Label:Editions Mego
Cat-No:eMego319V
Release-Date:13.02.2026
Genre:Electronic, Electronica
Configuration:2LP
Label:Editions Mego
Cat-No:eMego319V
Release-Date:13.02.2026
Genre:Electronic, Electronica
Configuration:2LP
1
KMRU - With Trees Where We Can See
2
KMRU - Blurred Feat. Fennesz
3
KMRU - They Are Here
4
KMRU - Maybe
5
KMRU - We Are
6
KMRU - By Absence
Editions Mego welcomes KMRU back to the fold. Kin is Kenyan born, Berlin based, sonic wizard Joseph Kamaru’s second release on Editions Mego, following on from the classic 2020 release Peel. Since the release and subsequent praise for Peel, the artist has been a staple on the electronic scene performing on numerous stages and festivals worldwide in tandem with a flood of media recognition. Kin could be construed as the second child following Peel. The project came out of initial discussions with Peter Rehberg about what a Peel sequel would sound like. Kamaru is quick to clarify that Kin is not that record; “I'll know when that record will come and when I'll make it. It's already happening... or maybe it lives within both of these Mego records”.
It is this deft ambiguity and vague tiptoeing around the concrete that encapsulates the ambiguous sound world of Kamaru’s vision.
Kin was started early 2021 in Nairobi with Kamaru exploring his noisier palette of sounds encompassing distortions reminiscent of the sounds he would muster from in his youth when playing guitar. He paused making this record for a year as soon as Peter died, then slowly returned to it through 2022 resulting in the immense new work we have here.
The charms within Kin lay as Easter eggs revealing the true identity behind the colourful sonics only after multiple deep listens. With Trees Where We Can See sets the tone by way of a warm swaying melody inviting the listener in for further investigation. In 2022 KMRU and Mego stalwart Fennesz toured the USA together resulting in a strong friendship and also, the second track here, Blurred. A neat Mego/Editions Mego loop as such. Blurred arranges twangy guitar strums alongside glistening glaciers of shimmering drones. They Are Here represents a darker hue as melancholic clouds of shadowy noir tap directly into the listener's nerve stream. Maybe takes a detour into a bristling euphoric electronic storm whilst We Are screeches in a pattern formation not unlike a highly abstracted Aphex Twin forcing its way out of a hard drive. By Absence concludes proceedings, operating as both exit music and a portal to further sonic investigation with acoustic bellowing residing amongst a kaleidoscopic backdrop.
Kin is a trip that rewards close repeated listens as all the colours and textures, nuance and narratives unveil themselves. This isn’t a record to be glossed over, magic rewards concentration.
Kin is a record to be played slow and LOUD.
For Pita.
All tracks written, produced, mixed by Joseph Kamaru
Blurred co-written & produced with Christian Fennesz
Mastered by Stephan Mathieu at Schwebung Mastering
Photography: Joseph Kamaru
Layout & Design: Nik Void
Cut by Andreas Kauffelt at Schnittstelle, Berlin
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
It is this deft ambiguity and vague tiptoeing around the concrete that encapsulates the ambiguous sound world of Kamaru’s vision.
Kin was started early 2021 in Nairobi with Kamaru exploring his noisier palette of sounds encompassing distortions reminiscent of the sounds he would muster from in his youth when playing guitar. He paused making this record for a year as soon as Peter died, then slowly returned to it through 2022 resulting in the immense new work we have here.
The charms within Kin lay as Easter eggs revealing the true identity behind the colourful sonics only after multiple deep listens. With Trees Where We Can See sets the tone by way of a warm swaying melody inviting the listener in for further investigation. In 2022 KMRU and Mego stalwart Fennesz toured the USA together resulting in a strong friendship and also, the second track here, Blurred. A neat Mego/Editions Mego loop as such. Blurred arranges twangy guitar strums alongside glistening glaciers of shimmering drones. They Are Here represents a darker hue as melancholic clouds of shadowy noir tap directly into the listener's nerve stream. Maybe takes a detour into a bristling euphoric electronic storm whilst We Are screeches in a pattern formation not unlike a highly abstracted Aphex Twin forcing its way out of a hard drive. By Absence concludes proceedings, operating as both exit music and a portal to further sonic investigation with acoustic bellowing residing amongst a kaleidoscopic backdrop.
Kin is a trip that rewards close repeated listens as all the colours and textures, nuance and narratives unveil themselves. This isn’t a record to be glossed over, magic rewards concentration.
Kin is a record to be played slow and LOUD.
For Pita.
All tracks written, produced, mixed by Joseph Kamaru
Blurred co-written & produced with Christian Fennesz
Mastered by Stephan Mathieu at Schwebung Mastering
Photography: Joseph Kamaru
Layout & Design: Nik Void
Cut by Andreas Kauffelt at Schnittstelle, Berlin
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Editions Mego
Label:Editions Mego
Cat-No:eMego322V
Release-Date:12.06.2026
Genre:Electronic, Electronica
Configuration:2LP
Label:Editions Mego
Cat-No:eMego322V
Release-Date:12.06.2026
Genre:Electronic, Electronica
Configuration:2LP
1
Tujiko Noriko - Only On Love
2
Tujiko Noriko - Bosom
3
Tujiko Noriko - Kikoeru Pon
4
Tujiko Noriko - Sneezing
5
Tujiko Noriko - Knife Of Yonder
6
Tujiko Noriko - Boku Wa Obake
7
Tujiko Noriko - Beachside Cats
8
Tujiko Noriko - Bokuno Satellite
9
Tujiko Noriko - Kareki Ni Hana
10
Tujiko Noriko - Birthday
11
Tujiko Noriko - Wakaru Pon
12
Tujiko Noriko - Pon On TGV
13
Tujiko Noriko - Quarz Rework
14
Tujiko Noriko - Kazeyo Pon
Pon is Tujiko Noriko’s sixth album for Editions Mego and a further extension of her already significant body of work as both a solo and collaborative artist. Dedicated to her cat who she adopted as an infant and passed away due an accident having been born deaf, Pon is imbued with abstraction, tenderness and a deep emotional resonance.
Noriko’s palette of electronics, romantic melodies and surprising sonic details are all fully present here, and like her last full length, 2023’s Crépuscule this is an epic work, released as a 2LP by Editions Mego alongside a Japanese CD release.
The unmistakable hue of Japan hovers throughout this emotional rich landscape. Subtle field recordings and fragile, abstract motifs drift through the album, all cloaked in a warmth and humanity that only Noriko seems able to conjure.
Pon moves effortlessly between the childlike and the obscure. There are moments of deceptive simplicity where unexpected elements suddenly surface — strange voices emerge on Boku Wa Obaka, Knife of Yonder is a standout: a startling ten-minute unfolding that begins with a warm, almost Eno-esque drift before launching into a soaring mid-section and finally landing somewhere unexpectedly blues-adjacent.
Kikoeru Pon is brimming with childlike wonder — a heartfelt ballad that dissolves into domestic field recordings, including sounds of the feline for whom both the album and track are named. A quietly devastating ending that brings the personal nature of the record into sharp focus.
There is a deep sense of the human in the way Noriko embraces technology. This is far from cold abstraction; rather, Ponfeels like a colourful photo album, documenting Noriko’s inner world and instincts with remarkable intimacy. Hovering in liminal states between pop, ambient and abstraction, this is a deeply affective and moving release that reveals new surprises with each listen.
The emotional range of Noriko’s latest offering inspires hope in a world in disarray. It is both gentle and epic and one which we feel embodies the work of an artist fully at the height of her powers.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Noriko’s palette of electronics, romantic melodies and surprising sonic details are all fully present here, and like her last full length, 2023’s Crépuscule this is an epic work, released as a 2LP by Editions Mego alongside a Japanese CD release.
The unmistakable hue of Japan hovers throughout this emotional rich landscape. Subtle field recordings and fragile, abstract motifs drift through the album, all cloaked in a warmth and humanity that only Noriko seems able to conjure.
Pon moves effortlessly between the childlike and the obscure. There are moments of deceptive simplicity where unexpected elements suddenly surface — strange voices emerge on Boku Wa Obaka, Knife of Yonder is a standout: a startling ten-minute unfolding that begins with a warm, almost Eno-esque drift before launching into a soaring mid-section and finally landing somewhere unexpectedly blues-adjacent.
Kikoeru Pon is brimming with childlike wonder — a heartfelt ballad that dissolves into domestic field recordings, including sounds of the feline for whom both the album and track are named. A quietly devastating ending that brings the personal nature of the record into sharp focus.
There is a deep sense of the human in the way Noriko embraces technology. This is far from cold abstraction; rather, Ponfeels like a colourful photo album, documenting Noriko’s inner world and instincts with remarkable intimacy. Hovering in liminal states between pop, ambient and abstraction, this is a deeply affective and moving release that reveals new surprises with each listen.
The emotional range of Noriko’s latest offering inspires hope in a world in disarray. It is both gentle and epic and one which we feel embodies the work of an artist fully at the height of her powers.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Editions Mego
Cat-No:eMego029V
Release-Date:09.01.2026
Genre:Electronic, Electronica
Configuration:2LP
Label:Editions Mego
Cat-No:eMego029V
Release-Date:09.01.2026
Genre:Electronic, Electronica
Configuration:2LP
1
PITA - 1
2
PITA - 2
3
PITA - 3
4
PITA - CE3
5
PITA - 4
6
PITA - 5
7
PITA - 6
8
PITA - 7
9
PITA - 8
10
PITA - 9
11
PITA - PE2
12
PITA - TR1
13
PITA - Live In Detroit, Contemporary Gallery, 20.07.2000
Peter Rehberg's pioneering experimental electronic record receives its first-ever complete vinyl pressing, featuring expanded content and exclusive liner notes.
Editions Mego release the highly anticipated vinyl reissue of Get Out, the groundbreaking second album by Peter Rehberg under his influential PITA moniker. Originally released in 1999, this seminal work stands as a landmark achievement in experimental electronic music, praised for its revolutionary fusion of ear-splitting noise and melancholic melodies. Moving beyond the era's trend of pure abstraction, Get Out represents a pivotal moment when experimental electronic music began exploring new territories laying forth a path which many artists would subsequently follow.
This expansive reissue marks a significant milestone for collectors and enthusiasts, presenting all 12 tracks from the 2008 eMego CD version on vinyl for the first time. The inclusion of the rare Detroit live recording (remastered by Jim O’Rourke) provides invaluable insight into PITA's performance practice during the album's original touring cycle, whilst new liner notes from Jim O'Rourke and Chris Clepper provide further personal and anecdotal insight.
Since its original release, Get Out has been recognized as essential listening for understanding the evolution of experimental electronic music in the late 20th century. This authoritative reissue ensures that Rehberg's visionary work remains accessible to new audiences while providing longtime admirers with the definitive version of this crucial album.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Editions Mego release the highly anticipated vinyl reissue of Get Out, the groundbreaking second album by Peter Rehberg under his influential PITA moniker. Originally released in 1999, this seminal work stands as a landmark achievement in experimental electronic music, praised for its revolutionary fusion of ear-splitting noise and melancholic melodies. Moving beyond the era's trend of pure abstraction, Get Out represents a pivotal moment when experimental electronic music began exploring new territories laying forth a path which many artists would subsequently follow.
This expansive reissue marks a significant milestone for collectors and enthusiasts, presenting all 12 tracks from the 2008 eMego CD version on vinyl for the first time. The inclusion of the rare Detroit live recording (remastered by Jim O’Rourke) provides invaluable insight into PITA's performance practice during the album's original touring cycle, whilst new liner notes from Jim O'Rourke and Chris Clepper provide further personal and anecdotal insight.
Since its original release, Get Out has been recognized as essential listening for understanding the evolution of experimental electronic music in the late 20th century. This authoritative reissue ensures that Rehberg's visionary work remains accessible to new audiences while providing longtime admirers with the definitive version of this crucial album.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Editions Mego
Cat-No:eMego037V
Release-Date:06.06.2025
Genre:Electronic, Electronica
Configuration:LP
Label:Editions Mego
Cat-No:eMego037V
Release-Date:06.06.2025
Genre:Electronic, Electronica
Configuration:LP
1
Ilpo Väisänen - Autioitu (2025 Remaster)
2
Ilpo Väisänen - Tukahduttaja (2025 Remaster)
3
Ilpo Väisänen - Klikki (2025 Remaster)
4
Ilpo Väisänen - Asumaton (2025 Remaster)
5
Ilpo Väisänen - Vallitseva (2025 Remaster)
6
Ilpo Väisänen - Arviomaton Ongelma (2025 Remaster)
7
Ilpo Väisänen - Jaettu (2025 Remaster)
8
Ilpo Väisänen - Autioitu 2 (2025 Remaster)
First time on vinyl for Ilpo Väisänen's debut album under his real name from 2001
Remaster by Rashad Becker
Edition of 500 copies, incl. obi incl. download code
Editions Mego reissue the 2001 release Asuma by Finnish artist Ilpo Väisänen. Originally released on CD this is the first ever vinyl issue, remastered by Rashad Becker. 2001 is a landmark year for the artist following a wave of success from the notable outfit Väisänen formed alongside Mika Vanio, Pan Sonic (as they were now known then). Following a string of highly acclaimed and influential releases such as “Vakio”, “Kulma”, “A’ and “Aaltopiiri” Pan Sonic had toured the globe extensively leaving a trail of blown expectations and rumours of all manner of objects in venues cracking or falling apart due to the immense sound the duo concocted with their unique instruments.
Taking a break from the ecstatic cacophony of Pan Sonic, Väisänen retreated to work on a solo release which conjured the spirits of the former outfit whilst simultaneously carving out a more personal take on these new electronic forms.
Asuma is a precise study of drones, rhythms, clicks, ambience and gentle confusion. Whilst inhabiting a zone of abstraction the results also move in a natural field as Väisänen’s native Finland permeates these recordings as much as the idea of experimentation itself.
Autioitu 1 opens the album as delicate pinball rhythms bounce across the spectrum as a hairy drone hovers underneath. The mood is both intriguing and unsettling. Tukahduttaja is a delightfully disorientating sound sculpture that is hard to pinpoint what it actually is. Klikki is comparable to a microscopic version of Pink Floyd’s “Several Species Of Small Furry Animals Gathered Together In A Cave And Grooving With A Pict”. Asumaton is a foreboding miniature acting like a segway to Vallitseva which embraces the icy clicks that punctuates much of the Pan Sonic output. Arvioimaton Ongelma is an audio riddle whilst Jaettu jitters around a dancefloor crawl. Autioitu closes proceedings as a gentle ambient thumper. Asuma is awash with contradiction and mystery. This is time wrapped in twisted turns and rewards a neat payoff for those interested in the absolute fringes of electronic ‘dance’ music.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Remaster by Rashad Becker
Edition of 500 copies, incl. obi incl. download code
Editions Mego reissue the 2001 release Asuma by Finnish artist Ilpo Väisänen. Originally released on CD this is the first ever vinyl issue, remastered by Rashad Becker. 2001 is a landmark year for the artist following a wave of success from the notable outfit Väisänen formed alongside Mika Vanio, Pan Sonic (as they were now known then). Following a string of highly acclaimed and influential releases such as “Vakio”, “Kulma”, “A’ and “Aaltopiiri” Pan Sonic had toured the globe extensively leaving a trail of blown expectations and rumours of all manner of objects in venues cracking or falling apart due to the immense sound the duo concocted with their unique instruments.
Taking a break from the ecstatic cacophony of Pan Sonic, Väisänen retreated to work on a solo release which conjured the spirits of the former outfit whilst simultaneously carving out a more personal take on these new electronic forms.
Asuma is a precise study of drones, rhythms, clicks, ambience and gentle confusion. Whilst inhabiting a zone of abstraction the results also move in a natural field as Väisänen’s native Finland permeates these recordings as much as the idea of experimentation itself.
Autioitu 1 opens the album as delicate pinball rhythms bounce across the spectrum as a hairy drone hovers underneath. The mood is both intriguing and unsettling. Tukahduttaja is a delightfully disorientating sound sculpture that is hard to pinpoint what it actually is. Klikki is comparable to a microscopic version of Pink Floyd’s “Several Species Of Small Furry Animals Gathered Together In A Cave And Grooving With A Pict”. Asumaton is a foreboding miniature acting like a segway to Vallitseva which embraces the icy clicks that punctuates much of the Pan Sonic output. Arvioimaton Ongelma is an audio riddle whilst Jaettu jitters around a dancefloor crawl. Autioitu closes proceedings as a gentle ambient thumper. Asuma is awash with contradiction and mystery. This is time wrapped in twisted turns and rewards a neat payoff for those interested in the absolute fringes of electronic ‘dance’ music.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Editions Mego
Cat-No:eMego318V
Release-Date:04.04.2025
Genre:Electronic, Electronica
Configuration:LP
Label:Editions Mego
Cat-No:eMego318V
Release-Date:04.04.2025
Genre:Electronic, Electronica
Configuration:LP
1
Hüma Utku - A World Between Worlds
2
Hüma Utku - Comfort Of The Shadows
3
Hüma Utku - A Familial Curse
4
Hüma Utku - Here Be Dragons
5
Hüma Utku - Care In Consume
6
Hüma Utku - A House Within A House
7
Hüma Utku - Ayaz'a
3rd album by Berlin based Hüma Utku after acclaimed releases on Karlrecords and Editions Mego LP
Edition of 300 copies, incl. obi
incl. download code
Hüma Utku returns to Editions Mego with her new album. The title Dracones makes reference to the mediaeval latin term "Hic sunt dracones" (Here be dragons), marking the unexplored, dangerous places on world maps, expressing the fear of chaos, the unexpected and the unknown.
This new work by the Istanbul sound artist is a sonic journal of an expedition into uncharted territory, one which occupies self and domesticity. Inspired by Utku’s experience of matrescence, Dracones explores the themes of familial demonology, metamorphosis and homecoming as well as human relationship to the experience of love woven layers of euphoria, alienation and consumption.
Musically, Dracones traverses a wide array of sonic tools whereby industrial sounds are imbedded with certain psychological angles, this is an album where, all matter meshes into a sly snapshot of the human experience with a tension and release exposure occurring frequently with dark corners opening up to bright layers of electronic experimentation.
The haunting opening track ‘A World Between Worlds’ tackles pregnancy, of which Utku was experiencing when making this record. The emotional, physical, spiritual and mental experience of this journey is all documented here.. This track features the ‘Lyraei’, an electromagnetic string instrument and modern interpretation of the ancient lyre, that was built and played by Mihalis Shammas. ‘Comfort of The Shadows’ moves from within to without, what was once hidden is now exposed. Utku’s ability to conjure the visual in the sonic is at the forefront as howling electronics give a distinct impression of movement. ‘A Familial Curse’ presents a desire to break the cycle of generational trauma with a creeping sense of dread that rolls into an industrial rhythm prior to landing in a beautiful place represented with shimmering guitar tones. ‘Here be Dragons’ is a rich and dark evocation, a spooked surrender to the themes of the record whereby Utku’s wildly distorted voice beckons all manner of phantasmagoria over cello and recordings of her ultrasound. ‘Care in Consume’ engages in further sonic exploration as a means of conjuring ‘matriphagy’, with its unique psychic energy coursing through electronic veins. ‘A House within a House’ could also be read as a body within a body as the pulse of ultrasound audio rattle amongst a cage of thudding rhythms and swirling electronics, one also ending in optimism as an exquisite melody is born from the prior fire. The striking journey ends with the more soothing ‘Ayaz’a’, a track embracing love and all the hardships that a period of fundamental metamorphosis brings, this is a heartfelt dedication to her son and concludes an album draped in life, experience, joy and pain.
Dracones is a deeply visual journey through inner and outer worlds, a space where symbolic evocation is supreme and passive listening is not an option.
All tracks composed,performed and recorded by Hüma Utku
Buchla 100, vocals, cello, electric guitar performed by Hüma Utku
‘’A World Between Worlds’’ features the ‘Lyraei’ built, played and recorded by Mihalis Shammas
Buchla 100 recorded in EMS Stockholm 2022-2023
Mixed by Enyang Urbiks
Mastered by Heba Kadry, NYC
Cover Artwork by Marco Ciceri
Design by Tina Frank
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Edition of 300 copies, incl. obi
incl. download code
Hüma Utku returns to Editions Mego with her new album. The title Dracones makes reference to the mediaeval latin term "Hic sunt dracones" (Here be dragons), marking the unexplored, dangerous places on world maps, expressing the fear of chaos, the unexpected and the unknown.
This new work by the Istanbul sound artist is a sonic journal of an expedition into uncharted territory, one which occupies self and domesticity. Inspired by Utku’s experience of matrescence, Dracones explores the themes of familial demonology, metamorphosis and homecoming as well as human relationship to the experience of love woven layers of euphoria, alienation and consumption.
Musically, Dracones traverses a wide array of sonic tools whereby industrial sounds are imbedded with certain psychological angles, this is an album where, all matter meshes into a sly snapshot of the human experience with a tension and release exposure occurring frequently with dark corners opening up to bright layers of electronic experimentation.
The haunting opening track ‘A World Between Worlds’ tackles pregnancy, of which Utku was experiencing when making this record. The emotional, physical, spiritual and mental experience of this journey is all documented here.. This track features the ‘Lyraei’, an electromagnetic string instrument and modern interpretation of the ancient lyre, that was built and played by Mihalis Shammas. ‘Comfort of The Shadows’ moves from within to without, what was once hidden is now exposed. Utku’s ability to conjure the visual in the sonic is at the forefront as howling electronics give a distinct impression of movement. ‘A Familial Curse’ presents a desire to break the cycle of generational trauma with a creeping sense of dread that rolls into an industrial rhythm prior to landing in a beautiful place represented with shimmering guitar tones. ‘Here be Dragons’ is a rich and dark evocation, a spooked surrender to the themes of the record whereby Utku’s wildly distorted voice beckons all manner of phantasmagoria over cello and recordings of her ultrasound. ‘Care in Consume’ engages in further sonic exploration as a means of conjuring ‘matriphagy’, with its unique psychic energy coursing through electronic veins. ‘A House within a House’ could also be read as a body within a body as the pulse of ultrasound audio rattle amongst a cage of thudding rhythms and swirling electronics, one also ending in optimism as an exquisite melody is born from the prior fire. The striking journey ends with the more soothing ‘Ayaz’a’, a track embracing love and all the hardships that a period of fundamental metamorphosis brings, this is a heartfelt dedication to her son and concludes an album draped in life, experience, joy and pain.
Dracones is a deeply visual journey through inner and outer worlds, a space where symbolic evocation is supreme and passive listening is not an option.
All tracks composed,performed and recorded by Hüma Utku
Buchla 100, vocals, cello, electric guitar performed by Hüma Utku
‘’A World Between Worlds’’ features the ‘Lyraei’ built, played and recorded by Mihalis Shammas
Buchla 100 recorded in EMS Stockholm 2022-2023
Mixed by Enyang Urbiks
Mastered by Heba Kadry, NYC
Cover Artwork by Marco Ciceri
Design by Tina Frank
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Editions Mego
Cat-No:eMego317V
Release-Date:21.03.2025
Genre:Electronic, Electronica
Configuration:LP
Label:Editions Mego
Cat-No:eMego317V
Release-Date:21.03.2025
Genre:Electronic, Electronica
Configuration:LP
1
Rivet - Catch Up To Light
2
Rivet - Orbiting Emtpy Cocoon
3
Rivet - Patitur Butcher
4
Rivet - Plastic Bag Putain
5
Rivet - All That Heaven Allows
6
Rivet - Sacrosanct
7
Rivet - Kyrie Geire
8
Rivet - We Left Before We Came
3rd full length album by Mika Hallbäck aka Rivet, after various 12" releases since 2011.
Hallbäck recently contributed to the production of the upcoming Sandwell District album "End Beginnings"
Edition of 300 copies, incl. obi incl. download code
Rivet’s new album for Editions Mego is an uplifting and joyous affair coming in the wake of tragedy and disenchantment. It is yet another rebirth from an artist willing to take a step back and reprise the current situation he is in. Mika Hallbäck has a long credible history in the Swedish underground. First recognised for his industrial techno works under the Grovskopa moniker he worked privately on more experimental works that eventually came out as On Feather and Wire, an album released on Editions Mego in 2020. After much acclaim for this bold new direction that blended electronic abstraction, pop and industrial forms into a heavy synthetic trip two tragedies struck. One was the passing of label boss Peter Rehberg and then the passing of his dog Lilo, who was as close as a companion one could have. These events led to the release of the more unsettling follow up L+P-2 (Lilo and Pita minus two) on Midnight Shift Records in 2023. Peck Glamour sees Rivet return to the reawakened Editions Mego with an album of optimism inspired by reconciliation with loss and further explorations of new mental/sonic realms.
Hallbäck defines his approach as not being married to any particular machine, instrument, process or genre. However he holds a particular affinity to sampling, of which, he says, provides the dirt and grit amongst what would otherwise be pristine, generic machine music. The contemporary crate digging method of scouring obscure download music bogs for unique sounds was his preferred research practice.
Peck Glamour is an album full of tracks brimming with the excitement of exploration. It's the results of a mind informed by punk, industrial, techno, dancefloor, disappointment, trauma and rebirth. Here the synthetic and authentic is viewed simply as the same means of human rationale and expression.
The opening, ‘Catch Up to Light’, sets the scene with ecstatic and odd fluorescent vocals sliding amongst crystalline likembe whilst synths swirl amongst the external festivities. ‘Orbiting Empty Cocoon’ is somewhat a homage to the alien sound worlds of The Orb, one which takes the listener deeper into a mind melting array of teased potential as visual elements are executed in a mask of audio wizardry and euphoric staccato rhythms, the later being a nod to Singeli music. ‘Patitur Butcher’ is more dance frontal utilising the Ghatam drum and a YouTube rip of a Chinese language lesson. ‘Plastic Bag Putain’ was made during the beginning of Russia's invasion of Ukraine and should be clear of its intent. ‘All that Heaven Allows’ is a marimba cover of an imaginary Love Parade anthem. 'Kyrie Geire’ potentially briefly fills the void left by the demise of Coil. The entire trip of Peck Glamour is sewn up with ‘We left before we came’ whereby extraneous recordings of double bass player Gregory Vartian-Foss (tuning/strumming/moving the bass) are superimposed with local field recordings to create a gorgeous bed of sounds acting as an exciting exit music to this sharp collection of cinematic ear excursions.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Hallbäck recently contributed to the production of the upcoming Sandwell District album "End Beginnings"
Edition of 300 copies, incl. obi incl. download code
Rivet’s new album for Editions Mego is an uplifting and joyous affair coming in the wake of tragedy and disenchantment. It is yet another rebirth from an artist willing to take a step back and reprise the current situation he is in. Mika Hallbäck has a long credible history in the Swedish underground. First recognised for his industrial techno works under the Grovskopa moniker he worked privately on more experimental works that eventually came out as On Feather and Wire, an album released on Editions Mego in 2020. After much acclaim for this bold new direction that blended electronic abstraction, pop and industrial forms into a heavy synthetic trip two tragedies struck. One was the passing of label boss Peter Rehberg and then the passing of his dog Lilo, who was as close as a companion one could have. These events led to the release of the more unsettling follow up L+P-2 (Lilo and Pita minus two) on Midnight Shift Records in 2023. Peck Glamour sees Rivet return to the reawakened Editions Mego with an album of optimism inspired by reconciliation with loss and further explorations of new mental/sonic realms.
Hallbäck defines his approach as not being married to any particular machine, instrument, process or genre. However he holds a particular affinity to sampling, of which, he says, provides the dirt and grit amongst what would otherwise be pristine, generic machine music. The contemporary crate digging method of scouring obscure download music bogs for unique sounds was his preferred research practice.
Peck Glamour is an album full of tracks brimming with the excitement of exploration. It's the results of a mind informed by punk, industrial, techno, dancefloor, disappointment, trauma and rebirth. Here the synthetic and authentic is viewed simply as the same means of human rationale and expression.
The opening, ‘Catch Up to Light’, sets the scene with ecstatic and odd fluorescent vocals sliding amongst crystalline likembe whilst synths swirl amongst the external festivities. ‘Orbiting Empty Cocoon’ is somewhat a homage to the alien sound worlds of The Orb, one which takes the listener deeper into a mind melting array of teased potential as visual elements are executed in a mask of audio wizardry and euphoric staccato rhythms, the later being a nod to Singeli music. ‘Patitur Butcher’ is more dance frontal utilising the Ghatam drum and a YouTube rip of a Chinese language lesson. ‘Plastic Bag Putain’ was made during the beginning of Russia's invasion of Ukraine and should be clear of its intent. ‘All that Heaven Allows’ is a marimba cover of an imaginary Love Parade anthem. 'Kyrie Geire’ potentially briefly fills the void left by the demise of Coil. The entire trip of Peck Glamour is sewn up with ‘We left before we came’ whereby extraneous recordings of double bass player Gregory Vartian-Foss (tuning/strumming/moving the bass) are superimposed with local field recordings to create a gorgeous bed of sounds acting as an exciting exit music to this sharp collection of cinematic ear excursions.
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Label:Editions Mego
Cat-No:eMego308V
Release-Date:24.02.2023
Genre:Electronic, Electronica
Configuration:LP
Label:Editions Mego
Cat-No:eMego308V
Release-Date:24.02.2023
Genre:Electronic, Electronica
Configuration:LP
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DE - 22113 Hamburg
Germany
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1
Auvinen - Mummon Tarina
2
Auvinen - Syksyn Ja¨a¨t A¨a¨ntelee
3
Auvinen - Usvassa Eksyminen
4
Auvinen - Kyla¨la¨iset Tanssii
5
Auvinen - Susi
6
Auvinen - Keva¨t Ja¨a¨t Kiliseva¨t
7
Auvinen - Kelluminen
8
Auvinen - Akkosaari
Johannes Auvinen has been a one man acid king for over a decade producing a wealth of acid and acid house under the moniker Tin Man. For this new release on Editions Mego he navigates an entirely different zone. Drawing on the history of electronic musik Akkosaari is a transcendental journey far from the sensual frenzy of sweaty acid drenched dancefloors we are accustomed to with his work. Akkosaari lies in the middle of the kosmic komische of Ash Ra Temple’s Jenseits, the weightless transcendentalism of Eliane Radigue’s Trilogie De Morts and the more glacial output of the Sähkö catalogue. The pace is gentle as the listener is drawn further into a world unlike the one we inhabit, these machines are more second life than one's emulating real life. The fantastic potential for audio induced visions are at play in this adventure in music as mind travel. On Kyläläiset Tanssii a measured pulse acts as a means of navigation before Susi spirals out clouds of sound. By the time we get to Kelluminen we are deeply within an unfamiliar state prior to landing in the heavenly plateau of Akkosaari. Throughout Akkosaari we are bathed in enrapturing and enveloping mists of psychedelic haze which take the listener on a vivid mental journey. This is intoxicating head music unfolding like an astral ascension and like any trip warrants repeat visitation.
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Germany
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Label:Editions mego
Cat-No:emego215
Release-Date:11.11.2015
Genre:Electronic, Electronica
Configuration:LP
Label:Editions mego
Cat-No:emego215
Release-Date:11.11.2015
Genre:Electronic, Electronica
Configuration:LP
Recorded in Haiku-Pauwela, Maui between 21st January and 8th February 2015. Melting our minds for over two decades with his beat-based productions, this time renowned techno-producer Anthony Child aka Surgeon is putting the fundamental components of electronic sound production to the fore. Focussing on the development of timbre and texture, Child creates exquisite drones, that give an insight in his improvisatory sensibility and dig deep into the potentials of modular synthesis, As the title already indicates, it's a very special setting that he has chosen for this endeavour: The jungle of Maui seems to have acted as a stimulus for this exercise in concentration and trance. The intertwining of the electronic instrument that meets the sublime sounds of nature, opens up an intimate resonant chamber. Birds, insects and raindrops are allowed to break through, while you can sense the thick, humid air and deep colours of the surrounding resonating in the pastose synth lines. Some tracks offer beautifully built overtone-drones, others are structured by playful arpeggios that create a shining bright texture and seduce us into a state of disintegration. At the same time Child gives priority to the graininess of the instrument to emphasise the haptic quality and inner tension of the sounds themselves. In the end these minimalist procedures have been compiled to an unpretentious collection of sonic and atmospheric micro-jewels, inviting us to give ourselves over entirely and exclusively to listening.
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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Label:Editions mego
Cat-No:emego209cd
Release-Date:03.06.2015
Genre:Electronic, Electronica
Configuration:CD
Label:Editions mego
Cat-No:emego209cd
Release-Date:03.06.2015
Genre:Electronic, Electronica
Configuration:CD
After last year's releases on Spectrum Spools, Italian techno masterminds Donato Dozzy and Neel are returning as the duo Voices From The Lake with a release on the mother label Editions Mego: Live @ MAXXI is a marvellous organic live-set of hypnotic ambient techno, proofing the outstanding and elegant craftsmanship of their sonic sculpturing, that they both are famous for. As was to be expected they stay true to their polyphonic topography of liquid scapes: aquatic sceneries are embedded in soaking dense atmospheres, gently gyrating us into trance. Sometimes soft echoes of sirenic voices are heard - the only remnants of human traces in these spaces that have suspended time, where smooth silky textures are being channeled into fractal structures that induce a state of transcendence. The haptic quality of their sound is adding up to a sonic matrix of metaphysic imaginary that is provoked by gentle glides and dynamic beat patterns of almost tribalistic quality. Dunked in a bath of dark fluid, sometimes washed away at the shores of Kosmische - VFTL's tunes are not scared to seduce us into a condition of haziness, culminating in a cover of Paolo Conte's ,Max' which is turned into a dazzling sample of sweet, dreamy melancholia. With this release Voices From The Lake succeed again in strengthening their position as one of todays most refined ambient techno producers.
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Germany
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Editions mego
Cat-No:emego204
Release-Date:20.05.2015
Genre:Electronic, Electronica
Configuration:LP
Label:Editions mego
Cat-No:emego204
Release-Date:20.05.2015
Genre:Electronic, Electronica
Configuration:LP
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Germany
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Label:editions mego
Cat-No:emego184
Release-Date:26.03.2014
Genre:Electronic, Electronica
Configuration:CD
Label:editions mego
Cat-No:emego184
Release-Date:26.03.2014
Genre:Electronic, Electronica
Configuration:CD
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Customers who bought this also bought this
2xLP, Widespine Jacket, Printed Sleeves, Marketing Sticker, Black Vinyl
About:
Spaceships on the Blade is the 2022 solo album from San Francisco legend, entrepreneur and rapper, Larry June. The 20-track album features the singles, "Private Valet," & "In My Pockets," and sees production from a wide range of producers such as, The Alchemist, Jake One, DJ Khalil, Cardo, DJ.Fresh, Chuck Inglish, Turbo & more. Enlisting the help from fellow rap luminaries such as 2 Chainz, Babyface Ray, Curren$y and more, Spaceships on the Blade shows that Uncle Larry always has an eye on expanding and diversifying income steams and will continue to do numbers for a long time. Good Job, Larry. 2xLP, Black Vinyl, Widespine Jacket, Printed Sleeves.
Key Marketing/Selling:
- 2xLP, Widespine Jacket, Printed Sleeves, Black Vinyl
- 10th solo studio album from the acclaimed San Francisco rapper, LarryJune
- Over the years since this album's release, Larry June's star power has grown considerably - releasing 2 joint albums with acclaimed super-producers The Alchemist (The Great Escape), and Cardo (The Night Shift)
- Larry June performs strongly on vinyl
- Singles include "Private Valet" & "In My Pockets"
- Performed "Corte Madera, CA / Another Day Pt. 2 on COLORS
- Album features include 2 Chainz, The Alchemist, Babyface Ray, Herm Lewis, Wallo267, DUCKWRTH, Syd, & Curren$y.
- Previously sold through first pressing of 5000 units (Orange & Cream Quad Vinyl)
- Larry June is your favorite rapper's favorite rapper
Tracklist:
A1/1. From Uncle Herm, Pt. 4 (feat. Herm Lewis)
A2/2. Private Valet
A3/3. I'm Him
A4/4. Things You Do
A5/5. Don't Check Me
B1/6. Another Day, Pt. 2
B2/7. Tools of the Game (Interlude) (feat. Wallo267)
B3/8. Corte Madera, CA
B4/9. Still Boomin (feat. 2 Chainz)
B5/10. Brand New Machinery (feat. DUCKWRTH)
C1/11. I'll Make Time
C2/12. For Tonight (feat. Syd)
C3/13. In My Pockets
C4/14. 5.0 Chronicles (feat. Curren$y)
C5/15. Breakfast in Monaco (feat. The Alchemist)
D1/16. Larry's Diner (Interlude)
D2/17. Organic Adjustments
D3/18. Spaceships & Orange Juice
D4/19. Extra of Um (feat. Babyface Ray)
D5/20. Appreciate it All
Socials:
Twitter: 235.5k followers
IG: 898k followers
FB: 75k followers
YT: 364k subs / 445M+ views
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
About:
Spaceships on the Blade is the 2022 solo album from San Francisco legend, entrepreneur and rapper, Larry June. The 20-track album features the singles, "Private Valet," & "In My Pockets," and sees production from a wide range of producers such as, The Alchemist, Jake One, DJ Khalil, Cardo, DJ.Fresh, Chuck Inglish, Turbo & more. Enlisting the help from fellow rap luminaries such as 2 Chainz, Babyface Ray, Curren$y and more, Spaceships on the Blade shows that Uncle Larry always has an eye on expanding and diversifying income steams and will continue to do numbers for a long time. Good Job, Larry. 2xLP, Black Vinyl, Widespine Jacket, Printed Sleeves.
Key Marketing/Selling:
- 2xLP, Widespine Jacket, Printed Sleeves, Black Vinyl
- 10th solo studio album from the acclaimed San Francisco rapper, LarryJune
- Over the years since this album's release, Larry June's star power has grown considerably - releasing 2 joint albums with acclaimed super-producers The Alchemist (The Great Escape), and Cardo (The Night Shift)
- Larry June performs strongly on vinyl
- Singles include "Private Valet" & "In My Pockets"
- Performed "Corte Madera, CA / Another Day Pt. 2 on COLORS
- Album features include 2 Chainz, The Alchemist, Babyface Ray, Herm Lewis, Wallo267, DUCKWRTH, Syd, & Curren$y.
- Previously sold through first pressing of 5000 units (Orange & Cream Quad Vinyl)
- Larry June is your favorite rapper's favorite rapper
Tracklist:
A1/1. From Uncle Herm, Pt. 4 (feat. Herm Lewis)
A2/2. Private Valet
A3/3. I'm Him
A4/4. Things You Do
A5/5. Don't Check Me
B1/6. Another Day, Pt. 2
B2/7. Tools of the Game (Interlude) (feat. Wallo267)
B3/8. Corte Madera, CA
B4/9. Still Boomin (feat. 2 Chainz)
B5/10. Brand New Machinery (feat. DUCKWRTH)
C1/11. I'll Make Time
C2/12. For Tonight (feat. Syd)
C3/13. In My Pockets
C4/14. 5.0 Chronicles (feat. Curren$y)
C5/15. Breakfast in Monaco (feat. The Alchemist)
D1/16. Larry's Diner (Interlude)
D2/17. Organic Adjustments
D3/18. Spaceships & Orange Juice
D4/19. Extra of Um (feat. Babyface Ray)
D5/20. Appreciate it All
Socials:
Twitter: 235.5k followers
IG: 898k followers
FB: 75k followers
YT: 364k subs / 445M+ views
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Silver/Clear Marbled Vinyl
Tracklisting
A1 Mike Parker - Storia
A2 Mike Parker - Lunar Nocturne
A3 Mike Parker - Earth Energy Imbalance
B1 Mike Parker - Ghost Rain
B2 Mike Parker - Positronic Tentacles
C1 Mike Parker - Echo Disintegrator
C2 Mike Parker - Radiative Force
D1 Mike Parker - Beat Activator
D2 Mike Parker - Dragon Bravo
Sales Note
Returning with his first artist album in 13 years, revered techno innovator Mike Parker continues to shape out his explorations around 170 with his latest work for Samurai Music, Echo Disintegrator. Transcending genre lines with his unmistakable sonic stamp, the seasoned US producer crafts an extended trip through his exacting, lithe frequencies and brutalist rhythms. As evidenced on recent EPs Envenomations and Sabre-Tooth, Parker can comfortably slip into a hard-stepping D&B structure and make it his own. 'Earth Energy Imbalance' leaps forth with precision and purpose, wrapping atonal synth shapes around the stark beat in staggering high definition. 'Positronic Tentacles' finds a similar rolling momentum, even threading ruthlessly trimmed vocal snatches into the lyrical pulse of the lead tones. 'Radiative Force' teases its own mutant funk out of the envelopes shaping the molten sonics coursing through the middle of the frequency range. Elsewhere, Parker explores a variety of accented grooves around typical D&B tempos, remaining reliably broken while dipping into half-time space on 'Lunar Nocturne' and finding a low-slung swagger in the carefully deployed pressure of 'Ghost Rain' and 'Echo Disintegrator'. 'Beat Activator' pivots on a dense bed of bass with a crooked, off-beat slant before 'Dragon Bravo' casts a similarly dembow-informed beat into a dense tapestry of cyclical machine shrieks and snarls. There is a ruthless consistency to Parker's approach across Echo Disintegrator, riding the loops without flinching and forcing the focus deep into the minutae of every sonic element. Both brilliantly functional and profoundly subtle, there's a visceral, physical quality to the sound design that makes it a listening experience like no other.
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DE - 22113 Hamburg
Germany
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Tracklisting
A1 Mike Parker - Storia
A2 Mike Parker - Lunar Nocturne
A3 Mike Parker - Earth Energy Imbalance
B1 Mike Parker - Ghost Rain
B2 Mike Parker - Positronic Tentacles
C1 Mike Parker - Echo Disintegrator
C2 Mike Parker - Radiative Force
D1 Mike Parker - Beat Activator
D2 Mike Parker - Dragon Bravo
Sales Note
Returning with his first artist album in 13 years, revered techno innovator Mike Parker continues to shape out his explorations around 170 with his latest work for Samurai Music, Echo Disintegrator. Transcending genre lines with his unmistakable sonic stamp, the seasoned US producer crafts an extended trip through his exacting, lithe frequencies and brutalist rhythms. As evidenced on recent EPs Envenomations and Sabre-Tooth, Parker can comfortably slip into a hard-stepping D&B structure and make it his own. 'Earth Energy Imbalance' leaps forth with precision and purpose, wrapping atonal synth shapes around the stark beat in staggering high definition. 'Positronic Tentacles' finds a similar rolling momentum, even threading ruthlessly trimmed vocal snatches into the lyrical pulse of the lead tones. 'Radiative Force' teases its own mutant funk out of the envelopes shaping the molten sonics coursing through the middle of the frequency range. Elsewhere, Parker explores a variety of accented grooves around typical D&B tempos, remaining reliably broken while dipping into half-time space on 'Lunar Nocturne' and finding a low-slung swagger in the carefully deployed pressure of 'Ghost Rain' and 'Echo Disintegrator'. 'Beat Activator' pivots on a dense bed of bass with a crooked, off-beat slant before 'Dragon Bravo' casts a similarly dembow-informed beat into a dense tapestry of cyclical machine shrieks and snarls. There is a ruthless consistency to Parker's approach across Echo Disintegrator, riding the loops without flinching and forcing the focus deep into the minutae of every sonic element. Both brilliantly functional and profoundly subtle, there's a visceral, physical quality to the sound design that makes it a listening experience like no other.
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1
Djrum - Unblocked
2
Djrum - Waters Rising
3
Djrum - Creature (Part 1)
4
Djrum - Creature (Part 2)
5
Djrum - Sex
6
Djrum - Blue Violet
7
Djrum - Sparrows
8
Djrum - Showreel (Part 3)
9
Djrum - Blood In My Mouth
Repress!
As 'Portrait With Firewood' is Felix's most personal body of work to date, the product of an emotionally turbulent 2017, capturing the range of feelings and emotions he went through in vivid sonic beauty. By putting aside his previous sampladelic approach he returned to his childhood instrument of the piano as a core starting point. "It's a confessional record… I realise that's a word mostly used to describe singer/songwriter rather than (largely) instrumental music, but I think it's apt. There's a sort of emotional candour." Felix is classically trained in the jazz tradition and influenced by the likes of Keith Jarrett and Alice Coltrane. Previously he was shy at the prospect of fans hearing his piano playing, but determined to overcome this fear he has brought forward a new honesty to his work. "Finding the confidence to work with my own piano improvisations was a big part of that. Once I had figured out how I was going to make the music, it actually fell in to place rather quickly." Felix's goal was to create something "overwhelmingly beautiful", but also to capture the "inherent melancholy in beauty in all it's impermanance and fragility". He took inspiration and solace from performance artist Marina Abramovic. "She has an incredibly deep understanding of the human condition, and expresses it in such a poetic way. Many of the themes of her work had particular resonance for me over the course of 2017 as I worked on the album. I was moved to tears on several occasions watching her videos or reading about her work." Felix collaborated with cellist Zosia Jagodzinska and vocalist Lola Empire. Jagodzinska recorded several takes of improvisations over the track 'Creature' which Felix would chop, pitch and layer into new melodic lines and seed throughout the album. Felix's new approach expanded to experimentation with field recording, contact micing his beloved piano and purchasing his first hardware synth, all in service of enriching the personal, humane quality of the record. "Music helps me to communicate the sorts of things that I find almost impossible to put in to words. I think the process for this album has helped me create a more rich and emotionally complex body of work than I have managed before."
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
As 'Portrait With Firewood' is Felix's most personal body of work to date, the product of an emotionally turbulent 2017, capturing the range of feelings and emotions he went through in vivid sonic beauty. By putting aside his previous sampladelic approach he returned to his childhood instrument of the piano as a core starting point. "It's a confessional record… I realise that's a word mostly used to describe singer/songwriter rather than (largely) instrumental music, but I think it's apt. There's a sort of emotional candour." Felix is classically trained in the jazz tradition and influenced by the likes of Keith Jarrett and Alice Coltrane. Previously he was shy at the prospect of fans hearing his piano playing, but determined to overcome this fear he has brought forward a new honesty to his work. "Finding the confidence to work with my own piano improvisations was a big part of that. Once I had figured out how I was going to make the music, it actually fell in to place rather quickly." Felix's goal was to create something "overwhelmingly beautiful", but also to capture the "inherent melancholy in beauty in all it's impermanance and fragility". He took inspiration and solace from performance artist Marina Abramovic. "She has an incredibly deep understanding of the human condition, and expresses it in such a poetic way. Many of the themes of her work had particular resonance for me over the course of 2017 as I worked on the album. I was moved to tears on several occasions watching her videos or reading about her work." Felix collaborated with cellist Zosia Jagodzinska and vocalist Lola Empire. Jagodzinska recorded several takes of improvisations over the track 'Creature' which Felix would chop, pitch and layer into new melodic lines and seed throughout the album. Felix's new approach expanded to experimentation with field recording, contact micing his beloved piano and purchasing his first hardware synth, all in service of enriching the personal, humane quality of the record. "Music helps me to communicate the sorts of things that I find almost impossible to put in to words. I think the process for this album has helped me create a more rich and emotionally complex body of work than I have managed before."
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Happy Today is the third album from guitarist/bandleader’s Jeff Parker’s long-running ETA IVtet, recorded live at Lodge Room in Los Angeles on August 20, 2025. This fresh entry into the IVtet’s catalog captures the instantly recognizable group sound of Parker and the band—including drummer Jay Bellerose, bassist Anna Butterss, and saxophonist Josh Johnson—on record outside of the now-shuttered Highland Park micro-club ETA for the first time ever.
Tracklist:
A: Like Swimwear
B: Happy Today
https://listen.k7.com/b3b26dc1-7f37-4bbf-9b1d-9a067e6677bd
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist:
A: Like Swimwear
B: Happy Today
https://listen.k7.com/b3b26dc1-7f37-4bbf-9b1d-9a067e6677bd
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Mala - Changes
- 2026 repress -
Mala's "Changes", the legendary dubstep anthem first released in 2007 on DEEP MEDi MUSIK, is back.
Widely recognized as a defining moment in the evolution of dubstep, "Changes" stands as a testament to Mala's artistry and influence.
This 'white label' vinyl repress reintroduces that unmistakable haunting melody and it's sound system crushing bassline.
A timeless piece that defined an era and continues to inspire new generations.
Whether you're hearing it for the first time or rediscovering its brilliance, this music on vinyl is how it was meant to be experienced.
Mala's "Changes" is available now for pre-order via DEEP MEDi Bandcamp and your fav retailers starting today.
Changes
13.12.24
12" White Label Vinyl
#DeepMediMusik
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DE - 22113 Hamburg
Germany
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Mala's "Changes", the legendary dubstep anthem first released in 2007 on DEEP MEDi MUSIK, is back.
Widely recognized as a defining moment in the evolution of dubstep, "Changes" stands as a testament to Mala's artistry and influence.
This 'white label' vinyl repress reintroduces that unmistakable haunting melody and it's sound system crushing bassline.
A timeless piece that defined an era and continues to inspire new generations.
Whether you're hearing it for the first time or rediscovering its brilliance, this music on vinyl is how it was meant to be experienced.
Mala's "Changes" is available now for pre-order via DEEP MEDi Bandcamp and your fav retailers starting today.
Changes
13.12.24
12" White Label Vinyl
#DeepMediMusik
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:WRWTFWW
Cat-No:WRWTFWW128
Release-Date:29.05.2026
Genre:Electronic, Electronica
Configuration:2LP Excl
Label:WRWTFWW
Cat-No:WRWTFWW128
Release-Date:29.05.2026
Genre:Electronic, Electronica
Configuration:2LP Excl
1
Missing Project - Poisson D'avril (Da' Future Given A Deep Soul Mix) 08:19
2
Virgo - First Epilogue (Tek Of 606 Remix) 05:47
3
Tensor - Balloon (I.D. Remix) 05:36
4
Penance - Cure Of Soul (Fossil Mix) 08:00
5
Virgo - Proxima Scope (Zanzibar Mix) 06:12
6
Led-M - 713AW (Dendrobium Remix) 06:19
7
Missing Project - Poisson D'avril (Galaxy Dub) 07:41
Territories: World
Genre: Electronic, IDM, Techno, Ambient, Soulful, Acid
DLP: Limited Edition, 45rpm Cut, Heavyweight Sleeve, Inside Out Pantone Printing, Sticker
Tracklisting DLP
A1. Missing Project - Poisson D'avril (Da' Future Given A Deep Soul Mix) 08:19
B1. Virgo - First Epilogue (Tek Of 606 Remix) 05:47
B2. Tensor - Balloon (I.D. Remix) 05:36
C1. Penance - Cure Of Soul (Fossil Mix) 08:00
C2. Virgo - Proxima Scope (Zanzibar Mix) 06:12
D1. Led-M - 713AW (Dendrobium Remix) 06:19
D2. Missing Project - Poisson D'avril (Galaxy Dub) 07:41
Info
WRWTFWW Records is thrilled to announce their 5th archival release taken from cult Tokyo label FORM@ RECORDS' catalogue, this time with the first-ever vinyl edition of Re-Form Ver-1.0. The remarkable, yet not widely known, 1999 remix compilation is now available as a limited edition 45rpm cut double LP housed in a heavyweight sleeve, as well as in digital format.
Originally only available on CD in extremely limited quantities, Re-Form Ver-1.0 resurfaces as a fascinating document of FORM@ RECORDS' late-1990s creative peak. Re-imagining key pieces from the label's catalogue, the remix collection offers a rare glimpse into Tokyo's electronic underground, where techno, house, ambient, and IDM breathe freely through FORM@'s soulful and exploratory vision.
Highlights include two remixes of Missing Project's adored gem "Poisson D'Avril" (including its well known ethereal ambient Galaxy Dub which appeared on Music From Memory's Virtual Dreams II) as well as the otherworldly Fossil (aka the legend Virgo) Mix of Penance's "Cure & Soul". Throughout, the compilation balances dancefloor sensibility with introspective listening, embodying the warm human approach to machine music FORM@ RECORDS excels in.
Another essential time capsule from a crucial era of underground music, Re-Form Ver-1.0 echoes the spirit of Warp's Artificial Intelligence era, alongside the forward-thinking energy of Ken Ishii, Carl Craig, The Black Dog, and Ian O'Brien, while keeping its feet and individuality firmly rooted in local context - the magic recipe for creating a universal, timeless language of electronic expression.
Re-Form Ver-1.0 follows the vinyl edition of Virgo's Landform Code (1998) and Remnants (1999), as well as the FORM@ compilations Art Form I (1997) and Art Form 2 (1998), further expanding WRWTFWW's archival series dedicated to uncovering hidden gems of late '90s Japanese electronic music.
Points of interest
· For fans of Warp's Artificial Intelligence series, Ken Ishii, Carl Craig, The Black Dog, Ian O'Brien, deep electronic music, future jazz, and late '90s underground movements.
· First ever vinyl release of the forgotten 1999 remix compilation Re-Form Ver-1.0, sourced directly from the vaults of FORM@ RECORDS.
· Limited edition 45rpm cut double LP in heavyweight sleeve.
· A deep dive into Tokyo's electronic underground: soulful techno, house, ambient, IDM-timeless, immersive, and forward-thinking reinterpretations.
· Part of the WRWTFWW x FORM@ RECORDS archival series.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Genre: Electronic, IDM, Techno, Ambient, Soulful, Acid
DLP: Limited Edition, 45rpm Cut, Heavyweight Sleeve, Inside Out Pantone Printing, Sticker
Tracklisting DLP
A1. Missing Project - Poisson D'avril (Da' Future Given A Deep Soul Mix) 08:19
B1. Virgo - First Epilogue (Tek Of 606 Remix) 05:47
B2. Tensor - Balloon (I.D. Remix) 05:36
C1. Penance - Cure Of Soul (Fossil Mix) 08:00
C2. Virgo - Proxima Scope (Zanzibar Mix) 06:12
D1. Led-M - 713AW (Dendrobium Remix) 06:19
D2. Missing Project - Poisson D'avril (Galaxy Dub) 07:41
Info
WRWTFWW Records is thrilled to announce their 5th archival release taken from cult Tokyo label FORM@ RECORDS' catalogue, this time with the first-ever vinyl edition of Re-Form Ver-1.0. The remarkable, yet not widely known, 1999 remix compilation is now available as a limited edition 45rpm cut double LP housed in a heavyweight sleeve, as well as in digital format.
Originally only available on CD in extremely limited quantities, Re-Form Ver-1.0 resurfaces as a fascinating document of FORM@ RECORDS' late-1990s creative peak. Re-imagining key pieces from the label's catalogue, the remix collection offers a rare glimpse into Tokyo's electronic underground, where techno, house, ambient, and IDM breathe freely through FORM@'s soulful and exploratory vision.
Highlights include two remixes of Missing Project's adored gem "Poisson D'Avril" (including its well known ethereal ambient Galaxy Dub which appeared on Music From Memory's Virtual Dreams II) as well as the otherworldly Fossil (aka the legend Virgo) Mix of Penance's "Cure & Soul". Throughout, the compilation balances dancefloor sensibility with introspective listening, embodying the warm human approach to machine music FORM@ RECORDS excels in.
Another essential time capsule from a crucial era of underground music, Re-Form Ver-1.0 echoes the spirit of Warp's Artificial Intelligence era, alongside the forward-thinking energy of Ken Ishii, Carl Craig, The Black Dog, and Ian O'Brien, while keeping its feet and individuality firmly rooted in local context - the magic recipe for creating a universal, timeless language of electronic expression.
Re-Form Ver-1.0 follows the vinyl edition of Virgo's Landform Code (1998) and Remnants (1999), as well as the FORM@ compilations Art Form I (1997) and Art Form 2 (1998), further expanding WRWTFWW's archival series dedicated to uncovering hidden gems of late '90s Japanese electronic music.
Points of interest
· For fans of Warp's Artificial Intelligence series, Ken Ishii, Carl Craig, The Black Dog, Ian O'Brien, deep electronic music, future jazz, and late '90s underground movements.
· First ever vinyl release of the forgotten 1999 remix compilation Re-Form Ver-1.0, sourced directly from the vaults of FORM@ RECORDS.
· Limited edition 45rpm cut double LP in heavyweight sleeve.
· A deep dive into Tokyo's electronic underground: soulful techno, house, ambient, IDM-timeless, immersive, and forward-thinking reinterpretations.
· Part of the WRWTFWW x FORM@ RECORDS archival series.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Squarepusher is back on Warp with Kammerkonzert - Tom Jenkinson's 16th studio album and a harmony-driven electronic "chamber concerto" structured across 14 movements, from 'K1 Advance' to 'K14 Welbeck'. Following 2024's Dostrotime - a sound-thesis on the crystallisation of time in the COVID era, frozenness expressed in breakbeats - and arriving after Warp's recent reissue of his early 'Stereotype' EP makings from 1994, here Jenkinson foregrounds the orchestra, as baroque-tinged harmonies, chamber-like arrangements and intricate interplays discourse through his trademark electronic toolkit, patience be damned despite the real instrumentation. Early previews such as 'K2 Central' suggest a more reflective Squarepusher, folding IDM complexity into the architecture of a modern concerto while extending the classical-meets-machine tension running through his work since Hard Normal Daddy and Ultravisitor.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
cv313 & Federsen - First Dimension
2
cv313 & Federsen - Second Dimension
3
cv313 & Federsen - Third Dimension
4
cv313 & Federsen - Fourth Dimension
Alt Dub boss Federsen once again joins forces with cv313 and Echospace Detroit to deliver a second instalment in their ‘Altering Dimension’ series, once again merging hazy textural sonics with delicate dub leaning aesthetics.
Detroit’s dub techno lineage continues to evolve as cv313, Stephen Hitchell of Echospace, teams up with Federsen for Altering Dimensions Part Two, another collaborative EP set to land on Federsen’s Alt Dub imprint.
A defining figure in the genre, cv313 has long shaped its language through seminal works like Seconds to Forever and the Dimensional Space LP, fusing enveloping atmospheres with tactile rhythmic structures. Alongside him here,
Federsen whose music can also be found on Echospace Detroit as well as Grayscale, Synchrophone, Lempuyang and Avant Roots, has carved out a distinct voice rooted in precision and analogue-rich depth. Altering Dimensions Part Two again captures the intersection of these two perspectives, linking Detroit’s enduring sonic heritage with a refined, forward-facing approach to dub techno.
‘First Dimension’ opens the release, laying down heavy doses of sub bass, bubbling percussion and ever evolving, murky dub echoes amidst a crisp, stripped-down rhythm section.
‘Second Dimension’ follows and leans into vacillating atmospherics, a swaying bottom end groove and hypnotic, subtle evolution that’s synonymous with the cv313 sound.
‘Third Dimension’ kicks off the b-side next, further embracing this introspective and immersive style as textural elements shift and mutate atop intricately modulating percussive hits, bubbling synth tones and weighty low-end percussion.
‘Fourth Dimension’ then concludes the release, reducing things down to bare bones of hypntic dub, embracing a beatless construction the composition relies on spatial depth, nuanced delays and an underlying tension that decays
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Detroit’s dub techno lineage continues to evolve as cv313, Stephen Hitchell of Echospace, teams up with Federsen for Altering Dimensions Part Two, another collaborative EP set to land on Federsen’s Alt Dub imprint.
A defining figure in the genre, cv313 has long shaped its language through seminal works like Seconds to Forever and the Dimensional Space LP, fusing enveloping atmospheres with tactile rhythmic structures. Alongside him here,
Federsen whose music can also be found on Echospace Detroit as well as Grayscale, Synchrophone, Lempuyang and Avant Roots, has carved out a distinct voice rooted in precision and analogue-rich depth. Altering Dimensions Part Two again captures the intersection of these two perspectives, linking Detroit’s enduring sonic heritage with a refined, forward-facing approach to dub techno.
‘First Dimension’ opens the release, laying down heavy doses of sub bass, bubbling percussion and ever evolving, murky dub echoes amidst a crisp, stripped-down rhythm section.
‘Second Dimension’ follows and leans into vacillating atmospherics, a swaying bottom end groove and hypnotic, subtle evolution that’s synonymous with the cv313 sound.
‘Third Dimension’ kicks off the b-side next, further embracing this introspective and immersive style as textural elements shift and mutate atop intricately modulating percussive hits, bubbling synth tones and weighty low-end percussion.
‘Fourth Dimension’ then concludes the release, reducing things down to bare bones of hypntic dub, embracing a beatless construction the composition relies on spatial depth, nuanced delays and an underlying tension that decays
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Marc Acardipane - CSWK
2
Marc Acardipane - 9 Is A Classic
3
Marc Acardipane - Disaster Area
4
Marc Acardipane - The Mob Rules
Tracklisting
A1 Masters Of Rave a.k.a. Marc Acardipane - Are You With Me (Energie Hallen Mix)
A2 Nasty Django a.k.a. Marc Acardipane - King Of Ffm (Godfather Mix)
B1 6-Pack a.k.a. Marc Acardipane - Drunken Piece Of Shit (Mix 1)
B2 White Breaks a.k.a. Marc Acardipane - White Line (Original Mix)
The Godfather of Hardcore, Marc Acardipane, needs no introduction. His outstanding releases over the past 30 years speak for themselves. He has been instrumental in helping to create electronic music history, with countless well-known productions which have been unsurpassed by any other artist of this calibre. His timeless masterpieces have been and always will be heard at hardcore raves spanning the circumference of the Planet. With "9 Is A Classic", "Slaves To The Rave", "Pitch-Hiker", "Stereo Murder" and "We Have Arrived", just to name a few, he clearly proves who's the boss. "The Most Famous Unknown" is a well compiled collection of Marc's music, which showcases a mere portion of what he has composed and produced since the early nineties! The vinyl and digital selection of "The Most Famous Unknown" features remixes by Body Sushi a.k.a. VTSS & Randomer, Dasha Rush, Gabber Eleganza feat. Delirio, Jasss, Kilbourne, Minimum Syndicat, Nina Kraviz, Perc, Solid Blake, Stranger, Umwelt and VTSS, which all deliver excellent interpretations of tracks they have chosen to revamp. All original tracks have been re-mastered to the highest possible standard of quality.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 Masters Of Rave a.k.a. Marc Acardipane - Are You With Me (Energie Hallen Mix)
A2 Nasty Django a.k.a. Marc Acardipane - King Of Ffm (Godfather Mix)
B1 6-Pack a.k.a. Marc Acardipane - Drunken Piece Of Shit (Mix 1)
B2 White Breaks a.k.a. Marc Acardipane - White Line (Original Mix)
The Godfather of Hardcore, Marc Acardipane, needs no introduction. His outstanding releases over the past 30 years speak for themselves. He has been instrumental in helping to create electronic music history, with countless well-known productions which have been unsurpassed by any other artist of this calibre. His timeless masterpieces have been and always will be heard at hardcore raves spanning the circumference of the Planet. With "9 Is A Classic", "Slaves To The Rave", "Pitch-Hiker", "Stereo Murder" and "We Have Arrived", just to name a few, he clearly proves who's the boss. "The Most Famous Unknown" is a well compiled collection of Marc's music, which showcases a mere portion of what he has composed and produced since the early nineties! The vinyl and digital selection of "The Most Famous Unknown" features remixes by Body Sushi a.k.a. VTSS & Randomer, Dasha Rush, Gabber Eleganza feat. Delirio, Jasss, Kilbourne, Minimum Syndicat, Nina Kraviz, Perc, Solid Blake, Stranger, Umwelt and VTSS, which all deliver excellent interpretations of tracks they have chosen to revamp. All original tracks have been re-mastered to the highest possible standard of quality.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Maloca Records
Cat-No:MLC024
Release-Date:22.05.2026
Genre:Electronic, Electronica
Configuration:12" Excl
Label:Maloca Records
Cat-No:MLC024
Release-Date:22.05.2026
Genre:Electronic, Electronica
Configuration:12" Excl
1
Katatonic Silentio - Primordial Blossom
2
Katatonic Silentio - Secret Garden
3
Katatonic Silentio - Archipelago
4
Katatonic Silentio - The Only Way Out
5
Katatonic Silentio - Is Through (Eden Version)
6
Katatonic Silentio - Is Through (Land Of Nod Version)
7
Katatonic Silentio - El Baile de Icaros
Territories: World ex UK
Format: 12" Vinyl with OBI Strip
Tracklist:
A1 Katatonic Silentio - Primordial Blossom
A2 Katatonic Silentio - Secret Garden
A3 Katatonic Silentio - Archipelago
A4 Katatonic Silentio - The Only Way Out
B1 Katatonic Silentio - Is Through (Eden Version)
B2 Katatonic Silentio - Is Through (Land Of Nod Version)
B3 Katatonic Silentio - El Baile de Icaros
Short Info
Brussels-based Maloca presents Paradise Mountain, the new EP from Katatonic Silentio, DJ and production moniker of Italian sound artist Mariachiara Troianiello. Positioned in counterpoint to her darker, more visceral work, the record delicately folds Detroit electro and techno drum structures into a softened New Age glow, generating environments that breathe, shimmer, and slowly coalesce.
Across the EP, tracks unfold gently, rife with wet modular tones, chromatic arpeggiations, and light-touch percussion which drifts in and out of focus, blurring the line between dancefloor function and inward-facing sound art. Paradise Mountain ultimately traces a slow ascent through luminous, carefully crafted terrain - quietly joyful and deeply hypnotic in its approach.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Format: 12" Vinyl with OBI Strip
Tracklist:
A1 Katatonic Silentio - Primordial Blossom
A2 Katatonic Silentio - Secret Garden
A3 Katatonic Silentio - Archipelago
A4 Katatonic Silentio - The Only Way Out
B1 Katatonic Silentio - Is Through (Eden Version)
B2 Katatonic Silentio - Is Through (Land Of Nod Version)
B3 Katatonic Silentio - El Baile de Icaros
Short Info
Brussels-based Maloca presents Paradise Mountain, the new EP from Katatonic Silentio, DJ and production moniker of Italian sound artist Mariachiara Troianiello. Positioned in counterpoint to her darker, more visceral work, the record delicately folds Detroit electro and techno drum structures into a softened New Age glow, generating environments that breathe, shimmer, and slowly coalesce.
Across the EP, tracks unfold gently, rife with wet modular tones, chromatic arpeggiations, and light-touch percussion which drifts in and out of focus, blurring the line between dancefloor function and inward-facing sound art. Paradise Mountain ultimately traces a slow ascent through luminous, carefully crafted terrain - quietly joyful and deeply hypnotic in its approach.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Guttersnipe - Alive On Tuesday
2
Guttersnipe - Mincing while the Maelstrom Churns
3
Guttersnipe - Threads Of Radical Unaliveness
4
Guttersnipe - Keep Honking! We’re Stuck in a Memetic Bottleneck
5
Guttersnipe - Primordial Invagination
6
Guttersnipe - Skräckblandad Fo¨rtjusning
territories:WW-US,CA,UK, BENELUX
Black Vinyl LP,LTD 500
TRACKLIST:
1. Alive On Tuesday
2. Mincing while the Maelstrom Churns
3. Threads Of Radical Unaliveness
4. Keep Honking! We’re Stuck in a Memetic Bottleneck
5. Primordial Invagination
6. Skra¨ckblandad Fo¨rtjusning
Extinction Burst! is the new invocation in album-form by Guttersnipe, Leeds’ premier and pre-eminent XFCER (XFCER:
Xenofeminist crisis-energy rock)* duo. Slamming at full speed to multi-dimensional oblivion, Extinction Burst! is the most full,
hidefinition lurid dream-mare yet spewed out by Uroceras Gigas & Tipula Confusa. Engineered and mixed by Ross Halden at
Hohm Studio in Bradford and mastered by Rashad Becker, Extinction Burst! follows 2018’s My Mother The Vent, which
garnered universal critical adoration. Nevertheless, this long-awaited follow up is more extreme: it is wildness beyond reason,
splitting new tears in the reality gauze, ultimate hallucination through sound ecstasy.
2026’s Guttersnipe are evolved, mutated by 8 years of touring together and with the labyrinthine network of groups both
Guttersnipe members are involved with - Tristwch Y Fenywod, Nape Neck, Petronn Sphene, Yexxen to name a few. On
Extinction Burst!, as with previous material, the duo are heavily augmented with technology. Tipula Confusa's drum kit triggers
chasm-causing synth pulses with thumping low end attack.. Strafing from all over the stereo field the constant shatter of the
cymbals and toms feel like Sunny Murray or Rashied Ali in full flight during a John Coltrane session in 1967. Uroceras Gigas’s
guitar + synth storm is by-now similarly an instantly recognised tool kit in underground music. Switching from screeching guitar
atonality to intricate riffs from the black metal/Voivod hinterland to ultra-distorted synth meltdown, it’s an utterly overwhelming,
essential and vital pouring-out of the full emotional spectrum. Both artists vocalise, ecstatic and primal, drawn out or yelped in
pain or pleasure or panic.
Alive On Tuesday begins with some of the only space on Extinction Burst! Digital crackles and tight-delays blow out into a
fullthrottled death-dive into sweet opaqueness, offset by the duo’s vocals. There’s a popular believe that Guttersnipe is chaos,
but over 9 mins here the group are clinical in their control of the simulated entropy. Mincing while the Maelstrom Churns’s guitar
is modulated into jagged atonal atonement, duetting with the virtuoso drum patterns before it thuds into gear at quadruple the
speed. Threads Of Radical Unaliveness veers close to the extreme Metal influences with blast beats and guttural vocalisations
until the track exhausts itself into unaliveness. Keep Honking summons a demonic digital panic, with the duo reincarnating in
real time as haunted versions of themselves, almost translating the lurid, ultra vivid, simultaneous hell+heaven of being alive in
this dimension. Primordial Invagination harnesses No Wave’s dissension of normality before the structured collapse of
Skra¨ckblandad Fo¨rtjusning, in which Tipula Confusa’s accelerating drums simulate a bouncing barrel of brimstone descending
into a primordial gunky ooze, a respite in the middle before the record splutters to a stuttering finale, both members’ vocals out
there in the neon realness, alive with crisis energy.
There is nothing on this cursed earth like Guttersnipe. For over 10 years they have whirled in a wiggliness both woebegone and
wonderstruck on a mission of radical mutant exaltation using rock music weaponry loaded with a queer hysterical ammunition to
rupture the fabric of the known Rock universe and unleash a tendril-soft hallucinatory violence; thrumming with the bracing
vividness of insect bodies, crazed with alien synaesthetic emotions, harnessing jagged excoriating illogic as a face meltingly
snazzy affront to redundant macho mediocrity with the hope to break minds, squeeze hearts, explode pelvises and maybe even
reset the parameters of reality.
Addendum:
xenofeminist : proposing and creating a world defined not only by sexual/gender equality, queer empowerment and the toppling
of the racist heteropatriarchal hegemony and it’s tyranny of phallogocentric signifiers, but a philosophy of radical queerness that
explodes the basic notion of embodied existence itself beyond even the human, where we see bacteria, invertebrates, reptiles,
marine life, animalia in general, inanimate objects, quantum phenomena and as yet inarticulated bodies and minds as social
and political equals that may inspire and inform our concepts of self, feeling and meaning as we labour to build a collective
reality that doesn’t completely suck!!
crisis energy : a term borrowed from the weird fiction author china mieville to describe a type of extreme concentration of power
which emerges when a system or organism is pushed to it’s absolute limit; the point of rupture, chaos, entropic overload, just
before it all breaks apart.
rock : Rock ’n’ Roll, rock music, the devil’s music, sex, guitar, drums, voice, rhythm, riffs!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Black Vinyl LP,LTD 500
TRACKLIST:
1. Alive On Tuesday
2. Mincing while the Maelstrom Churns
3. Threads Of Radical Unaliveness
4. Keep Honking! We’re Stuck in a Memetic Bottleneck
5. Primordial Invagination
6. Skra¨ckblandad Fo¨rtjusning
Extinction Burst! is the new invocation in album-form by Guttersnipe, Leeds’ premier and pre-eminent XFCER (XFCER:
Xenofeminist crisis-energy rock)* duo. Slamming at full speed to multi-dimensional oblivion, Extinction Burst! is the most full,
hidefinition lurid dream-mare yet spewed out by Uroceras Gigas & Tipula Confusa. Engineered and mixed by Ross Halden at
Hohm Studio in Bradford and mastered by Rashad Becker, Extinction Burst! follows 2018’s My Mother The Vent, which
garnered universal critical adoration. Nevertheless, this long-awaited follow up is more extreme: it is wildness beyond reason,
splitting new tears in the reality gauze, ultimate hallucination through sound ecstasy.
2026’s Guttersnipe are evolved, mutated by 8 years of touring together and with the labyrinthine network of groups both
Guttersnipe members are involved with - Tristwch Y Fenywod, Nape Neck, Petronn Sphene, Yexxen to name a few. On
Extinction Burst!, as with previous material, the duo are heavily augmented with technology. Tipula Confusa's drum kit triggers
chasm-causing synth pulses with thumping low end attack.. Strafing from all over the stereo field the constant shatter of the
cymbals and toms feel like Sunny Murray or Rashied Ali in full flight during a John Coltrane session in 1967. Uroceras Gigas’s
guitar + synth storm is by-now similarly an instantly recognised tool kit in underground music. Switching from screeching guitar
atonality to intricate riffs from the black metal/Voivod hinterland to ultra-distorted synth meltdown, it’s an utterly overwhelming,
essential and vital pouring-out of the full emotional spectrum. Both artists vocalise, ecstatic and primal, drawn out or yelped in
pain or pleasure or panic.
Alive On Tuesday begins with some of the only space on Extinction Burst! Digital crackles and tight-delays blow out into a
fullthrottled death-dive into sweet opaqueness, offset by the duo’s vocals. There’s a popular believe that Guttersnipe is chaos,
but over 9 mins here the group are clinical in their control of the simulated entropy. Mincing while the Maelstrom Churns’s guitar
is modulated into jagged atonal atonement, duetting with the virtuoso drum patterns before it thuds into gear at quadruple the
speed. Threads Of Radical Unaliveness veers close to the extreme Metal influences with blast beats and guttural vocalisations
until the track exhausts itself into unaliveness. Keep Honking summons a demonic digital panic, with the duo reincarnating in
real time as haunted versions of themselves, almost translating the lurid, ultra vivid, simultaneous hell+heaven of being alive in
this dimension. Primordial Invagination harnesses No Wave’s dissension of normality before the structured collapse of
Skra¨ckblandad Fo¨rtjusning, in which Tipula Confusa’s accelerating drums simulate a bouncing barrel of brimstone descending
into a primordial gunky ooze, a respite in the middle before the record splutters to a stuttering finale, both members’ vocals out
there in the neon realness, alive with crisis energy.
There is nothing on this cursed earth like Guttersnipe. For over 10 years they have whirled in a wiggliness both woebegone and
wonderstruck on a mission of radical mutant exaltation using rock music weaponry loaded with a queer hysterical ammunition to
rupture the fabric of the known Rock universe and unleash a tendril-soft hallucinatory violence; thrumming with the bracing
vividness of insect bodies, crazed with alien synaesthetic emotions, harnessing jagged excoriating illogic as a face meltingly
snazzy affront to redundant macho mediocrity with the hope to break minds, squeeze hearts, explode pelvises and maybe even
reset the parameters of reality.
Addendum:
xenofeminist : proposing and creating a world defined not only by sexual/gender equality, queer empowerment and the toppling
of the racist heteropatriarchal hegemony and it’s tyranny of phallogocentric signifiers, but a philosophy of radical queerness that
explodes the basic notion of embodied existence itself beyond even the human, where we see bacteria, invertebrates, reptiles,
marine life, animalia in general, inanimate objects, quantum phenomena and as yet inarticulated bodies and minds as social
and political equals that may inspire and inform our concepts of self, feeling and meaning as we labour to build a collective
reality that doesn’t completely suck!!
crisis energy : a term borrowed from the weird fiction author china mieville to describe a type of extreme concentration of power
which emerges when a system or organism is pushed to it’s absolute limit; the point of rupture, chaos, entropic overload, just
before it all breaks apart.
rock : Rock ’n’ Roll, rock music, the devil’s music, sex, guitar, drums, voice, rhythm, riffs!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Marc Acardipane - No Title
2
Marc Acardipane - No Title
3
Marc Acardipane - No Title
4
Marc Acardipane - No Title
The Godfather of Hardcore, Marc Acardipane, needs no introduction. His outstanding releases over the past 30 years speak for themselves. He has been instrumental in helping to create electronic music history, with countless well-known productions which have been unsurpassed by any other artist of this calibre. His timeless masterpieces have been and always will be heard at hardcore raves spanning the circumference of the Planet. With "9 Is A Classic", "Slaves To The Rave", "Pitch-Hiker", "Stereo Murder" and "We Have Arrived", just to name a few, he clearly proves who's the boss. "The Most Famous Unknown" is a well compiled collection of Marc's music, which showcases a mere portion of what he has composed and produced since the early nineties! The vinyl and digital selection of "The Most Famous Unknown" features remixes by Body Sushi a.k.a. VTSS & Randomer, Dasha Rush, Gabber Eleganza feat. Delirio, Jasss, Kilbourne, Minimum Syndicat, Nina Kraviz, Perc, Solid Blake, Stranger, Umwelt and VTSS, which all deliver excellent interpretations of tracks they have chosen to revamp. All original tracks have been re-mastered to the highest possible standard of quality.
Tracklisting
A1 Marc Acardipane - C.S.W.K.
A2 Ace The Space a.k.a. Marc Acardipane - 9 Is A Classic
B1 Turbulence a.k.a. Marc Acardipane - Disaster Area
B2 Subtopia a.k.a. Marc Acardipane - The Mob Rules
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklisting
A1 Marc Acardipane - C.S.W.K.
A2 Ace The Space a.k.a. Marc Acardipane - 9 Is A Classic
B1 Turbulence a.k.a. Marc Acardipane - Disaster Area
B2 Subtopia a.k.a. Marc Acardipane - The Mob Rules
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More