New club heat by Fabio Monesi on his own Wilson Records imprint. "Fabio Monesi delivers what can be considered a true masterpiece or a quintessential House Anthem, demonstrating a profound grasp of the genre's foundational elements while seamlessly incorporating a fresh, nuanced approach to production. House Anthem stands as a polished work that honors house music's rich legacy while boldly pushing the boundaries of contemporary sound. Monesi showcases his remarkable talent for crafting a track that speaks to both the dedicated house enthusiast and the enthusiastic clubgoer, offering a timeless piece of music that transcends trends."

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Fabio Monesi is back on his own platform after 3 long years and he decided to celebrate his return with 2 solid dance floor house anthems that are ready to remain in our record bags for long!

If you are an Omar s Fan then you cannot miss the A side: 'You are not supposed to know' .

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Master of synthesis Fabio Monesi joins Craigie Knowes for a crazily varied 12". Vintage pads, electronic basslines, 4x4 patterns, broken beats, Italo, Electro, Techno, House, whatever it is - it is excellent.

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After a flury of Wilson Limited Releases, Wilson Records Honcho, Fabio Monesi storms back on his beloved project with 'Say Wot!?' EP!
While the latest releases have been inspired by the infectious ferocity of earlier Chicago house records, 'Say Wot!?' splits off in another direction entirely. Working in elements of the classic sounds that msde the french-house anthems dominate the air waves for so long, its shaping up to be a real head-spinner in the club.
'Asap900', the B-side of the record, brings us back to the golden era of the warehouse-raves. A straight up, no holds barred kick drum-driven rhythm-machine.
Mastered at Reel Mastering, London


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Creme Organization's latest missive comes from Fabio Monesi, an Italian with a gritty house sound that is aimed squarely at the club. He's served up punchy beats on labels like Russian Torrent versions as well as his own Wilson Records before now and has a simple but effective sound. 'Riot' kicks us off with rock slid kicks and lithe synth stabs fleshing out the macho groove. Clever vocal samples bring some steaminess and ensure this one will do plenty of damage on the floor. 'Last Friday' is a raw and lo-fi affair with rattling, sharp edged hits and hissing synths all softened with jazzy chords. House drums and rolling bass prop it up in groovy fashion, then 'Reduction' is a frazzled brew of spiting hits, jerking machine grooves and busted frequencies that is as raw and tough as you like. Last of all, the excellent 'Ozyork' rounds us out with punchy drum programming, intoxicating and off kilter chords and brain frying sonic imperfections that are perfectly imperfect. Add in a deep acid line and you have a surefire house bomb with real meat in its bones.

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Label Honcho Fabio Monesi return on his own platform with a two-tracker. If "Ancient Gate" is a raw-punchy-electro-house tool, "Wishing On the Stars" hark back to the classic sound of some of the greatest Fxhe Records.



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Fabio Monesi returns on his own Wilson Records with a four grimy hardware house cuts.


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The tenth in the series has been twisted in an all too unconventional fashion for the Wilson imprint. Here we have the sequential EP from the WLS09, dedicated to some seriously hot, off the wall remix action from 4 of the most revered artists in the game today; Chicago house legend, Gene Hunt, the notorious HotMix Boss, Simoncino and a remix each from Berlin based Techno-House duo, The Analog Cops. Get ready for some unreal sonic business

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Wilson records is back with a branding 'spanking' new, special printed-screen edition celebrating label head, Fabio Monesi's first solo EP. The succession of the label and Fabio's sound has been ever so apparent. A manifestation into something much more darker and refined, something represented crystal clear in the riveting rhythms of the A side with 'Gotta Blaser' & 'Djago'. On the flip, the B side is a declaration of love, if you will, to the mother of it all; Chicago's house music.


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SKYLAX RECORDS, THE company focused on realeasing original obscure dance classic and everything’s that sounds fine to their ears !For our 33rd release , we decided to bring you guys one of the best deep house producer on earth : FABIO MONESI !The Milanese house producer has been at the forefront this year with some storming releases on Albion, Blackrose, Aurour , Wilson records (its own label) & some ace remixes for Giovanni Damico & Kid Mark (that will feature both on A Fistful of Wax n°2 !).Fabio opens the EP with "Duke mama", a proper house anthem complete with a set of neat vocals, a shuffling workout of hi-hats, the inevitable snare and an old-school bass line which bounces from wall to wall. It made us think
about a mix between Boo williams chicago house purity & the glorious times of the Underground music movement italian house anthems : TUNE !He closes the A side with “Millionhands” a similarly reflective house number for when things turn seriously deep Monesi's rugged low end bumper "No matter what (Hissmann dub)" opens the B side bristling with vintage house ideas and some rather excellent usage of detuned keys while on “Farmhouse 171 (Hissmann mix)” he drops a sample heavy bomb that sounds as an agitated Moodymann A must to have in every djs collection.

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New club heat by Fabio Monesi on his own Wilson Records imprint. "Fabio Monesi delivers what can be considered a true masterpiece or a quintessential House Anthem, demonstrating a profound grasp of the genre's foundational elements while seamlessly incorporating a fresh, nuanced approach to production. House Anthem stands as a polished work that honors house music's rich legacy while boldly pushing the boundaries of contemporary sound. Monesi showcases his remarkable talent for crafting a track that speaks to both the dedicated house enthusiast and the enthusiastic clubgoer, offering a timeless piece of music that transcends trends."

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Repress!

Fabio Monesi teamed up with Tom Carruthers for a solid EP of pure house music.

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Synth-heavy-disco dancefloor killers for this Italian Affair. Fabio Monesi teamed up with the Iconic Disco duo Tiger & Woods and with Retro-Future duo Voodoos & Taboos for this new Wilson Records Release.

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Fabio Monesi is back on his own platform after 3 long years and he decided to celebrate his return with 2 solid dance floor house anthems that are ready to remain in our record bags for long!

If you are an Omar s Fan then you cannot miss the A side: 'You are not supposed to know' .

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Discomystery man Donald Dust makes his debut on Wilson Records withan Obscure and Hi-NRGdisco stomp

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A1. Crusin'
A2. Do What You Wanna Do
B1. Sunday Naked
B2. T-Rex

Sanso is back on Wilson Records for his thirds solo release.





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Daniele Baldelli
"A pleasant surprise to find in this release various atmospheres and sounds that have always been part of my DJing. It even made me rediscover M’Bamina, whom I used to play back in 1974 at the Tabù Club in Cattolica.
There are afro vibes as well, with Black Line – Myele, which is featured on one of my Cosmic tapes, and Nowhere by the Stratosferic Band recalls a track I used to play at the Baia degli Angeli…
Excellent work!"

Voom Voom Music was an independent Italian record label based in Turin, founded and managed by record producer Ivo Lunardi (Turin, December 6, 1940 – December 9, 2010). A pivotal figure in the Piedmont music scene, Lunardi was active both as a DJ and as the owner of several disco clubs.

The label operated for several years in the latter half of the 1970s, releasing mainly productions connected to the Italian dance and pop scene.
Since 2016, the original master tapes from the Voom Voom Music catalog have been owned by Gianluca Pandullo (I-Robots), a close friend of Ivo and Luca Lunardi. Through his labels Opilec Music and Turin Dancefloor Express, Pandullo oversees their preservation and historical enhancement.

The artistic direction of Voom Voom Music was marked by a distinct sonic identity — eclectic yet visionary. The Turin-based label founded by Ivo Lunardi embraced a sound that blended disco, pop, and rock influences, interwoven with African American grooves in a pioneering, international perspective.

Voom Voom Music was among the first Italian labels to introduce this kind of musical language in the country. A prime example is the Italian edition of the debut album by B.T. Express, Do It ('Til You're Satisfied), released in LP, 8-Track Cartridge, cassette, and 7" single formats.
The label’s productions clearly reflected the influence of black and funk music, as evidenced by the references and inspirations running through its catalogue. The track “Lady Pick-Up”, for instance, includes direct nods to “Do It Good” by KC & The Sunshine Band and Manu Dibango’s iconic “Soul Makossa”, revealing a musically refined and contemporary sensibility.

Among the label’s most representative works is Splash (1977) by the Stratosferic Band, a project conceived by Luigi Venegoni — producer, songwriter, and guitarist of Arti e Mestieri. Venegoni’s artistic journey spanned from progressive rock to space and Italo disco. The album artwork was designed by Piero D’Amore (1944 - 2022), a charismatic and multifaceted figure of Turin’s art scene (one of his works was even acquired by the MoMA in New York).
The record includes a disco reinterpretation of Van Morrison’s classic “Gloria”, and “Splashdown”, a track fusing the disco-rock energy of Rockets and Space. In contrast, “Nowhere” revisits the 1975 single by Hokis Pokis, a soul/disco band from Nassau County (New York), transforming it into a vibrant disco-funk number.

Another significant expression of the label’s catalogue is the afro-rock sound of M’Bamina, an Italo-Congolese group whose rhythmic energy and dialogue between African percussion and Western funk evoke the style of international formations such as Osibisa — themselves linked to a rich artistic history in Italy.

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Uprising Space Bass Dubplate

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Club Splendore was born in 2022 in Modena, Italy, as an itinerant party and club format.

In just a few years, it has established itself as one of the most recognizable disco-oriented projects within the new Italian nightlife scene, exporting its sonic and visual identity to iconic clubs and international settings.

With over 20 dates in a single year, recurring sold-outs and a diverse crowd, Club Splendore has evolved into an experience that goes beyond the dancefloor: an inclusive, label-free space where music, style and attitude coexist under red lights and immersive atmospheres. The format has appeared in some of the most relevant venues across Europe, including Villa Delle Rose (Riccione), Palazzina Grassi (Venice), Matis Club (Bologna), Hierbas Club (Cortina), while also expanding internationally with dates at Do Not Disturb – W Hotel Amsterdam, COYA Mykonos, and House Party London, confirming the project’s ability to connect with an international audience. From the club to the record.

Club Splendore Vol.1 is the project’s first official vinyl release and marks a natural step forward: capturing on physical format the sound that has been defining its dancefloors over the past years. The record explores a contemporary take on Italo Disco, infused with classic disco, funk and modern house elements, delivered with an ironic, sensual and direct approach. A sound that reinterprets the aesthetics of the ’80s without nostalgia, translating them into a current, club-focused language. Behind the production and on the decks: Sparkling Attitude, Nicola Zucchi and Matteo Mussoni, resident DJs of the format and the core musical force behind Club Splendore.

Side A features “Drink Campari”, an italo disco track built around warm, enveloping textures, elastic basslines, bright synths and a late-night groove. A story of summer desire and endless nights, playing with the iconography of Italian Red Passion in a light, effortless way.

Side B hosts “Madame”, a bonus track and electronic ballad with a more intimate, suspended mood. A track designed for the final hours of the night, when the club slows down and the dancefloor gives way to something more personal.

Club Splendore Vol.1 is not a compilation, but a statement of intent. A first chapter that brings the club experience beyond the club itself, staying true to the promise that has defined the project from the very beginning: “We will bring the light into the darkness of the night.

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Originally released in 2014, Strut re-introduces Hardcore Traxx: Dance Mania Records 1986-1997, the highly sought-after definitive retrospective of one of Chicago’s most important and innovative house music labels.



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Part two of the Idjut Boys mixes on File Under Disco sees the legendary UK DJ and production duo drop a tab of acid in JKriv & The Disco Machine's orange juice.
With effects units set to stun and a course set for Acid Disco space...the Idjuts work classic acid house elements into these mixes to produce an effect as strong as any dodgy microdot. And with the Disco Machine's authentic disco vocals riding and floating on top of this hybrid blend the result is a truly wanged out and rather devastating piece of dance floor magic. Pure Idjut style! Both cuts can be filed under acid disco and are made for heads.

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