Label:Last Year At Marienbad
Cat-No:LYAM011
Release-Date:24.04.2026
Genre:House / Techno
Configuration:12" Excl
Label:Last Year At Marienbad
Cat-No:LYAM011
Release-Date:24.04.2026
Genre:House / Techno
Configuration:12" Excl
1
M1NT & STRNGE - New Horizons
2
M1NT & STRNGE - New Horizons (Edmondson Remix)
3
M1NT & STRNGE - Spheres
4
M1NT & STRNGE - Let Go
Territory: Worldwide
Tracklist:
A1. New Horizons
A2. New Horizons (Edmondson Remix)
B1. Spheres
B2. Let Go
Info
LYAM welcomes duo M1NT and STRNGE with 'Spheres', a breathtaking EP that embodies late night star gazing, all encompassing introspection and deep immersion in feeling.
M1NT and STRNGE, known as NRMNT, have built a compelling foundation for their sound, which speaks broadly with a deft, organic approach and enables intimacy, emotion and mood. They combine their production knowledge with M1NT's trumpet playing, a cornerstone of their unique sound, and move effortlessly through the realms of dance music, drawing inspiration from soft undulations, tonal waves and euphoric melodic frequencies, with strong emphasis on musical evolution.
'Spheres' encapsulates their musicianship, giving the music room to grow and morph as the EP unravels. 'New Horizons' has a hopeful gleam, with synths hinting at sun kissed skies and optimism, while M1NT's trumpet offers graceful cameos and expressive chordal lines over soft yet purposeful drums.
The title track leans into its dream-like synth intro before highly energised drums take hold, and its polyrhythmic keys and tight groove create spiritual release.
'Let Go' leans into the emotive power of melodics, with angelic touches that create a divine atmosphere, sparkling in softly spoken intensity as its wave-like approach washes over the ears.
Edmondson's remix of 'New Horizons' picks up the core motifs, softens the drums and shifts the mix, allowing new features to surface and creating a playful interchange between the trumpet and a creative vocal sample, offering a tour de force that homages the original.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist:
A1. New Horizons
A2. New Horizons (Edmondson Remix)
B1. Spheres
B2. Let Go
Info
LYAM welcomes duo M1NT and STRNGE with 'Spheres', a breathtaking EP that embodies late night star gazing, all encompassing introspection and deep immersion in feeling.
M1NT and STRNGE, known as NRMNT, have built a compelling foundation for their sound, which speaks broadly with a deft, organic approach and enables intimacy, emotion and mood. They combine their production knowledge with M1NT's trumpet playing, a cornerstone of their unique sound, and move effortlessly through the realms of dance music, drawing inspiration from soft undulations, tonal waves and euphoric melodic frequencies, with strong emphasis on musical evolution.
'Spheres' encapsulates their musicianship, giving the music room to grow and morph as the EP unravels. 'New Horizons' has a hopeful gleam, with synths hinting at sun kissed skies and optimism, while M1NT's trumpet offers graceful cameos and expressive chordal lines over soft yet purposeful drums.
The title track leans into its dream-like synth intro before highly energised drums take hold, and its polyrhythmic keys and tight groove create spiritual release.
'Let Go' leans into the emotive power of melodics, with angelic touches that create a divine atmosphere, sparkling in softly spoken intensity as its wave-like approach washes over the ears.
Edmondson's remix of 'New Horizons' picks up the core motifs, softens the drums and shifts the mix, allowing new features to surface and creating a playful interchange between the trumpet and a creative vocal sample, offering a tour de force that homages the original.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Last Year At Marienbad
1
milan93 & 9ICK & Mauricesax - Rhodora
2
milan93 & 9ICK & Mauricesax - Tulip
3
milan93 & 9ICK & Mauricesax - Honeysuckle
4
milan93 & 9ICK & Mauricesax - Camellia
5
milan93 & 9ICK & Mauricesax - Tulip (Pacific Coliseum Remix)
6
milan93 & 9ICK & Mauricesax - Honeysuckle (Teuteu Remix)
Territory: Worldwide
Tracklist:
A1. Rhodora
A2. Tulip
A3. Honeysuckle
A4. Camellia
B1. Tulip (Pacific Coliseum Remix)
B2. Honeysuckle (Teuteu Remix)
Info
On Last Night At Marienbad's latest, the imprint brings together three of the brightest souls found within the realms of Jazz, namely Mauricesax, 9ick and Milan93, with their collective talents synergising effortlessly on 'A Garden Between Us', alongside a stellar cast of remixers who add even further delight between the grooves….
As a genre, Jazz has perhaps lent itself the most to other musical universes, in that its curious heart, endlessly experimental nature, and parameter-defying spirit have wrapped itself deep within the core of countless albums, scenes, and music makers. It's a genre that welcomes reinvention, consistently defying its contents and always reaching out to find new methods of expressionism. Electronic music, in its many forms, has truly embraced Jazz perhaps like no other movement of music has, with a truly astonishing array of records surfacing in the past 40 years which have blended Jazz's unique motifs with grooves, chords, and emotive excellence. From 90s Jazz house and UR Techno, through to Future Jazz, downtempo, and Hip Hop, and around many other suns, there remains such an intrinsic and symbiotic relationship between the two musical realms that caters to those who wish to live music both within and out with themselves.
As practitioners of blending electronica and Jazz, few do it like the trio of Mauricesax, 9ick, and Milan93. All three are known for their distinctive soundscapes, yet share commonalities in terms of musical language, feel, and sense of progression. Bringing them together allows for overlaps in their sounds to emerge, and just like Jazz itself, this is where the intrinsicness of sound begins to blossom. 9ick brings his softly evolving vibe to the table, one which was so prevalent and celebrated on his 2025 album 'SMIL'; Milan93 draws from his focal point of exploring fill-laden grooves and a myriad of emotive sensibilities; and Mauricesax draws up his extensive musicality that exists at the corner of jazz, electronic, and experimental music, along with running musical workshops all over the globe.
'A Garden Between Us' represents the trio's core tenets, with this immediately obvious from the record's opener, 'Rhodora'. A gentle solo piano quickly evolves into a series of powerful rhythmic pulses, with brass lines bringing vitality and feel to proceedings. The track shifts gears with purpose, transitioning between musical vignettes of the highest order, with the synth work doing much to bind the transitions together. 'Tulip' emerges slightly differently, with glossy Rhodes tones and an unravelling rhythmic undercurrent setting an enthralling stage. The track flourishes amongst sweeping textures, coming up for air amongst a deeply hypnotic rhythmic section that holds on and never lets up. 'Honeysuckle' lands next, which sees the trio emerge with a boundless, dynamic soundscape. The drums shift within the undertones, as keys, chords, horns and hip-hop vocal samples dance around the pulse, capturing the imagination with their narrative-like placement. Wrapping up the A side comes 'Camellia'. A dazzling array of harmonic sounds converges around the transfixing rhythm section, which emerges from deep below to lavishly roll out over the midsection, with the delicateness of the instrumentation a real highlight here.
The B side features two exquisite remixes, with Pacific Coliseum's version of 'Tulip' landing first. Beginning with a signature four to the floor to get things going, his careful handling of the source material is seen in the tactful introduction of the blissful elements that made the original cut so impactful, with great focus placed on emotive fidelity. The result is a summer-bound house number that reimagines the original in all the right ways, flipping it into a euphoria-driven jazz-laden pacer that reaches for the heavens as much as it drives right into the heart. Teuteu then showcases their take on 'Honeysuckle', and at 9 minutes long, represents the longest cut on the record - and the experience is all the richer for it. Leaning heavily into dance music flavours, Teuteu shifts perspective totally into the realm of the club, with the walls beating hard to the kicks. The sax lines that drift ethereally up top keep eyes closed and souls full, as the dance shifts into the next phase.
An experience that drifts from the daydreaming, to soul-warming through to the club shaking - what else is left to experience, except for 'A Garden Between Us' and how it will brighten up life itself….
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist:
A1. Rhodora
A2. Tulip
A3. Honeysuckle
A4. Camellia
B1. Tulip (Pacific Coliseum Remix)
B2. Honeysuckle (Teuteu Remix)
Info
On Last Night At Marienbad's latest, the imprint brings together three of the brightest souls found within the realms of Jazz, namely Mauricesax, 9ick and Milan93, with their collective talents synergising effortlessly on 'A Garden Between Us', alongside a stellar cast of remixers who add even further delight between the grooves….
As a genre, Jazz has perhaps lent itself the most to other musical universes, in that its curious heart, endlessly experimental nature, and parameter-defying spirit have wrapped itself deep within the core of countless albums, scenes, and music makers. It's a genre that welcomes reinvention, consistently defying its contents and always reaching out to find new methods of expressionism. Electronic music, in its many forms, has truly embraced Jazz perhaps like no other movement of music has, with a truly astonishing array of records surfacing in the past 40 years which have blended Jazz's unique motifs with grooves, chords, and emotive excellence. From 90s Jazz house and UR Techno, through to Future Jazz, downtempo, and Hip Hop, and around many other suns, there remains such an intrinsic and symbiotic relationship between the two musical realms that caters to those who wish to live music both within and out with themselves.
As practitioners of blending electronica and Jazz, few do it like the trio of Mauricesax, 9ick, and Milan93. All three are known for their distinctive soundscapes, yet share commonalities in terms of musical language, feel, and sense of progression. Bringing them together allows for overlaps in their sounds to emerge, and just like Jazz itself, this is where the intrinsicness of sound begins to blossom. 9ick brings his softly evolving vibe to the table, one which was so prevalent and celebrated on his 2025 album 'SMIL'; Milan93 draws from his focal point of exploring fill-laden grooves and a myriad of emotive sensibilities; and Mauricesax draws up his extensive musicality that exists at the corner of jazz, electronic, and experimental music, along with running musical workshops all over the globe.
'A Garden Between Us' represents the trio's core tenets, with this immediately obvious from the record's opener, 'Rhodora'. A gentle solo piano quickly evolves into a series of powerful rhythmic pulses, with brass lines bringing vitality and feel to proceedings. The track shifts gears with purpose, transitioning between musical vignettes of the highest order, with the synth work doing much to bind the transitions together. 'Tulip' emerges slightly differently, with glossy Rhodes tones and an unravelling rhythmic undercurrent setting an enthralling stage. The track flourishes amongst sweeping textures, coming up for air amongst a deeply hypnotic rhythmic section that holds on and never lets up. 'Honeysuckle' lands next, which sees the trio emerge with a boundless, dynamic soundscape. The drums shift within the undertones, as keys, chords, horns and hip-hop vocal samples dance around the pulse, capturing the imagination with their narrative-like placement. Wrapping up the A side comes 'Camellia'. A dazzling array of harmonic sounds converges around the transfixing rhythm section, which emerges from deep below to lavishly roll out over the midsection, with the delicateness of the instrumentation a real highlight here.
The B side features two exquisite remixes, with Pacific Coliseum's version of 'Tulip' landing first. Beginning with a signature four to the floor to get things going, his careful handling of the source material is seen in the tactful introduction of the blissful elements that made the original cut so impactful, with great focus placed on emotive fidelity. The result is a summer-bound house number that reimagines the original in all the right ways, flipping it into a euphoria-driven jazz-laden pacer that reaches for the heavens as much as it drives right into the heart. Teuteu then showcases their take on 'Honeysuckle', and at 9 minutes long, represents the longest cut on the record - and the experience is all the richer for it. Leaning heavily into dance music flavours, Teuteu shifts perspective totally into the realm of the club, with the walls beating hard to the kicks. The sax lines that drift ethereally up top keep eyes closed and souls full, as the dance shifts into the next phase.
An experience that drifts from the daydreaming, to soul-warming through to the club shaking - what else is left to experience, except for 'A Garden Between Us' and how it will brighten up life itself….
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Last Year At Marienbad
Cat-No:LYAM012
Release-Date:10.04.2026
Genre:House / Techno
Configuration:12" Excl
Label:Last Year At Marienbad
Cat-No:LYAM012
Release-Date:10.04.2026
Genre:House / Techno
Configuration:12" Excl
1
Holo - Astro
2
Holo - Spirits
3
Holo - Sympatika
4
Holo - Cycles
Territory: Worldwide
Tracklist:
A1. Astro
A2. Spirits
B1. Sympatika
B2. Cycles
Info
Oath sub-label Last Year At Marienbad is proud to present the latest spellbinding work from producer Holo, 'Astro', a record that emulates never-ending ethereal, emotively pure, and endlessly danceable frequencies…
Berlin-based Holo makes dance music that speaks in carefree whispers, through a brilliantly constructed sound that leans as much on the hypnotically emotive as on the core fundamentals of composition.
'Astro' is the next phase of his musical journey, and as a contained experience, it gives over all that Holo has become celebrated for, alongside explorations of invigorating spaces in which his sound has grown. The title track is an airy, free-flowing affair, with its semi-stepping drum pattern providing the frame for the light chimes of the keys to set the soul going. 'Spirits' ups the ante with its tempo change, its direction more towards a dancefloor in some faraway paradise.
'Sympatika' kicks off the B-side in a similar fashion, with its extensive groove fuelling bated breath for the arrival of the synths. 'Cycles' wraps up the EP, which again shifts focus to a more cavernous, absorbing kind of sound. A final blend of audio excellence that wraps up a one-of-a-kind record from a one-of-a-kind producer.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist:
A1. Astro
A2. Spirits
B1. Sympatika
B2. Cycles
Info
Oath sub-label Last Year At Marienbad is proud to present the latest spellbinding work from producer Holo, 'Astro', a record that emulates never-ending ethereal, emotively pure, and endlessly danceable frequencies…
Berlin-based Holo makes dance music that speaks in carefree whispers, through a brilliantly constructed sound that leans as much on the hypnotically emotive as on the core fundamentals of composition.
'Astro' is the next phase of his musical journey, and as a contained experience, it gives over all that Holo has become celebrated for, alongside explorations of invigorating spaces in which his sound has grown. The title track is an airy, free-flowing affair, with its semi-stepping drum pattern providing the frame for the light chimes of the keys to set the soul going. 'Spirits' ups the ante with its tempo change, its direction more towards a dancefloor in some faraway paradise.
'Sympatika' kicks off the B-side in a similar fashion, with its extensive groove fuelling bated breath for the arrival of the synths. 'Cycles' wraps up the EP, which again shifts focus to a more cavernous, absorbing kind of sound. A final blend of audio excellence that wraps up a one-of-a-kind record from a one-of-a-kind producer.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Last Year At Marienbad
Cat-No:LYAM010
Release-Date:17.10.2025
Genre:House / Techno
Configuration:12" Excl
Label:Last Year At Marienbad
Cat-No:LYAM010
Release-Date:17.10.2025
Genre:House / Techno
Configuration:12" Excl
1
Alex Albrecht & Grant - Tangible Dreams
2
Alex Albrecht & Grant - Tangible Dreams (Lawrence Remix)
3
Alex Albrecht & Grant - Idle Space
4
Alex Albrecht & Grant - Altered Pollen
5
Alex Albrecht & Grant - Influx
Territory: Worldwide
Tracklist:
A1 / Tangible Dreams
A2 / Tangible Dreams (Lawrence Remix)
B1 / Idle Space
B2 / Altered Pollen
B3 / Influx
Info
Enigmatic artist GRANT, a longtime figure in the deep house and techno underground, collaborates with Alex Albrechton the title track 'Tangible Dreams'
The two connected via the Scissor & Thread label and Francis Harris, forming a creative partnership. The EP is a textured homage to late '90s dub techno, echoing Basic Channel and Chain Reaction, while retaining a modern touch. The tracks are timeless, groove-focused, and sonically deep.
On the release, GRANT says: "I've been a fan of Alex's work. Through Francis and Scissor & Thread, it felt natural to collaborate. This EP is the kind of music I love to play - not flashy or trendy, but tracks that hold up and grow on you."
With decades of record collecting and acclaimed releases on Lobster Theremin, Mörk, and his own imprints, GRANT has built a loyal following. His albums The Acrobat, Cranks, Perception, and Fantasy Blues are collectors' favorites.
Alex Albrecht, known for immersive performances at Paradise City, MNMT, Public Records, and Giant Steps, has released on Anjunadeep, Mule Musiq, and his Analogue Attic imprint.
With 'Tangible Dreams', GRANT and Albrecht deliver a collaboration destined to stand out.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist:
A1 / Tangible Dreams
A2 / Tangible Dreams (Lawrence Remix)
B1 / Idle Space
B2 / Altered Pollen
B3 / Influx
Info
Enigmatic artist GRANT, a longtime figure in the deep house and techno underground, collaborates with Alex Albrechton the title track 'Tangible Dreams'
The two connected via the Scissor & Thread label and Francis Harris, forming a creative partnership. The EP is a textured homage to late '90s dub techno, echoing Basic Channel and Chain Reaction, while retaining a modern touch. The tracks are timeless, groove-focused, and sonically deep.
On the release, GRANT says: "I've been a fan of Alex's work. Through Francis and Scissor & Thread, it felt natural to collaborate. This EP is the kind of music I love to play - not flashy or trendy, but tracks that hold up and grow on you."
With decades of record collecting and acclaimed releases on Lobster Theremin, Mörk, and his own imprints, GRANT has built a loyal following. His albums The Acrobat, Cranks, Perception, and Fantasy Blues are collectors' favorites.
Alex Albrecht, known for immersive performances at Paradise City, MNMT, Public Records, and Giant Steps, has released on Anjunadeep, Mule Musiq, and his Analogue Attic imprint.
With 'Tangible Dreams', GRANT and Albrecht deliver a collaboration destined to stand out.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
DJ Psychiatre - Moving Into Jazz
2
DJ Psychiatre - Those DJs
3
DJ Psychiatre - Iced Lemon
4
DJ Psychiatre - A Trance To Remember
Territory: Worldwide
Tracklist:
A1 / Moving Into Jazz
A2 / Those DJs
B1 / Iced Lemon
B2 / A Trance To Remember
Info
Last Year at Marienbad proudly welcomes French producer DJ Psychiatre, aka Sylvain Creton, known for his dynamic and evolving approach to house music. His style blends acid-infused grooves, soft rhythmic atmospheres, and disco-driven energy, earning him releases on renowned labels like Whyte Numbers, Lost Palms, and Shall Not Fade.
His latest EP, Moving Into Jazz, showcases his signature sound with four diverse tracks. The title track starts with delicate keys before building into a rich, atmospheric house piece with acid elements. Those DJs follows with a stepping drum pattern, deep bass, and sweeping chords, reinforcing his intricate rhythmic focus.
On the B-side, Iced Lemon introduces clean arpeggios and euphoric pads, culminating in a powerful progression. Closing the EP, A Trance to Remember delivers an uplifting, energetic groove with a deep bassline and engaging vocal snippets.
This EP highlights DJ Psychiatre’s ability to craft immersive, melodically rich music that resonates beyond the dancefloor. Last Year at Marienbad is thrilled to share this release from a true master of the genre.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist:
A1 / Moving Into Jazz
A2 / Those DJs
B1 / Iced Lemon
B2 / A Trance To Remember
Info
Last Year at Marienbad proudly welcomes French producer DJ Psychiatre, aka Sylvain Creton, known for his dynamic and evolving approach to house music. His style blends acid-infused grooves, soft rhythmic atmospheres, and disco-driven energy, earning him releases on renowned labels like Whyte Numbers, Lost Palms, and Shall Not Fade.
His latest EP, Moving Into Jazz, showcases his signature sound with four diverse tracks. The title track starts with delicate keys before building into a rich, atmospheric house piece with acid elements. Those DJs follows with a stepping drum pattern, deep bass, and sweeping chords, reinforcing his intricate rhythmic focus.
On the B-side, Iced Lemon introduces clean arpeggios and euphoric pads, culminating in a powerful progression. Closing the EP, A Trance to Remember delivers an uplifting, energetic groove with a deep bassline and engaging vocal snippets.
This EP highlights DJ Psychiatre’s ability to craft immersive, melodically rich music that resonates beyond the dancefloor. Last Year at Marienbad is thrilled to share this release from a true master of the genre.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Moonee - Brotherhood (Glitched)
2
Moonee - Existenz
3
Moonee - Pänaroma
4
Moonee - Brotherhood (Moomin Remix)
Territory: Worldwide
Tracklist:
A1 /Brotherhood (Glitched)
A2 /Existenz
B1 /Pänaroma
B2 /Brotherhood (Moomin Remix)
Info
For its latest release, Last Year in Marienbad welcomes back French producer Moonee, who delivers an EP brimming with his signature blend of euphoric and emotive grooves.
One of François Lefevre’s main aliases, Moonee explores the airier side of dance music, crafting deeply immersive sonic experiences that evoke introspection and escapism. While initially focused on deep house, his sound has evolved across recent releases, particularly on his Sandquest LP for OATH. His finely curated approach highlights fluid, intuitive soundscapes that invite repeat listens.
His new EP, Brotherhood, is perhaps his most refined and carefully poised work to date. The title track’s Glitched version opens with a sense of urgency, combining a stepping garage beat, lo-fi vocal snippets, and deep basslines. Existenzfollows, elevating four-on- the-floor energy with intricate rhythmic textures and a rich, orchestral-like melodic palette. Panorama rounds off the EP’s initial arc with playful vocal samples and an uplifting bassline—perfect for late-night city wanderings.
Closing out the release, Oath affiliate Moomin reinterprets the title track with an electro-infused remix. More understated than the original, his version builds gradually, offering a masterclass in energy control.For those seeking enriching grooves, entrancing melodies, and warmth, Brotherhood delivers. It’s a journey through electronic currents, shifting effortlessly between moments of calm and surging energy—press play and dive in.
Key Sale Points :
- Featuring a very rare Moomin Remix.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist:
A1 /Brotherhood (Glitched)
A2 /Existenz
B1 /Pänaroma
B2 /Brotherhood (Moomin Remix)
Info
For its latest release, Last Year in Marienbad welcomes back French producer Moonee, who delivers an EP brimming with his signature blend of euphoric and emotive grooves.
One of François Lefevre’s main aliases, Moonee explores the airier side of dance music, crafting deeply immersive sonic experiences that evoke introspection and escapism. While initially focused on deep house, his sound has evolved across recent releases, particularly on his Sandquest LP for OATH. His finely curated approach highlights fluid, intuitive soundscapes that invite repeat listens.
His new EP, Brotherhood, is perhaps his most refined and carefully poised work to date. The title track’s Glitched version opens with a sense of urgency, combining a stepping garage beat, lo-fi vocal snippets, and deep basslines. Existenzfollows, elevating four-on- the-floor energy with intricate rhythmic textures and a rich, orchestral-like melodic palette. Panorama rounds off the EP’s initial arc with playful vocal samples and an uplifting bassline—perfect for late-night city wanderings.
Closing out the release, Oath affiliate Moomin reinterprets the title track with an electro-infused remix. More understated than the original, his version builds gradually, offering a masterclass in energy control.For those seeking enriching grooves, entrancing melodies, and warmth, Brotherhood delivers. It’s a journey through electronic currents, shifting effortlessly between moments of calm and surging energy—press play and dive in.
Key Sale Points :
- Featuring a very rare Moomin Remix.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Last Year At Marienbad
Cat-No:LYAM007
Release-Date:25.10.2024
Genre:techhouse
Configuration:12" Excl
Label:Last Year At Marienbad
Cat-No:LYAM007
Release-Date:25.10.2024
Genre:techhouse
Configuration:12" Excl
1
Alejandro Mosso - Essers
2
Alejandro Mosso - Bruson
3
Alejandro Mosso - Sosneado
4
Alejandro Mosso - Sosneado (Laurence Guy Remix)
Back Catalogue - shipping beginning by June 20
Mosso, originally from Argentina but currently based in Berlin, has since 2002 released a plethora of records that has over time showcased his sound and craft as one of profoundness and emotional dexterity. Mosso has aligned himself within the threshold between House, minimal, tribal and experimental music, with a firm eye on creating razor sharp sounds and highly immersive audial palettes. This curiosity stems from Mosso’s range of compositional and technical skills, with a degree in Sound Studies and Sonic Arts highlighting his fascination with the look and feel of what can be heard and touched upon with music. His live performances epitomise his approach to his craft, and have been highly received around the world, no matter the space. Mosso’s discography is littered with releases on some of the best labels going, including the likes of Hivern Discs, Third Ear, LumineresLaNuit, and his own imprint Mosso – a real journey throughout the electronic music cosmos.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Mosso, originally from Argentina but currently based in Berlin, has since 2002 released a plethora of records that has over time showcased his sound and craft as one of profoundness and emotional dexterity. Mosso has aligned himself within the threshold between House, minimal, tribal and experimental music, with a firm eye on creating razor sharp sounds and highly immersive audial palettes. This curiosity stems from Mosso’s range of compositional and technical skills, with a degree in Sound Studies and Sonic Arts highlighting his fascination with the look and feel of what can be heard and touched upon with music. His live performances epitomise his approach to his craft, and have been highly received around the world, no matter the space. Mosso’s discography is littered with releases on some of the best labels going, including the likes of Hivern Discs, Third Ear, LumineresLaNuit, and his own imprint Mosso – a real journey throughout the electronic music cosmos.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Retromigration - B.O
2
Retromigration - Lapras
3
Retromigration - Dead Tech (Ft. Mauricesax)
4
Retromigration - Half Pure
5
Retromigration - Half Pure (Da Poet Remix)
Back Catalogue - shipping beginning by June 20
On their latest excursion, Last Year At Maienbad proudly invites you into the gloriously breezy, beautifully put-together world of Retromigration, who’s melodic abilities have put him firmly within everyone’s passenger seat as they shoot down a sun-kissed highway…
There are a number of artists within the present day whose names remain constantly on the tongues of music lovers, and Retromigration’s name has been there so consistently of late for a number of reasons. His music represents the nucleus of what dance music means to so many, a form of music that channels the soul, chimes deep within the mind, and makes the listener escape into the depths of their emotional palette. His songs have an ever present Jazz presence to them, but his sound has numerous components to it, with rhythmic feel being right at the heart of proceedings. Retromigration always finds a way to feel himself out within his records, covering an enormity of ground and allowing each track to interact with the next. This makes his tracks at ease with the listener, forging a vital connection that works with mood and the concept of listening intently – and feeling very content about it. The instrumental approach he makes is certainly something, and channels into the notion that his music can come alive in any context, swaying to the rhythm of life rather than the confines of space. With excellent releases on labels such as WOLF, Handy and previously on Last Year at Marienbad to name but a few, Retromigration has traversed the plains of human expressionism and conjured up some pure magic within his music, not least with this latest effort of his…..
2022 was a busy year for the producer, overseeing four releases including ‘Kush Calls’, which featured some truly exquisite and memorable cuts that lingered long in the memory. ‘Dead Tech’ sees Retromigration shift over into more clubby territory, but many of the motifs we all know and love him for make some notable appearances as we shift from track to track. Playful, emotively porous and ever-searching are perhaps some key features of the first two tracks, ‘BO’ and ‘Lapras’, which represent Retromigration doing a house in such a refined and considered manner. Powerful swaying rhythm sections interweave themselves with melodic excellence, including an inspired flute line that rides high within the EP’s opener. The intro then flows into a groove like no other, with the flute featuring prominently once again, with particular emphasis placed upon the breakdown, which dips the listener in such a glorious mood. The vocals that move in and around the groove are inspired, providing an additional level of narrative in which to dive deep within.
The title track anchors the album in the mid-section, and it takes the mood down to a softly speaking space. Effortless in its approach, the tune takes all the time it needs to saunter along, with a groove to ride upon and a collection of melodic layers that are so easy on the ear and the heart too. ‘Half Pure’ arrives next, and this one kicks the tempo up a few notches to the energies that persisted in the opening cuts. The vocals make more of a visible presence here, with the repeating vocal working very well indeed with the solid chordal arrangement. The melodies are once again handled with care and attention, their floating feel merging superbly with the rhythm as the listener is allowed to rise higher and higher. To wrap up proceedings, we have Da Poet on remix duties of ‘Half Pure’, and this one complements what has come before wonderfully. The additional glassy chords do wonders to the soul, with the bass line adding power and purpose to the groove. It’s a fitting end to a record that carries the listener along, showcasing all it has to offer from up high but also on the ground, with feelings reverberating from top to bottom – always shifting, searching and moving, no matter what.
Artists who remain on people’s lips are worth talking about for a reason, and with this latest effort, Retromigration continues his presence at the forefront of dance music in general. A record that is sophisticated technically, with the production second to none, but it’s the centre of the tunes that make it magical. The soul is laid bare in its various guises, from the up-tempo right through to the slow and steady, there is so much here to feel with and grow alongside, and for that we can all be pleased for this to pass through our mind. So go on, take a gander, breathe, and immerse yourself……
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
On their latest excursion, Last Year At Maienbad proudly invites you into the gloriously breezy, beautifully put-together world of Retromigration, who’s melodic abilities have put him firmly within everyone’s passenger seat as they shoot down a sun-kissed highway…
There are a number of artists within the present day whose names remain constantly on the tongues of music lovers, and Retromigration’s name has been there so consistently of late for a number of reasons. His music represents the nucleus of what dance music means to so many, a form of music that channels the soul, chimes deep within the mind, and makes the listener escape into the depths of their emotional palette. His songs have an ever present Jazz presence to them, but his sound has numerous components to it, with rhythmic feel being right at the heart of proceedings. Retromigration always finds a way to feel himself out within his records, covering an enormity of ground and allowing each track to interact with the next. This makes his tracks at ease with the listener, forging a vital connection that works with mood and the concept of listening intently – and feeling very content about it. The instrumental approach he makes is certainly something, and channels into the notion that his music can come alive in any context, swaying to the rhythm of life rather than the confines of space. With excellent releases on labels such as WOLF, Handy and previously on Last Year at Marienbad to name but a few, Retromigration has traversed the plains of human expressionism and conjured up some pure magic within his music, not least with this latest effort of his…..
2022 was a busy year for the producer, overseeing four releases including ‘Kush Calls’, which featured some truly exquisite and memorable cuts that lingered long in the memory. ‘Dead Tech’ sees Retromigration shift over into more clubby territory, but many of the motifs we all know and love him for make some notable appearances as we shift from track to track. Playful, emotively porous and ever-searching are perhaps some key features of the first two tracks, ‘BO’ and ‘Lapras’, which represent Retromigration doing a house in such a refined and considered manner. Powerful swaying rhythm sections interweave themselves with melodic excellence, including an inspired flute line that rides high within the EP’s opener. The intro then flows into a groove like no other, with the flute featuring prominently once again, with particular emphasis placed upon the breakdown, which dips the listener in such a glorious mood. The vocals that move in and around the groove are inspired, providing an additional level of narrative in which to dive deep within.
The title track anchors the album in the mid-section, and it takes the mood down to a softly speaking space. Effortless in its approach, the tune takes all the time it needs to saunter along, with a groove to ride upon and a collection of melodic layers that are so easy on the ear and the heart too. ‘Half Pure’ arrives next, and this one kicks the tempo up a few notches to the energies that persisted in the opening cuts. The vocals make more of a visible presence here, with the repeating vocal working very well indeed with the solid chordal arrangement. The melodies are once again handled with care and attention, their floating feel merging superbly with the rhythm as the listener is allowed to rise higher and higher. To wrap up proceedings, we have Da Poet on remix duties of ‘Half Pure’, and this one complements what has come before wonderfully. The additional glassy chords do wonders to the soul, with the bass line adding power and purpose to the groove. It’s a fitting end to a record that carries the listener along, showcasing all it has to offer from up high but also on the ground, with feelings reverberating from top to bottom – always shifting, searching and moving, no matter what.
Artists who remain on people’s lips are worth talking about for a reason, and with this latest effort, Retromigration continues his presence at the forefront of dance music in general. A record that is sophisticated technically, with the production second to none, but it’s the centre of the tunes that make it magical. The soul is laid bare in its various guises, from the up-tempo right through to the slow and steady, there is so much here to feel with and grow alongside, and for that we can all be pleased for this to pass through our mind. So go on, take a gander, breathe, and immerse yourself……
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Sam Paradise - The Way We Flow
2
Nu-Cleo - De Nuit (3 A.M.)
3
Gloved Hands - She Wrote
4
Rick Wade - Hard Deep
Back Catalogue - shipping beginning by June 20
The wax is hot. The tunes are massive. Oath’s sub-label, Last Year at Marienbad, dispenses a foursome of punchy house tracks for its fifth release, lovingly crafted by some of the genre’s finest producers.
‘The Way We Flow’ by Sam Paradise pairs detuned, lo-fi samples with thumping kicks, and muffled drums. Just when those innocent lo-fi elements simmer, the drums slam back into your periphery harder than ever, making for an absolute dancefloor smasher.
‘De Nuit (3 A.M)’ by Nu-Cleo descends deeper. Swinging drums and chocolatey, indulgent keys lay the basis for a hypnotic acid bassline. Real tension builder.
Flipping over to the B-Side – careful, it’s hot – is ‘She Wrote’ by Gloved Hands. Seemingly just a ride through a well-made bouncing synth and house groove combo at first, this track soon shows off Gloved Hands’ knack for leftfield flavours. There’s an unexpected trap-esque vocal that gets re-contextualised for the club alongside piercing synths and a bulging broken beat.
‘Hard Deep’ by Rick Wade is an obvious one. The stalwart of the house scene serves up another of his zesty, masterful grooves. Shimmering, effortless keys steer a tight drum groove while a subtle bassline nestles between the kick’s low end.
Four cuts from four house experts. Is there much more a dancefloor could ask for?
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
The wax is hot. The tunes are massive. Oath’s sub-label, Last Year at Marienbad, dispenses a foursome of punchy house tracks for its fifth release, lovingly crafted by some of the genre’s finest producers.
‘The Way We Flow’ by Sam Paradise pairs detuned, lo-fi samples with thumping kicks, and muffled drums. Just when those innocent lo-fi elements simmer, the drums slam back into your periphery harder than ever, making for an absolute dancefloor smasher.
‘De Nuit (3 A.M)’ by Nu-Cleo descends deeper. Swinging drums and chocolatey, indulgent keys lay the basis for a hypnotic acid bassline. Real tension builder.
Flipping over to the B-Side – careful, it’s hot – is ‘She Wrote’ by Gloved Hands. Seemingly just a ride through a well-made bouncing synth and house groove combo at first, this track soon shows off Gloved Hands’ knack for leftfield flavours. There’s an unexpected trap-esque vocal that gets re-contextualised for the club alongside piercing synths and a bulging broken beat.
‘Hard Deep’ by Rick Wade is an obvious one. The stalwart of the house scene serves up another of his zesty, masterful grooves. Shimmering, effortless keys steer a tight drum groove while a subtle bassline nestles between the kick’s low end.
Four cuts from four house experts. Is there much more a dancefloor could ask for?
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
KX9000 - Sauce Pepe
2
KX9000 - La Locha (Feat. Cosmonection)
3
KX9000 - April (Feat. Tour-Maubourg)
4
KX9000 - Everw**day
Back Catalogue - shipping beginning by June 20
Picture this – the light in the room has moved into the golden hour, where the sunlight sits so easy on the walls, soaking up the wooden floors, illuminating the plants, and making the crystals in the drink feel that oh-so sweet. The wavelengths that reverberate around the room flow into the sun-drenched evening sky, blue and warm to the touch, easing the mind as smiles abound on those all around the floor. All this and more can be found in the expertly curated vibe that is KX9000’s ‘The Sofa Lamp’ EP, the latest perfected atmosphere from Oath sub-label Last Year in Marienbad.
KX9000 is the primary alias of Kerim Ben Mustapha, who for a good while now has been serving up the kinds of Jazz tinged, softly undulating dance-y cuts that expertly nail the orange hues that frequent the finer moments in life, regardless of whether its the hottest dance floor or a fun-fuelled home exercusion. His previous efforts have all impressed, with a finely stuck balance found between rhythm and melodic features. Mustapha’s framework picks from a wide range of motifs, all of which touch upon a number of cornerstones within the contemporary electronic melting pot. What comes out of the process is a sound that is elegant, effortless and infectious, cutting through pre-conceived contexts and aligning itself with the mood that comes from people being together. His previous efforts cover it all – the peak time, the down times and that middle ground that simply gets things going, its dance music that is both emotionally and rhythmically intuitive, and as you dive deeper there is always more to be elaborated on and enjoyed.
‘The Sofa Lamp’ is the next serving that Mustapha has come to the surface with, and it has all the hallmarks of his established sound, but with plenty of scopes bolted on that make this a throughly well-rounded and delectable audial experience. The EP spends no time messing about, with the opener ‘Sauce Pepe’ throwing itself right into the mix, with its engrossing percussive palette doing much to get the vibrations flowing. The bass line adds weight whilst the melodic outlay that develops up top consists of jazz laden chords, snazzy horns and deep set chordal patterns, and its easy to say this will be doing the rounds come summer. ‘Locha’ arrives next, which features Cosmonection, and this one kicks the tempo up a little bit. The beat swings expertly, providing a basis for a grooving bass line to meander through the bottom ends, all the while sun-kissed chords lap over the top with such feverishness. The layers are collated and managed for maximum effectiveness, with the breaks provided allowing for those bona fide hands-in-the-air moments. ‘April’, which features man of the moment Tour Maubourg, keeps the rhythmic flavours flowing from the previous effort, with the emotive quality of the chords traveling deep into the neurons. The gorgeous lead line adds a ear worm that will last for days, and with that the key ingredients persist for an inspired dip into the dance. Last but not least, ‘Everw*day’ caps off the experience with purpose and emotional presence, with the music operating beautifully been expansive deep house notions and the rhythms of Balaeria – it does much to leave a long-lasting impression on those who encounter this collection of tunes, and we for one feel all the richer for sticking by it for these four excellent cuts.
If enriching environmental dance music is what you are after, then this is the EP for you. This EP sees KX9000 in peerless form, helped along by some inspired features that add density to proceedings and allow for the most well-rounded of experiences to prevail. If there ever was a record to soundtrack the good times, the ones where you feel at ease with your surroundings and melt into the sunlight, then this is the one for you – so go on, give it a spin.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Picture this – the light in the room has moved into the golden hour, where the sunlight sits so easy on the walls, soaking up the wooden floors, illuminating the plants, and making the crystals in the drink feel that oh-so sweet. The wavelengths that reverberate around the room flow into the sun-drenched evening sky, blue and warm to the touch, easing the mind as smiles abound on those all around the floor. All this and more can be found in the expertly curated vibe that is KX9000’s ‘The Sofa Lamp’ EP, the latest perfected atmosphere from Oath sub-label Last Year in Marienbad.
KX9000 is the primary alias of Kerim Ben Mustapha, who for a good while now has been serving up the kinds of Jazz tinged, softly undulating dance-y cuts that expertly nail the orange hues that frequent the finer moments in life, regardless of whether its the hottest dance floor or a fun-fuelled home exercusion. His previous efforts have all impressed, with a finely stuck balance found between rhythm and melodic features. Mustapha’s framework picks from a wide range of motifs, all of which touch upon a number of cornerstones within the contemporary electronic melting pot. What comes out of the process is a sound that is elegant, effortless and infectious, cutting through pre-conceived contexts and aligning itself with the mood that comes from people being together. His previous efforts cover it all – the peak time, the down times and that middle ground that simply gets things going, its dance music that is both emotionally and rhythmically intuitive, and as you dive deeper there is always more to be elaborated on and enjoyed.
‘The Sofa Lamp’ is the next serving that Mustapha has come to the surface with, and it has all the hallmarks of his established sound, but with plenty of scopes bolted on that make this a throughly well-rounded and delectable audial experience. The EP spends no time messing about, with the opener ‘Sauce Pepe’ throwing itself right into the mix, with its engrossing percussive palette doing much to get the vibrations flowing. The bass line adds weight whilst the melodic outlay that develops up top consists of jazz laden chords, snazzy horns and deep set chordal patterns, and its easy to say this will be doing the rounds come summer. ‘Locha’ arrives next, which features Cosmonection, and this one kicks the tempo up a little bit. The beat swings expertly, providing a basis for a grooving bass line to meander through the bottom ends, all the while sun-kissed chords lap over the top with such feverishness. The layers are collated and managed for maximum effectiveness, with the breaks provided allowing for those bona fide hands-in-the-air moments. ‘April’, which features man of the moment Tour Maubourg, keeps the rhythmic flavours flowing from the previous effort, with the emotive quality of the chords traveling deep into the neurons. The gorgeous lead line adds a ear worm that will last for days, and with that the key ingredients persist for an inspired dip into the dance. Last but not least, ‘Everw*day’ caps off the experience with purpose and emotional presence, with the music operating beautifully been expansive deep house notions and the rhythms of Balaeria – it does much to leave a long-lasting impression on those who encounter this collection of tunes, and we for one feel all the richer for sticking by it for these four excellent cuts.
If enriching environmental dance music is what you are after, then this is the EP for you. This EP sees KX9000 in peerless form, helped along by some inspired features that add density to proceedings and allow for the most well-rounded of experiences to prevail. If there ever was a record to soundtrack the good times, the ones where you feel at ease with your surroundings and melt into the sunlight, then this is the one for you – so go on, give it a spin.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Ben Hauke - Make Up Break Up Bench
2
Ben Hauke - Watch Me Now
3
Ben Hauke - First Snow
4
Ben Hauke - Forever Me
5
Ben Hauke - Save The Date
6
Ben Hauke - Let's Move On Bro
Back Catalogue - shipping beginning by June 20
As we stumble into 2023, Oath sub-label Last Year At Marienbad stands tall with this wondrous new mini-album from the multi-faceted and talented Ben Hauke, with a collection of tracks that make the head turn and the soul yearn.
Ever since his debut back in 2013, Hauke has been chasing a sound that is fed into from multiple angles and reference points, so much so that it feels like he has been making music over the course of many lifetimes. Hauke operates within that contemporary House realm where the genre is broken down and reconstructed within differing images, but there is a continuity that threads it all together, a deep mystifying presence that knits skylight emotions with superb drumming patterns. His craft as such feels elastic and boundless, leaving the listener finding all they could ever wish for and more with every release, the flow from one record to the next only bounding people more to his effortless emotive breeze. There’s a haziness to his work that persists within the sampled feel of many elements within his tunes, which provide an earthiness to proceedings and provide vitality in all its forms. So much has been covered within his soundscape yet there is always room for growth, such as Hauke’s vision and his control over how his sound will develop and morph. He has released on a wide variety of labels, including Far Out, Church, Hear Other Sounds, Melodica, Co-Operation Recordings, and YAM. The founding of WOOP records would go on to see Hauke further experiment with his style, with UK Garage, Jungle, and Breakbeat all making an appearance on this wonderful series of wax releases which only further Hauke as a go-to producer for keeping you on your toes and for taking you deep within the dance.
It only makes sense for Hauke to release his latest masterclass via the one and only Last Year In Marienbad, which has blessed us with two excellent records from Retromigration and Jesse Bru thus far, with ‘Save The Date’ acting as yet another impressive step forward for both the imprint and Hauke. The record is, as always, seeped in dynamic boundary defying moods and breezy, steppin grooves, moving easily from club floors through to sun kissed walks and deep hued evenings. There’s the broken beat masterclasses in the form of ‘Make Up Break Up Bench’ and ‘Let’s Move On Bro’, both of which contain swings that could move mountains and a sombre yet uplifting top layer of keys and flutes which really tie into that sampled feel we know and adore Hauke for. Then there’s the upbeat house numbers, and they really are something – from the fast talking ‘Watch Me Now’, with its gorgeous filtered melodic lines and evocative vocal elements, through to the 90s leaning ‘Forever Me’ with its electronic Sax taking centre stage as we welcome the morning light, through to the title track and its driving wobbles and emphatic piano lines, there is much to be said about the spaces that can be inhabited within and around these tracks. There’s even time for a break halfway through, with the sub-1 minute ‘First Snow’ showcasing Hauke’s love of Hip Hop , and within a sea of energized grooves its joyous to be provided with a differing side to the story, recharge if you will.
Ben Hauke has really harnessed a particular something during his career to date, and it is no surprise that he continues to push out top-quality recordings that feel very much in his own image, and for us ‘Save The Date’ feels like his most complete and accomplished release to date, and that is saying something when compared to the quality he has provided us with before. Heart-inducing, pulse-setting, all bound within a easygoing atmosphere that washes away the fears and sets the mind on a brighter path – a path we are so very willing to traverse. So why not take a gander and be whisked away on a sea of only the finest House laden Vibrations – Mr. Hauke has you covered…..
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
As we stumble into 2023, Oath sub-label Last Year At Marienbad stands tall with this wondrous new mini-album from the multi-faceted and talented Ben Hauke, with a collection of tracks that make the head turn and the soul yearn.
Ever since his debut back in 2013, Hauke has been chasing a sound that is fed into from multiple angles and reference points, so much so that it feels like he has been making music over the course of many lifetimes. Hauke operates within that contemporary House realm where the genre is broken down and reconstructed within differing images, but there is a continuity that threads it all together, a deep mystifying presence that knits skylight emotions with superb drumming patterns. His craft as such feels elastic and boundless, leaving the listener finding all they could ever wish for and more with every release, the flow from one record to the next only bounding people more to his effortless emotive breeze. There’s a haziness to his work that persists within the sampled feel of many elements within his tunes, which provide an earthiness to proceedings and provide vitality in all its forms. So much has been covered within his soundscape yet there is always room for growth, such as Hauke’s vision and his control over how his sound will develop and morph. He has released on a wide variety of labels, including Far Out, Church, Hear Other Sounds, Melodica, Co-Operation Recordings, and YAM. The founding of WOOP records would go on to see Hauke further experiment with his style, with UK Garage, Jungle, and Breakbeat all making an appearance on this wonderful series of wax releases which only further Hauke as a go-to producer for keeping you on your toes and for taking you deep within the dance.
It only makes sense for Hauke to release his latest masterclass via the one and only Last Year In Marienbad, which has blessed us with two excellent records from Retromigration and Jesse Bru thus far, with ‘Save The Date’ acting as yet another impressive step forward for both the imprint and Hauke. The record is, as always, seeped in dynamic boundary defying moods and breezy, steppin grooves, moving easily from club floors through to sun kissed walks and deep hued evenings. There’s the broken beat masterclasses in the form of ‘Make Up Break Up Bench’ and ‘Let’s Move On Bro’, both of which contain swings that could move mountains and a sombre yet uplifting top layer of keys and flutes which really tie into that sampled feel we know and adore Hauke for. Then there’s the upbeat house numbers, and they really are something – from the fast talking ‘Watch Me Now’, with its gorgeous filtered melodic lines and evocative vocal elements, through to the 90s leaning ‘Forever Me’ with its electronic Sax taking centre stage as we welcome the morning light, through to the title track and its driving wobbles and emphatic piano lines, there is much to be said about the spaces that can be inhabited within and around these tracks. There’s even time for a break halfway through, with the sub-1 minute ‘First Snow’ showcasing Hauke’s love of Hip Hop , and within a sea of energized grooves its joyous to be provided with a differing side to the story, recharge if you will.
Ben Hauke has really harnessed a particular something during his career to date, and it is no surprise that he continues to push out top-quality recordings that feel very much in his own image, and for us ‘Save The Date’ feels like his most complete and accomplished release to date, and that is saying something when compared to the quality he has provided us with before. Heart-inducing, pulse-setting, all bound within a easygoing atmosphere that washes away the fears and sets the mind on a brighter path – a path we are so very willing to traverse. So why not take a gander and be whisked away on a sea of only the finest House laden Vibrations – Mr. Hauke has you covered…..
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Customers who bought this also bought this
1
Monsieur Van Pratt - Solo Tu Y Yo
2
Monsieur Van Pratt - Junto A Ti
Mexican producer/musician MONSIEUR VAN PRATT returns to our TSTD shores with his second two track Edit trip into the world of Mexican obscure, super rare Coverversions.
His first 7 Inch (with an amazing Edit of a Cover of Bobby Caldwell's "What You Won't Do For Love") has been the most repressed and highest selling Issue in our long ongoing TSTD EDIT Vinyl series.
For the upcoming 7 inch he delivers two brandnew fun reworks:
Side A is a slow disco edit of a super rare Mexican late 70s cover version of Bill Withers' classic love song "Just The Two Of Us".
Side B is a midtempo Rework of a Mexican cover of "Upside Down" by Diana Ross w/ Nile Rogers
Tracklist:
Side A Monsieur Van Pratt - Solo Tu Y Yo
Side B Monsieur Van Pratt - Junto A Ti
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
His first 7 Inch (with an amazing Edit of a Cover of Bobby Caldwell's "What You Won't Do For Love") has been the most repressed and highest selling Issue in our long ongoing TSTD EDIT Vinyl series.
For the upcoming 7 inch he delivers two brandnew fun reworks:
Side A is a slow disco edit of a super rare Mexican late 70s cover version of Bill Withers' classic love song "Just The Two Of Us".
Side B is a midtempo Rework of a Mexican cover of "Upside Down" by Diana Ross w/ Nile Rogers
Tracklist:
Side A Monsieur Van Pratt - Solo Tu Y Yo
Side B Monsieur Van Pratt - Junto A Ti
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Ryda - Ønsker deg
2
Ryda - Kär
3
Ryda - Kesk
4
Ryda - Soul
5
Ryda - Dans
Limited to 360 Pieces, Vinyl Only, Mastered by DJ Steaw, Made in Europe
A1: Ønsker deg
A2: Kär
A3: Kesk
B1: Soul
B2: Dans
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1: Ønsker deg
A2: Kär
A3: Kesk
B1: Soul
B2: Dans
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Lauer - I Will Never
2
Midnight Magic - Zeus
3
Pional - Todo Cambiara
4
Benjamin Fröhlich - Roll On
5
Curses - Busy Signal
Tracklist
A1 Lauer – I Will Never
A2 Midnight Magic - Zeus
B1 Pional – Todo Cambiara
B2 Benjamin Fröhlich – Roll On
B3 Curses – Busy Signal
Short Info
In order to celebrate their 20 years anniversary Permanent Vacation is releasing a series of EPs with some of their core artists and friends of the past two decades. First EP comes stacked with high quality tracks from Lauer, Midnight Magic, Pional, Curses and PV's own Benjamin Fröhlich. The
music is in a fabulously Permanent Vacation tradition and covers the spectrums from Disco, Italo, beefy House and poppy Electronic.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 Lauer – I Will Never
A2 Midnight Magic - Zeus
B1 Pional – Todo Cambiara
B2 Benjamin Fröhlich – Roll On
B3 Curses – Busy Signal
Short Info
In order to celebrate their 20 years anniversary Permanent Vacation is releasing a series of EPs with some of their core artists and friends of the past two decades. First EP comes stacked with high quality tracks from Lauer, Midnight Magic, Pional, Curses and PV's own Benjamin Fröhlich. The
music is in a fabulously Permanent Vacation tradition and covers the spectrums from Disco, Italo, beefy House and poppy Electronic.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Boys Noize - ITVLO
2
Boys Noize - LOVDED
Tracklist
A. ITVLO
B. LOVDED
Info:
Equal parts grit and glamour ITVLO finds Boys Noize channeling the spirit of latenight machine music through an unmistakably Italo-tinted lens. Tough enough for the peak-time push yet melodic enough to leave a lasting imprint long after the
smoke clears.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A. ITVLO
B. LOVDED
Info:
Equal parts grit and glamour ITVLO finds Boys Noize channeling the spirit of latenight machine music through an unmistakably Italo-tinted lens. Tough enough for the peak-time push yet melodic enough to leave a lasting imprint long after the
smoke clears.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Deetron ft Ben Westbeech - Deep In Your Soul (Extended Mix)
2
Deetron ft Ben Westbeech - Deep In Your Soul (Deep Dub)
3
Deetron ft Ben Westbeech - Deep In Your Soul (WP Instrumental)
4
Deetron ft Ben Westbeech - Deep In Your Soul (WP Dub)
Tracklist
A1 Deep In Your Soul (Extended Mix)
A2 Deep In Your Soul (Deep Dub)
B1 Deep In Your Soul (WP Instrumental)
B2 Deep In Your Soul (WP Dub)
Info:
When the first lockdown hit, Ben Westbeech ended up stranded in Walthamstow after months spent drifting through India and Thailand, unable to make it back to Ibiza. Armed with little more than an SM58, a Korg Minilogue and a soundcard, he pieced together a temporary setup in a friend’s flat and got back into the habit of writing music in splendid isolation.
Somewhere in the middle of all that, Deetron sent over a sketch that instantly hit a nerve. Ben wrote and recorded the vocal for Deep In Your Soul in one sitting, then the track quietly sat and evolved over the next couple of years until Sam resurfaced with the finished version. A final vocal session in Ibiza sealed it properly.
What emerged is one of those records that feels lived-in rather than laboured over: warm, soulful and naturally unfolding across different places, phases and points in time. Another chapter in the long-running musical conversation between Deetron and Ben Westbeech.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 Deep In Your Soul (Extended Mix)
A2 Deep In Your Soul (Deep Dub)
B1 Deep In Your Soul (WP Instrumental)
B2 Deep In Your Soul (WP Dub)
Info:
When the first lockdown hit, Ben Westbeech ended up stranded in Walthamstow after months spent drifting through India and Thailand, unable to make it back to Ibiza. Armed with little more than an SM58, a Korg Minilogue and a soundcard, he pieced together a temporary setup in a friend’s flat and got back into the habit of writing music in splendid isolation.
Somewhere in the middle of all that, Deetron sent over a sketch that instantly hit a nerve. Ben wrote and recorded the vocal for Deep In Your Soul in one sitting, then the track quietly sat and evolved over the next couple of years until Sam resurfaced with the finished version. A final vocal session in Ibiza sealed it properly.
What emerged is one of those records that feels lived-in rather than laboured over: warm, soulful and naturally unfolding across different places, phases and points in time. Another chapter in the long-running musical conversation between Deetron and Ben Westbeech.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Imagination - Flashback
2
Imagination - Just An Illusion
3
Imagination - Music And Lights
4
Imagination - So Good, So Right
5
Imagination - Body Talk
6
Imagination - Heart 'n' Soul
7
Imagination - Changes (Larry Levan Dub)
8
Imagination - Burnin' Up
Territories: Worldwide
DLP: Limited Edition 45rpm Half Speed Master Cut, Heavyweight Silver Cardboard Sleeve, Sticker
Tracklisting DLP
A1. Flashback
A2. Just An Illusion
B1. Music And Lights
B2. So Good, So Right
C1. Body Talk
C2. Heart 'n' Soul
D1. Changes (Larry Levan Dub)
D2. Burnin' Up
Info
WRWTFWW Records unleashes the first ever release of legendary post-disco, funk, soul and electronic UK trio Imagination's cult album Night Dubbing in (well deserved) double LP format. The limited edition full-length comes with pristine audiophile treatment and luxurious packaging : a 45rpm and Half Speed Mastered DLP housed in heavyweight silver cardboard sleeve.
Imagination's singular 1983 album Night Dubbing is a refined deconstruction of black British soul and club pop, filtered through the deep studio and mixing techniques of dub music. Elegant, restrained, and, in its very own subtle way, radical, the record reshapes choice selections from the group's stellar catalogue into an immersive and out-of-this-world listening experience.
The special mixes on Night Dubbing are built on time and space. Basslines elongate and dissolve. Vocals appear, vanish, and reappear like ghosts. Drums fall away into vast silences, while echoes, tape edits, and precise engineering manoeuvres smoothly slide across the stereo field, revealing themselves like magic over repeated listens. Far from simple extensions or 12" versions, Night Dubbing treats the studio itself as an instrument, opening new dimensions of sound.
Often cited as a foundational record in the genesis of the house genre, the album also features the historic Larry Levan remix of "Changes", a Paradise Garage anthem that helped shape the direction of club music for decades to come.
More than 40 years on, Night Dubbing remains a seminal work. Its influence continues to echo through contemporary dance music, offering a blueprint for how pop could be transformed into something darker, stranger, more physical - a timeless sound that drifts effortlessly from the dancefloor into space.
Important note : it sounds amazing played on 33rpm too !
Points of interest
- For fans of disco and post-disco sounds, funk, soul, electronic, deep grooves, heavy basslines, beautiful synth, classics, dancing, sharing, loving, world peace.
- First-ever double LP release for Imagination's Night Dubbing album in full audiophile 45rpm Half Speed Mastered cut. Housed in heavy SILVER sleeve !
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
DLP: Limited Edition 45rpm Half Speed Master Cut, Heavyweight Silver Cardboard Sleeve, Sticker
Tracklisting DLP
A1. Flashback
A2. Just An Illusion
B1. Music And Lights
B2. So Good, So Right
C1. Body Talk
C2. Heart 'n' Soul
D1. Changes (Larry Levan Dub)
D2. Burnin' Up
Info
WRWTFWW Records unleashes the first ever release of legendary post-disco, funk, soul and electronic UK trio Imagination's cult album Night Dubbing in (well deserved) double LP format. The limited edition full-length comes with pristine audiophile treatment and luxurious packaging : a 45rpm and Half Speed Mastered DLP housed in heavyweight silver cardboard sleeve.
Imagination's singular 1983 album Night Dubbing is a refined deconstruction of black British soul and club pop, filtered through the deep studio and mixing techniques of dub music. Elegant, restrained, and, in its very own subtle way, radical, the record reshapes choice selections from the group's stellar catalogue into an immersive and out-of-this-world listening experience.
The special mixes on Night Dubbing are built on time and space. Basslines elongate and dissolve. Vocals appear, vanish, and reappear like ghosts. Drums fall away into vast silences, while echoes, tape edits, and precise engineering manoeuvres smoothly slide across the stereo field, revealing themselves like magic over repeated listens. Far from simple extensions or 12" versions, Night Dubbing treats the studio itself as an instrument, opening new dimensions of sound.
Often cited as a foundational record in the genesis of the house genre, the album also features the historic Larry Levan remix of "Changes", a Paradise Garage anthem that helped shape the direction of club music for decades to come.
More than 40 years on, Night Dubbing remains a seminal work. Its influence continues to echo through contemporary dance music, offering a blueprint for how pop could be transformed into something darker, stranger, more physical - a timeless sound that drifts effortlessly from the dancefloor into space.
Important note : it sounds amazing played on 33rpm too !
Points of interest
- For fans of disco and post-disco sounds, funk, soul, electronic, deep grooves, heavy basslines, beautiful synth, classics, dancing, sharing, loving, world peace.
- First-ever double LP release for Imagination's Night Dubbing album in full audiophile 45rpm Half Speed Mastered cut. Housed in heavy SILVER sleeve !
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Space Echo - Party Together
2
Space Echo - Soul Power
3
Space Echo - Come Back Home
4
Space Echo - Rainbow Power
5
Space Echo - Got It
6
Space Echo - Go Down
Tracklist 12":
A1. Space Echo – Party Together
A2. Space Echo – Soul Power
A3. Space Echo – Come Back Home
B1. Space Echo – Rainbow Power
B2. Space Echo – Got It
B3. Space Echo – Go Down
Short Info:
Prepare to ride a sonic wave through the heart of house music with Space Echo – Rewind, a carefully curated 6-track “best of” release that captures the essence of the underground. Dropped via Luv Shack Records, this collection delivers radiant energy, groove-laden rhythms, and moments of pure dancefloor magic.
From the lively push of "Party Together" to the bold, propulsive swing of "Soul Power" and "Rainbow Power", every track is a statement. "Come Back Home" extends an invitation, while "Go Down" and "Got It" seal the journey with vibrant depths and rhythmic confidence.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1. Space Echo – Party Together
A2. Space Echo – Soul Power
A3. Space Echo – Come Back Home
B1. Space Echo – Rainbow Power
B2. Space Echo – Got It
B3. Space Echo – Go Down
Short Info:
Prepare to ride a sonic wave through the heart of house music with Space Echo – Rewind, a carefully curated 6-track “best of” release that captures the essence of the underground. Dropped via Luv Shack Records, this collection delivers radiant energy, groove-laden rhythms, and moments of pure dancefloor magic.
From the lively push of "Party Together" to the bold, propulsive swing of "Soul Power" and "Rainbow Power", every track is a statement. "Come Back Home" extends an invitation, while "Go Down" and "Got It" seal the journey with vibrant depths and rhythmic confidence.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
LP 180g, beautiful embossed Chess Board Artwork Print, inner sleeve with artist picture and text by David Elliott, Sounds June 16, 1984
In anticipation of the 35th anniversary next year one of electronic music´s most influential recordings, the legendary E2-E4, from 12.12.1981 does get an official rerelease by Manuel Göttsching on his own Label MG.ART.
Carefully overseen by the Master himself
Total Time: 59:34
Tracks:
Ruhige Nervosität 13:00, Gemäßigter Aufbruch 10:00, ... und Mittelspiel 07:00, Ansatz 06:00, Damen-Eleganza 05:00, Ehrenvoller Kampf 03:00, Hoheit weicht (nicht ohne Schwung...) 09:00, ... und Souveränität 03:00, Remis 03:00
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
In anticipation of the 35th anniversary next year one of electronic music´s most influential recordings, the legendary E2-E4, from 12.12.1981 does get an official rerelease by Manuel Göttsching on his own Label MG.ART.
Carefully overseen by the Master himself
Total Time: 59:34
Tracks:
Ruhige Nervosität 13:00, Gemäßigter Aufbruch 10:00, ... und Mittelspiel 07:00, Ansatz 06:00, Damen-Eleganza 05:00, Ehrenvoller Kampf 03:00, Hoheit weicht (nicht ohne Schwung...) 09:00, ... und Souveränität 03:00, Remis 03:00
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Talking Drums - Fashionable Whale
2
Talking Drums - Salmon Hats
3
Talking Drums - Mangrove
4
Talking Drums - Flutti di Mare
5
Talking Drums - Squid Dub
Info:
A1. Fashionable Whale
A2. Salmon Hats
B1. Mangrove
B2. Flutti di Mare
B3. Squid Dub
After finding their feet with a couple of remixes for Before I Die, Talking Drums ditch their sea legs and swap the pirate booty of their cult edit series for a five-track EP of original productions, each swimming in LinnDrums, digital chimes and synth-vox sunshine. Summer sounds abound as the crew refract house, disco, ambient and dub through shimmering sea glass, bringing the beach to the bar, club, garden or grotto.
Inspired equally by tropical Sceneries (but Not Songs), Ecco the Dolphin and Echoes of Wally, as well as a few tall tales about trendy whales, this 16-bit caper makes a splash from wave top to bikini bottom. Written and produced as a cohesive EP over three sun-baked weeks in 2025, and stitched together with field recordings and found sounds from Sicily, rural France, Japan and Singapore, Pier Pressure sees each track flow into the next: distinct seas that make up one larger ocean.
Opener ‘Fashionable Whale’ surfaces with mystic motifs and dreamy pads arcing above the spray before a purring low end and drum-box shuffle plunge us into Balearic house depths. A rippling breakdown, bookended by insistent arps, provides respite from the rhythm before the low-tempo pulse returns to take us home. Sticking with Zone 2 cardio, ‘Salmon Hats’ serves wonky disco at Valium pace, its beatific vox and glittering sequences underpinned by a hip-swivelling bassline and topped with a future-primitive melody. After drifting into dream house for a sunset lull, it’s back to the beat and the enduring question of how best to dance on a lilo.
‘Mangrove’ offers an intertidal intermission as tuned percussion finds a place among the cicadas and lapping waves, gently unfolding into an RPGambient ode to humid languor. Refreshed, albeit ailed by a sunstroke haze, we’re back on the dance floor with the optimistic motifs and jolly polyrhythms of ‘Flutti Di Mare’, an uptempo, Afro-adjacent house workout designed to inspire mile-wide smiles. Then the EP sails off into the sunset with the fathoms-deep delight of ‘Squid Dub’, a Cousteau-coded cod-reggae stepper with digi-dub bass, pound-shop marimba and all manner of THCtinged FX. Don’t be deceived by the loose and limber opening: a solid sequencer emerging at the midpoint sees the Squid squeeze every bit of bump out of the finale.
Forget ATOL protection - Talking Drums deliver your summer holiday directly to your stereo.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1. Fashionable Whale
A2. Salmon Hats
B1. Mangrove
B2. Flutti di Mare
B3. Squid Dub
After finding their feet with a couple of remixes for Before I Die, Talking Drums ditch their sea legs and swap the pirate booty of their cult edit series for a five-track EP of original productions, each swimming in LinnDrums, digital chimes and synth-vox sunshine. Summer sounds abound as the crew refract house, disco, ambient and dub through shimmering sea glass, bringing the beach to the bar, club, garden or grotto.
Inspired equally by tropical Sceneries (but Not Songs), Ecco the Dolphin and Echoes of Wally, as well as a few tall tales about trendy whales, this 16-bit caper makes a splash from wave top to bikini bottom. Written and produced as a cohesive EP over three sun-baked weeks in 2025, and stitched together with field recordings and found sounds from Sicily, rural France, Japan and Singapore, Pier Pressure sees each track flow into the next: distinct seas that make up one larger ocean.
Opener ‘Fashionable Whale’ surfaces with mystic motifs and dreamy pads arcing above the spray before a purring low end and drum-box shuffle plunge us into Balearic house depths. A rippling breakdown, bookended by insistent arps, provides respite from the rhythm before the low-tempo pulse returns to take us home. Sticking with Zone 2 cardio, ‘Salmon Hats’ serves wonky disco at Valium pace, its beatific vox and glittering sequences underpinned by a hip-swivelling bassline and topped with a future-primitive melody. After drifting into dream house for a sunset lull, it’s back to the beat and the enduring question of how best to dance on a lilo.
‘Mangrove’ offers an intertidal intermission as tuned percussion finds a place among the cicadas and lapping waves, gently unfolding into an RPGambient ode to humid languor. Refreshed, albeit ailed by a sunstroke haze, we’re back on the dance floor with the optimistic motifs and jolly polyrhythms of ‘Flutti Di Mare’, an uptempo, Afro-adjacent house workout designed to inspire mile-wide smiles. Then the EP sails off into the sunset with the fathoms-deep delight of ‘Squid Dub’, a Cousteau-coded cod-reggae stepper with digi-dub bass, pound-shop marimba and all manner of THCtinged FX. Don’t be deceived by the loose and limber opening: a solid sequencer emerging at the midpoint sees the Squid squeeze every bit of bump out of the finale.
Forget ATOL protection - Talking Drums deliver your summer holiday directly to your stereo.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Joana Queiroz - A1. O Barco
2
Joana Queiroz - A2. Memórias
3
Joana Queiroz - A3. O Seu Olhar
4
Joana Queiroz - B1. Cidade
5
Joana Queiroz - B2. Beira de Rio, Beira de Mar
6
Joana Queiroz - B3. Jóia
7
Joana Queiroz - B4. Tempo Sem Tempo
8
Joana Queiroz - B5. Dois Litorais
Territory: No Sales to Japan & Brasil
LP
'Tempo Sem Tempo' is the fifth studio album by São Paulo based clarinet player, singer and composer Joana Queiroz, now available on vinyl for the first time outside of Brazil.
Tracklist:
A1) O Barco 07:52 min
A2) Memórias 06:57 min
A3) O Seu Olhar 04:31 min
B1) Cidade 04:34 min
B2) Beira de Rio, Beira de Mar 04:21 min
B3) Jóia 02:30 min
B4) Tempo Sem Tempo 04:28 min
B5) Dois Litorais 05:44 min
Info:
'Tempo Sem Tempo' is the fifth studio album by São Paulo based clarinet player, singer and composer Joana Queiroz, now available on vinyl for the first time outside of Brazil.
It is indeed a timeless record. A cocooning blend of looped reeds and low-key electronics holding melodies and lyrics.
When Joana sings, it's with noble restraint and grace, as can be heard on four songs including Gilberto Gil's 'Seu Olhar' and 'Dois Litorais' by her friend and Quartabê band mate Mariá Portugal.
Standing out on 'Tempo Sem Tempo' is a wistful beauty that makes it easy to immerse oneself in the intimate vastness of this album.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
LP
'Tempo Sem Tempo' is the fifth studio album by São Paulo based clarinet player, singer and composer Joana Queiroz, now available on vinyl for the first time outside of Brazil.
Tracklist:
A1) O Barco 07:52 min
A2) Memórias 06:57 min
A3) O Seu Olhar 04:31 min
B1) Cidade 04:34 min
B2) Beira de Rio, Beira de Mar 04:21 min
B3) Jóia 02:30 min
B4) Tempo Sem Tempo 04:28 min
B5) Dois Litorais 05:44 min
Info:
'Tempo Sem Tempo' is the fifth studio album by São Paulo based clarinet player, singer and composer Joana Queiroz, now available on vinyl for the first time outside of Brazil.
It is indeed a timeless record. A cocooning blend of looped reeds and low-key electronics holding melodies and lyrics.
When Joana sings, it's with noble restraint and grace, as can be heard on four songs including Gilberto Gil's 'Seu Olhar' and 'Dois Litorais' by her friend and Quartabê band mate Mariá Portugal.
Standing out on 'Tempo Sem Tempo' is a wistful beauty that makes it easy to immerse oneself in the intimate vastness of this album.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Kerri Chandler - Kerri Kaoz Beats
2
Dee Dee Brave - My My Lover (Tony Humphries Dub)
Tracklist
A.Kerri Chandler - Kerri Kaoz Beats *
B. Dee Dee Brave - My My Lover (Tony Humphries Dub)*
(*Previously unreleased)
Info:
Two lost cuts from the orbit of Tony Humphries surface at last, pulled straight from acetates in his private archive and pressed here for the first time. Unearthed like messages from the booth itself, they capture that raw, transitional moment when club music was still inventing its own language night after night.
On the A-side, Kerri Chandler with “Kerri Kaoz Beats”, a stripped, swinging tool full of basement pressure and early-morning intent. No excess, no compromise, just Kerri doing what Kerri does best. Flip it over for Dee Dee Brave – “My My Lover (Tony Humphries Dub)”, a previously unheard Humphries reconstruction that stretches the vocal into something deeper, moodier and unmistakably floor-ready. Spacious, patient, and quietly euphoric.
Two pieces of house history that never made it past the acetate stage until now. Not revisions, not edits, but originals finally stepping into the light. Essential documents from the roots that still point forward.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A.Kerri Chandler - Kerri Kaoz Beats *
B. Dee Dee Brave - My My Lover (Tony Humphries Dub)*
(*Previously unreleased)
Info:
Two lost cuts from the orbit of Tony Humphries surface at last, pulled straight from acetates in his private archive and pressed here for the first time. Unearthed like messages from the booth itself, they capture that raw, transitional moment when club music was still inventing its own language night after night.
On the A-side, Kerri Chandler with “Kerri Kaoz Beats”, a stripped, swinging tool full of basement pressure and early-morning intent. No excess, no compromise, just Kerri doing what Kerri does best. Flip it over for Dee Dee Brave – “My My Lover (Tony Humphries Dub)”, a previously unheard Humphries reconstruction that stretches the vocal into something deeper, moodier and unmistakably floor-ready. Spacious, patient, and quietly euphoric.
Two pieces of house history that never made it past the acetate stage until now. Not revisions, not edits, but originals finally stepping into the light. Essential documents from the roots that still point forward.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Coke, Stoned & Baileys - Barry's Had A Whitey
2
Coke, Stoned & Baileys - What Women Want
Repress coming soon!
12" non-returnable!
In the early 2000’s, David Coker, Timmy S and Justin Bailey were right at the heart of the UK tech house scene, producing some of the finest classics the genre has known to date. The projects they worked on together quickly became standout
staples and over time those records have turned into proper collector’s pieces.
This reissue on Endell Street brings back one of their most sought after releases. It features the two main tracks from the original release, both carefully remastered and cut one per side. A long lost slice of UK tech house, brought back to life
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
12" non-returnable!
In the early 2000’s, David Coker, Timmy S and Justin Bailey were right at the heart of the UK tech house scene, producing some of the finest classics the genre has known to date. The projects they worked on together quickly became standout
staples and over time those records have turned into proper collector’s pieces.
This reissue on Endell Street brings back one of their most sought after releases. It features the two main tracks from the original release, both carefully remastered and cut one per side. A long lost slice of UK tech house, brought back to life
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More