1
Philip Glass - Music With Changing Parts A
2
Philip Glass - Music With Changing Parts B
3
Philip Glass - Music With Changing Parts C
4
Philip Glass - Music With Changing Parts D
Philip Glass, the great American composer, was already in his mid-30s before his first album appeared, and then only because he produced the double LP himself. Music With Changing Parts was the inaugural release on his own Chatham Square imprint in 1971.
At this point, Einstein on the Beach, Glass' first opera, was still five years away. Yet in Changing Parts, one can already hear much of his vocabulary in full bloom: the buoyant arpeggios, the melding of electronic and acoustic instruments, the elongated drones of human voice, the primary emphasis on pulse (an interest he shared with fellow composer Steve Reich) and the ecstatic potential inherent in repetition.
The album features the original Philip Glass Ensemble – the composer himself, along with Jon Gibson, Dickie Landry, Art Murphy, Steve Chambers and Robert Prado – playing Farfisa organs and woodwinds as well as Barbara Benary on electric violin.
As Glass describes in his memoir Words Without Music, he secured a $500 interest-free loan for the recordings' initial release from the Hebrew Free Loan Society – an organization intended to help immigrants from the Old World upon arrival in the US. Though Glass was merely the grandson of immigrants, the venture wasn't far off the society's charter as Changing Parts helped usher in a new world of sound that would become known as Minimalism.
Chatham Square went on to release albums by other composers in Glass' circle, including Gibson and Landry. The label was named after the Manhattan intersection where Landry had a studio and the ensemble rehearsed.
Born in Baltimore in 1937, Glass first moved to New York to attend Juilliard at just nineteen, having already graduated from the University of Chicago. A staple of the Downtown scene, he can perhaps be appreciated as akin to the likes of sculptor Richard Serra or filmmaker Jim Jarmusch: mavericks who became major cultural figures entirely on their own terms.
This first-time vinyl reissue reproduces the original side-breaks and gatefold sleeve.
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
Contact: [email protected]More
At this point, Einstein on the Beach, Glass' first opera, was still five years away. Yet in Changing Parts, one can already hear much of his vocabulary in full bloom: the buoyant arpeggios, the melding of electronic and acoustic instruments, the elongated drones of human voice, the primary emphasis on pulse (an interest he shared with fellow composer Steve Reich) and the ecstatic potential inherent in repetition.
The album features the original Philip Glass Ensemble – the composer himself, along with Jon Gibson, Dickie Landry, Art Murphy, Steve Chambers and Robert Prado – playing Farfisa organs and woodwinds as well as Barbara Benary on electric violin.
As Glass describes in his memoir Words Without Music, he secured a $500 interest-free loan for the recordings' initial release from the Hebrew Free Loan Society – an organization intended to help immigrants from the Old World upon arrival in the US. Though Glass was merely the grandson of immigrants, the venture wasn't far off the society's charter as Changing Parts helped usher in a new world of sound that would become known as Minimalism.
Chatham Square went on to release albums by other composers in Glass' circle, including Gibson and Landry. The label was named after the Manhattan intersection where Landry had a studio and the ensemble rehearsed.
Born in Baltimore in 1937, Glass first moved to New York to attend Juilliard at just nineteen, having already graduated from the University of Chicago. A staple of the Downtown scene, he can perhaps be appreciated as akin to the likes of sculptor Richard Serra or filmmaker Jim Jarmusch: mavericks who became major cultural figures entirely on their own terms.
This first-time vinyl reissue reproduces the original side-breaks and gatefold sleeve.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Superior Viaduct
cLOUDDEAD's debut album, compiling six 10" EPs that appeared between 2000-2001, is aurally dense and obscured. A sprawling mass of miniature beat-suites and Dadaist lyrics, this strange and beautiful 3xLP would influence a myriad of sub-genres (cloud rap, hauntology, lo-fi hip-hop, etc.) in the two decades since its initial release.
Only the three members of cLOUDDEAD – Why?, Doseone and Odd Nosdam – can speak to the group's origins, but in the context of underground hip-hop towards the end of the 20th century, their arrival makes perfect sense. Cincinnati had a vital scene; home to Scribble Jam, an annual confluence of MCs, DJs, B-boys and graffiti artists. While the trio soon relocated to the Bay Area where they co-founded the Anticon collective, their Midwestern roots – in ramshackle basements of off-campus hovels, as the "cerberus of Southern Ohio" – would remain the atomic heart of their early recordings.
As Chris Martins writes in the liner notes, "The only reason we know their names today is because of how loudly and curiously they aired their insularity. They rewrote the entire world as they knew it through their own fucked perspective, and when those mysterious 10-inches started popping up in record shops, it wasn't just a puzzle to investigate: there seemed to be a whole cosmology hidden in those grooves."
Each side of the album represents one of those elusive 10-inches, each embodying a universe unto itself. Opening salvo "Apt. A" and "And All You Can Do Is Laugh" are perhaps most emblematic of the cLOUDDEAD experience. Why? and Dose create a new language through boundless non-sequiturs, sing-song non-choruses and call-and-response hooks, while Nosdam's dexterous production shifts from crackling ambience of Flying Saucer Attack to tight Ohio Players drum breaks and oblique film samples.
Taken all together, cLOUDDEAD is an original interpretation of hip-hop in the surreal Y2K glow – a bizarre meeting point between William Basinski's Disintegration Loops and MF DOOM's Operation: Doomsday. All it took was a Dr. Sample SP-202, Tascam cassette eight-track and cheap RadioShack mic. There's truly nothing like it.
This edition has been faithfully restored by Nosdam. European exclusive version comes on clear vinyl, incl. fold-out poster and liner notes insert.
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DE - 22113 Hamburg
Germany
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Only the three members of cLOUDDEAD – Why?, Doseone and Odd Nosdam – can speak to the group's origins, but in the context of underground hip-hop towards the end of the 20th century, their arrival makes perfect sense. Cincinnati had a vital scene; home to Scribble Jam, an annual confluence of MCs, DJs, B-boys and graffiti artists. While the trio soon relocated to the Bay Area where they co-founded the Anticon collective, their Midwestern roots – in ramshackle basements of off-campus hovels, as the "cerberus of Southern Ohio" – would remain the atomic heart of their early recordings.
As Chris Martins writes in the liner notes, "The only reason we know their names today is because of how loudly and curiously they aired their insularity. They rewrote the entire world as they knew it through their own fucked perspective, and when those mysterious 10-inches started popping up in record shops, it wasn't just a puzzle to investigate: there seemed to be a whole cosmology hidden in those grooves."
Each side of the album represents one of those elusive 10-inches, each embodying a universe unto itself. Opening salvo "Apt. A" and "And All You Can Do Is Laugh" are perhaps most emblematic of the cLOUDDEAD experience. Why? and Dose create a new language through boundless non-sequiturs, sing-song non-choruses and call-and-response hooks, while Nosdam's dexterous production shifts from crackling ambience of Flying Saucer Attack to tight Ohio Players drum breaks and oblique film samples.
Taken all together, cLOUDDEAD is an original interpretation of hip-hop in the surreal Y2K glow – a bizarre meeting point between William Basinski's Disintegration Loops and MF DOOM's Operation: Doomsday. All it took was a Dr. Sample SP-202, Tascam cassette eight-track and cheap RadioShack mic. There's truly nothing like it.
This edition has been faithfully restored by Nosdam. European exclusive version comes on clear vinyl, incl. fold-out poster and liner notes insert.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
• Lost-single from classic San Francisco punk band The Avengers
• Featuring original White Noise EP versions of "The American In Me" and "Uh-Oh"
• Produced by Sex Pistols guitarist Steve Jones
• First time available on vinyl in four decades
• Limited edition translucent red vinyl
Track Listing:
1. The American In Me
2. Uh-Oh
2. Cheap Tragedies
Few first wave California punk bands burned as brightly as The Avengers. Formed in San Francisco during 1977's Summer of Hate, they swiftly ascended to the top of the West Coast scene and earned the coveted support slot for The Sex Pistols' final concert in January 1978. The Avengers' frenetic performance at Winterland made quite an impression on Pistols guitarist Steve Jones who offered to record the group.
From the Jones produced sessions, "The American In Me" remains an unmistakable anthem. Embodying the punk zeitgeist, singer Penelope Houston fiercely declares, "Ask not what you can do for your country, what's your country been doing to you."
The original White Noise EP version of "The American In Me" is paired with "Uh-Oh," featuring Jones on piano and bravely demonstrating Me Too sentiments four decades earlier. Comp-only track "Cheap Tragedies" closes this reimagined lost-single set.
The American In Me perfectly captures The Avengers' dynamic power – frustration, style and passion – forged into some of the most pivotal sounds of punk's formative era.
.
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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• Featuring original White Noise EP versions of "The American In Me" and "Uh-Oh"
• Produced by Sex Pistols guitarist Steve Jones
• First time available on vinyl in four decades
• Limited edition translucent red vinyl
Track Listing:
1. The American In Me
2. Uh-Oh
2. Cheap Tragedies
Few first wave California punk bands burned as brightly as The Avengers. Formed in San Francisco during 1977's Summer of Hate, they swiftly ascended to the top of the West Coast scene and earned the coveted support slot for The Sex Pistols' final concert in January 1978. The Avengers' frenetic performance at Winterland made quite an impression on Pistols guitarist Steve Jones who offered to record the group.
From the Jones produced sessions, "The American In Me" remains an unmistakable anthem. Embodying the punk zeitgeist, singer Penelope Houston fiercely declares, "Ask not what you can do for your country, what's your country been doing to you."
The original White Noise EP version of "The American In Me" is paired with "Uh-Oh," featuring Jones on piano and bravely demonstrating Me Too sentiments four decades earlier. Comp-only track "Cheap Tragedies" closes this reimagined lost-single set.
The American In Me perfectly captures The Avengers' dynamic power – frustration, style and passion – forged into some of the most pivotal sounds of punk's formative era.
.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
• Previously unreleased live recording of seminal SF punk band CRIME
• Featuring "Baby, You're So Repulsive" and "Murder By Guitar"
• Comes with 35-minute color film on region free DVD
• Limited edition translucent blue vinyl
1. Feel The Beat
2. Rockabilly Drugstore
3. Out Crowd
4. Baby, You're So Repulsive
5. Crime Wave
6. Piss On Your Dog
7. I Knew This Nurse
8. San Francisco's Doomed
9. Instrumental Instrumental
10. I Stupid Anyway
11. Murder By Guitar
One of the most savagely cool and confrontational punk acts in history, CRIME famously dubbed themselves "San Francisco's First And Only Rock 'N' Roll Band." This inflammatory claim was supported by unpredictable live shows that often ended in riots.
In 1978, film producer Larry Larson captured CRIME in their natural habitat, the dimly-lit nightclub Mabuhay Gardens. They looked and sounded more severe than anyone in San Francisco was ready for. The footage sat dormant for decades, until now!
Edited and directed by Jon Bastian, the recently completed movie features archival live performances and unruly behind-the-scenes straight from the original 16mm color film. A vital document of the group – Frankie Fix, Johnny Strike, Ron The Ripper andHank Rank – as well as North Beach's sordid scene: parading punks, square thrill-seekers and Fab Mab promoter Dirk Dirksen's provocative emceeing.
Superior Viaduct presents this first-time release of the 35-minute movie on DVD and double 7" of its soundtrack. Feel the beat – it's CRIME time.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
• Featuring "Baby, You're So Repulsive" and "Murder By Guitar"
• Comes with 35-minute color film on region free DVD
• Limited edition translucent blue vinyl
1. Feel The Beat
2. Rockabilly Drugstore
3. Out Crowd
4. Baby, You're So Repulsive
5. Crime Wave
6. Piss On Your Dog
7. I Knew This Nurse
8. San Francisco's Doomed
9. Instrumental Instrumental
10. I Stupid Anyway
11. Murder By Guitar
One of the most savagely cool and confrontational punk acts in history, CRIME famously dubbed themselves "San Francisco's First And Only Rock 'N' Roll Band." This inflammatory claim was supported by unpredictable live shows that often ended in riots.
In 1978, film producer Larry Larson captured CRIME in their natural habitat, the dimly-lit nightclub Mabuhay Gardens. They looked and sounded more severe than anyone in San Francisco was ready for. The footage sat dormant for decades, until now!
Edited and directed by Jon Bastian, the recently completed movie features archival live performances and unruly behind-the-scenes straight from the original 16mm color film. A vital document of the group – Frankie Fix, Johnny Strike, Ron The Ripper andHank Rank – as well as North Beach's sordid scene: parading punks, square thrill-seekers and Fab Mab promoter Dirk Dirksen's provocative emceeing.
Superior Viaduct presents this first-time release of the 35-minute movie on DVD and double 7" of its soundtrack. Feel the beat – it's CRIME time.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Customers who bought this also bought this
NO VINYLE OF ANY MANU CHAO ALBUM HAS BEEN AVAILABLE ON SALE FOR AGES. ALL STUDIO & LIVE ALBUMS ARE BACK ON DOUBLE VINYL GATEFOLD FEAT. THE CD
TRACKLIST
A1. CLANDESTINO - A2. DESAPARECIDO - A3. BONGO BONG - A4. JE NE T’AIME PLUS - B1. MENTIRA... - B2. LAGRIMAS DE ORO - B3. MAMA CALL - C1. LUNA Y SOL - C2. POR EL SUELO - C3. WELCOME TO TIJUANA - C4. DIA LUNA... DIA PENA - D1. MALEGRIA - D2. LA VIE A 2 - D3. MINHA GALERA - D4. LA DESPEDIDA - D5. EL VIENTO
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DE - 22113 Hamburg
Germany
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TRACKLIST
A1. CLANDESTINO - A2. DESAPARECIDO - A3. BONGO BONG - A4. JE NE T’AIME PLUS - B1. MENTIRA... - B2. LAGRIMAS DE ORO - B3. MAMA CALL - C1. LUNA Y SOL - C2. POR EL SUELO - C3. WELCOME TO TIJUANA - C4. DIA LUNA... DIA PENA - D1. MALEGRIA - D2. LA VIE A 2 - D3. MINHA GALERA - D4. LA DESPEDIDA - D5. EL VIENTO
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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Label:Forever Living Originals
Cat-No:FLO00022LP
Release-Date:17.04.2026
Genre:Soul/Funk
Configuration:LP
Label:Forever Living Originals
Cat-No:FLO00022LP
Release-Date:17.04.2026
Genre:Soul/Funk
Configuration:LP
1
Sault - God, Protect Me from My Enemies
2
Sault - Chapter 1
3
Sault - Fulfil Your Spirit
4
Sault - Protector
5
Sault - Good Things Will Come After the Pressure
6
Sault - Create Your Prophecy
7
Sault - Love Does Not Equal Pain
8
Sault - Lord Have Mercy
9
Sault - Don’t Worry About What You Can’t Control Puppet
10
Sault - Puppet
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Germany
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1
Tom Carruthers - A1.Chrome
2
Tom Carruthers - A2.Agenda (Raw Mix)
3
Tom Carruthers - A3.Beat Down
4
Tom Carruthers - B1.Fade Away
5
Tom Carruthers - B2.What You Want
With Agenda EP, Tom Carruthers closes a landmark trilogy on Skylax Records, following Neutralise EP and Deepline. Three records. Fifteen tracks. One coherent vision of machine-driven house music stripped to its raw, functional core. This final chapter dives deeper into direct, club-focused energy, where groove, repetition and tension do the talking. Agenda is less reflective, more physical — built for movement, sweat, and long transitions in dark rooms. Opening track “Chrome” sets the tone: sharp drum programming, metallic pressure, and looping synth phrases that lock the body into motion. “Agenda (Raw Mix)” follows with a tougher, stripped-down approach — no excess, just pure rhythmic insistence rooted in early Chicago jack and warehouse discipline. “Beat Down” pushes further into machine funk territory, where relentless patterns and rugged textures meet in hypnotic repetition. On the flip, “Fade Away” brings a deeper, moodier tension — a late-night track where subtle emotion seeps through minimal structures. Closing cut “What You Want” is classic Carruthers: jacking drums, understated melody, and a groove that feels timeless rather than retro. As with the previous releases, the visual identity is handled by H5, whose modernist, reduced artwork mirrors the sonic philosophy: clarity, impact, and purpose. Agenda EP completes the Skylax trilogy as a statement of intent — not revivalism, not nostalgia, but dance music reduced to its essential elements.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Jefferson Ink. - Girl You Turn Me On (Vocal)
2
Jefferson Ink. - Girl You Turn Me On (Instrumental)
FIRST TIME REISSUE
KILLER BOOGIE ANTHEM
This single is extremely rare among collectors worldwide. A 1983 boogie funk gem.
In the vast universe of Black American music—where established names dominate the narrative—there are parallel stories built on rare records, limited pressings, and raw talent. Jefferson Ink is one of those cases: a group largely invisible to the general public, yet deeply respected among collectors and specialist DJs.
Hailing from Houston, Texas, Jefferson Ink was a family-based project led by Willie Jefferson Jr., rooted in a vibrant and self-sufficient local scene. Far removed from major labels, the group operated within the independent ethos that defined many African American acts of the 1970s and ’80s—where self-production was often the only path to getting music recorded and released.
Their discography is scarce, which has only increased its value over time. Releases on local imprints such as Houston International Records and B & B Records circulated in very limited quantities, often only within the region. Among these gems is the single “Fight The Pipe” and "Girl, you turn me on" now regarded as a cult classic in the rare groove circuit.
Musically, Jefferson Ink perfectly captures the transition from the analog funk of the 1970s to the rise of boogie and electro-funk in the following decade. Their recordings are defined by heavy basslines, mechanical grooves, and the tasteful use of synthesizers, forming a solid rhythmic foundation over which smooth, flowing melodies unfold. There is a constant tension between weight and lightness—between groove density and melodic elegance—that shapes the group’s identity.
What makes Jefferson Ink particularly compelling is the fact that they never achieved mainstream recognition. For decades, their music remained confined to local circles and discerning collectors. It was only with the rise of DJ culture and the rediscovery of boogie that their name began to resurface—appearing in compilations, DJ sets, and “hidden gems” lists.
Today, to speak of Jefferson Ink is to speak of a specific kind of legacy: music that survives outside the industry, preserved through passion, crate-digging, and collective memory. In a world where everything seems accessible, there is something profoundly special about records that still carry both the weight of obscurity and the glow of rediscovery.
Jefferson Ink is not just a rare group—it is a reminder that some of music’s best stories live on the margins.
Licensed by Bobby Jefferson.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
KILLER BOOGIE ANTHEM
This single is extremely rare among collectors worldwide. A 1983 boogie funk gem.
In the vast universe of Black American music—where established names dominate the narrative—there are parallel stories built on rare records, limited pressings, and raw talent. Jefferson Ink is one of those cases: a group largely invisible to the general public, yet deeply respected among collectors and specialist DJs.
Hailing from Houston, Texas, Jefferson Ink was a family-based project led by Willie Jefferson Jr., rooted in a vibrant and self-sufficient local scene. Far removed from major labels, the group operated within the independent ethos that defined many African American acts of the 1970s and ’80s—where self-production was often the only path to getting music recorded and released.
Their discography is scarce, which has only increased its value over time. Releases on local imprints such as Houston International Records and B & B Records circulated in very limited quantities, often only within the region. Among these gems is the single “Fight The Pipe” and "Girl, you turn me on" now regarded as a cult classic in the rare groove circuit.
Musically, Jefferson Ink perfectly captures the transition from the analog funk of the 1970s to the rise of boogie and electro-funk in the following decade. Their recordings are defined by heavy basslines, mechanical grooves, and the tasteful use of synthesizers, forming a solid rhythmic foundation over which smooth, flowing melodies unfold. There is a constant tension between weight and lightness—between groove density and melodic elegance—that shapes the group’s identity.
What makes Jefferson Ink particularly compelling is the fact that they never achieved mainstream recognition. For decades, their music remained confined to local circles and discerning collectors. It was only with the rise of DJ culture and the rediscovery of boogie that their name began to resurface—appearing in compilations, DJ sets, and “hidden gems” lists.
Today, to speak of Jefferson Ink is to speak of a specific kind of legacy: music that survives outside the industry, preserved through passion, crate-digging, and collective memory. In a world where everything seems accessible, there is something profoundly special about records that still carry both the weight of obscurity and the glow of rediscovery.
Jefferson Ink is not just a rare group—it is a reminder that some of music’s best stories live on the margins.
Licensed by Bobby Jefferson.
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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1
cv313 - Fading Lights [remastered]
2
cv313 - Magenta [remastered]
Over a decade has past since this was released, and it has truly aged like fine wine. This release features 2 timeless cuts from the mind and soul of cv313 mixed and recorded near the heart of Detroit. This was beautifully remastered by dub innovator and pioneer, Stefan Betke [POLE] @ scape mastering in Berlin, DE. The recordings were pulled from the session masters conducted by Bazza @ Alchemy Mastering in London to ensure a perfectly balanced mix and preserving the soul and spirit of the original tape masters. This EP features two equally seductive cuts opening with "Fading Lights" which finds its pulse in the rhythmic elements while floating in a world of vaporous mist and resynthesized stardust. On the B side "Magenta" fills the space with ghostly apparitions and a rather hypnotic hook; pushing the boundaries of the spiritual principles found in the power of repetition. Close your eyes and drift into 14 minutes of endless flotation as modulating low frequencies massage your brain and mind, dive deep into a fathomless analogue world!
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DE - 22113 Hamburg
Germany
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DE - 22113 Hamburg
Germany
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1
Deep Earth Network - A - Land A
2
Deep Earth Network - B - Land AA
" It's like a more psychedelic , organic KLF Chill Out with deep roots and cosmic overtones" Richard Norris
" A beautiful trip " Jem Finer
D.E.N 01 LAND - Composer Danny Hammond
Land is the first in a series of earth inspired sonic journeys , part sound meditation , part immersive psychedelic nature trip. Incorporating field recordings , shack instruments and spoken words from cosmic adventurers .
It originated as an installation at the 14 Hour Technicolor Drone event in Sept 2025 whereby all listeners fell into a deep nature/dream slumber.
For fans of Pauline Olivieros ,Brian Eno , Terry Riley , Don Cherry , Barbara Hepworth , Alice Coltrane , John Betjemin and all other ambient adventurers.
D.E.N
Deep Earth Network is a long term sound project exploring deep-listening , drone and sonic adventure , all inspired by the earth in all its manifestations , land , water , space , consciousness. Initiated by Danny Hammond , D.E.N will present different sonic projects and collaborations from vinyl / audio releases to sonic installations with the aid of The Deep Earth Soundsystem and the Sonic Heads ( S.H ) a collection of sculpted head audio transmitters.
DANNY HAMMOND
Danny Hammond is a multi-instrumentalist composer and producer working with a diverse variety of bands , films ' artists and companies including Death in Vegas , TOPO , Jem Finer (The Pogues , Longplayer) , Heavenly Records , Caught by the River , Stone Club , ESPFC ,1 2on12 , Gimme 5 , A Number of Names.
Originally a professional touring musician ,Danny then moved onto sound design and music production for film, television ,and sound installations.
Inspired by nature , science , humanity and mysticism Danny initiated the project Deep Earth Network.
Danny is currently working on a short film about Longplayer - a sound art installation by Jem Finer at Trinity Bouy Wharf in London funded by Art Angel.
OTHER ACTIVITY: https://www.instagram.com/deepearthnetwork1/
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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" A beautiful trip " Jem Finer
D.E.N 01 LAND - Composer Danny Hammond
Land is the first in a series of earth inspired sonic journeys , part sound meditation , part immersive psychedelic nature trip. Incorporating field recordings , shack instruments and spoken words from cosmic adventurers .
It originated as an installation at the 14 Hour Technicolor Drone event in Sept 2025 whereby all listeners fell into a deep nature/dream slumber.
For fans of Pauline Olivieros ,Brian Eno , Terry Riley , Don Cherry , Barbara Hepworth , Alice Coltrane , John Betjemin and all other ambient adventurers.
D.E.N
Deep Earth Network is a long term sound project exploring deep-listening , drone and sonic adventure , all inspired by the earth in all its manifestations , land , water , space , consciousness. Initiated by Danny Hammond , D.E.N will present different sonic projects and collaborations from vinyl / audio releases to sonic installations with the aid of The Deep Earth Soundsystem and the Sonic Heads ( S.H ) a collection of sculpted head audio transmitters.
DANNY HAMMOND
Danny Hammond is a multi-instrumentalist composer and producer working with a diverse variety of bands , films ' artists and companies including Death in Vegas , TOPO , Jem Finer (The Pogues , Longplayer) , Heavenly Records , Caught by the River , Stone Club , ESPFC ,1 2on12 , Gimme 5 , A Number of Names.
Originally a professional touring musician ,Danny then moved onto sound design and music production for film, television ,and sound installations.
Inspired by nature , science , humanity and mysticism Danny initiated the project Deep Earth Network.
Danny is currently working on a short film about Longplayer - a sound art installation by Jem Finer at Trinity Bouy Wharf in London funded by Art Angel.
OTHER ACTIVITY: https://www.instagram.com/deepearthnetwork1/
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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1
DJ Spinna - Follow Me (DJ Spinna Park Jam Remix)
2
DJ Spinna - Follow Me (DJ Spinna Park Jam Instrumental)
Our very first release was a beautiful gem from Red Astaire titled 'Follow Me' - a track that defined GAMM's identity and helped pave the way for everything we've achieved since.
Now, 24 years later, GAMM has reached its landmark 200th release.
To celebrate this anniversary and honoor our dear friend Fredrik Lager (aka Red Astaire), who sadly and unexpectedly passed away three years ago, we are re-releasing 'Follow Me' alongside remixes from some of our favourite producers.
The third and final edition in the 'Follow Me' series comes from Brooklyn's finest, DJ Spinna.
With his trademark hip hop-soul sound, Spinna transforms this classic into a bumpy, park jam tune. Very NY, very uplifting...very much a spring tune. Oh btw, check that classic EWF sample ;)
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Now, 24 years later, GAMM has reached its landmark 200th release.
To celebrate this anniversary and honoor our dear friend Fredrik Lager (aka Red Astaire), who sadly and unexpectedly passed away three years ago, we are re-releasing 'Follow Me' alongside remixes from some of our favourite producers.
The third and final edition in the 'Follow Me' series comes from Brooklyn's finest, DJ Spinna.
With his trademark hip hop-soul sound, Spinna transforms this classic into a bumpy, park jam tune. Very NY, very uplifting...very much a spring tune. Oh btw, check that classic EWF sample ;)
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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Deep88 - I'm Begging Myself
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Deep88 - Social Neuroscience
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Deep88 - Digitakt At 5am
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Deep88 - Concentrated
HOTMIX presents another timeless release by Deep88!
Italian House producer based in the province of Forlì-Cesena. He is the founder of Zomarec,
12Records, Juice Records Us, Ascii Records and WHAT ABOUT THIS LOVE.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Italian House producer based in the province of Forlì-Cesena. He is the founder of Zomarec,
12Records, Juice Records Us, Ascii Records and WHAT ABOUT THIS LOVE.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
DJ SPRINKLES & HARDROCK STRIKER FEAT. MO - A1. Move D - Outer Rim 64 - 8:20
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DJ SPRINKLES & HARDROCK STRIKER FEAT. MO - A2. Hardrock Striker - Motorik Life (DJ Sprinkles Dub) - 7:52
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DJ SPRINKLES & HARDROCK STRIKER FEAT. MO - B1. Hardrock Striker - Motorik Life (DJ Sprinkles Mountain Of Despair) -13:47
A defining transmission in the history of Skylax Records. Originally released across different moments of the Skylax catalogue, these recordings are now assembled as the final chapter of the Skylax House Explosion series — a project exploring the architecture, memory and survival mechanisms embedded within house music culture. The record opens with Move D’s “Outer Rim 64”, originally released in 2018 as part of the Skylax House Explosion narrative. Suspended between motion and distance, the track establishes the conceptual perimeter of this final chapter — a space where rhythm no longer functions only as propulsion, but as orientation. Here the listener stands at the outer edge of the dancefloor’s architecture, where structure persists even as its original social conditions begin to disappear. The sequence continues with Hardrock Striker’s “Motorik Life (DJ Sprinkles Dub)”, originally released in 2011. Rather than operating as a conventional remix, the Dub reinforces the motorik continuum of the original composition, transforming repetition into endurance. DJ Sprinkles preserves the infrastructural skeleton of the dancefloor — its capacity to sustain bodies through duration alone, without narrative resolution or emotional release. The record culminates with “Motorik Life (DJ Sprinkles Mountain Of Despair Remix)”, one of the most politically explicit works ever associated with Skylax Records. Through the relentless repetition of the phrase “mountain of despair,” Terre Thaemlitz dismantles the traditional function of dance music, transforming remix culture into structural critique. Referencing Martin Luther King Jr.’s famous metaphor, the remix removes the promise of redemption and leaves only the architecture of struggle. The dancefloor is no longer presented as escape, but as a temporary condition of survival. Together these recordings reveal house music’s true function: not to resolve despair, but to create temporary conditions in which bodies can continue to exist despite it.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
L.D.F. & Javontte - A1.2720 Street
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L.D.F. & Javontte - A2.House Express (Silver Mix)
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L.D.F. & Javontte - A3.The Warehouse
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L.D.F. & Javontte - B1.2720 Street (Fred P Interpretation)
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L.D.F. & Javontte - B2.Back To The Basics
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L.D.F. & Javontte - B3.For The Love Of Rhythm
Pure house vibes straight outta the warehouse. Six track journey mixed by legends Lello Di Franco and Brian Garrett, with a fire Fred P interpretation that flips "2720 Street" into something next level. From deep underground heat to pure dancefloor gold Ð this one's got everything. House Express, The Warehouse, and the title track taking you back to where it all started. That's the blueprint, fam.
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Intrusion - A Gentle Embrace [remastered]
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Intrusion - A Gentle Embrace [reduced][remastered]
Repress!
Over a decade has passed since this was released, and it has truly aged like fine wine. This release features 2 timeless cuts from the mind and soul of intrusion, mixed and recorded near the heart of Detroit. This was beautifully remastered by dub innovator and pioneer, Stefan Betke [POLE] @ scape mastering in Berlin, DE. The recordings were pulled from the session masters conducted by Bazza @ Alchemy Mastering in London to ensure a perfectly balanced mix and preserving the soul and spirit of the original tape master. The first incarnation of "A Gentle Embrace" came in the form of three extended reshapes from cv313 & variant and now we're proud to offer the original work on beautiful crystal/silver mixed clear 150 gram wax! :)
On side A the most pristine of dub techno is on offer here, this is Detroit techno stripped down to its most minimal core. A gorgeous subtle ambient soundscape exploring the deepest end of dub and house with gentle surges of organic elements, field recordings and modular movements simply out of this world. The "Reduction" mix on side B captures those chilling glacial soundscapes, trademark basslines and mesmerizing gaseous atmospheres subtly layer into the mix. Otherworldly to say the very least, this is music to swim in, breathe in and to pray to - for the spirit and the soul. Essential!
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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Over a decade has passed since this was released, and it has truly aged like fine wine. This release features 2 timeless cuts from the mind and soul of intrusion, mixed and recorded near the heart of Detroit. This was beautifully remastered by dub innovator and pioneer, Stefan Betke [POLE] @ scape mastering in Berlin, DE. The recordings were pulled from the session masters conducted by Bazza @ Alchemy Mastering in London to ensure a perfectly balanced mix and preserving the soul and spirit of the original tape master. The first incarnation of "A Gentle Embrace" came in the form of three extended reshapes from cv313 & variant and now we're proud to offer the original work on beautiful crystal/silver mixed clear 150 gram wax! :)
On side A the most pristine of dub techno is on offer here, this is Detroit techno stripped down to its most minimal core. A gorgeous subtle ambient soundscape exploring the deepest end of dub and house with gentle surges of organic elements, field recordings and modular movements simply out of this world. The "Reduction" mix on side B captures those chilling glacial soundscapes, trademark basslines and mesmerizing gaseous atmospheres subtly layer into the mix. Otherworldly to say the very least, this is music to swim in, breathe in and to pray to - for the spirit and the soul. Essential!
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WAS - Word and Sound Medien GmbH
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Germany
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Kilotoni - Untitled
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Kilotoni - Untitled
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Kilotoni - Untitled
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Kilotoni - Untitled
Entering the abandoned warehouse full of haze and blinded by the strobe lights, you feel the rush when the bass kicks in. You have no idea if the year is 1996 or 2026, but it doesn't matter as long as you are alive.
Indeed, another batch of forgotten and previously unreleased radioactive acid techno has surfaced on the anonymous, vinyl-only Kilotoni imprint — possibly their strongest release so far.
A1 The peak of acid techno is perhaps found in its most stripped-down form. As the bass line throbs your breath out, you try to chase the kick drum in a game of hide-and-seek until complete exhaustion. It's something you play after the copies of Betty Ford and Sync In start to melt during a nuclear reactor accident.
A2 A ravey or hard-techno-oriented approach is applied to the acid techno formula here. The squelching, pulse-width-modulated synth makes for an eerie yet irresistible call to the dance floor. The snare rolls might just be your guilty pleasure.
B1 The flip side opens with funkier techno that the Voyager probes could bump to in outer space a million years from now. A wild acid line is accompanied by playful chords and beats. Detroit influences meet Nordic melancholy.
B2 The kick drum keeps pounding its way through while a lonely TB-303 is traveling in its own space and time. Influenced perhaps by the Midwest acid techno style, this could be a mid-90s DAT-tape lost inside the transatlantic postal system on its way to the Analog Records USA headquarters.
Tracklisting:
A1: Untitled
A2: Untitled
B1: Untitled
B2: Untitled
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Indeed, another batch of forgotten and previously unreleased radioactive acid techno has surfaced on the anonymous, vinyl-only Kilotoni imprint — possibly their strongest release so far.
A1 The peak of acid techno is perhaps found in its most stripped-down form. As the bass line throbs your breath out, you try to chase the kick drum in a game of hide-and-seek until complete exhaustion. It's something you play after the copies of Betty Ford and Sync In start to melt during a nuclear reactor accident.
A2 A ravey or hard-techno-oriented approach is applied to the acid techno formula here. The squelching, pulse-width-modulated synth makes for an eerie yet irresistible call to the dance floor. The snare rolls might just be your guilty pleasure.
B1 The flip side opens with funkier techno that the Voyager probes could bump to in outer space a million years from now. A wild acid line is accompanied by playful chords and beats. Detroit influences meet Nordic melancholy.
B2 The kick drum keeps pounding its way through while a lonely TB-303 is traveling in its own space and time. Influenced perhaps by the Midwest acid techno style, this could be a mid-90s DAT-tape lost inside the transatlantic postal system on its way to the Analog Records USA headquarters.
Tracklisting:
A1: Untitled
A2: Untitled
B1: Untitled
B2: Untitled
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More