Tracklisting
A1 Avant.ocs - Infernal Overture
A2 Red Rooms - Vertical Limit
B1 Maoh - Culto
B2 Uvall - Rotanev

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Tracklisting
A1 Chloe Lula - Myopia
A2 Chloe Lula - Sepiatone
A3 Chloe Lula - Rhythm Zero
B1 Chloe Lula - Ego Sum
B2 Chloe Lula - Ninth Knot
B3 Chloe Lula - Oath

Sales Note
***
and even the trees we walked
under
seemed
less than
trees
and more like everything
else.
***

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Ema is back. Her artistic profile is solid. After these years on the road, each release strengthens her musical print.
Circadian Rhythm is a peaceful track, deep mood into minimalistic arrangement, as she does best.
Across the world, connected by music itself, legend Aoki Takamasa remix the previous track, into a obscure groove and dark atmosphere. What expect of a Remix from another side of the globe, a modern re-interpretation, flipped moods keeping the original essence?
Space Is A Place also complains with previous Sketches by the artist. Groovy, trippy, classy rhythm and chords compound.
Jazz In Time, a contemporary House tool. A special track that closes the record in a super style.

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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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Tracklisting
A1 Luigi Tozzi - Yavin 4 (Ambient Mix)
A2 Luigi Tozzi - Yavin 4
B1 Luigi Tozzi - Binary Sunset
B2 Luigi Tozzi - Wobani

Sales Note
- 2025 repress -

180 grams black vinyl repress - comes in hand-stamped Kraft sleeve.

Early support from Alan Backdrop, Cio D'Or, Deepbass, Ness, Svreca, Mod21, Slam, Oscar Mulero, Patrick Siech, Refracted, TM404, A Sacred Geometry, Etapp Kyle, Exium, Iori, Jonas Kopp, Kwartz, Retina.IT, Takaaki Itoh, Eric Cloutier, Brando Lupi and Dasha Rush to name a few.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Wild by nature, the Does of the Florian Pellissier Quintet could never be contained in a creative pen that would have forced them never to cross potential geographical limits. Travelers, spending their energy without restraint to let the hard bop of their jazz wander and export itself wherever the groove guided them, they went as far as Africa or South America, from the Cape of Good Hope to Rio. Rio, precisely where, for their last appearance, exposure to a brief electric current had carried them into outer space. A revelation.
Furious strides, exhausting gambols, the Does had done so much that they could not escape the obvious call of calm and serenity. Freed from distances, and after a stop in Colombia to mingle with the crowd at the Barranquilla carnival, it was California and its Pacific coast they reached, to rest before the peaceful immensity of the ocean.
One hundred sixty-five million square kilometers, an infinite expanse to contemplate in order to fling wide open the gates to an even vaster space. A spiritual domain conducive to the search for new sounds. That of the open sea, where measuring miles is neither relevant nor meaningful, and where the only compass becomes the musical tracks the Does follow.
Beneath their coppery hooves, to the crystalline sound of the Fender Rhodes and the sweep of electric layers, the path to take revealed itself in this meditative and abstract realm they had never before explored. Invited to join the purely organic textures, the synthetic notes distilled a few aromas of sweetness into an album of ten tracks, where the FPQ abandoned written scores on some pieces in order to be guided only by the inspiration born of a newfound freedom.
Blue when they began their journey five albums ago, their coat has now taken on the colors that illuminate the Pacific coast. That moment when, as you gaze at the horizon swallowing the sun, only glowing shades filter through—reddish, orange, violet.
Departing without haste or frenzy from one of the shores bordering the ocean, the voices of Archie Shepp, Iggy Pop, and DjeuhDjoah still resonating in their antlers, the Does may now be on the opposite shore. Carried all the way to the Japanese coast by Hokusai’s wave…

TRACKLIST:
A1. The Weed
A2. Carnaval de Barranquilla
A3. Archie et John ft. Archie Shepp
A4. The Movie Critic
A5. La Naissance de la Comédie
B1. Wonderful World Leaders
B2. Pacifiques Biches
B3. Only Fan ft. Iggy Pop
B4. Où C’est Qui sait ft. DjeuhDjoah

Bonus Track (Only on CD)
10. Jazz Myst (Pacifiques Biches Original Sketches)


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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Tracklisting
A1 Stallo - Bleenthal
A2 Stallo - Wavoom (Takaaki Itoh remix)
B1 Stallo - Wavoom
B2 Stallo - Bleenthal [Reinvented] (Fabio Florido remix)

Sales Note
Swiss-born, Berlin-based artist Stallo makes his anticipated vinyl debut on Casanova Bar Records with Mifepan EP.

After first appearing on the label in 2020 with a contribution to [CBB007] a digital VA, he now returns as the main artist on [CBR008], delivering two original tracks that define his signature sound.

The EP opens with Bleenthal, a hypnotic journey built on rolling drums and immersive textures. On the flip, "Wavoom" pulsates with a constantly evolving synth, pushing forward with relentless energy.
Elevating the release, Japanese techno legend Takaaki Itoh delivers a raw and powerful remix of Wavoom, while Italian innovator Fabio Florido reinvents Bleenthal with his cutting-edge sound design.
Mifepan EP is a bold statement from Stallo, an immersive exploration of deep grooves and evolving driving textures.

Written and produced by Fabrizio Stallone in Berlin, in 2024!
Remixes by Takaaki Itoh and Fabio Florido.
Mastered by Koschitzky Mastering
Cover by Stallo Artwork by Laia Flynn

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More