LP
backorder
Label:Tokonoma Records
Cat-No:TOKONOMA008B
Release-Date:29.05.2026
Configuration:LP
Barcode:8495391029877
backorder
Last in:-
+ Show full info- Close
backorder
Last in:-
Label:Tokonoma Records
Cat-No:TOKONOMA008B
Release-Date:29.05.2026
Configuration:LP
Barcode:8495391029877
1
Turn On The Sunlight Feat. Sam Gendel - Warm Waves
2
Turn On The Sunlight Feat. Sam Gendel - Passing Rain
3
Turn On The Sunlight Feat. Sam Gendel - Wander The Open Sky (Feat. Laraaji)
4
Turn On The Sunlight Feat. Sam Gendel - Looking For A Waterfall
5
Turn On The Sunlight Feat. Sam Gendel - Closer Still (Opening)
6
Turn On The Sunlight Feat. Sam Gendel - Windy Day, Rainy Day
7
Turn On The Sunlight Feat. Sam Gendel - Passing Rain (Elemntal Beat Mix By Carlos Niño & Friends Feat. Jamael Dean)
Warm Waves’ first appeared in 2020, ten years after Turn On The Sunlight’s debut self-titled album was first released in Japan. During that decade, Turn On The Sunlight’s Jesse Peterson and Mia Doi Todd welcomed their first child and co-founded a music venue in Los Angeles. When performance spaces were required to close at the start of the pandemic, Jesse’s focus shifted back towards home recording. Since ‘Warm Waves,’ five more Turn On The Sunlight albums have followed (including ‘Drives To The Beach,’ also on Tokonoma Records), all of which can be seen as an expansion of the musical direction set forth on this album.
The group heard on ‘Warm Waves’ consists of musicians who Mia and Jesse were regularly playing with at the time - Sam Gendel, Mitchell Brown, Andres Renteria & Gabe Noel - joined by Laraaji, Arji & Luis Pérez Ixoneztli, making their first recordings together.
The group’s blended signal was routed through Mitchell’s tape loops and modular synthesizer, which contributed to the unique communal sound of these recordings. Further extending this approach, Carlos Niño then reprocessed and reimagined ‘Passing Rain’ with Jamael Dean for his Elemental Beat Mix.
Originally released one week into the official lockdown period, some listeners found the warm, collective sound well-suited for the time of introspection and shifting priorities that followed. Now, in 2026, ‘Warm Waves’ returns on vinyl to once again encourage peaceful contemplation and open-hearted togetherness, in echo of the spirit of its creation.
Credits
Sam Gendel: Saxophone & Electronics on A1, A2, A3, B1, B2, B3
Laraaji: Voice & Zither on A3
Luis Pérez Ixoneztli: Bird Sounds on A1, Aerophones & Water Drums on B2
Mia Doi Todd: Voice on A1, A2, B2, B3; Piano on A3
Jesse Peterson: Guitar, Bass, Organ & Bird Sounds on A1; Organ on A2; Guitar & Bass on A3; Wooden Whistles, Guitar, Ukulele & Piano on B1; Ice Breaking on B3
Andres Renteria: Percussion on A1, A2, B1, B2, B3; Marimba & Percussion on A3
Mitchell Brown: Synthesizers & Magnetic Tape on A1, A2, A3, B2, B4
Gabe Noel: Bass on A2, A3, B1
Arji: Bells & Shells on A3
Carlos Niño: Production / Remix on B4
Jamael Dean: Additional Keyboards on B4
Produced, mixed & recorded by Jesse Peterson
Except B4, produced by Carlos Niño
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
The group heard on ‘Warm Waves’ consists of musicians who Mia and Jesse were regularly playing with at the time - Sam Gendel, Mitchell Brown, Andres Renteria & Gabe Noel - joined by Laraaji, Arji & Luis Pérez Ixoneztli, making their first recordings together.
The group’s blended signal was routed through Mitchell’s tape loops and modular synthesizer, which contributed to the unique communal sound of these recordings. Further extending this approach, Carlos Niño then reprocessed and reimagined ‘Passing Rain’ with Jamael Dean for his Elemental Beat Mix.
Originally released one week into the official lockdown period, some listeners found the warm, collective sound well-suited for the time of introspection and shifting priorities that followed. Now, in 2026, ‘Warm Waves’ returns on vinyl to once again encourage peaceful contemplation and open-hearted togetherness, in echo of the spirit of its creation.
Credits
Sam Gendel: Saxophone & Electronics on A1, A2, A3, B1, B2, B3
Laraaji: Voice & Zither on A3
Luis Pérez Ixoneztli: Bird Sounds on A1, Aerophones & Water Drums on B2
Mia Doi Todd: Voice on A1, A2, B2, B3; Piano on A3
Jesse Peterson: Guitar, Bass, Organ & Bird Sounds on A1; Organ on A2; Guitar & Bass on A3; Wooden Whistles, Guitar, Ukulele & Piano on B1; Ice Breaking on B3
Andres Renteria: Percussion on A1, A2, B1, B2, B3; Marimba & Percussion on A3
Mitchell Brown: Synthesizers & Magnetic Tape on A1, A2, A3, B2, B4
Gabe Noel: Bass on A2, A3, B1
Arji: Bells & Shells on A3
Carlos Niño: Production / Remix on B4
Jamael Dean: Additional Keyboards on B4
Produced, mixed & recorded by Jesse Peterson
Except B4, produced by Carlos Niño
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Tokonoma Records
+ Show full info- Close
1
Menhir - Deshaz De Luz
2
Menhir - Mirror Lullaby
3
Menhir - Old New Moon
4
Menhir - La Flor Que Gira
5
Menhir - Event Horizon
6
Menhir - Moon Lake
7
Menhir - Overtones Contemplation
8
Menhir - String Voices
9
Menhir - Never Ending Spinners
A sonic exploration between mystical chants and deep listening electronics; a prehistory of the future.
500 copies - 140 gramms vinyl
The album presents itself as an exercise in observing and exploring lunar cycles and other cosmic objects such as black holes. To achieve this, the artists collaborated with physicists from the Autonomous University of Madrid, interpreting their observations into the album’s compositions. The result is a static dance between analog synthesizers, massive sound processing, and the ethereal voice of Coco Moya. Each track feels like an event that we not only hear but also touch with our skin. This album invites the listener to synchronize with the lunar pulse and immerse themselves in its gravitational rhythm.
Conceptually, the album is nourished by the synergy between science, nature, and technology, transporting us to an introspective universe. As the artists themselves describe: "It is a syncretism between mystical chants and deep listening electronics; a prehistory of the future," says Coco Moya. This work captures the essence of their sound: intimate, abyssal, and resonant.
Regarding the aesthetic of the compositions, Iván Cebrián states: “With this album, we wanted to find the balance between ambient music and Coco Moya’s vocal compositions, and this actually took a lot of work.”
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
500 copies - 140 gramms vinyl
The album presents itself as an exercise in observing and exploring lunar cycles and other cosmic objects such as black holes. To achieve this, the artists collaborated with physicists from the Autonomous University of Madrid, interpreting their observations into the album’s compositions. The result is a static dance between analog synthesizers, massive sound processing, and the ethereal voice of Coco Moya. Each track feels like an event that we not only hear but also touch with our skin. This album invites the listener to synchronize with the lunar pulse and immerse themselves in its gravitational rhythm.
Conceptually, the album is nourished by the synergy between science, nature, and technology, transporting us to an introspective universe. As the artists themselves describe: "It is a syncretism between mystical chants and deep listening electronics; a prehistory of the future," says Coco Moya. This work captures the essence of their sound: intimate, abyssal, and resonant.
Regarding the aesthetic of the compositions, Iván Cebrián states: “With this album, we wanted to find the balance between ambient music and Coco Moya’s vocal compositions, and this actually took a lot of work.”
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Customers who bought this also bought this
Label:Dippin' Records
Cat-No:DR0014
Release-Date:19.06.2026
Genre:Funk
Configuration:7"
Barcode:
backorder
Last in:-
+ Show full info- Close
backorder
Last in:-
Label:Dippin' Records
Cat-No:DR0014
Release-Date:19.06.2026
Genre:Funk
Configuration:7"
Barcode:
1
Saucy Lady - Birds Of A Feather
2
Saucy Lady - Breakstrumental
Flips BILLIE EILISH's pop hit into a saucy take with sensual vocals over analog funk breaks with a touch of DONNY HATHAWAY flavor. All instruments played by YUKI KANESAKA aka MONOLOG for a raw, head-nodding cut built for the heads.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:A State of Flo
Cat-No:ASOF012
Release-Date:05.06.2026
Genre:House
Configuration:12"
Barcode:
backorder
Last in:15.06.2026
+ Show full info- Close
backorder
Last in:15.06.2026
Label:A State of Flo
Cat-No:ASOF012
Release-Date:05.06.2026
Genre:House
Configuration:12"
Barcode:
1
Auntie Flo - Havana City Feat. Andrew Ashong
2
Auntie Flo - Mother Theresa
3
Auntie Flo - Die Bailando Feat. Eric Alejandro (2026 Version)
Repress coming end of July!
THE SOUND OF SUMMER
Brand new tracks made from the Havana Sessions, recorded by Brian d'Souza aka Auntie Flo in downtown Havana around 2015.
'Havana City' is a joyous, summer anthem in the making, featuring Andrew Ashong on vocals and a host of Cuban musicians. Think Nuyorican Soul's classic 'I Am the Black Gold Of The Sun' with a Tony Allen-inspired drum beat, luscious string arrangements, triumphant horns and addictive keys - all given the space they deserve and fully justifying the 11.5 minutes run time.
The 2026 version of 'Die Bailando' re-invents the original minimal electro beat to a latin rhumba-influenced groover. Grammy-nominated singer Eric Alejandro aka Cimafunk's vocals are a huge highlight, now fused with new guitars from Ziggy Funk and drums from Ibibio Sound Machine's Jose Joyette.
Completing the package is a remastered version of 'Mother Theresa' - which has close to 2 million plays on Spotify but was never released on vinyl. Drift away to the sounds of the Malecon...
A State of Flo supports Earth Percent. 10% of the revenue generated from this release will be
paid to environmental charities.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
THE SOUND OF SUMMER
Brand new tracks made from the Havana Sessions, recorded by Brian d'Souza aka Auntie Flo in downtown Havana around 2015.
'Havana City' is a joyous, summer anthem in the making, featuring Andrew Ashong on vocals and a host of Cuban musicians. Think Nuyorican Soul's classic 'I Am the Black Gold Of The Sun' with a Tony Allen-inspired drum beat, luscious string arrangements, triumphant horns and addictive keys - all given the space they deserve and fully justifying the 11.5 minutes run time.
The 2026 version of 'Die Bailando' re-invents the original minimal electro beat to a latin rhumba-influenced groover. Grammy-nominated singer Eric Alejandro aka Cimafunk's vocals are a huge highlight, now fused with new guitars from Ziggy Funk and drums from Ibibio Sound Machine's Jose Joyette.
Completing the package is a remastered version of 'Mother Theresa' - which has close to 2 million plays on Spotify but was never released on vinyl. Drift away to the sounds of the Malecon...
A State of Flo supports Earth Percent. 10% of the revenue generated from this release will be
paid to environmental charities.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
12"
in stock
Label:Banger Recording Group
Cat-No:1.12.1
Release-Date:26.05.2026
Genre:House
Configuration:12"
Barcode:
in stock
Last in:22.06.2026
+ Show full info- Close
in stock
Last in:22.06.2026
Label:Banger Recording Group
Cat-No:1.12.1
Release-Date:26.05.2026
Genre:House
Configuration:12"
Barcode:
1
Ron Trent - Star Strut
2
Timmy Regisford - Puna
3
Vick Lavender - Daylight
Two years ago, Atypical Dopeness founder Sal Carmona decided to launch an offshoot imprint, Banger Records, via a superb compilation of previously unheard gems entitled Make My Body Shake, Make The Speakers Shake. This belated follow-up EP returns to that compilation, delivering extended versions of three of the most sought-after tracks - all by bona fide deep house legends. Ron Trent steps up first to stretch his typically spacey, percussion-rich and bassline-driven gem 'Space Strut' to almost 11 minutes, offering us the chance to genuinely get lost in his infectious grooves and intergalactic effects. New York's own Timmy Regisford lightly extends the jazz-funk-tinged deep Afro-house bounce of 'Funa', while Chicagoan Vick Lavender delivers a longer take on his warm, string-drenched electronic/organic delight 'Daylight'.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Names You Can Trust
Cat-No:NYCT7096
Release-Date:29.05.2026
Genre:World Music
Configuration:7"
Barcode:5050580873162
backorder
Last in:17.06.2026
+ Show full info- Close
backorder
Last in:17.06.2026
Label:Names You Can Trust
Cat-No:NYCT7096
Release-Date:29.05.2026
Genre:World Music
Configuration:7"
Barcode:5050580873162
1
YEISON LANDERO - Santa Lucia
2
YEISON LANDERO - Cumbia Sin Fronteras
Cumbia Sabanera is one of many foundational music traditions that have been born in the tucked away Montes de Maria region of Colombia’s Caribbean enclave. At the front of this particular sabanera style sits el acordeón, a magical squeezebox of seductive melodies that, combined with the quintessential elements of the cumbia rhythm section, has begat a worldwide phenomenon several times over. Each generation seems to bring forth another cumbia craze that echoes from the savanna out into the Caribbean Sea, oscillating beyond into the international landscape. One of the true maestros, at the very heart of this original movement, is the bonafide and widely recognized El Rey de la Cumbia, Andrés Landero. Put simply, Andrés Landero is a legendary practitioner of the esteemed instrument, with a school of followers and admirers who played and studied with him from the 1950s until his passing in 2000. His performances, discography and compositions are beyond reproach, and accordionists the world over have taken up this same enchanting Hohner instrument to carry on Landero’s craft through his well-formed cumbia sub-culture. As the wider cumbia movement has shapeshifted throughout its time in different countries, across decades with the aid of modern innovations, there remains a devoted tradition to the roots of the accordion-based sound and cumbia sabanera in its most sincere and organic form. Even at the height of international popularity, with talent emerging from all corners of the world’s musical meridians, there is no heir more appropriate to carry on the legacy of Andrés Landero than his very own grandson. These two selections encapsulate the movement of the current cumbia nexus, from an ode to the Colombian countryside traditions in “Santa Lucia” to the international ascent of cumbia’s modern path in “Cumbia Sin Fronteras” (Cumbia Without Borders). Sonically, these two tracks reach for a harmonious balance between raw, traditional, and truly unique, and their finished form on the preferred 7-inch format means they’re destined to reach the hands of selectors and sonideros worldwide, just as the elder Landero’s records did across decades and generations. El heredero de la cumbia (the heir to cumbia) is in a good place, Landero vive!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Groovin Recordings
Cat-No:GR-12134
Release-Date:26.06.2026
Genre:House
Configuration:12"
Barcode:
pre-sale
Last in:-
+ Show full info- Close
pre-sale
Last in:-
Label:Groovin Recordings
Cat-No:GR-12134
Release-Date:26.06.2026
Genre:House
Configuration:12"
Barcode:
1
Solu Music Feat. KimBlee - Fade (Extended Mix 2026 Remaster)
2
Solu Music Feat. KimBlee - Fade (Grant Nelson Big Room Extended Remix)
3
Solu Music Feat. KimBlee - Fade (Grant Nelson Big Room Remix Radio)
25 years edition official repress
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Kampana Records
Cat-No:KMPN008
Release-Date:26.06.2026
Configuration:7" Excl
Barcode:
pre-sale
Last in:07.04.2021
+ Show full info- Close
pre-sale
Last in:07.04.2021
Label:Kampana Records
Cat-No:KMPN008
Release-Date:26.06.2026
Configuration:7" Excl
Barcode:
1
Vanilla - Turn Me Loose
2
Vanilla - Into My Eyes
2026 lim. Repres!
Kampana's essential 7" series continues with another unmissable EP, featuring mysterious jazz and soul groove-magician Vanilla. The UK producer brings his beat-making skills to the disco format with stunning results.
'Turn Me Loose' blends an early 80s jazz funk groove, vocal chops and modern synths, creating an infectious mid-tempo disco number.
'Into My Eyes' features a percussive slap bass, with catchy vocals and classic filters for another timeless, uplifting anthem.
A: Turn Me Loose
B: Into My Eyes
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Kampana's essential 7" series continues with another unmissable EP, featuring mysterious jazz and soul groove-magician Vanilla. The UK producer brings his beat-making skills to the disco format with stunning results.
'Turn Me Loose' blends an early 80s jazz funk groove, vocal chops and modern synths, creating an infectious mid-tempo disco number.
'Into My Eyes' features a percussive slap bass, with catchy vocals and classic filters for another timeless, uplifting anthem.
A: Turn Me Loose
B: Into My Eyes
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Shall Not Fade
Cat-No:SNFLP020V
Release-Date:26.06.2026
Genre:House
Configuration:2LP
Barcode:
pre-sale
Last in:-
+ Show full info- Close
pre-sale
Last in:-
Label:Shall Not Fade
Cat-No:SNFLP020V
Release-Date:26.06.2026
Genre:House
Configuration:2LP
Barcode:
1
Felipe Gordon - Tezeta
2
Felipe Gordon - That's The Sound
3
Felipe Gordon - Everyday, Another Day
4
Felipe Gordon - Runaway
5
Felipe Gordon - There Goes Again, My Heart
6
Felipe Gordon - Nunca Más
7
Felipe Gordon - Funky Funghi
8
Felipe Gordon - You Crazy
9
Felipe Gordon - Everytime
10
Felipe Gordon - Lamento
11
Felipe Gordon - As Simple As That
12
Felipe Gordon - ¿Qué Será?
13
Felipe Gordon - No Distance Left To Run
14
Felipe Gordon - Eyes Closed
15
Felipe Gordon - As I Evolve
Felipe Gordon is back on Shall Not Fade with his new album Tezeta and f*ck is it special.
Felipe Gordon is SNF label mainstay... (we released his triple repressed debut album "A Landscape Onomatopeya" in 2022 as well as 7 x 12" EPs on SNF over the years plus an extra 12" on Lost Palms)... so given his consistent and exceptional output on our record label you'd probably forgive some complacency with this write up, you might even afford us license to assume we're preaching to the choir and allow us to rest easy knowing that at this stage Felipe Gordon's records sell themselves.... Well none of those things are happening here because when an artist makes a record this complete, this good, you have to try to find the words. You use words like "timeless", "complete and "special". Words that can carry the weight. Because when you've listened to an album dozens of times, and not once, in any part, on any listen in any way has it fatigued you, you need to say. When a record felt so wonderfully familiar from the first listen and just kept on giving you the same feels ever since, you need to say. When a record makes you think about you how you feel about certain Air & St Germain albums (even when you know what it means to put that in a press release), you need to say. So here we are, saying these things.. Tezeta is a special record, one that exists in the rarefied air. A proper album. A record that every time you press play you will immediately remember why you own it and why you love it. A record that your subconscious will know so well that if shuffle is on you will know in an instant. An album that when it's in your collection and the first track starts you get a twinge of annoyance because you didn't listen again sooner and when the final track stops you stop too.
Given paint and a canvas we can most of us paint a picture, but only those that are gifted can paint something that makes us feel. Tezeta makes you feel. Feel familiarity when it's playing, yearning when its not, and absence when it ends. This alone would be enough to make the argument as to why this album is special and justify the gushing opening paragraph of this press release. But we're not done yet.
We don't really have a word in english for what Felipe Gordon has created with this album and how it makes you feel. "Tezeta" that word.
Tezeta is a one of four musical modes within the traditional Ethiopian modal music system known as Qiñit. Mulatu Astatke, the father of Ethio-jazz, frequently uses this mode, often translating it as "nostalgia" or "longing". Gordon says Mulatu's own tezeta recordings convey to him "feelings of melancholy and longing from a point of affection". This is exactly the feeling Gordon has captured. It is what he has woven through every recording on this album. Tezeta is the prime ingredient. It's the base note in recipe, it's sprinkled over the signature jazz-sampled house tracks. It powers the vast array of synthesizers Gordon deploys. It underpins the explorations into trip-hop. It's present in Gordon's varied vocal deliveries and it tunes his guitar. It's in the running order. It's the flow. Tezeta is tezeta in electronic music form, with 4/4, breakbeats, samples and synths.
Gordon says a big part of what differentiates this album from from his previous albums is that is was recorded in a period where he allowed himself to create music without the constraints of time or self-pressure which coincided with a moment of heavy personal growth which allowed him to reflect deeply on his work.
There is a word in Portuguese "Saudade" that Gordon says has a similar meaning to Tezeta - Saudade is defined as a deep, sometimes bittersweet, longing or nostalgia for someone or something that is absent or lost. But here at SNF we think that in Tezeta nothing has been lost. Quite the opposite. Through Felipe Gordon's artistic explorations we have all gained something very special indeed.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Felipe Gordon is SNF label mainstay... (we released his triple repressed debut album "A Landscape Onomatopeya" in 2022 as well as 7 x 12" EPs on SNF over the years plus an extra 12" on Lost Palms)... so given his consistent and exceptional output on our record label you'd probably forgive some complacency with this write up, you might even afford us license to assume we're preaching to the choir and allow us to rest easy knowing that at this stage Felipe Gordon's records sell themselves.... Well none of those things are happening here because when an artist makes a record this complete, this good, you have to try to find the words. You use words like "timeless", "complete and "special". Words that can carry the weight. Because when you've listened to an album dozens of times, and not once, in any part, on any listen in any way has it fatigued you, you need to say. When a record felt so wonderfully familiar from the first listen and just kept on giving you the same feels ever since, you need to say. When a record makes you think about you how you feel about certain Air & St Germain albums (even when you know what it means to put that in a press release), you need to say. So here we are, saying these things.. Tezeta is a special record, one that exists in the rarefied air. A proper album. A record that every time you press play you will immediately remember why you own it and why you love it. A record that your subconscious will know so well that if shuffle is on you will know in an instant. An album that when it's in your collection and the first track starts you get a twinge of annoyance because you didn't listen again sooner and when the final track stops you stop too.
Given paint and a canvas we can most of us paint a picture, but only those that are gifted can paint something that makes us feel. Tezeta makes you feel. Feel familiarity when it's playing, yearning when its not, and absence when it ends. This alone would be enough to make the argument as to why this album is special and justify the gushing opening paragraph of this press release. But we're not done yet.
We don't really have a word in english for what Felipe Gordon has created with this album and how it makes you feel. "Tezeta" that word.
Tezeta is a one of four musical modes within the traditional Ethiopian modal music system known as Qiñit. Mulatu Astatke, the father of Ethio-jazz, frequently uses this mode, often translating it as "nostalgia" or "longing". Gordon says Mulatu's own tezeta recordings convey to him "feelings of melancholy and longing from a point of affection". This is exactly the feeling Gordon has captured. It is what he has woven through every recording on this album. Tezeta is the prime ingredient. It's the base note in recipe, it's sprinkled over the signature jazz-sampled house tracks. It powers the vast array of synthesizers Gordon deploys. It underpins the explorations into trip-hop. It's present in Gordon's varied vocal deliveries and it tunes his guitar. It's in the running order. It's the flow. Tezeta is tezeta in electronic music form, with 4/4, breakbeats, samples and synths.
Gordon says a big part of what differentiates this album from from his previous albums is that is was recorded in a period where he allowed himself to create music without the constraints of time or self-pressure which coincided with a moment of heavy personal growth which allowed him to reflect deeply on his work.
There is a word in Portuguese "Saudade" that Gordon says has a similar meaning to Tezeta - Saudade is defined as a deep, sometimes bittersweet, longing or nostalgia for someone or something that is absent or lost. But here at SNF we think that in Tezeta nothing has been lost. Quite the opposite. Through Felipe Gordon's artistic explorations we have all gained something very special indeed.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
12"
backorder
+ Show full info- Close
backorder
Last in:-
Label:Defected
Cat-No:DFTD759
Release-Date:05.06.2026
Genre:Deephouse
Configuration:12"
Barcode:826194704070
1
Dames Brown & Amp Fiddler - Take Me As I Am (Moodymann Extended Remix)
2
Dames Brown & Amp Fiddler - Take Me As I Am
3
Dames Brown & Amp Fiddler - Take Me As I Am (Accapella)
Revered selector Moodymann remixes ‘Take Me As I Am’ by Detroit artists Dames Brown, from their 2026 Defected LP of the same name. First distributed as a super-exclusive dubplate at Amsterdam Dance Event in late 2025, this avant-garde remix showcases a master at work, transforming the soulful feel. ‘Take Me As I Am’ into a provocative, groove-laden sonic experience for heads in the know. Kicking off 2026 with a bang, Dames Brown’s hotly anticipated full-length LP ‘Take Me As I Am’, presented by Amp Fiddler, paid homage to the late Detroitpioneer while re-introducing the vocal-house trio to the world. Across 14 tracks, the Dames weaved together their disco, R&B and house influences and c laborated with Eddie Fowlkes, Andrés, Waajeed and Amp Fiddler himself. The critically acclaimed LP was recognised by DJ Mag, Mixmag and Billboard, with the latter noting the project is “dripping with all the soul, style, funk and feeling that you might expect from the powerhouse Detroit trio.” Title track ‘Take Me As I Am’ represented the album’s elevated house sound in full, and now this fresh re-arrangement by fellow Detroiter Moodymann has arrived.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
+ Show full info- Close
backorder
Last in:29.01.2026
Label:Mr Bongo
Cat-No:MRB7222
Release-Date:12.07.2024
Genre:Soul/Funk
Configuration:7"
Barcode:
1
Bill Withers & Studio Rio - Lovely Day (Studio Rio Version)
2
Bill Withers & Studio Rio - Lovely Day (Studio Rio Instrumental Version)
Repress soon!
As mood changers go, this track is up there with the best. Last year whilst DJing with miche at Shapes festival in the snow-capped mountains of Switzerland, a breathtaking yet ominous Alpine sky suddenly became a picture postcard moment. The clouds parted and a double rainbow formed, as miche dropped Studio Rio's bossa nova remake of Bill Withers’ all-time classic 'Lovely Day'. From there, the dancefloor shifted gears and morphed into full-swing feel-good vibes, in a beautiful, spontaneous moment nobody could have planned for.
Mr Bongo now proudly presents a reissue of this brilliant, bossa-channelling Bill Withers reinterpretation from Studio Rio’s 2014 release ‘The Brazil Connection’. Masterminded by the German, Grammy award-winning Berman Brothers, the project was born out of their deep love of Brazilian music. “Our goal was to bring the Brazilian joie de vivre to iconic performances by well-known artists. What would these classic songs sound like had they been recorded in the studios of Rio de Janeiro in the first place, with the best Brazilian musicians and arrangers?” the brothers reflect.
Capturing the life force of Brazil, the beating heart that is its music, they set out to find the musicians who would fit best with their concept. Landing in Rio in 2013 a series of coincidences led to them being introduced to their idols Marcos Valle and Roberto Menescal, who both agreed to come on board. The Berman Brothers also wanted to find some of the musicians who recorded with one of Brazil’s most influential composers Tom Jobim. “Fifty years after Jobim made the music that really defines bossa nova, we found that many of his sidemen were still active, including Paulo Braga of Jobim’s famed rhythm section. It was magic; everything just fell into place.”
There's no question that the original of ‘Lovely Day’ is up there as one of the most feel-good, spirit-lifting anthems of all time. Here the brothers, with the help of a whole host of Brazil’s finest musicians, rework Bill’s soul-fuelled groove into a bossa nova slice of sunshine. With the blessing of Bill and Sony, they were given access to the original multitracks so they could incorporate Bill’s vocals perfectly into the new arrangement.
Joy-injected horns and bouncing double bass blend with the smile-inducing samba flavour of Pretinho da Serrinha’s cavaquinho playing. Tying it all together Torcuato Marinao who worked with the likes of Gal Costa, Gilberto Gil and Caetano Veloso, completes the line-up as arranger of the songs.
The perfect end-of-the-night track, mood lifter or soul warmer, remakes don’t get much better than this.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
As mood changers go, this track is up there with the best. Last year whilst DJing with miche at Shapes festival in the snow-capped mountains of Switzerland, a breathtaking yet ominous Alpine sky suddenly became a picture postcard moment. The clouds parted and a double rainbow formed, as miche dropped Studio Rio's bossa nova remake of Bill Withers’ all-time classic 'Lovely Day'. From there, the dancefloor shifted gears and morphed into full-swing feel-good vibes, in a beautiful, spontaneous moment nobody could have planned for.
Mr Bongo now proudly presents a reissue of this brilliant, bossa-channelling Bill Withers reinterpretation from Studio Rio’s 2014 release ‘The Brazil Connection’. Masterminded by the German, Grammy award-winning Berman Brothers, the project was born out of their deep love of Brazilian music. “Our goal was to bring the Brazilian joie de vivre to iconic performances by well-known artists. What would these classic songs sound like had they been recorded in the studios of Rio de Janeiro in the first place, with the best Brazilian musicians and arrangers?” the brothers reflect.
Capturing the life force of Brazil, the beating heart that is its music, they set out to find the musicians who would fit best with their concept. Landing in Rio in 2013 a series of coincidences led to them being introduced to their idols Marcos Valle and Roberto Menescal, who both agreed to come on board. The Berman Brothers also wanted to find some of the musicians who recorded with one of Brazil’s most influential composers Tom Jobim. “Fifty years after Jobim made the music that really defines bossa nova, we found that many of his sidemen were still active, including Paulo Braga of Jobim’s famed rhythm section. It was magic; everything just fell into place.”
There's no question that the original of ‘Lovely Day’ is up there as one of the most feel-good, spirit-lifting anthems of all time. Here the brothers, with the help of a whole host of Brazil’s finest musicians, rework Bill’s soul-fuelled groove into a bossa nova slice of sunshine. With the blessing of Bill and Sony, they were given access to the original multitracks so they could incorporate Bill’s vocals perfectly into the new arrangement.
Joy-injected horns and bouncing double bass blend with the smile-inducing samba flavour of Pretinho da Serrinha’s cavaquinho playing. Tying it all together Torcuato Marinao who worked with the likes of Gal Costa, Gilberto Gil and Caetano Veloso, completes the line-up as arranger of the songs.
The perfect end-of-the-night track, mood lifter or soul warmer, remakes don’t get much better than this.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
+ Show full info- Close
pre-sale
Last in:-
Label:Wax Digit
Cat-No:WAXDIGIT007
Release-Date:10.08.2026
Genre:House
Configuration:12"
Barcode:
1
Fingerman - Bang!
2
Fingerman - Bestest Beat
3
Fingerman - We Love It
Hot Digits main guy Fingerman - a veritable of the UK nu-disco and disco re-edit scenes - is the man at the controls on the latest missive from the imprint's vinyl-focused Wax Digits offshoot. He's in prime form from the off, offering a deliciously chunky, effects-laden, dub disco style rework of a New York no-wave era 'downtown' disco classic. He doffs a cap to pal Chewy Rubs and their joint love of heavy, looped bass guitar lines on the stretched-out funk-goes-deep disco wonder that is 'Bestest Beat', before cunningly rearranging a more string-laden slab of disco-funk grandiosity on closing cut 'We Love It'. We certainly do, and there's a fair chance you will too.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Faut Section
Cat-No:FAUT071
Release-Date:19.06.2026
Genre:Techno
Configuration:12"
Barcode:
backorder
Last in:-
+ Show full info- Close
backorder
Last in:-
Label:Faut Section
Cat-No:FAUT071
Release-Date:19.06.2026
Genre:Techno
Configuration:12"
Barcode:
1
Lewis Fautzi - Alignment of Stars
2
Lewis Fautzi - Paranoid Signals
3
Lewis Fautzi - Against the System
4
Lewis Fautzi - No Return Zone
5
Lewis Fautzi - Last Warning
Tracklisting
A1 Lewis Fautzi - Alignment of Stars
A2 Lewis Fautzi - Paranoid Signals
A3 Lewis Fautzi - Against the System
B1 Lewis Fautzi - No Return Zone
B2 Lewis Fautzi - Last Warning
Sales Note
Straight from the depths of techno, Lewis Fautzi delivers an intense EP where each track pulls you deeper into a raw, immersive soundscape.
Featuring five tracks that explore deep textures, driving rhythms, and dark atmospheres, "Ghosts Don't Text Me" reinforces his unmistakable signature style.
5 tracks. 1 identity. Pure energy from start to finish.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 Lewis Fautzi - Alignment of Stars
A2 Lewis Fautzi - Paranoid Signals
A3 Lewis Fautzi - Against the System
B1 Lewis Fautzi - No Return Zone
B2 Lewis Fautzi - Last Warning
Sales Note
Straight from the depths of techno, Lewis Fautzi delivers an intense EP where each track pulls you deeper into a raw, immersive soundscape.
Featuring five tracks that explore deep textures, driving rhythms, and dark atmospheres, "Ghosts Don't Text Me" reinforces his unmistakable signature style.
5 tracks. 1 identity. Pure energy from start to finish.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:La Sape Records
Cat-No:SAPE035LP
Release-Date:29.05.2026
Configuration:LP
Barcode:5050580869868
backorder
Last in:12.06.2026
+ Show full info- Close
backorder
Last in:12.06.2026
Label:La Sape Records
Cat-No:SAPE035LP
Release-Date:29.05.2026
Configuration:LP
Barcode:5050580869868
1
Horatio Luna - CALL ME BACK (INTERLUDE)
2
Horatio Luna - SPICY
3
Horatio Luna - MALAKIES
4
Horatio Luna - DOUBLE SLAY
5
Horatio Luna - THE WIN
6
Horatio Luna - MOONSHINE (INTERLUDE)
7
Horatio Luna - SWEET PAPRIKA (TAKE 2)
8
Horatio Luna - MYSTIC BOUNCE
9
Horatio Luna - ON-LY SWINGS (INTERLUDE)
10
Horatio Luna - PORTO BANGA
11
Horatio Luna - RECTIFY (TRIBUTE TO MOODYMANN)
12
Horatio Luna - HIP CONNECTIONS (TAKE 2)
13
Horatio Luna - HABIBI (TAKE 2)
14
Horatio Luna - SLEEPY BYES (INTERLUDE)
Six years on from his La Sape debut, Horatio Luna is back. Recorded across two Melbourne studios between 2022 and 2025, Nick Herrera's in Coburg, Drew Parsons' in South Melbourne, it catalogues experiences in composition and in living. Voicemail messages from these years surface throughout, fragments of a scene mid-pulse. Warmer and more luminous than Horatio's back catalogue, Action Reaction trades the darker textures of Yes Doctor for crystalline synths and funk-driven compositions. Horns feature more prominently than ever before and several pieces revisit earlier material, seen in new light — a thread Horatio intends to keep pulling across his career.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
