A brand new vinyl edition of GODTET II, the second full-length album from Sydney instrumental collective GODTET, led by Godriguez — acclaimed producer for The Great Mixtape by Sampa the Great. Originally released in 2019 and long out of print, GODTET II is now recut and repressed with refreshed artwork and new mastering attention. The album was recorded largely in one day in Melbourne and is rooted in live improvisation — but with a twist: the band performs over a curated bank of samples created by Godriguez, treating them as launch points for collective improvisation. The result is a unique fusion of beat tape and live jazz ensemble, with a warm, open sound and deep rhythmic undercurrent. Features guest appearances from Simon Mavin (Hiatus Kaiyote) and Ziggy Zeitgeist (30/70), linking two major voices in the Australian underground scene. GODTET II was championed on release by House Shoes (who named it "album of the year") and Gilles Peterson, who broke his own Melbourne-only rule on Worldwide FM to play the Sydney group. The album helped establish GODTET's cult following and remains a touchstone for modern instrumental fusion from the region.

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La Sape Records is proud to present a new vinyl edition of GODTET III — the third and final LP in the formative GODTET trilogy, led by guitarist and producer Godriguez. Originally released in 2020, GODTET III marked the culmination of an intensive three-year period of playing, recording, and evolving. Recorded entirely through open improvisation, without samples, compositions or predefined cues, the album captures a band deeply attuned — performing without a net, yet with total trust. The result is a bold and meditative document of a group crystallising its identity in real time. If GODTET I was an explosive coming-together and II was a fusion of samples and live band, then III is the return to origin: stripped back to pure instinct, refined through experience. It's the clearest expression yet of what the GODTET sound had become — at least, in that moment. The group features some of the most distinct players from the new generation of Australian music, drawing from diverse lineages: a head priest of the Cuban Ifá tradition, the stepson of one of Australia's greatest funk musicians, a drummer regarded among the country's most important contemporary players, and a deeply expressive pianist from New Zealand. Together, under Godriguez's direction, they form something greater than the sum of their parts. With GODTET, the studio becomes an extension of the stage: live, immediate, and unconcerned with genre. From ambient soundscapes and devotional jazz to swirling psychedelia and beat-driven exploration, GODTET III closes the chapter on the project's foundational era — while hinting at where it might go next.

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7 years since it's release; the iconic debut from GODTET. First repress since 2018. Godtet is the debut LP and live band project from Sydney guitarist, Producer & Beat-maker Godriguez. Praised for his production on 'The Great Mixtape' for Sampa the Great, Godtet sees Godriguez stepping back into the live format of production with a full band.

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After releasing their aptly titled first three LPs (I, II & III) GODTET concluded theirtriptych with the idea of a 'clean slate'. To allow the universe of GODTET to growthe band hit reset somewhat. Returning to their original conception of the band;Hitting record in the studio without preconceived thought or discussion on theoutcome.After recording Meditations GODTET were asked to pay homage to the great JohnColtrane at The Sydney Opera House during their lockdown web series in 2020. Tocelebrate the 50 year anniversary of 'Giant Steps' GODTET reimagined the seminalbody of work into one long set. The band collaborated with local artists Chris Cooper& Sam Whickham who designed the audio visual aspect of the show. And after anastounding reception, decided to utilise the two artists to build upon Meditations.The 'Suite' EP (which features on the B side of 'Meditations') is the amalgamation of the earlier GODTET LP sounds and Godriguez's produced albums, through-composed as a 15 minute suite. To be true to the long-form, through-composed piece, the band recorded this release live; one take, no over-dubs and straight totape much like the 'Meditations' sessions, but composed.The cathartic opening of 'Suite' awakens the gods with a sombre Welsh men's choir.Their vibrato ripples across the ocean as the second movement lands the listener inthe Solomon Islands where bamboo sticks are tapped against rock. As the bandnods to 'Struck Bamboo Pipes' from their last LP. Dub Horns blaze out of thecalming movements, fractured polyrhythmic, post-dub-step energy takes hold. 'Thesounds bleed into a neighbouring Trinidadian street festival as they march acrossthe Atlantic. The end is nigh, Moroccan percussion and vocals dance as Godriguez'sroots shine bright. What it all a dream? A Ghanian 'Women's Choir' lulls backconsciousness. The 5-piece bids us farewell, sounds of the forked harp and Baoulemen singing is all that remains. And just like that, the trip is over.

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Berlin’s Tal Fussman returns to Rekids with the ‘Walking on Mars’ EP, releasing 7th November 2025. It follows the Survival Tactics boss’ recent album on Binh’s Time Passages, as well as his ‘De?nition’ (2024) and ‘I Feel’ (2025) EPs on Rekids, with Fussman’s fresh spin on classic House and Techno winning support from the likes of Raresh, Cromby, DVS1, Saoirse, Carista, Honey Dijon, and many more. The ‘Walking on Mars’ EP opens with ‘Crystallized’, a cavernous cut exclusive to 12”, where Tal Fussman pares back his signature percussive style in favour of a rolling groove set against a deep, atmospheric backdrop. ‘Who’s Who?’ follows, its wild sequences and skewed drumlines colliding in restless motion. The title track, ‘Walking on Mars’, drives forward on hard-hitting drums that gradually unfold into a soulful house melody, setting the stage for ‘Knowledge < Machine’, a razor-sharp electro ?nale of snaking synths and an apt robotic vocal. Fussman’s versatility shines throughout, with the EP already winning support from Antal, Rene Wise, Marcel Dettmann, and Fred P. Founded in 2006, Radio Slave’s Rekids has since launched the Techno-focused Rekids Special Projects in 2017 and its latest sublabel, REK’D, in 2024. With Matt Edwards as the sole A&R, Rekids has been instrumental in developing emerging artists and remains a trusted home for House and adjacent sounds, recently featuring names such as Hilit Kolet, Frankey & Sandrino, Mathias Kaden, Huxley, and many more.

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4 To The Floor is committed to delivering seminal house music to wax, making sought after heritage tracks readily available on vinyl for crate diggers to add to their collections. The third edition of the series pays homage to one of the most heralded names in house music - Armand Van Helden. While Armand’s productions like ‘U Don’t Know Me’ and ‘Bonkers’ have soared to #1, he has remained a true legend of the underground. One of the most illustrious remixers in the game, this 12” package celebrates this part of Armand’s skillset. Kicking off the A-side is his remix of the 1993 club anthem by Tonja Dantzler ‘In And Out Of My Life’, followed by Shan & Gerd Janson’s edit which amplifies the Armand’s remix even further. On the flip is a classic bouncing house and garage sound from 1997 on Armand’s remix of Geoffrey Williams’ ‘Sex Life’, followed by the more recent Armand remix of Lee Walker vs. DJ Deeon’s ‘Freak Like Me’ – an explosive club track that was championed by everyone from Marco Carola to Annie Mac.

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If anyone deserves to have the name Don, it’s Don Carlos. Responsible for one of the most influential and genre-defining deep house tracks of all time the Italian legend more than lives up to his name being a true master of his craft. In 1991 his debut release Alone was presented to the world via Calypso Records and quickly gained classic status, blissing out dancefloors worldwide with it’s euphoric piano stabs, sun-drenched strings and laidback groove. Establishing the blueprint for what would become known as ‘Italian dream-house’ Don Carlos would follow up a year later with another masterpiece in the form of a mini LP entitled Mediterraneo which took influence from the Chicago master Larry Heard but added a European ‘Balearic’ perspective which would pave the way for a wave of warm, emotive late night house tracks emanating from Bel Paese. Don Carlos releases have been fairly sporadic since his seminal early 90’s output so Freerange is very happy to bring you brand new material in the form of the I’m Steel Here EP. Across the three original tracks we get to hear him revisit the vibe from those early years whilst bringing things bang up to date for todays DJ’s and dance floors. The title track marries a driving Italo synth bassline with trademark Carlos strings and piano to form an uplifting club track which will lift the spirits of all who hear it. Azimuth comes next cutting up and filtering a piano hook calling the mighty Trackheadz to mind, a gated vocal sample adding a distinctly 90’s hook for a nostalgic slice of regal house. Closing out this gem of an EP we have In The Sky which loops up a classic feel good disco riff for a mid tempo house jam which bumps along nicely and will create the perfect mood in any warm up set worth its salt.

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Chicago house great Lil Louis really nailed it when he wrote 'Cub Lonely' back in 1992 with his group The World. It was taken from their album A Journey With The Lonely and has lead vocals by Joi Cardwell that helped it become an instant club smash. All these years later it always gets a big reaction on the floor which is why it has now been reissued by Epic complete with a series of remixes. The I'm On The Guest List mix is the one with the wonky sax lines and steamy vocals, the instrumental is paired back and more club-ready then DJ Pierre's Afro club mix bringing some big and freewheeling synth energy. The Bellbottoms & Platforms mix is a subtle tweak and then the most raw of the lot is the Radically Lonely mix to close down.

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Freerange Records is proud to present the latest EP from Coflo, the Bay Area-based producer, DJ, and dancer whose unique blend of deep, percussive house and Afro-rooted rhythms has earned him a growing cult following. With an uncompromising approach to groove, sonic texture, and the dancefloor, Coflo crafts tracks that move bodies and challenge conventions. A lifelong house dancer and a student of Afro-Brazilian art-form Capoeira, his productions bring a deeply human feel to electronic music—always raw, always rhythmically charged, and always dance-focused.

A1 - Yewnite
A2 - Who The Frequency ft. Rawb Boss
B1 - Ring The Alarm ft. Rawb Boss
B2 - Yapperz

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Well. Where do we start with 'Deep Inside'? Originally released in the golden NYC House era of 1993, this 5 tracker literally smashed everything in sight. And still does now! The epitome of an evergreen, all-time classic release. Masters At Work Louie Vega and Kenny Dope were on a major roll in this era, producing, remixing, dj-ing and everything in-between, these guys put in ridiculous work. They are joined on this EP by a roll-call of names and collaborators, Erick Morillo engineering the title track? Check. Maurice Joshua on co-production duties? You got it. Vocals by Ms. Barbara tucker? They're there. Killer, rock hard drums? Stacks of Soul? Masterfully chopped up Disco samples? All present. Serious stuff. Sometimes a record just manages to capture and distill the true essence of what this is all about and 'Deep Inside' is one such record, it bears all the hallmarks of golden era MAW, all the signposts of what was happening in NYC's clubs in the early to mid 90's were there within it's grooves. You know a record is good when it's still being, quite literally, hammered nearly 25 years later! Now, remastered, and reissued with the full involvement of Strictly Rhythm this seminal piece of NYC House history is made available again with all original, full sleeve artwork intact as per the 1993 original. This one's a straight up essential for any self-respecting dance aficionado. You know what to do!

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