1
A Guy Called Gerald - A1. Voodoo Ray
2
A Guy Called Gerald - B1. I Won’t Give In
Juice Box is back !
From one of the all-time greats, pairing two essential cuts from Gerald's vault that have long deserved proper vinyl treatment. On the A-side, the absolute classic "Voodoo Ray" finally returns to wax. On the flip, 1990's "I Won't Give In" resurfaces from the archive, a reminder that even Gerald's deep cuts carry the weight of lost classics.
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Germany
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From one of the all-time greats, pairing two essential cuts from Gerald's vault that have long deserved proper vinyl treatment. On the A-side, the absolute classic "Voodoo Ray" finally returns to wax. On the flip, 1990's "I Won't Give In" resurfaces from the archive, a reminder that even Gerald's deep cuts carry the weight of lost classics.
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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More records from A Guy Called Gerald
1
A Guy Called Gerald - "Trip City" (4:27)
2
A Guy Called Gerald - "Valentines Theme" (4:20)
3
A Guy Called Gerald - "At The Mambo" (4:57)
4
A Guy Called Gerald - "FX" (6:23)
5
A Guy Called Gerald - "Soho Chances" (5:31)
Repress!
In the summer of 1989, when Trip City was first released with a soundtrack by A Guy Called Gerald, there had been no other British novel like it. This was the down and dirty side of London nightclubs, dance music and the kind of hallucinogenic drug sub-culture that hadn’t really been explored since Tom Wolfe’s The Electric Kool-Aid Acid Test. Maybe this is why Trip City is still known as “the acid house novel” and an underground literary landmark.
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In the summer of 1989, when Trip City was first released with a soundtrack by A Guy Called Gerald, there had been no other British novel like it. This was the down and dirty side of London nightclubs, dance music and the kind of hallucinogenic drug sub-culture that hadn’t really been explored since Tom Wolfe’s The Electric Kool-Aid Acid Test. Maybe this is why Trip City is still known as “the acid house novel” and an underground literary landmark.
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Liebigstrasse 2-20
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Germany
Contact: [email protected]More
1
A Guy Called Gerald - Old School
2
A Guy Called Gerald - Sugoi
3
A Guy Called Gerald - Flash Fight
4
A Guy Called Gerald - False Religion
For a number of years now, A Guy Called Gerald has largely made music only for
himself. But this special EP is borne from Gerald’s unique and long-lasting
friendship with Analog Room founders Mehdi Ansari, Siamak Amidi and Salar
Ansari. They first met in 2013 when Siamak booked Gerald to play his Analog
Room party in Dubai – a leading underground light in the UAE’s then emergent
scene. Away from the glossy VIP hotels and expensive bottle service parties
typically associated with Dubai, Analog Room only deals with quality bookings of
the caliber of Move D, Roman Flügel, Moritz Von Oswald and the likes. Gerald
immediately fell in love with the party. Its strict music-first, no-nonsense policy
appealed to him and he’s returned many times over the years.
By then, of course, A Guy Called Gerald’s musical legacy was already assured. The
Manchester icon is best known for his 1988 hit single Voodoo Ray – the
touchstone of his hometown’s dawning acid house scene. As well as being an
early member of 808 State, Gerald embraced breakbeat and jungle, ran his own
Juice Box Records label and worked with the likes of Columbia, Perlon, K7! and
many other vital labels. His skills on everything from synths to keys, samplers to
drum machines stood him apart then – and still do today.
“This release is based on a real friendship,” Gerald explains. “I feel part of the
Analog Room family. Back in the early days, that’s how it was. These days, it’s like,
‘Oh, you’re famous, let’s do something.’ I’m not interested in that. I’m not
interested in being a celebrity or living that life. I’m the same as I was 30 years
ago, all I care about is the music. With Mehdi, we have spent hours jamming in
private in Dubai, we have partied together. We’ve vibed together for so long and
he’s shown me new parts of the world I should be making and playing music in,
away from the trendy scenes in other places. So this is an exclusive just for him.
I’m not looking at doing anything else with anyone, and the music is just about
celebrating individuality rather than trying to fit in anywhere.”
When Iranian-born Mehdi decided to start Moozikeh Analog Room – which
translates from Farsi as “the music of the Analog Room” – Gerald was one of the
first artists he asked to release on the label. It might have taken some time for
Britain’s Dirty Little Secret to materialize, but boy it’s been worth the wait.
Says Mehdi, “The magic comes through proper relationships and friendships.
That’s why Analog Room worked. It was a great room, an amazing sound system,
with amazing artists doing their thing. Bookings were so on-point because we had
agents around the world, on the dancefloors, spying up artists who were killing it,
and Gerald was one of them. He was a perfect fit from the first gig and our
friendship grew from there. He’s always been very kind to me. We have this
common language of music without any bullshit, and that is where this EP comes
from.”
The EP is a mixture of different things. Some of it is unreleased material from the
vaults revisited, some of it is brand new. It opens up with the devastating Old
Skool – a writhing, physical track with naughty bass. The drums hark back to
Gerald’s early days of making jungle but reimagined through a modern
perspective. As the synths spray about the mix and the percussion bounces atop
the jostling drums, muttered vocals draw you in deeper. Sugoi is an experimental
track that fuses ambient synth design with the spacious and eerie atmospheres of
jungle. Nimble drums get you on your toes as the spangled synths twist and turn
in all directions. It is a thrillingly original, impossible to define track.
Flash Fight is built on a captivating rhythm that sits in the area where house,
techno and jungle intersect. It is warm and cavernous, physical yet elegant as it
bounces on rubbery kicks and lithe synths roam in and out of earshot. Perfect for
those sweaty, cozy back rooms, it’s another masterclass from Gerald. Closing out
the EP is False Religion, a deep-rooted house track with elastic drums and
haunting, wispy pads. As a subtle acid bassline rises and falls way down below,
Gerald’s own mystic whispers leave listeners hypnotized.
Following on from Analog Room co-founder Salar Ansari’s debut release on the
label, this EP is a statement of intent. More releases will follow from some of
Analog Room’s most frequent international guests, but only when the time is
right. Moozikeh Analog Room is a label of love, one that is focused on putting out
the best possible music at all times rather than chasing hype.
A timely reminder of why A Guy Called Gerald is one of the world’s most enduring
electronic artists.
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WAS - Word and Sound Medien GmbH
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Germany
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himself. But this special EP is borne from Gerald’s unique and long-lasting
friendship with Analog Room founders Mehdi Ansari, Siamak Amidi and Salar
Ansari. They first met in 2013 when Siamak booked Gerald to play his Analog
Room party in Dubai – a leading underground light in the UAE’s then emergent
scene. Away from the glossy VIP hotels and expensive bottle service parties
typically associated with Dubai, Analog Room only deals with quality bookings of
the caliber of Move D, Roman Flügel, Moritz Von Oswald and the likes. Gerald
immediately fell in love with the party. Its strict music-first, no-nonsense policy
appealed to him and he’s returned many times over the years.
By then, of course, A Guy Called Gerald’s musical legacy was already assured. The
Manchester icon is best known for his 1988 hit single Voodoo Ray – the
touchstone of his hometown’s dawning acid house scene. As well as being an
early member of 808 State, Gerald embraced breakbeat and jungle, ran his own
Juice Box Records label and worked with the likes of Columbia, Perlon, K7! and
many other vital labels. His skills on everything from synths to keys, samplers to
drum machines stood him apart then – and still do today.
“This release is based on a real friendship,” Gerald explains. “I feel part of the
Analog Room family. Back in the early days, that’s how it was. These days, it’s like,
‘Oh, you’re famous, let’s do something.’ I’m not interested in that. I’m not
interested in being a celebrity or living that life. I’m the same as I was 30 years
ago, all I care about is the music. With Mehdi, we have spent hours jamming in
private in Dubai, we have partied together. We’ve vibed together for so long and
he’s shown me new parts of the world I should be making and playing music in,
away from the trendy scenes in other places. So this is an exclusive just for him.
I’m not looking at doing anything else with anyone, and the music is just about
celebrating individuality rather than trying to fit in anywhere.”
When Iranian-born Mehdi decided to start Moozikeh Analog Room – which
translates from Farsi as “the music of the Analog Room” – Gerald was one of the
first artists he asked to release on the label. It might have taken some time for
Britain’s Dirty Little Secret to materialize, but boy it’s been worth the wait.
Says Mehdi, “The magic comes through proper relationships and friendships.
That’s why Analog Room worked. It was a great room, an amazing sound system,
with amazing artists doing their thing. Bookings were so on-point because we had
agents around the world, on the dancefloors, spying up artists who were killing it,
and Gerald was one of them. He was a perfect fit from the first gig and our
friendship grew from there. He’s always been very kind to me. We have this
common language of music without any bullshit, and that is where this EP comes
from.”
The EP is a mixture of different things. Some of it is unreleased material from the
vaults revisited, some of it is brand new. It opens up with the devastating Old
Skool – a writhing, physical track with naughty bass. The drums hark back to
Gerald’s early days of making jungle but reimagined through a modern
perspective. As the synths spray about the mix and the percussion bounces atop
the jostling drums, muttered vocals draw you in deeper. Sugoi is an experimental
track that fuses ambient synth design with the spacious and eerie atmospheres of
jungle. Nimble drums get you on your toes as the spangled synths twist and turn
in all directions. It is a thrillingly original, impossible to define track.
Flash Fight is built on a captivating rhythm that sits in the area where house,
techno and jungle intersect. It is warm and cavernous, physical yet elegant as it
bounces on rubbery kicks and lithe synths roam in and out of earshot. Perfect for
those sweaty, cozy back rooms, it’s another masterclass from Gerald. Closing out
the EP is False Religion, a deep-rooted house track with elastic drums and
haunting, wispy pads. As a subtle acid bassline rises and falls way down below,
Gerald’s own mystic whispers leave listeners hypnotized.
Following on from Analog Room co-founder Salar Ansari’s debut release on the
label, this EP is a statement of intent. More releases will follow from some of
Analog Room’s most frequent international guests, but only when the time is
right. Moozikeh Analog Room is a label of love, one that is focused on putting out
the best possible music at all times rather than chasing hype.
A timely reminder of why A Guy Called Gerald is one of the world’s most enduring
electronic artists.
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Contact: [email protected]More
1
a guy called gerald - Dirty Trix
2
a guy called gerald - Indi Vibe
3
a guy called gerald - Mefted
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1
a guy called gerald - Iland
2
a guy called gerald - Just Soul
3
a guy called gerald - Round Eco
4
a guy called gerald - The Dip
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1
a guy called gerald - Dirty Trix
2
a guy called gerald - Indi Vibe
3
a guy called gerald - Mefted
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Bosconi is proud to announce the arrival into the family of one of the greatest legend of house music, the oldskool hero A Guy Called Gerald. The release randomly arrives in coincidence with the definitive closing of another legend, the place in berlin that has been a symbol for years of the cultural renaissance of the german capital after the wall, the Tacheles. When Gerald just moved to berlin, he got his house and his studio inside that very inspiring and artistic place, and as a tribute and homage to his legendary figure, some mysterious writer draw G's face on the right side of that building with the shamanic enigma above that giant mural "How Long Is Now", an existential sigh or question that perfectly sums up the uncertain past, present and future of one of Berlin's most important initiatives, as the Tacheles was, and as the things of our life that we love, as the music, can be, uncertain…But for sure this 3 tracker vinyl is real and it will last for long in our bags, these are 3 deadly club weapons by The Master between bass music, micro funk and soul excursions: A1 gives the title to the EP and it's subliminal dark and psychedelic after-hours dope session, while on B1 there's the shady and sexy atmosphere of "Groove of the Ghetto", a driving and funky house tune sustained by an ultra fat synth bass and enriched by soulful vocals and deep pads, while on B2 the EP ends wih the brutal Uk bass bonus beats monster entitled "202". Serious Stuff. In memory of Tacheles and the good old days.
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The man known as a Guy Called Gerald returns with his first new tracks in over a year!! "In Ya Head" is the proof we needed that mr Gerald remains at the top of the game... Two dark cuts that balance oomph, melody and the underground perfectly...
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Customers who bought this also bought this
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Glenn Davis - The Journey
2
Glenn Davis - Love Is
3
Glenn Davis - Free YOur Mind
4
Glenn Davis - Da Jazz
Dublin deep house fixture Glenn Davis returns with four tracks steeped in the smoked-out warmth of classic Chicago and New York house music, though there's enough personality here to stop things drifting into pure revivalism. 'The Journey' opens through supple drum movement and glowing Rhodes figures that unfurl lazily across the groove, as little chord flourishes flicker at the edges like light catching dust through half-drawn curtains. 'Love Is' softens the mood further through hazy vocal vapour and richly upholstered keys that melt gently into the rhythm. On the flip, 'Free Your Mind' introduces firmer rhythmic pressure without disturbing the record's low-lit sensuality. 'Da Jazz' closes things beautifully through brushed percussion and featherlight piano motifs with a rolling swing that feels most elegant in its looseness. Very classy deep house, this.
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1
Julian Lindsey - Don't Know How To Change
2
Julian Lindsey - Don't Know How To Change (Subb-An Dubmix)
3
Julian Lindsey - Miami Air
4
Julian Lindsey - Miami Air (Francesca Lombardo Remix)
Don't Know How To Change: a timeless house music masterpiece.
Since Julian Lindsey slid smoothly into the New York House scene back in 2014, he has become renowned for his sharp musical intuition, slick selections and a symbiotic relationship with the crowd. He takes the groove on the record and transmits it to the groove on the dancefloor.
Don't Know How To Change is Julian Lindsey’s debut EP, released on the Sound of Vast. The title track is smooth beyond belief, funky house keys and a laid back soulful vocal work with the bass to make your hips start to move, before a house backbeat takes you by the hand onto the dancefloor. At 3:15 mins, Julian Lindsey plays his ace card with a TB-303 acid tweak drenched with emotion. Just superb. The Subb-an Dubmix stays true to the original, claps and snares bring a dancefloor immediacy, the vocal line chopped to bring the funk. Ibiza will go wild for this Dubmix.
Miami Air starts with a Funktion-1-lovin’ deep velvet groove. Close your eyes and you can almost smell that dusky, warm Atlantic coast beach at sunset, driving with the roof down as the lights start to twinkle across Vice City and the bass drum beats through your fulcrum. A perfect companion for Don’t Know How To Change. Francesca Lombardo’s remix takes Miami Air from dusk to deep night, A mini Moog 4/4, rimshot claps and a vintage synth line guides you past midnight onto the dark, humid dancefloor where bodies writhe.
Julian Lindsey tells us more: The EP is really the story of my relationship with house music and a snapshot of where I was in my life when I made these tracks. I have an obsession with house music that is borderline unhealthy. The sound is rooted in 2010s house music, which is the era where my love for house music really developed.
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Germany
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Since Julian Lindsey slid smoothly into the New York House scene back in 2014, he has become renowned for his sharp musical intuition, slick selections and a symbiotic relationship with the crowd. He takes the groove on the record and transmits it to the groove on the dancefloor.
Don't Know How To Change is Julian Lindsey’s debut EP, released on the Sound of Vast. The title track is smooth beyond belief, funky house keys and a laid back soulful vocal work with the bass to make your hips start to move, before a house backbeat takes you by the hand onto the dancefloor. At 3:15 mins, Julian Lindsey plays his ace card with a TB-303 acid tweak drenched with emotion. Just superb. The Subb-an Dubmix stays true to the original, claps and snares bring a dancefloor immediacy, the vocal line chopped to bring the funk. Ibiza will go wild for this Dubmix.
Miami Air starts with a Funktion-1-lovin’ deep velvet groove. Close your eyes and you can almost smell that dusky, warm Atlantic coast beach at sunset, driving with the roof down as the lights start to twinkle across Vice City and the bass drum beats through your fulcrum. A perfect companion for Don’t Know How To Change. Francesca Lombardo’s remix takes Miami Air from dusk to deep night, A mini Moog 4/4, rimshot claps and a vintage synth line guides you past midnight onto the dark, humid dancefloor where bodies writhe.
Julian Lindsey tells us more: The EP is really the story of my relationship with house music and a snapshot of where I was in my life when I made these tracks. I have an obsession with house music that is borderline unhealthy. The sound is rooted in 2010s house music, which is the era where my love for house music really developed.
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Germany
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1
Aurora Halal - Red Alert
2
Aurora Halal - The Spell
3
Aurora Halal - Airtrain To Jamaica Station
4
Aurora Halal - Mist
5
Aurora Halal - PF Tek
Mutual Dreaming label head and New York favourite Aurora Halal is back on her own imprint for the first time in some seven years. This new EP finds her in a cosmic mood and exploring new frontiers, starting with the journeying 'Red Alert' which is encircled by clean sci-fi melodies as slinky drums power onwards and upwards. 'The Spell' is less mobile, instead hunkering down in a deeper, slower, more inert groove, but one no less detailed by intergalactic melody. 'Airtrain To Jamaica Station' takes flight on liquid and linear deep techno grooves with a psychedelic synth wash and 'Mist' and 'PF Tek' bring anxious moods to restless grooves.
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Parisian label Latency presents "Without References / Cindy van Acker (Variations)", a new release by goat (JP) and Ricardo Villalobos.
For this project, Ricardo Villalobos reinterprets two tracks – "Orin" and "Factory" – originally composed by goat (JP) for choreographer and performance artist Cindy van Acker’s dance piece "Without References".
Tracklist:
Side A
1. Orin (Ricardo Villalobos Variation)
Side B
1. Factory (Ricardo Villalobos Variation
https://listen.k7.com/ebe13e6e-37b8-4fe1-b440-60a792542e4b
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For this project, Ricardo Villalobos reinterprets two tracks – "Orin" and "Factory" – originally composed by goat (JP) for choreographer and performance artist Cindy van Acker’s dance piece "Without References".
Tracklist:
Side A
1. Orin (Ricardo Villalobos Variation)
Side B
1. Factory (Ricardo Villalobos Variation
https://listen.k7.com/ebe13e6e-37b8-4fe1-b440-60a792542e4b
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1
Picture - Quuuuuu
2
Picture - Ruuuuu
3
Picture - Miiiiiii
4
Picture - Leeeeeee
5
Picture - Peeeeeee
6
Picture - Ziiiiiiiii
7
Picture - Wooooooo
Back with more. Still burning.
Mastered by Mike Grinser at Manmade.
Art by Mammo.Works.
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Mastered by Mike Grinser at Manmade.
Art by Mammo.Works.
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1
DJ Garth & ETI - Twenty Minutes Of Disco Glory (DJ Harvey Remix)
2
Nectar - Fairy Trails
3
Nectar - What Tha?
Tokyo's Realrockdesign collective marks a full 30 years of cross-disciplinary creativity with the first of a planned trilogy. The A-side hands over a crown jewel from West Coast legend DJ Garth's Grayhound catalogue in 'Twenty Minutes Of Disco Glory', which gets remixed by DJ Harvey with a slow, deep, dark and come-to-me groove with a fizzy motif lingering like a trapped bee. The flip turns to German veteran Nectar, who is enjoying some deserved time back in the spotlight and shows why here: 'Fairy Trails' is a deliciously psychedelic descent into the underworld that perfectly befits its title. 'What Tha?' is paranoid and unsure with a writhing bassline, detuned synths bringing a freaky edge and a dubby, shuffling groove that is as inviting as the rest of the track is wonderfully weird.
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1
Quarks - Allein (Augen Zu Und Durch... Remix By Sascha Funke)
2
Quarks - Allein (Rolling Luggage Mix By Swayzak)
3
Quarks - Allein (Original Mix)
Format: 12", 45RPM
Tracklist:
A1: Allein (Augen Zu Und Durch... Remix By Sascha Funke)
B1: Allein (Rolling Luggage Mix By Swayzak)
B2: Allein (Original Mix)
hello,
'Allein' by Quarks is a timeless piece of German electro-pop culture that captures the nostalgia of Berlin’s wild & spaced out 2000s like no other!
Originally released on the duo's third album "Trigger Me Happy", the single was later released as a 12" with two massive remixes that were only available on vinyl.
Whether it's Sascha Funke's haunting minimal techno masterpiece or Swayzak's colourful & electrifying banger - both remixes leave no doubt that this 12" will bring goosebumps & tears of joy to every dance floor until the end of time!
With all original masters & DATs lost, this reissue has been carefully restored & remastered from the original vinyl by Dubplates & Mastering. Sounding crystal clear & ready for the club in 2026!
goodbye.
Pressed at MPO.
Labelartwork & cover redesign by Julian Gertenbach.
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Tracklist:
A1: Allein (Augen Zu Und Durch... Remix By Sascha Funke)
B1: Allein (Rolling Luggage Mix By Swayzak)
B2: Allein (Original Mix)
hello,
'Allein' by Quarks is a timeless piece of German electro-pop culture that captures the nostalgia of Berlin’s wild & spaced out 2000s like no other!
Originally released on the duo's third album "Trigger Me Happy", the single was later released as a 12" with two massive remixes that were only available on vinyl.
Whether it's Sascha Funke's haunting minimal techno masterpiece or Swayzak's colourful & electrifying banger - both remixes leave no doubt that this 12" will bring goosebumps & tears of joy to every dance floor until the end of time!
With all original masters & DATs lost, this reissue has been carefully restored & remastered from the original vinyl by Dubplates & Mastering. Sounding crystal clear & ready for the club in 2026!
goodbye.
Pressed at MPO.
Labelartwork & cover redesign by Julian Gertenbach.
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1
Picture - Faaaaaaaaa
2
Picture - Gaaaaaaaaaa
3
Picture - Kaaaaaaaa
4
Picture - Tuuuuuuuu
Regelbau chief Natal Zaks, who you may better known as Danish house talent Central, returns to his Picture alias hot on the heels of a full-length under the same moniker on his usual home, Short Span. This EP comes on P-TON, NMP's sub label, and is pristine dub techno with clean lines and minimal fuss. 'Faaaaaaaaa' has the right amount of swing and pop under sleek chords, 'Gaaaaaaaaaa' is less about firmware demotion and more about locking you in an endless cycle of brain cleansing thought. 'Kaaaaaaaa' is a darker world of cavernous bass and icy futurism and 'Tuuuuuuuu' nods to the best of Basic Channel. Proper dub techno that reinvents nothing but does everything exceptionally well.
limited to 80 copies.
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limited to 80 copies.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Lance Desardi - Love For The People
2
Lance Desardi - Teacher
3
Lance Desardi - Mental Pictures
4
Lance Desardi - Mental Pictures (A Capella)
Live Trax Vol. 2 is the next instalment in the series that comes from live hardware sets
recorded straight to 1/4” tape.
These are road-tested & raw house rollers produced with a discerning dance floor in mind
A1. Love For The People
A2. Teacher
B1. Mental Pictures
B2. Mental Pictures (A Capella)
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
recorded straight to 1/4” tape.
These are road-tested & raw house rollers produced with a discerning dance floor in mind
A1. Love For The People
A2. Teacher
B1. Mental Pictures
B2. Mental Pictures (A Capella)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Forever Records
Cat-No:FRVR-3-LTD
Release-Date:04.09.2026
Genre:Electronic, Electronica
Configuration:3LP Excl
Label:Forever Records
Cat-No:FRVR-3-LTD
Release-Date:04.09.2026
Genre:Electronic, Electronica
Configuration:3LP Excl
1
MLO - a1. Wimborne
2
MLO - a2. Noodle #1
3
MLO - b1. Fast Water
4
MLO - b2. Lagoon
5
MLO - c1. Moon Over Lagos
6
MLO - c2. Ghost
7
MLO - d1. In Search Of Lost Time (Part 1)
8
MLO - d2. In Search Of Lost Time (Part 2)
9
MLO - 10" e1. Wimborn (1994 Unreleased Remix)
10
MLO - 10" f1. Wimborn (1994 Unreleased Ambient Remix)
Formats: 2LP + 10” Ltd Edition, Gatefold Sleeve
Tracklist:
a1. Wimborne
a2. Noodle #1
b1. Fast Water
b2. Lagoon
c1. Moon Over Lagos
c2. Ghost
d1. In Search Of Lost Time (Part 1)
d2. In Search Of Lost Time (Part 2)
e1. Wimborn (1994 Unreleased Remix)
f1. Wimborn (1994 Unreleased Ambient Remix)
Sublime frequencies from the golden era of ambient electronica.
Plumbing hidden depths beneath a deceptively tranquil surface, MLO's mid-90s masterpiece Io is an overlooked gem from a golden era for ambient electronic music. Originally released in 1994, Jon Tye and Pete Smith's collaborative album responded to the growing chill-out movement by leaning into classical and avant-garde influences from Satie, Debussy and Cage through to Soft Machine, Incredible String Band and Eno. Recorded across various studios stacked with classic and rare synths, Io was patiently composed into slowly unfolding suites punctuated with ripples of arrhythmic interference to arrive at a purist vision of true ambient.
The next instalment in Forever Records' ongoing reissue series shines a light back on this landmark piece of UK electronica with the first official reissue since its original edition on Rising High. As well as the original double LP pressing and a new CD digipak version, there will also be a uniquely numbered, limited edition housed in a gatefold sleeve that comes with a bonus 10" featuring two previously unreleased versions of the album's opening cut, 'Wimborne'.
Press response to Io:
"Not so much ambient, more environmental music, Io lets you bring as much (or as little) of your surroundings in as suits your mood. Every listen can be different. Interactive ambient at last.”
IO is pure ambience. Relying on motif as opposed to melody, MLO have produced a truly evocative album.
Peter McIntyre, Mixmag, UK 1994.
"[MLO's] influences range from the likes of Eric Satie and the intellectual salon music of his era to the more predictable reference point of dubby, modern techno, though they feel, perhaps rather contentiously, that "ambient music can exist in isolation from the rest of the dance music arena". Can it? Take a trip to Io, and find out."
Generator Magazine, UK 1994.
"If you like your ambient deep and moody with long chords that creep along at approximately the speed of drying paint then check out MLO’s Io."
Mixology, UK 1994.
"MLO set the controls for the heart of headspace for their first full album release. Io is top grade ambient brain… Ace album…"
Select, UK 1994.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist:
a1. Wimborne
a2. Noodle #1
b1. Fast Water
b2. Lagoon
c1. Moon Over Lagos
c2. Ghost
d1. In Search Of Lost Time (Part 1)
d2. In Search Of Lost Time (Part 2)
e1. Wimborn (1994 Unreleased Remix)
f1. Wimborn (1994 Unreleased Ambient Remix)
Sublime frequencies from the golden era of ambient electronica.
Plumbing hidden depths beneath a deceptively tranquil surface, MLO's mid-90s masterpiece Io is an overlooked gem from a golden era for ambient electronic music. Originally released in 1994, Jon Tye and Pete Smith's collaborative album responded to the growing chill-out movement by leaning into classical and avant-garde influences from Satie, Debussy and Cage through to Soft Machine, Incredible String Band and Eno. Recorded across various studios stacked with classic and rare synths, Io was patiently composed into slowly unfolding suites punctuated with ripples of arrhythmic interference to arrive at a purist vision of true ambient.
The next instalment in Forever Records' ongoing reissue series shines a light back on this landmark piece of UK electronica with the first official reissue since its original edition on Rising High. As well as the original double LP pressing and a new CD digipak version, there will also be a uniquely numbered, limited edition housed in a gatefold sleeve that comes with a bonus 10" featuring two previously unreleased versions of the album's opening cut, 'Wimborne'.
Press response to Io:
"Not so much ambient, more environmental music, Io lets you bring as much (or as little) of your surroundings in as suits your mood. Every listen can be different. Interactive ambient at last.”
IO is pure ambience. Relying on motif as opposed to melody, MLO have produced a truly evocative album.
Peter McIntyre, Mixmag, UK 1994.
"[MLO's] influences range from the likes of Eric Satie and the intellectual salon music of his era to the more predictable reference point of dubby, modern techno, though they feel, perhaps rather contentiously, that "ambient music can exist in isolation from the rest of the dance music arena". Can it? Take a trip to Io, and find out."
Generator Magazine, UK 1994.
"If you like your ambient deep and moody with long chords that creep along at approximately the speed of drying paint then check out MLO’s Io."
Mixology, UK 1994.
"MLO set the controls for the heart of headspace for their first full album release. Io is top grade ambient brain… Ace album…"
Select, UK 1994.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Substance & Vaniqueur - Libration (Stone Version)
2
Skee Mask - Clear Sky 909
3
Verraco - Untitled (Teamgeist Mix Feat. Tils)
4
1morning - Untitled
5
Regal86 - Patumpa
The third chapter of The Third Room's curator-led series is shaped by Verraco, one of the key voices behind a new generation of artists reshaping contemporary club music. Through his productions, DJ sets and his work with TraTraTrax, he has helped define a sound where hybrid forms, rhythmic experimentation and cross-cultural influences are pushing the genre into new territory. Structured across two distinct sides, the release draws a clear connection between past and present. The A-side leans into a deeper, more classic space, while the B-side moves towards a more forward-facing, hybrid sound. It opens with Libration (Stone Version) by Substance & Vainqueur, a revisiting of their landmark 2007 release, a track that helped define the language of Dub Techno as it is understood today. Reduced, deep and spatially precise, it established a blueprint for how rhythm, delay and tone could function together. It's presence here acts less as a nod to the past and more as a reminder of a foundation that continues to shape the genre. Skee Mask's Clear Sky 909 continues this thread, softening the edges without losing depth. Warm, enveloping textures and fluid movement give the track a sense of openness, balancing clarity with emotional weight. The B-side shifts perspective. On Untitled (Teamgeist Mix), Verraco, joined by Tils, delivers the record's defining moment - a dense, intricately designed piece built on a driving low-end and evolving rhythmic patterns. Elements from Techno, Bass and Leftfield House converge into a detailed, forward-moving structure that actively bridges cultural contexts. It results in a form of dance music shaped by technical precision, but drive.n by a clear sense of intent, marking a distinct expression of Verraco's current sound. Untitled by 1morning introduces a rolling, tribal-infused groove with a strong sense of depth, while PatumPa by Regal86 closes the record with a bright, loop-driven energy that leans into pure motion. Across both sides, the release moves between reference and progression. Rather than separating old and new, Verraco connects them - tracing a line from foundational Dub Techno to a more fluid, contemporary club language. Copyright 2026 The Third Room A1 Written and Produced by Peter Kuschnereit & Rene Loewe | A2 Written and Produced by Bryan Mueller | B1 Written and Produced by JP Lopez & Jakob Ferdinand Tils and mixed by Lurka | B2 Written and Produced by 1morning | B3 Written and Produced by Regal86 Mastered by Andreas Kauffelt (Schnittstelle Berlin) Artwork by Charlotte Ernst Design by Daniel Bornmann (STUEDIO.XYZ) Pressing by Matter Of Fact
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
DJ Assassin - Face In The Crowd
2
DJ Assassin - Jammin Marvellous Obliviously Obvious
3
DJ Assassin - Face In The Crowd (Intellidread Mix)
4
DJ Assassin - Beats For Ya Feet
2026 Repress of the extremely sort after DJ Assassin "A Face in The Crowd" 12” on Cross Section Records. A total classic House track from 1998, that sounds even fresher today. The vocal is minimal, yet haunting and the bassline just rev's like a an engine, proper House music at it's finest. Supported for years by: Craig Richards, Villalobos, Mike Huckaby, DJ Sneak to name a few.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More