1
Rob Pearson & Paul Donton - Who's The Boss ?
2
Rob Pearson & Paul Donton - Loosen Up
3
Rob Pearson & Paul Donton - Who's The Boss ? (Jay Tripwire Remix)
Label head Rob Pearson and long-time collaborator Paul Donton return with a heavyweight 12” that captures the essence of the Evasive sound — raw, hypnotic and undeniably underground. Fresh from a run of gigs, remixes and late-night studio sessions, the duo present the latest instalment in the coveted limited vinyl-only series on Evasive Records.
Kicking things off is the title cut “Who’s The Boss”, a peak-time weapon forged back in 2018 and road-tested extensively on dancefloors worldwide. Revisited and reworked in the Online Studios lab, the track has been given a sharp 2025 update, pushing the tempo and intensity into perfect territory at 125 BPM. Anchored by a hypnotic rolling groove, its trippy synth riff weaves around eerie pads, FX flourishes and a sly narrated vocal. Underneath it all, a thunderous sub bass line locks everything down — the kind of cut that commands the floor rather than asks.
Track 2 on the A-side, “Loosen Up” continues the pressure. Don’t be fooled by the name — this is high-grade tech-funk built for serious heads. A driving percussive backbone keeps the energy surging forward while vocal stabs teasing “Relax” and “Pretty Deep” contrast its relentless momentum. Filtered arpeggios ripple through the mix, adding texture without ever smothering the groove. And just when you think you’ve found steady ground, a wobbling low-end flex hits you right in the chest — all hips, toes and tingles from there.
To complete the package, the pair turned to a true underground icon: Jay Tripwire. Known for his deep, intricate and uncompromising sound, Jay delivers an extended reinterpretation of “Who’s The Boss” that’s nothing short of masterful. Clocking in at 11 minutes and 12 seconds, this remix is a full-blown journey — expansive, detailed and effortlessly hypnotic. So strong, in fact, that it takes the entire side of the record. No gimmicks, no shortcuts. Just a seasoned craftsman at work, reimagining a future classic.
Who’s The Boss EP is a statement of intent from Rob Pearson & Paul Donton — timeless underground energy pressed to wax for those who know.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Kicking things off is the title cut “Who’s The Boss”, a peak-time weapon forged back in 2018 and road-tested extensively on dancefloors worldwide. Revisited and reworked in the Online Studios lab, the track has been given a sharp 2025 update, pushing the tempo and intensity into perfect territory at 125 BPM. Anchored by a hypnotic rolling groove, its trippy synth riff weaves around eerie pads, FX flourishes and a sly narrated vocal. Underneath it all, a thunderous sub bass line locks everything down — the kind of cut that commands the floor rather than asks.
Track 2 on the A-side, “Loosen Up” continues the pressure. Don’t be fooled by the name — this is high-grade tech-funk built for serious heads. A driving percussive backbone keeps the energy surging forward while vocal stabs teasing “Relax” and “Pretty Deep” contrast its relentless momentum. Filtered arpeggios ripple through the mix, adding texture without ever smothering the groove. And just when you think you’ve found steady ground, a wobbling low-end flex hits you right in the chest — all hips, toes and tingles from there.
To complete the package, the pair turned to a true underground icon: Jay Tripwire. Known for his deep, intricate and uncompromising sound, Jay delivers an extended reinterpretation of “Who’s The Boss” that’s nothing short of masterful. Clocking in at 11 minutes and 12 seconds, this remix is a full-blown journey — expansive, detailed and effortlessly hypnotic. So strong, in fact, that it takes the entire side of the record. No gimmicks, no shortcuts. Just a seasoned craftsman at work, reimagining a future classic.
Who’s The Boss EP is a statement of intent from Rob Pearson & Paul Donton — timeless underground energy pressed to wax for those who know.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Evasive Records
1
Rob Pearson & Robin Ball - Don't Put Up Wit Dat
2
Rob Pearson & Robin Ball - The Right Vibes
We’re proud to present the next release on Evasive Records: a heavyweight repress two-tracker uniting label head honcho Rob Pearson with long-time collaborator Robin Ball (Groove Pleasure / Memory Box).
Originally released in 2006 on Robin Ball’s Groove Pleasure imprint (Cat. No. GPL11), ‘Don’t Put Up Wit Dat’ marked the first collaboration between these two respected DJs, producers, and label bosses. With the resurgence of early-2000s tech house and renewed interest in the signature South London sound, original copies of this underground gem have been fetching well over £100 on Discogs. A relentless, driving cut of pure tech house craftsmanship, this one has been in high demand from crate diggers and connoisseurs alike — and now it’s finally back on wax.
‘The Right Vibes’, the duo’s second collaboration, followed in 2008. Produced at Evasive Records' South London HQ, Online Studios, it originally appeared on the EVA021 Various Artists EP. Another standout slice of tech house, this track has remained a staple on Discogs want-lists for years — and for good reason. With a rock-solid groove, peak-time floor power, and a breakdown that still delivers nearly two decades later, it's a natural choice for reissue.
Both tracks have been lovingly mastered by Marco Pellegrino at Analog Cut (Berlin) from the original Online Studios DAT tapes — sounding every bit as fat, if not fatter, than the original vinyl releases.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Originally released in 2006 on Robin Ball’s Groove Pleasure imprint (Cat. No. GPL11), ‘Don’t Put Up Wit Dat’ marked the first collaboration between these two respected DJs, producers, and label bosses. With the resurgence of early-2000s tech house and renewed interest in the signature South London sound, original copies of this underground gem have been fetching well over £100 on Discogs. A relentless, driving cut of pure tech house craftsmanship, this one has been in high demand from crate diggers and connoisseurs alike — and now it’s finally back on wax.
‘The Right Vibes’, the duo’s second collaboration, followed in 2008. Produced at Evasive Records' South London HQ, Online Studios, it originally appeared on the EVA021 Various Artists EP. Another standout slice of tech house, this track has remained a staple on Discogs want-lists for years — and for good reason. With a rock-solid groove, peak-time floor power, and a breakdown that still delivers nearly two decades later, it's a natural choice for reissue.
Both tracks have been lovingly mastered by Marco Pellegrino at Analog Cut (Berlin) from the original Online Studios DAT tapes — sounding every bit as fat, if not fatter, than the original vinyl releases.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Rob & Si - Roll One Up
2
Rob & Si - Zebraz
We travel back to the early days of proper Tech House during 2003. Picture the scene, in Online Studios, Croydon, London UK and Evasive label boss teams up with his friend Simon Copleston (Iteration X).
Following on from the success of Timecheck by Iteration X, Rob & Simon create this new collaboration to fuse their distinctive production sounds together as one unit under a new moniker 'Rob & Si'. They delivered their first record together with Roll One Up / Zebras which became the 9thEP in the Evasive Records story.
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
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Following on from the success of Timecheck by Iteration X, Rob & Simon create this new collaboration to fuse their distinctive production sounds together as one unit under a new moniker 'Rob & Si'. They delivered their first record together with Roll One Up / Zebras which became the 9thEP in the Evasive Records story.
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Iteration X - Timecheck
2
Iteration X - Liquid Logic
Repress of Simon Copleston a.k.a Iteration X’s debut EP delivered for Evasive Records in 2003. ’Timecheck’ and ‘Liquid Logic’ are 2 slabs of firing tech-house straight out of South London. Simon worked from his own studio and also Online Studios in Croydon. Simon sadly passed away in 2014 and we wanted to make this well sought after release available again so that his musical legacy lives on.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Customers who bought this also bought this
Strut presents the official reissue of a landmark album in the field of African music, Mulatu Astatke’s ‘Mulatu Of Ethiopia’ from 1972.
A1 MULATU 5:00
A2 MASCARAM SETABA 2:40
A3 DEWEL 4:00
B1 KULUNMANQUELESHI 2:05
B2 KASALEFKUT-HULU 2:25
B3 MUNAYE 3:15
B4 CHIFARA
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A1 MULATU 5:00
A2 MASCARAM SETABA 2:40
A3 DEWEL 4:00
B1 KULUNMANQUELESHI 2:05
B2 KASALEFKUT-HULU 2:25
B3 MUNAYE 3:15
B4 CHIFARA
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Persian - Space Within Art (Picasso Abstract Groove Remix)
2
Persian - Dunya 2 (Picasso Harp Diem Remix)
3
Persian - D Dub Twist (Picasso Twist Ya Arm Remix)
4
Persian - Jacob's Dub (Picasso Dubbier Dub)
Mysticisms’ Dubplate series reaches number 10 with the first in a series of specials, taking the genre blurring music of Persian and presenting updated remixes and versions by up-and-coming producers, as well as friends and family of the label.
Started as a sporadic offshoot of Mysticisms’ main releases, with the idea to highlight the wonderful sounds of dub influenced dance music, Dubplate has now become an integral part of the mission.
To start, South London’s Picasso joins the label, showcasing his declared abstract grooves and an EP of Dub and Tech House movers. While his productions aim for the dance floor, they are often characterized by complex rhythms and unconventional structures, prioritizing atmosphere and texture over traditional melodies.
Drawing inspiration from ambient, jazz, experimental influences and the heavy hand of dub, Sam “Andrews” McKay has crafted an EP of immersive “soundscapes”. Joining the legendary Persian (Peter Reilly) as co-selector, his retakes are all warped grooves, wide bass and dubby atmospherics.
Opening with Space Within Art, the street soul meets reggae rhythms are jettisoned, and a Dub House swing drives the track. The love, homage and vibration for Sound System culture remains, enchanting trippy reggae sampledelic vocals weaving in the brain.
Dunya 2 sees a shift, minds expanding. A jazz influenced breakbeat, harp, strings, building to a psychedelic swirl, driven by a dub bass in a clash, morph and glow.
The deep Digi Dub of D Dub Twist grows, warping the ‘JA riddim meets English hedonism’ in true Soundclash style. Touches of drone underlay, highlighting Sam’s experimental leaning, utilising Persian’s love of Eastern mystical samples to marry perfectly for a deep dub excursion.
The self-prescribed “odd-fellow” completes his versions, exploring his love of depth and abstract sound in closer, Jacob’s Dub. The warm roots vibrations in original form develop into a scatter gun House bumper. Dubwise, Lovers, Stepper, all merge around shuffling, trippy beats and skippy hats, Picasso’s groove is laid bare, driving the EP to finale.
Abstract the Mystery.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Started as a sporadic offshoot of Mysticisms’ main releases, with the idea to highlight the wonderful sounds of dub influenced dance music, Dubplate has now become an integral part of the mission.
To start, South London’s Picasso joins the label, showcasing his declared abstract grooves and an EP of Dub and Tech House movers. While his productions aim for the dance floor, they are often characterized by complex rhythms and unconventional structures, prioritizing atmosphere and texture over traditional melodies.
Drawing inspiration from ambient, jazz, experimental influences and the heavy hand of dub, Sam “Andrews” McKay has crafted an EP of immersive “soundscapes”. Joining the legendary Persian (Peter Reilly) as co-selector, his retakes are all warped grooves, wide bass and dubby atmospherics.
Opening with Space Within Art, the street soul meets reggae rhythms are jettisoned, and a Dub House swing drives the track. The love, homage and vibration for Sound System culture remains, enchanting trippy reggae sampledelic vocals weaving in the brain.
Dunya 2 sees a shift, minds expanding. A jazz influenced breakbeat, harp, strings, building to a psychedelic swirl, driven by a dub bass in a clash, morph and glow.
The deep Digi Dub of D Dub Twist grows, warping the ‘JA riddim meets English hedonism’ in true Soundclash style. Touches of drone underlay, highlighting Sam’s experimental leaning, utilising Persian’s love of Eastern mystical samples to marry perfectly for a deep dub excursion.
The self-prescribed “odd-fellow” completes his versions, exploring his love of depth and abstract sound in closer, Jacob’s Dub. The warm roots vibrations in original form develop into a scatter gun House bumper. Dubwise, Lovers, Stepper, all merge around shuffling, trippy beats and skippy hats, Picasso’s groove is laid bare, driving the EP to finale.
Abstract the Mystery.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Gene Hunt - Play With Me
2
Gene Hunt - Combustion
3
Gene Hunt - Telephone House
4
Gene Hunt - Way Back
"Sudd WAX is the vinyl only label of Sudd Records. Legend from Chicago, Gene Hunt comes up with classic and basic roots from acid, house and deep sounds, original from Chi-town. Energetic and versatile EP, playable full set time."
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Fabiano Do Nascimento & E Ruscha V - Nascer
2
Fabiano Do Nascimento & E Ruscha V - Rain
3
Fabiano Do Nascimento & E Ruscha V - Chegada
4
Fabiano Do Nascimento & E Ruscha V - Bio
5
Fabiano Do Nascimento & E Ruscha V - Purpose
6
Fabiano Do Nascimento & E Ruscha V - Solar
7
Fabiano Do Nascimento & E Ruscha V - Leaves
8
Fabiano Do Nascimento & E Ruscha V - Immerso
9
Fabiano Do Nascimento & E Ruscha V - Rio Inverso
Music From Memory is thrilled to present ‘Aquáticos’, a captivating new record from Los Angeles producer Eddie Ruscha and Brazilian guitarist Fabiano Do Nascimento. Blending Nascimento’s expressive, Afro-samba and choro-inflected guitar with Ruscha’s cosmic, groove-driven sound, ‘Aquáticos’ marks the start of a vibrant musical partnership—an organic, free-spirited collaboration full of interplay and vitality.
Conceived during the early 2020’s, ‘Aquáticos’ grew from a series of recording sessions in which the music unfolded naturally, in a state of effortless flow. Album opener ‘Nascer,’ the very first piece they recorded, captures such a moment perfectly: Nascimento’s 7- and 10-string nylon guitars weave seamlessly with Ruscha’s modular synths, drum machines, and vintage keyboards. Like much of Ruscha’s work under Secret Circuit and E Ruscha V, it is rich in lush, rhythmic textures—pulsing and bubbling with vibrant energy.
The initial session that produced the opening track set the tone for the record, establishing a template of intuitive interplay and musical freedom. Each subsequent session built upon the last, gradually shaping ‘Aquáticos’ across nine tracks, all characterized by melodic richness, rhythmic depth, and an unshakable sense of spontaneity.
‘Aquáticos’ pulls the listener gently into a celebration of musical conversation — a radiant, immersive journey where Ruscha and Nascimento’s instruments breathe together, echoing the joy, curiosity, and playful spirit that define their collaboration.
Sleeve art and design by Michael Willis.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Conceived during the early 2020’s, ‘Aquáticos’ grew from a series of recording sessions in which the music unfolded naturally, in a state of effortless flow. Album opener ‘Nascer,’ the very first piece they recorded, captures such a moment perfectly: Nascimento’s 7- and 10-string nylon guitars weave seamlessly with Ruscha’s modular synths, drum machines, and vintage keyboards. Like much of Ruscha’s work under Secret Circuit and E Ruscha V, it is rich in lush, rhythmic textures—pulsing and bubbling with vibrant energy.
The initial session that produced the opening track set the tone for the record, establishing a template of intuitive interplay and musical freedom. Each subsequent session built upon the last, gradually shaping ‘Aquáticos’ across nine tracks, all characterized by melodic richness, rhythmic depth, and an unshakable sense of spontaneity.
‘Aquáticos’ pulls the listener gently into a celebration of musical conversation — a radiant, immersive journey where Ruscha and Nascimento’s instruments breathe together, echoing the joy, curiosity, and playful spirit that define their collaboration.
Sleeve art and design by Michael Willis.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Alva Noto + Ryuichi Sakamoto - Attack/Transition
2
Alva Noto + Ryuichi Sakamoto - Grains
3
Alva Noto + Ryuichi Sakamoto - Particle 1
4
Alva Noto + Ryuichi Sakamoto - Transition
5
Alva Noto + Ryuichi Sakamoto - Broken Line 1
6
Alva Noto + Ryuichi Sakamoto - Plateaux 1
7
Alva Noto + Ryuichi Sakamoto - Silence
8
Alva Noto + Ryuichi Sakamoto - Particle 2
9
Alva Noto + Ryuichi Sakamoto - Broken Line 2
10
Alva Noto + Ryuichi Sakamoto - Plateaux 2/End
Release Info:
Released for the first time in 2009, ‘utp_’ is the third installment of Alva Noto and Ryuichi Sakamoto’s V.I.R.U.S.'s series. It was commissioned for the 400th anniversary of Mannheim, Germany. The flowing 10-section multimedia work derives its shape from a rasterized structure of the southwestern city, founded in 1608. The recording documents the work’s debut performed by Ensemble Modern at the National Theatre in Mannheim. The music embraces the electronic, piano-based palettes, an expanded array of avant-garde chamber instrumentation and natural timbres. It combined the digital visual score created by Carsten Nicolai and Simon Mayer, and lighting design by Nigel Edwards.
Album art designed by Carsten Nicolai
Mastering by Bo @ Calyx
Tracklisting
---------------------------------------------------------
Medium: 1 // Side: A // Track: 1
Artist: Alva Noto; Ryuichi Sakamoto
Title: Attack/Transition
Playtime: 00:07:24
Explicit Lyrics: No
ISRC: UK6821719505
(P): 2022 NOTON
Country: Germany
Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 1 // Side: B // Track: 1
Artist: Alva Noto; Ryuichi Sakamoto
Title: Particle 1
Playtime: 00:06:40
Explicit Lyrics: No
ISRC: UK6821719507
(P): 2022 NOTON
Country: Germany
---------------------------------------------------------
Composer: Carsten Nicolai, Ryuichi Sakamoto
Medium: 1 // Side: A // Track: 2
Artist: Alva Noto; Ryuichi Sakamoto
Title: Grains
Playtime: 00:06:24
Explicit Lyrics: No
ISRC: UK6821719506
(P): 2022 NOTON
Country: Germany
Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 1 // Side: B // Track: 2
Artist: Alva Noto; Ryuichi Sakamoto
Title: Transition
Playtime: 00:03:31
Explicit Lyrics: No
ISRC: UK6821719508
(P): 2022 NOTON
Country: Germany
Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 1 // Side: B // Track: 3
Artist: Alva Noto; Ryuichi Sakamoto
Title: Broken Line 1
Playtime: 00:06:32
Explicit Lyrics: No
ISRC: UK6821719509
(P): 2022 NOTON
Country: Germany
Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 2 // Side: C // Track: 1
Artist: Alva Noto; Ryuichi Sakamoto
Title: Plateaux 1
Playtime: 00:08:07
Explicit Lyrics: No
ISRC: UK6821719510
(P): 2022 NOTON
Country: Germany
Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 2 // Side: D // Track: 1
Artist: Alva Noto; Ryuichi Sakamoto
Title: Broken Line 2
Playtime: 00:06:25
Explicit Lyrics: No
ISRC: UK6821719513
(P): 2022 NOTON
Country: Germany
Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 2 // Side: C // Track: 2
Artist: Alva Noto; Ryuichi Sakamoto
Title: Silence
Playtime: 00:06:50
Explicit Lyrics: No
ISRC: UK6821719511
(P): 2022 NOTON
Country: Germany
Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 2 // Side: D // Track: 2
Artist: Alva Noto; Ryuichi Sakamoto
Title: Plateaux 2/End
Playtime: 00:13:10
Explicit Lyrics: No
ISRC: UK6821719514
(P): 2022 NOTON
Country: Germany
Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 2 // Side: C // Track: 3
Artist: Alva Noto; Ryuichi Sakamoto
Title: Particle 2
Playtime: 00:07:00
Explicit Lyrics: No
ISRC: UK6821719512
(P): 2022 NOTON
Country: Germany
Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Released for the first time in 2009, ‘utp_’ is the third installment of Alva Noto and Ryuichi Sakamoto’s V.I.R.U.S.'s series. It was commissioned for the 400th anniversary of Mannheim, Germany. The flowing 10-section multimedia work derives its shape from a rasterized structure of the southwestern city, founded in 1608. The recording documents the work’s debut performed by Ensemble Modern at the National Theatre in Mannheim. The music embraces the electronic, piano-based palettes, an expanded array of avant-garde chamber instrumentation and natural timbres. It combined the digital visual score created by Carsten Nicolai and Simon Mayer, and lighting design by Nigel Edwards.
Album art designed by Carsten Nicolai
Mastering by Bo @ Calyx
Tracklisting
---------------------------------------------------------
Medium: 1 // Side: A // Track: 1
Artist: Alva Noto; Ryuichi Sakamoto
Title: Attack/Transition
Playtime: 00:07:24
Explicit Lyrics: No
ISRC: UK6821719505
(P): 2022 NOTON
Country: Germany
Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 1 // Side: B // Track: 1
Artist: Alva Noto; Ryuichi Sakamoto
Title: Particle 1
Playtime: 00:06:40
Explicit Lyrics: No
ISRC: UK6821719507
(P): 2022 NOTON
Country: Germany
---------------------------------------------------------
Composer: Carsten Nicolai, Ryuichi Sakamoto
Medium: 1 // Side: A // Track: 2
Artist: Alva Noto; Ryuichi Sakamoto
Title: Grains
Playtime: 00:06:24
Explicit Lyrics: No
ISRC: UK6821719506
(P): 2022 NOTON
Country: Germany
Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 1 // Side: B // Track: 2
Artist: Alva Noto; Ryuichi Sakamoto
Title: Transition
Playtime: 00:03:31
Explicit Lyrics: No
ISRC: UK6821719508
(P): 2022 NOTON
Country: Germany
Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 1 // Side: B // Track: 3
Artist: Alva Noto; Ryuichi Sakamoto
Title: Broken Line 1
Playtime: 00:06:32
Explicit Lyrics: No
ISRC: UK6821719509
(P): 2022 NOTON
Country: Germany
Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 2 // Side: C // Track: 1
Artist: Alva Noto; Ryuichi Sakamoto
Title: Plateaux 1
Playtime: 00:08:07
Explicit Lyrics: No
ISRC: UK6821719510
(P): 2022 NOTON
Country: Germany
Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 2 // Side: D // Track: 1
Artist: Alva Noto; Ryuichi Sakamoto
Title: Broken Line 2
Playtime: 00:06:25
Explicit Lyrics: No
ISRC: UK6821719513
(P): 2022 NOTON
Country: Germany
Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 2 // Side: C // Track: 2
Artist: Alva Noto; Ryuichi Sakamoto
Title: Silence
Playtime: 00:06:50
Explicit Lyrics: No
ISRC: UK6821719511
(P): 2022 NOTON
Country: Germany
Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 2 // Side: D // Track: 2
Artist: Alva Noto; Ryuichi Sakamoto
Title: Plateaux 2/End
Playtime: 00:13:10
Explicit Lyrics: No
ISRC: UK6821719514
(P): 2022 NOTON
Country: Germany
Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Medium: 2 // Side: C // Track: 3
Artist: Alva Noto; Ryuichi Sakamoto
Title: Particle 2
Playtime: 00:07:00
Explicit Lyrics: No
ISRC: UK6821719512
(P): 2022 NOTON
Country: Germany
Composer: Carsten Nicolai, Ryuichi Sakamoto
---------------------------------------------------------
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Itay Dailes & Eran Ben-Zeev - Dub Rounds
2
Itay Dailes & Eran Ben-Zeev - Higher State
3
Itay Dailes & Eran Ben-Zeev - Unicorns Can't Fly
4
Itay Dailes & Eran Ben-Zeev - Jupiter
INW003 – Itay Dailes & Eran Ben-Zeev A collaborative EP between veteran producer Itay Dailes and label owner Eran Ben-Zeev.
Two sides, two visions — one spirit. A nod to ’90s traditions, each track offers its own distinct flavor, ranging from deep, dub-infused minimalism to warm analog grooves. A versatile release for selectors who value subtle contrasts and timeless dancefloor tools. Higher State Minimal deep house with a hypnotic pull. Built on warm, dubby pads and a rolling, understated groove, *Higher State* draws the listener into a meditative zone — subtle, emotional, and deeply immersive. Dub Rounds A deep, edgy minimal cut powered by a rolling bassline. Vocal fragments weave in and out, while jazzy chords add a dreamy, soulful lift to the groove. Unicorns Can’t Fly A lush, emotive journey of floating grooves, warm pads, and delicate textures. Designed for late-night introspection while keeping the pulse alive on the dancefloor — equal parts body and soul. Jupiter 1 Diving deeper into raw analog territory, Jupiter 1 pairs a rolling bassline with smooth acid contours. Stripped-back percussion channels early ’90s energy, perfect for long sets and locked-in moments.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Two sides, two visions — one spirit. A nod to ’90s traditions, each track offers its own distinct flavor, ranging from deep, dub-infused minimalism to warm analog grooves. A versatile release for selectors who value subtle contrasts and timeless dancefloor tools. Higher State Minimal deep house with a hypnotic pull. Built on warm, dubby pads and a rolling, understated groove, *Higher State* draws the listener into a meditative zone — subtle, emotional, and deeply immersive. Dub Rounds A deep, edgy minimal cut powered by a rolling bassline. Vocal fragments weave in and out, while jazzy chords add a dreamy, soulful lift to the groove. Unicorns Can’t Fly A lush, emotive journey of floating grooves, warm pads, and delicate textures. Designed for late-night introspection while keeping the pulse alive on the dancefloor — equal parts body and soul. Jupiter 1 Diving deeper into raw analog territory, Jupiter 1 pairs a rolling bassline with smooth acid contours. Stripped-back percussion channels early ’90s energy, perfect for long sets and locked-in moments.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Severed Heads - Dead Eyes Opened
2
Severed Heads - Bullet
3
Severed Heads - Mount
LTD Repress
Severed Heads are one of the longest standing bands to have emerged from the Australian post-punk and experimental scene. They began in Sydney in 1979, and were an early outfit to incorporate elements of 'industrial' noise-generation, tape cutting & looping and electronic sound synthesis. As the project developed, song-structures and vocals were employed in a more-or-less recognizable mutant electro pop style. After many line-up changes featuring Gary Bradbury and psychedelic guitarist Simon Knuckey, Severed Heads became the solo vehicle for composer Tom Ellard.
In 1983 they released a C-60 cassette called “Since The Accident” that grabbed the attention of Ink Records, a subsidiary of Virgin in the UK. Ellard added a throwaway track at the last minute to fill out the cassette, not wanting to leave an unseemly gap on a C60 tape. This track, “Dead Eyes Opened” was catchy enough to get a lot of airplay on the main non-commercial radio station in Sydney. The band was asked to make this song into a 12” single. For this extended version, Tom Ellard and producer Patrick Gibson went to M Squared studio and passed the multitracked recordings through various EQ's and delays. “Dead Eyes Opened” features samples from a radio program narrated by Edgar Lustgarten, a crime journalist from England, referencing a double murder case that occurred in 1924. The rhythms are made by a TR-808 drum machine and an SH-1 synthesizer. A KORG PolySix was used for strings and additional atmospheric elements. The lead solo was a Casiotone run through an Octaver foot pedal. On the B-side are two solo compositions “Bullet” and “Mount” that Ellard recorded at Terse Tapes in 1982.
All songs are remastered for vinyl by George Horn at Fantasy Studios in Berkeley. Housed in the original jacket featuring the iconic photograph of a girl with a painted face wrapped in some cloth by Juilee Pryor. Each copy includes a fold-out newsprint poster with a large photo of the band wearing Art Unit skull shirts on one side and liner notes and press clippings on the other. 30 years later Severed Heads are still paving the way for powerful, imaginative, and challenging music.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Severed Heads are one of the longest standing bands to have emerged from the Australian post-punk and experimental scene. They began in Sydney in 1979, and were an early outfit to incorporate elements of 'industrial' noise-generation, tape cutting & looping and electronic sound synthesis. As the project developed, song-structures and vocals were employed in a more-or-less recognizable mutant electro pop style. After many line-up changes featuring Gary Bradbury and psychedelic guitarist Simon Knuckey, Severed Heads became the solo vehicle for composer Tom Ellard.
In 1983 they released a C-60 cassette called “Since The Accident” that grabbed the attention of Ink Records, a subsidiary of Virgin in the UK. Ellard added a throwaway track at the last minute to fill out the cassette, not wanting to leave an unseemly gap on a C60 tape. This track, “Dead Eyes Opened” was catchy enough to get a lot of airplay on the main non-commercial radio station in Sydney. The band was asked to make this song into a 12” single. For this extended version, Tom Ellard and producer Patrick Gibson went to M Squared studio and passed the multitracked recordings through various EQ's and delays. “Dead Eyes Opened” features samples from a radio program narrated by Edgar Lustgarten, a crime journalist from England, referencing a double murder case that occurred in 1924. The rhythms are made by a TR-808 drum machine and an SH-1 synthesizer. A KORG PolySix was used for strings and additional atmospheric elements. The lead solo was a Casiotone run through an Octaver foot pedal. On the B-side are two solo compositions “Bullet” and “Mount” that Ellard recorded at Terse Tapes in 1982.
All songs are remastered for vinyl by George Horn at Fantasy Studios in Berkeley. Housed in the original jacket featuring the iconic photograph of a girl with a painted face wrapped in some cloth by Juilee Pryor. Each copy includes a fold-out newsprint poster with a large photo of the band wearing Art Unit skull shirts on one side and liner notes and press clippings on the other. 30 years later Severed Heads are still paving the way for powerful, imaginative, and challenging music.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Sophie - Ooh
2
Sophie - Get Higher
SOPHIE’s ‘OOH’ and ‘GET HIGHER’ are now available as a double A-side 12" vinyl. This release follows the single-series packaging format used for the other singles from PRODUCT: one track and slide image per side, black vinyl in a black inner sleeve, screen-printed with a white SOPHIE logo housed in a clear archive bag.
Earlier in 2025, Numbers marked 10 years since SOPHIE’s game-changing singles collection PRODUCT, with a special edition featuring 11 songs across Deluxe Vinyl and Compact Disc.
SOPHIE classics ‘BIPP’, ‘LEMONADE’ and ‘VYZEE’ were joined by two immaculate PRODUCT-era songs ‘OOH’ and ‘GET HIGHER’ recorded and produced at the time, each with colourful single artwork completing the set.
‘OOH’ is one of SOPHIE's earliest productions that has been through several revisions since 2011. It was one of three original tracks that Numbers had signed when SOPHIE uploaded the song alongside 'BIPP' and 'ELLE' to her Soundcloud, and while it had been through several iterations and speed changes, this finalised version was completed by SOPHIE in 2019.
SOPHIE once described ‘OOH’ as “hi tech club dance pop”. Musically speaking, the earworm hook is carved out by her signature portamento-infused synths and candy-coated lyrics, a firm cult classic approved by AG Cook and Charli XCX. Initially titled 'MAKE RESPECT', the track was first performed live by SOPHIE in 2011 to a handful of lucky people at a beach afterparty surrounding Sonar Festival, Barcelona and later that year at Manhattan's New Museum. The vocal was recorded as the first track in the same one-day recording session as SOPHIE's debut single 'NOTHING MORE TO SAY', released on the Huntley & Palmers label, where Sophie's songwriting was performed by the London vocalist Jaide Green.
The genesis of the ‘OOH’ and ‘NOTHING MORE TO SAY’ recording session is lore-worthy in its own right: after watching Jaide Green perform live with Olly Murs during the sixth series of The X Factor in 2009, SOPHIE reached out and invited Jaide to record in her home bedroom studio.
‘GET HIGHER’ was born during joyous sessions in 2013, when SOPHIE’s beat was introduced to the vocalists Cassie Davis and Sean Mullins. The track feels like a visionary precursor to ‘Vroom Vroom’, and doesn't sound out of place next to the sub-clang intensity of SOPHIE’s ‘HARD’ and ‘MSMSMSM’. Striking a playful balance between blissed-out hyperpop and club-ready Atlanta trap, it showcases SOPHIE’s signature, laser sharp sound design. Originally released as a bonus track on the Japanese CD edition of PRODUCT, ‘GET HIGHER’ has remained a hidden gem.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Earlier in 2025, Numbers marked 10 years since SOPHIE’s game-changing singles collection PRODUCT, with a special edition featuring 11 songs across Deluxe Vinyl and Compact Disc.
SOPHIE classics ‘BIPP’, ‘LEMONADE’ and ‘VYZEE’ were joined by two immaculate PRODUCT-era songs ‘OOH’ and ‘GET HIGHER’ recorded and produced at the time, each with colourful single artwork completing the set.
‘OOH’ is one of SOPHIE's earliest productions that has been through several revisions since 2011. It was one of three original tracks that Numbers had signed when SOPHIE uploaded the song alongside 'BIPP' and 'ELLE' to her Soundcloud, and while it had been through several iterations and speed changes, this finalised version was completed by SOPHIE in 2019.
SOPHIE once described ‘OOH’ as “hi tech club dance pop”. Musically speaking, the earworm hook is carved out by her signature portamento-infused synths and candy-coated lyrics, a firm cult classic approved by AG Cook and Charli XCX. Initially titled 'MAKE RESPECT', the track was first performed live by SOPHIE in 2011 to a handful of lucky people at a beach afterparty surrounding Sonar Festival, Barcelona and later that year at Manhattan's New Museum. The vocal was recorded as the first track in the same one-day recording session as SOPHIE's debut single 'NOTHING MORE TO SAY', released on the Huntley & Palmers label, where Sophie's songwriting was performed by the London vocalist Jaide Green.
The genesis of the ‘OOH’ and ‘NOTHING MORE TO SAY’ recording session is lore-worthy in its own right: after watching Jaide Green perform live with Olly Murs during the sixth series of The X Factor in 2009, SOPHIE reached out and invited Jaide to record in her home bedroom studio.
‘GET HIGHER’ was born during joyous sessions in 2013, when SOPHIE’s beat was introduced to the vocalists Cassie Davis and Sean Mullins. The track feels like a visionary precursor to ‘Vroom Vroom’, and doesn't sound out of place next to the sub-clang intensity of SOPHIE’s ‘HARD’ and ‘MSMSMSM’. Striking a playful balance between blissed-out hyperpop and club-ready Atlanta trap, it showcases SOPHIE’s signature, laser sharp sound design. Originally released as a bonus track on the Japanese CD edition of PRODUCT, ‘GET HIGHER’ has remained a hidden gem.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Vince Void - Thunder
2
Vince Void - Fashion Victim
3
DJ Gamba & Quim - The Universe
4
DJ Gamba - Your Vision
Phosphor’s fourth release connects two promising talents from Barcelona’s underground scene: French producer Vince Void and Mexican DJ Gamba. Together, they deliver a finely crafted EP that blends punchy club dynamics with dreamy, psychedelic touches. From electro with 80s Italian accents to glitchy grooves and spacey breaks, PHP004 stands as a floor-ready release, moving with a subtle balance of tension and elevation.
Vince Void takes the A-side with two effective cuts. “Thunder” builds on a saturated Italo-style bassline and crisp, stripped-back drums, creating a steady tension that works perfectly at the start of a set. “Fashion Victim” switches the mood with acid-tinged grooves, glitchy stabs and a playful swing. It’s less linear but just as effective, adding contrast and movement to any DJ set.
On the B-side, DJ Gamba goes deeper. “The Universe”, in collaboration with Quim, weaves lush pads and shimmering arps into a rolling club structure, with subtle breakbeat accents that add lift and fluidity. To close, “Your Vision” slows the pulse slightly, blending filtered melodies, melancholic textures and a steady groove, locking in emotion without losing the club energy.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Vince Void takes the A-side with two effective cuts. “Thunder” builds on a saturated Italo-style bassline and crisp, stripped-back drums, creating a steady tension that works perfectly at the start of a set. “Fashion Victim” switches the mood with acid-tinged grooves, glitchy stabs and a playful swing. It’s less linear but just as effective, adding contrast and movement to any DJ set.
On the B-side, DJ Gamba goes deeper. “The Universe”, in collaboration with Quim, weaves lush pads and shimmering arps into a rolling club structure, with subtle breakbeat accents that add lift and fluidity. To close, “Your Vision” slows the pulse slightly, blending filtered melodies, melancholic textures and a steady groove, locking in emotion without losing the club energy.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
LNS - Sweet Acid
2
LNS - Micro Acid
3
LNS - Cosmacid
4
LNS - Acid Rated
Emotional Response presents the first of 2 EPs by Laura Sparrow aka LNS, the Calgary raised, Berlin based producer and DJ with 8 acid-tinged cuts that are equally expansive and inspiring, personal and inventive.
After her debut Malinge Range (cassette) on fellow native Canadian 1080p label in 2016, LNS moved to Berlin and has released a steady stream of 12”s, exploring ambient, dub, electro and techno. Initially appearing on Vancouver émigré’s Jayda G’s (alongside Fett Burger) Freakout Cult label before settling at DJ Sotofett’s cult WANIA label and more recently on the legendary and ‘original’ German techno label, Tresor.
A love of the Roland TR-303, alongside deep diving into breakbeat creation, manipulation, mutation and production, plus some intrepid mixing and post-production assistance, development and support with DJ Sofofett, have led to a collection of some of her favourite music to date.
LNS-ID 1 and LNS ID 2 are the result. Recorded during a burst of creativity through dedication, new studio equipment and learning techniques, as well the necessity of artistic expression in the moment.
Two sets of four tracks based on the acid tradition in the more restless corners of 90s and early 00s Braindance. Acid lines drive the melodies, while drums move between sliced break fragments and the familiar sounds of the Rolant TR-606 and TR-808.
Pads drift in with a warm glow or at times, quiet ghostly tension. The results are music that leans towards atmosphere and memory, something almost nostalgic that was built for those of us who still chase the more expressive edges of acid.
Sweet Acid, Micro Acid, Cosmacid and Acid Rated, there is a clarity in the call. We call it Acid.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
After her debut Malinge Range (cassette) on fellow native Canadian 1080p label in 2016, LNS moved to Berlin and has released a steady stream of 12”s, exploring ambient, dub, electro and techno. Initially appearing on Vancouver émigré’s Jayda G’s (alongside Fett Burger) Freakout Cult label before settling at DJ Sotofett’s cult WANIA label and more recently on the legendary and ‘original’ German techno label, Tresor.
A love of the Roland TR-303, alongside deep diving into breakbeat creation, manipulation, mutation and production, plus some intrepid mixing and post-production assistance, development and support with DJ Sofofett, have led to a collection of some of her favourite music to date.
LNS-ID 1 and LNS ID 2 are the result. Recorded during a burst of creativity through dedication, new studio equipment and learning techniques, as well the necessity of artistic expression in the moment.
Two sets of four tracks based on the acid tradition in the more restless corners of 90s and early 00s Braindance. Acid lines drive the melodies, while drums move between sliced break fragments and the familiar sounds of the Rolant TR-606 and TR-808.
Pads drift in with a warm glow or at times, quiet ghostly tension. The results are music that leans towards atmosphere and memory, something almost nostalgic that was built for those of us who still chase the more expressive edges of acid.
Sweet Acid, Micro Acid, Cosmacid and Acid Rated, there is a clarity in the call. We call it Acid.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
The Morning Kids - In A Golden Haze
2
The Morning Kids - Rooftop Boogie
3
The Morning Kids - Baby Powder Dementia
4
The Morning Kids - Free Lovin' (Housedream)
*2026 Repress**
Recording as the Morning Kids, Daniel Wang dropped this classic in 1996 on his own great Balihu Records. Released, produced and engineered by a true DIY disco-punk - the samples are huge and Wang weaves his own playing into the mix with killer effect.
This much sought after EP has been remastered is now available again after a very long time.
HUGE TIP!
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Recording as the Morning Kids, Daniel Wang dropped this classic in 1996 on his own great Balihu Records. Released, produced and engineered by a true DIY disco-punk - the samples are huge and Wang weaves his own playing into the mix with killer effect.
This much sought after EP has been remastered is now available again after a very long time.
HUGE TIP!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Infra-Red - Metamorphasis (Hayden Andre Mix)
2
Infra-Red - Metamorphasis (R2R Mix)
3
Infra-Red - Spectre
4
Infra-Red - Calibrate This
5
Infra-Red - Falling From The Light (Trancendant Mix)
6
Infra-Red - Falling From The Light (Subconcious Mix)
Originally released in 1991 as the debut record on Ron Allen and Hayden Andre’s cult label Strobe Records, Metamorphasis contains six tracks ranging from deep, pad-soaked house to tougher, bleep-tinged warehouse grooves. Powered by warm sub-bass, dreamy atmospheres and razor-sharp drum programming, this reissue brings back a timeless statement from two Canadian pioneers.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More