Label:Dark Entries
Cat-No:DE-350
Release-Date:07.08.2026
Genre:Alternative/Electronic
Configuration:2LP
Barcode:94811516033
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1
Severed Heads - Pilot In Hell
2
Severed Heads - Seven Of Oceans
3
Severed Heads - Estrogen
4
Severed Heads - King Of The Sea
5
Severed Heads - Host Of Quadrille
6
Severed Heads - Life In The Whale
7
Severed Heads - Twister
8
Severed Heads - Ugly Twenties
9
Severed Heads - Piggy Smack
10
Severed Heads - Golden Height - I'm Your Antidote
11
Severed Heads - The Tingler (They Shine Within)
12
Severed Heads - Goodbye
13
Severed Heads - Finder
14
Severed Heads - Skippy Roo Kangaroo
15
Severed Heads - Quest For Oom Pa Pa Part 1
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Severed Heads - Quest For Oom Pa Pa Part 2
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Severed Heads - Quest For Oom Pa Pa Part 3
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Severed Heads - Estrogen (Demo)
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Severed Heads - Seven Of Oceans (Early Version)
20
Severed Heads - Her Teeth The Ally
21
Severed Heads - Ottoman
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Severed Heads - Wonder Of All The World
Severed Heads reattach themselves to Dark Entries for an expanded reissue of their 1991 opus Cuisine (With Piscatorial). As originary Aussie industrial legends – although founder Tom Ellard would balk at being branded as such – Severed Heads shaped the continental subcultural sound with their kitchen electronics, chaotic tape loops, and infectious nursery-rhyme-esque melodies. Cuisine (With Piscatorial) was the long-running project’s ninth album, and is a commentary on the state of music. Ellard explains: “The whole food joke is really about what music's about and how disposable it is; people have records like they have cups of coffee.” The album also presents a turn away from the dancefloor formalism of the era, which Ellard dismissed as already sufficiently explored. Cuisine brings us punchy pop kernels of the prime Heads variety, all clocking in around three minutes. Cuts like “Pilot in Hell” and “Ugly Twenties” rank among the band’s best through their deadly skewering of synth pop tropes. But the album also offers us a Piscatorial section, where Ellard felt free to “go fishing for ideas.” Here we get a taste of the project’s demented cut-up sensibilities, like on the “Quest for Oom Pa Pa” suite, where vintage jazz records are collaged into an angular nightmare. This double-LP reissue is the first time that Cuisine (With Piscatorial) will appear on vinyl, with a previously unreleased early version of “Seven of Oceans.” Also included is a 6-page booklet with liner notes, lyrics, and press clippings.
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Germany
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More records from Severed Heads
Label:Dark Entries
Cat-No:DE-070
Release-Date:18.10.2024
Genre:Alternative/Electronic
Configuration:12"
Barcode:730669337420
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Genre:Alternative/Electronic
Configuration:12"
Barcode:730669337420
1
Severed Heads - Dead Eyes Opened
2
Severed Heads - Bullet
3
Severed Heads - Mount
LTD Repress
Severed Heads are one of the longest standing bands to have emerged from the Australian post-punk and experimental scene. They began in Sydney in 1979, and were an early outfit to incorporate elements of 'industrial' noise-generation, tape cutting & looping and electronic sound synthesis. As the project developed, song-structures and vocals were employed in a more-or-less recognizable mutant electro pop style. After many line-up changes featuring Gary Bradbury and psychedelic guitarist Simon Knuckey, Severed Heads became the solo vehicle for composer Tom Ellard.
In 1983 they released a C-60 cassette called “Since The Accident” that grabbed the attention of Ink Records, a subsidiary of Virgin in the UK. Ellard added a throwaway track at the last minute to fill out the cassette, not wanting to leave an unseemly gap on a C60 tape. This track, “Dead Eyes Opened” was catchy enough to get a lot of airplay on the main non-commercial radio station in Sydney. The band was asked to make this song into a 12” single. For this extended version, Tom Ellard and producer Patrick Gibson went to M Squared studio and passed the multitracked recordings through various EQ's and delays. “Dead Eyes Opened” features samples from a radio program narrated by Edgar Lustgarten, a crime journalist from England, referencing a double murder case that occurred in 1924. The rhythms are made by a TR-808 drum machine and an SH-1 synthesizer. A KORG PolySix was used for strings and additional atmospheric elements. The lead solo was a Casiotone run through an Octaver foot pedal. On the B-side are two solo compositions “Bullet” and “Mount” that Ellard recorded at Terse Tapes in 1982.
All songs are remastered for vinyl by George Horn at Fantasy Studios in Berkeley. Housed in the original jacket featuring the iconic photograph of a girl with a painted face wrapped in some cloth by Juilee Pryor. Each copy includes a fold-out newsprint poster with a large photo of the band wearing Art Unit skull shirts on one side and liner notes and press clippings on the other. 30 years later Severed Heads are still paving the way for powerful, imaginative, and challenging music.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Severed Heads are one of the longest standing bands to have emerged from the Australian post-punk and experimental scene. They began in Sydney in 1979, and were an early outfit to incorporate elements of 'industrial' noise-generation, tape cutting & looping and electronic sound synthesis. As the project developed, song-structures and vocals were employed in a more-or-less recognizable mutant electro pop style. After many line-up changes featuring Gary Bradbury and psychedelic guitarist Simon Knuckey, Severed Heads became the solo vehicle for composer Tom Ellard.
In 1983 they released a C-60 cassette called “Since The Accident” that grabbed the attention of Ink Records, a subsidiary of Virgin in the UK. Ellard added a throwaway track at the last minute to fill out the cassette, not wanting to leave an unseemly gap on a C60 tape. This track, “Dead Eyes Opened” was catchy enough to get a lot of airplay on the main non-commercial radio station in Sydney. The band was asked to make this song into a 12” single. For this extended version, Tom Ellard and producer Patrick Gibson went to M Squared studio and passed the multitracked recordings through various EQ's and delays. “Dead Eyes Opened” features samples from a radio program narrated by Edgar Lustgarten, a crime journalist from England, referencing a double murder case that occurred in 1924. The rhythms are made by a TR-808 drum machine and an SH-1 synthesizer. A KORG PolySix was used for strings and additional atmospheric elements. The lead solo was a Casiotone run through an Octaver foot pedal. On the B-side are two solo compositions “Bullet” and “Mount” that Ellard recorded at Terse Tapes in 1982.
All songs are remastered for vinyl by George Horn at Fantasy Studios in Berkeley. Housed in the original jacket featuring the iconic photograph of a girl with a painted face wrapped in some cloth by Juilee Pryor. Each copy includes a fold-out newsprint poster with a large photo of the band wearing Art Unit skull shirts on one side and liner notes and press clippings on the other. 30 years later Severed Heads are still paving the way for powerful, imaginative, and challenging music.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:Dark Entries
Cat-No:DE-314
Release-Date:06.09.2024
Genre:Alternative/Electronic
Configuration:2LP
Barcode:794811515623
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Cat-No:DE-314
Release-Date:06.09.2024
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Configuration:2LP
Barcode:794811515623
1
Severed Heads - All Rights Reservered
2
Severed Heads - God Factory
3
Severed Heads - Hawaii / Torso / 97 Cigarettes
4
Severed Heads - Acid Fur
5
Severed Heads - Dance
6
Severed Heads - New York Is A Lonely Town
7
Severed Heads - (This Track Doesn't Exist)
8
Severed Heads - Much About Bones
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Severed Heads - Scat
10
Severed Heads - Pander To The Natives
11
Severed Heads - For Garry 5
12
Severed Heads - The Monkey Is Safe
13
Severed Heads - 1-2-3 A Baby Buggy
14
Severed Heads - Walking Best Friend
15
Severed Heads - Untitled 1
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Severed Heads - Untitled 2
17
Severed Heads - Now This Is God's Son 1
18
Severed Heads - Acid Fur (Demo)
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Severed Heads - Now This Is God's Son 2
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Severed Heads - Hello Donald, Merry Christmas
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Severed Heads - Pinstripe Bus
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Severed Heads - The Man Of My Dreams
Dark Entries picks up Severed Heads yet again for Ear Bitten, a double LP reissue of some of the band’s earliest material. As originary Aussie industrial legends - although founder Tom Ellard would balk at being branded as such - Severed Heads shaped the continental subcultural sound with their kitchen electronics, chaotic tape loops, and quietly infectious nursery-rhyme-esque melodies. In 1979 Ellard, Richard Fielding, and Andrew Wright abandoned the moniker Mr. and Mrs. No Smoking Sign and adopted the edgier name Severed Heads “to pretend to be an industrial band such as Surgical Penis Klinik & Throbbing Gristle.” Noise-rockers Rhythmx Chymx had placed an advertisement in a local shop looking for a band to share the costs of pressing an LP. The Heads set about recording a Dadaist racket on a pair of open reel dictaphones and a cassette deck using a TRS-80 computer, Kawai Synthesizer 100F and Korg Mini Pops drum machine. Ear Bitten was released in 1980; original copies now fetch obscene sums, in part due to most of Severed Heads’ copies perishing in a fire at Richard’s home. The band’s next endeavor was a cassette titled Side 2, a collection of free-form experiments fashioned as Ear Bitten’s second side. For this reissue, Dark Entries has collected both Ear Bitten and Side 2 on the first disc, presenting the album in its full form. Disc two includes the original first version of Ear Bitten, which was only unreleased because it was recorded in a format not suitable for pressing. The album comes in a gatefold sleeve designed by Eloise Leigh and includes photos, liner notes, and reproductions of the original Xerox inserts from the 1980 issue. Ear Bitten delivers 22 tracks of pain you can dance to!
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DE - 22113 Hamburg
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Label:Medical Records
Cat-No:MR-089
Release-Date:26.08.2022
Genre:Alternative/Electronic
Configuration:2LP
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Cat-No:MR-089
Release-Date:26.08.2022
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1
Severed Heads - All Saints Day
2
Severed Heads - Triangle Tangle Tango
3
Severed Heads - Bad Times Too
4
Severed Heads - Midget Sings
5
Severed Heads - Seven Miles
6
Severed Heads - Big Car Intro
7
Severed Heads - Big Car
8
Severed Heads - First Steps
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Severed Heads - Rotund For Success
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Severed Heads - LFM
11
Severed Heads - All Saints Day Original
12
Severed Heads - Bad Times Three
13
Severed Heads - The Star Spangled Bradbury
14
Severed Heads - LFM Dub
15
Severed Heads - Chasing Skirt
16
Severed Heads - Greater Reward
17
Severed Heads - Greater Dub
18
Severed Heads - Big Car Crash
Repress!
Medical continues it's exploration and admiration our beloved Severed Heads. Long overdue and much needed reissue of their1989 album "Rotund For Success". Special expanded 2LP version including alternate versions and remixes. "Rotund" is a treasure trove of hits including "All Saints Day", "Greater Reward" and "Big Car". Includes deluxe gatefold heavy duty full color jacket featuring the iconic pineapple and pine cone featured on the singles. Remastered by Mr. Ellard himself. Double 160gm black vinyl. Limited Edition.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Medical continues it's exploration and admiration our beloved Severed Heads. Long overdue and much needed reissue of their1989 album "Rotund For Success". Special expanded 2LP version including alternate versions and remixes. "Rotund" is a treasure trove of hits including "All Saints Day", "Greater Reward" and "Big Car". Includes deluxe gatefold heavy duty full color jacket featuring the iconic pineapple and pine cone featured on the singles. Remastered by Mr. Ellard himself. Double 160gm black vinyl. Limited Edition.
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Germany
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Label:Medical Records
Cat-No:MR-034t
Release-Date:13.12.2021
Genre:Alternative/Electronic
Configuration:LP
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1
Severed Heads - A Relic Of The Empire
2
Severed Heads - A Million Angels
3
Severed Heads - Houses Still Standing
4
Severed Heads - Gashing The Old Mae West
5
Severed Heads - Dead Eyes Opened
6
Severed Heads - Golden Boy
7
Severed Heads - Godsong
8
Severed Heads - Epilepsy 82
9
Severed Heads - Exploring The Secrets Of Treating Deaf Mutes
10
Severed Heads - Brassiere, In Rome
11
Severed Heads - Wasps
Repress of Medical's 2014 reissue of the long out of print and crucial LP Australia's Severed Heads (alongside "City Slab Horror" also being repressed by Medical). Released in 1983 and features some of the most important yet underrated electronic music of the genre. Characterized by a fusion of experimental tape loop manipulation perfectly integrated into synth-based and quite catchy pop stylized tunes. Features the hit "Dead Eyes Opened" as well as other standout tracks such as "A Million Angels" and "A Relic Of The Empire". For fans of innovative early industrial/wave crossovers such as Cabaret Voltaire, early Coil, and Chris & Cosey. Limited Edition.
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Label:Medical Records
Cat-No:MR-035t
Release-Date:13.12.2021
Genre:Alternative/Electronic
Configuration:LP
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1
Severed Heads - Spasm
2
Severed Heads - Spastic Crunch
3
Severed Heads - Spitoon Thud
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Severed Heads - 4.W.D.
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Severed Heads - Ayoompteyempt
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Severed Heads - The Bladders of A One Thousand Bedoin
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Severed Heads - Now An Explosive New Movie
8
Severed Heads - Guests
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Severed Heads - We Have Come To Bless The House
10
Severed Heads - Cyflea, Rated R
11
Severed Heads - Goodbye Tonsils
12
Severed Heads - Voices Of The Dead
Repress of Medical's 2014 reissue of the long out of print and crucial LP Australia's Severed Heads (alongside "Since The Accident" also being repressed by Medical). Released in 1985 and features some of the most important yet underrated electronic music of the genre. Characterized by a fusion of experimental tape loop manipulation perfectly integrated into synth-based and quite catchy pop stylized tunes. Features the standout tracks "Goodbye Tonsils", "We Have Come For This House" and the lovely "4.W.D" track. For fans of innovative early industrial/wave crossovers such as Cabaret Voltaire, early Coil, and Chris & Cosey. Limited Edition.
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DE - 22113 Hamburg
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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More records from Dark Entries
Label:Dark Entries
Cat-No:DE-339
Release-Date:18.09.2026
Genre:House / Techno
Configuration:LP
Barcode:794811515920
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Genre:House / Techno
Configuration:LP
Barcode:794811515920
1
Black Meteoric Star - 5am Open Air Sunrise
2
Black Meteoric Star - Buttplug Thumb Drive
3
Black Meteoric Star - Control Top
4
Black Meteoric Star - Feel The Energy
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Black Meteoric Star - Pombagira
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Black Meteoric Star - S weat
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Black Meteoric Star - Squuezed Into These Jeans
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Black Meteoric Star - Subwoofer Speaker Freaker Feat. Scotia)
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Black Meteoric Star - The Calling
Wet is the fifth full length album by Black Meteoric Star and the 10th release. Black Meteoric Star is a project Rayna started in 2006 when she was living in Berlin that brought together her life long love of dance music culture with spiritual themes, drag, and her formative experiences of S/M culture Black Meteoric Star has always had an avenger quality in Rayna's life and creative work, and this iteration plays that role in response to the current political landscape. Wet celebrates the long standing shared history of electronic music and queer leather/SM culture and imagines a future where these two cultural expressions are re-connected.
Electronic music and leather/SM are both ways that queer people have historically built community, created and shared knowledge, and kept each other safe. The current administration demonizes and villainizes queer people on the basis of a false moral framework of respectability, and its a trick. No amount of acting "respectable" will humanize queer people in the eyes of this administration and get us the rights we deserve. Revitalizing the connection between electronic music and queer leather/SM is a way to affirm the cultural power of both during a time when it has never been clearer that we keep each other safe. Rayna, a transgender woman with a deep commitment to all of these cultural forms, has a strong message to deliver with this album. She has been a DJ and producer of electronic music for over thirty years and has been producing community cultural events for as long. She has also been involved in kink and bdsm for decades and is a well-known and respected DJ in the New York leatherdyke scene. Rayna made international headlines in 2017 when she came out as transgender while touring with LCD Soundsystem. In 2018 she left the Grammy winning band to pursue projects that were more connected with her queer experience, including founding Voluminous Arts a cultural organization that supports trans artists. Black Meteoric Star is a continuation of a thread in Rayna's work that runs through her Paper Eyes project and her role in Black Leotard Front. This thread has a comic book or x rated graphic novel component based around her experiences of being a sad lonely lesbian trans girl who got bullied a lot and found escape and the possibility of being avenged through X men comics and Dungeons and Dragons books.
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Electronic music and leather/SM are both ways that queer people have historically built community, created and shared knowledge, and kept each other safe. The current administration demonizes and villainizes queer people on the basis of a false moral framework of respectability, and its a trick. No amount of acting "respectable" will humanize queer people in the eyes of this administration and get us the rights we deserve. Revitalizing the connection between electronic music and queer leather/SM is a way to affirm the cultural power of both during a time when it has never been clearer that we keep each other safe. Rayna, a transgender woman with a deep commitment to all of these cultural forms, has a strong message to deliver with this album. She has been a DJ and producer of electronic music for over thirty years and has been producing community cultural events for as long. She has also been involved in kink and bdsm for decades and is a well-known and respected DJ in the New York leatherdyke scene. Rayna made international headlines in 2017 when she came out as transgender while touring with LCD Soundsystem. In 2018 she left the Grammy winning band to pursue projects that were more connected with her queer experience, including founding Voluminous Arts a cultural organization that supports trans artists. Black Meteoric Star is a continuation of a thread in Rayna's work that runs through her Paper Eyes project and her role in Black Leotard Front. This thread has a comic book or x rated graphic novel component based around her experiences of being a sad lonely lesbian trans girl who got bullied a lot and found escape and the possibility of being avenged through X men comics and Dungeons and Dragons books.
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Label:Dark Entries
Cat-No:DE-359
Release-Date:21.08.2026
Genre:House
Configuration:LP
Barcode:794811516163
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Genre:House
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1
Darlynn - Make Yr Move
2
Darlynn - Girl 2 Girl
3
Darlynn - The Feeling
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Darlynn - On My Side
5
Darlynn - Can't Sleep
6
Darlynn - Like A Summer
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Darlynn - Alright With Me
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Darlynn - Love Letter
Dark Entries is proud to host Darlynn’s debut album, Dyke Den. Darlynn is an Oakland-based duo composed of Daria Lourd (aka Bored Lord) and her wife, vocalist Jaelynn Walls. Dyke Den is a lesbian love story about two creative individuals finding each other and themselves through effusive and contemplative sonic avenues. Created in their home over the course of two years, this album speaks to the journey of Daria and Jaelynn’s romantic relationship as well as their evolving combined creative impulses.
On Dyke Den, Darlynn display their influences – from Janet Jackson and Sly & the Family Stone, to Frankie Knuckles and Larry Levan – in a sophisticated, fully realized, and overtly queered fashion. Joyous dancefloor moments are abundant. Tracks like “Make Yr Move” and “Like A Summer” celebrate deep house vibes ala Alleviated Records, while sultry R&B moves are flexed on “Girl 2 Girl” and “Alright With Me.” But longing and yearning exist within this joyous arc, and the question arises: “How can I get you to love me?” More than an idealistic narrative of girl meets they/them, Dyke Den paints a portrait of love in all its multifaceted moments: the bids for commitment, the stagnation of years going by, the wormholes of desire. Yet the album maintains its thesis of hope. The sweet, layered harmonies of closing song “Love Letter” display the power of life partnership: “My whole life is a love letter to you.” Dyke Den features artwork by Hailee Va in a sleeve designed by Eloise Shir-Juen Leigh. Darlynn’s final declaration, “We are all creatures of desire, completely built for love.”s
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On Dyke Den, Darlynn display their influences – from Janet Jackson and Sly & the Family Stone, to Frankie Knuckles and Larry Levan – in a sophisticated, fully realized, and overtly queered fashion. Joyous dancefloor moments are abundant. Tracks like “Make Yr Move” and “Like A Summer” celebrate deep house vibes ala Alleviated Records, while sultry R&B moves are flexed on “Girl 2 Girl” and “Alright With Me.” But longing and yearning exist within this joyous arc, and the question arises: “How can I get you to love me?” More than an idealistic narrative of girl meets they/them, Dyke Den paints a portrait of love in all its multifaceted moments: the bids for commitment, the stagnation of years going by, the wormholes of desire. Yet the album maintains its thesis of hope. The sweet, layered harmonies of closing song “Love Letter” display the power of life partnership: “My whole life is a love letter to you.” Dyke Den features artwork by Hailee Va in a sleeve designed by Eloise Shir-Juen Leigh. Darlynn’s final declaration, “We are all creatures of desire, completely built for love.”s
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Liebigstrasse 2-20
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Germany
Contact: [email protected]More
Label:Dark Entries
Cat-No:DE-361
Release-Date:10.07.2026
Genre:Alternative/Electronic
Configuration:LP
Barcode:794811516187
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1
Edgar - Otra Agua
2
Edgar - Teoría
3
Edgar - Panteón
4
Edgar - Pavor
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Edgar - La Cuca
6
Edgar - Rostro
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Edgar - Sígueme
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Edgar - La Tez
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Edgar - Lechuga
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Edgar - Nunca Más
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Edgar - Te Amo
Edgar debuts on Dark Entries with Pavor, an 11 track LP of sleazy disco, warped synthpop, and gothic cumbia. Veteran musician Luis Gutierrez has spent the past two decades touring in bands, running Lalalandia Studio, and building his practice in Oakland and Guadalajara. But now, for his first solo outing, he has become Edgar, a pop star who knows no limits! “Edgar feels mightier than anyone but is always reduced to his vices” says Gutierrez, and Pavor delivers vices in spades. From the opening salvos of “Otra Agua,” it’s clear we’re in for a wild ride: seasick synths slide along slamming disco beats, menacingly chanted vocals sit amid a flurry of careening horror movie samples. The mischief does not abate as we’re guided through a demented funhouse of genre detournements. Edgar puts his indelible fingerprints over every inch of this vinyl, from uptempo numbers like the spooky chip-tune frenzy of “Nunca Mas” to the twisted cumbia of “Panteon.” We’re even treated to a fairly faithful (and majestic) Spanish-language cover of Amanda Lear’s “Follow Me,” here titled “Sigueme.” EBM, space disco, and horror movie soundtracks all find their way into the mix on Pavor, but the diverse palette comes together perfectly, like a Yello album for the 21st century. Pavor comes housed in a sleeve designed by Eloise Shir-Juen Leigh and features a photograph by Izaak Schlossman. Also included is an insert with lyrics and notes. On Pavor, Edgar brings us a healthy dose of pure excess, reminding us that dread can be a hell of a lot of fun.
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Label:Dark Entries
Cat-No:DE-357
Release-Date:05.06.2026
Genre:Electronic, Electronica
Configuration:LP
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1
Pure Motorised Instinct - A Time To Break Down
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Pure Motorised Instinct - Invisible
3
Pure Motorised Instinct - Rose Cheramie
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Pure Motorised Instinct - Cosy Mo
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Pure Motorised Instinct - Vincent V
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Pure Motorised Instinct - Euphoria Bliss
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Pure Motorised Instinct - Laika
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Pure Motorised Instinct - Folchakov
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Pure Motorised Instinct - Schreddar
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Pure Motorised Instinct - Everything Is True
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Pure Motorised Instinct - Black Dahlia
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Pure Motorised Instinct - Geek
Pure Motorised Instinct drives over to Dark Entries with At Last I'm Leaving the Earth, an LP of industrial-tinged ambient and new age. When legendary industrial outfit Nagamatzu went dormant in 1991, band member Stephen Jarvis moved forward with Pure Motorised Instinct, a name he pulled from a line in George Romero's Dawn of the Dead. Throughout two cassette albums - 1991's Between Intimacy and Elsewhere, and 1993's Everything Is True - Jarvis pushed the Nagamatzu spirit in new directions. At Last I'm Leaving the Earth collects 9 tracks from this era, which are appearing on vinyl for the first time, along with 3 additional tracks on a bonus CD. The material here sits between the brooding and the optimistic, the claustrophobic and the soporific. Jarvis's digital synths are pushed so far into tape-scuffed terrain that they talk and squawk analog-like, scurrying with vibrant curiosity. The late-night vibes peak on pieces like "Vincent V," with its reverb-drenched digital drum machines, or "Geek," which taps into a wide-eyed proto-vaporwave zone. At Last I'm Leaving the Earth is Black Lodge ambient for the empty set.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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CD
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Label:Dark Entries
Cat-No:DE-357CD
Release-Date:05.06.2026
Genre:Electronic, Electronica
Configuration:CD
Barcode:794811516200
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Genre:Electronic, Electronica
Configuration:CD
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CD!
Pure Motorised Instinct drives over to Dark Entries with At Last I'm Leaving the Earth, an LP of industrial-tinged ambient and new age. When legendary industrial outfit Nagamatzu went dormant in 1991, band member Stephen Jarvis moved forward with Pure Motorised Instinct, a name he pulled from a line in George Romero's Dawn of the Dead. Throughout two cassette albums - 1991's Between Intimacy and Elsewhere, and 1993's Everything Is True - Jarvis pushed the Nagamatzu spirit in new directions. At Last I'm Leaving the Earth collects 9 tracks from this era, which are appearing on vinyl for the first time, along with 3 additional tracks on a bonus CD. The material here sits between the brooding and the optimistic, the claustrophobic and the soporific. Jarvis's digital synths are pushed so far into tape-scuffed terrain that they talk and squawk analog-like, scurrying with vibrant curiosity. The late-night vibes peak on pieces like "Vincent V," with its reverb-drenched digital drum machines, or "Geek," which taps into a wide-eyed proto-vaporwave zone. At Last I'm Leaving the Earth is Black Lodge ambient for the empty set.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Pure Motorised Instinct drives over to Dark Entries with At Last I'm Leaving the Earth, an LP of industrial-tinged ambient and new age. When legendary industrial outfit Nagamatzu went dormant in 1991, band member Stephen Jarvis moved forward with Pure Motorised Instinct, a name he pulled from a line in George Romero's Dawn of the Dead. Throughout two cassette albums - 1991's Between Intimacy and Elsewhere, and 1993's Everything Is True - Jarvis pushed the Nagamatzu spirit in new directions. At Last I'm Leaving the Earth collects 9 tracks from this era, which are appearing on vinyl for the first time, along with 3 additional tracks on a bonus CD. The material here sits between the brooding and the optimistic, the claustrophobic and the soporific. Jarvis's digital synths are pushed so far into tape-scuffed terrain that they talk and squawk analog-like, scurrying with vibrant curiosity. The late-night vibes peak on pieces like "Vincent V," with its reverb-drenched digital drum machines, or "Geek," which taps into a wide-eyed proto-vaporwave zone. At Last I'm Leaving the Earth is Black Lodge ambient for the empty set.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Dark Entries
Cat-No:DE-348
Release-Date:30.04.2026
Configuration:LP
Barcode:794811516019
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Cat-No:DE-348
Release-Date:30.04.2026
Configuration:LP
Barcode:794811516019
1
Bergsonist - Trust The Current
2
Bergsonist - Ode To Life
3
Bergsonist - Odyssey
4
Bergsonist - Breakthrough
5
Bergsonist - Depths
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Bergsonist - Higher
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Bergsonist - Loin De Toi
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Bergsonist - Again
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Bergsonist - Amour Interdit
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Bergsonist - Underwater World Pursuit
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Bergsonist - Femme
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Bergsonist - End
Bergsonist emerges on Dark Entries with Depths, a genre-bending 12-track LP of atmospheric and rhythmic excursions. For more than a decade, Moroccan-born Selwa Abd has been using the Bergsonist moniker to examine postcolonial identity and speculative temporalities across disparate media, including sound, image, video, and installation. She is also a key figure in New York underground music, fostering mutual aid and community support through her platforms Pick up the Flow (PUTF) and BizaarBazaar. On the 2025 album ASL ??? ???, Bergsonist explored her Amazigh heritage using field recordings captured in Morocco. With Depths, her sixth LP, she continues the project of ancestral reconnection through sound. Abd notes: “I really use making music as therapy, not as a precious act, more as an energy release that makes me feel alive.” Depths overflows with this excess of vitality. Tracks like “Trust the Current”, “Depths”, and “Underwater World Pursuit” showcase her singular take on diasporic techno-futurism, where James Stinson-esque atmospherics meet Moroccan rhythms. Elsewhere, “Again” and “Higher” push into coldwave territory, with icy arpeggios and electroid beats dancing beneath Abd’s ethereal vocals. But the dancefloor is not to be neglected: “Breakthrough” and “Ode to Life” spring forth with the kind of skewed peak-hour energy that only Bergsonist can bring. Artwork for Depths was designed by Eloise Leigh, and incorporates photographs by Abd and Greg Zifcak taken in Morocco. Also included is a protection poster that features an Amazigh symbol used for warding off the evil eye. Depths is an album that achieves a rare balance of elegance and DIY ethics - it is truly an ode to life.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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Label:Dark Entries
Cat-No:DE-340
Release-Date:27.03.2026
Genre:House
Configuration:12"
Barcode:7948115159371
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Label:Dark Entries
Cat-No:DE-340
Release-Date:27.03.2026
Genre:House
Configuration:12"
Barcode:7948115159371
1
Anne Clark - Our Darkness (Remix)
2
Anne Clark - Our Darkness (Dub Mix)
3
Anne Clark - Our Darkness (Razormaid Mix)
4
Anne Clark - Sleeper In Metropolis (Extended Remix)
5
Anne Clark - Poem For A Nuclear Romance
Doubting all the time. Fearing all the time. Our Darkness descends upon Dark Entries with a reissue of Anne Clark’s epochal proto-house masterpiece from 1984. As a young poet, Clark found herself drawn to London’s emerging punk scene. She became acquainted with Psychic TV affiliate David Harrow, with whom she would collaborate on 1983’s Changing Places and 1984’s Joined Up Writing. “Our Darkness,” off the latter album, was released as a single on Ink Records that same year, and became an underground club hit. It’s a singular piece of music: Clark’s lyrics, delivered with equal parts muscular confidence and unease, speak of urban alienation and heartbreak, while Harrow’s production pummels the listener with hydraulic beats and gloom-laced arpeggios. The song’s spirit would prove influential on both the early Chicago house and Detroit techno scenes, where mechanistic funk and existential despair could catalyse dancefloor mayhem. This reissue offers three versions of “Our Darkness”: the original 12” remix, the Razormaid mix, and a previously unreleased dub version uncovered by David Harrow. Also included is the extended mix of “Sleeper in Metropolis,” another dancefloor hit of Clark’s, as well as the elegiac “Poem for a Nuclear Romance.” The record includes an insert with liner notes and lyrics. “Our Darkness” channels timeless longing and contemporary dismay, a classic overdue for a little light shed upon it.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:Dark Entries
Cat-No:DE-292
Release-Date:20.03.2026
Genre:Alternative/Electronic
Configuration:LP
Barcode:794811515401
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Cat-No:DE-292
Release-Date:20.03.2026
Genre:Alternative/Electronic
Configuration:LP
Barcode:794811515401
1
Euroshima - Matando Sueños
2
Euroshima - Sonrisasa Fabricadas
3
Euroshima - Como Los Otros
4
Euroshima - Ejército Del Odio
5
Euroshima - Gala
6
Euroshima - Esfumados Sueños
7
Euroshima - El Me Mira Y Se Va
8
Euroshima - Silencio Entre Nosotros
9
Euroshima - Mejor Callarlo
Repress!
Cult Argentinian darkwave act Euroshima’s Gala sees a vinyl reissue courtesy of Dark Entries. Euroshima was formed in 1986 by Fabián Iribarne, José Wyszogrod, Ricardo Parrabere, and vocalist Wanda. Originally released in 1987 on Polygram, Gala was a success throughout South America. But to the band’s dismay, they received minimal support from the record label, which meant the album would linger in obscurity outside of the region. A CD issue via Twilight Records surfaced in 2020, but this is the album’s first reissue on vinyl.
Gala’s legendary status among cognoscenti is warranted. The album’s nine tracks display all the hallmarks of the best darkwave: spiky guitars, analog synth basslines, and wailing vocals. But Euroshima make their mark on the genre with impeccable songcraft and a honed sense of the uncanny. While the band themselves rejected the label of “gothic”, it’s hard to resist busting out the black eyeliner when listening to gems like the uptempo “Como Los Otro” or the churning album-closer “Mejor Callarlo”. Highly recommended for fans of Xmal Deutschland, Lebanon Hanover, pummeling TR-707’s, and doom-laden synths.
This reissue is co-presented with Twilight Records, responsible for the 2020 CD reissue of Gala. It has been remastered by George Horn at Fantasy Studios. Also included is a double sided insert with lyrics and photos, as well as a postcard featuring a photo of the band.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Cult Argentinian darkwave act Euroshima’s Gala sees a vinyl reissue courtesy of Dark Entries. Euroshima was formed in 1986 by Fabián Iribarne, José Wyszogrod, Ricardo Parrabere, and vocalist Wanda. Originally released in 1987 on Polygram, Gala was a success throughout South America. But to the band’s dismay, they received minimal support from the record label, which meant the album would linger in obscurity outside of the region. A CD issue via Twilight Records surfaced in 2020, but this is the album’s first reissue on vinyl.
Gala’s legendary status among cognoscenti is warranted. The album’s nine tracks display all the hallmarks of the best darkwave: spiky guitars, analog synth basslines, and wailing vocals. But Euroshima make their mark on the genre with impeccable songcraft and a honed sense of the uncanny. While the band themselves rejected the label of “gothic”, it’s hard to resist busting out the black eyeliner when listening to gems like the uptempo “Como Los Otro” or the churning album-closer “Mejor Callarlo”. Highly recommended for fans of Xmal Deutschland, Lebanon Hanover, pummeling TR-707’s, and doom-laden synths.
This reissue is co-presented with Twilight Records, responsible for the 2020 CD reissue of Gala. It has been remastered by George Horn at Fantasy Studios. Also included is a double sided insert with lyrics and photos, as well as a postcard featuring a photo of the band.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Dark Entries
Cat-No:DE-331
Release-Date:23.02.2026
Genre:Chicago House
Configuration:12"
Barcode:794811515838
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Cat-No:DE-331
Release-Date:23.02.2026
Genre:Chicago House
Configuration:12"
Barcode:794811515838
1
K. Alexi - Jungle Line
2
K. Alexi - Aaaah
3
K. Alexi - Do You Feel
4
K. Alexi - Black Mystery
5
K. Alexi - Klub Dred
6
K. Alexi - Protect And Survive
Chicago legend K. Alexi returns to Dark Entries with Warehouse Trax, an EP of previously unreleased acid and house mayhem. K’Alexi Shelby’s illustrious career has included releases on legendary labels such as Trax, DJ International, and Transmat, as well as collaborations with high-profile artists like Marshall Jefferson and Pet Shop Boys. But his musical journey began at the young age of 12, when he befriended Ron Hardy and Frankie Knuckles while frequenting the Music Box and Warehouse. In high school, he began writing songs and honing his poetic craft. “I recognized I had a gift to say what I was thinking. I would study Prince and Marvin Gaye, figure out what they meant and put my spin on it. The power of the word. I was writing love notes for all my boys in high school and making a killing. I would know what to say and what they should do.”
Dark Entries previously reissued Shelby’s debut record, Essence of a Dream, which was recorded under the name Risque III in 1987. Warehouse Trax follows with six tracks recorded in Chicago between 1991 and 1994. The material here has all the hallmarks of classic K’Alexi. Salsa-inflected rhythms, emotive basslines, and hip-house vibes are displayed on tracks like the high-octane “Jungle Line” or the low-key tearjerker “Protect and Survive.” There are also some unexpected surprises in store. “Aaaah” comes out of the gate swinging with hard-hitting beats and apocalyptic ravey vocal pads evocative of the edgier material on Saber Records or Djax Up Beats, and the surprisingly contemporary-sounding “Klub Dred” delivers half-time dub with stuttering vocal samples. Warehouse Trax comes in a retro-styled sleeve designed by Eloise Shir-Juen Leigh. This is essential material for devotees of classic house sounds.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Dark Entries previously reissued Shelby’s debut record, Essence of a Dream, which was recorded under the name Risque III in 1987. Warehouse Trax follows with six tracks recorded in Chicago between 1991 and 1994. The material here has all the hallmarks of classic K’Alexi. Salsa-inflected rhythms, emotive basslines, and hip-house vibes are displayed on tracks like the high-octane “Jungle Line” or the low-key tearjerker “Protect and Survive.” There are also some unexpected surprises in store. “Aaaah” comes out of the gate swinging with hard-hitting beats and apocalyptic ravey vocal pads evocative of the edgier material on Saber Records or Djax Up Beats, and the surprisingly contemporary-sounding “Klub Dred” delivers half-time dub with stuttering vocal samples. Warehouse Trax comes in a retro-styled sleeve designed by Eloise Shir-Juen Leigh. This is essential material for devotees of classic house sounds.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Dark Entries
Cat-No:DE-336
Release-Date:23.02.2026
Genre:Chicago House
Configuration:12"
Barcode:794811515890
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Label:Dark Entries
Cat-No:DE-336
Release-Date:23.02.2026
Genre:Chicago House
Configuration:12"
Barcode:794811515890
1
K.A. Posse - Imported Taste
2
K.A. Posse - Warehouse Alarm
3
K.A. Posse - Midnite Madness
4
K.A. Posse - Right There
5
K.A. Posse - Suckas Be Ready Feat. MCD-TA
6
K.A. Posse - Muzic Box
Chicago legend K. Alexi returns to Dark Entries with K.A. Posse’s Strkes Again, an EP of preleased unreleased acid and house mayhem. K’Alexi Shelby’s illustrious career has included releases on legendary labels such as Trax, DJ International, and Transmat, as well as collaborations with high-profile artists like Marshall Jefferson and Pet Shop Boys. But his musical journey began at the young age of 12, when he befriended Ron Hardy and Frankie Knuckles while frequenting the Music Box and Warehouse. In high school, he began to write songs and hone his poetic craft. “I recognized I had a gift to say what I was thinking. I would study Prince and Marvin Gaye, figure out what they meant and put my spin on it. The power of the word. I was writing love notes for all my boys in high school and making a killing. I would know what to say and what they should do.”
Dark Entries previously reissued Shelby’s debut record, Essence of a Dream, which was recorded under the name Risque III in 1987. Strikes Again brings us six tracks recorded in Chicago between 1988 and 1990, which come courtesy of Mike Dunn’s personal archive. This record showcases the rawer, more immediate side of Shelby’s sound, with tracks full of overdriven 808’s, careening sirens, and dangerously funky breakbeats. “Imported Taste” brings Shelby’s signature deep pads to the front of wild congo-laced percussion. “Suckas Be Ready” is a slamming hip-house cut featuring vocals from MCD-TA, while disco-samples duel with crunchy 909s on the jacking “Muzic Box.” Strikes Back showcases the real underground sound of Chicago, where sonic abstraction meets full-body kinetics. The record comes housed in a retro-styled sleeve designed by Eloise Shir-Juen Leigh.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Dark Entries previously reissued Shelby’s debut record, Essence of a Dream, which was recorded under the name Risque III in 1987. Strikes Again brings us six tracks recorded in Chicago between 1988 and 1990, which come courtesy of Mike Dunn’s personal archive. This record showcases the rawer, more immediate side of Shelby’s sound, with tracks full of overdriven 808’s, careening sirens, and dangerously funky breakbeats. “Imported Taste” brings Shelby’s signature deep pads to the front of wild congo-laced percussion. “Suckas Be Ready” is a slamming hip-house cut featuring vocals from MCD-TA, while disco-samples duel with crunchy 909s on the jacking “Muzic Box.” Strikes Back showcases the real underground sound of Chicago, where sonic abstraction meets full-body kinetics. The record comes housed in a retro-styled sleeve designed by Eloise Shir-Juen Leigh.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:Dark Entries
Cat-No:DE-356
Release-Date:13.02.2026
Configuration:LP
Barcode:794811516118
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Release-Date:13.02.2026
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Barcode:794811516118
1
Group Rhoda - Field Tone
2
Group Rhoda - Dragon Pine
3
Group Rhoda - Formless
4
Group Rhoda - White Fur
5
Group Rhoda - Sunseer
6
Group Rhoda - Aeolian Crossing
Group Rhoda returns to Dark Entries with Phase 5, a new LP of synthesizer-driven art-pop. An integral member of the West Coast electronic music scene, Mara Barenbaum has been writing, performing, and plunging into oneiric depths as Group Rhoda since 2009. Barenbaum’s songcraft is at once stylistically diffuse and laser-focused, a synesthetic approach that allows her to effortlessly glide between genres and soundworlds while centering her singular poetics. On Phase 5, her fifth LP as Group Rhoda, we find Barenbaum waxing nondualistic. Lines between fairytale and fact, between nature and art, between subject and object all dissolve under contemplation. The songs on Phase 5 are perpetually in-between states, deftly shifting form at the blink of an eye. With sleight of hand, “Field Tone” transmutes from brooding John Carpenter-esque electro into vocoder-driven space disco. “Dragon Pine” darts from cosmic dub to cybernetic dancehall and back again. The uptempo darkwave-leaning number “Aeolian Crossing” dissolves into the void, like sand falling through one’s fingers, like a retreating wave. The cover artwork for Phase 5 is by Shawn Reed, and features purple lilies and light refracted through water. All songs on this album were mastered by Ruud Lekx. The digital version of Phase 5 will be released via Katabatik, a label and sound system that Barenbaum has had close ties to for the past decade.
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Liebigstrasse 2-20
DE - 22113 Hamburg
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Germany
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Label:Dark Entries
Cat-No:DE-354
Release-Date:09.01.2026
Genre:Electronic, Electronica
Configuration:LP
Barcode:794811516088
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Cat-No:DE-354
Release-Date:09.01.2026
Genre:Electronic, Electronica
Configuration:LP
Barcode:794811516088
1
Brandy Dalton - Interlude FiveFallacy
2
Brandy Dalton - Interlude One
3
Brandy Dalton - Swelled
4
Brandy Dalton - Interlude Two
5
Brandy Dalton - Spooks In The Well
6
Brandy Dalton - Interlude Three
7
Brandy Dalton - FA2
8
Brandy Dalton - Speaking In Tongues
9
Brandy Dalton - Interlude Four
10
Brandy Dalton - U Like Me 2 Ulysses
11
Brandy Dalton - Dante's Swell
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Brandy Dalton - Interlude Five
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Brandy Dalton - Feel Fall
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Brandy Dalton - Talls Tales Two
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Brandy Dalton - Dungeon Master
16
Brandy Dalton - Interlude Six
Somewhere between heaven and hell…there is Fallen Angel. Dark Entries continues its mission of shining light on a generation of composers and musicians lost to AIDS with Brandy Dalton’s Fallen Angel, his soundtrack work for the award-winning Fallen Angel series. Brandy was known for many years in the LA underground for his performances with his boyfriend, Robert Woods, who was the resident DJ at Club Fuck. Eventually, they recruited John Munt to form the band Drance, becoming infamous for their high-energy performances and songs that tackled taboo topics like sadomasochism. While Drance explored the aggressive sounds of industrial and EBM, Dalton continued to produce a wide range of electronica, from abstract sonic textures to techno bangers. The Fallen Angel album collects 16 sweaty, sticky cuts composed for the pornographic series Fallen Angel, a trio of leather-focused films released by Titan Studios. The sounds here span from the fractured cyberpunk-rave of “Swelled” to the tabla-laced trance of “FA2,” taking listeners on a journey through hedonistic recesses chock full of crunchy digital drum machines and wailing FM synths. This album was originally released on CD in 1999 by Titan Studios, capitalizing on the success of the film franchise. It will be reissued on LP as well as CD, featuring 6 bonus tracks. Artwork for the album, designed by Eloise Shir-Juen Leigh, features stills from the Fallen Angel film. Also included is an insert with liner notes and photographs. This album is dedicated to Brandy, who passed away from AIDS-related illness in 2006, after battling with the disease for 17 years. Brandy’s passing was preceded by his best friend and Drance co-founder Robert’s death in 1995. Documenting a sonic shift in the 90s bathhouse music, Fallen Angel provides a hardcore BDSM ride, building upon the analogue archival soundtracks that Dark Entries has previously released.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:Dark Entries
Cat-No:DE-337
Release-Date:09.01.2026
Genre:Soundtracks
Configuration:LP
Barcode:794811515906
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Genre:Soundtracks
Configuration:LP
Barcode:794811515906
1
Spider Taylor - Stairs
2
Spider Taylor - Rain Forest
3
Spider Taylor - Cobra
4
Spider Taylor - Coming Soon
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Spider Taylor - Slow Bug
6
Spider Taylor - Tech
7
Spider Taylor - Hi Tech
8
Spider Taylor - Strange Places, Strange Things
Spider Taylor crawls over to Dark Entries with Surge Studio Music, an album of archival gay pornographic soundtracks. James Allan Taylor was born into a working-class family in Los Angeles in 1951. Nicknamed “Spider” by his father due to his frantic energy, Taylor was a natural-born guitarist, gifted with perfect pitch and a voracious musical appetite. Throughout the 70s, he expanded his musical repertoire, playing in bands ranging from country to post-punk, like his outfit Red Wedding, while always looking for new sounds and styles to explore. During this period, Taylor also partnered with his soulmate and musical collaborator, Michael Ely. They were part of a wave of bold, young, gay couples living openly together in the years immediately following the Stonewall Riots. In the early 80s, while working at the West Hollywood gay sex club Basic Plumbing, Taylor met Al Parker, the legendary pornographic actor and director, who recruited Taylor to produce the soundtrack for a film he was working on. Parker’s partnership with Steve Scott running Surge Studios produced some of the most popular all-male films of the era. Spider’s music was a natural fit for Surge, and throughout 1985 and 1986, he composed the soundtracks for five films produced by the iconic studio. Assisted by engineer Steve Conrad and armed with a drum machine and some synths, Spider’s compositions for film veer from the expansive, reverb-drenched “Rainforest” to the Miami Vice-esque chugger “Tech.” While Spider thought of this work as little more than a gig, tangential to his real craft, enthusiasts of VHS-era nostalgia and vintage erotica will be brought to bliss. Surge Studio Music will be available on both LP and CD, the latter of which includes a 20-minute version of “Strange Places…Strange Things!” as a bonus track. The album’s cover art was designed by Gwenael Rattke, and features stylish images from Surge Studios releases. Also included is an insert featuring liner notes by Will Lewis, a longtime friend of Spider. The music is released from Spider’s estate by Michael Ely, Spider’s partner of 43 years. The shadow of AIDS lingered over Surge; Steve Scott passed from AIDS-related illness in 1987, and Al Parker succumbed in 1992. In 2014, when it became legal for same-sex couples to marry in Arizona, Spider and Michael finally became wedded. Spider would pass away from liver cancer six months later.
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DE - 22113 Hamburg
Germany
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Germany
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Label:Dark Entries
Cat-No:DE-337CD
Release-Date:09.01.2026
Genre:Soundtracks
Configuration:CD
Barcode:794811516132
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1
Spider Taylor - Stairs
2
Spider Taylor - Rain Forest
3
Spider Taylor - Cobra
4
Spider Taylor - Coming Soon
5
Spider Taylor - Slow Bug
6
Spider Taylor - Tech
7
Spider Taylor - Hi Tech
8
Spider Taylor - Strange Places, Strange Things
CD!
Spider Taylor crawls over to Dark Entries with Surge Studio Music, an album of archival gay pornographic soundtracks. James Allan Taylor was born into a working-class family in Los Angeles in 1951. Nicknamed “Spider” by his father due to his frantic energy, Taylor was a natural-born guitarist, gifted with perfect pitch and a voracious musical appetite. Throughout the 70s, he expanded his musical repertoire, playing in bands ranging from country to post-punk, like his outfit Red Wedding, while always looking for new sounds and styles to explore. During this period, Taylor also partnered with his soulmate and musical collaborator, Michael Ely. They were part of a wave of bold, young, gay couples living openly together in the years immediately following the Stonewall Riots. In the early 80s, while working at the West Hollywood gay sex club Basic Plumbing, Taylor met Al Parker, the legendary pornographic actor and director, who recruited Taylor to produce the soundtrack for a film he was working on. Parker’s partnership with Steve Scott running Surge Studios produced some of the most popular all-male films of the era. Spider’s music was a natural fit for Surge, and throughout 1985 and 1986, he composed the soundtracks for five films produced by the iconic studio. Assisted by engineer Steve Conrad and armed with a drum machine and some synths, Spider’s compositions for film veer from the expansive, reverb-drenched “Rainforest” to the Miami Vice-esque chugger “Tech.” While Spider thought of this work as little more than a gig, tangential to his real craft, enthusiasts of VHS-era nostalgia and vintage erotica will be brought to bliss. Surge Studio Music will be available on both LP and CD, the latter of which includes a 20-minute version of “Strange Places…Strange Things!” as a bonus track. The album’s cover art was designed by Gwenael Rattke, and features stylish images from Surge Studios releases. Also included is an insert featuring liner notes by Will Lewis, a longtime friend of Spider. The music is released from Spider’s estate by Michael Ely, Spider’s partner of 43 years. The shadow of AIDS lingered over Surge; Steve Scott passed from AIDS-related illness in 1987, and Al Parker succumbed in 1992. In 2014, when it became legal for same-sex couples to marry in Arizona, Spider and Michael finally became wedded. Spider would pass away from liver cancer six months later.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Spider Taylor crawls over to Dark Entries with Surge Studio Music, an album of archival gay pornographic soundtracks. James Allan Taylor was born into a working-class family in Los Angeles in 1951. Nicknamed “Spider” by his father due to his frantic energy, Taylor was a natural-born guitarist, gifted with perfect pitch and a voracious musical appetite. Throughout the 70s, he expanded his musical repertoire, playing in bands ranging from country to post-punk, like his outfit Red Wedding, while always looking for new sounds and styles to explore. During this period, Taylor also partnered with his soulmate and musical collaborator, Michael Ely. They were part of a wave of bold, young, gay couples living openly together in the years immediately following the Stonewall Riots. In the early 80s, while working at the West Hollywood gay sex club Basic Plumbing, Taylor met Al Parker, the legendary pornographic actor and director, who recruited Taylor to produce the soundtrack for a film he was working on. Parker’s partnership with Steve Scott running Surge Studios produced some of the most popular all-male films of the era. Spider’s music was a natural fit for Surge, and throughout 1985 and 1986, he composed the soundtracks for five films produced by the iconic studio. Assisted by engineer Steve Conrad and armed with a drum machine and some synths, Spider’s compositions for film veer from the expansive, reverb-drenched “Rainforest” to the Miami Vice-esque chugger “Tech.” While Spider thought of this work as little more than a gig, tangential to his real craft, enthusiasts of VHS-era nostalgia and vintage erotica will be brought to bliss. Surge Studio Music will be available on both LP and CD, the latter of which includes a 20-minute version of “Strange Places…Strange Things!” as a bonus track. The album’s cover art was designed by Gwenael Rattke, and features stylish images from Surge Studios releases. Also included is an insert featuring liner notes by Will Lewis, a longtime friend of Spider. The music is released from Spider’s estate by Michael Ely, Spider’s partner of 43 years. The shadow of AIDS lingered over Surge; Steve Scott passed from AIDS-related illness in 1987, and Al Parker succumbed in 1992. In 2014, when it became legal for same-sex couples to marry in Arizona, Spider and Michael finally became wedded. Spider would pass away from liver cancer six months later.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Dark Entries
Cat-No:DE-354CD
Release-Date:09.01.2026
Genre:Electronic, Electronica
Configuration:CD
Barcode:794811516125
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Cat-No:DE-354CD
Release-Date:09.01.2026
Genre:Electronic, Electronica
Configuration:CD
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1
Brandy Dalton - Fallacy
2
Brandy Dalton - Interlude One
3
Brandy Dalton - Swelled
4
Brandy Dalton - Interlude Two
5
Brandy Dalton - Spooks In The Well
6
Brandy Dalton - Interlude Three
7
Brandy Dalton - FA2
8
Brandy Dalton - Speaking In Tongues
9
Brandy Dalton - Interlude Four
10
Brandy Dalton - U Like Me 2 Ulysses
11
Brandy Dalton - Dante's Swell
12
Brandy Dalton - Interlude Five
13
Brandy Dalton - Feel Fall
14
Brandy Dalton - Tall Tales Two
15
Brandy Dalton - Dungeon Master
16
Brandy Dalton - Interlude Six
CD!
Somewhere between heaven and hell…there is Fallen Angel. Dark Entries continues its mission of shining light on a generation of composers and musicians lost to AIDS with Brandy Dalton’s Fallen Angel, his soundtrack work for the award-winning Fallen Angel series. Brandy was known for many years in the LA underground for his performances with his boyfriend, Robert Woods, who was the resident DJ at Club Fuck. Eventually, they recruited John Munt to form the band Drance, becoming infamous for their high-energy performances and songs that tackled taboo topics like sadomasochism. While Drance explored the aggressive sounds of industrial and EBM, Dalton continued to produce a wide range of electronica, from abstract sonic textures to techno bangers. The Fallen Angel album collects 16 sweaty, sticky cuts composed for the pornographic series Fallen Angel, a trio of leather-focused films released by Titan Studios. The sounds here span from the fractured cyberpunk-rave of “Swelled” to the tabla-laced trance of “FA2,” taking listeners on a journey through hedonistic recesses chock full of crunchy digital drum machines and wailing FM synths. This album was originally released on CD in 1999 by Titan Studios, capitalizing on the success of the film franchise. It will be reissued on LP as well as CD, featuring 6 bonus tracks. Artwork for the album, designed by Eloise Shir-Juen Leigh, features stills from the Fallen Angel film. Also included is an insert with liner notes and photographs. This album is dedicated to Brandy, who passed away from AIDS-related illness in 2006, after battling with the disease for 17 years. Brandy’s passing was preceded by his best friend and Drance co-founder Robert’s death in 1995. Documenting a sonic shift in the 90s bathhouse music, Fallen Angel provides a hardcore BDSM ride, building upon the analogue archival soundtracks that Dark Entries has previously released.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Somewhere between heaven and hell…there is Fallen Angel. Dark Entries continues its mission of shining light on a generation of composers and musicians lost to AIDS with Brandy Dalton’s Fallen Angel, his soundtrack work for the award-winning Fallen Angel series. Brandy was known for many years in the LA underground for his performances with his boyfriend, Robert Woods, who was the resident DJ at Club Fuck. Eventually, they recruited John Munt to form the band Drance, becoming infamous for their high-energy performances and songs that tackled taboo topics like sadomasochism. While Drance explored the aggressive sounds of industrial and EBM, Dalton continued to produce a wide range of electronica, from abstract sonic textures to techno bangers. The Fallen Angel album collects 16 sweaty, sticky cuts composed for the pornographic series Fallen Angel, a trio of leather-focused films released by Titan Studios. The sounds here span from the fractured cyberpunk-rave of “Swelled” to the tabla-laced trance of “FA2,” taking listeners on a journey through hedonistic recesses chock full of crunchy digital drum machines and wailing FM synths. This album was originally released on CD in 1999 by Titan Studios, capitalizing on the success of the film franchise. It will be reissued on LP as well as CD, featuring 6 bonus tracks. Artwork for the album, designed by Eloise Shir-Juen Leigh, features stills from the Fallen Angel film. Also included is an insert with liner notes and photographs. This album is dedicated to Brandy, who passed away from AIDS-related illness in 2006, after battling with the disease for 17 years. Brandy’s passing was preceded by his best friend and Drance co-founder Robert’s death in 1995. Documenting a sonic shift in the 90s bathhouse music, Fallen Angel provides a hardcore BDSM ride, building upon the analogue archival soundtracks that Dark Entries has previously released.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Dark Entries
Cat-No:DE-346
Release-Date:05.12.2025
Genre:Alternative/Electronic
Configuration:LP
Barcode:794811515999
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Cat-No:DE-346
Release-Date:05.12.2025
Genre:Alternative/Electronic
Configuration:LP
Barcode:794811515999
1
Vox Populi! - Yarom Lalou
2
Vox Populi! - Pellucidar
3
Vox Populi! - Neoplastie
4
Vox Populi! - Opium
5
Vox Populi! - Echreman
6
Vox Populi! - Ovan III
7
Vox Populi! - Bio Berim
8
Vox Populi! - Be Mafu
9
Vox Populi! - Gutta Percha II
10
Vox Populi! - Tibetan Cowboy
11
Vox Populi! - Glassy Stare
12
Vox Populi! - Atal Matal Toutoule
13
Vox Populi! - Apnée
14
Vox Populi! - Baby Sex
15
Vox Populi! - Yek!
16
Vox Populi! - Alternative Fresh
17
Vox Populi! - Divane
18
Vox Populi! - Djostodjou
Legendary French industrial pioneers Vox Populi! arrive on Dark Entries with a reissue of Sucre De Pastèque. Vox Populi! was founded in Paris in 1981 by Axel Kyrou, a multi-instrumentalist of Greek, French, and Palestinian roots. He soon recruited his future partner, Mytra, and her brother Arash Khalatbari, who were second-generation immigrants from Tehran, as well as bassist Fr6 Man (Francis Manne). Their sound was motley, combining elements of musique concrete and early industrial with horns, flutes, and traditional Persian instrumentation. Improbably prolific and ceaselessly divergent, Vox Populi! found their way onto dozens of cassette compilations during the heyday of the 1980s DIY tape music scene, including releases on era-defining labels like Insane Music, Cthulhu Records, and their own Vox Man. Sucre De Pastèque, the band’s sixth full-length release, came out in 1986 on Unlikely Records, the cult outlet of Rimarimba’s Robert Cox. Like most of Vox Populi’s output, Sucre is a scattershot endeavor, encompassing psychedelic dirges, cosmic drones, hypnotic chants, and fractured machine-funk. The mood is understatedly bleak, but Vox Populi’s genre agnosticism and curious sense of wonder prevent things from feeling oppressive or heavy-handed. The cover for Sucre DePastèque was designed by Eloise Shir-Juen Leigh, and features a collage by Vox Populi member Fr6 Man. Each copy includes an insert with photos and notes by the band. This is deeply fried material, perfectly capturing the obscurantism that characterized much of the 80s DIY cassette scene.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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DE - 22113 Hamburg
Germany
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Label:Dark Entries
Cat-No:DE-322
Release-Date:21.11.2025
Genre:Electro
Configuration:LP
Barcode:794811515715
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Label:Dark Entries
Cat-No:DE-322
Release-Date:21.11.2025
Genre:Electro
Configuration:LP
Barcode:794811515715
1
C.L.A.W.S. - Route 505
2
C.L.A.W.S. - One Tear
3
C.L.A.W.S. - Vigilant Slimy Monsters (Tyrel Edit)
4
C.L.A.W.S. - Black Magic Carpet Ride III (Feat. Solar)
5
C.L.A.W.S. - Wild Slugs United (Feat. Paul Costuros)
6
C.L.A.W.S. - Don#t Flip The Crystal Ship
C.L.A.W.S. comes to Dark Entries with a new ripping LP, Splat City II. C.L.A.W.S. is the solo project of musical luminary Brian Hock, who has been a key figure in the Bay Area underground for over two decades via his involvement in projects like Bronze and The Vanishing, as well as helming the record labels Squirrels on Film and Immortal Sin. With C.L.A.W.S., Hock takes on the dancefloor, picking up cues from the Hague’s Giallo-dipped electro, the skewed minimalism of Chicago acid, and the mind-rending forays of San Francisco post-punk icons like Chrome and Tuxedomoon. Following 2019’s inaugural Splat City EP, Splat City II continues to map the psychogeography of a metropolis both alien and immediately recognizable, one where life is cheap, but so are the thrills. Previously released on Squirrels on Film in digital-only format, this expanded vinyl edition of Splat City II features two new cuts. Things kick off with “Route 505” and “One Tear,” a duo of rompers that vibe like Tom Ellard and Chip E locked in a room with a vial of liquid. Next up, Bay Area deckmaster Tyrel lends his editing chops to “Vigilant Slimy Monsters,” sculpting a moody space disco beast. Squirrels on Film co-founder Solar teams up with Hock for “Black Magic Carpet Ride III,” a cavernous downtempo banger. The slow-mo pace continues with “Wild Slugs United,” which features the no wave-esque clarinet work of Paul Costuros. Closer “Don’t Flip the Crystal Ship” pays homage to Bayview venue Bay Area 51 with melancholic strings and a quartz-solid electrofunk bassline. Splat City II comes in a sleeve with artwork by Bert Bergen, which features a vampiric cat and sci-fi cityscapes.
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DE - 22113 Hamburg
Germany
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:Dark Entries
Cat-No:DE-343
Release-Date:14.11.2025
Genre:Electronic, Electronica
Configuration:LP
Barcode:794811515968
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Cat-No:DE-343
Release-Date:14.11.2025
Genre:Electronic, Electronica
Configuration:LP
Barcode:794811515968
1
Bézier - Egg
2
Bézier - New Age
3
Bézier - Decompose
4
Bézier - Peat Moss
5
Bézier - Marionette
6
Bézier - Rippling
7
Bézier - Merciless Timeline
8
Bézier - A Fading Citadel Atop Black Sand Bluffs
9
Bézier - Pulsate
10
Bézier - Split A Path Towards The Thicket
11
Bézier - Inner Grace
12
Bézier - Codebreaking
13
Bézier - Anstrengend
Bézier ripples their way back to Dark Entries with Decompose, an LP of doomed spa music. Multi-instrumentalist Robert Yang has made numerous appearances on Dark Entries for more than a decade, with releases spanning the stylistic gamut from hi-NRG disco floor-fillers to lush ambient epics. Decompose, Bézier’s second LP, is perhaps his most introspective work yet. It is an album almost ten years in the making, a deep investigation of life, loss, and the struggle of knowing oneself. If one were to pull a tarot deck for this album it would be the Nine of Swords. The album honors the lives of the fallen victims of Pulse Nightclub. It honors lives lost or suffering through the ongoing genocide in Gaza. The title track takes the form of a Buddhist chant, a brooding synth-driven meditation that scales steadily until breaking into John Carpenter-esque arpeggios halfway through. Tracks like “Egg,” “Marionette,” and “A Fading Citadel Atop Black Sand Bluffs” build on this soundworld, one in which intricate melodies and cavernous reverb induce in the listener feelings of both claustrophobia and free-fall. The album’s dancefloor-leaning moments, like “Codebreaking” and “Split a Path Towards the Thicket” are spartan, tunnel-vision techno tracks speeding towards ego-death. Decompose chronicles Yang’s journey to find peace with himself, as a gay Asian American. During this process, they learned to “repot” long-lost parts of their identity so they could grow forth in wholesome fashion. The sleeve for Decompose was designed by Eloise Shir-Juen Leigh, and features a photograph by Frankie Casillo of Robert laying on a bed of rocks in savasana pose, resembling an ascetic, evocative of the monastic vibes of the record.
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Germany
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Germany
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Release-Date:28.09.2026
Genre:Electro
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Raakel Bloody Raakel - Portal
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Second chapter in the Alkaline series. Five electro cuts and one techno excursion, crafted by two artists with decades of dedication to electronic music.
On Side A, Raakel Bloody Raakel brings decades of discipline and formal training into a sharp, uncompromising sound. Active since the late 90s and rooted in both classical education and underground culture, his work reflects precision, intensity and structural control.
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Two trajectories. One alkaline framework. Built for those who understand the craft.
Cosmic Tribe · Research & Development in Sound.
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Liebigstrasse 2-20
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On Side A, Raakel Bloody Raakel brings decades of discipline and formal training into a sharp, uncompromising sound. Active since the late 90s and rooted in both classical education and underground culture, his work reflects precision, intensity and structural control.
On Side B, Roi delivers three focused electro pieces forged through years of experimentation and dancefloor experience. His approach blends coherence, tension and forward motion, driven by a continuous commitment to evolving the language of electronic music.
Two trajectories. One alkaline framework. Built for those who understand the craft.
Cosmic Tribe · Research & Development in Sound.
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Liebigstrasse 2-20
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Label:Rawax Motor City Edition
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Gerald Mitchell - Faith
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RAWAX proudly presents the 5th release by Gerald Mitchell on his own RAWAX MOTOR CITY - series.
This time we have the honor to present you "Groove Within The Groove". This classic came originally out on 430 WEST in 1999!
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This time we have the honor to present you "Groove Within The Groove". This classic came originally out on 430 WEST in 1999!
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Liebigstrasse 2-20
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Label:Text
Cat-No:TEXT059
Release-Date:19.06.2026
Genre:Electronic, Electronica
Configuration:LP
Barcode:5051142053626
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Label:Text
Cat-No:TEXT059
Release-Date:19.06.2026
Genre:Electronic, Electronica
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Barcode:5051142053626
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2LP Excl
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Ryuichi Sakamoto & Alva Noto - A_01_12_conversation_01
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2LP | 2 × 12 Inch ‘Black’ Vinyl, 33.3 rpm, Tip-on Cover, Special Varnish
Available in the following Territories: Wordwide minus Japan & Korea
NOTON is pleased to announce12 Conversations, a collaborative album by Ryuichi Sakamoto and Alva Noto to be released on 18 September 2026.
The partnership between the legendary musician and composer Ryuichi Sakamoto and the German artist Carsten Nicolai (aka Alva Noto) has produced some of the most distinctive and enduring works in contemporary electroacoustic music. Beginning with Vrioon in 2002, the artists spent more than two decades fusing and expanding their disciplines, with Sakamoto's evocative, sustain-drenched piano compositions finding their counterpart in Nicolai's skilful and sensitive electronic detailing.
Each successive project further deepened their artistic dialogue: from the five studio albums of the V.I.R.U.S. series (Vrioon, Insen, Revep, Utp_ with Ensemble Modern, and Summvs), to their score for Alejandro G. Iñárritu's The Revenant; Glass (2017), a wholly improvised performance inside Philip Johnson's iconic Connecticut landmark, in which the pair fixed contact microphones to the glass walls, playing the architecture itself as an instrument; and Two (2019), a document of their live performance at the Sydney Opera House.
Across these works, their distinct approaches achieved a rare synthesis, a brilliantly sustained dialogue between piano and electronics, Sakamoto's warmth and melodic finesse meeting Nicolai's abstract electronic formalism to invoke a mesmeric quietude as deeply satisfying in its melodic resolutions as in the merger of its filmic romanticism and meditative subtlety.
12 Conversations brings together musical exchanges recorded in November and December 2022. Rooted in the same creative period that gave rise to Sakamoto's final solo album 12, these recordings were not originally intended as a standalone release. It was only after the completion of 12 that Sakamoto and Nicolai decided to present these exchanges as a work in their own right.
The album reflects the vitality and curiosity that defined more than two decades of shared inspiration: fluid, exploratory, and forward-looking. Created with openness and trust, it captures a creative process in constant transformation - sounds expanding, altering, and evolving through attentive listening.
Conceived as the continuation of an artistic dialogue extending beyond the physical, 12 Conversations honours Sakamoto's wish that these encounters should exist beyond the archive, offering an enduring testament to one of contemporary music's most revered collaborations.
Carsten Nicolai writes:
"A heavy breath can be heard in the recordings. Yet this work is not about remembrance but continuation, vitality, curiosity, and the spirit of experimentation that shaped an artistic relationship over decades.
The twelve pieces we exchanged in November and December 2022 possess extraordinary density: sounds expanded, altered, recontextualized. Initially, every intervention felt almost inappropriate. Yet this was part of our openness and trust: adding, shifting and radically yet softly transforming.
Even in these final exchanges, plans for future projects continued to take shape, mindful of finite yet firmly believing in the power of new ideas. We chose the name Conversations, which has become a space of memory and vision, where past, present and future intertwine.
For a long time, releasing this music seemed impossible. The loss felt too sudden, and the emotional connection too profound. As time passed, it became clear that these twelve musical encounters should have life outside the archive. To honor Ryuichi's wish, these pieces are now being released as the continuation of a dialogue that extends beyond the physical."
The first single, Conversation 3, will be released on Tuesday, July 14, 2026. The second single, Conversation 6, will be be released on Wednesday, August 26, 2026.
12 Conversations will be available worldwide on vinyl, CD and digitally. A Japanese edition will be available on Ryuichi Sakamoto's commons.
Tracklist
1. Conversation 1
2. Conversation 2
3. Conversation 3
4. Conversation 4
5.Conversation 5
6. Conversation 6
7. Conversation 7
8. Conversation 8
9. Conversation 9 Part I
10. Conversation 9 Part II
11. Conversation 9 Part III
12. Conversation 9 Part IV
13. Conversation 9 Part V
14. Conversation 10
15. Conversation 11
16. Conversation 12
Album art designed by Carsten Nicolai & Nibo.
Mastered by: Bo Kondren at Calyx Mastering, Berlin (2026)
Voice on Track 07: Emma Maeda
Texts: Rainer Maria Rilke, Primal Sound
Press release text: Maria Orciuoli
Special thanks: Norika Sora, Alec Fellman, Sherry Kennedy, Erin Gleeson
© & P: 2026 NOTON. Archiv für Ton und Nichtton. All rights reserved.
Tracklisting
---------------------------------------------------------
Medium: // Side: // Track: 1
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 1
Playtime: 00:06:50
Explicit Lyrics: No
ISRC: DE1N62600003
(P):
Composer: Ryuichi Sakamoto, Carsten Nicolai
---------------------------------------------------------
Medium: // Side: // Track: 2
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 2
Playtime: 00:05:42
Explicit Lyrics: No
ISRC: DE1N62600004
(P):
---------------------------------------------------------
Medium: // Side: // Track: 3
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 3
Playtime: 00:05:53
Explicit Lyrics: No
ISRC: DE1N62600005
(P):
---------------------------------------------------------
Medium: // Side: // Track: 4
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 4
Playtime: 00:08:56
Explicit Lyrics: No
ISRC: DE1N62600006
(P):
---------------------------------------------------------
Medium: // Side: // Track: 5
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 5
Playtime: 00:06:26
Explicit Lyrics: No
ISRC: DE1N62600007
(P):
Composer: Ryuichi Sakamoto, Carsten Nicolai
---------------------------------------------------------
Medium: // Side: // Track: 6
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 6
Playtime: 00:07:26
Explicit Lyrics: No
ISRC: DE1N62600008
(P):
Composer: Ryuichi Sakamoto, Carsten Nicolai
---------------------------------------------------------
Medium: // Side: // Track: 7
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 7
Playtime: 00:10:31
Explicit Lyrics: No
ISRC: DE1N62600009
(P):
Composer: Ryuichi Sakamoto, Carsten Nicolai
---------------------------------------------------------
Medium: // Side: // Track: 8
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 8
Playtime: 00:03:20
Explicit Lyrics: No
ISRC: DE1N62600010
(P):
Composer: Ryuichi Sakamoto, Carsten Nicolai
---------------------------------------------------------
Medium: // Side: // Track: 9
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 9 Part I
Playtime: 00:01:12
Explicit Lyrics: No
ISRC: DE1N62600011
(P):
Composer: Ryuichi Sakamoto, Carsten Nicolai
---------------------------------------------------------
Medium: // Side: // Track: 10
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 9 Part II
Playtime: 00:03:27
Explicit Lyrics: No
ISRC: DE1N62600012
(P):
Composer: Ryuichi Sakamoto, Carsten Nicolai
---------------------------------------------------------
Medium: // Side: // Track: 11
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 9 Part III
Playtime: 00:00:51
Explicit Lyrics: No
ISRC: DE1N62600013
(P):
Composer: Ryuichi Sakamoto, Carsten Nicolai
---------------------------------------------------------
Medium: // Side: // Track: 12
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 9 Part IV
Playtime: 00:02:15
Explicit Lyrics: No
ISRC: DE1N62600014
(P):
Composer: Ryuichi Sakamoto, Carsten Nicolai
---------------------------------------------------------
Medium: // Side: // Track: 13
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 9 Part V
Playtime: 00:00:39
Explicit Lyrics: No
ISRC: DE1N62600015
(P):
Composer: Ryuichi Sakamoto, Carsten Nicolai
---------------------------------------------------------
Medium: // Side: // Track: 14
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 10
Playtime: 00:03:01
Explicit Lyrics: No
ISRC: DE1N62600016
(P):
Composer: Ryuichi Sakamoto, Carsten Nicolai
---------------------------------------------------------
Medium: // Side: // Track: 15
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 11
Playtime: 00:04:35
Explicit Lyrics: No
ISRC: DE1N62600017
(P):
Composer: Ryuichi Sakamoto, Carsten Nicolai
---------------------------------------------------------
Medium: // Side: // Track: 16
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 12
Playtime: 00:02:41
Explicit Lyrics: No
ISRC: DE1N62600018
(P):
Composer: Ryuichi Sakamoto, Carsten Nicolai
---------------------------------------------------------
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Available in the following Territories: Wordwide minus Japan & Korea
NOTON is pleased to announce12 Conversations, a collaborative album by Ryuichi Sakamoto and Alva Noto to be released on 18 September 2026.
The partnership between the legendary musician and composer Ryuichi Sakamoto and the German artist Carsten Nicolai (aka Alva Noto) has produced some of the most distinctive and enduring works in contemporary electroacoustic music. Beginning with Vrioon in 2002, the artists spent more than two decades fusing and expanding their disciplines, with Sakamoto's evocative, sustain-drenched piano compositions finding their counterpart in Nicolai's skilful and sensitive electronic detailing.
Each successive project further deepened their artistic dialogue: from the five studio albums of the V.I.R.U.S. series (Vrioon, Insen, Revep, Utp_ with Ensemble Modern, and Summvs), to their score for Alejandro G. Iñárritu's The Revenant; Glass (2017), a wholly improvised performance inside Philip Johnson's iconic Connecticut landmark, in which the pair fixed contact microphones to the glass walls, playing the architecture itself as an instrument; and Two (2019), a document of their live performance at the Sydney Opera House.
Across these works, their distinct approaches achieved a rare synthesis, a brilliantly sustained dialogue between piano and electronics, Sakamoto's warmth and melodic finesse meeting Nicolai's abstract electronic formalism to invoke a mesmeric quietude as deeply satisfying in its melodic resolutions as in the merger of its filmic romanticism and meditative subtlety.
12 Conversations brings together musical exchanges recorded in November and December 2022. Rooted in the same creative period that gave rise to Sakamoto's final solo album 12, these recordings were not originally intended as a standalone release. It was only after the completion of 12 that Sakamoto and Nicolai decided to present these exchanges as a work in their own right.
The album reflects the vitality and curiosity that defined more than two decades of shared inspiration: fluid, exploratory, and forward-looking. Created with openness and trust, it captures a creative process in constant transformation - sounds expanding, altering, and evolving through attentive listening.
Conceived as the continuation of an artistic dialogue extending beyond the physical, 12 Conversations honours Sakamoto's wish that these encounters should exist beyond the archive, offering an enduring testament to one of contemporary music's most revered collaborations.
Carsten Nicolai writes:
"A heavy breath can be heard in the recordings. Yet this work is not about remembrance but continuation, vitality, curiosity, and the spirit of experimentation that shaped an artistic relationship over decades.
The twelve pieces we exchanged in November and December 2022 possess extraordinary density: sounds expanded, altered, recontextualized. Initially, every intervention felt almost inappropriate. Yet this was part of our openness and trust: adding, shifting and radically yet softly transforming.
Even in these final exchanges, plans for future projects continued to take shape, mindful of finite yet firmly believing in the power of new ideas. We chose the name Conversations, which has become a space of memory and vision, where past, present and future intertwine.
For a long time, releasing this music seemed impossible. The loss felt too sudden, and the emotional connection too profound. As time passed, it became clear that these twelve musical encounters should have life outside the archive. To honor Ryuichi's wish, these pieces are now being released as the continuation of a dialogue that extends beyond the physical."
The first single, Conversation 3, will be released on Tuesday, July 14, 2026. The second single, Conversation 6, will be be released on Wednesday, August 26, 2026.
12 Conversations will be available worldwide on vinyl, CD and digitally. A Japanese edition will be available on Ryuichi Sakamoto's commons.
Tracklist
1. Conversation 1
2. Conversation 2
3. Conversation 3
4. Conversation 4
5.Conversation 5
6. Conversation 6
7. Conversation 7
8. Conversation 8
9. Conversation 9 Part I
10. Conversation 9 Part II
11. Conversation 9 Part III
12. Conversation 9 Part IV
13. Conversation 9 Part V
14. Conversation 10
15. Conversation 11
16. Conversation 12
Album art designed by Carsten Nicolai & Nibo.
Mastered by: Bo Kondren at Calyx Mastering, Berlin (2026)
Voice on Track 07: Emma Maeda
Texts: Rainer Maria Rilke, Primal Sound
Press release text: Maria Orciuoli
Special thanks: Norika Sora, Alec Fellman, Sherry Kennedy, Erin Gleeson
© & P: 2026 NOTON. Archiv für Ton und Nichtton. All rights reserved.
Tracklisting
---------------------------------------------------------
Medium: // Side: // Track: 1
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 1
Playtime: 00:06:50
Explicit Lyrics: No
ISRC: DE1N62600003
(P):
Composer: Ryuichi Sakamoto, Carsten Nicolai
---------------------------------------------------------
Medium: // Side: // Track: 2
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 2
Playtime: 00:05:42
Explicit Lyrics: No
ISRC: DE1N62600004
(P):
---------------------------------------------------------
Medium: // Side: // Track: 3
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 3
Playtime: 00:05:53
Explicit Lyrics: No
ISRC: DE1N62600005
(P):
---------------------------------------------------------
Medium: // Side: // Track: 4
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 4
Playtime: 00:08:56
Explicit Lyrics: No
ISRC: DE1N62600006
(P):
---------------------------------------------------------
Medium: // Side: // Track: 5
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 5
Playtime: 00:06:26
Explicit Lyrics: No
ISRC: DE1N62600007
(P):
Composer: Ryuichi Sakamoto, Carsten Nicolai
---------------------------------------------------------
Medium: // Side: // Track: 6
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 6
Playtime: 00:07:26
Explicit Lyrics: No
ISRC: DE1N62600008
(P):
Composer: Ryuichi Sakamoto, Carsten Nicolai
---------------------------------------------------------
Medium: // Side: // Track: 7
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 7
Playtime: 00:10:31
Explicit Lyrics: No
ISRC: DE1N62600009
(P):
Composer: Ryuichi Sakamoto, Carsten Nicolai
---------------------------------------------------------
Medium: // Side: // Track: 8
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 8
Playtime: 00:03:20
Explicit Lyrics: No
ISRC: DE1N62600010
(P):
Composer: Ryuichi Sakamoto, Carsten Nicolai
---------------------------------------------------------
Medium: // Side: // Track: 9
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 9 Part I
Playtime: 00:01:12
Explicit Lyrics: No
ISRC: DE1N62600011
(P):
Composer: Ryuichi Sakamoto, Carsten Nicolai
---------------------------------------------------------
Medium: // Side: // Track: 10
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 9 Part II
Playtime: 00:03:27
Explicit Lyrics: No
ISRC: DE1N62600012
(P):
Composer: Ryuichi Sakamoto, Carsten Nicolai
---------------------------------------------------------
Medium: // Side: // Track: 11
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 9 Part III
Playtime: 00:00:51
Explicit Lyrics: No
ISRC: DE1N62600013
(P):
Composer: Ryuichi Sakamoto, Carsten Nicolai
---------------------------------------------------------
Medium: // Side: // Track: 12
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 9 Part IV
Playtime: 00:02:15
Explicit Lyrics: No
ISRC: DE1N62600014
(P):
Composer: Ryuichi Sakamoto, Carsten Nicolai
---------------------------------------------------------
Medium: // Side: // Track: 13
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 9 Part V
Playtime: 00:00:39
Explicit Lyrics: No
ISRC: DE1N62600015
(P):
Composer: Ryuichi Sakamoto, Carsten Nicolai
---------------------------------------------------------
Medium: // Side: // Track: 14
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 10
Playtime: 00:03:01
Explicit Lyrics: No
ISRC: DE1N62600016
(P):
Composer: Ryuichi Sakamoto, Carsten Nicolai
---------------------------------------------------------
Medium: // Side: // Track: 15
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 11
Playtime: 00:04:35
Explicit Lyrics: No
ISRC: DE1N62600017
(P):
Composer: Ryuichi Sakamoto, Carsten Nicolai
---------------------------------------------------------
Medium: // Side: // Track: 16
Artist: Ryuichi Sakamoto + Alva Noto
Title: Conversation 12
Playtime: 00:02:41
Explicit Lyrics: No
ISRC: DE1N62600018
(P):
Composer: Ryuichi Sakamoto, Carsten Nicolai
---------------------------------------------------------
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
12"
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Label:Second To None
Cat-No:WEAPON03
Release-Date:17.07.2026
Genre:HipHop / Beats
Configuration:12"
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Genre:HipHop / Beats
Configuration:12"
Barcode:
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DJ Junk - Unknown
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B15 DJ Junk - Unknown
B16 DJ Junk - Unknown
B17 DJ Junk - Unknown
B18 DJ Junk - Unknown
B19 DJ Junk - Unknown
B20 DJ Junk - Unknown
Sales Note
Battle tool repress taken from DJ Junk's infamous Second To None label.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Printed Sleeve
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B20 DJ Junk - Unknown
Sales Note
Battle tool repress taken from DJ Junk's infamous Second To None label.
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Liebigstrasse 2-20
DE - 22113 Hamburg
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12"
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Last in:21.07.2026
Label:Defected
Cat-No:DFTD759
Release-Date:05.06.2026
Genre:Deephouse
Configuration:12"
Barcode:826194704070
1
Dames Brown & Amp Fiddler - Take Me As I Am (Moodymann Extended Remix)
2
Dames Brown & Amp Fiddler - Take Me As I Am
3
Dames Brown & Amp Fiddler - Take Me As I Am (Accapella)
Revered selector Moodymann remixes ‘Take Me As I Am’ by Detroit artists Dames Brown, from their 2026 Defected LP of the same name. First distributed as a super-exclusive dubplate at Amsterdam Dance Event in late 2025, this avant-garde remix showcases a master at work, transforming the soulful feel. ‘Take Me As I Am’ into a provocative, groove-laden sonic experience for heads in the know. Kicking off 2026 with a bang, Dames Brown’s hotly anticipated full-length LP ‘Take Me As I Am’, presented by Amp Fiddler, paid homage to the late Detroitpioneer while re-introducing the vocal-house trio to the world. Across 14 tracks, the Dames weaved together their disco, R&B and house influences and c laborated with Eddie Fowlkes, Andrés, Waajeed and Amp Fiddler himself. The critically acclaimed LP was recognised by DJ Mag, Mixmag and Billboard, with the latter noting the project is “dripping with all the soul, style, funk and feeling that you might expect from the powerhouse Detroit trio.” Title track ‘Take Me As I Am’ represented the album’s elevated house sound in full, and now this fresh re-arrangement by fellow Detroiter Moodymann has arrived.
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Liebigstrasse 2-20
DE - 22113 Hamburg
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Contact: [email protected]More
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Liebigstrasse 2-20
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Contact: [email protected]More
Label:Omniverse Records
Cat-No:OMNIVLP01RP
Release-Date:24.07.2026
Genre:HipHop / Beats
Configuration:LP
Barcode:5050580878884
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Barcode:5050580878884
1
Marc Mac - 100 Years Later
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Marc Mac - Liberation Drums
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Marc Mac - The Freedom Clap
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Marc Mac - By Any Means
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Marc Mac - Unorganized Protest
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Marc Mac - Analogue Violation
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Marc Mac - No More Pigs
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Marc Mac - Detroit Red
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Marc Mac - Love Is True
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Marc Mac - Coreta's Beat
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Marc Mac - Tell Me Now (Feat. Marvin)
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Marc Mac - Don't Waste Time
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Marc Mac - Rosa Said
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Marc Mac - Kings Music
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Marc Mac - Brothers Of Peace
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Marc Mac - Atlanta Walking
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Marc Mac - Down South (Feat. Gil)
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Marc Mac - Newton's Beat
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Marc Mac - The Dreamer
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Marc Mac - Try To Please Me
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Marc Mac - The Back Of The Bus
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Marc Mac - Sweet Little Rock
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Marc Mac - A Funky Protest
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Marc Mac - March 1968
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Marc Mac - Even The President Knows
26
Marc Mac - Black Babies
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Marc Mac - So Free
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Marc Mac - The Shot Still Echoes
It' Right To Be Civil. There are records that entertain, records that educate and records that become historical documents in their own right. For twenty years, Marc Mac’s Black History Soundbite Series has existed somewhere between all three. Beginning in 2006 with It’s Right to Be Civil, Marc Mac quietly embarked on what has become one of the most original long-form projects in contemporary independent music. Conceived not simply as albums but as audio documentaries pressed onto vinyl, each release combines original production with carefully curated speeches, interviews, broadcasts and historical recordings, transforming fragments of Black history into immersive musical journeys. Across six volumes; It’s Right to Be Civil, Extend the Knowledge, Message From Soulville, Generation X, All Power to the People and The Invisible Soldiers the soundbites drops names and instances that allow the listener to explore further. Each LP is pressed on 180gram Black Vinyl. Weighted Card Cover & Shrink Wrap.
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Label:The Quiet Village
Cat-No:QV004
Release-Date:10.07.2026
Genre:Dub/Reggae
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1
Quiet Village - Till The Doctor Gets Back
2
Quiet Village - Till The Doctor Gets Back (Mad Professor Dub Remix)
Quiet Village drop a version of Barry Reynolds' 'Till The Doctor Gets Back' with a remix from Mad Professor. The duo's latest release for their eponymous imprint is a love letter to the early-80s sound of Island Records.
Joel Martin and Matt 'Radio Slave' Edwards' Quiet Village project is back on their The Quiet Village imprint on July 10th with 'Till The Doctor Gets Back', a characteristically spaced-out cover of Barry Reynolds which features their first ever commissioned remix, having tapped Mad Professor.
Recorded in 2024, Quiet Village's 'Till The Doctor Gets Back' evokes the spirit of the 1982 original, a release born out of a period when reggae, dub, pop, rock and dance music were colliding. QV's version is exactly what the duo have been known for since their beginnings in 2005; unhurried, immersive and utterly compelling. With reverb and delays firmly on the 'dub' bus, the track is shot through rich synths, glorious overlapping melodies and a fresh vocal interpretation. Mad Professor's dub slow burns, doubles down on the dub aesthetics and embraces the source material wholly, resulting in a cosseting yet invigorating listen.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Joel Martin and Matt 'Radio Slave' Edwards' Quiet Village project is back on their The Quiet Village imprint on July 10th with 'Till The Doctor Gets Back', a characteristically spaced-out cover of Barry Reynolds which features their first ever commissioned remix, having tapped Mad Professor.
Recorded in 2024, Quiet Village's 'Till The Doctor Gets Back' evokes the spirit of the 1982 original, a release born out of a period when reggae, dub, pop, rock and dance music were colliding. QV's version is exactly what the duo have been known for since their beginnings in 2005; unhurried, immersive and utterly compelling. With reverb and delays firmly on the 'dub' bus, the track is shot through rich synths, glorious overlapping melodies and a fresh vocal interpretation. Mad Professor's dub slow burns, doubles down on the dub aesthetics and embraces the source material wholly, resulting in a cosseting yet invigorating listen.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Lucid Dream Records
Cat-No:LD01
Release-Date:04.09.2026
Genre:Techno
Configuration:12"
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Label:Lucid Dream Records
Cat-No:LD01
Release-Date:04.09.2026
Genre:Techno
Configuration:12"
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1
Trancefeld - Pure Fiction
2
Trancefeld - Arcade
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Trancefeld - Seaquence
4
Trancefeld - Outroduction
Lucid Dream Records is proud to announce its very first release: a reissue of four tracks by German producer Trancefeld, originally released on Sunset Recordings and CTM in the early 2000s.
Years after their initial release, these productions still sound remarkably fresh on today’s dancefloors. Pure Fiction and Arcade showcase Trancefeld's tight programming, pairing hypnotic rhythms with progressive and trippy influences. On the flip side, Seaquence explores deeper and more melodic territory before Outroduction closes off the EP with a richly textured and contemplative downtempo cut.
Even today, these recordings remain difficult to place within a single category and together showcase the versatility and timeless quality of Trancefeld's musical output.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Years after their initial release, these productions still sound remarkably fresh on today’s dancefloors. Pure Fiction and Arcade showcase Trancefeld's tight programming, pairing hypnotic rhythms with progressive and trippy influences. On the flip side, Seaquence explores deeper and more melodic territory before Outroduction closes off the EP with a richly textured and contemplative downtempo cut.
Even today, these recordings remain difficult to place within a single category and together showcase the versatility and timeless quality of Trancefeld's musical output.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Daft Life Ltd.
Cat-No:0190296611926
Release-Date:15.04.2022
Genre:House
Configuration:2LP
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Label:Daft Life Ltd.
Cat-No:0190296611926
Release-Date:15.04.2022
Genre:House
Configuration:2LP
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1
Daft Punk - "Daftendirekt"
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Daft Punk - "WDPK 83.7 FM"
3
Daft Punk - "Revolution 909"
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Daft Punk - "Da Funk"
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Daft Punk - "Phoenix"
6
Daft Punk - "Fresh"
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Daft Punk - "Around The World"
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Daft Punk - "Rollin' & Scratchin'"
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Daft Punk - "Teachers"
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Daft Punk - "High Fidelity"
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Daft Punk - "Rock 'N' Roll"
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Daft Punk - "Oh Yeah"
13
Daft Punk - "Burnin'"
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Daft Punk - "Indo Silver Club"
15
Daft Punk - "Alive"
16
Daft Punk - "Funk Ad"
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
SH-1 - Flub
2
SH-1 - Recuperated
3
SH-1 - Fro Me Back
4
SH-1 - Ahead (Mix 1)
2026 repress
Tracklisting:
A1 SH-1 - Flub
A2 SH-1 - Recuperated
B1 SH-1 - Fro Me Back
B2 SH-1 - Ahead (Mix 1)
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklisting:
A1 SH-1 - Flub
A2 SH-1 - Recuperated
B1 SH-1 - Fro Me Back
B2 SH-1 - Ahead (Mix 1)
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Star Creature
Cat-No:SC1254
Release-Date:17.07.2026
Configuration:12"
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Label:Star Creature
Cat-No:SC1254
Release-Date:17.07.2026
Configuration:12"
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1
Donnell Pitman - Believe In Magic ft. E. Live
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Donnell Pitman - Believe In Magic (Donatinho Remix)
3
Donnell Pitman - Party In My Car ft. E. Live
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Donnell Pitman - Party In My Car (Mirlaqi Remix)
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Donnell Pitman - Don't Forget The 21 ft. E. Live
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Donnell Pitman - Believe In Magic (Donatinho Instr. Mix)
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Donnell Pitman - Party In My Car (Mirlaqi Instr. Mix)
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Donnell Pitman - Don't Forget The 21 (Instr. Mix)
This 8 track EP continues the trend of DONNELL offering up summer anthems with 3 new original tracks produced with his band WINGS OF SUNSHINE along- side STAR CREATURE's in-house producer E LIVE. Also included on the set are remixes from Brazil's DONATINHO & STAR CREATURE's MILRLAQI.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More