN (X-mas version)
21. THE END







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EAN: 5060281617330 REL DATE 10.2.2014
Tracklist 2LP+CD:
A side
1. COPENING REDITS
2. WC
3. CUT DICK
4. FLIP BAT
5. TRANSEXUAL
B side
6. TEXTES
7. Z
8. JO
8. SOLID featuring Marilyn Manson
10. CROWS & GUTS featuring Gaspard Augé
C side
11. BELLYBALL ROAD
12. CAMEL FUCK
13. POSITIF
14. DRUIDE
15. FRANCE 7
D side
16. STUNT featuring Sébastien Tellier
17. POLOCAUST featuring Gaspard Augé
18. PEEHURTS
19. DE LUCA
20. LARS VON SEN (X-mas version)
21. THE END







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barcode:5060281614636 release:05.08.2013 tracklisting:Tracklist: A1. Unicat A2. Solid (feat Marilyn Manson) B1. Waltz-e-more B2. Lovin'
"This new EP 'AMICALEMENT' was recorded two weeks ago and will be released for free next week on my website (www.oizo3000.com). I have no idea what this is exactly, and that's the point. Marilyn Manson is starring in my new feature film 'wrong cops'. we decided to record this retarded track together to celebrate our friendship. I'm working on a new Mr Oizo LP right now." GER RECORDS
Supporting Mr Oizo's career since 2007 we're happy to follow him wherever he wants to take us. Giving his music on internet, we're down with it. He is one of the latest real free artist in his genre. It's like working with Salvador Dali! He is living in his own world, follow his own rules, he is a tourist on planet earth.
He is a genius and a legend for french electronic scene. This new record shows another side of his talent, going from classic banger with "Solid" to modern hip hop with "Waltz-e-more" maybe Kanye should have call Oizo too!



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French electronic musician and film director Quentin Dupieux, best known by his pseudonym Mr. Oizo (pronounced Wah-zoh) is releasing his new album Stade 3 via Ed Banger Records and Because Music.
Tracklisting:
Side A:
1. Stade 3
2. Toodoo (feat. Carmen Castro)
3. Fingers
4. WC
Side B :
1. Textes
2. Calculatrix
3. Pee Hurts


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French electronic musician and film director Quentin Dupieux, best known by his pseudonym Mr. Oizo (pronounced Wah-zoh) is releasing his new album Stade 2 on November 28 via Ed Banger Records and Because Music. Marking his fourth album, Oizo takes his eccentricity to a new level with one of the most intriguing upcoming releases to date. Performed, recorded and mixed at the Edgecliff-Gym Studio while in LA, it combines an eclectic mix of sounds from the digital flute on the track "Ska" to the erratic electro-beats on "Douche Beat" creating a fantastical blend of the unexpected. Previous credits also include the single "Flat Beat" made wildly popular in Europe when used in a series of Levi's commercials, and selling over 3 million copies of the EP. Listen to the song 'France7' off the new album and check out the Levi's video, as well as the album art and track list.
- Packaging : 12" sleeve + spot varnish + 60 x 60 cm poster + CD album
Tracklisting:
1. INTROEIL
2. CAMEL FUCK
3. DOUCHE BEAT
4. DATSUN
5. SKA
6. EDN
7. CHEEREE
Side B
8. ORAL SAX
9. FRANCE7
10. CHIFFON
11. POMPE
12. STADE 2
13. DRUIDE


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French electronic musician and film director Quentin Dupieux, best known by his pseudonym Mr. Oizo (pronounced Wah-zoh) is releasing his new album Stade 2 on November 28 via Ed Banger Records and Because Music. Marking his fourth album, Oizo takes his eccentricity to a new level with one of the most intriguing upcoming releases to date. Performed, recorded and mixed at the Edgecliff-Gym Studio while in LA, it combines an eclectic mix of sounds from the digital flute on the track "Ska" to the erratic electro-beats on "Douche Beat" creating a fantastical blend of the unexpected. Previous credits also include the single "Flat Beat" made wildly popular in Europe when used in a series of Levi's commercials, and selling over 3 million copies of the EP. Listen to the song 'France7' off the new album and check out the Levi's video, as well as the album art and track list.
Tracklisting:
1. INTROEIL
2. CAMEL FUCK
3. DOUCHE BEAT
4. DATSUN
5. SKA
6. EDN
7. CHEEREE
8. ORAL SAX
9. FRANCE7
10. CHIFFON
11. POMPE
12. STADE 2
13. DRUIDE


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MR OIZO is back again with a second EP taken from his «Lamb’s Anger» album. Instead of asking remixers ‘‘à la mode’’, MR OIZO is proposing us some radical self-reworked versions of «Lars Von Sen», «Pourriture» and «Steroids» featuring Uffie. Some Irish dude sent us a remix of «Erreur Jean» and we can easily say that Arveene & Misk will make some more noise soon. Finally, MR OIZO is giving us «Con Tact» extract from his new short movie project you’ll discover soon...

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YESSSSS. Mr OIZO new album is coming..... Killer tracks after tracks.... QUENTIN DUPIEUX at his best for sure... Also featuring UFFIE, ERROR SMITH, and CARMEN CASTRO
Tracklisting:
1 - HUN
2 - POURRITURE 2
3 - Z
4 - CUT DICK
5 - TWO TAKES IT. FEAT CARMEN CASTRO
6 - RANK
7 - BRUCE WILLIS IS DEAD
8 - JO
9 - POSITIF
10 - LAMBS ANGER
11 - ERREUR JEAN. FEAT. ERROR SMITH
12 - STEROIDS. FEAT. UFFIE
13 - GAY DENTISTS
14 - POURRITURE 7
15 - W
16 - LARS VON SEN
17 - BLIND CONCERTO


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12” Vinyl, coloured vinyl clear & red, clear sleeve

Tracklist
A1 Release | Superpitcher Remix
A2 Drop Wet Gorgeous | Jacob Korn Remix

B1 Street Beat | Map.ache Remix
B2 Drop Wet Gorgeous | Lauer & All Is Well Remix



Shortinfo:

A mosaic of woozy memories and wooly panache comprises these new versions, produced and arranged by Superpitcher (Hippie Dance / The Pachanga Boys), Map.ache (Giegling / Kann), Lauer & All Is Well (Running Back, Robert Johnson, Permanent Vacation) and Jacob Korn (Uncanny Valley) for TB’s (Tom Bioly / Permanent Vacation / Hivern Discs) 2019 album "A Call For Romance". Stories of insouciant house wading into deeper territory and stretching out just like endless strawberry fields.

Coloured vinyl clear & red.



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RE-RELEASE! No one can say they didn’t see these two brats coming! Justice, who’s name the world (well at least that part of the world that loves to dance) chants with emotion and whose first album is awaited with bated breath ever since the French duo revolutionised dancefloors with two radically different hits. It comes as no surprise that «†», the first album by Justice, is a fantastic treat for the ears and for the feet. A kind of musical opera marked with religious and baroque symbols, where the melodies are ripped to shreds by the beats, where electro teaches rock a lesson and where pop gets a botox injection.

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Tracklist

A1 - Microdancer
A2 - Ubik
B1 - Lanthana
B2 - Gretzoid

Release Info:
Tracey's 'Microdancer' is the follow up to last years critically acclaimed 'Metamorphosis' EP. 2019 saw Tracey release his debut LP on Dial plus spin at Amsterdam's finest club De School for the first time, The 'Microdancer' EP shows Tracey's contemporary take on IDM + Electro, a timeless sound that's helped shape him as an artist.






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Genre: City Pop, Funk, Pop, Synth, Soul
LP: Transparent Vinyl, Heavyweight 350gsm Sleeve, Obi

Tracklisting LP
A1 Ocean Side 4:39
A2 Shadow Surfer 3:30
A3 Blind Curve 4:04
A4 Summer Eyes 3:42
A5 Futari No Night Dive 4:20
B1 Seishun No Ijiwaru 4:34
B2 Evening Break 3:49
B3 So Many Dreams 5:29
B4 I Will 6:57


Info

WRWTFWW Records is very excited to announce the first release from its new City Pop Series with Japanese singer, actress, entertainer, scholar and all-around legend Momoko Kikuchi’s sun-drenched classic Ocean Side album, available now as a limited-edition transparent vinyl LP in a heavyweight sleeve with obi.

A cult classic among Japanese music collectors, Ocean Side was originally released in 1984 by mythical label VAP and features lush compositions and arrangements by J-Pop icon Tetsuji Hayashi (Mariya Takeuchi, Miki Matsubara, Omega Tribe, Junichi Inagaki, Urusei Yatsura anime, soundtrack…). Momoko Kikuchi’s city pop gem is a flawless mix of heartwarming beachside funk, breezy grooves, and silky-smooth vocals - the feel-good music we all need in our life right now.

The 9-track summer-is-forever adventure notably includes the ultra-funky megahit “Blind Curve”, the fan-favorite title song, and the insanely romantic ballad “Futari No Night Drive”. A vibrant reflection of summer in 1980s Japan, Ocean Side masterfully balances nostalgia and elegance, and provides part of the origin story for revered modern music genres such as chillwave, and future funk, and vaporwave.

The official reissue licensed from VAP, Inc. is sourced from the original masters with an audiophile-cut by Sidney Meyer at Emil Berliner Studios.

WRWTFWW’s City Pop Series and its Lopetz/Büro Destruct-designed logo also includes jazz-fusion-AOR-mellow-funk treasure Safari (1984), a limited capsule collection of merch, and much more to come in the near future.


Points of interests

- For fans of city pop, J-pop, funk, soul, chillwave, future funk, vaporwave, the 80s, the summer, 80s summer movies, surfing, swimming, the beach, Mattfoley’s Beach Club™.

- Super limited edition transparent vinyl LP reissue of city pop mega classic Ocean Side by Momoko Kikuchi.


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Triple gatefold heavyweight 180g vinyl, Remastered original LP , Incl. 5 unreleased tracks released for the 1st time on vinyl`see tracklist below for details!


"A mesmerizing Japanese ambient techno masterpiece that that completely rewires how you perceive music" Electronic Beats

"A mountainous Masterpiece. A powerful testament to rave culture's establishment and the birth of a new scene in Japan emerging in the mid '90s. One of Yokota's most celebrated work that merges Japanese new age and minimal techno"
Alex From Tokyo (Japan Vibrations, world famous, Paris)


GENRE/S: Techno, Acid, Ambient

New liner notes by Alex From Tokyo


On July 26th Susumu Yokota's venerated 1994 classic 'Acid Mt. Fuji' is reissued in expanded, deluxe fashion, as part of the 30th anniversary celebrations of the label that originally presented it. Japan's Musicmine - specifically it's electronic subsidiary Sublime Records - released the album on June 29th 1994, simultaneously with Ken Ishii's 'Reference To Difference', as their inaugural joint offering.

'Acid Mt. Fuji' is an enchanting mix of mystical ambient acid and futurist minimal techno, taking the listeners on a psychedelic pilgrimage, where 303, synths and electronic percussion are scented with reverb, echo and forest recordings. Merging Japanese new age and sparse electronica, the recording is free, organic, and energized - proffering a unique blend of early 90s western styles and the essence of his home country.

Yokota originally planned an ambient record, but 'Acid Mt. Fuji' evolved into a concept work featuring the Roland TB-303, which he recorded live at home alongside a sampler, yielding experimental and innovative results.

The longplayer found its muse in the famed 18th-19th century artist Hokusai's red rendition of Mt. Fuji, known as 'Red Fuji' or 'Akafuji'. Part of the painter's renowned 'Thirty Six Views of Mt. Fuji' series from the 1830s, 'Red Fuji' depicts the iconic sacred mountain aglow in red at dawn, symbolizing spirituality and creativity. With references to Japanese folklore, nature and shrines, tracks like 'Kinoko' and 'Meijijingu' invite the listener to immerse themselves in the album's spiritual depths.

Yokota's own homage-to-Hokusai drawing graces the record's cover, and was inspired by the concept of wa (harmony) - highlighting his diverse skills not only as a musician, but an artist and designer too.

'Acid Mt. Fuji' is a powerful testament to the establishment of rave culture in Japan, which rapidly developed within just two years, from 1992 to 1994. Largely due to praise for the breathtaking originality of the LP, within this burgeoning national techno scene, Yokota rose to prominence as one of its key figures.

He then became one of the most renowned artists to emerge from his homeland and enter the global electronic pantheon. He inspired a new wave of Japanese producers and DJs, contributing significantly to the growth of the techno movement in Japan.

Yokota was a solitary figure, an artist who expressed his life through the continuous creation of music. For those seeking something different; mystical, soothing, pristinely ergonomic and uniquely Japanese, this record stands as iconic as Mt. Fuji itself.

-

This triple vinyl Deluxe Edition includes the original album's eleven tracks alongside five raw and jacking rare gems, available on wax for the first time, which were previously included only in the Japanese 2016 Deluxe Edition CD.

There are also two digital-only bonus tracks. One is a live performance by Yokota, titled 'Live at Shibuya Beam Hall', which was recorded at Sublime Records' label launch party, held in September 1994. It was previously only released on the aforementioned 2016 Japanese CD edition. This event, titled 'Sublime Records Presents New Style of Electronic Ambient Party' featured performances by Susumu Yokota, Ken Ishii, Yoshihiro Sawasaki, Speedy J and DJ Wada. This ten minute long, rare live recording captures Yokota playing a dynamic, fast paced acid house live jam, using two TB-303s and a drum machine. The other digital only bonus track is an alternative version of 'H', which was discovered recently whilst excavating a DAT.

The liner notes are written by DJ/producer Alex From Tokyo, who was a good friend of Yokota, and experienced the 90s Tokyo club scene first-hand as an insider. His compilation 'Japan Vibrations Vol. 1' captures this golden era, and features music by Prism (Susumu Yokota), Ryuichi Sakamoto, Haruomi Hosono, Yasuaki Shimizu, Quadra (Hiroshi Watanabe) and more.

3LP Vinyl
Catalogue no: MMDS24004LP

Side A
1. Zenmai (2024 Remaster)
2. Kinoko (2024 Remaster)
3. Meijijingu (2024 Remaster)

Side B
1. Saboten (2024 Remaster)
2. Oh My God (2024 Remaster)
3. Tambarin (2024 Remaster)

Side C
1. Oponchi (2024 Remaster)
2. Ao-oni (2024 Remaster)
3. Akafuji (2024 Remaster)

Side D
1. Alphaville (2024 Remaster)
2. Tanuki (2024 Remaster)

Side E
1. Floating G (2024 Remaster)**
2. H (2024 Remaster)**
3. B (2024 Remaster)**

Side F
1. F (2024 Remaster)**
2. 2 H (2024 Remaster)**

**= 5 unreleased tracks released for the 1st time on vinyl.

New liner notes by Martyn Pepperell



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Special remarks : 2LP, 2022 Repress Edition

Vital Sales Points:
- Released by popular NTS show Noise In My Head
- Liner notes from Ivan Smagghe and artwork from Misha Hollenbach (Perks and Mini)
- Features many rarities reissued for the first time ever (Karen Marks' most wanted Australian cold wave single last sold for 290€ while Once traded for 170€)
- All tracks officially licensed, sourcing original masters when available
- Includes digital download

Tracklist
A1. Linda Smith - I So Liked Spring , A2. Karen Marks - Cold Café , A3. Bruce Langhorne - Leaving Del Norte , A4. The Seraphims - Conciousness of Happening
B1. Garry Davenport - Sarra , B2. Some of My Best Friends Are Canadians - Feeling Sheepish , B3. The Rising Storm - Frozen Laughter
C1. Warfield Spillers - Daddy's Little Girl , C2. Joyce Heath - I Wouldn't Dream Of It , C3. Joe Tossini and Friends - Wild Dream , C4. Scott Seskind - I Remember
D1. Angel - Driving (Down) , D2. Nini Raviolette and Hugo Weris - Slow , D3. Nora Guthrie - Home Before Dark , D4. Once - Joanna

Short info:
Sky Girl is a mysteriously unshakeable companion, a deeply melancholic and sentimental journey through folk-pop, new wave and art music micro presses that span 1961-1991. A seemingly disparate suite of selections of forgotten fables by more or less neverknowns, Sky Girl forms a beautifully coherent and utterly sublime whole deftly compiled by French collectors DJ Sundae and Julien Dechery.

From Scott Seskind's adolescent musical road movie to Karen Marks' icy Oz-wave, the charming DIY storytelling of Italian-American go-getter Joe Tossini and the ethereal slow dance themes of Parisian artists Nini Raviolette and Hugo Weris, Sky Girl resonates on a wide spectrum historically, geographically and stylistically. It unites in a singular, longing, almost intangible ambience.

If the names sound wholly unfamiliar that doesn't matter, the nature of the compositions swiftly nurtures an intimacy with these lonely, poignant, openhearted wanderers. Most were available in a very limited capacity at the time of their release, some were never really released at all - Gary Davenport declined to release Sarra after he split with the girl for whom the track is named - years later a friend convinced Davenport to allow him to put 100 copies online to sell and DJ Sundae was quick enough to snare one. Beyond their scarcity, these tracks are bound together by a certain raw beauty that's achievable when music is made and no one is listening.

Sky Girl comprises of fifteen officially licensed songs, a two year international scavenger hunt through long-folded home label operations, the depths of internet forums and traceless acetates. Both compilers are well trained record sleuths - DJ Sundae's labels Hollie and Idle Press have reissued Arthur Russell affiliate Nirosta Steel and DIY relic Pitch, while Julien Dechery previously compiled 'Fire Star', a retrospective on Tamil film composer Ilaiyaraaja, for Bombay Connection.

Released by Noise In My Head offshoot Efficient Space, Sky Girl is enriched with artwork from Perks and Mini mutant Misha Hollenbach and appropriately elegant sleeve notes courtesy of Ivan Smagghe.






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LP - territory: WW- UK/USA/CA/ Benelux

2LP LTD TRANSPARENT PINK VINYL Vinyl w/8pg 12” booklet

TRACKLIST:
1. Design - Premonition
2. Vision - Lucifer’s Friend
3. Richard Bone - Alien Girl
4. John Howard - I Tune Into You
5. Ian North - We’re Not Lonely
6. Selwin Image - The Unknown
7. Harry Kakoulli - I’m On A Rocket
8. Rich Wilde - The Lady Wants To Be Alone
9. Billy London - Woman
10. Alan Burnham - Science Fiction
11. The Microbes - Computer
12. The Goo-Q - I’m A Computer
13. Gerry & The Holograms - Gerry & The Holograms
14. The Warlord - The Ultimate Warlord
15. Die Marinas - Fred From Jupiter
16. Dee Jay Bert & Eagle - I Am Your Master
17. Peta Lily & Michael Process - I Am A Time Bomb
18. Sole Sister - It’s Not What You Are But How
19. Alasdair Riddell - Do You Read Me?
20. Karel Fialka - Armband (The Mystery Song)
21. John Springate - My Life
22. Incandescent Luminaire - Famous Names
23. Disco Volante - No Motion
24. Dream Unit - A Drop In The Ocean

Compiled by Philip King
“And then came the rise of synth pop : blokes with dodgy haircuts hunched over keyboard-operated
machines stuffed with wires and do-it-yourself tone oscillators making sounds like a brood of geese
passing gas in a wind tunnel. Whoopee! This is the way the ‘70s ended : not with a blood-curdling bang
bang but with a cheap, synthesized, emasculating whimper.”
NICK KENT, NME.

All The Young Droids: Junkshop Synth Pop 1978-1985 is a new compilation that charts the
underbelly of the epoch-defining sound of the synthesiser in 80s popular music. Compiled by Philip
King (previously seen compiling All The Young Droogs, Glitterbest and Boobs - The Junkshop
Glam Discotheque), the music here connects the dots between DIY synth enthusiasts grappling with
new, cheap synthesisers at the tail-end of punk and wannabe, jobbing songwriters enthral to the new
music pioneered by Gary Numan, Depeche Mode and Daniel Miller’s Mute Records. Featuring rare
tracks of auto-didactic progressive pop music, proto-techno punk, shoot-for-the-stars-land-in-the-gutter
chart flops and heralded, underground synth classics, School Daze paints a picture of beautiful failure.
Complete with extensive sleeve notes written by King and never before seen imagery, all 24 tracks
were remastered by RPM in-house engineer Simon Murphy, many from vinyl copies due to lost master
tapes. The story told on All The Young Droids is one of the dawning opportunity presented by both the
emergence to the market of cheaper analog synthesisers and the distribution networks plus indie labels
that exploded with the advent of punk music in 1976. While the music that sprouted out all over the
globe in the wake of these factors was decried as fake, plastic, a refutation of punk’s guitar-led
revolution, it’s telling that much of the music on All The Young Droids.. was created in bedrooms,
ramshackle studios and home-made set ups with often borrowed equipment. In the era of record labels
jumping to capitalise on the success of The Sex Pistols, The Clash (both on major labels, of course)
these artists struggled to stand out from a new gold-rush with next to no budget or PR team. With radio
and labels desperate for the new Yazoo, what resulted was a testament to necessity being the mother
of invention.

At the time, the synthesiser was the music of the future, a shiny new machine that could paint like an
orchestra with a single finger and a 4-track. In the hands of Manchester avant-pranksters Gerry & The
Holograms it’s a pulsing, sardonic weapon.. the only instrument on the Messthetics classic lampooning
of New Wave fashion. In Hamburg, a 16 year old Andreas Dorau used it to write and record (with his
female classmates on vocals) a global smash in Fred Vom Jupiter (later licensed to Mute Records).
The hard-to-find English version (Fred From Jupiter, natch) is included here. Many artists with alreadystoried careers caught the bug and recorded synthesiser-fuelled peons to space, computers, the future
and, of course, love-interests. Harry Kakoulli, late of Squeeze, recorded a solo album in 1979 that
included the incredible power-synth-pop smash-that-never-smashed I’m On A Rocket. Similarly, Ian
North of Neo and American Power Pop stalwarts Milk ’n’ Cookies bought a Korg MS20 and used a
tape machine to record We’re Not Lonely, an absolute lost-classic of minimal synth pop. We’re Not
Lonely also features on the Junkshop Synth Pop sampler 7” twinned with John Howard unreleased
track You Will See, released April 12th 2025.

There are plenty of compilation debuts in evidence. Sole Sister were a mysterious trio who were
featured on the Scaling Triangles compilation of female-fronted, queer-adjacent post-punk /
underground music that also featured The Petticoats. Selwin Image were from San Francisco and
featured members of the recently defunct power pop/punk group The Pushups. Their stupidly catchy
The Unknown fizzes with New Wave energy - think XTC to Sparks but remains unreleased until now.
Dream Unit’s A Drop In The Ocean is an early synth wave cut, positively teaming with Joy Division
instrumentation, previously only released on a long-forgotten and super rare, self-released EP.
Incandescent Luminaire’s Famous Names belies an archetypal struggle of a small-town trying to
make it in a cruel industry but is a thrilling New Romantic-Synth Wave cross over with a OMD
gloominess that’s a joy to hear. Feminist Minimal Wave track I Am A Time Bomb by performance artist
Peta Lilly and Michael Chance is a revelation destined for new found cult status. It was released on 7”
and lost until now.

The flipside to the subterranean, never-made-it synth pop mentioned above are the ambitious, even
fruity attempts at success that have a perennial elegance to their confidence. New Jersey-ite Billy
London (real name Ed Barth) tried to cash in on the synth boom with Woman, released by a major
label, a lurching new wave track built on the Louie Louie rhythm and a wonderfully camp Lou Reedstyle sleazy vocal before exploding in the synthesised chorus. The song bombed but with a chorus like
this, you have to wonder why? Ex-Glitter Band member John Springate’s My Life is truly epic, with
doomed chord progressions and massive sounding drums turning into at least 3 different songs in the
course of the track. Before you wonder what’s going on the song resolves with a glorious return to the
main refrain.

The dry-ice-dressed dance floor is well catered for too. Design’s Premonition and Vision’s Lucifer’s
Friend are stone-cold minimal synth bangers, well loved but given a new lease of life here. The
Warlord’s The Ultimate Warlord was released in 1978, a homespun proto Hi NRG banger that was
later re-recorded by The Immortals in Canada who had a club hit with it. One-man- band Disco
Volante’s No Motion was re-issued by Synth wave label Medical in 2012 but makes its first vinyl
compilation appearance here. Close your eyes and you can imagine what Lawrence of Felt would have
sounded like with some cheap Korgs a little earlier in his career. Gibraltar-based trio The Microbes
imagined a computer programming people to dance - how prescient - and ended up with a propulsive,
robo-funk track with splendid rubbery bass playing over a tectonic drum machine. Previously picked up
by Belgian label Stroom TV, Dee Jay Bert & Eagle’s heavily Euro-accented I Am Your Master
demands the listener to “come to paradise!” In a frankly terrifying manner.
All The Young Droids is the first compilation to peel away from the narrative that dour, Minimal Synth
and Cold Wave were the only musical children of the first rush of synth pop. Philip King and School
Daze Records describe a much more complicated world: along with the austere, Brutalist children of
Daniel Miller (who produced Alan Burnham’s Bowie-Low-influenced Science Fiction here) was a
plethora of desperate cash-ins, accidental mainstream hits, ambitious pop dramas and major label
punts that went nowhere. Crucially, the compilation blurs the line between junk and treasure. What if the
two things are interchangeable. What if it’s all science fiction?

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