1x12“ RED Color Vinyl

GENRE/S: Melodic House & Techno, Detroit Techno, Progressive House

TRACKLISTS:
A1) Original
B1) Frank Sonic & Drumcomplex Remix
B2) Brian Cid Remix

SHORT INFO:
With “The Insanity Of Infinity” Hernán Cattáneo and Marc Romboy join forces for a deeply atmospheric and emotionally charged release on Systematic Recordings. The track brings together two artists with long-standing
international reputations and clearly defined musical identities: Cattáneo’s unmistakable sense for hypnotic, progressive storytelling and Romboy’s warm, driving and Detroit-influenced Systematic sound.
The original version unfolds with depth, tension and elegance, balancing melodic emotion with club-focused precision. Rather than relying on obvious peak-time formulas, “The Insanity Of Infinity” builds its own universe:
immersive, sophisticated and timeless, shaped by two artists who understand how to create music that works both on the dance floor and beyond it.
The release is completed by two strong remix interpretations. Frank Sonic & Drumcomplex add a powerful, forward-moving techno version with clear Systematic DNA, designed for darker club moments and peak-time
impact. Brian Cid brings his own hypnotic and progressive touch, expanding the emotional dimension of the original with a deep, atmospheric and cinematic interpretation.
Released as a strictly limited red colored 12” vinyl edition, “The Insanity Of Infinity” is a special collector’s piece and a strong DJ tool at the same time.

VITAL SALES POINTS:
- Special red colored vinyl edition
- Strictly limited to 500
- Contains the original version plus previously unreleased remixes

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LP 2026 RECUT RE Edition

Third repress of Tour-Maubourg's debut album initially released in 2020!

2. GENRE/S: Deep House, Acid Jazz, Electronica

3. TRACKLISTS:
A1 La Révolte Du Coeur
A2 Diffraction Rythmique
A3 Saint Thé À La Menthe
A4 L'Invitation Au Voyage
B1 Ode To Love
B2 Le Vol Du Corbeau
B3 Inaptitude
B4 Les Mots

4. SHORT INFO:

Juno's review in 2020: Emerging out of the clouds of live and instrumental deep house, Tour-Maubourg first appeared on the scene with a debut record for Parisian label Pont Neuf Records before making connections with FHUO, Salin Records and Happiness Theory. Returning to Pont Neuf for the release of his debut album, Paradis Artificiels, the artist puts paid to the Trax article which once wrote of TM: ''one of the most promising producers of the French house scene''. Referencing a Baudelaire poem for its title, the album flexes between new age ambience, acid and Chicago house inspirations in tracks like "Le Vol. Du Corbeau" while diving deep into watery percussion, solo jazz brass and skittering drums in "Saint The A La Menthe". WIth stronger ties to functional deep house in "Diffraction Rythmique", there's a smokey haze of hip hop instrumentality and dub to be found in tracks like "Les Mots" too. A record that would be attractive to fans of SUED.



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2LP 2026 RECUT RE Edition


1. GENRE/S: Deep House, Acid Jazz, Electronica

2. TRACKLISTS:
A1 Intro
A2 Just Believe
A3 Why (Life)
B1 Never Will
B2 Paradise
B3 A Little Bit Of Help (interlude)
C1 L'hiver
C2 La Berceuse Des Vieux Amants
C3 Solaced
C4 The Music (interlude)
D1 La Péruvienne
D2 You
D3 Grief
D4 Outro

3. SHORT INFO:

Pont Neuf regular Tour-Maubourg is undoubtedly an artist on the rise. There are gems aplenty in his back catalogue, which supplements dusty, jazz-flecked deep house with blazed electronica and hazy downtempo gems. 'Spaces of Silence', his second album, is exceptionally strong, too, with the French producer sashaying between immersive ambient ('Intro'), organic, loose-limbed deep jazz-house (the fabulous 'Just Believe'), head-nodding instrumental hip-hop ('Why (Life)'), sun-splashed warm-up shufflers ('I Never Will'), nostalgic New Jersey style deep house ('Paradise'), horizontal electronica ('L'Hiver'), deep space workouts (the deep house goes ambient techno haze of 'Solaced') and nods towards the vintage early works of St Germain ('You (feat Ismael Ndir)'). Impeccable.



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Genre: Drum & Bass

Tracklist:

A1. Lightspeed Journey
A2. Cosmic Gate
B1. Gravity
B2. Suprematism


Short Info:

Pageant flexes his D&B production skills on this spatial themed 4-track EP.




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Formats: 4LP Ltd Edition + insert

Tracklistings

4LP Ltd Edition

A1. Old Codes
A2. Mermaids
A3. Whose Money
B1. Brazilification
B2. Serratia Marcescens
C1. The Sheriff
C2. Feinman
D1. The Light of Jesus
D2. Strange Thoughts
E1. Fila Funk
F1. Pots & Pans
F2. New Chaos
G1. Rankine (Live At Bounce)
H1. Chemistry
H2. Rankine


The Label:

Forever Records

Music springs eternal. Recognising the enduring power of timeless albums to guide us through life, Forever Records is a reissue series dedicated to rediscovering lost musical treasures from across the spectrum of head-feeding, heart-rending electronic music.

Established by Rush Hour co-founder Christiaan Macdonald and Delsin founder Marsel van der Wielen, Forever Records places heartfelt faith in a carefully curated sequence of seminal, largely forgotten records from disparate eras, scenes and spaces within electronic music history. Tipped towards the mellow and introspective, these are albums that stop time when the needle hits the groove, stirring only when it's time to flip over before you sink back into the experience. That's what albums were always meant to be about, back then, right now, always and forever.



The Release:
Striking the sweet spot between sampledelic downtempo and earth-rooted deep house, Fila Brazillia's Old Codes New Chaos is a maverick patchwork of grooves and soundscapes. Crafted in North East England in the vibrant period before chill-out was co-opted by advertising, Steve Cobby and David McSherry's sharp-eared funk formula remains a cult classic suite of exquisite productions spanning deep house, broken beat and ambient shot through with wry humour.

Last physically released in limited quantities in 2002, Forever Records are revisiting this 1994 gem with an extensive reissue led by a triple vinyl pressing, newly mastered from the original mixdowns. There will also be a limited edition, 4LP edition including bonus tracks 'Rankine' (Live at Bounce), 'Chemistry' and 'Rankine', plus an exclusive print of Catherine Brennand's watercolour painting that graces the front of the album. A limited edition, gold disc CD housed in a digi-pack will also be available. All editions also features liner notes by veteran music journalist John McCready.

Press response to Old Codes New Chaos:

"The album that made the world finally sit up and take notice of the avant funk grooves coming from Hull's immaculately stoned tech funk magicians." Frank Tope, Mixmag, UK 1994.

"This album… stands out a mile from most of its peers as a work of untouchable genius." Bill Brewster, DJ Mag UK 1994.

"Fila works because they fit into that no man’s land, the space in your record collection where ambient seems too much like wallpaper and house seems just too braindead for your bedroom " Frank Tope, Mixmag, UK 1994.

"Having already created the perfect desert island disc, "Mermaids" and explored the darker side of sub bass on the 17-minute extravaganza "Fila Funk", Fila Brazillia have just unleashed their moving debut LP, "Old Codes New Chaos", and to be quite honest, you'd be a fool to miss out this time around." Mandi James, Melody Maker, UK 1994.

“Where Cobby and Man rip up the rulebook on the four to the floor and probably make the greatest afterhours house album in the word”. Tony Marcus, Mixmag, 1996.

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2LP

With Sunrise and the Life We Live, John Beltran returns to his ambient techno roots, the sound that garnered him global appeal in the 1990s.

Through ten tracks, the album journeys through lush, aerated textures and beatless expanse. Hypnotic grooves deepen and bloom in a flow of shapes and colors, creating a sound that is both meditative and full of life.

Thirty years after the release of his seminal Ten Days of Blue, Beltran's musicianship, vision and desire to produce remain at a fever pitch. With Sunrise and the Life We Live his gift of extracting emotion from the universe and turning it into
a unique musical experience puts him in a class of his own.

A1. Blue Green Eyes
A2. Sunrise and the Life We Live
A3. Austin

B1. The Echo Bridge
B2. Soft Rain
B3. Éire

C1. Lila
C2. The Watering
C3. Meant For Her

D1. Ikibana
D2. Ambala, Anders Ponsaing & Troels Hammer - Quiet Yellow Purple (Beltrans LET IT GO Remix)
D3. Kenneth Bager & Findlay Brown - Stones and Steel (Beltran Remix)




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Track List
A: JOSEPH (CH) - B4U (08:00)
B: JOSEPH (CH) - Tripidi (07:28)


All Tracks written and produced by Joseph Blandford.
Used by permission. All rights reserved.

Mastering by Hans Frage @ Deinklang

Info:
A duel of fates - "B4U" is where clashing swords and bittersweet sounds envelop the strange voices in the back of your head… On the evening of its discovery, Joseph could be found in a dark room, squatting in front of his desk, gripping its sides for dear life. Headphones blaring the cosmic love letter, sent for him to share with you.

Booty-shake-worthy grooves and a seriously JOSEPH-coded bassline give way to a sound that reminds you to stop taking everything so damn seriously. "Tripidi" is JOSEPH's auditory instruction manual on how to swerve when you stub a toe at 4am.


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Track list:
A1 - I’ve Been Waiting
B1 - Every Time
B2 - Superfine

Release Info:
Fiscal man of mystery, Clive From Accounts is back!
Fresh off the heels of his well received debut album on Razor N Tape, “The Very Best of Clive From Accounts” comes his new concoction, “Income Trax Vol. 1”.
The 3 track EP kicks off with “I’ve Been Waiting“, a 90s piano laden up-tempo house track with a twist of soulful sampled flute and vocals.
“Every Time” is a filtered deep disco house roller built around lush string samples, live bass and soulful vocal cuts. It’s sleek, assured and festival-ready.
“Superfine” clocks in and turns the energy up. A snappy pop-disco number powered by punchy strings, big vocal hooks and catchy synths. Operating somewhere between the dancefloor and the stationery cupboard.
Arriving June 26th on Digital and 12” Vinyl. Mastered by Matt Colton @ Metropolis.

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Special remarks: gatefold, inside printing

GENRE/S: Techno, Minimal

TRACK LIST:

A1 LOSER MENTALITY
A2 WAKO HEIGHTS
B1 DING THE MOTOR
B2 LIFE IS HARD OFF
B3 Q K
C1 LOVER MENTALITY
C2 DOUBLE ARROWS
D1 CUT FUNK
D2 TON UP BONUS BEAT
D3 DO YOU KNOW GOLD PANDA?

SHORT INFO:
Gold Panda returns with TON UP, a brilliantly stubborn new album for Studio Barnhus: eight rough-hewn dance tracks and two cozy little service-station interludes, all crafted with the robust determination of a producer who knows that 140 bpm is not so much a tempo as a way of life.
Made with Derwin Dicker’s unmistakable sampler-bashing touch, the tracks on Ton Up carry the raw knock of old-school hip-hop instrumentals, pushed through pumping house-music machinery and ready to cause absolute trouble on any half-decent sound system.
Here you’ll find zero of that dreaded, over-explained “maturity” usually demanded of beloved electronic artists several albums deep into the game. Instead, Gold Panda just sounds as happily locked in as ever, carelessly chasing the physical joys of pressure, swing and repetition.
TON UP is functional, funny and oddly tender club music, arriving just when the world needed it the most (June 26 that is.)

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METLASR is an album for microtonal idiophones and modular synthesizer by composer/producer Tyler Friedman for Radicant_Editions.

Drawing on the legacies of downtown minimalism, METLASR connects avant-garde composition, aspects of global traditional musics and advanced synthesizer technique into an ambitious and singular hybrid. Animated by generative modular sequencing and grounded by undulating bass, the album focuses on an endless cascade of pirouetting geometric melodics, which are spread across a spectrally fused ensemble of crystalline FM and sampled pitched percussion – specifically gamelan orchestra, marimba, mbira, vibraphone and tingklik. The assemblage of voices interlace in fractal mirrors, aggregating into pointillist harmonizations heightened by multiple layers of dub processing. The use of alternative tunings — primarily 24-note per octave just intonation — infuses the poly-modal progressions with lush radiance, staging tension between the strange and the beautiful through neon inflections of subtle dissonance.

Entirely improvised, a fact belied by the contrapuntal complexity of it all, METLASR’s seven tracks were each recorded in a single pass and subject to minimal edits. Although the sound palette and...

Composition and Production - Tyler Friedman
Recorded and Mixed at - Sakha Studios Berlin
Mastering - Mike Grinser at Manmade
Cover Art - 'Self Portrait' (1972) - Oil on Canvas - by Samia Halaby


Futureism Restated Interview with Phillip Sherburne: https://futurismrestated.substack.com/p/fr-164-tyler-friedman-makes-music

Pitchfork Review: https://pitchfork.com/reviews/albums/tyler-friedman-metlasr/

Wire Review: https://drive.google.com/file/d/1kHe-6qU3sv76a5o84xVwAABZlVtt2P3J/view?usp=share_link


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