Label:Limousine Dream
Cat-No:LTRAX-05
Release-Date:29.05.2026
Genre:techhouse
Configuration:12"
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1
Kevin Toro & TO11 - The Sky
2
Fragoso - Watersound
3
Danny David - Come Around Hey
4
j:me - Sunday Service
Limo Trax returns with what it does best - four big tunes from producers on the rise. Kevin Toro and Fragoso give us a sneak preview of what's to come in their forthcoming Limo EPs with two floor-filling nuggets on the A-side, and on the B-side, Limo Byte and Nug-Net alums Danny David & j.me take the next step with their Limo vinyl debuts. These are four ultra-playable cuts for serious DJs playing in any scenario.
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More records from Limousine Dream
Label:Limousine Dream
Cat-No:LD012
Release-Date:17.07.2026
Genre:techhouse
Configuration:12"
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Label:Limousine Dream
Cat-No:LD012
Release-Date:17.07.2026
Genre:techhouse
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1
DJ Vibe & Fragoso - The Train
2
DJ Vibe & Fragoso - Moody
3
DJ Vibe & Fragoso - Harmony Of Twilight
4
DJ Vibe & Fragoso - Work (Dub)
After his successful debut on Limo Trax Yellow, Fragoso is joined by none other than DJ Vibe for a four track collaborative EP. With a career spanning from 1992 to the present day, DJ Vibe has been arguably Portugal’s biggest contributor to the house canon, notable for releases as Underground Sound of Lisbon, hundreds of remixes on labels like Tribal and Twisted, as well as for the prolific catalog of his Kaos Records. ‘The Train’ features 4 tracks tailored for big rooms in the tribal, driving style Vibe made his name with - highly functional and not to be missed.
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Label:Limousine Dream
Cat-No:TSOL002
Release-Date:24.04.2026
Genre:House
Configuration:12"
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Label:Limousine Dream
Cat-No:TSOL002
Release-Date:24.04.2026
Genre:House
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1
Sweely - Re-center Yourself
2
Sweely - ChatBoulette
3
Sweely - Danc'n In The Garage
4
Sweely - Don't Push It Too Far
Please send us your orders by March 16th.
No pre-order = No copies.
We’ll press based on this demand and can’t promise to have more copies available later on. Estimated delivery April.
The undisputed star of 2021, Sweely has provided 4 staples from his inimitable live set, now in DJ-ready form.
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No pre-order = No copies.
We’ll press based on this demand and can’t promise to have more copies available later on. Estimated delivery April.
The undisputed star of 2021, Sweely has provided 4 staples from his inimitable live set, now in DJ-ready form.
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Label:Limousine Dream
Cat-No:LD011
Release-Date:24.04.2026
Genre:techhouse
Configuration:12"
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Cat-No:LD011
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1
eira haul - Gado2
2
eira haul - Infinite Rays
3
eira haul - Resin
4
eira haul - Deep Field
Berlin's eira haul debuts in full on Limousine Dream with a 5 track EP that stands out as one of the deepst in the Limousine Dream catalogue. Lead track Gado2 may seem innocuous at first, but it's propulsive bassline and ever shifting melodies reveal a sleeper bomb that is as timeless as any track we've released. It's complemented by 4 ultra-pliable tools, all driving with a force that belies their depth. It's a true house DJ's disc.
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Label:Limousine Dream
Cat-No:LD010
Release-Date:20.03.2026
Genre:techhouse
Configuration:3x12"
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Cat-No:LD010
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1
Mungo Sound Machine - Spiral Run
2
DJ Split - Make Me Make
3
Eira Haul - Radio Talk
4
dombee - Now Then Soundboi
5
Big Red Button & Bawab - Call This # Now
6
The Apricots - The Cat Of Tomorrow
7
Joolmad & Screech - PDM
8
Darren Roach - We Are Talking About Humanism
9
Sweely - Nunchuk
10
Brett Johnson - Fantasy Machine
11
James Andrew - Proper Bopper
12
Tarde Loco - Garfunk
A joke that doesn’t make you laugh is just a sentence. Music that doesn’t make you dance and feel is just noise aimed in your direction. To make a circuit where energy flows freely, you must have feedback. Without feedback, connection is absent. As Limousine Dream enters the Age of Aquarius, we open up. Instead of trying to grow, we let it grow. Instead of building a pyramid, we see a constellation where we are all stars, and every star can equally stand out and fit in. We invite you to join us, just like we want to join you. This is where we begin our Life Spiral.
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Label:Limousine Dream
Cat-No:LTRAX-04
Release-Date:28.11.2025
Genre:techhouse
Configuration:12"
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Label:Limousine Dream
Cat-No:LTRAX-04
Release-Date:28.11.2025
Genre:techhouse
Configuration:12"
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1
dombee - Carb Trance
2
dombee - Won't Stop
3
dombee - Huffle
4
dombee - Pack Down The System
Limo Trax goes solo as the youth movement moves forward. Young dombee follows up his standout nugget from Limo Trax Green with his first solo EP. Four cuts radiating with energy and an astonishingly refined palette. Bring it on.
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Label:Limousine Dream
Cat-No:TSOL018
Release-Date:11.07.2025
Genre:techhouse
Configuration:12"
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Label:Limousine Dream
Cat-No:TSOL018
Release-Date:11.07.2025
Genre:techhouse
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1
Tarde Loco - Viva L'Amore Feat. Noemi Caneva
2
Tarde Loco - Turbo
3
Tarde Loco - Ai Ai
4
Tarde Loco - Tu Chintura
Introducing Tarde Loco, a truly exciting new artist who's got that preternatural touch - something that some people never get to, but you know it when you hear it.
Starting with some wacked out form of Speed Garage, but e?ortlessly moving through shades of Nu Jazz, House and more, it's a genre-defying stunner of a record from an artist who's surely got a bright future if this is anything to go by.
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Starting with some wacked out form of Speed Garage, but e?ortlessly moving through shades of Nu Jazz, House and more, it's a genre-defying stunner of a record from an artist who's surely got a bright future if this is anything to go by.
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Label:Limousine Dream
Cat-No:TSOL016
Release-Date:04.04.2025
Genre:techhouse
Configuration:12"
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Label:Limousine Dream
Cat-No:TSOL016
Release-Date:04.04.2025
Genre:techhouse
Configuration:12"
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1
Boulderhead - Dancing Rain
2
Boulderhead - Aura Shufflin
3
Boulderhead - On The Phone
4
Boulderhead - Throughout
Boulderhead is back on TSOL with another instant classic. If 'Bread Butter Noodles Spice' didn't cement him as one of the most singular voices in house music, then 'Dancing Rain' surely will. It features another iconic vocal paired with far-out sounds and an arrangement that will always keep you guessing. The four other tracks are all equally well tuned, displaying his modular wizardry, and a unique dancefloor sensibility. It's an unmissable EP.
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Label:Limousine Dream
Cat-No:TSOL013-LP
Release-Date:02.08.2024
Genre:techhouse
Configuration:2LP
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Cat-No:TSOL013-LP
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Genre:techhouse
Configuration:2LP
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1
Darren Roach - The Truth
2
Darren Roach - Pier 23
3
Darren Roach - Disclaimer (Vronski & Roach)
4
Darren Roach - Low Ranger Don't Stop
5
Darren Roach - What You've Made (Ode To Nat Mix)
6
Darren Roach - BB
7
Darren Roach - Helm's Deep
8
Darren Roach - Augusto
Darren Roach’s debut album lands on Limo! With its sights set squarely on the dancefloor, ‘Low Ranger’ may seem to have come out of nowhere, but to those who have been paying attention, his music has never stopped making an impact. Roach boasts a catalog of releases that begins in the ‘90s, and a few of these long-lost pearls resurface here, freshly mastered and ready to go. The bulk of the album, however, consists of freshly crafted nuggets that will surely stand the test of time just the same. The album is a testament that truly good music doesn’t degrade over time, and the decades of quality behind ‘Low Ranger’ reveal a master of his craft.
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Label:SUNANDBASS
Cat-No:SAB025
Release-Date:24.04.2026
Genre:Drum + Bass
Configuration:12"
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Label:SUNANDBASS
Cat-No:SAB025
Release-Date:24.04.2026
Genre:Drum + Bass
Configuration:12"
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1
Napes - Hit The Corner
2
Napes - Clamber
Tracklisting
A1 Napes - Hit The Corner
B1 Napes - Clamber
Sales Note
SUNANDBASS Recordings proudly presents its next release, welcoming rising artist Napes with a brand new single: Hit The Corner / Clamber. This release marks the exciting introduction of a new artist joining the SUNANDBASS Recordings roster, signalling a bright future for both the label and its evolving sound. With previous releases on Shall Not Fade and Alix Perez’s 1985 Music, Napes is a promising name within the modern jungle scene. This release is a clear statement of his pushing boundaries combining grime influences and old school jungle, giving us his fresh sounds and melody-led drum and bass music, reaching new horizons while staying rooted in foundations. On the A-side, Hit The Corner showcases acid-tinged synths that meet a UK grime edge, driven by energetic beats and rolling breaks. In 6:20, Napes lets us travel through all the facets of a SUNANDBASS Recordings journey, with his ever-changing arrangement that evolves from heavy, club-focused energy into a euphoric jungle-inspired middle section, before concluding with driving arpeggiated synths. On the B-side, Clamber offers a deep, darker contrast. Between the atmospheric strings set intro which is dropping into a heavy, bass-driven groove, easily imagined shaking the dancefloor during an Ambra Night indoor session. The track reveals a more introspective side of Napes, blending refined sound selection with classic, weighty basslines built for the dancefloor. We’re honoured to welcome Napes to the SUNANDBASS Recordings family, an artist whose sound reflects our love for all corners of the genre while paying homage to the music that brings us together in Sardinia year after year. SUNANDBASS Recordings continues to push the boundaries of drum & bass, fostering connection through music that transcends borders, unites listeners, and celebrates rhythm, movement, and culture.
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A1 Napes - Hit The Corner
B1 Napes - Clamber
Sales Note
SUNANDBASS Recordings proudly presents its next release, welcoming rising artist Napes with a brand new single: Hit The Corner / Clamber. This release marks the exciting introduction of a new artist joining the SUNANDBASS Recordings roster, signalling a bright future for both the label and its evolving sound. With previous releases on Shall Not Fade and Alix Perez’s 1985 Music, Napes is a promising name within the modern jungle scene. This release is a clear statement of his pushing boundaries combining grime influences and old school jungle, giving us his fresh sounds and melody-led drum and bass music, reaching new horizons while staying rooted in foundations. On the A-side, Hit The Corner showcases acid-tinged synths that meet a UK grime edge, driven by energetic beats and rolling breaks. In 6:20, Napes lets us travel through all the facets of a SUNANDBASS Recordings journey, with his ever-changing arrangement that evolves from heavy, club-focused energy into a euphoric jungle-inspired middle section, before concluding with driving arpeggiated synths. On the B-side, Clamber offers a deep, darker contrast. Between the atmospheric strings set intro which is dropping into a heavy, bass-driven groove, easily imagined shaking the dancefloor during an Ambra Night indoor session. The track reveals a more introspective side of Napes, blending refined sound selection with classic, weighty basslines built for the dancefloor. We’re honoured to welcome Napes to the SUNANDBASS Recordings family, an artist whose sound reflects our love for all corners of the genre while paying homage to the music that brings us together in Sardinia year after year. SUNANDBASS Recordings continues to push the boundaries of drum & bass, fostering connection through music that transcends borders, unites listeners, and celebrates rhythm, movement, and culture.
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1
Iori Wakasa X Keita Sano - Filtered Jewels
2
Iori Wakasa X Keita Sano - Heaven's Door
3
Iori Wakasa X Keita Sano - Shocking Yellow
4
Iori Wakasa X Keita Sano - Time To Change
This EP marks the first release from a collaborative project between Tokyo based DJ/producer Iori Wakasa and Okayama's Keita Sano, born from a quiet resonance between their musical sensibilities.
In Japan, the academic year begins in April. Though born in 1988 and 1989, the two artists belong to the same school-year cohort under this system, yet within Japan's gengo era structure they stand at the symbolic end of one era and the beginning of another. The title 'A Shift of Eras' points to the moment when one era gives way to the next, suggesting not only the passage of time, but the subtle renewal of culture, perception, and values.
'Filtered Jewels' draws from the image of light shimmering like gemstones, or a space scattered with countless jewels, perceived through an imagined filter that gently alters the way the scene reveals itself.
'Heaven's Door' envisions the ascent of a transparent staircase floating above a sea of clouds, leading toward a quietly resting emerald-green door.
'Shocking Yellow', originally created in response to a specific request, incorporates carefully placed vocal samples while grounding the track in warm, rounded low frequencies and organic textures, shaped with DJ use in mind.
And finally, 'Time To Change' was reconstructed repeatedly with the hope of offering both solace and a quiet sense of encouragement, ultimately becoming a piece that reflects the underlying theme of the EP.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
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Germany
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In Japan, the academic year begins in April. Though born in 1988 and 1989, the two artists belong to the same school-year cohort under this system, yet within Japan's gengo era structure they stand at the symbolic end of one era and the beginning of another. The title 'A Shift of Eras' points to the moment when one era gives way to the next, suggesting not only the passage of time, but the subtle renewal of culture, perception, and values.
'Filtered Jewels' draws from the image of light shimmering like gemstones, or a space scattered with countless jewels, perceived through an imagined filter that gently alters the way the scene reveals itself.
'Heaven's Door' envisions the ascent of a transparent staircase floating above a sea of clouds, leading toward a quietly resting emerald-green door.
'Shocking Yellow', originally created in response to a specific request, incorporates carefully placed vocal samples while grounding the track in warm, rounded low frequencies and organic textures, shaped with DJ use in mind.
And finally, 'Time To Change' was reconstructed repeatedly with the hope of offering both solace and a quiet sense of encouragement, ultimately becoming a piece that reflects the underlying theme of the EP.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Aggrobeat Records
Cat-No:AB063
Release-Date:01.05.2026
Genre:Dub/Reggae
Configuration:7"
Barcode:8721018018697
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Cat-No:AB063
Release-Date:01.05.2026
Genre:Dub/Reggae
Configuration:7"
Barcode:8721018018697
1
Rudy Mills - Tears On My Pillow
2
Rudy Mills - I Am Trapped
Official reissue. Originally issued as 7" single in the UK in 1969 as Crab20. Comes with insert with liner notes.
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LP Excl
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Label:Be With Records
Cat-No:BEWITH200LP
Release-Date:01.05.2026
Configuration:LP Excl
Barcode:4251804187619
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1
Gap Mangione - Boy With Toys
2
Gap Mangione - Diana In The Autumn Wind
3
Gap Mangione - Long Hair Soulful
4
Gap Mangione - Yesterday
5
Gap Mangione - The XIth Commandment
6
Gap Mangione - St. Thomas
7
Gap Mangione - You're Nobody Till Somebody Loves You
8
Gap Mangione - Pond With Swans
9
Gap Mangione - You Are My Sunshine
10
Gap Mangione - Free Again
11
Gap Mangione - Dream On Little Dreamer
12
Gap Mangione - Graduate Medley
Territories:
Worldwide no restrictions
Format Notes:
2026 first time ever vinyl reissue of this undisputed "holy grail", *the* most sought after album for J Dilla / Madlib sample collectors. Produced with the full and extensive participation of Gap, tip-on sleeve, 2 page insert, 140g vinyl.
Track List:
A1 Boy With Toys
A2 Diana In The Autumn Wind
A3 Long Hair Soulful
A4 Yesterday
A5 The XIth Commandment
A6 St. Thomas
B1 You're Nobody Till Somebody Loves You
B2 Pond With Swans
B3 You Are My Sunshine
B4 Free Again
B5 Dream On Little Dreamer
B6 Graduate Medley
Release Notes:
Gap Mangione's monumentally influential Diana In The Autumn Wind. AKA BEWITH200LP. And, without question, Be With's White Whale.
They said it could never be done. And with good reason.
We've spent the past 12 years trying to license this legendary 1968 recording from Gap and, after much work, it's finally here. Remarkably, this is the first ever vinyl reissue of Gap Mangione's Diana In The Autumn Wind, produced with the full and extensive participation of Gap. An exceedingly rare album, it's been coveted by funk, soul, jazz and hip-hop sample fiends for decades.
It's unarguably *the* most sought after album for J Dilla / Madlib sample collectors. It has also been brilliantly sampled by A Tribe Called Quest, Large Professor, Ghostface Killah, Kendrick Lamar and Talib Kweli.
But this record is so much more than a sample-spotters curio. It's solid gold throughout. Bursting with killer funky-jazz grooves and tracks adorned with warm electric piano, the release is notable for featuring some extremely significant players at the very outset of their careers; Tony Levin, at 21, whose superb playing on both acoustic and electric bass was the harmonic mainstay of the trio and Steve Gadd, at 23, one of the greatest drummers of his generation.
With acceptable copies of this holy grail changing hands for $400, to call this reissue "much-needed" underplays just how vital it is. Gap's story is told in his words alongside rare photos across a sumptuously designed 2-page insert and, to augment this deluxe edition further, its all wrapped up in a beautiful, no-expense-spared luxury tip-on sleeve, as per the original hens-teeth release. And, while we're talking packaging, just take a look at that cover - a work of art in and of itself.
The tracks are short but complex, with that extraordinary rhythm section backing the beautiful piano, organ and electric piano work of Gap. It's like the best ever library funk breaks record you never heard - but all your favourite golden age rap producers were all over it, long ago. It's a stunning blend of the vibrant, driving music of the Gap Mangione Trio coupled with the sensitive composition and superb orchestration of Gap's legendary brother, Chuck Mangione, who helmed an amalgam of seemingly disparate elements – rock, big band jazz, solo improvisation and "classical" music - into a spectacularly cohesive whole that has aged wonderfully well. As Gap himself notes in the liners, "with this group I was able to explore and add new and exciting elements from rock, Brazilian and then-current pop music."
Opener "Boy With Toys" triumphantly swaggers out the gate, all big band horns, flutes and dextrous organ work. The synthesis of everything going on is nothing short of stunning. When one wise YouTube commentator called this tune "old school superhero music", Gap agreed. Rap luminaries did, too, amongst them Talib Kweli, who rapped over DJ Scratch's chopped up intro for "Shock Body" on his Quality album back in 2002.
You've barely recovered from that incredibly affecting opener when you get hit over the head with the exquisite title-track. And now you see how two of the greatest beats of all time emerged from one single track produced nearly 50 years earlier. Unforgettably utilised by Dilla for Slum Village's heartbreakingly good "Fall In Love" and then Madlib for his "Official" beat for Dilla to rap over, on the Jaylib record. Regardless of the records it went on to spawn, this is just a staggering tune in its own right. Be beguiled by the flutes and the flutter tonguing, the counter-melody from the trombones, the soprano sax solo. All of it. Simply beautiful.
The questing organ and horn workout "Long Hair Soulful" deserves a lot more attention, overshadowed somewhat by the opening two monsters but no less fantastic. It swings, it grooves and Gadd and Levin truly cook. Up next, Gap's wonderfully percussive, mellifluously piano-heavy cover of "Yesterday" by some fellas called The Beatles. It's a subtly arresting gem. "The XIth Commandment" is damn fine, with thick, gorgeous electric piano and snappy drum work underpinning chaotic soundtracky horns. To close out the side, "St. Thomas" showcases the "fourth" member of the Gap Mangione Trio, conga drummer Dhui Mandingo. Having performed with the Trio since 1965, Dhui‘s African-based and jazz-latin-influenced style amazed listeners and its way to hear why.
Opening the B-Side, standard "You're Nobody Till Somebody Loves You" breezes along in the late-night jazz club fashion before things get super deep with the outstanding and - up to now - un-sampled "Pond With Swans". It's simply heavenly, and how its moody, melancholic intro has yet to be pilfered is anybody's guess. It oscillates between gentle, sombre movements and bombastic grooves, equally hypnotic and joyous. The rendition of "You Are My Sunshine" is yet another showcase for Gap's virtuoso playing and Gadd's mastery of the pocket. Indeed Gadd's drumming on "Free Again" is nothing short of neck-SNAPPING! Ghostface took it for not one but two "Iron's Theme" tracks across his seminal Supreme Clientele. It's got that Galt MacDermot "Coffee Cold" feel. Suuuuuper cool. The frantic "Dream On Little Dreamer" hurtles along and must've surely had the whole room absolutely swinging from the chandeliers back in Rochester in the late 60s. The album closes with the magnificent Graduate Medley, featuring memorable renditions of "Scarborough Fair", "The Sounds of Silence" and "Mrs. Robinson". The warm electric piano lines of the former were sampled by The Ummah (Dilla again!) for Tribe's "Pad & Pen" from their reappraised final album, The Love Movement, as well as by Large Professor on his much-loved "The LP (For My People)".
Under the watchful eye - and extremely attentive ears - of Gap Mangione himself, the audio for Diana In The Autumn Wind has been carefully remastered by Be With regular Simon Francis, with a few much needed tweaks here and there, according to the artist's wishes. At the prestigious Abbey Road Studios, Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at the always stellar Record Industry in Holland. The artwork restoration has taken place here at Be With HQ and has that drop-dead gorgeous cover artwork popping like new. Buy on sight!
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Worldwide no restrictions
Format Notes:
2026 first time ever vinyl reissue of this undisputed "holy grail", *the* most sought after album for J Dilla / Madlib sample collectors. Produced with the full and extensive participation of Gap, tip-on sleeve, 2 page insert, 140g vinyl.
Track List:
A1 Boy With Toys
A2 Diana In The Autumn Wind
A3 Long Hair Soulful
A4 Yesterday
A5 The XIth Commandment
A6 St. Thomas
B1 You're Nobody Till Somebody Loves You
B2 Pond With Swans
B3 You Are My Sunshine
B4 Free Again
B5 Dream On Little Dreamer
B6 Graduate Medley
Release Notes:
Gap Mangione's monumentally influential Diana In The Autumn Wind. AKA BEWITH200LP. And, without question, Be With's White Whale.
They said it could never be done. And with good reason.
We've spent the past 12 years trying to license this legendary 1968 recording from Gap and, after much work, it's finally here. Remarkably, this is the first ever vinyl reissue of Gap Mangione's Diana In The Autumn Wind, produced with the full and extensive participation of Gap. An exceedingly rare album, it's been coveted by funk, soul, jazz and hip-hop sample fiends for decades.
It's unarguably *the* most sought after album for J Dilla / Madlib sample collectors. It has also been brilliantly sampled by A Tribe Called Quest, Large Professor, Ghostface Killah, Kendrick Lamar and Talib Kweli.
But this record is so much more than a sample-spotters curio. It's solid gold throughout. Bursting with killer funky-jazz grooves and tracks adorned with warm electric piano, the release is notable for featuring some extremely significant players at the very outset of their careers; Tony Levin, at 21, whose superb playing on both acoustic and electric bass was the harmonic mainstay of the trio and Steve Gadd, at 23, one of the greatest drummers of his generation.
With acceptable copies of this holy grail changing hands for $400, to call this reissue "much-needed" underplays just how vital it is. Gap's story is told in his words alongside rare photos across a sumptuously designed 2-page insert and, to augment this deluxe edition further, its all wrapped up in a beautiful, no-expense-spared luxury tip-on sleeve, as per the original hens-teeth release. And, while we're talking packaging, just take a look at that cover - a work of art in and of itself.
The tracks are short but complex, with that extraordinary rhythm section backing the beautiful piano, organ and electric piano work of Gap. It's like the best ever library funk breaks record you never heard - but all your favourite golden age rap producers were all over it, long ago. It's a stunning blend of the vibrant, driving music of the Gap Mangione Trio coupled with the sensitive composition and superb orchestration of Gap's legendary brother, Chuck Mangione, who helmed an amalgam of seemingly disparate elements – rock, big band jazz, solo improvisation and "classical" music - into a spectacularly cohesive whole that has aged wonderfully well. As Gap himself notes in the liners, "with this group I was able to explore and add new and exciting elements from rock, Brazilian and then-current pop music."
Opener "Boy With Toys" triumphantly swaggers out the gate, all big band horns, flutes and dextrous organ work. The synthesis of everything going on is nothing short of stunning. When one wise YouTube commentator called this tune "old school superhero music", Gap agreed. Rap luminaries did, too, amongst them Talib Kweli, who rapped over DJ Scratch's chopped up intro for "Shock Body" on his Quality album back in 2002.
You've barely recovered from that incredibly affecting opener when you get hit over the head with the exquisite title-track. And now you see how two of the greatest beats of all time emerged from one single track produced nearly 50 years earlier. Unforgettably utilised by Dilla for Slum Village's heartbreakingly good "Fall In Love" and then Madlib for his "Official" beat for Dilla to rap over, on the Jaylib record. Regardless of the records it went on to spawn, this is just a staggering tune in its own right. Be beguiled by the flutes and the flutter tonguing, the counter-melody from the trombones, the soprano sax solo. All of it. Simply beautiful.
The questing organ and horn workout "Long Hair Soulful" deserves a lot more attention, overshadowed somewhat by the opening two monsters but no less fantastic. It swings, it grooves and Gadd and Levin truly cook. Up next, Gap's wonderfully percussive, mellifluously piano-heavy cover of "Yesterday" by some fellas called The Beatles. It's a subtly arresting gem. "The XIth Commandment" is damn fine, with thick, gorgeous electric piano and snappy drum work underpinning chaotic soundtracky horns. To close out the side, "St. Thomas" showcases the "fourth" member of the Gap Mangione Trio, conga drummer Dhui Mandingo. Having performed with the Trio since 1965, Dhui‘s African-based and jazz-latin-influenced style amazed listeners and its way to hear why.
Opening the B-Side, standard "You're Nobody Till Somebody Loves You" breezes along in the late-night jazz club fashion before things get super deep with the outstanding and - up to now - un-sampled "Pond With Swans". It's simply heavenly, and how its moody, melancholic intro has yet to be pilfered is anybody's guess. It oscillates between gentle, sombre movements and bombastic grooves, equally hypnotic and joyous. The rendition of "You Are My Sunshine" is yet another showcase for Gap's virtuoso playing and Gadd's mastery of the pocket. Indeed Gadd's drumming on "Free Again" is nothing short of neck-SNAPPING! Ghostface took it for not one but two "Iron's Theme" tracks across his seminal Supreme Clientele. It's got that Galt MacDermot "Coffee Cold" feel. Suuuuuper cool. The frantic "Dream On Little Dreamer" hurtles along and must've surely had the whole room absolutely swinging from the chandeliers back in Rochester in the late 60s. The album closes with the magnificent Graduate Medley, featuring memorable renditions of "Scarborough Fair", "The Sounds of Silence" and "Mrs. Robinson". The warm electric piano lines of the former were sampled by The Ummah (Dilla again!) for Tribe's "Pad & Pen" from their reappraised final album, The Love Movement, as well as by Large Professor on his much-loved "The LP (For My People)".
Under the watchful eye - and extremely attentive ears - of Gap Mangione himself, the audio for Diana In The Autumn Wind has been carefully remastered by Be With regular Simon Francis, with a few much needed tweaks here and there, according to the artist's wishes. At the prestigious Abbey Road Studios, Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at the always stellar Record Industry in Holland. The artwork restoration has taken place here at Be With HQ and has that drop-dead gorgeous cover artwork popping like new. Buy on sight!
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Label:Sneaker Social Club
Cat-No:SNKR067
Release-Date:29.05.2026
Genre:Breaks
Configuration:12"
Barcode:
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1
Buckley - Carl's Floorboard
2
Buckley - M.O.B.S.O.T
3
Buckley - City Dweller
4
Buckley - Gawy
Building momentum around his moody, alchemical breakthroughs in the techno-bass laboratory, Buckley lands on Sneaker Social Club with a punchy quadruplex that marks him out as an innovative talent in the next generation of low end producers.
Manchester-based Elias Buckley first came to light with a lathe-cut drop on ec2a, followed up over the past two years with outings on Well Street, Dimeshift and S.P.E.C. That sets the tone for exploratory zone Buckley is operating in, and he maintains a forward-thinking slant to his physical, dynamic club weapons on this latest EP.
'City Dweller' rests on a creeping mid tempo 4/4 pulse, all the better to carry slithering layers of sound design that slide off the undulating sub bass throb. Minimalism is the order of the day here, but his approach is shot through with gully zaps and rude swagger that makes this a positively UK- centric affair. 'Carl's Floorboard' makes a sizeable swerve towards brutalist grime mutation, letting the space in the mix swallow you whole around the dislocated bass womps and whipcrack snares.
On the B side, 'Gawy' hits the mark squarely between techno propulsion and soundsystem swagger, plying slippery sound design to the bass blasts and working an offbeat groove designed for maximum lock-in. Making sure there are no doubts about his range, Buckley saves one of the deadliest joints on the record for the closer, whipping up a wide-as-you-like UKG bounce on 'M.O.B.S.O.T.' while maintaining the lean and mean sound that binds the EPs any angles together.
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Manchester-based Elias Buckley first came to light with a lathe-cut drop on ec2a, followed up over the past two years with outings on Well Street, Dimeshift and S.P.E.C. That sets the tone for exploratory zone Buckley is operating in, and he maintains a forward-thinking slant to his physical, dynamic club weapons on this latest EP.
'City Dweller' rests on a creeping mid tempo 4/4 pulse, all the better to carry slithering layers of sound design that slide off the undulating sub bass throb. Minimalism is the order of the day here, but his approach is shot through with gully zaps and rude swagger that makes this a positively UK- centric affair. 'Carl's Floorboard' makes a sizeable swerve towards brutalist grime mutation, letting the space in the mix swallow you whole around the dislocated bass womps and whipcrack snares.
On the B side, 'Gawy' hits the mark squarely between techno propulsion and soundsystem swagger, plying slippery sound design to the bass blasts and working an offbeat groove designed for maximum lock-in. Making sure there are no doubts about his range, Buckley saves one of the deadliest joints on the record for the closer, whipping up a wide-as-you-like UKG bounce on 'M.O.B.S.O.T.' while maintaining the lean and mean sound that binds the EPs any angles together.
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12"
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Label:Wonderwheel
Cat-No:WONDER283
Release-Date:24.04.2026
Genre:Afrobeat
Configuration:12"
Barcode:634457210769
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Label:Wonderwheel
Cat-No:WONDER283
Release-Date:24.04.2026
Genre:Afrobeat
Configuration:12"
Barcode:634457210769
1
Maajo & Maajo Soundsystem - Water of Life (Spiritual Mix)
2
Maajo & Maajo Soundsystem - Kulikaalak (Exhaling Mountain Mix)
3
Maajo & Maajo Soundsystem - Arp Compagnement
4
Maajo & Maajo Soundsystem - Better Days (Sunday Dub)
This 12" introduces Maajo Soundsystem, the electronic, dancefloor-focused sub-project of Maajo, presenting stripped-down, club-ready versions of their 2022 album 'Water of Life' that go beyond standard remixes through newly recorded balafons, percussion, and vocals from Senegalese artist Ismaila Sané and Mauritian vocalist/drummer Gilbert K. Sané began his career in the 1970s as a percussionist and African ballet dancer before relocating to Finland in 1999, later becoming the first emigrant to receive the country's Citizen of the Year award. While Maajo tours as a six-piece live band, Maajo Soundsystem offers a flexible electronic configuration that retains live vocals and percussion. The group has released multiple LPs and EPs on Queen Nanny and Permanent Vacation, scored the silent film Lost World, received remixes from Luke Vibert and Call Super, and toured internationally, with strong radio and press support from BBC Radio 6, Worldwide FM, KEXP, Resident Advisor, WFMU, and more.
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DE - 22113 Hamburg
Germany
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DE - 22113 Hamburg
Germany
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LP
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Label:Uno Loop
Cat-No:UL01
Release-Date:01.05.2026
Configuration:LP
Barcode:5050580868809
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Label:Uno Loop
Cat-No:UL01
Release-Date:01.05.2026
Configuration:LP
Barcode:5050580868809
1
Abderraouf B Grissa & Dan Drohan - Any Time, Man
2
Abderraouf B Grissa & Dan Drohan - Theme
3
Abderraouf B Grissa & Dan Drohan - Lake Poe
4
Abderraouf B Grissa & Dan Drohan - Yacin
5
Abderraouf B Grissa & Dan Drohan - Kalimbient
6
Abderraouf B Grissa & Dan Drohan - Tongs
7
Abderraouf B Grissa & Dan Drohan - MRB3000
8
Abderraouf B Grissa & Dan Drohan - Visco City
9
Abderraouf B Grissa & Dan Drohan - Paris 1958
10
Abderraouf B Grissa & Dan Drohan - Indihim
11
Abderraouf B Grissa & Dan Drohan - Cup of Change
RBGxDD, the inaugural release on Uno Loop Records, marks the debut collaboration between producer Abderraouf B. Grissa (Pink Siifu, DJ Abstract Abder on Radio alHara) and drummer/producer Dan Drohan (Nick Hakim, Olden Yolk, CARRTOONS, Andrew VanWyngarden of MGMT). Blending experimental hip-hop, jazz, and psych-leaning groove music, the album has received wide early support with airplay on BBC Radio, Worldwide FM, KCRW, WFMU, and Bandcamp Weekly, alongside coverage from Bandcamp Album of the Day, Stereofox, Frequency State, and others. For fans of CAN, The Heliocentrics, Tommy Guerrero, and Makaya McCraven, RBGxDD sits comfortably between beat culture and live improvisation, appealing across multiple bins. Featuring contributions from Ahmad Kafari (Sudan Archives, Pink Siifu), Jarrett Gilgore (Jamie Branch, Heart of the Ghost), and Bobbie Johnston, and mastered by Kelly Hibbert (Madlib, Knxwledge, Flying Lotus), RBGxDD is both musically adventurous and immediately accessible. The LP is packaged with artwork licensed directly from the family of celebrated American printmaker Carol Summers, designed by Daniel Rocha, giving the release strong visual and collectible appeal. As the first title in the Uno Loop catalog, RBGxDD establishes the label’s curatorial identity and continues to perform steadily with long-tail interest from DJs, tastemakers, and fans of genre-fluid instrumental music.
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Label:LYSKETREKK
Cat-No:LYSK45008
Release-Date:08.05.2026
Genre:Funk
Configuration:7"
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Label:LYSKETREKK
Cat-No:LYSK45008
Release-Date:08.05.2026
Genre:Funk
Configuration:7"
Barcode:
1
Flammer Dance Band - Onyea
2
Flammer Dance Band - Leamus
New material from our favourite exponents of Afro-psychedelic Funk !
All the beloved FDB styles in play here, a majestic 7" of loose-limbed freak-outs for the faithful.
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All the beloved FDB styles in play here, a majestic 7" of loose-limbed freak-outs for the faithful.
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Liebigstrasse 2-20
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Contact: [email protected]More
12"
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Label:Sacred Rhythm Music
Cat-No:SOIL7701
Release-Date:24.04.2026
Genre:House
Configuration:12"
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Cat-No:SOIL7701
Release-Date:24.04.2026
Genre:House
Configuration:12"
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1
Bolla/Afrikan Basement/Joe Claussell - Downward Staircase (Joaquin Sacred Rhythm version)
2
Bolla/Afrikan Basement/Joe Claussell - Kwelo
3
Bolla/Afrikan Basement/Joe Claussell - Basement Seance
4
Bolla/Afrikan Basement/Joe Claussell - Downward Staircase (Joaquin Drum dub version)
Fresh from the critically embraced full-length LP/CD, Downward Staircase now arrives in a special remix release - answering the persistent calls from supporters of Joaquin "Joe" Claussell who have been demanding a 12" single. The wait is over.
Downward Staircase is an Afro-Jazz House composition crafted in a way only Joaquin himself can manifest. Layered with masterful percussion from a host of renowned players, the groove is both infectious and deeply rooted. The rhythm section drives with purpose, creating the perfect foundation for the stunning piano work of Joaquin's longtime production partner and favored pianist. The result is a powerful Afro-dance journey - spiritual, percussive, and built to ignite dance floors wherever it's played.
But that's not all.
Also featured on this EP is another Joaquin Joe Claussell remix titled Kwelo, featuring Afro-dance originator Mr. Jephte Guillaume. A collaboration rich in heritage and forward motion, it further expands the sonic landscape of this release.
This project has been over a year in the making - a true labor of dedication and persistence. We're incredibly excited for its release, and we know our loyal following shares that excitement. In many ways, it was your continued support that helped bring this record into existence.
Don't sleep.
.
Enjoy the Journey
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Downward Staircase is an Afro-Jazz House composition crafted in a way only Joaquin himself can manifest. Layered with masterful percussion from a host of renowned players, the groove is both infectious and deeply rooted. The rhythm section drives with purpose, creating the perfect foundation for the stunning piano work of Joaquin's longtime production partner and favored pianist. The result is a powerful Afro-dance journey - spiritual, percussive, and built to ignite dance floors wherever it's played.
But that's not all.
Also featured on this EP is another Joaquin Joe Claussell remix titled Kwelo, featuring Afro-dance originator Mr. Jephte Guillaume. A collaboration rich in heritage and forward motion, it further expands the sonic landscape of this release.
This project has been over a year in the making - a true labor of dedication and persistence. We're incredibly excited for its release, and we know our loyal following shares that excitement. In many ways, it was your continued support that helped bring this record into existence.
Don't sleep.
.
Enjoy the Journey
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Aggrobeat Records
Cat-No:AB064
Release-Date:08.05.2026
Configuration:7"
Barcode:8721018018703
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Label:Aggrobeat Records
Cat-No:AB064
Release-Date:08.05.2026
Configuration:7"
Barcode:8721018018703
1
Rudy Mills - A Heavy Load
2
Rudy Mills - Wholesale Love
Official reissue. Originally issued as 7" single in the UK in 1969 as Crab24. Comes with insert with liner notes.
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DE - 22113 Hamburg
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Label:Toy Tonics
Cat-No:toyt114
Release-Date:17.04.2026
Genre:House
Configuration:12" Excl
Barcode:0880655511416
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Last in:15.04.2026
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Last in:15.04.2026
Label:Toy Tonics
Cat-No:toyt114
Release-Date:17.04.2026
Genre:House
Configuration:12" Excl
Barcode:0880655511416
1
COEO - A1) Sorry For The Late Reply (6:17)
2
COEO - A2) Hyperactive (6:15)
3
COEO - B1) I Can Never Be Yours (6:21)
4
COEO - B2) Bliss (7:05)
2026 Repress
Tracklist 12":
A1) Sorry For The Late Reply (6:17)
A2) Hyperactive (6:15)
B1) I Can Never Be Yours (6:21)
B2) Bliss (7:05)
Release Info:
COEO are back on Toy Tonics! After uninterrupted touring around the globe, followed by a short creative break the guys come back with an even stronger sound. With the new EP they go more underground again. Its addressed to the clubs and night owls out there, who turn night into day and won't stop dancing!
The sound is based on classic house patterns and includes a lot of cool saxophones, big piano stabs & rhythmic piano solos. They even go tribal, use arpeggios and switch into breakbeat heaven. The four Originals are a great next step in the COEO evolution. The unique warm, catchy atmosphere of the tracks can create that special COEO euphoria which made them a lot of fans. From Moodymann to Disclosure, Mall Grab to Kenny Dope, the list is long.
It’s fantastic to see how popular they became over the last couple of years. The last COEO vinyl sold over 2500 copies and some of their tracks have millions of Spotify plays. It’s DJ FOOD. Pure bliss!
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Tracklist 12":
A1) Sorry For The Late Reply (6:17)
A2) Hyperactive (6:15)
B1) I Can Never Be Yours (6:21)
B2) Bliss (7:05)
Release Info:
COEO are back on Toy Tonics! After uninterrupted touring around the globe, followed by a short creative break the guys come back with an even stronger sound. With the new EP they go more underground again. Its addressed to the clubs and night owls out there, who turn night into day and won't stop dancing!
The sound is based on classic house patterns and includes a lot of cool saxophones, big piano stabs & rhythmic piano solos. They even go tribal, use arpeggios and switch into breakbeat heaven. The four Originals are a great next step in the COEO evolution. The unique warm, catchy atmosphere of the tracks can create that special COEO euphoria which made them a lot of fans. From Moodymann to Disclosure, Mall Grab to Kenny Dope, the list is long.
It’s fantastic to see how popular they became over the last couple of years. The last COEO vinyl sold over 2500 copies and some of their tracks have millions of Spotify plays. It’s DJ FOOD. Pure bliss!
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:FABRICLIVE.
Cat-No:FL008
Release-Date:24.04.2026
Genre:Drum + Bass
Configuration:12"
Barcode:5060845326166
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Label:FABRICLIVE.
Cat-No:FL008
Release-Date:24.04.2026
Genre:Drum + Bass
Configuration:12"
Barcode:5060845326166
1
Sully - Model Collapse (Basic Rhythm Remix)
2
Sully - Proof
3
Sully - Model Collapse
Following the launch of FABRICLIVE’s new chapter with his inaugural artist release ‘Model Collapse’, Sully returns with a heavyweight remix package led by Basic Rhythm, alongside a brand-new track, ‘Proof’. Originally the first release on the revived FABRICLIVE label, ‘Model Collapse’ set the tone for its forward-facing vision. Here, Basic Rhythm reworks the track into a stripped-back, bassbin-driven weapon - a dubplate turned anthem already making serious impact on the dancefloor. On the flip, Sully delivers new track ‘Proof’, inspired by conversations with Basic Rhythm around his approach to drums. Closing the EP is the original ‘Model Collapse’, the club hit that launched the label’s new era and continues to resonate.
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