Purple Disco Machine has been setting the world on fire for years, and he’s showing no signs of slowing down any time soon. He has teamed up with German artist Roosevelt for their latest collaborative single, 'Higher Ground.'
'Higher Ground' sounds straight out of the 80s. It’s a club banger with an infectious synth loop that will keep you sweating on the dance floor.

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What So Not announces his sophomore album, Anomaly, off the back of being inspired by traveling the world and exploring sounds globally just prior to the COVID-19 pandemic. Anomaly is set to be a cohesive journey of far-off adventures, self-discovery and scintillating electronic wizardry.

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The gift that keeps on giving, Purple Disco Machines’ ‘Exotica (Deluxe Album)’ is being treated to some epic remixes of your favourite songs now available on vinyl.

Featured on this vinyl another two standout reworks, firstly from Alex Virgo with his italo disco flavoured remix of ‘Playbox’ and followed by disco royalty, Poolside, taking on ‘Wanna Feel Like a Lover’.

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A1 - John Summit & Parachute Youth - Better Than This
B1 - Parachute Youth – Can’t Get Better Than This

A single that captured the hearts of Australians, emulating everything that was so special about the burgeoning electro scene of the early 2010’s, was none other than Parachute Youth’s debut single ‘Can’t Get Better Than This’. Made up of Johnny Castro (Courtidis), and Mat KVon, the single went on to be a huge international success for the newcomers, whilst earning Sweat It Out one of its first ARIA Gold Record since the labels inception just a few years prior, and charting in the Top 10 across Belgium and Luxembourg.

With the first release together in 7 years, the duo have enlisted one of the hottest dance acts on the planet, John Summit, for a special edit marking a decade since the release of the original. Titled ‘Better Than This’, the edit breathes new life into the classic - Summit’s trademark drum design, with crisp claps and energetic hi-hats are all held together by an unrelenting yet full bodied bassline arpeggiation that ensures the vocal is front and centre.

Speaking to his excitement on the new collaboration, John from Parachute Youth shares, "To see the song that started my music career come out again after its first release a decade ago, is truly exciting and can’t wait to see where it goes a second time around!". Mat adds "This track means just as much to Johnny and I as the day it was first played on triple j here in Oz, ‘Can’t Get Better Than This’ and subsequent releases gave us a touring career and fans worldwide who still message us to this day"..

With the extraordinary songwriting talents of Parachute Youth, coupled with the production steez of John Summit, ‘Better Than This’, is ready for a whole new generation to fall in love with.

Press:

Over 4 million streams worldwide

Extensive radio play across the globe including heavy plays on BBC Radio 1, 1xtra, Kiss FM etc

DJ Support:

Pirupa, severino panzetta, Patric la Funk, Don Diablo, Sean Sines [Erick Morillo], Sleepy Tom, Tommie Sunshine, Illyus & Barrientos, Riva Starr, Go Freek, Dennis Cruz, Wax Motif, Tough Love, TCTS, Moguai, mark lower, Kryder, KLP, GUZ, Noizu, Return Of The Jaded, Westend, Dombresky, Claptone, HeavyFeet, Lee Foss, Golf Clap, Anna Lunoe, Sam Divine, Vanilla Ace, The Aston Shuffle, Kyle Watson, Shiba San, and Mark Stent.

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A limited edition re-issue of crossover dance superterstars debut album Soulmatic for RSD excluisively on Gold Vinyl. Featuring PDM hits, Music in You, Body Funk, Love For Days, the Faithless collab on 'Let The Music Play', CeeLo Green fronted 'Pray For Me' alongside super hit 'Devil in me'.

Original copies from only 4 years ago will set you back £150-£400

Handnumbered 0001-1000.

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Repress!
Nicky Night Time and Ali Love have collaborated for a hypnotising new single ‘Ubiquity feat. Breakbot’. Filled with classic disco flair, funk riffs, and infectious vocals the track instantly encapsulates a dreamy dance-floor moment and comes complete with remixes from The Magician, Eric Duncan and Lubelski who all add their signature spark.

With each artist living in a different country, ‘Ubiquity’ has already made its way around the globe, Ali Love explains how the track came together, “‘Ubiquity’ started its life in Australia with Nicky Night Time as a drum and guitar track. Then made its way to London where I added electric bass and vocals very early in the morning. I recall there were about 8 Japanese girls in my flat for some reason, so you could say that really added to the song’s vibe. You can feel there’s a party happening. The tune then travelled to LA where, by chance, Nicky drafted in Breakbot, who wrote the amazing string and horn parts, and sent the song into the stratosphere. The stars have aligned and the vibe is ubiquitous." Nicky Night Time adds “It was a love project really and I think we felt it was a cool thing just to put out into the world between the 3 of us amigos.”

For the remixes, globally renowned producer The Magician adds his signature touch highlighting the original’s funk elements and punchy drums while maintaining the driving bassline from the original. Merging disco with French touch, The Magician accentuates the cut-off and phaser effects for a playful and energetic remix. Next up, Eric Duncan hits with a synth heavy cosmic remix as Lubelski closes out proceedings going for a stripped down, late night shuffler.

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A1 – Original
A2 - Sasha Remix
B1 - Lane 8 Remix
B2 - H.O.S.H. Remix

Limited edition, ultra clear vinyl version of RÜFÜS DU SOL's standout Innerbloom Remix EP. Calling on a who's who of modern electronic’s greats, they harness the unquestionable expertise of this all-star cast to adapt their dark, emotive and gargantuan single 'Innerbloom'.

The result is an array of dancefloor-destined destruction from the legendary UK superstar Sasha, melodic deep house wizard Lane 8, and Germany's very own H.O.S.H.

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RÜFÜS DU SOL a group who need little to no introduction, from starting in 2010 recording underneath one of their parents houses. To now having multiple awards under their belt, one of them being a Grammy for best dance/electronic recording from 2022. The Australian supergroup are currently on a tour around the world showcasing their talents. Now their debut LP from 2013 is back on a black vinyl which features some of their hit singles such as ‘Take Me’ and ‘Desert Night’. This album was also nominated for the Australian Album Of the Year and charted at Number 1 on the ARIA Albums chart and produced big singles like ‘Sundream’ and ‘Take Me’.

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LTD Edition 2 x LP Pink & White, half & half vinyl version of Australian trio Rüfüs Du Sol's incredible sophomore album 'Bloom' - that went straight in at number 1 on the Australian album charts.Featuring the singles 'You Were Right' and 'Like An Animal!' it's a journey through richly layered synths behind driving beats, atmospheric build ups and killer breakdowns - all married together with Tyrone Lindqvist's soulful vocals.From the heartfelt epic that is 'Innerbloom', to the uplifting melody of 'Say A Prayer For Me', 'Bloom' will have Rüfüs Du Sol fans falling in love all over again.

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After a long delay due to his previous powerhouse 'Hypnotised' blowing up the worldwide spot, German maestro Purple Disco Machine finally lets loose the next step in his world dance domination. Every superlative under the sun has been used for this man's talents and he does not disappoint with a return to his updated Italo disco stylings on new single 'Exotica'.

Purple Disco Machine remains at the forefront of world dance music, following a series of remixes for A-list icons Diplo, Dua Lipa, Mark Ronson, Foals, Calvin Harris, Fatboy Slim, Sir Elton John, whilst more recently delivering his stellar cuts of Duke Dumont’s ‘Ocean Drive’, and Lady Gaga and Adriana Grande’s international hit single ‘Rain On Me’.

He now unveils yet another side of his impressive production prowess with new single ‘Exotica’ featuring the Italian electro funk producer Mind Enterprises on vocals, creating an electric club record exploring and playing homage to '80s German and Italian euro disco records that he grew up with.

Based around a replayed sample of 80’s Italo disco classic ‘Void Vision’ by Cyber People, Purple Disco Machine creates a high energy dance-floor heater with a lively modulated vocal. ‘Exotica’ shares its name with the forthcoming studio album, which the artist confirms will feature his playful interpretation of the music of the decade that birthed the Purple Disco Machine sound; Synth Pop, Italo Disco, Electro Funk, Soul, R&B and Boogie.

Certified as one of the most prolific electronic artists of our generation, the Dresden born producer ranks #2 on Beatport’s all-time Top Artists, with his 2013 breakthrough hit ‘My House’ remaining as one of the platform’s best-sellers through to today. With an undeniable midas touch, Purple Disco Machine landed himself in the record books once again in 2018, whilst amassing a stunning 100 million streams across his original ‘Dished (Male Stripper)’, and remixes of Weiss’ ‘Feel My Needs’, and most notably his remix of the seminal ‘Praise You’ by industry icon Fatboy Slim. With a slew of varied releases including hit singles ‘In My Arms’, ‘Body Funk’ and ‘Devil In Me’, the producer’s status was propelled by his debut LP ‘Soulmatic’, earning him critical acclaim across the globe.

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Cumbia Sabanera is one of many foundational music traditions that have been born in the tucked away Montes de Maria region of Colombia’s Caribbean enclave. At the front of this particular sabanera style sits el acordeón, a magical squeezebox of seductive melodies that, combined with the quintessential elements of the cumbia rhythm section, has begat a worldwide phenomenon several times over. Each generation seems to bring forth another cumbia craze that echoes from the savanna out into the Caribbean Sea, oscillating beyond into the international landscape. One of the true maestros, at the very heart of this original movement, is the bonafide and widely recognized El Rey de la Cumbia, Andrés Landero. Put simply, Andrés Landero is a legendary practitioner of the esteemed instrument, with a school of followers and admirers who played and studied with him from the 1950s until his passing in 2000. His performances, discography and compositions are beyond reproach, and accordionists the world over have taken up this same enchanting Hohner instrument to carry on Landero’s craft through his well-formed cumbia sub-culture. As the wider cumbia movement has shapeshifted throughout its time in different countries, across decades with the aid of modern innovations, there remains a devoted tradition to the roots of the accordion-based sound and cumbia sabanera in its most sincere and organic form. Even at the height of international popularity, with talent emerging from all corners of the world’s musical meridians, there is no heir more appropriate to carry on the legacy of Andrés Landero than his very own grandson. These two selections encapsulate the movement of the current cumbia nexus, from an ode to the Colombian countryside traditions in “Santa Lucia” to the international ascent of cumbia’s modern path in “Cumbia Sin Fronteras” (Cumbia Without Borders). Sonically, these two tracks reach for a harmonious balance between raw, traditional, and truly unique, and their finished form on the preferred 7-inch format means they’re destined to reach the hands of selectors and sonideros worldwide, just as the elder Landero’s records did across decades and generations. El heredero de la cumbia (the heir to cumbia) is in a good place, Landero vive!

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Felipe Gordon is back on Shall Not Fade with his new album Tezeta and f*ck is it special.

Felipe Gordon is SNF label mainstay... (we released his triple repressed debut album "A Landscape Onomatopeya" in 2022 as well as 7 x 12" EPs on SNF over the years plus an extra 12" on Lost Palms)... so given his consistent and exceptional output on our record label you'd probably forgive some complacency with this write up, you might even afford us license to assume we're preaching to the choir and allow us to rest easy knowing that at this stage Felipe Gordon's records sell themselves.... Well none of those things are happening here because when an artist makes a record this complete, this good, you have to try to find the words. You use words like "timeless", "complete and "special". Words that can carry the weight. Because when you've listened to an album dozens of times, and not once, in any part, on any listen in any way has it fatigued you, you need to say. When a record felt so wonderfully familiar from the first listen and just kept on giving you the same feels ever since, you need to say. When a record makes you think about you how you feel about certain Air & St Germain albums (even when you know what it means to put that in a press release), you need to say. So here we are, saying these things.. Tezeta is a special record, one that exists in the rarefied air. A proper album. A record that every time you press play you will immediately remember why you own it and why you love it. A record that your subconscious will know so well that if shuffle is on you will know in an instant. An album that when it's in your collection and the first track starts you get a twinge of annoyance because you didn't listen again sooner and when the final track stops you stop too.

Given paint and a canvas we can most of us paint a picture, but only those that are gifted can paint something that makes us feel. Tezeta makes you feel. Feel familiarity when it's playing, yearning when its not, and absence when it ends. This alone would be enough to make the argument as to why this album is special and justify the gushing opening paragraph of this press release. But we're not done yet.

We don't really have a word in english for what Felipe Gordon has created with this album and how it makes you feel. "Tezeta" that word.

Tezeta is a one of four musical modes within the traditional Ethiopian modal music system known as Qiñit. Mulatu Astatke, the father of Ethio-jazz, frequently uses this mode, often translating it as "nostalgia" or "longing". Gordon says Mulatu's own tezeta recordings convey to him "feelings of melancholy and longing from a point of affection". This is exactly the feeling Gordon has captured. It is what he has woven through every recording on this album. Tezeta is the prime ingredient. It's the base note in recipe, it's sprinkled over the signature jazz-sampled house tracks. It powers the vast array of synthesizers Gordon deploys. It underpins the explorations into trip-hop. It's present in Gordon's varied vocal deliveries and it tunes his guitar. It's in the running order. It's the flow. Tezeta is tezeta in electronic music form, with 4/4, breakbeats, samples and synths.

Gordon says a big part of what differentiates this album from from his previous albums is that is was recorded in a period where he allowed himself to create music without the constraints of time or self-pressure which coincided with a moment of heavy personal growth which allowed him to reflect deeply on his work.

There is a word in Portuguese "Saudade" that Gordon says has a similar meaning to Tezeta - Saudade is defined as a deep, sometimes bittersweet, longing or nostalgia for someone or something that is absent or lost. But here at SNF we think that in Tezeta nothing has been lost. Quite the opposite. Through Felipe Gordon's artistic explorations we have all gained something very special indeed.

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Repress soon!

As mood changers go, this track is up there with the best. Last year whilst DJing with miche at Shapes festival in the snow-capped mountains of Switzerland, a breathtaking yet ominous Alpine sky suddenly became a picture postcard moment. The clouds parted and a double rainbow formed, as miche dropped Studio Rio's bossa nova remake of Bill Withers’ all-time classic 'Lovely Day'. From there, the dancefloor shifted gears and morphed into full-swing feel-good vibes, in a beautiful, spontaneous moment nobody could have planned for.

Mr Bongo now proudly presents a reissue of this brilliant, bossa-channelling Bill Withers reinterpretation from Studio Rio’s 2014 release ‘The Brazil Connection’. Masterminded by the German, Grammy award-winning Berman Brothers, the project was born out of their deep love of Brazilian music. “Our goal was to bring the Brazilian joie de vivre to iconic performances by well-known artists. What would these classic songs sound like had they been recorded in the studios of Rio de Janeiro in the first place, with the best Brazilian musicians and arrangers?” the brothers reflect.

Capturing the life force of Brazil, the beating heart that is its music, they set out to find the musicians who would fit best with their concept. Landing in Rio in 2013 a series of coincidences led to them being introduced to their idols Marcos Valle and Roberto Menescal, who both agreed to come on board. The Berman Brothers also wanted to find some of the musicians who recorded with one of Brazil’s most influential composers Tom Jobim. “Fifty years after Jobim made the music that really defines bossa nova, we found that many of his sidemen were still active, including Paulo Braga of Jobim’s famed rhythm section. It was magic; everything just fell into place.”

There's no question that the original of ‘Lovely Day’ is up there as one of the most feel-good, spirit-lifting anthems of all time. Here the brothers, with the help of a whole host of Brazil’s finest musicians, rework Bill’s soul-fuelled groove into a bossa nova slice of sunshine. With the blessing of Bill and Sony, they were given access to the original multitracks so they could incorporate Bill’s vocals perfectly into the new arrangement.

Joy-injected horns and bouncing double bass blend with the smile-inducing samba flavour of Pretinho da Serrinha’s cavaquinho playing. Tying it all together Torcuato Marinao who worked with the likes of Gal Costa, Gilberto Gil and Caetano Veloso, completes the line-up as arranger of the songs.

The perfect end-of-the-night track, mood lifter or soul warmer, remakes don’t get much better than this.

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Six years on from his La Sape debut, Horatio Luna is back. Recorded across two Melbourne studios between 2022 and 2025, Nick Herrera's in Coburg, Drew Parsons' in South Melbourne, it catalogues experiences in composition and in living. Voicemail messages from these years surface throughout, fragments of a scene mid-pulse. Warmer and more luminous than Horatio's back catalogue, Action Reaction trades the darker textures of Yes Doctor for crystalline synths and funk-driven compositions. Horns feature more prominently than ever before and several pieces revisit earlier material, seen in new light — a thread Horatio intends to keep pulling across his career.

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Warm Waves’ first appeared in 2020, ten years after Turn On The Sunlight’s debut self-titled album was first released in Japan. During that decade, Turn On The Sunlight’s Jesse Peterson and Mia Doi Todd welcomed their first child and co-founded a music venue in Los Angeles. When performance spaces were required to close at the start of the pandemic, Jesse’s focus shifted back towards home recording. Since ‘Warm Waves,’ five more Turn On The Sunlight albums have followed (including ‘Drives To The Beach,’ also on Tokonoma Records), all of which can be seen as an expansion of the musical direction set forth on this album.

The group heard on ‘Warm Waves’ consists of musicians who Mia and Jesse were regularly playing with at the time - Sam Gendel, Mitchell Brown, Andres Renteria & Gabe Noel - joined by Laraaji, Arji & Luis Pérez Ixoneztli, making their first recordings together.

The group’s blended signal was routed through Mitchell’s tape loops and modular synthesizer, which contributed to the unique communal sound of these recordings. Further extending this approach, Carlos Niño then reprocessed and reimagined ‘Passing Rain’ with Jamael Dean for his Elemental Beat Mix.

Originally released one week into the official lockdown period, some listeners found the warm, collective sound well-suited for the time of introspection and shifting priorities that followed. Now, in 2026, ‘Warm Waves’ returns on vinyl to once again encourage peaceful contemplation and open-hearted togetherness, in echo of the spirit of its creation.

Credits
Sam Gendel: Saxophone & Electronics on A1, A2, A3, B1, B2, B3
Laraaji: Voice & Zither on A3
Luis Pérez Ixoneztli: Bird Sounds on A1, Aerophones & Water Drums on B2
Mia Doi Todd: Voice on A1, A2, B2, B3; Piano on A3
Jesse Peterson: Guitar, Bass, Organ & Bird Sounds on A1; Organ on A2; Guitar & Bass on A3; Wooden Whistles, Guitar, Ukulele & Piano on B1; Ice Breaking on B3
Andres Renteria: Percussion on A1, A2, B1, B2, B3; Marimba & Percussion on A3
Mitchell Brown: Synthesizers & Magnetic Tape on A1, A2, A3, B2, B4
Gabe Noel: Bass on A2, A3, B1
Arji: Bells & Shells on A3
Carlos Niño: Production / Remix on B4
Jamael Dean: Additional Keyboards on B4

Produced, mixed & recorded by Jesse Peterson
Except B4, produced by Carlos Niño

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Another standout chapter in the Sacred Medicine catalogue, this latest release sees Ron Trent at the helm once again. This time featuring master percussionist Angel Figueroa (Herbie Hancock “This is the Drum” ) and multi versed guitarist Pablo Color.
The track unfolds through layered rhythms and melodies that feel light yet deeply pulsating, carrying both elegance and intensity. Its rich, evolving arrangement balances a strong percussive drive with a sense of space and musicality, revealing new details with every listen.
On the flipside, a more acoustic “Suite” version offers an alternate perspective, highlighting the composition’s organic textures and depth. A record that speaks to both dancers and attentive listeners alike, and another meaningful addition to the ever-consistent Sacred Medicine catalogue.

Note: The first Limited Fuchsia Cover Edition is now sold out.
Pre-orders are now open for the Classic Blue Cover Edition.

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