1
Jura Soundsystem - Morning Star
2
Jura Soundsystem - Dub Star
3
Jura Soundsystem - Hands Across The Sea
4
Jura Soundsystem - Savanna (Feat. Linda Fox)
5
Jura Soundsystem - Dub Savanna
6
Jura Soundsystem - Wah Fix
The follow up to 2022’s ‘Return to the Island’ LP is a new 6 track EP influenced heavily by the evocative powers of incense and a deep sense of escapism. The EP has a more organic sound palette than its predecessor, from both the use of samples and appearance of various guest musicians. Lead track ‘Morning Star’ features long standing collaborator Mike Burn (Udaberri Blues & Mama Capes) who adds his trademark liquid gold lead and rhythm guitar lines with live bass from Fernando Pulichino.
The guest on ‘Savanna’ is frequent Jack J collaborator Linda Fox, who provides emotive and melancholy sax over a Dub House backing track with a particularly dreamy chord progression. The EP features Instrumental Dubs of both tracks, alongside two other new productions, the 80s leaning ‘Hands Across the Sea’ and ‘Wah Fix’, which rounds off the more Dub influenced B side with a 125 BPM bouncy Dub House excursion.
In 2026 the Jura Soundsystem project enters its 10th year and is the creative musical outlet of Isle of Jura founder Kevin Griffiths. All tracks produced at IOJ HQ in Moana, Adelaide between 2022 and 2025 with support from the incense gods of Cedarwood, Jasmine and Sandalwood
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
The guest on ‘Savanna’ is frequent Jack J collaborator Linda Fox, who provides emotive and melancholy sax over a Dub House backing track with a particularly dreamy chord progression. The EP features Instrumental Dubs of both tracks, alongside two other new productions, the 80s leaning ‘Hands Across the Sea’ and ‘Wah Fix’, which rounds off the more Dub influenced B side with a 125 BPM bouncy Dub House excursion.
In 2026 the Jura Soundsystem project enters its 10th year and is the creative musical outlet of Isle of Jura founder Kevin Griffiths. All tracks produced at IOJ HQ in Moana, Adelaide between 2022 and 2025 with support from the incense gods of Cedarwood, Jasmine and Sandalwood
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Jura Soundsystem
1
Jura Soundsystem - An Interlude In Paradise
2
Jura Soundsystem - Linn Fun
3
Jura Soundsystem - Crystal Voyager
4
Jura Soundsystem - King Of Aldinga
5
Jura Soundsystem - Whatever Happens, Happens
6
Jura Soundsystem - Freediving In The Tropical Zone
7
Jura Soundsystem - Love Always Wins
8
Jura Soundsystem - Inhale Exhale
"When not overseeing A&R and label operations for Isle Of Jura, label boss Kevin Griffiths makes time for music creation in his garden studio in Moana, a sleepy suburb of Adelaide in South Australia. It’s an idyllic location surrounded by palm trees and tropical birdlife and an inspiring spot to fire up the machines, typically with the studio door left wide open to soak up the soundtrack provided by mother nature. The LP was recorded in the midst of the pandemic with no gig distractions and the sessions were heavily influenced by this backdrop of tropical birdsong, field recordings of which made it into most of the tracks. The album traverses Deep house, Nu-disco, Balearica and Ambient along with some leftfield samples and a sprinkling of Dub throughout. "
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Jura Soundsystem - Carafe Denim Quiet (Quiet Village Remix)
2
Jura Soundsystem - Udaberri Blues (Tapes Remix)
3
Jura Soundsystem - Linn Fun (Good Block Remix)
Repress!
3mm spine Kraftboard sleeve with sticker. Quiet Village, Tapes (Jahtari / Rezzett / Good Morning Tapes etc ) and Goodblock remixes
The label say: "A remix 12” of three Jura Soundsystem classics featuring interpretations from Quiet Village, Tapes and Good Block. “Having released a few Eps and an LP it felt like a fun thing to get some remixes. I’ve ticked off a few musical bucket list items with this 12”, Quiet Village being the big one. I’m a bit of a fanboy and Joel & Matt have not disappointed with a remix that sounds simultaneously futuristic and classic. Tapes brings his unique brand of Dub House and Good Block round off the party with a 90’s influenced slice of Balearic house”. (Kevin / Jura Soundsystem).
Designed by Bradley Pinkerton.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
3mm spine Kraftboard sleeve with sticker. Quiet Village, Tapes (Jahtari / Rezzett / Good Morning Tapes etc ) and Goodblock remixes
The label say: "A remix 12” of three Jura Soundsystem classics featuring interpretations from Quiet Village, Tapes and Good Block. “Having released a few Eps and an LP it felt like a fun thing to get some remixes. I’ve ticked off a few musical bucket list items with this 12”, Quiet Village being the big one. I’m a bit of a fanboy and Joel & Matt have not disappointed with a remix that sounds simultaneously futuristic and classic. Tapes brings his unique brand of Dub House and Good Block round off the party with a 90’s influenced slice of Balearic house”. (Kevin / Jura Soundsystem).
Designed by Bradley Pinkerton.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Jura Soundsystem - No Title
2
Jura Soundsystem - No Title
3
Jura Soundsystem - No Title
4
Jura Soundsystem - No Title
5
Jura Soundsystem - No Title
6
Jura Soundsystem - No Title
Following last year’s ‘Monster Skies’ comes another 6 track mini-lp of original works from label head Jura Soundsystem. Once again the EP aims to bring together the melting pot of influences that also inspire the label, Dub, Ambient House, Leftfield Disco and Balearica. The EP was made with the Roland classics, the Juno 106, SH101, D-05, TR 707 & 727 and includes guitar and sax work to balance the electronic sound palette. Mastering By Matt Colton.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Temples Of Jura
1
The Kyoto Connection - Ihojin
2
The Kyoto Connection - A Drop Of Dew
3
The Kyoto Connection - Four Seasons In Kyoto
4
The Kyoto Connection - Mindscape
5
The Kyoto Connection - The SHore
6
The Kyoto Connection - Playground
7
The Kyoto Connection - Yurei
8
The Kyoto Connection - Kyoto Sound Logo
9
The Kyoto Connection - Dedication
10
The Kyoto Connection - Mindscape II
11
The Kyoto Connection - Seiko
12
The Kyoto Connection - Solitude
13
The Kyoto Connection - Ryokan
14
The Kyoto Connection - Love Letter
‘Four Seasons in Kyoto’ marks the final chapter of The Kyoto Connection’s Ambient Japanese trilogy, following Postcards (2018) and The Flower, The Bird and The Mountain(2022). Like its predecessors, this album pays homage to the pioneering ambient and environmental music movements of 1980s and 1990s Japan.
The album unfolds as the imagined soundtrack to life in a quiet rural village, where nature and tradition shape the rhythm of everyday existence. Across 14 evocative compositions, The Kyoto Connection captures the essence of Japan’s ever-changing seasons, weaving together delicate melodies and immersive soundscapes. With contributions from friends and fans in Japan, Four Seasons in Kyoto is both a tribute and a transportive listening experience from producer Facundo Arena, the composer and producer behind The Kyoto Connection.
With Four Seasons in Kyoto, Facundo Arena continues his deep exploration of Japanese ambient and environmental music, blending his long-standing admiration for Kyoto’s cultural heritage with a sound that feels both nostalgic and timeless. While Postcards was an instinctive homage and The Flower, The Bird and The Mountain drew from real Kyoto field recordings, this final chapter in the trilogy leans further into the imagined, an intimate portrait of an unseen yet deeply felt Japan.
Recorded using a mix of vintage synths, delicate acoustic instrumentation, and subtle electronic textures, Four Seasons in Kyoto refines The Kyoto Connection’s signature approach. Organic soundscapes and drifting melodies mirror the slow change of seasons, evoking the impermanence central to Japanese aesthetics. The result is a record that seamlessly bridges the natural and the synthetic, memory and imagination, a fitting conclusion to a journey that began with an algorithmic discovery and blossomed into a rich sonic world of its own.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
The album unfolds as the imagined soundtrack to life in a quiet rural village, where nature and tradition shape the rhythm of everyday existence. Across 14 evocative compositions, The Kyoto Connection captures the essence of Japan’s ever-changing seasons, weaving together delicate melodies and immersive soundscapes. With contributions from friends and fans in Japan, Four Seasons in Kyoto is both a tribute and a transportive listening experience from producer Facundo Arena, the composer and producer behind The Kyoto Connection.
With Four Seasons in Kyoto, Facundo Arena continues his deep exploration of Japanese ambient and environmental music, blending his long-standing admiration for Kyoto’s cultural heritage with a sound that feels both nostalgic and timeless. While Postcards was an instinctive homage and The Flower, The Bird and The Mountain drew from real Kyoto field recordings, this final chapter in the trilogy leans further into the imagined, an intimate portrait of an unseen yet deeply felt Japan.
Recorded using a mix of vintage synths, delicate acoustic instrumentation, and subtle electronic textures, Four Seasons in Kyoto refines The Kyoto Connection’s signature approach. Organic soundscapes and drifting melodies mirror the slow change of seasons, evoking the impermanence central to Japanese aesthetics. The result is a record that seamlessly bridges the natural and the synthetic, memory and imagination, a fitting conclusion to a journey that began with an algorithmic discovery and blossomed into a rich sonic world of its own.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Jura Soundsystem - An Interlude In Paradise
2
Jura Soundsystem - Linn Fun
3
Jura Soundsystem - Crystal Voyager
4
Jura Soundsystem - King Of Aldinga
5
Jura Soundsystem - Whatever Happens, Happens
6
Jura Soundsystem - Freediving In The Tropical Zone
7
Jura Soundsystem - Love Always Wins
8
Jura Soundsystem - Inhale Exhale
"When not overseeing A&R and label operations for Isle Of Jura, label boss Kevin Griffiths makes time for music creation in his garden studio in Moana, a sleepy suburb of Adelaide in South Australia. It’s an idyllic location surrounded by palm trees and tropical birdlife and an inspiring spot to fire up the machines, typically with the studio door left wide open to soak up the soundtrack provided by mother nature. The LP was recorded in the midst of the pandemic with no gig distractions and the sessions were heavily influenced by this backdrop of tropical birdsong, field recordings of which made it into most of the tracks. The album traverses Deep house, Nu-disco, Balearica and Ambient along with some leftfield samples and a sprinkling of Dub throughout. "
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Jura Soundsystem - Carafe Denim Quiet (Quiet Village Remix)
2
Jura Soundsystem - Udaberri Blues (Tapes Remix)
3
Jura Soundsystem - Linn Fun (Good Block Remix)
Repress!
3mm spine Kraftboard sleeve with sticker. Quiet Village, Tapes (Jahtari / Rezzett / Good Morning Tapes etc ) and Goodblock remixes
The label say: "A remix 12” of three Jura Soundsystem classics featuring interpretations from Quiet Village, Tapes and Good Block. “Having released a few Eps and an LP it felt like a fun thing to get some remixes. I’ve ticked off a few musical bucket list items with this 12”, Quiet Village being the big one. I’m a bit of a fanboy and Joel & Matt have not disappointed with a remix that sounds simultaneously futuristic and classic. Tapes brings his unique brand of Dub House and Good Block round off the party with a 90’s influenced slice of Balearic house”. (Kevin / Jura Soundsystem).
Designed by Bradley Pinkerton.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
3mm spine Kraftboard sleeve with sticker. Quiet Village, Tapes (Jahtari / Rezzett / Good Morning Tapes etc ) and Goodblock remixes
The label say: "A remix 12” of three Jura Soundsystem classics featuring interpretations from Quiet Village, Tapes and Good Block. “Having released a few Eps and an LP it felt like a fun thing to get some remixes. I’ve ticked off a few musical bucket list items with this 12”, Quiet Village being the big one. I’m a bit of a fanboy and Joel & Matt have not disappointed with a remix that sounds simultaneously futuristic and classic. Tapes brings his unique brand of Dub House and Good Block round off the party with a 90’s influenced slice of Balearic house”. (Kevin / Jura Soundsystem).
Designed by Bradley Pinkerton.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Ilija Rudman - Anas Theme
2
Ilija Rudman - River Can't Wash My Tears Down
3
Ilija Rudman - In The End (Intermezzo Theme)
4
Ilija Rudman - Heroinas Atom Heart
5
Ilija Rudman - Dreams (Part I)
6
Ilija Rudman - Dreams (Part II)
180 Gram vinyl
Temples of Jura is proud to present ‘The Great Beyond’, the ninth studio album from Ilija Rudman. The concept of the album is the afterlife with words from Nikola Tesla, Slavoj Zizek, Jim Morrison, JF Kennedy, Charles De Gaulle, WH Auden, Azar Nafisi and Eleanor Roosevelt woven together to tell the story of ‘The Great Beyond’ and what may lie ahead for us all. The voice itself was created by Ai (let’s call him ERIC) and is set beautifully to music that has a timeless cinematic quality. Ilija only uses pure Analogue equipment in the creation of his music, resulting in a rich tapestry of basses, drums, chords and lead sounds. He’s been a prolific producer for over 20 years now with a discography that runs deep with more than 100 Vinyl EP releases and 8 studio albums, but we feel he’s reached the pinnacle with this concept album. We’ll leave the final word to ERIC “You gain strength, courage and confidence by every experience in which you really stop to look fear in the face.”
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Temples of Jura is proud to present ‘The Great Beyond’, the ninth studio album from Ilija Rudman. The concept of the album is the afterlife with words from Nikola Tesla, Slavoj Zizek, Jim Morrison, JF Kennedy, Charles De Gaulle, WH Auden, Azar Nafisi and Eleanor Roosevelt woven together to tell the story of ‘The Great Beyond’ and what may lie ahead for us all. The voice itself was created by Ai (let’s call him ERIC) and is set beautifully to music that has a timeless cinematic quality. Ilija only uses pure Analogue equipment in the creation of his music, resulting in a rich tapestry of basses, drums, chords and lead sounds. He’s been a prolific producer for over 20 years now with a discography that runs deep with more than 100 Vinyl EP releases and 8 studio albums, but we feel he’s reached the pinnacle with this concept album. We’ll leave the final word to ERIC “You gain strength, courage and confidence by every experience in which you really stop to look fear in the face.”
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Earthtones With Kevin Nathaniel - Of The Earth Meditation
2
Earthtones With Kevin Nathaniel - Of The Earth
3
Earthtones With Kevin Nathaniel - Slow Emotion
4
Earthtones With Kevin Nathaniel - Sonrise
180g Vinyl. Earthtones is the musical identity of Serge Bandura, an electronic artist, former jazz musician, meditation teacher and ritualist based in LA. Kevin Nathaniel channels sound as a universal healing force through traditional African instruments and is a former student of legendary master musicians such as Ephat Mujuru and Chief Bey K. Sending files back and forth during the pandemic, the two artists deepened a musical friendship and began a dialog between the Mbira Nyunga Nyunga, the Kalimba and analog synthesizers. Their music is offered in the spirit of peace + healing for all. ‘Of The Earth’ (Full Meditation) is 21 minutes long and the B side offers 25 minutes of music.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
The Kyoto Connection - Memories From Japan
2
The Kyoto Connection - The Flower The Bird And The Mountain Part I
3
The Kyoto Connection - Forest Correction
4
The Kyoto Connection - Mindscape I
5
The Kyoto Connection - Dojo
6
The Kyoto Connection - Setsukos Smile
7
The Kyoto Connection - Ujigami Shrine
8
The Kyoto Connection - Mindscape II
9
The Kyoto Connection - A Night At Kumano Kodo
10
The Kyoto Connection - Computer Dreams
11
The Kyoto Connection - Mindscape III
12
The Kyoto Connection - The Flower The Bird And The Mountain Part II
2025 Repress!
180g vinyl pressing.
During the late 2010s, music lovers around the world began obsessively listening to increasingly esoteric albums on Youtube. More often than not, they’d leave the browser on autoplay. This was how Facundo Arena, the composer and producer behind The Kyoto Connection, discovered the technonaturalistic pleasures of Kankyo Ongaku (environmental music), a distinctly Japanese interpretation of European, British and American minimalist composition and ambient music. “It was a kind of algorithmic magic,” he says.
Upload by upload, the utopian music of Hiroshi Yoshimura and his 80s Japanese contemporaries transported Facundo back to his childhood. When he was five, his father placed him in karate lessons and began watching martial arts movies with him. From those early experiences, Facundo became fascinated Japanese history, tradition, and culture, particularly that of Kyoto - the cultural capital of Japan. Kankyo Ongaku reminded him of hearing the sounds of Japanese folkloric instruments as a young boy, and suddenly, the way the influence of Japan had manifested in his music made sense. “I had the sensation that for many years, I’d been doing something similar to the style,” he explains.
Inspired, Facundo used an iPad and an old Akai cassette deck to record Postcards, his homage to Japanese minimalism and Kankyo Ongaku. By this stage, he was twelve years deep with The Kyoto Connection, the musical project he launched in 2005 in his hometown of Buenos Aires, Argentina. Over that late 2000s and 2010s, Facundo, later on joined by collaborators Rodrigo Trado (drums), Jesica Rubino (violin) and Marian Benitez (vocals, now his wife), released numerous D.I.Y albums. Project by project, they followed the threads between 80s synth-pop, ambient, new age, house, techno and acoustic composition.
Postcards introduced The Kyoto Connection to listeners around the world and brought Facundo into our orbit. During Argentina’s covid lockdown, Facundo received a set of soundscapes recorded in Kyoto by the Japanese musician and sound designer Masafumi Komatsu. Over several insular months, he decorated them with synthesisers, samples and subtle rhythms, creating The Kyoto Connection’s next album, The Flower, The Bird and the Mountain to be released via Isle Of Jura offshoot Temples Of Jura.
Ostensibly made up of twelve distinct tracks, listening to The Flower, The Bird and the Mountain feels more akin to spending calm, meditative time in twelve specific environments. Although the foundations they rest on are recordings made in geographic locations around Kyoto, Facundo has yet to visit Japan. As a result, the landscapes he paints sit somewhere between fiction and fact, richly pictorial sonic imagination juxtaposed with echoes of reality. Regardless, as his bubbling melodies and glistening synthesisers glide against Masafumi Komatsu's recordings, Facundo guides us into a blissful zone of tranquillity well worth spending time within.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
180g vinyl pressing.
During the late 2010s, music lovers around the world began obsessively listening to increasingly esoteric albums on Youtube. More often than not, they’d leave the browser on autoplay. This was how Facundo Arena, the composer and producer behind The Kyoto Connection, discovered the technonaturalistic pleasures of Kankyo Ongaku (environmental music), a distinctly Japanese interpretation of European, British and American minimalist composition and ambient music. “It was a kind of algorithmic magic,” he says.
Upload by upload, the utopian music of Hiroshi Yoshimura and his 80s Japanese contemporaries transported Facundo back to his childhood. When he was five, his father placed him in karate lessons and began watching martial arts movies with him. From those early experiences, Facundo became fascinated Japanese history, tradition, and culture, particularly that of Kyoto - the cultural capital of Japan. Kankyo Ongaku reminded him of hearing the sounds of Japanese folkloric instruments as a young boy, and suddenly, the way the influence of Japan had manifested in his music made sense. “I had the sensation that for many years, I’d been doing something similar to the style,” he explains.
Inspired, Facundo used an iPad and an old Akai cassette deck to record Postcards, his homage to Japanese minimalism and Kankyo Ongaku. By this stage, he was twelve years deep with The Kyoto Connection, the musical project he launched in 2005 in his hometown of Buenos Aires, Argentina. Over that late 2000s and 2010s, Facundo, later on joined by collaborators Rodrigo Trado (drums), Jesica Rubino (violin) and Marian Benitez (vocals, now his wife), released numerous D.I.Y albums. Project by project, they followed the threads between 80s synth-pop, ambient, new age, house, techno and acoustic composition.
Postcards introduced The Kyoto Connection to listeners around the world and brought Facundo into our orbit. During Argentina’s covid lockdown, Facundo received a set of soundscapes recorded in Kyoto by the Japanese musician and sound designer Masafumi Komatsu. Over several insular months, he decorated them with synthesisers, samples and subtle rhythms, creating The Kyoto Connection’s next album, The Flower, The Bird and the Mountain to be released via Isle Of Jura offshoot Temples Of Jura.
Ostensibly made up of twelve distinct tracks, listening to The Flower, The Bird and the Mountain feels more akin to spending calm, meditative time in twelve specific environments. Although the foundations they rest on are recordings made in geographic locations around Kyoto, Facundo has yet to visit Japan. As a result, the landscapes he paints sit somewhere between fiction and fact, richly pictorial sonic imagination juxtaposed with echoes of reality. Regardless, as his bubbling melodies and glistening synthesisers glide against Masafumi Komatsu's recordings, Facundo guides us into a blissful zone of tranquillity well worth spending time within.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Jura Soundsystem - No Title
2
Jura Soundsystem - No Title
3
Jura Soundsystem - No Title
4
Jura Soundsystem - No Title
5
Jura Soundsystem - No Title
6
Jura Soundsystem - No Title
Following last year’s ‘Monster Skies’ comes another 6 track mini-lp of original works from label head Jura Soundsystem. Once again the EP aims to bring together the melting pot of influences that also inspire the label, Dub, Ambient House, Leftfield Disco and Balearica. The EP was made with the Roland classics, the Juno 106, SH101, D-05, TR 707 & 727 and includes guitar and sax work to balance the electronic sound palette. Mastering By Matt Colton.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
filmico - No Title
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filmico - No Title
3
filmico - No Title
4
filmico - No Title
5
filmico - No Title
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filmico - No Title
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filmico - No Title
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filmico - No Title
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filmico - No Title
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filmico - No Title
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filmico - No Title
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filmico - No Title
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filmico - No Title
n The Senses’ is a soundtrack concept album from Fernando Pulichino based around the premise of music for film. Melody, ambience and mood are central to these pieces influenced by the likes of Angelo Badalamenti, John Carpenter and Johnny Jewel. The result is timeless electronic music infused with bittersweet synth chords & melodies, beat less atmospherics, bubbling electronics and synthesizer minimalism.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Temples Of Jura is a new offshoot catering for original artist material from a variety of genres. The first release is a split Dub 12” featuring Melbourne’s Len Leise and Adelaide’s Jura Soundsystem. As the title suggests Len’s track is a homage to the legendary Dub pioneer Adrian Sherwood whilst Jura Soundsystem debut with a more Rootsy excursion across 3 mixes.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Germany
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12” comes with a hand-signed insert by PARAMIDA & a download card with high-quality digital files!
Boiler Roomification. Proteinmaxxing. Sonic branding. Vibe curation. Digital minimalism.Dopamine detox. Cortisol management. Engagement farming. Main character energy. Manifestation journaling. Growth hacking. Vertical integration. Thought partnership.
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“IT’S A PARTY, NOT A FUNERAL” – PARAMIDA
A1. Luuk Van Dijk - Big Things Coming
A2. Simone de Kunovich - Odd Groove Organ
B1. PARAMIDA – You Freakz
B2. Giammarco Orsini - Bass Rider (Night Mix)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Boiler Roomification. Proteinmaxxing. Sonic branding. Vibe curation. Digital minimalism.Dopamine detox. Cortisol management. Engagement farming. Main character energy. Manifestation journaling. Growth hacking. Vertical integration. Thought partnership.
Instagram Live. BPM creep. Synergy. People, it’s time to chill out. Life is short and we want to dance. Presenting: BEST OF RELAX VOL. 1 (CLUB HITS): A collective chillpill, the antidote awaits on this new Love On The Rocks Sampler, selected for your pleasure by label boss PARAMIDA and accomplice Simone de Kunovich. They’re joined by Luuk van Dijk and Giammarco Orsini for four tech, deep & garage house workouts, club-ready, dripping with swagger, turned up to eleven and firing on all cylinders. It’s Love On The Rocks on cruise control, chewing up and spitting out references from hiphouse to Balearic with all the boisterous, unpredictable energy you expect. Remember when dance music used to be fun? We’re back baby.
“IT’S A PARTY, NOT A FUNERAL” – PARAMIDA
A1. Luuk Van Dijk - Big Things Coming
A2. Simone de Kunovich - Odd Groove Organ
B1. PARAMIDA – You Freakz
B2. Giammarco Orsini - Bass Rider (Night Mix)
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Label:Dog Tooth Records
Cat-No:DT004
Release-Date:11.09.2026
Genre:Electronic, Electronica
Configuration:12"
Label:Dog Tooth Records
Cat-No:DT004
Release-Date:11.09.2026
Genre:Electronic, Electronica
Configuration:12"
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Howie B. & Hiraki Sawa - Stick 1 (17min 31s)
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Howie B. & Hiraki Sawa - Stick 2 (5min 31s)
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Howie B. & Hiraki Sawa - Stick 3 (23min 41s)
3 Sticks is a new exploration of the circular brought to life by Howie B and Hiraki Sawa. Recorded live at Konk Studios, London.
Beginning with an organic knock on wood, the project is designed as multi layered audio-visual with the push and pull of analogue visuals and phrasing with digital flourishes. 3 Sticks has moments of droning discomfort which orbit undeniable head shaking rhythm. We travel through three distinct phases of sound: from the initial building euphoric funk through a discordant and thoughtful reprieve, finishing with a curious, questioning dystopian beat.
____
"‘The self is zero and infinite at the same time’ – *D.T. Suzuki’s concept serves as the foundation for creating a performance stage that integrates live music and visuals by Howie B. and Hiraki Sawa. This performance delves into the dual nature of the self through a dialogue between live music and visual art, offering a flowing and immersive stage experience.
‘The self is both the point at the center of the circle and all other points. It is a point and a circle at the same time,’ says D.T. Suzuki, likening it to a paradox. To explain it properly, the self is always a fluid
phenomenon: it is zero when viewed statically, but infinite and changeable when viewed dynamically. This
stage will visualize the dialogue between live music by Howie B. and images by Hiraki Sawa in the style of a riddle-like ‘Zen Mondou.’
This stage represents a unique collaboration where the two artists attempt to hybridize the Western view of things—with a constant awareness of their position within the coordinate space of up, down, left, and right, and the perception of relationships through active and passive interactions—and the Eastern view of things, which strives to understand the world through the principle of “you being me, and I being you.”
Prior to the performance, Sawa and Howie began their collaboration by exchanging music and visuals, an
initiative that is part of the ongoing ‘Zen Mondou’ project. This collaborative process lays the groundwork
for a performance that seamlessly blends their contrasting approaches, utilizing live visual performances
and lighting to enhance the fluidity and immersion of the stage experience. This collaboration offers a
unique and enriched artistic experience that challenges and expands the audience’s perception of self and
existence.
When D.T. was dying of severe pain caused by ileus in his old age, his disciple asked him, “Would you like
something, Sensei?” He just replied, “No, nothing. Thank you.” Just like his words of resignation, we look
forward to seeing his view of the world, “Just enough,” at Enfold stage.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Beginning with an organic knock on wood, the project is designed as multi layered audio-visual with the push and pull of analogue visuals and phrasing with digital flourishes. 3 Sticks has moments of droning discomfort which orbit undeniable head shaking rhythm. We travel through three distinct phases of sound: from the initial building euphoric funk through a discordant and thoughtful reprieve, finishing with a curious, questioning dystopian beat.
____
"‘The self is zero and infinite at the same time’ – *D.T. Suzuki’s concept serves as the foundation for creating a performance stage that integrates live music and visuals by Howie B. and Hiraki Sawa. This performance delves into the dual nature of the self through a dialogue between live music and visual art, offering a flowing and immersive stage experience.
‘The self is both the point at the center of the circle and all other points. It is a point and a circle at the same time,’ says D.T. Suzuki, likening it to a paradox. To explain it properly, the self is always a fluid
phenomenon: it is zero when viewed statically, but infinite and changeable when viewed dynamically. This
stage will visualize the dialogue between live music by Howie B. and images by Hiraki Sawa in the style of a riddle-like ‘Zen Mondou.’
This stage represents a unique collaboration where the two artists attempt to hybridize the Western view of things—with a constant awareness of their position within the coordinate space of up, down, left, and right, and the perception of relationships through active and passive interactions—and the Eastern view of things, which strives to understand the world through the principle of “you being me, and I being you.”
Prior to the performance, Sawa and Howie began their collaboration by exchanging music and visuals, an
initiative that is part of the ongoing ‘Zen Mondou’ project. This collaborative process lays the groundwork
for a performance that seamlessly blends their contrasting approaches, utilizing live visual performances
and lighting to enhance the fluidity and immersion of the stage experience. This collaboration offers a
unique and enriched artistic experience that challenges and expands the audience’s perception of self and
existence.
When D.T. was dying of severe pain caused by ileus in his old age, his disciple asked him, “Would you like
something, Sensei?” He just replied, “No, nothing. Thank you.” Just like his words of resignation, we look
forward to seeing his view of the world, “Just enough,” at Enfold stage.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Turn On The Sunlight - Iseo
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Turn On The Sunlight - Teamotanto
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Turn On The Sunlight - Uaoa Stream
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Turn On The Sunlight - Cosmic Feathers
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Turn On The Sunlight - Sayonara Glendale
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Turn On The Sunlight - Medianoche En La Calle Aurora
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Turn On The Sunlight - El Halcon De Ryujin Onsen
Turn On The Sunlight is the long-running project of Texas-born, Maui-based musician and producer Jesse Peterson.
Originally formed in New York in the late 2000s, Turn On The Sunlight has evolved into a fluid, location-spanning practice rooted in collaboration, intuition and process. Now based on Maui, Peterson’s work draws together a wide network of musicians and environments, with recordings taking shape across Los Angeles, Tokyo, London, San Miguel de Allende and Ha?iku.
Loosely situated within a framework of organic, ambient-leaning jazz, 'Iseo' unfolds as a series of open, exploratory pieces, with electronics sitting subtly beneath acoustic and environmental elements. Built from layered instrumentation including synthesizers, guitar, zither, flutes, voice and field recordings, Peterson moves between grounded, tactile detail and more expansive, immersive states. A sense of warmth and permeability runs throughout: organic percussion, environmental textures and drifting rhythmic elements lend the record a gently saturated humidity, reflecting Peterson’s base in Hawaii, where the presence of nature is felt as much as it is heard.
Underlying the project is a way of working rooted in gathering, listening and tending. Instruments, ensemble sessions, field recordings and everyday environments are approached with attentiveness, shaped through collecting, refining and allowing things to settle. Relationships, landscape and lived experience shape the sound, giving 'Iseo' a tactile, almost hand-made quality.
Rather than fixed arrangements, the album feels as if it has been organically and lovingly assembled through a process of listening and response, each element finding its place within a wider, evolving whole. This approach reaches a natural centre point in the 15-minute piece 'Medianoche En La Calle Aurora', which unfolds patiently, bending through shifting environments as motifs and textures emerge and dissolve with quiet continuity.
Peterson’s role as both instigator and facilitator is central to the project. Bringing together a diverse group of collaborators including Carlos Niño, Mia Doi Todd, Laraaji, Ko Ishikawa, Luis Pérez Ixoneztli and Miles Spilsbury, he creates space for individual voices to emerge within a shared language. The result is a music defined by openness and generosity.
'Iseo' takes its title from Peterson’s son’s middle name, a word that can be understood to mean ‘one-world life’. The piece itself takes the form of a gentle lullaby, its melody loosely shaped around the syllables of his name and sung to Peterson’s son by Luis Pérez Ixoneztli, a close collaborator whose presence across the record reflects a long-standing relationship that extends beyond the music itself.
Sleeve art and design by Michael Willis.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Originally formed in New York in the late 2000s, Turn On The Sunlight has evolved into a fluid, location-spanning practice rooted in collaboration, intuition and process. Now based on Maui, Peterson’s work draws together a wide network of musicians and environments, with recordings taking shape across Los Angeles, Tokyo, London, San Miguel de Allende and Ha?iku.
Loosely situated within a framework of organic, ambient-leaning jazz, 'Iseo' unfolds as a series of open, exploratory pieces, with electronics sitting subtly beneath acoustic and environmental elements. Built from layered instrumentation including synthesizers, guitar, zither, flutes, voice and field recordings, Peterson moves between grounded, tactile detail and more expansive, immersive states. A sense of warmth and permeability runs throughout: organic percussion, environmental textures and drifting rhythmic elements lend the record a gently saturated humidity, reflecting Peterson’s base in Hawaii, where the presence of nature is felt as much as it is heard.
Underlying the project is a way of working rooted in gathering, listening and tending. Instruments, ensemble sessions, field recordings and everyday environments are approached with attentiveness, shaped through collecting, refining and allowing things to settle. Relationships, landscape and lived experience shape the sound, giving 'Iseo' a tactile, almost hand-made quality.
Rather than fixed arrangements, the album feels as if it has been organically and lovingly assembled through a process of listening and response, each element finding its place within a wider, evolving whole. This approach reaches a natural centre point in the 15-minute piece 'Medianoche En La Calle Aurora', which unfolds patiently, bending through shifting environments as motifs and textures emerge and dissolve with quiet continuity.
Peterson’s role as both instigator and facilitator is central to the project. Bringing together a diverse group of collaborators including Carlos Niño, Mia Doi Todd, Laraaji, Ko Ishikawa, Luis Pérez Ixoneztli and Miles Spilsbury, he creates space for individual voices to emerge within a shared language. The result is a music defined by openness and generosity.
'Iseo' takes its title from Peterson’s son’s middle name, a word that can be understood to mean ‘one-world life’. The piece itself takes the form of a gentle lullaby, its melody loosely shaped around the syllables of his name and sung to Peterson’s son by Luis Pérez Ixoneztli, a close collaborator whose presence across the record reflects a long-standing relationship that extends beyond the music itself.
Sleeve art and design by Michael Willis.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
le style nouveau - jnd
2
mwen inmin - metal sound
3
le jeu des cinq - francky vincent
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brooklyn - shango gang
5
moune paradis - claudy siar
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invitation a la danse - van leve
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debouley heritage - claude vamur
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could u satisfy my desire - otaim
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rozalie rozalie - zshea
10
la guyanaise - sylviane cedia
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dialogue - edith lefel
12
enme - dominique bernier
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tour - x-taz
14
mefiez-vous - monique seka
15
lese la vi roule - kamplis
Back to the golden nights of zouk clubs, where hip-hop, kompa, zouk and Caribbean grooves ruled the dance- floor. This selection documents a pivotal moment : a time when zouk was still not a fixed genre, but more a place, an atmosphere, somewhere people went to dance. It captures the spirit of an era: its creative effervescence, musical freedom, and the diversity of artists who shaped it. The very concept of “Kaz A Zouk” perfectly encapsulates this idea: a space where all styles could meet.
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WAS - Word and Sound Medien GmbH
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1
Sandra St. Victor - Life Ft. EDB (Patrick Gibin Extended Version)
2
Sandra St. Victor - Moonchild Ft. Kaidi Tatham
Legendary singer Sandra St Victor needs no introduction as the lead voice of Family Stand and having worked with the likes of Lalah Hathaway, Chaka Khan, Prince, Roy Ayers and many more.
The US artist has a new album entitled ‘Eleven’ soon to drop on Mother Tongue and this is the double A-sider debut single.
First Sandra teams up with wonderkid EDB on ‘Life’ where she shows all her incredible vocal range over an infectious soulful groove. Exclusive to this release is a special extended version by Patrick Gibin.
On the flipside ‘Moonchild’, which is an stellar cover version of Captain Sky’s deep disco classic, sees the singer in full force with a priceless contribution from Kaidi Tatham on production, keys and even vocals.
All pressed on a limited loud twelve inch!
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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The US artist has a new album entitled ‘Eleven’ soon to drop on Mother Tongue and this is the double A-sider debut single.
First Sandra teams up with wonderkid EDB on ‘Life’ where she shows all her incredible vocal range over an infectious soulful groove. Exclusive to this release is a special extended version by Patrick Gibin.
On the flipside ‘Moonchild’, which is an stellar cover version of Captain Sky’s deep disco classic, sees the singer in full force with a priceless contribution from Kaidi Tatham on production, keys and even vocals.
All pressed on a limited loud twelve inch!
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Discotecas - Blonde Excess (Apiento Edit)
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Discotecas - In The Cab (Apiento & Lexx Edit)
3
Discotecas - No Resistance
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Discotecas - As One (Lexx Edit)
Apiento and Lexx join forces on some super nice edits for Discotecas. The first one has long been a staple of Apiento’s Test Pressing show and finally hits vinyl. The others are all new edits which sit perfectly in the current climate.
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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1
Slowct - Panavia
2
Slowct - Japan (Feat. Awes)
3
Slowct - Dance Like This
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Slowct - Panavia (GFH Remix)
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Slowct - Vinterpassage
Finland-based producer Slowct is a new name, but his Panelia EP — the second 12" to come from the rising DISCO.VERY imprint — lands with a quiet confidence and a rich, sunlit warmth. Pressed in an edition of just 300 copies, vinyl only, this is music that nods to the 90s without ever sounding trapped there: the chord language, the swing, the palette all carry echoes of that golden era, yet the production breathes with a fresh, contemporary clarity.
Across four tracks, Slowct blends house music with hip-hop shuffle, street-soul texture, and Balearic drift. There’s an unhurried, melodic quality here — drums with weight, chords that float rather than pound, melodies that feel both familiar and pleasantly unexpected. Made for summer parties, late drives, and those hazy moments when the sun sits low and the speakers are just loud enough.
On the remix front, GFH (Grooves From Heaven) steps in on “Panavia” and delivers something genuinely singular. Lush and humid, yet unmistakably futuristic. It’s a remix that twists the original into new and wonderful shapes.
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Across four tracks, Slowct blends house music with hip-hop shuffle, street-soul texture, and Balearic drift. There’s an unhurried, melodic quality here — drums with weight, chords that float rather than pound, melodies that feel both familiar and pleasantly unexpected. Made for summer parties, late drives, and those hazy moments when the sun sits low and the speakers are just loud enough.
On the remix front, GFH (Grooves From Heaven) steps in on “Panavia” and delivers something genuinely singular. Lush and humid, yet unmistakably futuristic. It’s a remix that twists the original into new and wonderful shapes.
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1
Dirty Channels - Guilty (Original Mix)
2
Dirty Channels - Jungle Echoes
3
Dirty Channels - Semliki
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Dirty Channels - Guilty (Dub)
Milan's Dirty Channels bring their polished club sound to RNT with the Jungle Echoes EP, seamlessly marrying influences of various international dance-floor vibes. Guilty and its accompanying Guilty (Dub) have a euphoric energy that feels predestined for Euro festival season, while the uptempo and hypnotic Semliki incorporates elements of South African Kwaito. Rounding out the EP is the deeply brooding title track which evokes the proto house sonics of 90s Chicago and NYC making the Jungle Echoes EP the duos strongest production statement to date and an eminently playable 12 Inch.
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Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
Contact: [email protected]More