territories : worldwide minus France, Benelux

Genre: French Song

Sélavy is Prosper’s debut album. It features 13 tracks that range from fairly traditional French chanson to more techno, rap, rock, punk, and even pop styles. Wordplay and stylistic devices play a central role in the lyrics. Much like his work as a visual artist—where he cuts and assembles elements that seem to have little in common at first glance.

Prosper uses the French language as a tool to express his emotions and reflections on life, with all its sorrows and joys. In doing so, he dissolves the boundaries between poetry, song, and artwork.

Tracklist

A1. Émotions (02:38)
A2. Conditions (02:52)
A3. La Ride (02:21)
A4. Pas Facile (02:32)
A5. Juge (02:28)
A6. Larguer les amarres (02:11)
A7. Il y a (04:18)



B1. Convaincre (02:43)
B2. Révolution 77 (03:42)
B3. Folie Douce (02:26)
B4. Tu n’es pas là (feat Jwles) (02:55)
B5. Boule à facettes (02:44)
B6. Atomic Dislexia (03:38)

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Territories: ww -fr

Repress

Genre: Electronic

Tracklist :

A1. sunday blues 1 (dub mix)
A2. luv dub mix

B1. Tuesday good day (dub mix)
B2. longday (dub mix)
B3. Fruit

C1. no return (dub mix)
C2. Deeper (dub mix)

D1. please don't wait (dub mix)

The title of the double LP ”please don’t wait” is simple and refers to the passage of time, urgency, and the present moment. It’s a message that calls for movement and action. (The title also references a track of the same name performed by rapper Jwles, released in 2018.)
After a stay in Detroit in 2022, Mad Rey returned to Montreuil, inspired and brimming with energy. He repaired his MPC2000XL and unearthed two vintage synthesizers from the 2000s: a Korg Triton and a Yamaha Motif.
Connected together, these three instruments revived sensations and inspired him to create one track per day. After two years of work, the producer felt the desire to bring together the eight instrumental tracks he most enjoyed recording.
Each track is a "live" recording, preserving its raw energy. The sounds of the instruments convey nostalgia and melancholy. The recording is raw, delivering a message of peace, humility, and unity. It pays tribute to the early days of house music.

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Territories: ww

Genre: Electronic/Club

Tracklist :

Tracklist

A1. Metroid
A2. Global Gore

B1. Pyramid Head
B2. The Wire (Stringer Bell Mix)
B3. Majula

Mud Deep returns with a striking new EP, blending influences from breakbeat, Detroit electro, and video game music. This five-track project showcases a diverse range of styles, from driving techno rhythms to immersive breakbeat, electro, and ambient soundscapes. The EP promises to captivate listeners with its atmospheric layers and rhythmic complexity, delivering a fresh, modern touch to classic electronic foundations.


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WORLD EXCLUDING GERMANY, SWITZERLAND, AUSTRIA (GSA)

- Splattered Vinyl Deluxe Edition, Indie Shops only

Special remarks : Gatefold 2LP ( 2x splattered vinyl) + Slipmat + Download code

GENRE/S: Electronica/Indie Dance

TRACKLIST:

A1 Call of the Void
A2 Perfect World

B1 Powerful Play
B2 Avalanche
B3 In My Place

C1 Mesmerized
C2 Promised Land

D1 Beacon
D2 Phoenix
D3 Once I Understood


SHORT INFO:

The creative visionary behind a remarkable catalogue of widely celebrated releases and two critically acclaimed albums, Monolink returns this fall with his most thought-provoking and introspective project to date. Titled The Beauty Of It All, the multi-faceted German artist's third studio album is slated for worldwide release on September 26, 2025.
Marking a bold new chapter in Monolink's artistic evolution, The Beauty Of It All will dive deep into themes of beauty, impermanence and human connection, blending his signature fusion of live instrumentation, soulful song-writing and electronic innovation. The announcement arrives on the heels of two standout singles already this year - "Mesmerized" (January) and "Powerful Play" (March) - both of which will feature on the new album. With The Beauty Of It All, he builds on the foundations laid by his first two long players, pushing his sound into new, uncharted territory while staying rooted in the organic, humanistic qualities that have defined his career. The album is poised to be his most revealing and boundary-defying release yet; a sonic statement from an artist who continues to redefine what it means to be a modern musician.


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Territory: WW-UK/EIRE & USA,Canada

2024 repress

Double Vinyl
Pressed on BioVinyl and packaged in environmental wrapping


To celebrate its 30th anniversary, Plastikman's redefining acid techno masterpiece, Sheet One, has been mastered from the original tapes and reissued on vinyl via Mute and NovaMute.

Released in 1993 on Mute's subsidiary label NovaMute, this record was the debut for Richie Hawtin's alias Plastikman. 30 years on Sheet One is a landmark album in the field of electronic music, it changed the shape of what the genre could be and became.

Introducing one of techno's most recognisable logos, the album achieved a degree of notoriety for its acid blotter-style perforated artwork. Musically it focuses on laser-precise minimalist rhythms to drive a series of echo-box acid lines that gradually acquire power over the course of lengthy album tracks, with frequent use of the Roland TB-303, which gained prominence in the electronic music world as a staple of Chicago's acid house scene. Hawtin once described Sheet One perfectly in an interview with MusicRadar, saying "...It's music for the end of the party as you're melting into the floor, which is exactly what the name Plastikman was made to represent."

This seminal album helped to establish the template for minimal techno, and is a must listen for lovers of electronic music.

Available on double bio vinyl.

TRACKLIST
A1 Drp
A2 Plasticity
A3 Gak
B1 Okx
B2 Helikopter
B3 Glob
C1 Plasticine
C2 Koma
D1 Vokx
D2 Smak
D3 Ovokx



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Rights: World excluding FR & UK

Packaging: 4 CD + 1 DVD 9 , Hardcover boxset sized 16cmx16cm , slipcase , 24 page booklet (like a book) + special printed panels for CDs/DVD, marketing sticker

FYC40 celebrates 40 years of Fine Young Cannibals, the British trio who stormed the global music scene in the mid-to-late ’80s. Their journey began with the soulful, new wave energy of their 1985 debut Fine Young Cannibals, before reaching new heights with 1989’s The Raw & The Cooked, a worldwide smash that fused rock, funk, and house, all powered by Roland Gift’s unmistakable voice.
Across their career, the band scored eight UK Top 40 hits, two U.S. Billboard #1 singles, multiple Grammy nominations, and two BRIT Awards — cementing their place in pop history.
The Raw & The Cooked delivered enduring anthems like 'She Drives Me Crazy' and 'Good Thing,' both U.S. chart-toppers whose influence still resonates today, from hit shows like The Bear to this year’s Chanel campaign featuring Dua Lipa and BLACKPINK’s Jennie.
FYC40 is out 21.11.25 and available to pre-order now.

Infos:

DELUXE 4CD+1DVD BOXSET : Comprehensive visit of Fine Young Cannibals
- Deluxe harcover boxset with heavyweight slipxase, 24 page book, 4 CD + 1 DVD .
- 4CD / 69 tracks + DVD / 11 videos + 15 song 1989 concert + 9 BBC Live performances
- New artwork, 3 essays (by Andrew Harrison, John Earls & Simon Price), new liner notes
- Fully remastered
- CD1 (21 tracks) : Fine Young Cannibals' s/t album plus bonus tracks (including previously unreleased Anne Dudley sessions)
- CD2 (21 tracks) : 'The Raw & The Cooked' plus bonus tracks
- CD3 (14 tracks) : Select remixes 1989-1996 including 2 previously unreleased mixes by Prince Paul (De La Soul) and Juan Atkins
- CD4 (13 tracks) : More remixes 1996-2025 include 4 new 2025 remixes (Flight Facilities / DJ Q / Initial Talk / The Reflex) and 3 remixes on CD for the first time (Cerrone, Dimitri from Paris, Derrick Carter)
- DVD :
1. 11 Restored videos in HD
2. Live at the Paramount (1989) - full concert restored and remastered : 15 songs
3. 9 select BBC performances from The Old Grey Whistle Test, Wogan and Top of The Pops


4CD+1DVD BOXSET

CD1 Fine Young Cannibals + bonus tracks

1. Johnny Come Home 3:35 1985
2. Couldn't Care More 3:30 1985
3. Don't Ask Me to Choose 3:11 1985
4. Funny How Love Is 3:28 1985
5. Suspicious Minds 3:56 1985
6. Blue 3:31 1985
7. Move to Work 3:26 1985
8. On a Promise 3:06 1985
9. Time Isn't Kind 3: 1985
10. Like a Stranger 3:24 1985
11. Love for Sale 2:51 1985 Bonus track
12. Wade in the Water 2:56 Bonus track 1985
13. Motherless Child 2:35 Bonus track 1986
14. Johnny Come Home [Anne Dudley Version] 3:28 unreleased 1985
15. Couldn't Care More [Anne Dudley Version] 3:16 1985
16. Move to Work [Anne Dudley Version] 3:19 unreleased 1985
17. Blue [Version] 3:34 Bonus Track 1985
18 Suspicious Minds [John Luongo U.S. 7" Mix] 3:24 Bonus Track 1986
19. Funny How Love Is [Rerecorded Version] 3:29 Bonus Track 1986
20. Johnny Come Home [Extended Mix] 5:40 Bonus Track 1985
21. Suspicious Minds [Extended Version] 4:34 Bonus Track 1986

CD2 The Raw & the Cooked + bonus tracks

1. She Drives Me Crazy 3:35 1989
2. Good Thing 3:24 1989
3. I'm Not the Man I Used to Be 4:21 1989
4. I'm Not Satisfied 3:50 1989
5. Tell Me What 2:50 1989
6. Don't Look Back 3:39 1989
7. It's OK (It's Alright) 3:32 1989
8. Don't Let It Get You Down 3:23 1989
9. As Hard as It Is 3:14 1989
10. Ever Fallen in Love 3:54 1989
11. Social Security 3:29 Bonus Track 1989
12. You Never Know 4:28 Bonus Track 1989
13. Hold Me [Demo] 3:31 Bonus Track 1989
14. I'm Not the Man I Used to Be [Demo Version] 4:42 Bonus Track 1989
15. I'm Not Satisfied [Demo Version] 3:21 Bonus Track 1989
16. Tell Me What [Demo Version] 4:14 Bonus Track 1989
17. As Hard as It Is [Demo Version] 3:22 Bonus Track 1989
18. Race Track [Demo] 1:33 Bonus Track 1989
19. She Drives Me Crazy [Louil Silas Jr. U.S. 7" Mix] 4:53 Bonus Track 1989
20. Good Thing [10" Alternative Mix] 3:24 Bonus Track 1989
21. Ever Fallen in Love [Extended Version] 6:20 Bonus Track 1986

CD3 REMIXES (1989-1996)

1. The Flame [Dave Way Mix]
2. I'm Not the Man I Used to Be [Matt Dike Remix]
3. She Drives Me Crazy [The Monie Love Remix]
4. Good Thing [Prince Paul Remix]
5. I'm Not Satisfied [Prince Paul Groovie Organ Mix]
6. It's OK (It's Alright) [Ploeg Club Mix]
7. Ever Fallen in Love [Arthur Baker Club Senseless]
8. Johnny Come Home [Mark Moore 12" Remix]
9. I'm Not the Man I Used to Be [Dancin' Danny D Remix]
10. She Drives Me Crazy [The Justin Strauss Mix]
11. I'm Not Satisfied [Matt Dike 12"]
12. I'm Not the Man I Used to Be [Juan Atkins Remix]
13. Johnny Come Home [Mousse T Cocktail Mix]
14. Don't Look Back [Luke Mornay Extended Remix]



CD4 REMIXES (1996 - 2025)

1. She Drives Me Crazy [Flight Facilities Remix]
2. Ever Fallen in Love [DJ Q Remix]
3. Johnny Come Home [Initial Talk Remix]
4. She Drives Me Crazy [The Reflex Edit]
5. The Flame [Mario Più & Ricky Le Roy Experience Mix]
6. She Drives Me Crazy [Cerrone Remix]
7. Johnny Come Home [Mousse T Extended Mix]
8. She Drives Me Crazy [Dimitri from Paris Remix]
9. The Flame [Mario Scalambrin Heartbeat Mix]
10. Johnny Come Home [Derrick Carter Remix]
11. She Drives Me Crazy [Roger Sanchez Time & Space Mix]
12. The Flame [Gigi D'Agostino Mix]
13. I'm Not the Man I Used to Be [Rollo & Sister Bliss Monster Mix

DVD Promo videos / Interview / Live At The Paramount (1989) / Live at the BBC

1. Johnny Come Home
2. Blue
3. Suspicious Minds
4. Funny How Love Is
5. Ever Fallen in Love
6. She Drives Me Crazy
7. Good Thing
8. Don't Look Back
9. I'm Not The Man I Used To Be
10. I'm Not Satisfied
11. The Flame

+ Live at the Paramount - 21 October 1989

1. Johnny Come Home
2. Like a Stranger
3. Couldn't Care More
4. Good Thing
5. Tell Me What
6. Time Isn't Kind
7. I'm Not Satisfied
8. Funny How Love Is
9. Ever Fallen in Love
10. Don't Look Back
11. Suspicious Minds
12. I'm Not the Man I Used to Be
13. It's OK (It's Alright)
14. My Girl
15. She Drives Me Crazy

+ FYC at the BBC

1. Couldn't Care More [Live at the Haçienda - on The Old Grey Whistle Test]
2. Don't Ask Me to Choose [Live at the Haçienda - on The Old Grey Whistle Test]
3. Johnny Come Home [on Top of the Pops]
4. Suspicious Minds [on Top of the Pops]
5. Funny How Love Is [on Wogan]
6. Ever Fallen in Love [on Top of the Pops]
7. She Drives Me Crazy [on Top of the Pops]
8. Good Thing [on Top of the Pops]
9. I'm Not the Man I Used to Be [on Top of the Pops]





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Format Notes: 2023 reissue, 140g vinyl, remastered from the original Vertigo Master Tapes for this edition by Simon Francis, original gatefold die-cut sleeve replicated in fine detail

Territories: Worldwide no restrictions

Track List:

A1 : Song For The Bearded Lady (7:22)
A2 : Sun Child (5:16)
A3 : Lullaby For A Lonely Child (4:21)
A4 : We’ll Talk About It Later (6:13)
--
B1 : Oasis (9:44)
B2 : Ballad Of Joe Pimp (3:45)
B3 : Easter 1916 (8:49)

Release Notes:

Their masterpiece? With breaks for dayyyyyys and an almost ambient, heavy jazz atmosphere throughout, *this* is the apex of British jazz-rock fusion. We'll Talk About It Later was first released on Vertigo in 1971 and original copies are now very tricky to score. Like all the Nucleus records, it’s aged ridiculously well and this Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.

Genius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that.

Under bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels. And the music has kept relevant. To steal a line from a review of our re-issue of Roots, when it comes to anything Nucleus “it’s basically already hip-hop”.

We'll Talk About It Later is arguably Nucleus's best album. Not only that, it's in the top 5 of all fusion albums. By the time Nucleus entered Trident Studios in September 1970 to record Elastic Rock's successor, they had already won a best group award at the Montreux Jazz Festival. Once again presented in a Roger Dean designed die-cut gatefold sleeve it continued to demonstrate the chemistry and interplay that worked so brilliantly on Elastic Rock; Carr's sumptuous trumpet and flügelhorn lines, Karl Jenkins's funk-filled electric keyboards, Chris Spedding's wah-wah guitar, Brian Smith's sax and the rhythmic foundation of drummer John Marshall and bassist Jeff Clyne.

The group work and insane musicianship Nucleus were famed for is in evidence from the off. The intensely funky "Song for the Bearded Lady" is absolute FIRE, blasting out the speakers to leave listeners floored. Counterpoint riffing segues into a spacious groove and a Carr trumpet solo demonstrating the influence of electric Miles from the period. The stop-start funk of "Sun Child" would appeal to Soft Machine devotees whilst the genuinely touching "Lullaby for a Lonely Child" is a lovely downtempo ballad. Featuring an understated, reflective horn line from Carr and Smith and atmospheric, shimmering bouzouki from Spedding, there's an exotic flavour which contributes to the bliss. The ominous, sleazy title track retains a swaggering menace and is not the only track to lend a sort of heavy stoner rock atmosphere. The guitars and bass are deep and low throughout, conjuring heavy psych moments to go with the actual jazz and even funk. To say this album was in conversation with Bitches Brew would not be overstating the sheer brain-frying brilliance.

The Weather Report-adjacent "Oasis" opens Side B, a colossal track featuring nearly 10 minutes of steadily building melodic horns, keys and choppy guitar riffs. So ace, it could easily go on for another 10. Mesmeric. Spedding adds unique vocals to the undeniable groove of "Ballad of Joe Pimp" whilst saxophonist Smith's duet with drummer Marshall at the conclusion of "Easter 1916" - inspired by the Yeats poem about the Irish nationalist uprising in Dublin - adopts the wildness of the most incendiary free jazz.

This Be With edition of We'll Talk About It Later has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Cicely Balston's cut at AIR Studios to weave their usual magic with these wonderful recordings. The stunning die-cut sleeve has been restored with the original gatefold window pane depicting the Irish uprising in 1916. Incredible, timeless, guaranteed spine-chills.


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NO SALES TO JAPAN!
CD: Digipack, Liner Notes (English & Japanese) by Chee Shimizu, Sticker
Official reissue of diggers' favorite Colored Music available on vinyl and CD or the first time since 1981.

Genre: Electronic, New Wave, Pop, Synth, Experimental

WRWTFWW Records is deliriously happy to announce the reissue of the 1981 self-titled album from cult Japanese duo Colored Music, available on vinyl (housed in a Stoughton tip-on sleeve) and digipack CD, with liner notes by digger, curator, connoisseur, writer and legend Chee Shimizu.
An incredible mix of cosmic new wave, unconventional disco, avant-garde synth pop, and hybrid electronic funk, Colored Music is enchantingly unique, a sort of experimental and magnetizing take on David Bowie's Berlin Trilogy with a psychedelic Haruomi Hosono touch. From the groovy post-punk glam title track to the proto-house dance floor killer "Heartbeat", Ichiko Hashimoto and Atsuo Fujimoto hit all the right (and sometimes not-exactly-right-but-truly-genius) notes to create the odd and beautiful, an unparalleled audio escape to the best elsewhere you can think of.

Also playing on the album are celebrated musicians Mansaku Kimura, Shuichi "Ponta" Murakami (Pacific, KI-Motion by MKWAJU ensemble, collaborations with Jun Fukamachi, Yasuaki Shimizu, Haruomi Hosono…) Kiyohiko Semba, Tamio "Doyo" Kawabata, and Tatsuhiko Hizawa.

Tracklisting CD

01. Colored Music
02. Anticipation
03. Ei Sei Raku
04. Sanctuary
05. Too Much Money
06. Love Hallucination
07. Third Eye - Clear Light
08. Heartbeat

- For fans of electronic, new wave, experimental pop, weird disco, hybrid funk, proto-house, Haruomi Hosono, Dip in the Pool, David Bowie, Chee Shimizu, Grauzone, Brian Eno, Jun Fukamachi, Pacific, rare albums, things that are beautiful but hard to describe.






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180g vinyl LP
Features a 24 pages risograph printed publication and a print with works by Tokyo-based photographer Daisuke Tomizawa

Special remarks: 180g

Tracklist:

A1) Hatsuhinode 06:55 min
A2) Agora 02:39 min
A3) Ostinato 03:56 min
A4) Hibari 04:59 min
B1) Maya 06:55 min
B2) Shizuku 04:40 min
B3) Niwa 04:07 min
B4) Tio 08:04 min

Info:
Pianist Masako Ohta and trumpet player Matthias Lindermayr are back on Squama with 'Nozomi', the follow-up to their 2022 debut 'MMMMH'.
The Japanese title, which translates to ‘hope’, felt fitting, as the album was conceived during a time of personal loss for Ohta, during and after which music proved itself as a beacon of hope.
The music on Nozomi unfolds gently, with Lindermayr’s airy tone and lyrical playing being wrapped in Ohta’s chordal backing that moves from tender to tense and back over the course of the album. While most tunes were written by Lindermayr, the only exception being an interpretation of Ryuichi Sakamoto’s ‘Hibari’, the arrangements are largely improvised, letting the duo’s intuition guide the course and build the form.
Solemn slowness has become a signature trait of the Munich-based duo and it makes listening to their new record a healing retreat from the frantic chatter of the present.




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