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Kenneth Jordan - Excitement (Rap for Jesus)
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Kenneth Jordan - Jesus is the Way
Lost Gospel Gem - Exitiment "Rap For Jesus" by Columbus Native Kenneth Jordan Rediscovered Nearly 40 Years Later. Columbus, GA — In the late 1980s, Columbus native Kenneth Jordan was such a powerhouse on the local music scene that talent shows had to rewrite their rules. His voice was so captivating (and his wins so frequent) that some claimed the competitions were rigged. Jordan, deeply rooted in the city's thriving R&B circuit, eventually turned his creative energy toward faith-based music. Teaming up with several local musicians, he recorded "Excitement (Rap For Jesus)", a gospel-infused rap track that aimed to connect with a younger audience enthralled by the sound of hip-hop. His goal was simple: to give youth something uplifting to rap about and listen to. In 1985, following a personal health scare and a period of reflection, Jordan transitioned from R&B to gospel music. "I took it as a sign from above that it was time to make a change," he later shared. Though his lyrics found new purpose, his signature soulful style remained unchanged. Fast forward to December 2022 in Little Rock, Arkansas, where record collector and producer Brian Sears stumbled upon a well-loved copy of "Excitement (Rap For Jesus)" while purchasing over a thousand vinyl records from the trunk of an SUV in a Lowe's parking lot. Struck by the track's energy and message, Sears went into "detective mode" to uncover the story behind the voice—and the man—on the record. Today, Kenneth Jordan continues to share his gift with his community, leading spirited performances every Sunday at his local church in Columbus. Nearly four decades later, his music and message still resonate with the same joy and conviction that first made him a hometown legend.
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More records from Athens Of The North
Label:Athens Of The North
Cat-No:AOTNLP088
Release-Date:30.01.2026
Genre:Electronic, Electronica
Configuration:LP
Label:Athens Of The North
Cat-No:AOTNLP088
Release-Date:30.01.2026
Genre:Electronic, Electronica
Configuration:LP
1
Jeff Sova - Belvedere Point
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Jeff Sova - Bright Eyes
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Jeff Sova - Del Vista
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Jeff Sova - Monarch
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Jeff Sova - All Smiles
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Jeff Sova - Blue Zones
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Jeff Sova - A New Day
8
Jeff Sova - Drifter
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Jeff Sova - Dazed and Dazzled
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Jeff Sova - Follow Me
Athens of the North is very proud to present a wonderful piece of lost Electronic music, Jeff Sova brings a softer less heard side of Detroit Techno, as soon a I heard the rare 12 a few years ago I knew i needed to find him and share his music. Jeff's foundation in music began with early piano and keyboard explorations. As a teenager, he immersed himself in the sounds of Tangerine Dream and Brian Eno, later connecting with the electronic dance sounds of Depeche Mode and New Order. While studying at the University of Michigan the metropolitan area of Detroit, Jeff discovered WCBN (the university's local college radio station) which introduced him to techno in its formative period. The station regularly featured tracks from pioneers such as Juan Atkins, Kevin Saunderson, Derrick May and Richie Hawtin. Some local Detroit artists would occasionally visit for interviews, offering insights into a scene that fuelled Jeff's growing fascination with electronic music. Jeff was studying computer engineering at the time, so had a natural affinity for the technical details of music technology. Though electronic music captured his imagination and was his production choice, Jeff's musical sensibilities were shaped by much more than synthesisers and drum machines. His background in piano and guitar had also exposed him to a rich variety of music - reggae and jazz in particular. His diverse foundation would prove valuable in his developing music style and ability to structure his songs. When assembling his studio set-up in the mid-90s, Jeff took a different approach to many of his peers at the time when it came to equipment selection. Whilst the allure of the primitive Roland TB-303 bass line and TR-808 drum machine was strong (both staples in techno production at the time), he chose the rack-mounted Roland JV-1080 with its expansion cards as the cornerstone of his sound palette. This central module was complemented by the E-MU Orbit "Dance Planet", which provided more unconventional patches and drum kits that added to the different character of his music. This was all brought together by his trusty Yamaha KX8, preserving the authentic feel of the piano he grew up playing. Essential
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1
James Alexander Bright & Faye Meana - Baby
2
James Alexander Bright & Faye Meana - Take It Slow
Timed perfectly for Valentine's season, Athens Of The North warms up the winter with a swoon-worthy joint release by two of the UK's most quietly magnetic talents: James Alexander Bright and Faye Meana.A-side 'Baby' is an 80s synth-bass–led disco-soul burner, glowing with analogue charm and late-night sparkle. With Bright in full heart-on-sleeve mode dueting with Meana's velvet-smoothed vocal on a split-screen portrait of modern love, the track feels equal parts playful flirtation and dance-floor closeness. On the flip, 'Take It Slow' is seductively unhurried and rich with warmth. The track leans into patience and presence, an intimate counterpoint that brings out the duo's musical chemistry in its most understated form. Pressed on limited red 7" vinyl (300 copies only) and released digitally, the two tracks form a perfectly paired love note for the season: bold and glowing on one side, soft and smoldering on the other. It's a Valentine's release not of a couple, but of two artists letting their individual affections bloom in stereo. Arriving on 30th January 2026, it offers just enough lead-in to soundtrack your Valentine's Day, whoever you're celebrating with.
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1
Black Axess - Something Special
2
Black Axess - Tonite
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Black Axess - Just For You
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Black Axess - I';s So Cool
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Black Axess - Our Love
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Black Axess - Golden Seal
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Black Axess - Tease
Unreleased 80s psychedelic funk rock out of Boston, MA. Influenced by Funkadelic, Sly Stone and James Brown, to name a few.Sherman Williams Started playing and writing music at age seven, he played through middle school.Travelled with a group, called Total Eclipse, throughout the East Coat during his high school years. He was on a mission to be a professional musician/singer/songwriter, of a band – he wanted heavy rhythms to match his huge guitar action, this is how Black Axess came about. "I badly wanted to record the music that I helped to create with the Black Axess so paid out of pocket for the studio time." - Sherman Williams From that session one single, "Tonight" was released on 7" but the lost album "The Golden Seal" sat on tape almost lost to time. That was until Robert Garcia and Daniel Mathis spoke to Sherman while tracking the "Tonight" Single, and discovered the lost LP we have here, credit to them both for sorting out and hooking us up and special thanks to Daniel for saving the tapes when UPS almost lost them, which might have been the end of it! Lay back, light one up, and listen on loop.
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1
Keith Garner & Dennis O - Migraine
2
Keith Garner & Dennis O - Migraine (Instrumental)
Carolina funk obscurity alert! "Migraine" by North Carolinian musician Dennis Garner, together with Dennis O., is a deep, rare slice of local funk magic. This 45 has always been a bit of a frustration—the cutting engineer accidentally left the lathe test tone running for a few seconds.mid-track, which made it tough to play out. We've finally fixed that issue, and now this killer cut is ready for some proper funtime.
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1
Jodesha & Star Ride - Star Ride
2
Jodesha & Star Ride - The Answer
I first heard about this incredible record from my friend and renowned collector Ian Wright back in the mid-2000s. Ian may well have been the first to feature it on a mixtape around that time. He originally found his copy on eBay without a sound clip calling the seller to listen over the phone before taking a chance on it. A true San Diego masterpiece, now highly sought after within the Modern Soul scene. Beyond that dedicated circle, it has remained largely unknown, due to its insane rarity. Although Glen is sadly no longer with us, his legacy lives on through this stunning piece of music, which will finally get the attention it deserves on dancefloors all over the world. Special thanks to the ever-dapper James Pogson for his invaluable help with securing the licence x
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1
Reginald O'Neal Cuie - I Can Do All Things Through Christ Jesus Which Strengthen Me
2
Reginald O'Neal Cuie - Let This Mind Be In You Which Is Also In Christ Jesus
Two slices of brilliant, Gospel disco from Reginald O'Neal Cuie. Originally released on 33rpm 7" (not the most wonderful format), Athens of the North scut the tape onto a loud 12 inch for the first time. A strong two sider, (500 12" only)
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1
Paul Coleman - Lost And Found
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Paul Coleman - Nightflower
3
Paul Coleman - Approach Her
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Paul Coleman - Holy Moly
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Paul Coleman - Rich Friends
6
Paul Coleman - Sad Soldier (feat. Paul Coleman)
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Paul Coleman - GBRH31201208
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Paul Coleman - Search
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Paul Coleman - GBRH31201210
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Paul Coleman - Happy Thoughts
11
Paul Coleman - One For Mike
12
Paul Coleman - Cidney
13
Paul Coleman - Siesta Del Moiste
Insane authentic 90s Vaporware Jazz created for The Weather Channel by Paul Coleman , a Chicago band leader in the 60s & 70s, and bands, Fabulous Epics, Rasputin's Stash & Crystal Winds. "A Weather Channel exec was going with Corky Brown's daughter and promised a very large sum of money if I could write and submit original material to The Weather Channel. I immediately went into Superman mode and started writing and programming a song per day. I worked day into night creating these songs as quickly as I could possibly do. They got played a few time before The Weather Channel got bought over. but we never got paid." - Paul Coleman 2025
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1
Fruit - Say It
2
Fruit - Space Lady
Jacksonville finest, The Fruit band's unreleased disco LP was released a few years ago on Athens but after many requests we are dropping a couple of 45s. 'Say It' is their best track, floaty disco goodness of the highest order, and the track that sent me out to find the band, a stone-cold killer. On the flip is the previously unreleased (before we did the LP) 'Space' Lady, an almost funkadelic disco number that catches my ear every time I go back to it, so decided to cut to 45 for the first time. Do it.
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1
The Fred Moss Band - Stay Away
2
The Fred Moss Band - Turn Your Love Around
A native of Shreveport, Louisianan, Fred Moss has been a lifetime professional musician, doing Session work and touring with many large artists, teaching and mentoring other artists. Surprisingly, During Fred's time working it turns out he was recording some rather brilliant unreleased Modern Soul music, the first single of which Athens of the North is very proud to present here.'Stay Away' is a gospel-tinged floater of the highest order, up there with the finest modern spins of the last 40 years, essential. On the flip, a funky 70s syncopated dancer that's going to be a big hit with forward-thinking northern crowds. Two brand-new mixes done in the Athens of the North studio from the original multitracks. This one is a little pricier than usual, but a lot of work went into getting it right, and we all gotta eat. This one is worth every penny, as good as any £1000+ modern rares and a two sider was well.
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1
Ben Westbeech - All In You (Athens of the North Mix)
2
Ben Westbeech - Take It Back (Athens of the North Mix)
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1
Girls of the Internet & James Alexander - Someone Somewhere
2
Girls of the Internet & James Alexander - Where is Your Love
Dynamic, multi-limbed house outfit Girls of the Internet have collaborated with Athens of the North for a special, limited edition two track tour 12", with the remaining few copies now available. Sampling a mystery gem from the AOTN catalog, Girls of the Internet create a proper party record with A side 'Somewhere Someone'. Smiles on faces all round this summer. On the B, James Alexander Bright's 'Your Love' (from '24's amazing LP 'Cool Cool' Dynamic, multi-limbed house outfit Girls of the Internet have collaborated with Athens of the North for a special, limited edition two track tour 12", with the remaining few copies now available. Sampling a mystery gem from the AOTN catalog, Girls of the Internet create a proper party record with A side 'Somewhere Someone'. Smiles on faces all round this summer. On the B, James Alexander Bright's 'Your Love' (from '24's amazing 'Cool Cool' album) gets flipped into Gospel-tinged house track 'Where Is Your Love', a song that's been going down a storm on ts 'Your Love' (from '24's amazing 'Cool Cool' albumheir recent tour together.
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1
Leo - Fee Fi Fo Fum
2
Leo - Fee Fi Fo Fum (Dub)
This was Don Thigpen's first recording as an artist, but he was no stranger to the studio. In fact he was the individual behind many heavy tunes that came out of the Jackson area. He and good friend Sam Anderson also cut a record on his CJR labelb (Capitol Jackson Records) called "Shirley Baby", also a highly coveted record if you got a copy to sell or record let us know). The name "LEO" became Dons preforming pseudonym. Leo was also his zodiac sign, which he deemed edgy enough to marquee this electro heavy track "Fee Fi Fo Fum". The inspiration for the song came from the computer craze of the 80s. Much like Zapp & Roger's track "Computer Love" an inanimate object is worshipped and then romanticized by a love affair. The song literally depicts a computer falling in love with a woman and attempts to communicate with her by seductively flashing the words "Fee Fi Fo Fum" on the screen.
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1
Strictly Business - Strictly Business
2
Strictly Business - Still In Love
This was Don Thigpen's first recording as an artist, but he was no stranger to the studio. In fact he was the individual behind many heavy tunes that came out of the Jackson area. He and good friend Sam Anderson also cut a record on his CJR labelb (Capitol Jackson Records) called "Shirley Baby", also a highly coveted record if you got a copy to sell or record let us know). The name "LEO" became Dons preforming pseudonym. Leo was also his zodiac sign, which he deemed edgy enough to marquee this electro heavy track "Fee Fi Fo Fum". The inspiration for the song came from the computer craze of the 80s. Much like Zapp & Roger's track "Computer Love" an inanimate object is worshipped and then romanticized by a love affair. The song literally depicts a computer falling in love with a woman and attempts to communicate with her by seductively flashing the words "Fee Fi Fo Fum" on the screen.
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1
Gem Prewitt - My Love Box
2
Gem Prewitt - Juicy
Two early 80s slices of disco funk, from the taleted James (Gem) Prewitt, "My Love Box" was recorded recorded in St Louis, Missouri in 1981 and "Juicy" 1983. James Prewitt, a 27-year-old attending Forrest Park Community College in St Louis, took a leap and established his own label called Keyes Production. He demonstrated his remarkable talent by writing, producing, and playing on all of his releases.
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1
Crisrail - November 18, 1983
2
Crisrail - November 18, 1983 (Dub Version)
How about this little slice of joy, crisrails brilliant "November 18, 1983" sounds like some lost funky Cure record and on 45 for the first time - 500 ONLY NO REPRESS, (HAND MADE RISO SLEEVE)
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1
Ben - I See a World
2
Ben - GIve Me Love Always
L.A. Boogie super rarity by the elusive, Ben White. The 12" is known among many Disco and Boogie collectors and was reissued as a 45 by AOTN a while back. The much rarer (and better) 45 has remained in the hands of a few lucky or wealthy deepfunk collectors. This recording actually came from our good friend Andy Noble, who has helped us out on a lot of musical mission missions. Two sides of brilliant modern soul / boogie.
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1
Sonlight - Get Together
2
Sonlight - Once I Leave
Sonlight were originally known as The Elements, formed at Patrick Henry Junior High school, Cleveland, ohio. in the late 60s. The Band leader was Mark Anthony, with members Ulysses Barnes, Enos Scott, and Ronald Sims. Mark sang and wrote most of the songs with help from the band members. They cut their first single for Del-Nita Records in 1970 after which moved to Soul Collector favourite Saru records, recording a few nice singles for the label. In 1974 they released "Spinning Top" on Atlantic Records under the band name Moving Violation, after which a another name change leads us to Sonlight and this single which was originally recorded released on the Spearhead label. Modern Soul, Disco heads have always coveted this rare single, reissued here for the first time, in hand made sleeve for this press only.
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1
Fruit - If You Feel It, Say Yeah (7 Inch Version)
2
Fruit - Lost the Love (7 Inch Version)
Jacksonville finest, The Fruit band's unreleased disco LP was released a few years ago on Athens but after many requests we are dropping a couple of 45s. This 45 comes in a hand made folder cover with help from an original press shoot of the band we had on file. One-time press with the picture sleeve, beautiful. Disco royalty.
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Customers who bought this also bought this
1
Piero Piccioni - Lovely Mood
2
Piero Piccioni - Ambushers
3
Piero Piccioni - The Persuaders
4
Piero Piccioni - Nostalgy
5
Piero Piccioni - Sicilian Mafia
6
Piero Piccioni - Love Theme
7
Piero Piccioni - Pursuit
8
Piero Piccioni - Waiting
9
Piero Piccioni - Action
10
Piero Piccioni - Nostalgy 2
11
Piero Piccioni - Mystery
12
Piero Piccioni - Action 2
13
Piero Piccioni - The Persuaders Strike Back
14
Piero Piccioni - Kidnap - Finale
A commissar with his hands tied and a gentleman godfather. A gang of ruthless kidnappers and a couple of parents ready to pay any amount to hold their missing daughter again. The evocative backdrop of Lake Como and the rare beauty of Piero Piccioni's music. “Fatevi Vivi, La Polizia Non Interverra`” (1974), also known as “Kidnap”, is a detective story directed by Giovanni Fago, with actors of the caliber of Henry Silva, Gabriele Ferzetti and Philippe Leroy. The film draws inspiration from the many cases of kidnappings recorded during the Seventies.
The first vinyl edition of the soundtrack, edited by Musica Per Immagini, offers the listener a selection of his most significant tracks, carefully remastered, already released on cd. The soundtrack is a fabulous mix of lounge atmospheres, explosive action music and mysterious moments from which the sound of tubular bells emerge, as in the bittersweet pentaphonic opener Lovely Mood. Synthesis of a different mood from that adopted by his peers, exemplary in Ambushers, played by bass, guitar and piano, plus the string section in counterpoint. True hip hop break.
Within the depths of the tracklist, it is easy to identify the third axis of the project, The Persuaders, thanks to the irresistible rhythm of the brass. The Sicilian Mafia motif is also distinctive, punctuated by the traditional sound of the Jew's harp. Another distinguishable aspect of Piero Piccioni's work is the wealth of themes. The composer goes beyond the model that provides for the creation of a main theme and a secondary theme with related variations, because he creates leitmotifs and musical figurations tailored to each of the salient situations and related protagonists.
A1 - Lovely Mood
A2 - Ambushers
A3 - The Persuaders
A4 - Nostalgy
A5 - Sicilian Mafia
A6 - Love Theme
A7 - Pursuit
B1 - Waiting
B2 - Action
B3 - Nostalgy 2
B4 - Mystery
B5 - Action 2
B6 - The Persuaders Strike Back
B7 - Kidnap - Finale
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The first vinyl edition of the soundtrack, edited by Musica Per Immagini, offers the listener a selection of his most significant tracks, carefully remastered, already released on cd. The soundtrack is a fabulous mix of lounge atmospheres, explosive action music and mysterious moments from which the sound of tubular bells emerge, as in the bittersweet pentaphonic opener Lovely Mood. Synthesis of a different mood from that adopted by his peers, exemplary in Ambushers, played by bass, guitar and piano, plus the string section in counterpoint. True hip hop break.
Within the depths of the tracklist, it is easy to identify the third axis of the project, The Persuaders, thanks to the irresistible rhythm of the brass. The Sicilian Mafia motif is also distinctive, punctuated by the traditional sound of the Jew's harp. Another distinguishable aspect of Piero Piccioni's work is the wealth of themes. The composer goes beyond the model that provides for the creation of a main theme and a secondary theme with related variations, because he creates leitmotifs and musical figurations tailored to each of the salient situations and related protagonists.
A1 - Lovely Mood
A2 - Ambushers
A3 - The Persuaders
A4 - Nostalgy
A5 - Sicilian Mafia
A6 - Love Theme
A7 - Pursuit
B1 - Waiting
B2 - Action
B3 - Nostalgy 2
B4 - Mystery
B5 - Action 2
B6 - The Persuaders Strike Back
B7 - Kidnap - Finale
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JUAN ATKINS legendary first electro productions from the mid-80's now REPRESSED!!
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1
Arthur Russell - IN THE LIGHT OF THE MIRACLE
2
Arthur Russell - IN THE LIGHT OF THE MIRACLE - PONYTAIL CLUB MIX (PARTS 1 & 2)
Format Notes: 2025 repress, 2024 first-time 12" single release of previously white label only tracks, 140g vinyl, mastered by Simon Francis
Track List:
A1 IN THE LIGHT OF THE MIRACLE (13:26 min)
B1 IN THE LIGHT OF THE MIRACLE - PONYTAIL CLUB MIX (PARTS 1 & 2) (14:10 min)
Release Notes:
FINALLY! The very first commercial release of two legendary remixes of Arthur Russell's "In The Light Of The Miracle". Both are widely regarded as transcendent masterpieces and very much befitting of the title “holy grails”.
These long-beloved mixes are the types you'd wish would last for eternity. With almost 30 minutes of music here, we very nearly get our desires granted. At last, these jaw-dropping mixes are widely available to every Arthur fan in the world. This is musical perfection.
The deep Loft classic "In The Light Of The Miracle" remained unreleased during Arthur's lifetime, finally discovered when Phillip Glass included the original version on Another Thought on Point Music in 1993. As Steve Knutson told us, when Another Thought was being put together, the plan was to release a companion album of remixes that was overseen by Steve D'Aquisto but the project only got as far as these two remixes of "In The Light Of The Miracle".
Some dodgy scans of some centre label designs suggest that Point Music might’ve been planning to release these on a 12" but it didn’t happen. The story goes that Gilles Peterson heard the remixes on a visit to the Point Music offices and wanted to release them on Talkin’ Loud. We’re not sure how many white label copies made it out into the wild, but again, these remixes didn’t make it to a proper release.
These remixes both extend and undeniably enhance the original, elevating it to new heights. The 13 minute remix on the A-side is by Danny Krivit & Tony Smith with editing duties performed by Tony Morgan. As ever with Arthur, the music is almost impossible to describe: is it Disco? Garage House? Avant Garde? None of these tags do full justice to its sheer majesty. You best just listen. Stretching out the original with some unbelievably great percussive elements, until we're in a deeply spiritual, otherworldly realm, it's just too beautiful for words. As many have claimed, it's the prototype for EVERYTHING.
The "Ponytail Club Mix (Part 1 & 2)", produced by Tony Morgan in the mid-90s, is in a more up-tempo style, with vocals higher in the mix, the BPM upped to 120 and the addition of a housey 4/4 kick drum. A 14 minute epic, you could say this is a more straight ahead "club-friendly" mix (but can things ever be that straightforward with Arthur?!) It also has some really interesting vocal parts not used in the other versions, including some vocals from guest poet Allen Ginsberg.
These remixes are part of the same original project that also produced the Another Thought album so it seems only right that they have a sleeve that matches. Thanks again to Janette Beckman for letting us use another of her photos of Arthur and the rest of the design follows what Margery Greenspan, Tina Lauffer and Michael Klotz did for Another Thought back in 1994.
Simon Francis remastered the original audio for both tracks and Cicely Balston's precise cut for Alchemy at AIR Studios ensures this 12" well and truly slaps. The immaculate Record Industry pressing will ensure this incredibly sought-after treasure finds a home in many more collections, this and every year.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Track List:
A1 IN THE LIGHT OF THE MIRACLE (13:26 min)
B1 IN THE LIGHT OF THE MIRACLE - PONYTAIL CLUB MIX (PARTS 1 & 2) (14:10 min)
Release Notes:
FINALLY! The very first commercial release of two legendary remixes of Arthur Russell's "In The Light Of The Miracle". Both are widely regarded as transcendent masterpieces and very much befitting of the title “holy grails”.
These long-beloved mixes are the types you'd wish would last for eternity. With almost 30 minutes of music here, we very nearly get our desires granted. At last, these jaw-dropping mixes are widely available to every Arthur fan in the world. This is musical perfection.
The deep Loft classic "In The Light Of The Miracle" remained unreleased during Arthur's lifetime, finally discovered when Phillip Glass included the original version on Another Thought on Point Music in 1993. As Steve Knutson told us, when Another Thought was being put together, the plan was to release a companion album of remixes that was overseen by Steve D'Aquisto but the project only got as far as these two remixes of "In The Light Of The Miracle".
Some dodgy scans of some centre label designs suggest that Point Music might’ve been planning to release these on a 12" but it didn’t happen. The story goes that Gilles Peterson heard the remixes on a visit to the Point Music offices and wanted to release them on Talkin’ Loud. We’re not sure how many white label copies made it out into the wild, but again, these remixes didn’t make it to a proper release.
These remixes both extend and undeniably enhance the original, elevating it to new heights. The 13 minute remix on the A-side is by Danny Krivit & Tony Smith with editing duties performed by Tony Morgan. As ever with Arthur, the music is almost impossible to describe: is it Disco? Garage House? Avant Garde? None of these tags do full justice to its sheer majesty. You best just listen. Stretching out the original with some unbelievably great percussive elements, until we're in a deeply spiritual, otherworldly realm, it's just too beautiful for words. As many have claimed, it's the prototype for EVERYTHING.
The "Ponytail Club Mix (Part 1 & 2)", produced by Tony Morgan in the mid-90s, is in a more up-tempo style, with vocals higher in the mix, the BPM upped to 120 and the addition of a housey 4/4 kick drum. A 14 minute epic, you could say this is a more straight ahead "club-friendly" mix (but can things ever be that straightforward with Arthur?!) It also has some really interesting vocal parts not used in the other versions, including some vocals from guest poet Allen Ginsberg.
These remixes are part of the same original project that also produced the Another Thought album so it seems only right that they have a sleeve that matches. Thanks again to Janette Beckman for letting us use another of her photos of Arthur and the rest of the design follows what Margery Greenspan, Tina Lauffer and Michael Klotz did for Another Thought back in 1994.
Simon Francis remastered the original audio for both tracks and Cicely Balston's precise cut for Alchemy at AIR Studios ensures this 12" well and truly slaps. The immaculate Record Industry pressing will ensure this incredibly sought-after treasure finds a home in many more collections, this and every year.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Nu Genea - Bar Mediterraneo
2
Nu Genea - Tienate
3
Nu Genea - Gelbi (with Marzouk Mejri)
4
Nu Genea - Marechia (with Celia Kameni)
5
Nu Genea - Straniero
6
Nu Genea - Vesuvio
7
Nu Genea - Rire
8
Nu Genea - La Crisi
Four years after Nuova Napoli, Nu Genea are back with Bar Mediterraneo, a new album and journey, which projects the
sounds of the Neapolitan duo formed by Massimo Di Lena and Lucio Aquilina even further.
Nu Genea's Bar Mediterraneo is an idea of a shared place where people meet and fuse together; a space that leaves its
doors open to travellers and their lives, always exposed to the whims of fate. Some of this can be experienced through the
multitude of sounds that come together in the tracks, layers of different acoustic instruments, voices and synthesizers
merging in a unique musical blend.
Opening up to the voices of many different people, separated by languages but united by the sea and the music, Nu
Genea's hometown, Napoli, becomes a true place of encounter.
You can hear this all along. In "Gelbi", a gorgeously deep and propulsive Ney flute plunges into murky waters of the
melancholic Tunisian dialect sung by Marzouk Mejri. In "Marechia'", unbridled happiness and sun ooze from the delicate
vocals of Célia Kameni and create an acrobatic bridge between French and Neapolitan language. In "Straniero", your
soul is arrested from the moment the slow spell-binding mandolin ignites the hypnotic patterns recorded by the legendary
Afrobeat drummer Tony Allen. In "Bar Mediterraneo", the title track, bittersweet guitar’s riffs, analog waves and choirs are
overwhelming the song giving you what you would like to hear on a boat trip along the Amalfi Coast.
Nu Genea couldn't afford to overlook their firmly anchored roots into the Neapolitan culture and its dialect with "Tienaté",
where the power of neapolitan language (interpreted by Fabiana Martone) supports those quarter-tone strings and the
uncessant folk-disco groove that spreads to the entire song. In "Praja Magia", repetitive mandolin riffs lead the song,
giving space to a choral yet tight vocal line that speaks of Varcaturo, a village close to Napoli. In "Rire", a volley of poetic,
deceptively laidback, lyrical fury interpreted by Sicilian Marco Castello intimately combines with a highly musical, multitextured
instrumental backbone and the swoon of a chanson in its heart. In "La Crisi'', the lyrics of a Raffaele Viviani’s
poem from 1930 have been adapted to a laidback jazz-funk groove in full NG style. In "Vesuvio", revaluing the evocative
verses and powerful mantra of Vesuvio, Nu Genea re-adapted to the dancefloor a folk song by the working-class band E’
Zezi from Pomigliano D'Arco, combining the voices of a school choir with Jupiter-6 arpeggios and bold percussions.
Bar Mediterraneo is the place where people constantly return to transform curiosity into participation, tradition into
sharing, unfamiliar into familiar. When travellers come through its “doors”, carrying their treasures of words and emotions,
they aren’t strangers any more. They take part in a shared experience, enriching themselves and others by leading to
unexpected musical journeys.
TRACKLIST:
A1. Bar Mediterraneo
A2. Tienaté
A3. Gelbi (with Marzouk Mejri)
A4. Marechià (with Célia Kameni)
A5. Straniero
B1. Praja Magia
B2. Vesuvio
B3. Rire
B4. La Crisi
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
sounds of the Neapolitan duo formed by Massimo Di Lena and Lucio Aquilina even further.
Nu Genea's Bar Mediterraneo is an idea of a shared place where people meet and fuse together; a space that leaves its
doors open to travellers and their lives, always exposed to the whims of fate. Some of this can be experienced through the
multitude of sounds that come together in the tracks, layers of different acoustic instruments, voices and synthesizers
merging in a unique musical blend.
Opening up to the voices of many different people, separated by languages but united by the sea and the music, Nu
Genea's hometown, Napoli, becomes a true place of encounter.
You can hear this all along. In "Gelbi", a gorgeously deep and propulsive Ney flute plunges into murky waters of the
melancholic Tunisian dialect sung by Marzouk Mejri. In "Marechia'", unbridled happiness and sun ooze from the delicate
vocals of Célia Kameni and create an acrobatic bridge between French and Neapolitan language. In "Straniero", your
soul is arrested from the moment the slow spell-binding mandolin ignites the hypnotic patterns recorded by the legendary
Afrobeat drummer Tony Allen. In "Bar Mediterraneo", the title track, bittersweet guitar’s riffs, analog waves and choirs are
overwhelming the song giving you what you would like to hear on a boat trip along the Amalfi Coast.
Nu Genea couldn't afford to overlook their firmly anchored roots into the Neapolitan culture and its dialect with "Tienaté",
where the power of neapolitan language (interpreted by Fabiana Martone) supports those quarter-tone strings and the
uncessant folk-disco groove that spreads to the entire song. In "Praja Magia", repetitive mandolin riffs lead the song,
giving space to a choral yet tight vocal line that speaks of Varcaturo, a village close to Napoli. In "Rire", a volley of poetic,
deceptively laidback, lyrical fury interpreted by Sicilian Marco Castello intimately combines with a highly musical, multitextured
instrumental backbone and the swoon of a chanson in its heart. In "La Crisi'', the lyrics of a Raffaele Viviani’s
poem from 1930 have been adapted to a laidback jazz-funk groove in full NG style. In "Vesuvio", revaluing the evocative
verses and powerful mantra of Vesuvio, Nu Genea re-adapted to the dancefloor a folk song by the working-class band E’
Zezi from Pomigliano D'Arco, combining the voices of a school choir with Jupiter-6 arpeggios and bold percussions.
Bar Mediterraneo is the place where people constantly return to transform curiosity into participation, tradition into
sharing, unfamiliar into familiar. When travellers come through its “doors”, carrying their treasures of words and emotions,
they aren’t strangers any more. They take part in a shared experience, enriching themselves and others by leading to
unexpected musical journeys.
TRACKLIST:
A1. Bar Mediterraneo
A2. Tienaté
A3. Gelbi (with Marzouk Mejri)
A4. Marechià (with Célia Kameni)
A5. Straniero
B1. Praja Magia
B2. Vesuvio
B3. Rire
B4. La Crisi
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Greg Foat & Sokratis Votskos - Flasaki
2
Greg Foat & Sokratis Votskos - Ussak-Huseyni
3
Greg Foat & Sokratis Votskos - Karsilamas
4
Greg Foat & Sokratis Votskos - In the Cave of Pythagoras
5
Greg Foat & Sokratis Votskos - The Golden Jackals of Samos
6
Greg Foat & Sokratis Votskos - Ode to Potami Beach
7
Greg Foat & Sokratis Votskos - Eikosiefta
8
Greg Foat & Sokratis Votskos - Liberta
9
Greg Foat & Sokratis Votskos - Megalo Seitani Serenade
When most of us go on holiday to Greece, we hang out by the pool, go to the beach and maybe bring home a souvenir or two. Last year Greg went on holiday to Greece and made an album. Synthesizer, Grand Piano and traditional Folk Instruments are blended with Field recordings to create an intriguing album of Authentic Greek Modal Folk-Jazz and soundscapes.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
- Spec: 2 x LP in paper inners, in 5mm outer sleeve with download card insert.
Tucked away in the great depths of the Warp catalogue is this elegant, liquid heartache of a record. An album credited to the late James Stinson, one half of cult-Detroit techno unit (alongside Gerald Donald) Drexciya, Lifestyles... stands as one of the remarkable records of the genre. Stinson died a year after release, lending this already beautiful work endless resonance.
Where the dystopian aqua-tronics of previous Drexciya were often jet-black, cold, brittle and abrasive this is a yearning soul music, played out down rain soaked streets, the buzzing lights of industry flickering in the darkness, the warm blue of a new day ready to break. This is a record where techno reached its raw, most emotive peak... Sustained pads paint minor-key melodies while electroid-vocals are buried deep in the hydrothermal mass of squelching bass-clusters and funky-filtered bleeps. At its skittering percussion core, a stripped back 808 tapestry, sequenced into myriad jazz-inflected shapes, a pulsing kick drum the snapping heartbeat, ticking hi-hats bursting from every angle.
All this tingles with the ghosts of records past, of Kraftwerkian humanoids, of first-wave Detroit, of refracted Hancock and Ayres, but as Stinson intones on the fifth track, ‘let me be what I wanna be’, Lifestyles is a creation all of its own special making, a sound that would inspire the latter day deep-house machinations of Omar S, Jus-Ed, Moodymann and influence –however indirectly- a wealth of current UK/US bass operators including Actress and Kyle Hall. More importantly it remains a beguiling epitaph to Stinson’s sadly distinguished life.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tucked away in the great depths of the Warp catalogue is this elegant, liquid heartache of a record. An album credited to the late James Stinson, one half of cult-Detroit techno unit (alongside Gerald Donald) Drexciya, Lifestyles... stands as one of the remarkable records of the genre. Stinson died a year after release, lending this already beautiful work endless resonance.
Where the dystopian aqua-tronics of previous Drexciya were often jet-black, cold, brittle and abrasive this is a yearning soul music, played out down rain soaked streets, the buzzing lights of industry flickering in the darkness, the warm blue of a new day ready to break. This is a record where techno reached its raw, most emotive peak... Sustained pads paint minor-key melodies while electroid-vocals are buried deep in the hydrothermal mass of squelching bass-clusters and funky-filtered bleeps. At its skittering percussion core, a stripped back 808 tapestry, sequenced into myriad jazz-inflected shapes, a pulsing kick drum the snapping heartbeat, ticking hi-hats bursting from every angle.
All this tingles with the ghosts of records past, of Kraftwerkian humanoids, of first-wave Detroit, of refracted Hancock and Ayres, but as Stinson intones on the fifth track, ‘let me be what I wanna be’, Lifestyles is a creation all of its own special making, a sound that would inspire the latter day deep-house machinations of Omar S, Jus-Ed, Moodymann and influence –however indirectly- a wealth of current UK/US bass operators including Actress and Kyle Hall. More importantly it remains a beguiling epitaph to Stinson’s sadly distinguished life.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Natural Magic - Galaxy Builder
2
Natural Magic - Don't Look Back
3
Natural Magic - Distant Bells
4
Natural Magic - Skyward Eye
5
Natural Magic - Get It Right
6
Natural Magic - Ride
7
Natural Magic - Chugsby's Theme
It’s with great pride that we announce this amazing album on Optimo Music from Portland-based duo Natural Magic. It was the final vinyl release that Keith McIvor aka JD Twitch put into production before his untimely departure in late September this year.
Having been a long time lover of everything krautrock, space rock, experimental and psychedelic it seems more than fitting that he leaves us this LP as his parting gift; because this sublime album is all these things wrapped up into one and much more.
The album’s opening track “Galaxy Builder”, with its driving tempo, monolithic bass and screaming guitars might give the impression we’re about to hear a Neu for the 21st Century, but no, by the 2nd track we’re already on the first of several wild detours into uncharted territories: part shoe gaze, part ethereal, part psychedelia it’s a unique piece of beautiful euphoria from start to finish. By the time we reach the end of the A-side’s closing track “Distant Bells” the whole place is in tears after hearing possibly one of the most poignant pieces of electronic music of the entire year.
The B-side takes us even deeper into this trip through the duo’s homeland in the Pacific Northwest opening with “Skyward Eye”. If the Orb had ever teamed up with Slowdive and gotten Andrew Weatherall on production this could be it. “Get It Right” is a fuzz-filled epic with heavy dub leanings and meanings...it soars high up into the beyond and prepares us for “Ride”; an unashamed space voyage in the true sense…cosmic guitars, laden with FX; before returning gently down to the rolling green hills of Earth with the closing track “Chugsby’s Theme”. Whoever Chugsby is, his vibe is organic, deeply grounded and beautiful.
In the duo’s own words:
“Natural Magic II is a west coast road trip soundtrack for the fading summer. Taking inspiration from the majesty and myths of their home in the Pacific Northwest, the seven track album is culled from the late night, dimly lit, live sessions of Mike McKinnon on keys/drums and Matthew Quiet on bass. Overdubs of guitar, synths and percussion followed. All this from the same space they throw their legendary Limited Edition parties - all-night free experimentation celebrations in their own right. The album art work is handmade flower pigments, opium poppy pollen ink and wood-scrap charcoal by their friend and collaborator Pith Cocomici. Roll the widows down, tilt the seat back and turn it up. Gas, grass or black mass... there's magic in the hills.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Having been a long time lover of everything krautrock, space rock, experimental and psychedelic it seems more than fitting that he leaves us this LP as his parting gift; because this sublime album is all these things wrapped up into one and much more.
The album’s opening track “Galaxy Builder”, with its driving tempo, monolithic bass and screaming guitars might give the impression we’re about to hear a Neu for the 21st Century, but no, by the 2nd track we’re already on the first of several wild detours into uncharted territories: part shoe gaze, part ethereal, part psychedelia it’s a unique piece of beautiful euphoria from start to finish. By the time we reach the end of the A-side’s closing track “Distant Bells” the whole place is in tears after hearing possibly one of the most poignant pieces of electronic music of the entire year.
The B-side takes us even deeper into this trip through the duo’s homeland in the Pacific Northwest opening with “Skyward Eye”. If the Orb had ever teamed up with Slowdive and gotten Andrew Weatherall on production this could be it. “Get It Right” is a fuzz-filled epic with heavy dub leanings and meanings...it soars high up into the beyond and prepares us for “Ride”; an unashamed space voyage in the true sense…cosmic guitars, laden with FX; before returning gently down to the rolling green hills of Earth with the closing track “Chugsby’s Theme”. Whoever Chugsby is, his vibe is organic, deeply grounded and beautiful.
In the duo’s own words:
“Natural Magic II is a west coast road trip soundtrack for the fading summer. Taking inspiration from the majesty and myths of their home in the Pacific Northwest, the seven track album is culled from the late night, dimly lit, live sessions of Mike McKinnon on keys/drums and Matthew Quiet on bass. Overdubs of guitar, synths and percussion followed. All this from the same space they throw their legendary Limited Edition parties - all-night free experimentation celebrations in their own right. The album art work is handmade flower pigments, opium poppy pollen ink and wood-scrap charcoal by their friend and collaborator Pith Cocomici. Roll the widows down, tilt the seat back and turn it up. Gas, grass or black mass... there's magic in the hills.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
DJ Quik - 1 A1 : Rhythm-al-ism (Intro) (1:40)
2
DJ Quik - 2 A2 : We Still Party (5:13)
3
DJ Quik - 3 A3 : So Many Wayz (5:41)
4
DJ Quik - 4 A4 : Hand In Hand (4:18)
5
DJ Quik - 5 B1 : Down, Down, Down (4:43)
6
DJ Quik - 6 B2 : You’z a Ganxta (4:22)
7
DJ Quik - 7 B3 : I Useta Know Her (3:50)
8
DJ Quik - 8 B4 : No Doubt (4:12)
9
DJ Quik - 9 C1 : Speed (3:21)
10
DJ Quik - 10 C2 : Whateva U Do (7:47)
11
DJ Quik - 11 C3 : Thinkin’ Bout U (4:05)
12
DJ Quik - 12 C4 : EL’s Interlude (4:05)
13
DJ Quik - 13 D1 : Medley For A “V” (The P***y Medley) (6:27)
14
DJ Quik - 14 D2 : Bombudd II (2:59)
15
DJ Quik - 15 D3 : Get 2Getha Again (4:41)
16
DJ Quik - 16 D4 : Reprise (Medley For A “V”) (2:39)
Territories: Worldwide no restrictions
Format Notes: 2026 repress, 140g double vinyl, original picture sleeve and insert
Track List:
1 A1 : Rhythm-al-ism (Intro) (1:40)
2 A2 : We Still Party (5:13)
3 A3 : So Many Wayz (5:41)
4 A4 : Hand In Hand (4:18)
5 B1 : Down, Down, Down (4:43)
6 B2 : You’z a Ganxta (4:22)
7 B3 : I Useta Know Her (3:50)
8 B4 : No Doubt (4:12)
9 C1 : Speed (3:21)
10 C2 : Whateva U Do (7:47)
11 C3 : Thinkin’ Bout U (4:05)
12 C4 : EL’s Interlude (4:05)
13 D1 : Medley For A “V” (The P***y Medley) (6:27)
14 D2 : Bombudd II (2:59)
15 D3 : Get 2Getha Again (4:41)
16 D4 : Reprise (Medley For A “V”) (2:39)
Release Notes:
DJ Quik is a giant of West Coast hip-hop. With his fourth album Rhythm-Al-Ism he created his masterpiece, a perfect hip-hop album. As Quik explains, “the name Rhythm-Al-Ism alone tells you what I was doing. I was mixing up rhythms. I was meshing R&B with hip-hop and jazz. And a little bit of comedy”. It’s absolutely sensational and as with a lot of mid-90s albums those original vinyl copies are now rare so here’s the Be With re-issue.
A preternaturally gifted producer/rapper, DJ Quik has produced scores of LA gangsta rap classics. He’s released platinum and gold records of his own, as well as helped craft them for the likes of Tupac, Snoop Dogg, and Dr Dre. Quik has always been quirkier and more interesting than his gangsta rap peers, both musically and lyrically. An old-school funk producer at heart, he’s also incredibly nice on the mic. His raps often deal in boasts, jokes and good times but also cover his beefs, his trials and his trauma. Partying and pain, all mixed up. DJing and producing hype beat tapes from age 14, Quik’s tracks blended the languid funk and rubbery synths of Zapp and George Clinton with a gangsta aesthetic, creating a more danceable foil to Compton’s more typical nihilistic hedonism. Ultimately, his records sound custom engineered to drift out over sun-soaked barbecues.
Released in 1998 on Profile, Rhythm-Al-Ism was the closest Quik ever got to making a commercial splash. “You’z A Ganxta” and “Hand in Hand” made radio waves across the country and the less radio-friendly tracks like “Medley For A ‘V’” were bumping out of car stereos. Combining his soulful, jazzy P-Funk/G-Funk beats with his effortlessly smooth flow, Rhythm-Al-Ism was the quintessential West Coast Party. Squelchy synths, bouncy bass, monstrously knocking drums and freaky keys - this is peaking acidic party-rap, straight out the gate. Music for gliding, for skating, for time with your people and your poison. Sunshine. No cares. BBQs. Heavy smoke in the air. Dripping with wit and good humour. A real swing to the vibe.
The album opens with Quik setting out his mission statement with “Rhythm-Al-Ism (Intro)”, telling us what this is all about before the self-explanatory “We Still Party” rocks the spot. It’s definitely all about the party here, complete with Quik’s signature head-nod/body-moving beat. Next up, the undeniable laidback funk and dripping swing of groove-laden “So Many Wayz”. This positively slaps.
Then we get to the three huge singles. The R&B-tinged radio-friendly minor-hit “Hand In Hand” closes the first side only for the flip to get straight into the rolling and scratching of bleepy computer-funk banger “Down, Down, Down” (featuring a particularly nice use of Howard Johnson’s epochal “So Fine”). The effortlessly smooth, flute and guitar-laced “You’z A Ganxta” completes the trio. Next up the fast-paced, vocoder-enhanced, woulda-beena-global-hit “I Useta Know Her”. This coulda (shoulda) been a single too. Head-nod funk workout “No Doubt”, with its ace sample of Prince's “Sexy Dancer”, closes out the second side.
“Speed” races out the gate on the second disc, sampling Edwin Birdsong’s “Rapper Dapper Snapper” in a harder, better, faster, stronger way than those daft Parisian punks. Amphetamine-swift raps over soaring, string-drenched b-boy beats. A total anthem. Up next, the staggering, near 8-minute laconic, lounge-y sax-rap of “Whateva U Do” cools things down and smooths things out with its flute wrapping around a sample of Smokey Robinson’s “So In Love” and some oh-so-classy lounge-piano tinkling. And speaking of smooth, things don’t get much smoother than the blissfully melodic glider-anthem “Thinkin’ ’Bout U” riding that ace flip of SWV’s “Use Your Heart”. Exceptional.
The exquisite funky-flute-slapper “Medley for a ‘V’ (The P***Y Medley)” opens the fourth and final side, with star turns from Snoop Dogg and a typically suave Nate Dogg. It’s followed by the supremely skanked-out “Bombudd II”, a beautifully sweet reggae-fuelled ode to the herb. “Get 2Getha Again” is slick funk. Stunning.
This 2022 Be With double LP re-issue has been mastered for vinyl by Simon Francis, cut by Pete Norman and pressed at Record Industry. Unusual for the time, Rhythm-Al-Ism was originally pressed as a double and we’ve reproduced the original LA vibe picture sleeve and insert to match.
As that original front cover says, this is “over 70 minutes of commercial free music” and it’s absolutely perfect from start to finish. There are no stand-out tracks here. It’s all gold.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Format Notes: 2026 repress, 140g double vinyl, original picture sleeve and insert
Track List:
1 A1 : Rhythm-al-ism (Intro) (1:40)
2 A2 : We Still Party (5:13)
3 A3 : So Many Wayz (5:41)
4 A4 : Hand In Hand (4:18)
5 B1 : Down, Down, Down (4:43)
6 B2 : You’z a Ganxta (4:22)
7 B3 : I Useta Know Her (3:50)
8 B4 : No Doubt (4:12)
9 C1 : Speed (3:21)
10 C2 : Whateva U Do (7:47)
11 C3 : Thinkin’ Bout U (4:05)
12 C4 : EL’s Interlude (4:05)
13 D1 : Medley For A “V” (The P***y Medley) (6:27)
14 D2 : Bombudd II (2:59)
15 D3 : Get 2Getha Again (4:41)
16 D4 : Reprise (Medley For A “V”) (2:39)
Release Notes:
DJ Quik is a giant of West Coast hip-hop. With his fourth album Rhythm-Al-Ism he created his masterpiece, a perfect hip-hop album. As Quik explains, “the name Rhythm-Al-Ism alone tells you what I was doing. I was mixing up rhythms. I was meshing R&B with hip-hop and jazz. And a little bit of comedy”. It’s absolutely sensational and as with a lot of mid-90s albums those original vinyl copies are now rare so here’s the Be With re-issue.
A preternaturally gifted producer/rapper, DJ Quik has produced scores of LA gangsta rap classics. He’s released platinum and gold records of his own, as well as helped craft them for the likes of Tupac, Snoop Dogg, and Dr Dre. Quik has always been quirkier and more interesting than his gangsta rap peers, both musically and lyrically. An old-school funk producer at heart, he’s also incredibly nice on the mic. His raps often deal in boasts, jokes and good times but also cover his beefs, his trials and his trauma. Partying and pain, all mixed up. DJing and producing hype beat tapes from age 14, Quik’s tracks blended the languid funk and rubbery synths of Zapp and George Clinton with a gangsta aesthetic, creating a more danceable foil to Compton’s more typical nihilistic hedonism. Ultimately, his records sound custom engineered to drift out over sun-soaked barbecues.
Released in 1998 on Profile, Rhythm-Al-Ism was the closest Quik ever got to making a commercial splash. “You’z A Ganxta” and “Hand in Hand” made radio waves across the country and the less radio-friendly tracks like “Medley For A ‘V’” were bumping out of car stereos. Combining his soulful, jazzy P-Funk/G-Funk beats with his effortlessly smooth flow, Rhythm-Al-Ism was the quintessential West Coast Party. Squelchy synths, bouncy bass, monstrously knocking drums and freaky keys - this is peaking acidic party-rap, straight out the gate. Music for gliding, for skating, for time with your people and your poison. Sunshine. No cares. BBQs. Heavy smoke in the air. Dripping with wit and good humour. A real swing to the vibe.
The album opens with Quik setting out his mission statement with “Rhythm-Al-Ism (Intro)”, telling us what this is all about before the self-explanatory “We Still Party” rocks the spot. It’s definitely all about the party here, complete with Quik’s signature head-nod/body-moving beat. Next up, the undeniable laidback funk and dripping swing of groove-laden “So Many Wayz”. This positively slaps.
Then we get to the three huge singles. The R&B-tinged radio-friendly minor-hit “Hand In Hand” closes the first side only for the flip to get straight into the rolling and scratching of bleepy computer-funk banger “Down, Down, Down” (featuring a particularly nice use of Howard Johnson’s epochal “So Fine”). The effortlessly smooth, flute and guitar-laced “You’z A Ganxta” completes the trio. Next up the fast-paced, vocoder-enhanced, woulda-beena-global-hit “I Useta Know Her”. This coulda (shoulda) been a single too. Head-nod funk workout “No Doubt”, with its ace sample of Prince's “Sexy Dancer”, closes out the second side.
“Speed” races out the gate on the second disc, sampling Edwin Birdsong’s “Rapper Dapper Snapper” in a harder, better, faster, stronger way than those daft Parisian punks. Amphetamine-swift raps over soaring, string-drenched b-boy beats. A total anthem. Up next, the staggering, near 8-minute laconic, lounge-y sax-rap of “Whateva U Do” cools things down and smooths things out with its flute wrapping around a sample of Smokey Robinson’s “So In Love” and some oh-so-classy lounge-piano tinkling. And speaking of smooth, things don’t get much smoother than the blissfully melodic glider-anthem “Thinkin’ ’Bout U” riding that ace flip of SWV’s “Use Your Heart”. Exceptional.
The exquisite funky-flute-slapper “Medley for a ‘V’ (The P***Y Medley)” opens the fourth and final side, with star turns from Snoop Dogg and a typically suave Nate Dogg. It’s followed by the supremely skanked-out “Bombudd II”, a beautifully sweet reggae-fuelled ode to the herb. “Get 2Getha Again” is slick funk. Stunning.
This 2022 Be With double LP re-issue has been mastered for vinyl by Simon Francis, cut by Pete Norman and pressed at Record Industry. Unusual for the time, Rhythm-Al-Ism was originally pressed as a double and we’ve reproduced the original LA vibe picture sleeve and insert to match.
As that original front cover says, this is “over 70 minutes of commercial free music” and it’s absolutely perfect from start to finish. There are no stand-out tracks here. It’s all gold.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Black 140g 2xLP, in a heavyweight UV-Gloss jacket, with 12"x12" insert booklet, with IA OBI Strip & printed inner sleeves.
Gilles Peterson presents International Anthem is a Deluxe Double LP compilation chronicling the infamous London-based radio host, DJ, label head, curator and cultural impresario's long-standing affinity for and interaction with artists and music from the Chicago-born record label International Anthem.
tracklist:
Side A
1) Chicago, January 13th, 2020
2) Makaya McCraven - The Jaunt
3) Junius Paul - Asé
4) Dezron Douglas & Brandee Younger - The Creator Has a Master Plan
5) Resavoir - Taking Flight
6) Irreversible Entanglements - Open The Gates
7) Angel Bat Dawid - We Are Starzz
8) Rob Mazurek - Exploding Star Orchestra - Abstract Dark Energy (Parable 9)
Side B
9) The Most Amazing Time
10) Damon Locks - Black Monument Ensemble - Rebuild a Nation
11) Dos Santos - A Shot in the Dark
12) Daniel Villarreal - In/On
13) Anna Butterss - Pokemans
14) SML - Industry
15) Jeremiah Chiu & Marta Sofia Honer - Snåcko
Side C
16) Jeff Parker - Cliche
17) Jamire Williams - And Then the Anointing Fell
18) Carlos Niño & Friends - Please, wake up.
19) Thandi Ntuli with Carlos Niño - Voice and Tongo Experiment
20) Tom Skinner - Quiet as it’s Kept
21) Ruth Goller - Next time I keep my hands down
22) Alabaster DePlume - A Gente Acaba (Vento Em Rosa)
Side D
23) Old Fashioned Chicago Music
24) jaimie branch - theme 001 (live)
25) Tomin - Angela’s Angel
26) Asher Gamedze - Melancholia
27) Ibelisse Guardia Ferragutti & Frank Rosaly - MESTIZX (Brownswood Basement Live)
28) Ben LaMar Gay - Oh Great Be The Lake
29) Charles Stepney - Step on Step
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Gilles Peterson presents International Anthem is a Deluxe Double LP compilation chronicling the infamous London-based radio host, DJ, label head, curator and cultural impresario's long-standing affinity for and interaction with artists and music from the Chicago-born record label International Anthem.
tracklist:
Side A
1) Chicago, January 13th, 2020
2) Makaya McCraven - The Jaunt
3) Junius Paul - Asé
4) Dezron Douglas & Brandee Younger - The Creator Has a Master Plan
5) Resavoir - Taking Flight
6) Irreversible Entanglements - Open The Gates
7) Angel Bat Dawid - We Are Starzz
8) Rob Mazurek - Exploding Star Orchestra - Abstract Dark Energy (Parable 9)
Side B
9) The Most Amazing Time
10) Damon Locks - Black Monument Ensemble - Rebuild a Nation
11) Dos Santos - A Shot in the Dark
12) Daniel Villarreal - In/On
13) Anna Butterss - Pokemans
14) SML - Industry
15) Jeremiah Chiu & Marta Sofia Honer - Snåcko
Side C
16) Jeff Parker - Cliche
17) Jamire Williams - And Then the Anointing Fell
18) Carlos Niño & Friends - Please, wake up.
19) Thandi Ntuli with Carlos Niño - Voice and Tongo Experiment
20) Tom Skinner - Quiet as it’s Kept
21) Ruth Goller - Next time I keep my hands down
22) Alabaster DePlume - A Gente Acaba (Vento Em Rosa)
Side D
23) Old Fashioned Chicago Music
24) jaimie branch - theme 001 (live)
25) Tomin - Angela’s Angel
26) Asher Gamedze - Melancholia
27) Ibelisse Guardia Ferragutti & Frank Rosaly - MESTIZX (Brownswood Basement Live)
28) Ben LaMar Gay - Oh Great Be The Lake
29) Charles Stepney - Step on Step
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Lynda Dawn - Cosmic Symphonic (Intro)
2
Lynda Dawn - Where You Are
3
Lynda Dawn - Play Fair
4
Lynda Dawn - Memories (Interlude)
5
Lynda Dawn - Love Is Callin'
6
Lynda Dawn - Do You Dream?
7
Lynda Dawn - 11th Hour
8
Lynda Dawn - Altogether (Reprise) [feat. Marco Bernardis]
London-based vocalist, songwriter, and producer Lynda Dawn returns with her signature blend of classic soul grooves and contemporary R&B. Since her critically acclaimed debut At First Light (2019) and the collector's-favourite Roses (2021), Lynda has cultivated a loyal following, establishing herself as a notable voice in the UK soul scene. Her highly anticipated sophomore project 11th Hour, showcases eight tracks that delve into themes of love, transformation, and self-discovery. Led by the groove-laden single Where You Are (produced by Al Dobson Jr.) and the standout title track 11th Hour, the release has already received major support from BBC Radio 6 Music, BBC Radio 1Xtra, Jazz FM, and more. Celebrated with a sold-out headline show at Barbican on October 4th, Dawn continues to attract praise from fans and music icons alike, including Azymuth, Patrice Rushen, Jimmy Jam, and Arthur Verocai. 11th Hour is now available on vinyl, offering a timeless addition for aficionados of funk, soul, and jazz.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Guamanian Frankie - Excuse Me Friend
2
Ace Tate - Back In Time
3
Easy - Amy
4
Carrie Chaplin & Mark Perron - Easygoing Man
5
Benito Hodge - Loving You
6
Family Progression - Feeling Free
7
Brandy - Life Is
8
Willie Lee - It Never Fades
9
Godspeed - By The Sea
10
Reflection - She Who Stands Beside Me
11
Sons of Jubal - Be You
12
The ThreeO - Break Down
13
John Laughter - Dreams Of A Child
ONLY EU!
HOPES AND DREAMS is the title of our brand new compilation series, which will celebrate its debut on March 20, 2026. This new series draws on the music selection of PRAISE POEMS, not only in terms of obscurity, but also in terms of genius. Similar, but anything but a poor copy, the focus is on rare grooves from the 1970s.
The album contains genuine rarities that definitely deserve more attention. Take, for example, the opener by Guamanian Frankie & the Karter's Peanut Organization. The protagonist comes from Guam, a tiny island in the western Pacific, a good 5000km north of Australia. The previously unreleased “Back In Time” comes from an acetate pressing. As far as we know, it is the only existing copy. Easy and Carrie Chaplin & Mark Perron delight us with light folk soul, and fans of Terry Callier will certainly enjoy the two songs by Brandy and Benito Hodge. Both breathe a little jazz into the soul. Incidentally, the co-producer of “Loving You” was none other than Hubert Eaves III, who was part of the electro-funk duo “D-Train” in the 1980s which had several Billboard Dance and R&B chart successes.
A little psych rock or psych soul is also a must. The remaining songs by Godspeed, Reflection, The ThreeO, and John Laughter & the Third Generation probably fall into this category. All of them are extremely rare and magnificent at the same time. When you hear the first notes of “She Who Stands Beside Me,” you inevitably think of Portishead before you are unexpectedly caught off guard by the song's brutal mood change. And with “By The Sea,” we are pleased to present another previously unreleased song.
"“HOPES AND DREAMS - Rare & Unreleased Psych-Soul Nuggets from the 1970s” marks the beginning of a new journey of discovery through the music history of the 1970s, which we hope will be just as successful as its predecessor, PRAISE POEMS. Curated by label headman and DJ Tobias Kirmayer.
Key selling points:
- deluxe double-gatefold vinyl LP with detailed liner notes and unseen photographs
- incl. unreleased songs
- the Tramp Team has invested dozens of hours of work and a high four-figure sum in this project
- the vinyl LP comes with a full album download code
- ALL songs appear on Vinyl-LP / digital for the very first-time
- pressed on BIOVINYL => Replacement of petroleum in S-PVC by recycling used cooking oil or industrial waste gases
Tracklist:
A1. Guamanian Frankie - Excuse Me Friend
A2. Ace Tate - Back In Time
A3. Easy - Amy
A4. Carrie Chaplin & Mark Perron - Easygoing Man
B1. Benito Hodge - Loving You
B2. Family Progression - Feeling Free
B3. Brandy - Life Is
B4. Willie Lee - It Never Fades
C1. Godspeed - By The Sea
C2. Reflection - She Who Stands Beside Me
C3. Sons of Jubal - Be You
D1. The ThreeO - Break Down
D2. John Laughter - Dreams Of A Child
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
HOPES AND DREAMS is the title of our brand new compilation series, which will celebrate its debut on March 20, 2026. This new series draws on the music selection of PRAISE POEMS, not only in terms of obscurity, but also in terms of genius. Similar, but anything but a poor copy, the focus is on rare grooves from the 1970s.
The album contains genuine rarities that definitely deserve more attention. Take, for example, the opener by Guamanian Frankie & the Karter's Peanut Organization. The protagonist comes from Guam, a tiny island in the western Pacific, a good 5000km north of Australia. The previously unreleased “Back In Time” comes from an acetate pressing. As far as we know, it is the only existing copy. Easy and Carrie Chaplin & Mark Perron delight us with light folk soul, and fans of Terry Callier will certainly enjoy the two songs by Brandy and Benito Hodge. Both breathe a little jazz into the soul. Incidentally, the co-producer of “Loving You” was none other than Hubert Eaves III, who was part of the electro-funk duo “D-Train” in the 1980s which had several Billboard Dance and R&B chart successes.
A little psych rock or psych soul is also a must. The remaining songs by Godspeed, Reflection, The ThreeO, and John Laughter & the Third Generation probably fall into this category. All of them are extremely rare and magnificent at the same time. When you hear the first notes of “She Who Stands Beside Me,” you inevitably think of Portishead before you are unexpectedly caught off guard by the song's brutal mood change. And with “By The Sea,” we are pleased to present another previously unreleased song.
"“HOPES AND DREAMS - Rare & Unreleased Psych-Soul Nuggets from the 1970s” marks the beginning of a new journey of discovery through the music history of the 1970s, which we hope will be just as successful as its predecessor, PRAISE POEMS. Curated by label headman and DJ Tobias Kirmayer.
Key selling points:
- deluxe double-gatefold vinyl LP with detailed liner notes and unseen photographs
- incl. unreleased songs
- the Tramp Team has invested dozens of hours of work and a high four-figure sum in this project
- the vinyl LP comes with a full album download code
- ALL songs appear on Vinyl-LP / digital for the very first-time
- pressed on BIOVINYL => Replacement of petroleum in S-PVC by recycling used cooking oil or industrial waste gases
Tracklist:
A1. Guamanian Frankie - Excuse Me Friend
A2. Ace Tate - Back In Time
A3. Easy - Amy
A4. Carrie Chaplin & Mark Perron - Easygoing Man
B1. Benito Hodge - Loving You
B2. Family Progression - Feeling Free
B3. Brandy - Life Is
B4. Willie Lee - It Never Fades
C1. Godspeed - By The Sea
C2. Reflection - She Who Stands Beside Me
C3. Sons of Jubal - Be You
D1. The ThreeO - Break Down
D2. John Laughter - Dreams Of A Child
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Player - Track One
2
Player - Track Two
3
Player - Track Three
Repress coming in January!
Back By Dope Demand…
The first of a series of reissued Player classics, Player Three needs no introduction to serious Techno Heads.
Remastered and reissued for 2025, Player Three has been a staple for top Techno DJs such as Daria Kolosova, Regal, Quest, Ben Sims, Marco Bailey, Dj Pepo, Billy Nasty and more for over 25 years and thanks to some phat remastering from the Infamous Player himself, it sounds as fresh today as when it was first released in the year 2000.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Back By Dope Demand…
The first of a series of reissued Player classics, Player Three needs no introduction to serious Techno Heads.
Remastered and reissued for 2025, Player Three has been a staple for top Techno DJs such as Daria Kolosova, Regal, Quest, Ben Sims, Marco Bailey, Dj Pepo, Billy Nasty and more for over 25 years and thanks to some phat remastering from the Infamous Player himself, it sounds as fresh today as when it was first released in the year 2000.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More