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Philip Glass - Music With Changing Parts A
2
Philip Glass - Music With Changing Parts B
3
Philip Glass - Music With Changing Parts C
4
Philip Glass - Music With Changing Parts D
Philip Glass, the great American composer, was already in his mid-30s before his first album appeared, and then only because he produced the double LP himself. Music With Changing Parts was the inaugural release on his own Chatham Square imprint in 1971.
At this point, Einstein on the Beach, Glass' first opera, was still five years away. Yet in Changing Parts, one can already hear much of his vocabulary in full bloom: the buoyant arpeggios, the melding of electronic and acoustic instruments, the elongated drones of human voice, the primary emphasis on pulse (an interest he shared with fellow composer Steve Reich) and the ecstatic potential inherent in repetition.
The album features the original Philip Glass Ensemble – the composer himself, along with Jon Gibson, Dickie Landry, Art Murphy, Steve Chambers and Robert Prado – playing Farfisa organs and woodwinds as well as Barbara Benary on electric violin.
As Glass describes in his memoir Words Without Music, he secured a $500 interest-free loan for the recordings' initial release from the Hebrew Free Loan Society – an organization intended to help immigrants from the Old World upon arrival in the US. Though Glass was merely the grandson of immigrants, the venture wasn't far off the society's charter as Changing Parts helped usher in a new world of sound that would become known as Minimalism.
Chatham Square went on to release albums by other composers in Glass' circle, including Gibson and Landry. The label was named after the Manhattan intersection where Landry had a studio and the ensemble rehearsed.
Born in Baltimore in 1937, Glass first moved to New York to attend Juilliard at just nineteen, having already graduated from the University of Chicago. A staple of the Downtown scene, he can perhaps be appreciated as akin to the likes of sculptor Richard Serra or filmmaker Jim Jarmusch: mavericks who became major cultural figures entirely on their own terms.
This first-time vinyl reissue reproduces the original side-breaks and gatefold sleeve.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
At this point, Einstein on the Beach, Glass' first opera, was still five years away. Yet in Changing Parts, one can already hear much of his vocabulary in full bloom: the buoyant arpeggios, the melding of electronic and acoustic instruments, the elongated drones of human voice, the primary emphasis on pulse (an interest he shared with fellow composer Steve Reich) and the ecstatic potential inherent in repetition.
The album features the original Philip Glass Ensemble – the composer himself, along with Jon Gibson, Dickie Landry, Art Murphy, Steve Chambers and Robert Prado – playing Farfisa organs and woodwinds as well as Barbara Benary on electric violin.
As Glass describes in his memoir Words Without Music, he secured a $500 interest-free loan for the recordings' initial release from the Hebrew Free Loan Society – an organization intended to help immigrants from the Old World upon arrival in the US. Though Glass was merely the grandson of immigrants, the venture wasn't far off the society's charter as Changing Parts helped usher in a new world of sound that would become known as Minimalism.
Chatham Square went on to release albums by other composers in Glass' circle, including Gibson and Landry. The label was named after the Manhattan intersection where Landry had a studio and the ensemble rehearsed.
Born in Baltimore in 1937, Glass first moved to New York to attend Juilliard at just nineteen, having already graduated from the University of Chicago. A staple of the Downtown scene, he can perhaps be appreciated as akin to the likes of sculptor Richard Serra or filmmaker Jim Jarmusch: mavericks who became major cultural figures entirely on their own terms.
This first-time vinyl reissue reproduces the original side-breaks and gatefold sleeve.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Superior Viaduct
cLOUDDEAD's debut album, compiling six 10" EPs that appeared between 2000-2001, is aurally dense and obscured. A sprawling mass of miniature beat-suites and Dadaist lyrics, this strange and beautiful 3xLP would influence a myriad of sub-genres (cloud rap, hauntology, lo-fi hip-hop, etc.) in the two decades since its initial release.
Only the three members of cLOUDDEAD – Why?, Doseone and Odd Nosdam – can speak to the group's origins, but in the context of underground hip-hop towards the end of the 20th century, their arrival makes perfect sense. Cincinnati had a vital scene; home to Scribble Jam, an annual confluence of MCs, DJs, B-boys and graffiti artists. While the trio soon relocated to the Bay Area where they co-founded the Anticon collective, their Midwestern roots – in ramshackle basements of off-campus hovels, as the "cerberus of Southern Ohio" – would remain the atomic heart of their early recordings.
As Chris Martins writes in the liner notes, "The only reason we know their names today is because of how loudly and curiously they aired their insularity. They rewrote the entire world as they knew it through their own fucked perspective, and when those mysterious 10-inches started popping up in record shops, it wasn't just a puzzle to investigate: there seemed to be a whole cosmology hidden in those grooves."
Each side of the album represents one of those elusive 10-inches, each embodying a universe unto itself. Opening salvo "Apt. A" and "And All You Can Do Is Laugh" are perhaps most emblematic of the cLOUDDEAD experience. Why? and Dose create a new language through boundless non-sequiturs, sing-song non-choruses and call-and-response hooks, while Nosdam's dexterous production shifts from crackling ambience of Flying Saucer Attack to tight Ohio Players drum breaks and oblique film samples.
Taken all together, cLOUDDEAD is an original interpretation of hip-hop in the surreal Y2K glow – a bizarre meeting point between William Basinski's Disintegration Loops and MF DOOM's Operation: Doomsday. All it took was a Dr. Sample SP-202, Tascam cassette eight-track and cheap RadioShack mic. There's truly nothing like it.
This edition has been faithfully restored by Nosdam. European exclusive version comes on clear vinyl, incl. fold-out poster and liner notes insert.
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DE - 22113 Hamburg
Germany
Contact: [email protected]More
Only the three members of cLOUDDEAD – Why?, Doseone and Odd Nosdam – can speak to the group's origins, but in the context of underground hip-hop towards the end of the 20th century, their arrival makes perfect sense. Cincinnati had a vital scene; home to Scribble Jam, an annual confluence of MCs, DJs, B-boys and graffiti artists. While the trio soon relocated to the Bay Area where they co-founded the Anticon collective, their Midwestern roots – in ramshackle basements of off-campus hovels, as the "cerberus of Southern Ohio" – would remain the atomic heart of their early recordings.
As Chris Martins writes in the liner notes, "The only reason we know their names today is because of how loudly and curiously they aired their insularity. They rewrote the entire world as they knew it through their own fucked perspective, and when those mysterious 10-inches started popping up in record shops, it wasn't just a puzzle to investigate: there seemed to be a whole cosmology hidden in those grooves."
Each side of the album represents one of those elusive 10-inches, each embodying a universe unto itself. Opening salvo "Apt. A" and "And All You Can Do Is Laugh" are perhaps most emblematic of the cLOUDDEAD experience. Why? and Dose create a new language through boundless non-sequiturs, sing-song non-choruses and call-and-response hooks, while Nosdam's dexterous production shifts from crackling ambience of Flying Saucer Attack to tight Ohio Players drum breaks and oblique film samples.
Taken all together, cLOUDDEAD is an original interpretation of hip-hop in the surreal Y2K glow – a bizarre meeting point between William Basinski's Disintegration Loops and MF DOOM's Operation: Doomsday. All it took was a Dr. Sample SP-202, Tascam cassette eight-track and cheap RadioShack mic. There's truly nothing like it.
This edition has been faithfully restored by Nosdam. European exclusive version comes on clear vinyl, incl. fold-out poster and liner notes insert.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
• Lost-single from classic San Francisco punk band The Avengers
• Featuring original White Noise EP versions of "The American In Me" and "Uh-Oh"
• Produced by Sex Pistols guitarist Steve Jones
• First time available on vinyl in four decades
• Limited edition translucent red vinyl
Track Listing:
1. The American In Me
2. Uh-Oh
2. Cheap Tragedies
Few first wave California punk bands burned as brightly as The Avengers. Formed in San Francisco during 1977's Summer of Hate, they swiftly ascended to the top of the West Coast scene and earned the coveted support slot for The Sex Pistols' final concert in January 1978. The Avengers' frenetic performance at Winterland made quite an impression on Pistols guitarist Steve Jones who offered to record the group.
From the Jones produced sessions, "The American In Me" remains an unmistakable anthem. Embodying the punk zeitgeist, singer Penelope Houston fiercely declares, "Ask not what you can do for your country, what's your country been doing to you."
The original White Noise EP version of "The American In Me" is paired with "Uh-Oh," featuring Jones on piano and bravely demonstrating Me Too sentiments four decades earlier. Comp-only track "Cheap Tragedies" closes this reimagined lost-single set.
The American In Me perfectly captures The Avengers' dynamic power – frustration, style and passion – forged into some of the most pivotal sounds of punk's formative era.
.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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• Featuring original White Noise EP versions of "The American In Me" and "Uh-Oh"
• Produced by Sex Pistols guitarist Steve Jones
• First time available on vinyl in four decades
• Limited edition translucent red vinyl
Track Listing:
1. The American In Me
2. Uh-Oh
2. Cheap Tragedies
Few first wave California punk bands burned as brightly as The Avengers. Formed in San Francisco during 1977's Summer of Hate, they swiftly ascended to the top of the West Coast scene and earned the coveted support slot for The Sex Pistols' final concert in January 1978. The Avengers' frenetic performance at Winterland made quite an impression on Pistols guitarist Steve Jones who offered to record the group.
From the Jones produced sessions, "The American In Me" remains an unmistakable anthem. Embodying the punk zeitgeist, singer Penelope Houston fiercely declares, "Ask not what you can do for your country, what's your country been doing to you."
The original White Noise EP version of "The American In Me" is paired with "Uh-Oh," featuring Jones on piano and bravely demonstrating Me Too sentiments four decades earlier. Comp-only track "Cheap Tragedies" closes this reimagined lost-single set.
The American In Me perfectly captures The Avengers' dynamic power – frustration, style and passion – forged into some of the most pivotal sounds of punk's formative era.
.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
• Previously unreleased live recording of seminal SF punk band CRIME
• Featuring "Baby, You're So Repulsive" and "Murder By Guitar"
• Comes with 35-minute color film on region free DVD
• Limited edition translucent blue vinyl
1. Feel The Beat
2. Rockabilly Drugstore
3. Out Crowd
4. Baby, You're So Repulsive
5. Crime Wave
6. Piss On Your Dog
7. I Knew This Nurse
8. San Francisco's Doomed
9. Instrumental Instrumental
10. I Stupid Anyway
11. Murder By Guitar
One of the most savagely cool and confrontational punk acts in history, CRIME famously dubbed themselves "San Francisco's First And Only Rock 'N' Roll Band." This inflammatory claim was supported by unpredictable live shows that often ended in riots.
In 1978, film producer Larry Larson captured CRIME in their natural habitat, the dimly-lit nightclub Mabuhay Gardens. They looked and sounded more severe than anyone in San Francisco was ready for. The footage sat dormant for decades, until now!
Edited and directed by Jon Bastian, the recently completed movie features archival live performances and unruly behind-the-scenes straight from the original 16mm color film. A vital document of the group – Frankie Fix, Johnny Strike, Ron The Ripper andHank Rank – as well as North Beach's sordid scene: parading punks, square thrill-seekers and Fab Mab promoter Dirk Dirksen's provocative emceeing.
Superior Viaduct presents this first-time release of the 35-minute movie on DVD and double 7" of its soundtrack. Feel the beat – it's CRIME time.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
• Featuring "Baby, You're So Repulsive" and "Murder By Guitar"
• Comes with 35-minute color film on region free DVD
• Limited edition translucent blue vinyl
1. Feel The Beat
2. Rockabilly Drugstore
3. Out Crowd
4. Baby, You're So Repulsive
5. Crime Wave
6. Piss On Your Dog
7. I Knew This Nurse
8. San Francisco's Doomed
9. Instrumental Instrumental
10. I Stupid Anyway
11. Murder By Guitar
One of the most savagely cool and confrontational punk acts in history, CRIME famously dubbed themselves "San Francisco's First And Only Rock 'N' Roll Band." This inflammatory claim was supported by unpredictable live shows that often ended in riots.
In 1978, film producer Larry Larson captured CRIME in their natural habitat, the dimly-lit nightclub Mabuhay Gardens. They looked and sounded more severe than anyone in San Francisco was ready for. The footage sat dormant for decades, until now!
Edited and directed by Jon Bastian, the recently completed movie features archival live performances and unruly behind-the-scenes straight from the original 16mm color film. A vital document of the group – Frankie Fix, Johnny Strike, Ron The Ripper andHank Rank – as well as North Beach's sordid scene: parading punks, square thrill-seekers and Fab Mab promoter Dirk Dirksen's provocative emceeing.
Superior Viaduct presents this first-time release of the 35-minute movie on DVD and double 7" of its soundtrack. Feel the beat – it's CRIME time.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Customers who bought this also bought this
NO VINYLE OF ANY MANU CHAO ALBUM HAS BEEN AVAILABLE ON SALE FOR AGES. ALL STUDIO & LIVE ALBUMS ARE BACK ON DOUBLE VINYL GATEFOLD FEAT. THE CD
TRACKLIST
A1. CLANDESTINO - A2. DESAPARECIDO - A3. BONGO BONG - A4. JE NE T’AIME PLUS - B1. MENTIRA... - B2. LAGRIMAS DE ORO - B3. MAMA CALL - C1. LUNA Y SOL - C2. POR EL SUELO - C3. WELCOME TO TIJUANA - C4. DIA LUNA... DIA PENA - D1. MALEGRIA - D2. LA VIE A 2 - D3. MINHA GALERA - D4. LA DESPEDIDA - D5. EL VIENTO
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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TRACKLIST
A1. CLANDESTINO - A2. DESAPARECIDO - A3. BONGO BONG - A4. JE NE T’AIME PLUS - B1. MENTIRA... - B2. LAGRIMAS DE ORO - B3. MAMA CALL - C1. LUNA Y SOL - C2. POR EL SUELO - C3. WELCOME TO TIJUANA - C4. DIA LUNA... DIA PENA - D1. MALEGRIA - D2. LA VIE A 2 - D3. MINHA GALERA - D4. LA DESPEDIDA - D5. EL VIENTO
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Forever Living Originals
Cat-No:FLO00022LP
Release-Date:17.04.2026
Genre:Soul/Funk
Configuration:LP
Label:Forever Living Originals
Cat-No:FLO00022LP
Release-Date:17.04.2026
Genre:Soul/Funk
Configuration:LP
1
Sault - God, Protect Me from My Enemies
2
Sault - Chapter 1
3
Sault - Fulfil Your Spirit
4
Sault - Protector
5
Sault - Good Things Will Come After the Pressure
6
Sault - Create Your Prophecy
7
Sault - Love Does Not Equal Pain
8
Sault - Lord Have Mercy
9
Sault - Don’t Worry About What You Can’t Control Puppet
10
Sault - Puppet
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DE - 22113 Hamburg
Germany
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1
Intrusion - A Gentle Embrace [remastered]
2
Intrusion - A Gentle Embrace [reduced][remastered]
Repress!
Over a decade has passed since this was released, and it has truly aged like fine wine. This release features 2 timeless cuts from the mind and soul of intrusion, mixed and recorded near the heart of Detroit. This was beautifully remastered by dub innovator and pioneer, Stefan Betke [POLE] @ scape mastering in Berlin, DE. The recordings were pulled from the session masters conducted by Bazza @ Alchemy Mastering in London to ensure a perfectly balanced mix and preserving the soul and spirit of the original tape master. The first incarnation of "A Gentle Embrace" came in the form of three extended reshapes from cv313 & variant and now we're proud to offer the original work on beautiful crystal/silver mixed clear 150 gram wax! :)
On side A the most pristine of dub techno is on offer here, this is Detroit techno stripped down to its most minimal core. A gorgeous subtle ambient soundscape exploring the deepest end of dub and house with gentle surges of organic elements, field recordings and modular movements simply out of this world. The "Reduction" mix on side B captures those chilling glacial soundscapes, trademark basslines and mesmerizing gaseous atmospheres subtly layer into the mix. Otherworldly to say the very least, this is music to swim in, breathe in and to pray to - for the spirit and the soul. Essential!
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Over a decade has passed since this was released, and it has truly aged like fine wine. This release features 2 timeless cuts from the mind and soul of intrusion, mixed and recorded near the heart of Detroit. This was beautifully remastered by dub innovator and pioneer, Stefan Betke [POLE] @ scape mastering in Berlin, DE. The recordings were pulled from the session masters conducted by Bazza @ Alchemy Mastering in London to ensure a perfectly balanced mix and preserving the soul and spirit of the original tape master. The first incarnation of "A Gentle Embrace" came in the form of three extended reshapes from cv313 & variant and now we're proud to offer the original work on beautiful crystal/silver mixed clear 150 gram wax! :)
On side A the most pristine of dub techno is on offer here, this is Detroit techno stripped down to its most minimal core. A gorgeous subtle ambient soundscape exploring the deepest end of dub and house with gentle surges of organic elements, field recordings and modular movements simply out of this world. The "Reduction" mix on side B captures those chilling glacial soundscapes, trademark basslines and mesmerizing gaseous atmospheres subtly layer into the mix. Otherworldly to say the very least, this is music to swim in, breathe in and to pray to - for the spirit and the soul. Essential!
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Kilotoni - Untitled
2
Kilotoni - Untitled
3
Kilotoni - Untitled
4
Kilotoni - Untitled
Entering the abandoned warehouse full of haze and blinded by the strobe lights, you feel the rush when the bass kicks in. You have no idea if the year is 1996 or 2026, but it doesn't matter as long as you are alive.
Indeed, another batch of forgotten and previously unreleased radioactive acid techno has surfaced on the anonymous, vinyl-only Kilotoni imprint — possibly their strongest release so far.
A1 The peak of acid techno is perhaps found in its most stripped-down form. As the bass line throbs your breath out, you try to chase the kick drum in a game of hide-and-seek until complete exhaustion. It's something you play after the copies of Betty Ford and Sync In start to melt during a nuclear reactor accident.
A2 A ravey or hard-techno-oriented approach is applied to the acid techno formula here. The squelching, pulse-width-modulated synth makes for an eerie yet irresistible call to the dance floor. The snare rolls might just be your guilty pleasure.
B1 The flip side opens with funkier techno that the Voyager probes could bump to in outer space a million years from now. A wild acid line is accompanied by playful chords and beats. Detroit influences meet Nordic melancholy.
B2 The kick drum keeps pounding its way through while a lonely TB-303 is traveling in its own space and time. Influenced perhaps by the Midwest acid techno style, this could be a mid-90s DAT-tape lost inside the transatlantic postal system on its way to the Analog Records USA headquarters.
Tracklisting:
A1: Untitled
A2: Untitled
B1: Untitled
B2: Untitled
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Indeed, another batch of forgotten and previously unreleased radioactive acid techno has surfaced on the anonymous, vinyl-only Kilotoni imprint — possibly their strongest release so far.
A1 The peak of acid techno is perhaps found in its most stripped-down form. As the bass line throbs your breath out, you try to chase the kick drum in a game of hide-and-seek until complete exhaustion. It's something you play after the copies of Betty Ford and Sync In start to melt during a nuclear reactor accident.
A2 A ravey or hard-techno-oriented approach is applied to the acid techno formula here. The squelching, pulse-width-modulated synth makes for an eerie yet irresistible call to the dance floor. The snare rolls might just be your guilty pleasure.
B1 The flip side opens with funkier techno that the Voyager probes could bump to in outer space a million years from now. A wild acid line is accompanied by playful chords and beats. Detroit influences meet Nordic melancholy.
B2 The kick drum keeps pounding its way through while a lonely TB-303 is traveling in its own space and time. Influenced perhaps by the Midwest acid techno style, this could be a mid-90s DAT-tape lost inside the transatlantic postal system on its way to the Analog Records USA headquarters.
Tracklisting:
A1: Untitled
A2: Untitled
B1: Untitled
B2: Untitled
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Maxx Mann - Just Like A Razor
2
Boytronic - Tonight (Alternate Mix)
3
Muzak - The Happy Song
4
Dereck Higgins - This Was SOmething
5
Transistor Jet - Master Of The Universe (BW's F-w)
6
Patrick Cowley - Love Me Hot (feat. Paul Parker)
7
Polar Praxis - (I Want) To Be Different
8
Nightmoves - Nightdrive
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Megamen - Designed For Living
10
Bachelors Anonymous - A Stranger's Bed
Dark Entries has raided the bathhouse to bring us Deep Entries: Gay Electronic Excursions 1979-1985, 10 tracks of obscure queer synth bliss. One of Dark Entries' most important missions has been illuminating neglected facets of gay musical history, with crucial archival works by legends like Patrick Cowley, Sylvester, and Man Parrish. On Deep Entries, the label spans 6 years of gay electronics - from sultry to angsty to camp, these songs are overflowing with snappy 808 snares and sinewy analog synth leads. The '80s were a difficult period for many in the gay community as they grappled with the horrors of the HIV/AIDS crisis. The 10 tracks on Deep Entries, varied in genre and vibe, are united in their portraiture of 1980s gay life, and the hope for love or fleeting romance. Previously unreleased cruising soundtracks come courtesy of Patrick Cowley’s “Love Me Hot” featuring vocalist Paul Parker and Boytronic’s “Tonight (Alternate Mix)” set on Hamburg’s famous “Mile of Sin.” Brisbane-based Megamen deliver the proto-electroclash number “Designed for Living,” which prefigures Madonna’s Marlene Dietrich rap in “Vogue.” Trans vocalist Paula "Ula" Villagrá declares, “Everyone is gay!” on Muzak’s “Happy Song,” a skittering tecnopop anthem. Dereck Higgins' “This Was Something” rings like a lost Joy Division cut draped in bizarre effects, and Polar Praxis’ “(I Want) To Be Different” is a seething ode to alterity. Nightmoves’ “Nightdrive,” is best known as the brooding instrumental B-side to their epochal “Transdance.” Transistor Jet’s “Master Of The Universe (BW's f-w)”, Maxx Mann’s “Just Like a Razor” and Bachelor’s Anonymous’ “A Stranger’s Bed” are mood music for the pleasures of BDSM and one-night stands. The record comes housed in a retro bathhouse fantasy sleeve designed by Gwenaël Rattke and includes a double-sided poster with photographs and lyrics. Deep Entries arrives on December 1st in honor of World AIDS day, and proceeds will go to the San Francisco AIDS Foundation.
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DE - 22113 Hamburg
Germany
Contact: [email protected]More
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DE - 22113 Hamburg
Germany
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1
Lost Trax - Minor Stabs
2
Lost Trax - Detone
3
Lost Trax - Model F
4
Lost Trax - SAID Principles
Following releases based in Amsterdam and Rotterdam, this one marks the "D" in Lost Trax's ARD trilogy. On SAID Principles, shaping their style to this landscape, the mysterious Lost Trax charts four hard-hitting techno tracks, imposing their demands on all those who can hear. It is up to you to now adapt.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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1
Skull Snaps - My Hang Up Is You
2
Skull Snaps - Having You Around
3
Skull Snaps - Didn't I Do It To You
4
Skull Snaps - All Of A Sudden
5
Skull Snaps - It's A New Day
6
Skull Snaps - I'm Your Pimp
7
Skull Snaps - I Turn My Back On Love
8
Skull Snaps - Trespassing
9
Skull Snaps - I'm Falling Out Of Love
Repress!
Widely available for the first time in forty-five years, featuring ‘It’s A New Day’, one of the most sample breaks in history. Official Mr Bongo reissue.
Record collectors, producers and crate diggers like a good creation myth, and Skull Snaps’ self-titled ‘debut’ had it all. A mysterious funk trio, who recorded one album under a curious name, housed it in a sleeve that looked more like a proto-metal album, and released it through a label (GSF Records) that folded shortly afterwards? Everything pointed towards the Skull Snaps album as a single totemic object, packaged in a way that predicted its own disinterment almost twenty-five years later.
For those who sampled it, myth maintenance was advantageous, both for their reputations and for their consciences. Likewise, an unsanctioned 1995 reissue on Charley Records removed the credits from the inner sleeve to further sever the record from its context - or perhaps because the label couldn’t quite face using the names of artists they had no intention of paying. Either way, owning the record was a right of passage, as Amir Abdullah once wrote: “If you don't have Skull Snaps in your collection, your collection is weak."
Featuring sleeve notes by Anton Spice. Licensed from Sam Culley.
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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Widely available for the first time in forty-five years, featuring ‘It’s A New Day’, one of the most sample breaks in history. Official Mr Bongo reissue.
Record collectors, producers and crate diggers like a good creation myth, and Skull Snaps’ self-titled ‘debut’ had it all. A mysterious funk trio, who recorded one album under a curious name, housed it in a sleeve that looked more like a proto-metal album, and released it through a label (GSF Records) that folded shortly afterwards? Everything pointed towards the Skull Snaps album as a single totemic object, packaged in a way that predicted its own disinterment almost twenty-five years later.
For those who sampled it, myth maintenance was advantageous, both for their reputations and for their consciences. Likewise, an unsanctioned 1995 reissue on Charley Records removed the credits from the inner sleeve to further sever the record from its context - or perhaps because the label couldn’t quite face using the names of artists they had no intention of paying. Either way, owning the record was a right of passage, as Amir Abdullah once wrote: “If you don't have Skull Snaps in your collection, your collection is weak."
Featuring sleeve notes by Anton Spice. Licensed from Sam Culley.
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DE - 22113 Hamburg
Germany
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1
Simoncino - A1.Traxxx I
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Simoncino - A2.Traxxx II
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Simoncino - A3.Traxxx III
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Simoncino - B1.Traxxx IV
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Simoncino - B2.Traxxx V
Simoncino returns to Skylax Records with Traxxx EP, a raw and hypnotic five-track collection built for the dancefloor. Known for his unmistakable analog approach and deep connection to the legacy of Chicago house and underground European club culture, the Italian producer delivers a set of stripped-down, highly functional DJ tools. Tight drum machine programming, rolling basslines and subtle synth movements drive each track forward with precision and efficiency. No gimmicks, no excess — just pure club energy designed for long mixes and late-night sessions. True to the Skylax philosophy, Traxxx EP focuses on timeless groove architecture rather than trends, offering DJs and collectors a record that will remain effective in the bag for years. Raw, hypnotic and direct, this is underground house music in its most essential form.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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cv313 - Lost Sequence [remastered]
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cv313 - Lost Sequence [Intrusion Dub][remastered]
Over a decade has passed since this 12" was released, and it has truly aged like fine wine. This release features 2 timeless cuts from the mind and soul of cv313 mixed and recorded near the heart of Detroit. This was beautifully remastered by dub innovator and pioneer, Stefan Betke [POLE] @ scape mastering in Berlin, DE. The recordings were pulled from the session masters conducted by Bazza @ Alchemy Mastering in London to ensure a perfectly balanced mix and preserving the soul and spirit of the original tape masters while focusing on enriching every finite detail. While listening to these remasters you can feel the analog warmth of the original tape recordings, with a low end rumble in a way only POLE could pull off! On the A side we have cv313's classic "Lost Sequence" culled from the celebrated Japan exclusive "live" double CD album released back in 2009. On the B side there's a rare live version performed by intrusion at a loft event put on by the good folks over @ Little White Earbuds. This rare recording was reduced and stripped down, core traces of the original swim inside oceanic bass and modulated high end frequencies creating an atmosphere all of its own. This is one for the heads and a true lesson in space and bass!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Landmark collaboration between two electronic pioneers. A first-time meeting between Suzanne Ciani and Actress — bridging generations of experimental electronic music, from Buchla synthesis to contemporary abstract club forms. First official release of a previously exclusive live work. Concrète Waves is a groundbreaking live collaboration between two titans of avant-garde electronic music, co-commissioned by, and performed at, The Barbican, London and Barcelona’s renowned Sónar. Now, for the first time it is available to stream and download via Werkdiscs, Actress’ newly relaunched record label.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Underkut - Both Ends (Original 1991 Mix)
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Underkut - Both Ends (Original 1991 Fusion Mix)
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Underkut - Both Ends (Unreleased 1991 Vocal Mix)
Repress coming end of April.
Super Rhythm Trax are proud to present this reissue of one of the most loved, most underground and most sought after Breakbeat Hardcore records from 1991. Raw rugged and authentic, no silly chipmunk vocals or twee piano here, oh no!
Carefully remastered from the original dat tapes, both original versions of Underkut “Both Ends” are now available at a reasonable price after 35 years!!
Since its original release in 1991 it quickly gathered legendary status with it’s super slamming breaks and ‘that’ huge Bassline, it doesn’t get any better than this.
On the DAT tape, we also chanced upon an unreleased, unheard version, and We include this unheard vocal mix as an ‘of it’s time’ artefact for the collectors, as it really accentuates the record’s obvious HipHop leanings and there are parallels to be drawn with the whole Britcore movement of the time, where crews like Hijack, Gunshot, Cash Crew, Demon Boyz and London Posse were flourishing.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Super Rhythm Trax are proud to present this reissue of one of the most loved, most underground and most sought after Breakbeat Hardcore records from 1991. Raw rugged and authentic, no silly chipmunk vocals or twee piano here, oh no!
Carefully remastered from the original dat tapes, both original versions of Underkut “Both Ends” are now available at a reasonable price after 35 years!!
Since its original release in 1991 it quickly gathered legendary status with it’s super slamming breaks and ‘that’ huge Bassline, it doesn’t get any better than this.
On the DAT tape, we also chanced upon an unreleased, unheard version, and We include this unheard vocal mix as an ‘of it’s time’ artefact for the collectors, as it really accentuates the record’s obvious HipHop leanings and there are parallels to be drawn with the whole Britcore movement of the time, where crews like Hijack, Gunshot, Cash Crew, Demon Boyz and London Posse were flourishing.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Tom Carruthers - A1.Chrome
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Tom Carruthers - A2.Agenda (Raw Mix)
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Tom Carruthers - A3.Beat Down
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Tom Carruthers - B1.Fade Away
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Tom Carruthers - B2.What You Want
With Agenda EP, Tom Carruthers closes a landmark trilogy on Skylax Records, following Neutralise EP and Deepline. Three records. Fifteen tracks. One coherent vision of machine-driven house music stripped to its raw, functional core. This final chapter dives deeper into direct, club-focused energy, where groove, repetition and tension do the talking. Agenda is less reflective, more physical — built for movement, sweat, and long transitions in dark rooms. Opening track “Chrome” sets the tone: sharp drum programming, metallic pressure, and looping synth phrases that lock the body into motion. “Agenda (Raw Mix)” follows with a tougher, stripped-down approach — no excess, just pure rhythmic insistence rooted in early Chicago jack and warehouse discipline. “Beat Down” pushes further into machine funk territory, where relentless patterns and rugged textures meet in hypnotic repetition. On the flip, “Fade Away” brings a deeper, moodier tension — a late-night track where subtle emotion seeps through minimal structures. Closing cut “What You Want” is classic Carruthers: jacking drums, understated melody, and a groove that feels timeless rather than retro. As with the previous releases, the visual identity is handled by H5, whose modernist, reduced artwork mirrors the sonic philosophy: clarity, impact, and purpose. Agenda EP completes the Skylax trilogy as a statement of intent — not revivalism, not nostalgia, but dance music reduced to its essential elements.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More