Hip-Hop veteran Andy Cooper (Ugly Duckling, The Allergies) has teamed up with DMC World Champion turntablist DJ Robert Smith to create 2 new, classic songs on 7-inch vinyl released by the Breakbeat Paradise Recordings. Tthe music is fresh and exciting, a can't-miss for any 45 collection.
MC Side (Side A) 'All That Mess': 'All That Mess' is a jazzy, uptempo nod to Pete Rock and CL Smooth's 1992 'Mecca and the Soulbrother' LP that despite being a new song, will feel delightfully familiar to anyone who loves golden age rap music. Co-produced by Slim G and Andy Cooper, the track grooves with head bobbing energy, tight cuts and clever lyricism.
DJ Side (Side B) 'Let's Take It To The Booth': co-produced by Moneyshot of The Allergies, 'Let's Take It To The Booth' is a funky yet epic ode to everyone who puts in work behind the decks. From the opening bar, DJ Robert Smith takes total control of the wheels of steel, performing his turntable wizardry while Cooper offers praise to his DJ and all other party rockers around the world.

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Breakbeat Paradise Recordings is proud to introduce Miles Kings & The Foolish Knights with the super positive anthem "A Good Day" with a top class remix from our very own Jayl Funk. Toxic Funk Vol. 19 is all about the uplifting vibes of this original track perfectly written and played with groovy drums, lovely piano line, backing vocals that brings goosebumps and the powerful voice of Miles King. On the flip side Jayl Funk picks up the tempo and bring the Good Day to the dancefloor with his straight up funky beats and grooves.

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Breakbeat Paradise Recordings is back with another funky edition of their Toxic Funk series – this time welcoming back a true Nu Funk legend Umbo who has cocked up 2 massive funky soul nuggets. Umbo has been around since the early Nu Funk days with releases on labels like Good Groove Records & Timewarp under his belt as well as featuring on the Christmas Bootleg Bells Vol. 4 right here on BBP. The grooves and breaks are center stage on both cuts of this Toxic Funk Vol. 18 - with No Sugar taking on a classic soul jam while the Saoco Root goes all in on jazz meets the funky drummer and catchy Beastie rhymes. The timeless sounds of both these funky bangers are sure fit in nicely in any funky DJ crate. BBP is on point once again delivering you the funky beats and breaks on the planet.

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As the new year kicks off its time to return to the party bangers and who better to invite for than the awesome Crash Party. After releasing his debut album Everything Happens for a reason on his own Big Beat Sunday label – we were able to convince the busy producer to return for a 2-track party drop for our infamous Toxic-Funk series.Kicking off things with instant intoxicating classic break with some timeless "wonder"-ful groove with an equally legendary rap-flows. Now what does that mean? Instant party classic A-side named Tribe Called WonderOn the flip-side Crash Party slows down the beats a bit but leaves it equally toxic with some big grooves on the Break On jam. Like the A-Side this jam features some legendary rap hooks which goes smoothly with the oldskool vibes.Breakbeat Paradise Recording delivers yet another belter for the crate for the funky DJs keeping it real and keeping it vinyl!

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Has it really been two whole years since the last Stank Soul Edits vinyl 45? There wasn't even the excuse of a pandemic this time! True, but Mako & Mr Bristow think you'll agree this one has been worth the wait with its double A-side payload of two soul-drenched sister-funk edits. First up is One Sweet Bomb – which subtly tweaks the source material's arrangement and applies extra bass and additional drum leverage so it can go head-to-head with the best of the golden age of soul. On the flip, Why Do You Bass Me Up? is an uptempo funk dancer that was released in its original form with no bassline whatsoever! If only it had had one though - what might that have sounded like? If only Mako knew a bassist who knew sixties-style soul basslines. Wait a minute...of course! Former Big Boss Man bassist and Mako's sparring partner before Mr Bristow - The Hawk - a man steeped in the playing and creation of sixties-style basslines! A quick phone call later and Hawk was sent a tweaked arrangement of the source material to 'sit in' with on his bass and see what he could come up with. The results are conclusive – it's another banger!

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This summer is all about the Toxic Funk jams over at Breaknbeat Paradise Recordings and for the 15th installment of the Toxic Funk series we have welcomed back the Suckaside team to produce 2 timeless funky joints.

Suckaside aka DJ B-Side and Sucka Timmy is always on point when putting their tasty funky mashups together and this time around they're keeping it fresh with some soulful funky twists on some catchy RnB jams.

This is the second time Suckaside is dropping a toxic funk 7"inch after their highly successful Vol. 7 from 2021.

Starting things off with the catchy Sometimes Bootyful that featuring some smooth RnB vocals on a funky organ riff with a steady rocking breakbeat.

On the b-side the smoothness continues on the highly addictive Sugar Face, that's take a big slow-rockin' groove and mashes it with some catchy RnB vocals that will leave you asking for more every time it's played.

Another timeless 45 that will be going quick so get it while you can and look out for more Toxic Funk coming very soon…

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You know it's a guarantee when we welcome back the legendary Breakbeat Junkie to represent the 14th installment of the Toxic Funk series that things will be all about the Party rocking Breaks! The Breakbeat Junkie has been around since the early nu funk days as a solo producer and as part of the dynamic duo Second Hand Audio, who has dropped various classic releases on both BBP and the Ghetto Funk label. Toxic Funk Vol. 14 features 2 golden funky cuts from the beat master, which will be sure to get the party rocking anywhere its dropped.

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Breakbeat Paradise Recordings is back with the 10th installment of the epic Toxic Funk series featuring 2 of lead playing in the funky breaks/nu disco scene: Prosper & Stabfinger. With an impressive catalog of classic releases as solo artists Prosper & Stabfinger have also dropped some huge disco flavored EPs together on labels like Bombstrikes, Timewarp, Royal Soul and right here on BBP. To celebrate the 10th edition of the Toxic Funk 7-inch vinyl series - Prosper & Stabfinger has prepared 2 timeless dancefloor bangers which oozes disco, breaks, big grooves and indeed Toxic Funk. Hang On The City takes a light funky groove and twists it into the Prosper & Stabfinger and the result is a catchy funky groover that will get any dancefloor swaying. On the flipside the duo takes on a more progressive groove with electric boogie basslines on a steady disco break. Catchy dancefloor vibes to the fullest. BBP on the spot to continue to push the boundaries while staying true to the classic funky breaks vibes that we love to rule!

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Breakbeat Paradise Recording kicks off the new year with another big 7 inch drop in the epic Toxic Funk series. This time featuring to of the abololute heavyhitters in the funky breaks scene Paul Sitter & Crash Party. The duo has put together 2 extreamly toxic party bangers that are sure to put any funky dancefloor on fire. Paul Sitter is a favorite in the funky 45 community with lot of 7 inch releases under his belt so we are pleased to finally get him on a BBP release. Who better to team up with than our very own Crash Party who did the Toxic Funk Vol. 5 and obvious wasn't done shaking off the funky tunes. Look out for more epic drops from Paul Sitter later in the year, when he is dropping is Hip Hop Delilvery LP - right here on BBP. Each volume in this series has sold out so you better be quick before Toxic Funk Vol. 9 will do the same thing... Once again Breakbeat Paradise Recordings is on point to deliver you the funkiest soul and breaks available anywhere out there…

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Breakbeat Paradise Recording is back with another big edition of the epic Toxic Funk 7-inch donut series. This time we welcome back producer duo Suckaside along with LROY who has cooked up a pair of timeless Toxic Funkbangers.. As with the other volumes of the Toxic Funk we are looking to bring back that classic vibes of soul and funk and mix it with just enough beats and breaks to make it sounds current. LROY kicks things off with the big soul groover Second Warning with some smooth soul sister vocals and some boom bap beats. Timeless joint that will get the party bumping at any house party or funky establishment who wants to set a groovy vibe. Following up on the flipside we see the producer duo Suckaside aka Sucka Timmy and DJ B-side doing their funky thing on the soulful banger: Let the Music Play. Suckaside has taken the electronic funk scene by storm lately with their spot on funk edits of classic joints that everybody forgot about. Head on over to their Bandcamp page to fill up you trunk with funk. Once again Breakbeat Paradise Recordings is on point to deliver you the funkiest soul and breaks available anywhere out there…

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It's a little known fact that in 1969, Motown Records boss Berry Gordy organised a holiday trip to Jamaica for his label's stars. It's even less well known that while they were there, a number of those same stars worked with an up-and-coming local producer to record versions of established hits over instrumental riddims from the newly emergent reggae genre. Unfortunately, perhaps due to the plentiful supply of herbal entertainment during the recording sessions, the masters were believed lost. Until now. Happily, their recent re-discovery means you finally get to hear Uptight Boss and Beg For A Dollar - the massively crowd-pleasing consequences of giving a brace of mid-sixties Motown classics the boss reggae treatment! Alright, maybe it didn't go down like that. Maybe the sound of this release was born instead out of people occasionally mishearing the name of Mako & Mr Bristow's 'Stank Soul Edits' series as 'Skank' Soul Edits. Which got them thinking. What would 'skank soul' sound like? Hello Trojan – meet Motown. Mojan? Trotown? Either way - reggae most definitely got soul!

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Breakbeat Paradise Recording is back with another crispy edition of the Toxic Funk 7-inch donut series. This time inviting the Funkin' Basstards producer duo to do their magic and bring some Toxic Funk vibes with 2 authentic funk joints regooved to perfection by 2 of scene's best beat smiths. The Toxic Funk series is tabbing into a craze of recycled old funk and soul and do edits that stays true to the vibes of the 60s and 70s but still has enough punch to put into a modern day funky DJ set. Funkin Basstards has followed that recipe to perfection on both jams on this single. Starting off with the contagious A-Side track called Fire – which showcases a classic soul party vibe track mixed with some Funkin Basstards breakbeats to keep it toxic. Followed up with the equally party rockin' soul joint Reasonswhich takes us back to the 60s soul era with some sweet soul sister vocals and a good doze of Funkin Basstardsbeats and breaks to go with it. With 2 EP release and a remix EP under their belt on BBP we felt it was about time to get these boys on a vinyl – and boy are we glad we did! Once again Breakbeat Paradise Recordings is on point to deliver you the funkiest soul and breaks available anywhere out there…

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4 To The Floor is committed to delivering seminal house music to wax, making sought after heritage tracks readily available on vinyl for crate diggers to add to their collections. The third edition of the series pays homage to one of the most heralded names in house music - Armand Van Helden. While Armand’s productions like ‘U Don’t Know Me’ and ‘Bonkers’ have soared to #1, he has remained a true legend of the underground. One of the most illustrious remixers in the game, this 12” package celebrates this part of Armand’s skillset. Kicking off the A-side is his remix of the 1993 club anthem by Tonja Dantzler ‘In And Out Of My Life’, followed by Shan & Gerd Janson’s edit which amplifies the Armand’s remix even further. On the flip is a classic bouncing house and garage sound from 1997 on Armand’s remix of Geoffrey Williams’ ‘Sex Life’, followed by the more recent Armand remix of Lee Walker vs. DJ Deeon’s ‘Freak Like Me’ – an explosive club track that was championed by everyone from Marco Carola to Annie Mac.

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Berlin’s Tal Fussman returns to Rekids with the ‘Walking on Mars’ EP, releasing 7th November 2025. It follows the Survival Tactics boss’ recent album on Binh’s Time Passages, as well as his ‘De?nition’ (2024) and ‘I Feel’ (2025) EPs on Rekids, with Fussman’s fresh spin on classic House and Techno winning support from the likes of Raresh, Cromby, DVS1, Saoirse, Carista, Honey Dijon, and many more. The ‘Walking on Mars’ EP opens with ‘Crystallized’, a cavernous cut exclusive to 12”, where Tal Fussman pares back his signature percussive style in favour of a rolling groove set against a deep, atmospheric backdrop. ‘Who’s Who?’ follows, its wild sequences and skewed drumlines colliding in restless motion. The title track, ‘Walking on Mars’, drives forward on hard-hitting drums that gradually unfold into a soulful house melody, setting the stage for ‘Knowledge < Machine’, a razor-sharp electro ?nale of snaking synths and an apt robotic vocal. Fussman’s versatility shines throughout, with the EP already winning support from Antal, Rene Wise, Marcel Dettmann, and Fred P. Founded in 2006, Radio Slave’s Rekids has since launched the Techno-focused Rekids Special Projects in 2017 and its latest sublabel, REK’D, in 2024. With Matt Edwards as the sole A&R, Rekids has been instrumental in developing emerging artists and remains a trusted home for House and adjacent sounds, recently featuring names such as Hilit Kolet, Frankey & Sandrino, Mathias Kaden, Huxley, and many more.

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Chicago house great Lil Louis really nailed it when he wrote 'Cub Lonely' back in 1992 with his group The World. It was taken from their album A Journey With The Lonely and has lead vocals by Joi Cardwell that helped it become an instant club smash. All these years later it always gets a big reaction on the floor which is why it has now been reissued by Epic complete with a series of remixes. The I'm On The Guest List mix is the one with the wonky sax lines and steamy vocals, the instrumental is paired back and more club-ready then DJ Pierre's Afro club mix bringing some big and freewheeling synth energy. The Bellbottoms & Platforms mix is a subtle tweak and then the most raw of the lot is the Radically Lonely mix to close down.

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Freerange Records is proud to present the latest EP from Coflo, the Bay Area-based producer, DJ, and dancer whose unique blend of deep, percussive house and Afro-rooted rhythms has earned him a growing cult following. With an uncompromising approach to groove, sonic texture, and the dancefloor, Coflo crafts tracks that move bodies and challenge conventions. A lifelong house dancer and a student of Afro-Brazilian art-form Capoeira, his productions bring a deeply human feel to electronic music—always raw, always rhythmically charged, and always dance-focused.

A1 - Yewnite
A2 - Who The Frequency ft. Rawb Boss
B1 - Ring The Alarm ft. Rawb Boss
B2 - Yapperz

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Well. Where do we start with 'Deep Inside'? Originally released in the golden NYC House era of 1993, this 5 tracker literally smashed everything in sight. And still does now! The epitome of an evergreen, all-time classic release. Masters At Work Louie Vega and Kenny Dope were on a major roll in this era, producing, remixing, dj-ing and everything in-between, these guys put in ridiculous work. They are joined on this EP by a roll-call of names and collaborators, Erick Morillo engineering the title track? Check. Maurice Joshua on co-production duties? You got it. Vocals by Ms. Barbara tucker? They're there. Killer, rock hard drums? Stacks of Soul? Masterfully chopped up Disco samples? All present. Serious stuff. Sometimes a record just manages to capture and distill the true essence of what this is all about and 'Deep Inside' is one such record, it bears all the hallmarks of golden era MAW, all the signposts of what was happening in NYC's clubs in the early to mid 90's were there within it's grooves. You know a record is good when it's still being, quite literally, hammered nearly 25 years later! Now, remastered, and reissued with the full involvement of Strictly Rhythm this seminal piece of NYC House history is made available again with all original, full sleeve artwork intact as per the 1993 original. This one's a straight up essential for any self-respecting dance aficionado. You know what to do!

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If anyone deserves to have the name Don, it’s Don Carlos. Responsible for one of the most influential and genre-defining deep house tracks of all time the Italian legend more than lives up to his name being a true master of his craft. In 1991 his debut release Alone was presented to the world via Calypso Records and quickly gained classic status, blissing out dancefloors worldwide with it’s euphoric piano stabs, sun-drenched strings and laidback groove. Establishing the blueprint for what would become known as ‘Italian dream-house’ Don Carlos would follow up a year later with another masterpiece in the form of a mini LP entitled Mediterraneo which took influence from the Chicago master Larry Heard but added a European ‘Balearic’ perspective which would pave the way for a wave of warm, emotive late night house tracks emanating from Bel Paese. Don Carlos releases have been fairly sporadic since his seminal early 90’s output so Freerange is very happy to bring you brand new material in the form of the I’m Steel Here EP. Across the three original tracks we get to hear him revisit the vibe from those early years whilst bringing things bang up to date for todays DJ’s and dance floors. The title track marries a driving Italo synth bassline with trademark Carlos strings and piano to form an uplifting club track which will lift the spirits of all who hear it. Azimuth comes next cutting up and filtering a piano hook calling the mighty Trackheadz to mind, a gated vocal sample adding a distinctly 90’s hook for a nostalgic slice of regal house. Closing out this gem of an EP we have In The Sky which loops up a classic feel good disco riff for a mid tempo house jam which bumps along nicely and will create the perfect mood in any warm up set worth its salt.

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