1
Molen - Mutual
2
Molen - Station
3
Harry Wills - Big In The Backtime
4
Harry Wills - Scape
Next in our original series we’re bringing together two artists from opposite sides of the globe, encompassing various influences which have helped make Seven Hills what it is today. Much like how Uruguayan dance music takes many of its cues from 90’s UK techno, not least the bleep influences from Sheffield, we’ve come full circle by becoming, in-turn, inspired by them too.
The A side is commandeered by Molen, making a welcome return to the label and delivering two groove laden, bass heavy tracks, both suitable for various peak-time situations. Whilst on the B side we’re pleased to have Harry Wills, a producer whose technical prowess we’ve respected for a long time. Harry’s tracks are more contrasting: the monster that is Big in the Backtime for those face melting moments, and Scape, a subdued, heady, space-faring excursion.
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The A side is commandeered by Molen, making a welcome return to the label and delivering two groove laden, bass heavy tracks, both suitable for various peak-time situations. Whilst on the B side we’re pleased to have Harry Wills, a producer whose technical prowess we’ve respected for a long time. Harry’s tracks are more contrasting: the monster that is Big in the Backtime for those face melting moments, and Scape, a subdued, heady, space-faring excursion.
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More records from Seven Hills Records
1
A.G. & Kompo - Lunar-Ex
2
David Agrella - Amfexa
3
Rupert Marnie - Parapsychic
4
Young Adults - Exothermic
Kicking off our VA series we’re pleased to present Frequencies Vol. 1. Six brilliant artists covering a variety of dancefloor moods and energies.
The Belgian duo A.G. & Kompo have delivered an extended slice of punchy minimal techno for the A1, with elements of tech house and progressive leaning synths scattered throughout. David Agrella’s welcome return to Seven Hills sees him developing the late morning atmosphere titled Amfexa, utilising a groovy bassline, classy pads and some expertly organic drum programming.
On the B side the Hamburg based Rupert Marnie and our beloved Dutch friends Young Adults add a darker tinge to this release. Parapsychic is a gurgling meditation; very minimal which allows the drums and alien sounding bass sounds to punch hard through the mix. Closing us off is Exothermic, a monstrous, almost hellish bit of deep tech house.
Lots of textures, a rubber elastic kick drum, and a hypnotic, groaning vocal which sounds as if it was dredged up from the underworld.
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The Belgian duo A.G. & Kompo have delivered an extended slice of punchy minimal techno for the A1, with elements of tech house and progressive leaning synths scattered throughout. David Agrella’s welcome return to Seven Hills sees him developing the late morning atmosphere titled Amfexa, utilising a groovy bassline, classy pads and some expertly organic drum programming.
On the B side the Hamburg based Rupert Marnie and our beloved Dutch friends Young Adults add a darker tinge to this release. Parapsychic is a gurgling meditation; very minimal which allows the drums and alien sounding bass sounds to punch hard through the mix. Closing us off is Exothermic, a monstrous, almost hellish bit of deep tech house.
Lots of textures, a rubber elastic kick drum, and a hypnotic, groaning vocal which sounds as if it was dredged up from the underworld.
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1
Subb-an & Thoma Bulwer - Devon Hills
2
Subb-an & Thoma Bulwer - DV-07
3
Subb-an & Thoma Bulwer - DV8
4
Subb-an & Thoma Bulwer - East Wick
For our 4th original release we have a meeting of minds between two of our very close friends, Subb-an and Thoma Bulwer!
Made deep in the green countryside of Devon’s hills, before being adeptly finished off at TB Studios in Hackney Wick, the Devon Hills EP pulls together influences from 90’s tech house and early breaks to bring four driving and groove-laden tracks, functional but with heaps of soul.
The A side comprises two late night Autobahn bangers, rubbery misbehaved basslines and precise chord rhythms made to hypnotise the dance. Devon Hills is the most outspoken of the pair, with a loud chiming hook and an earwigging bleep melody, while DV-07 prefers to remain composed in its rolling bassline and sharp drum programming.
On the flip things go a little deeper with DV8, a padded out and chunky tribal breakbeat track with a deliciously crunchy snare. Closing out the four-track EP, East Wick lightens the mood with a sporadic break and bouncy synth melody, great afters tackle.
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Made deep in the green countryside of Devon’s hills, before being adeptly finished off at TB Studios in Hackney Wick, the Devon Hills EP pulls together influences from 90’s tech house and early breaks to bring four driving and groove-laden tracks, functional but with heaps of soul.
The A side comprises two late night Autobahn bangers, rubbery misbehaved basslines and precise chord rhythms made to hypnotise the dance. Devon Hills is the most outspoken of the pair, with a loud chiming hook and an earwigging bleep melody, while DV-07 prefers to remain composed in its rolling bassline and sharp drum programming.
On the flip things go a little deeper with DV8, a padded out and chunky tribal breakbeat track with a deliciously crunchy snare. Closing out the four-track EP, East Wick lightens the mood with a sporadic break and bouncy synth melody, great afters tackle.
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1
Thee J Johanz - Where Goes Your Soul?
2
Thee J Johanz - Two C Bee
3
Thee J Johanz - Analex
Long term Seven Hills friend and collaborator Thee J Johanz returns to wax for the third instalment of our original release series.
This release runs close to the heart for Johanz as it was produced in the wake of his mother’s passing and stands as a profoundly personal eulogy for loved ones passed. Where Goes Your Soul? has all the trademark spiralling synth lines and hypnotic rhythm making that we have come to love in Johanz’s music making.
The title track of the EP: Where Goes Your Soul? stands alone on the A side but carries more than enough weight to hold its own. Stabbing synths build alongside a subtly haunting vocal, up to an awesome crescendo and intoxicating groove. Kicking off the B side is Two C Bee, an aptly psychedelic mix of soft pads and helical synth arpeggios. The EP closes with an impressive bubbling analogue landscape, Analex. This beat-less masterpiece with a sincerely cinematic feel, rounds things off in style.
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This release runs close to the heart for Johanz as it was produced in the wake of his mother’s passing and stands as a profoundly personal eulogy for loved ones passed. Where Goes Your Soul? has all the trademark spiralling synth lines and hypnotic rhythm making that we have come to love in Johanz’s music making.
The title track of the EP: Where Goes Your Soul? stands alone on the A side but carries more than enough weight to hold its own. Stabbing synths build alongside a subtly haunting vocal, up to an awesome crescendo and intoxicating groove. Kicking off the B side is Two C Bee, an aptly psychedelic mix of soft pads and helical synth arpeggios. The EP closes with an impressive bubbling analogue landscape, Analex. This beat-less masterpiece with a sincerely cinematic feel, rounds things off in style.
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Customers who bought this also bought this
1
Alex Wann & Juno - Allo
2
Alex Wann - IDONE
Out on 8th May 2026, the two in-demand talents combine for a cinematic label debut on Damian Lazarus’ imprint. Parisian DJ/producer Alex Wann joins forces with German talent JUNO for a brooding two-track EP arriving via Crosstown Rebels on 8th May. Alex has become a formidable force within the melodic house landscape, performing at festivals and venues from Tomorrowland to Pacha Ibiza, while holding a Las Vegas residency at Wynn’s XS Nightclub. His reach extends far beyond the booth, with multiple Beatport chart-topping releases on renowned imprints and notable support from Keinemusik, Diplo, John Summit, BLOND:ISH, and more. Here he collaborates with JUNO, who comes off a breakout 2025 marked by his standout hit ‘Last Dance’ on Magnifik Music and a Hot Mix for Pete Tong on BBC Radio 1, delivering an impressive label debut for the pair. Title track ‘Allo’ sees the pair lock into a deep, groove-led collaboration that balances warmth and intensity, built around a driving low end and a steadily rising sense of pressure as its growling basslines, echoing synth textures, and razor-sharp percussion slowly unfold. On the fl ip, ‘IDONE’ fi nds Alex Wann stepping out solo with an introspective fi nish, featuring pulsing riff s and pensive, elongated piano chords, threaded by a winding, gritty synth line that gradually builds toward a powerful climax.
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1
Steve Lawler - Crazy Dream
2
Steve Lawler - Crazy Dream (Jori Hulkkonen Remix)
3
Steve Lawler - Crazy Dream (Charlotte de Witte Remix)
4
Steve Lawler - Crazy Dream (Djs Pareja Remix)
Tracklist
A1 Original Mix, A2 Jori Hulkkonen Remix
B1 Charlotte de Witte Remix , B2 DJs Pareja Remix
When Steve Lawler first sent us "Crazy Dream," he told us that he had made the record "specifically with Turbo in mind," thus sending us on a quasi-lucid journey down a rabbit hole of self-discovery from which we have only recently emerged.
Most labels would simply talk up a nuts-to-the-wall floor-filler with a killer "White Horse" bassline from an acid house legend and be done with it, but the fact remains that if we forgo an opportunity to learn more about ourselves as dance music imprint, we are doing our fans a disservice whether they could possibly be expected to realize it or not.
We hired a board-licensed Forensic Poet to parse the track's lyrical references to nothing being "quite as it seems," "feeling naked and confused," and rising above "the push and shove." What was he trying to tell us? The poet assured us that all it meant was that Lawler admires Turbo and thought the track would be a good fit, and that we should put our clothes back on, wipe the confused looks from our faces, and stop pushing and shoving one another because everything was exactly as it seemed. We paid him his $25 and did as we were told.
For the remixes, we took a track made especially for us and enlisted a diverse cast of Turbo All-Stars to spin it into a release for everyone, a proprietary practice we call "Human Alchemy: The Future of Generosity™." Finland's Jori Hulkkonen, Belgium's Charlotte de Witte, and Argentina's DJs Pareja trace a beautiful global triangle for lovers of acid bangers, stripped-down techno, and tripped-out weirdness, respectively. At Turbo, giving party people what they need is more than just a crazy dream. It's a crazy reality.
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A1 Original Mix, A2 Jori Hulkkonen Remix
B1 Charlotte de Witte Remix , B2 DJs Pareja Remix
When Steve Lawler first sent us "Crazy Dream," he told us that he had made the record "specifically with Turbo in mind," thus sending us on a quasi-lucid journey down a rabbit hole of self-discovery from which we have only recently emerged.
Most labels would simply talk up a nuts-to-the-wall floor-filler with a killer "White Horse" bassline from an acid house legend and be done with it, but the fact remains that if we forgo an opportunity to learn more about ourselves as dance music imprint, we are doing our fans a disservice whether they could possibly be expected to realize it or not.
We hired a board-licensed Forensic Poet to parse the track's lyrical references to nothing being "quite as it seems," "feeling naked and confused," and rising above "the push and shove." What was he trying to tell us? The poet assured us that all it meant was that Lawler admires Turbo and thought the track would be a good fit, and that we should put our clothes back on, wipe the confused looks from our faces, and stop pushing and shoving one another because everything was exactly as it seemed. We paid him his $25 and did as we were told.
For the remixes, we took a track made especially for us and enlisted a diverse cast of Turbo All-Stars to spin it into a release for everyone, a proprietary practice we call "Human Alchemy: The Future of Generosity™." Finland's Jori Hulkkonen, Belgium's Charlotte de Witte, and Argentina's DJs Pareja trace a beautiful global triangle for lovers of acid bangers, stripped-down techno, and tripped-out weirdness, respectively. At Turbo, giving party people what they need is more than just a crazy dream. It's a crazy reality.
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1
Chuwee - 4TJADEN
2
Chuwee, Gaspar Muniz & Seb Hall - - Let's Talk About Sex
3
Chuwee, Sasta & Seb Hall - - Slippy Jim's
4
Chuwee, Sasta & Seb Hall - - Slippy Jim's (Grant Dell Remix)
Risk/Reward’s third installment comes from Brooklyn-based California native Chuwee, a rising star with records in the bags of the scenes most discerning selectors. Teaming up with homies Sasta, Seb Hall and Gaspar Muniz to form the Wizards on Waverly, they deliver a wildly creative and versatile collection of funk-drenched floor fillers. On the a side: 4TJADEN combines crunchy electro house drums with a twisting, monstrous analog bass lead and 80s synth pop strings, before euphoric chords and a killer acid line send this one in to the cosmos! Let’s Talk About Sex is a big, bad, booty bouncing slice of West Coast electro funk. An ultra groovy and addictive bass line, naughty vocals, spooky synth lines and rays of acid sunshine straight from California, make for an infectious party cut that gets the floor rocking every time. On to the b-side: Slippy Jim’s is a laid back, dubwise, chugger, perfect for warming up, day time sessions or late in the afters. Crunchy analog drums patter over a warm, playful bass groove, speckled with dubby stabs, an imposing synth lead and vintage Jamaican spoken word vocals transport you to Kingston after party where the rum and vibes flow in equal measure. Pioneer of the dub tech house sound Grant Dell delivers a gargantuan remix, with enough weight to break even the sturdiest of scales. Chunky yet detailed drums, a sub-heavy & driving bass line, acid squelchs and dubbed out stabs create an absolute weapon of a track, with a truly epic breakdown featuring a legendary vocal that gets right under your skin and stays there.
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Label:Inhale Exhale Records
Cat-No:inex021
Release-Date:29.05.2026
Genre:Deephouse
Configuration:12" Excl
Label:Inhale Exhale Records
Cat-No:inex021
Release-Date:29.05.2026
Genre:Deephouse
Configuration:12" Excl
1
Takuya Matsumoto - Song Of The Ocean
2
Takuya Matsumoto - A Maschine From Tokyo
3
Takuya Matsumoto - Murakami
4
Takuya Matsumoto - Sumitting In The Dark
5
Takuya Matsumoto - Out Of The Difficulty
6
Takuya Matsumoto - It's My Dub 1.56
GENRE/S: House, Deep House, House, DnB, Dub Techno, Balearic
TRACKLISTS:
A1. Song Of The Ocean
A2. A Maschine From Tokyo
A3. Murakami
B1. Sumitting In The Dark
B2. Out Of The Difficulty
B3. It's My Dub 1.56
SHORT INFO:
Japan's Takuya Matsumoto returns to Inhale Exhale with a new six-track EP entitled 'Song Of The Ocean'.
Japanese DJ and producer Takuya Matsumoto has quietly established himself as one of the most distinctive voices to emerge from Japan's contemporary house scene. Known for his warm, deeply musical approach to production, Matsumoto blends classic house
sensibilities with jazz, funk and soulful influences, crafting records that balance dancefloor functionality with rich musicality. Through releases on respected international labels like Clone's Jack For Daze and Royal Oak, Vibes and Pepper, and Fina he's built a
reputation for refined grooves, elegant arrangements and a timeless approach to house music.
Across the six tracks Matsumoto once again radiantly showcases the depth of his production skills as the project sonically traverses Balearic-tinged House, bouncy acid- laced electro, cosmic nu-disco, breaks driven jungle and dub infused deep house.
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TRACKLISTS:
A1. Song Of The Ocean
A2. A Maschine From Tokyo
A3. Murakami
B1. Sumitting In The Dark
B2. Out Of The Difficulty
B3. It's My Dub 1.56
SHORT INFO:
Japan's Takuya Matsumoto returns to Inhale Exhale with a new six-track EP entitled 'Song Of The Ocean'.
Japanese DJ and producer Takuya Matsumoto has quietly established himself as one of the most distinctive voices to emerge from Japan's contemporary house scene. Known for his warm, deeply musical approach to production, Matsumoto blends classic house
sensibilities with jazz, funk and soulful influences, crafting records that balance dancefloor functionality with rich musicality. Through releases on respected international labels like Clone's Jack For Daze and Royal Oak, Vibes and Pepper, and Fina he's built a
reputation for refined grooves, elegant arrangements and a timeless approach to house music.
Across the six tracks Matsumoto once again radiantly showcases the depth of his production skills as the project sonically traverses Balearic-tinged House, bouncy acid- laced electro, cosmic nu-disco, breaks driven jungle and dub infused deep house.
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1
Inner City - Good Life (Remastered)
2
Inner City - Good Life (Inner City Edit Of Carl Craig Remix)
3
Inner City - Good Life (Remastered) (Dub Mix)
Good Life sees Detroit icons Inner City return on KMS with one of the most celebrated house records of all time, presented here on fresh 12” vinyl.
A defining track of the late 80s and early house movement, Good Life remains a timeless anthem, driven by uplifting melodies, soulful vocals and unmistakable Detroit energy.
This edition features a remastered version of the original alongside an Inner City edit of the Carl Craig remix, plus a Dub Mix, offering both classic playback and updated DJ functionality.
As a cornerstone release from the KMS catalogue, the record continues to resonate across generations of DJs and listeners, maintaining its place as an essential dancefloor staple.
Back on fresh 12" vinyl, this repress offers strong appeal for both collectors and DJs looking to stock a truly iconic house record.
An essential catalogue piece for stores supporting classic house and Detroit heritage releases.
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A defining track of the late 80s and early house movement, Good Life remains a timeless anthem, driven by uplifting melodies, soulful vocals and unmistakable Detroit energy.
This edition features a remastered version of the original alongside an Inner City edit of the Carl Craig remix, plus a Dub Mix, offering both classic playback and updated DJ functionality.
As a cornerstone release from the KMS catalogue, the record continues to resonate across generations of DJs and listeners, maintaining its place as an essential dancefloor staple.
Back on fresh 12" vinyl, this repress offers strong appeal for both collectors and DJs looking to stock a truly iconic house record.
An essential catalogue piece for stores supporting classic house and Detroit heritage releases.
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1
Satoshi Tomiie & Tomoki Tamura - Indian Summer
2
Satoshi Tomiie & Tomoki Tamura - NYC
3
Satoshi Tomiie & Tomoki Tamura - Loose
Indian Summer marks the second collaborative release from Satoshi Tomiie and Tomoki Tamura. Co-released via Satoshi’s Abstract Architecture and Tomoki’s Holic Trax, the EP reflects a shared musical language shaped by years behind the decks and in the studio.
Designed with the DJ in mind, the three cuts were jammed and recorded between New York and Berlin, capturing a direct, hands-on process rooted in groove and restraint.
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Designed with the DJ in mind, the three cuts were jammed and recorded between New York and Berlin, capturing a direct, hands-on process rooted in groove and restraint.
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the legendary and trend-setting chicago label re-releasing two of their biggest classics by Cajmere and Derrick Carter.
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1
Denise Motto - A1. I M N X T C (JD Twitch unreleased acid mix)
2
Denise Motto - A2. I M N X T C (JD Twitch blackrabbit whorehouse mix)
3
Denise Motto - B1. I M N X T C (JD Twitch industrial mix)
4
Denise Motto - B2. I M N X T C (JD Twitch alternative mix)
We are heartbroken to announce this very special release — a tribute to the genius of Keith McIvor aka JD Twitch (Optimo), who sadly left us on September 19, 2025. Over 20 years ago, when Skylax had no money and was just starting out, Keith was among the very first to believe in us. He delivered four unforgettable remixes of Denise Motto – I M N X T C, sharp, uncompromising cuts that defined the true spirit of underground dance music. At the time, due to limited means, only one made it to vinyl. Now, for the first time, we are proud to present the complete set: four remixes — the unreleased acid mix, blackrabbit whorehouse mix, industrial mix, and alternative mix , all cut loud and mastered with love. This release is more than a record; it is a homage to Twitch, a true pioneer and tastemaker, our generation’s John Peel. His art of digging, his fearless intelligence in music choices, his no-compromise vision — all of it stands in stark contrast to the disposable culture of today’s Instagram DJs. What we celebrate here is the real thing: edgy, sharp, timeless. A piece of history, pressed in vinyl forever. Featuring a stunning artwork by H5 (Daft Punk, Air, Logorama), specially designed to pay homage to the legend. Ultra-limited, no repress.
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1
Louie Vega & Marc Anthony Featuring Tito - A1 - The Masters At Work (Keep It Comin' Now) (One Take Tito Mix)
2
Louie Vega & Marc Anthony Featuring Tito - A2 - The Masters At Work (Keep It Comin' Now) (Masters At Work Dub)
3
Louie Vega & Marc Anthony Featuring Tito - A3 - The Masters At Work (Keep It Comin' Now) (Bonus Beats)
4
Louie Vega & Marc Anthony Featuring Tito - B1 - The Masters At Work (Keep It Comin' Now) (The Kenlou Mix)
5
Louie Vega & Marc Anthony Featuring Tito - B2 - The Masters At Work (Keep It Comin' Now) (Eddie's Mood Dub)
6
Louie Vega & Marc Anthony Featuring Tito - B3 - The Masters At Work (Keep It Comin' Now) (Original LP Version)
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1
Kai Alcé - Dirty South Dirt
2
Kai Alcé - Dirty South Dirt (String Version)
3
Kai Alcé - Late Night Theme
4
Kai Alcé - Work Them Dub
Repress 2026 of Kai Alcé’s classic.
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1
Shubostar, Rina, Benji - Abbiamo
2
Shubostar, Rina, Benji - Gamgi
3
Shubostar, Rina, Benji - Starlight Arcade
4
Shubostar, Rina, Benji - Tip Top
shubostar, originally from south korea and currently based in germany, began releasing her own works in 2018. she quickly attracted attention with releases on prins thomas’s label internasjonal. this work, her debut release on mule musiq, presents a new disco sound that updates elements of cosmic, italo disco, and new wave for a contemporary context. a1, “abbiamo,” is an electric disco piece reminiscent of the french disco classic magic fly by space. a2, “gambi,” can be described as a cosmic disco track akin to a disco version of klaus schulze that might be played by dj daniel baldelli. b1, “starlight arcade,” offers a more dub-oriented, club-friendly new wave disco sound. b2, “tip top” appears to draw influence from artists such as jah wobble, combining uk new wave with ebm elements into a proto-house style track. her refined production style, which stands apart from typical disco-oriented artists, may be attributed to a distinct sensibility. this release marks the emergence of a notable new artist.
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1
Demuja - Stop Asking Me
2
Demuja - Oldhead
3
Demuja - Say No More
4
Demuja - Tool 6
5
Demuja - Pulse
Peach Discs continues into 2026 with a deeply jacking record from the king of the live house jam Demuja. If you've seen him on the 'gram you'll know just how incredibly prolific he is – the tracks that make up this EP were whittled down, tweaked and finessed from close to 100 demos, and we're thrilled with what we've put together, together. In his own words, the EP is "a little love letter to the dancefloor that lives within the idea of a long, sweaty night out. All the tracks were made at very different stages – some produced a while ago, others more recently – and I hope that’s part of what makes the EP interesting as well."
The "title.txt" EP embodies a pure distillation of Demuja's sound– rooted in classic house techniques with a dubbed-out sensibility and, the record's five tracks all stem from live-jams bashed out with focused intention in his Austrian studio on a plethora of drum machines, synths and effects units.
Things kick off with probably the wiggliest of the lot, as "Stop Asking Me" worms a long-range bassline around snappy, stripped-back drums before leaning towards techno (can you hear a snare on the 2 and the 4 cos i can't) on "Oldhead," as its dusty samples drag it back towards house, with a sprinkling of dubstep flavour tucked away in the breakdown. The A-side wraps up in a dubbed-out mode with "Say No More's" deep, modulating textures wrapping themselves around skippy, insistent percussion.
Those dub sounds carry over onto the B-side's "Tool 6," as classically filtered chords peek through the mix (though that bassline is definitely talking tech-house), and Pulse brings it home with strutting drums, disembodied vox and arcing synthlines.
We've also thrown in two bonus tracks you won't find on the 12" but will be available to those that pick up a copy of the record through the Peach Discs Bandcamp. Tasked with picking one fave each, Gramrcy went for "Almost Cherry," a barreling ride across an insistent Reese bassline reminiscent of Samuel L Sessions' best bombs, while Shanti chose the wiggling, diva-wailing "Art of Failing."
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
The "title.txt" EP embodies a pure distillation of Demuja's sound– rooted in classic house techniques with a dubbed-out sensibility and, the record's five tracks all stem from live-jams bashed out with focused intention in his Austrian studio on a plethora of drum machines, synths and effects units.
Things kick off with probably the wiggliest of the lot, as "Stop Asking Me" worms a long-range bassline around snappy, stripped-back drums before leaning towards techno (can you hear a snare on the 2 and the 4 cos i can't) on "Oldhead," as its dusty samples drag it back towards house, with a sprinkling of dubstep flavour tucked away in the breakdown. The A-side wraps up in a dubbed-out mode with "Say No More's" deep, modulating textures wrapping themselves around skippy, insistent percussion.
Those dub sounds carry over onto the B-side's "Tool 6," as classically filtered chords peek through the mix (though that bassline is definitely talking tech-house), and Pulse brings it home with strutting drums, disembodied vox and arcing synthlines.
We've also thrown in two bonus tracks you won't find on the 12" but will be available to those that pick up a copy of the record through the Peach Discs Bandcamp. Tasked with picking one fave each, Gramrcy went for "Almost Cherry," a barreling ride across an insistent Reese bassline reminiscent of Samuel L Sessions' best bombs, while Shanti chose the wiggling, diva-wailing "Art of Failing."
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More