Melbourne / Naarm strongholdButter Sessionsclock 15 years in the game with a trilogy of 12"s, sustaining their uncompromising streak of peak-form electronics. The family-style V/A binds friends, collaborators, former studio neighbours and DJ booth allies, capturing a label that exists as community as much as catalogue.A new chapter in Butter Sessions' ongoing Japanese exchange sees Sapporo sound sculptor Kuniyukire-opening a 2015 tour collaboration with label heads Sleep D- a deep, spatial beatdown powered by dub pressure and percussive hypnosis. Shadow-lurking prodigy Mosam Howiesondrops in with his trademark scatterbrain techno, while Hasvat Informantlocks into joint-consciousness big-room radioactivity. Opening the B-side, Fader Capfuses Balearic psy-ence with Mike Dunn-esque utilitarian jack, hovering somewhere between '80s memory and future vision. Tokyo's Mayurashkafollows with Survival Guide, big beat colliding with drug chug, before Albrecht La'Brooyreunite for a divine chill-out tent slowdown, magnifying sample detail with exacting flow. We're adrift until Sunju Hargunlights the beacon with ???????(Sky Surfer), Thailand's emissary of ritualistic minimal trance.Whether taken alone or folded into the three-disc triptych, each instalment stands as a bag-ready constant, charged with Butter Sessions' curatorial finesse.

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Melbourne / Naarm strongholdButter Sessionsclock 15 years in the game with a trilogy of 12"s, sustaining their uncompromising streak of peak-form electronics. The family-style V/A binds friends, collaborators, former studio neighbours and DJ booth allies, capturing a label that exists as community as much as catalogue.Disc Two lifts off with recurring contributor Rory McPike's first label outing as Rings Around Saturn, a blissed-out cosmic floater skimming the periphery. Booked in the early days of the label's formative Mania residency, Japanese don Gonno twists freestyle, techno and breaks into pure ecstasy, before the unerringly bold Jennifer Loveless spikes the punch with a hallucinatory mix of drums, disembodied voice and jazz club keys. On the flip, Boorloo's Guy Contact rolls out Dance In The Grey, a shadowy prog churn pitched between new-romantic vocal sheen and EBM muscle, with Kate Miller completely rewiring the script on Sub Series E - a masterfully minimal, double-time meditation. suki presents his Sniper1 alias to close with a demonic body-jacking groove loaded for the system. Whether taken alone or folded into the three-disc triptych, each instalment stands as a bag-ready constant, charged with Butter Sessions' curatorial finesse.

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Melbourne / Naarm strongholdButter Sessionsclock 15 years in the game with a trilogy of 12"s, sustaining their uncompromising streak of peak-form electronics. The family-style V/A binds friends, collaborators, former studio neighbours and DJ booth allies, capturing a label that exists as community as much as catalogue.Disc Three entrantRBIserves up a tweaked-out psy-not-psy cut with a built-in spin-back upending the room, beforeUnsolicited Joints- siblingsCousinandBen Fester- slide in with a deep dub techno shuffler. Tokyo mainstayHarukaseals the side withEventide, a serotonin-tipped house curveball made in collaboration with Rotterdam'sCharlton Bakeliet, one of the last internationals to grace the Mercat X booth. The B-side blooms withOK EG's zoned, psychoactive techno, handing over toHybrid Manto diffuse the tension with their morphing dubwise excursion.Yuzo Iwatacontinues his uncategorisable strain, self-described as EPM (Electronic Psychedelic Music), marked by Japanese ingenuity and free of genre boundaries. Finally,Sleep Dround out the set with a rogue link-up withPosseshot, a raw and adrenalised raver laced with a vocal that snarls closer to The Prodigy than hip-hop. Whether taken alone or folded into the three-disc triptych, each instalment stands as a bag-ready constant, charged with Butter Sessions' curatorial finesse.

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Next up on Butter Sessions Records: a two-track 12" from founders Sleep D, blending elements of dub, techno and ambient sound worlds. 'Gummy Drop'—long-evolved in the duo's live sets—lands in its peak form. Designed with bass bins in mind, a hefty lowend carries the track through a fog of glassy-eyed atmosphere and SFX. The B side goes deeper with 'Dreamhole'. Driven by rich melodies and a broken rhythm, it's an exploration into a more cerebral dimension

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Sleep D's latest offering, 'Big Sky, Liquid Sun' is a 4-track sonic odyssey from the sacred to the seismic, inspired by the duo's deepened connection to the natural world and their surroundings. The opener Green Thumbs introduces the EP with what feels like divine invocation, built on expansive string refrains and an enveloping vocal choir. They dialogue with a warm bassline, whose resonance is a sermon on the power of low-end evangelism. Patient and deliberate, the track weaves in high-end synth flutters and a trance-gated vocal that hide-and-seek before the kick arrives, solidifying its pull with surging breakbeat. Mountain Ash flips the tone, grounding itself in a steady, driving techno beat. An arpeggiated synth-line ripples through spatialised percussion, evoking ascent — each beat a step higher. Acheron Cauldron is the EP's peak, with amplified energy erupting in volcanic climax. At top the sonic crater, the relentless and unruly kick dominates, while a pulsating bassline bifurcates — one part undulating and low, the other resonant and sharp. Foreground whispers add an eerie thrill, making the track a potent, analeptic weapon. To close the EP, Magma Flow slows into a trance-inducing finale. Repetitive synth-lines create a sense of dreamy and languid reflection, like watching molten lava slowly cascade. True to Big Sky, Liquid Sun, Magma Flow keeps melody at its core, closing with vocals and synths that linger in a hanging farewell. The journey is complete.

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Jennifer Loveless's 2023 anthem 'Pleasure' gets twisted with three dynamic reworks and a dub mix, taking the original vision into new sonic territory. Parisian DJ / producer extraordinaire Bambounou pumps out a jackin' version to fire things up. Next up, the Lisbon-based veteran tINI gives a nod to old-school electro in a fresh bass-heavy offering. The EP is rounded off with an Indubm-3ntal mix by Loveless and label bosses Sleep D venturing into dubbed out techno territory, layering deep, atmospheric textures over hypnotic beats. Together, these remixes take the original to new heights, bringing pure pleasure to the deepest and darkest dancefloors.

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Long-time friend of the label Fader Cap returns to Butter Sessions with a potent four-track EP 'Blue Pool'. First appearing as Sedgwick on our 10 years of BSR compilation, Fader Cap has since released music on Craigie Knows and his own Straight 2 It Recordings.


Connecting the dots between progressive house and techno, the four tracks on 'Blue Pool' maintain an infectious energy, with pumping drums and plenty of space for contemplative synth work to keep the body moving and brain tingling. The rolling, dub-wise basslines set the foundations for intricate sound design and tripped-out sequences that provide that sweet head high we're chasing. Let your mind wander as you float away into the blue pool.

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Proper full-length outing from Naarm quartet and venerable live show Polito! Though prior associations with Butter Sessions have birthed EP's and compilation appearances, Collapse Phase gathers the most cohesive body of work from the group to date. Self-described as "a meeting of improvised contemporary dance and live improvised techno music, working together to create entrancing performance experiences", the project translates impressively to the long-player format. Holding no pretence with its title, opening cut 'Chuggalug' swirls around the stereo field building upon sustained synth warbles with low-key basslines and breaks propelling the track. As the album progresses from the chug into gridlocked, Mills-ian loops and fast, extra-terrestrial sound design (all swinging 909s + decay), we're also treated to contrasting downtempo acid cuts and dubwise, day-time festival vibes ('Fortune Teller'). 'Nine Lines' layers various patterns in a classy exercise of dancefloor tension building, with an undoubtedly in-the-moment feeling evidencing Polito's live show foundations. Across the board the group showcase their mastering of a kind of addition/subtraction push and pull, but the varying influences in sound design provide an extra layer of depth to the whole thing and cement the Polito brand. On both 'Inside The Sphere' and 'The Sphere Is Collapsing', the dreamier, more reflective edges of 90s IDM are given a nod and these two strike as up there with the best on the album. Head for 'Mercado Waltz' for a super interesting fusion of loopy techno and modular dubstep. Polito is a collaboration between musicians Robert Downie and Finnian Langham, and dancers Arabella Frahn-Starkie and Hillary Goldsmith.

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Setting the tone in a similarly deep and heady post-rave delirium as RBI's Disseminate and in-house group Sleep D's latest album, the spectral dub techno of Unsolicited Joints slips in perfectly to the Butter Sessions 2023 vibe. Unsolicited…no one asked for these joints, yet here they are. Salvaged from many spontaneous late night jams over the last few years in a darlinghurst studio with only the mood in the room and the spirit of fun as guides. It's all here really - Convextion-esque Midwest futurism, spiralling pads and woodblock style percussion mixed with the kind of borderless deep house timbres that nod more to Sprinkles, Regelbau and Acido than the watered-down, commercialised monotony. Elements of bleep, golden era 90s progressive house and even dubstep ('Joint 5') coalesce to prove a distinct UK influence, though Sydney brothers, Cousin & Ben Fester, combine them with ease. 'J0oint 2' manages to at once subtly unfold yet rapidly ascend into peak-time 130 territory, knowingly crafted with the DJ in mind. Meanwhile 'Joint 3' gathers momentum through a shuffling, almost European minimal sort of groove, equally floor friendly but with less of the intensity. The aforementioned bleep tropes poke their head out on the latter half of the opening cut, while across the whole thing is a sense that the Fester's are as voracious listeners as they are talented producers. An exciting collection of tracks that wear their stylistic influences on their sleeve but are deep in the knowledge of those that have come before them.

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Naarm alchemists Sleep D's revelatory new synthetic 'Electronic Arts' is ready for circulation. Having released 4 EPs of mind-altering club tackle since 2019's 'Rebel Force', the duo overcome second album syndrome, boiling down their chaos with a more developed sense of songwriting. Never banging one drum, 'Electronic Arts' mirrors the anything goes mania of their DJ sets, tactfully shifting through different sounds and styles. Tempos intensify and decelerate, at times pushing the threshold to 150 bpm from docile canine dreamscapes to full tilt Space Invaders in AR mind games. Largely built on road tested material from their live performances, the album is a tangible Butter Sessions gathering, busting out the gate with Martian rave initiation Planet Waves, Outdoor System's polyrhythmic beatdown and the Orb-like hero dose affirmations of Sunrise In The Crater (I Exist). While 'Electronic Arts' is otherwise a self-dependent effort, Punch Drunk is brewed ever more potent by the hypnagogic vocals and lucid trumpet cycles of former futsal team member YL Hooi. Their unified energy incidentally manifests a profound matrix of ambient techno, motorik, Don Cherry and Everything But the Girl. Also touching on apocalyptic doof and minimal, the album is not exclusively peak time with Maryos Syawish and Corey Kikos' specialty curveballs also playing their part. From Village To Empire finds the duo rooting down in Syawish's heritage with a tapestry of purposefully deployed Iraqi and Syrian ethnographic samples and field recordings, dubbed within range of Muslimgauze and On-U Sound. As minimal techno finale Textile trails off into footsteps wandering back to base camp with a satisfied exhale, one wonders where Sleep D's existential pathfinding could possibly take us next?

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Following multiple appearances on local Naarm label digital compilations, RBI lands on Butter Sessions with a full lengths worth of downtempo, ambient and full throttle, braindance-inspired dnb/jungle cuts. Whilst 'Proximity' and 'Return to Nature' presented RBI as one amongst many contemporary vanguards of the Australian electronic underground, her production style is allowed to shine in full effect on debut album Disseminate. There is an undeniable influence of early breakbeat, 90s IDM and UK sound system pressure at play, though RBI's sound design is knowingly modern. Rarely dropping the tempo below 140 aside from brief, beatless interludes ('100o10o1hz' / 'Gossip'), the result is a fine balance of unrelenting rave music and thoughtful, introspective glitch. Penultimate jam 'Subterranean Dub' seems like a nod to the living-room techno of the Artificial Intelligence series, occasional soft breaks mixing with murky, aquatic ambience, whilst things close with an eerie avant-garde electroacoustic piece. 'Arrivée Les Nuages' strikes as a participation in the current re-evaluation of psytrance, though follows on from 'Vault Ultra' which clearly references the atmospheric breakdowns of golden era dubstep. All in all, an impressive collection of dance productions which combines elements from scenes of the past 40 years.
NB: The tracks on Disseminate sit within a wider audio-visual context where they soundtrack various Naarm cityscapes rebuilt as immersive digital worlds: "I was lucky enough to collaborate with an incredibly talented friend and training architect Dom who came up with the idea of videos exploring digital spaces and worlds extracted from real locations. To create the work she filmed a number of locations near where we live, a warehouse party location, artist spaces, liminal spaces, objects..."

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Sapphic royalty Jennifer Loveless has gone global, but Around The World is landing back, and better than ever on Butter Sessions with a hot, hot rush of sun-kissed & heavily misted Summer anthems. The 6 track audaciously freaky EP slinks, scoots and toots with a consistent perpetual drive towards the serotonin convention mirage looming on the horizon, dust kicked up and not settling down any time soon via endless slap-happy basslines and bucked up beat downs.

From top to tail the record delivers mid range sweet-spot dirty house, laced with pulsing progressive atmosphere and crowd-pulling percussion; Reverse Cowgirl 2 conjuring a loopy four2thefloor crescendo…surging to climax! It's hard not to Fall In Love, the totally major and melodic hits keep rolling like a rowdy rotisserie. Albeit this signal of a stomping glo-up, Loveless remains impossible to pigeonhole; thanks to her deep rooted flair and intrinsic passion stemming from a lifelong and timezone defying flame for Muzik.

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The truest Freaks Of Nature, Sleep D, are following up their hot 'n' heavy "F.O.N" series with Vol. 2; rammed start to finish with juiced up club exhilarations - you can't afford to miss this. Australia's notoriously prolific duo are celebrating all things bass, the 3 tech-tinged party starters are a force to be reckoned with, an official warning of high voltage (and speed). Welcoming back Butter Sessions alumni Ivy Barkakati & Furious Frank, the sun kissed acid anthem Ahora Sí metamorphosizes into a peak-time prog punisher Border Control where sensual whispers weave their way through a slick sexy drum maze, a darker rendition merging past, present and futuristic fantasies. Post Pump elevates tech house to immaculate status, undeniable deep groove unlocked through their signature bump and bounce; a combination of wild A side audio energies finding their home on freaky finale Bass'd In Berlin. Close your eyes, strap in and surrender control, Sleep D once again showcasing what they do best; modern dance from down under.

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Gunai/Kunai & Yorta Yorta artistdj pgzmakes hisButter Sessionsdebut with a killer 2-track EPThe Dance / Hypnotic Suburbs. dj pgz makes his affinity for the sounds of the underground known in A-side track "The Dance", where he masterfully commands a dark miasma of rolling bass and percussion. As per the title, "The Dance" is made for raging dancefloors and the relationships you make along the way, following in trajectory from his last release "Unknown at Night" (Pure space compilation - PROXIMITY ||). As the track blossoms into a frenzy of syncopated kick drum programming, rolling trap hi-hats and trusty claps, it's cognizant how dj pgz's experience drumming from the age of 13 has lent itself to his already developed idiosyncratic sound in electronic music production. In "Hypnotic Suburbs" dj pgz explores new avenues, starting with an evocative use of space that transforms into beloved drum and bass. The sonic mold is pieced together with high-pitch synth melodies and rubbery bass lines, aided by local rapperTeether's vocals, which add an unbeatable live dimension you simply can't beat.

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Despite productions appearing here and there since 2015, Yuzo Iwata has kept a relatively low output. Contributing tracks to compilations and releasing singles under aliases Fabio Lazaro and Almost East, Iwata is also affiliated with Junki Inoue's recent SAISEI label, editing pioneering early Japanese techno from the likes of Suzukiski and COLOGNe for rerelease. After 'Acid House' appeared on the Butter Sessions Come Together 12" in 2020, the label now play host to Yuzo Iwata's first ever full length. The 10 tracks span a wide variety of tempos and show a consistent approach to unusual sound design first evidenced in Iwata's RA Mix of the Day for Clubberia (100% originals recorded circa 2017). Kaizu unfolds with dense environmental ambient textures before 'Neverland' takes us into broken dancehall rhythms and acid-tinged dub. 'Funclub' is reminiscent of Japanese video game soundtracks and 80s fusion whilst further into Side A the balearic energy continues to captivate, closing with the beautiful 'Heroes Show Up Late'. This short piece is built around a looping vocal sample and shuffling drum work that all come together perfectly. There's even a trace of Brazilian MPB influence at play with the vocal/synth interplay. It's Iwata's knack for percussion that is most evident across the album however, with Side B opening cut 'Gamelion' taking an Indonesian inspired approach to modern techno. It runs in a similar vein to Komodo Kolektif's work and might be the dancefloor highlight of the whole LP. 'Sundance' follows with more Japanese motifs, recalling Haruomi Hosono's F.O.E project. Another strong rhythmic workout suited to the floor. The environmental ambient textures return with the closing piece 'Time 2 L', strings, bird calls and droning synthesiser winding down the proceedings. Letting us know it's time 2 leave?

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Naarm (Melbourne) based collective Butter Sessions celebrate over a decade in business with an extensive glossary of talented friends and affiliates pressed on a three-part compilation series. The label has always held the community closest, as exemplified by the 20+ artists featured over the three releases. Each 12" presents a grand soundscape anchored into the tenebrous energy of the dancefloor, with its inquisitive electronics and fierce pulse. If there was a definition for the Butter Sessions sound of ten years in the making, the answer lies here.

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Naarm (Melbourne) based collective Butter Sessions celebrate over a decade in business with an extensive glossary of talented friends and affiliates pressed on a three-part compilation series. The label has always held the community closest, as exemplified by the 20+ artists featured over the three releases. Each 12" presents a grand soundscape anchored into the tenebrous energy of the dancefloor, with its inquisitive electronics and fierce pulse. If there was a definition for theButter Sessionssound of ten years in the making, the answer lies here.

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Naarm (Melbourne) based collective Butter Sessions celebrate over a decade in business with an extensive glossary of talented friends and affiliates pressed on a three-part compilation series. The label has always held the community closest, as exemplified by the 20+ artists featured over the three releases. Each 12" presents a grand soundscape anchored into the tenebrous energy of the dancefloor, with its inquisitive electronics and fierce pulse. If there was a definition for theButter Sessionssound of ten years in the making, the answer lies here.

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Back in print ! By the time this album was released, Antonio Carlos Jobim was already an international superstar. Having recently won a Grammy (1965) for "The Girl From Ipanema", by 1967 all the big name stars from up north were breaking down his door to work with the new "Gershwin of Brazil." In fact, Jobim had just finished working on an album with Frank Sinatra when he went into the studio to record this album. Recorded in 1967, Wave is actually one of the lesser known masterpieces of Brazilian music, and undoubtedly one of Jobim's greatest. Here Jobim and the great Claus Ogerman lead a top-flight cast on hidden classics like Batidinha, Triste and Wave. Includes bonus CD of the album.

Tracklist:

A1 Wave
A2 The Red Blouse
A3 Look To The Sky
A4 Batidinha
A5 Triste

B1 Mojave
B2 Dialogo
B3 Lamento
B4 Antigua
B5 Captain Bacardi

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Repress!
Flying Lotus puts out this 3disc set - showcasing the music from Los Angeles jazz giant, composer, and bandleader Kamasi Washington ! Check a vid of a live improv jam with Miles Mosley below!The Epic is a 172-minute, three-volume set that includes a 32-piece orchestra, a 20-person choir, and 17 songs overlaid with a compositional score written by Washington. Pulsing underneath is an otherworldly ten-piece band. The band includes some of the most highly regarded young musicians on the planet, including bassist Thundercat and his brother, drummer Ronald Bruner Jr., as well as bassist Miles Mosley, drummer Tony Austin, keyboard player Brandon Coleman, pianist Cameron Graves and trombonist Ryan Porter. They make their living playing as sidemen for pop, jazz and hip-hop acts ranging from Rihanna to Stanley Clarke to Snoop Dogg.

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LB0097LP-NDC (Non Die Cut) Floating Points, Pharoah Sanders & The London Symphony Orchestra "Promises" will be the new standard product moving forward

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Caribbean-Belgian composer, producer and musician Nala Sinephro announces her debut album Space 1.8 with lead track “Space 3”. Space 1.8 will be released on 3rd September via Warp Records.

The instrumental “Space 3” is a short clip from a 3 hour improvised session with drummer Eddie Hick (Sons of Kemet) and producer/multi-instrumentalist Dwayne Kilvington on synths bass (Wonky Logic, Steam Down) culminating in a synth driven, particle-splitting, rapture. Speaking about the track, Sinephro explains: “We recorded it in the start of spring, it was a magical day. The day after recording I collaged the drums, added fifteen synths, produced and mixed it at home and it was all done.”

Sinephro’s music fuses meditative sounds, jazz sensibilities, folk and field recordings. Her musical practice is rooted in the study of frequency and geometry and guided by the premise that sound moves matter. Her debut album Space 1.8 takes shape as a metaphysical structure, where each curative space is a womb-like cocoon created by Sinephro in service of relief and affirmative, ecstatic freedom. Space 1.8 was composed, produced, performed, engineered, recorded, mixed by Sinephro at age 22. On the album, she plays modular synths and pedal harp alongside her friends James Mollison, Shirley Tetteh, Nubya Garcia, Eddie Hick, Dwayne Kilvington, Jake Long, Lyle Barton, Rudi Creswick and more.

Following electrifying live performances across the London scene, word of Nala Sinephro’s playing quickly spread throughout the UK jazz scene, consequently landing her performances as part of the celebrated jazz night Steam Down, alongside playing with and supporting the likes of Demae, Eun, Coby Sey, Rosie Turton, Robert Ames, London Contemporary Orchestra, Touching Bass, Spitfire Audio, Nadeem Din-Gabisi. She was touted as one of The Guardian’s artists to watch in 2020, has garnered support from the likes of Gilles Peterson; and is a resident DJ on NTS sharing monthly selections of celestial sounds. In 2021, she joined the innovative Warp Records roster where she continues to weave her unique sound world.

- Specs Black vinyl 12" in printed inner in printed 3mm spine outer with download card insert

TRACKLIST:
A1. Space 1
A2. Space 2
A3. Space 3
A4. Space 4
A5. Space 5
B1. Space 6
B2. Space 7
B3. Space 8

QUOTES:
“A benchmark in ambient jazz featuring outstanding players and delicately woven arrangements” - 8.3 - Pitchfork (Best New Music)
“Space 1.8 is a healing sound bath full of rigorous psychoacoustic knowledge and elegant playing” - The Observer (One to watch)
“Very few records have this capacity to make you temporarily fearless, but on Space 1.8, Sinephro harnesses the power of sound to move and heal the listener in ways that are real, and expansive.” - 9/10 - Loud & Quiet
"What sticks with Space 1.8 is the focus of its vision: precise like mathematics but imbued with a rich cosmic breadth." - 9/10 - UNCUT
'Her debut album sits at a slight angle to anything else you may have heard coming out of the UK in recent years” - Stereogum
"A calming, restorative and mind-expanding blend of jazz and ambient" - Resident Advisor (RA Recommends)

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VINYL REPRESS
01 Alap 02 Two Thousand and Seventeen 03 LA Trance 04 Tremper 05 Lush 06 Scientists
07 Falls 2 08 You Are Loved 09 SW9 9SL 10 10 Midi 11 Memories 12 Daughter 13 Gentle Soul
14 Planet

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'Nilam', the new album from ganavya, is due May 23, 2025. It follows last year’s 'Daughter Of A Temple', which was named Gilles Peterson’s BBC 6 Music Album of the Year and was also recognized as one of 2024’s Top 10 Best Global Albums by The Guardian, who praised ganavya’s ability to harness “the power of communal harmony to touch something deeper than song.” Co-produced by Nils Frahm at LEITER Studio in Berlin’s Funkhaus complex, the new album by "the singer whose work," according to The New York Times, “feels like prayer…with listeners hanging onto her every word," will be released on vinyl and all digital platforms.

Listening to the remarkable 'Nilam', it seems implausible now that its inception might ever have been in doubt. So astonishing is its stillness, so profound its communication of sentiment, it feels as if it was always meant to be. ganavya's vocals, deeply personal and resonant, convey both stillness and movement, offering a quiet, tender expression of gratitude and connection. With songs that have evolved over years of live performance, 'Nilam' is a reflection on the rhythms of life and the importance of finding a place to stand.

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Strut presents the official reissue of a landmark album in the field of African music, Mulatu Astatke’s ‘Mulatu Of Ethiopia’ from 1972.
A1 MULATU 5:00
A2 MASCARAM SETABA 2:40
A3 DEWEL 4:00
B1 KULUNMANQUELESHI 2:05
B2 KASALEFKUT-HULU 2:25
B3 MUNAYE 3:15
B4 CHIFARA

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Recorded at the Philharmonie de Paris and one and a half years after releasing his magnum opus "Music For Animals"—described by PopMatters as “a musical waterfall of monumental proportions”—Nils Frahm shares a new live album, due for release by his LEITER label on December 6. In what’s becoming a tradition, it follows 2013’s "Spaces", a Pitchfork Album of the Year taped at shows over the preceding 18 months, and 2020’s "Tripping With Nils Frahm", also released as a film. "Paris", nonetheless, is Frahm’s first live album from a single night, March 21, 2024, and contains ten tracks over a running time of 84 minutes.

Frahm’s performances have always been known for expanding upon his studio recordings, and "Paris" is no exception. Drawing on his substantial catalogue, the German composer and producer reworks tracks from various albums, and also adds the brand new, luxurious and strangely gripping ‘Opera’ to the track list.

If he leaves the stage to the same uproarious jubilation with which he was initially greeted, "Paris" makes it clear why he’s been so in demand. He’s been booked, frequently for multiple nights, at halls around the world, including Sydney’s Opera House, London’s Barbican and LA’s Orpheum Theatre. Indeed, the LA Times wrote, “Watching him at work, and hearing the audience react, is a little like watching an athlete at the top of his game.” Expect nothing less from Nils Frahm on "Paris", a vital document of this ingenious, gifted musician’s endless pursuit of fresh perspectives.

All tracks written, produced and mixed by Nils Frahm.
Mastered by Zino Mikorey, recorded by Terence Goodchild.
Vinyl cut by Andreas Kauffelt at Schnittstelle.

All tracks published by Manners McDade Music Publishing Ltd.
Cover artwork and design by Studio Torsten Posselt.

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Contact: [email protected]More