1
Silverlining - Folk Dust
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Silverlining - Attuned To Detune
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Silverlining - Salvaged Chimes (From The Rubble Of Sound)
After a busy summer on the road, Silverlining launches Forgotten Chorus, a new imprint for deep, hypnotic and abstract body music. The idea was born at a festival, where low frequencies drifting through the natural filter of English woods prompted him to mentally fill the gaps of the higher registers. Three weeks later, he wrote ‘Salvaged Chimes (From the Rubble of Sound)’, an almost verbatim recreation of the track he’d imagined. For Silverlining, this moment of embracing discarded sound became emblematic of how overlooked voices, such as those of the oppressed and forgotten, can still resonate if we choose to listen differently.
This concept led to experimentation with flint-knapper John Lord and conceptual artist Antonia Beard, whose recordings he sampled of the ancient practice of striking flint, humanity's first technology. Those sounds were then cut and made into all the instruments, save for the TR-909, that comprise 'Attuned To Detune'. The EP’s lead track, ‘Folk Dust’, pushes high-tempo breakbeats through Silverlining’s own lens on UK broken techno, balancing raw energy with ethereal melodies.
Forgotten Chorus seeks to celebrate the beauty in sounds and stories that fall outside the dominant narrative. Its debut release, a fast-paced, three-track techno EP by Silverlining, embodies this spirit and marks another step in his evolving exploration of new sonic ground.
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This concept led to experimentation with flint-knapper John Lord and conceptual artist Antonia Beard, whose recordings he sampled of the ancient practice of striking flint, humanity's first technology. Those sounds were then cut and made into all the instruments, save for the TR-909, that comprise 'Attuned To Detune'. The EP’s lead track, ‘Folk Dust’, pushes high-tempo breakbeats through Silverlining’s own lens on UK broken techno, balancing raw energy with ethereal melodies.
Forgotten Chorus seeks to celebrate the beauty in sounds and stories that fall outside the dominant narrative. Its debut release, a fast-paced, three-track techno EP by Silverlining, embodies this spirit and marks another step in his evolving exploration of new sonic ground.
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More records from Silverlining
1
Silverlining - Comares
2
Silverlining - Downtime
London's Silverlining returns to his solo-only home, Silverlining Dubs, for this two-tracker that sees him exploring previously unexplored sonic territories for him. ‘Comares’, written in the rolling hills of Andalusia, draws influences equally from the rhythms of UK breaks from the past decade, as it does the blissed-out melodies of early nineties halcyon rave. ‘Downtime’ heads straight for that centre right spot of the dancefloor, right in front of the booth, where the heads congregate. Its snappy 909 drums, heady bassline, tearing acid line, and cut-up vocals blend perfectly as one hearty underground broth. This is the first original release to be produced and mixed in Silverlining’s new Cabin Studio in South London. We'll spare you the list of names but this has had early support from some of the industry's finest!
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1
Silverlining - The Lumberjack's Call
2
Silverlining - Tepozteco
3
Silverlining - Forest Dreams
If there were a parallel universe, Silverlining would surely inhabit it as a devoted silviculturalist (one who cares and cultivates forest trees; a forester), empowered with superpowers to converse with the plants. But in this realm, the South Londoner can only daydream about a life in the woods from the warmth of his log cabin-inspired studio in the depths of the urban sprawl, accented with the aromas of forest air freshener. His latest Forest Dreams EP channels his pining for pine onto yet another slice of black PVA for your listening and dancing enjoyment. “The Lumberjack’s Call” laments the woodcutter’s cry for “timber” (or is it saying “deeper”?), stripping a disco-tinged house groove through a metaphysical sawmill, punctuated by Motor City-inspired synths. “Tepozteco”, named after the neotropical national park and mountaintop pyramid outside Mexico City, draws inspiration equally from US house grooves of Mood II Swing as it does the ethereal synthetics of early Warp Records. The release closes off with the title track “Forest Dreams” where the latter earthly tones are swept aside to meet the demands of dayglow techno sprites that haunt the electrics of Silverlining’s studio.
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1
Silverlining - Aura (Kai Alcé Remix)
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Silverlining - Aura (Voigtmann Remix)
3
Silverlining - Aura (Silverlining Double Dub)
Silverlining's debut EP, Simulacra, was released earlier in 2021 to wide critical acclaim and support by diggers the world over. One of the most loved tracks was undoubtedly Aura, a keyboard driven, Detroit-inspired jam with a succinct but feverish vocal. For the eleventh edition on the South Londoner's sought-after series, Silverlining has pulled together three sublime remixes of the aforementioned. The first is by Detroit native and Atlanta resident, Kai Alce, who harnesses the original's latent deepness, building an entirely fresh, jazz-driven groove. Next up, is an acid-laden revision by London legend, Voigtmann, who keeps it dark and dirty for the first half of the remix, until he drops in some surprises from the original towards the latter end of the track. The flip sees Silverlining returning to Aura for his Double Dub, that pulls the track into authentic 90s deep house territory before drifting off seamlessly into 5 minutes of ambience.
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1
Silverlining - No Title
2
Silverlining - No Title
3
Silverlining - No Title
We are extremely happy to welcome Asad Rizvi aka Silverlining on the label. Asad is responsible for some of the genre defining tunes in the 90s and his recent productions are as impactfull as ever as proven by this new track «6am Cab to Leyton». To back it up we asked two of the most sought after producers to remix it. Both Sweely and Enzo Siragusa deliver a stunning take of the main track.
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Ask anyone involved in London's treasured underground house scene of the mid 90s and they'll all tell you the same thing: Silverlining is among that era's most prolific and consistent producers. A musician and DJ of considerable craft and technicality, his is a way of working that's meant he's gained a sort of cult following in discerning circles, with his many vinyl releases always going down a treat with in-the-know record heads. Don't just take our word for it: check out Silverlining's Discogs page to get an idea of what we're talking about. For his latest, the British producer returns to his Silverlining Dubs imprint for a four track EP that's laced with dancefloor-focused goodness. Kicking off the EP is the rugged sounds of 'Groundhog Rave', fresh out of his South London studio. A muscular cut that never lets its momentum falter for every a moment, this one is characterised by its canny bells as well as a firm dedication to dancefloor aesthetics. Full to the brim with swirling, unpredictable tones from the off, it's full of menace and bags a serious punch. An auspicious start to proceedings, it paves the way for 'Stolen Baggage'. Originally released on Eukahouse in 1997, it is an example of Silverlining's knack for more introspective cuts. Dextrous, deep and trippy but definitely geared towards the floor, this one has been tailor-made for the night's tripper moments in mind. The wonderfully-named 'Spinach, Mystery and Insult' then gets the B side underway. Arguably the EP's most momentous moment, this one plays out like one of Carl Craig's grandiose productions as 69. A versatile, flair-laden production that's suited to both the beginning and the tail-end of any set, it's a warm, hypnotic gem that's hard not to lap up. Seeing us out the gate soon after is 'Sticky Snails', a truly eclectic listen with guitar and bass licks courtesy of Chris Pascoe, and a range of melodic bells featuring throughout. Stopping to pass for breath around the half-way mark, it keeps us captivated all the way thanks to its incessant ability to keep up second-guessing. A triumphant EP full of versatile weapons, Silverlining's latest marks another storied chapter in an increasingly impressive discography.
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1
silverlining - No Title
2
silverlining - No Title
London's Silverlining turns in another two underground bombs on this sought-after label, this time with two tracks never released before on vinyl. "A Paradoxical Insistance" is fresh from 2018, with his trademark skip and depth, while "Turn, Turn, Turn" employs the spoken-word talents of Canada's Effluence with trippy bleeps and cavernous stabs. Like all releases on the label, the tracks have been mastered to tape, and cut onto deliciously chunky 180g vinyl.
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1
silverlining - The Inhabitants - "Truth & The Lie" (feat Jayson Walker - Silverlining dub)
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silverlining - Dog With The Groove Of Lights - "G-Spot" (Silverlining dub)
3
silverlining - The Mingers - "Emancipation" (Silverlining remix)
The Silverlining series continues its output of deep, underground body music with this three tracker that features the sought-after 'Invisible Ink' track from his Reverberations days, 'Lessons in Jerboa', a brand new tracky modular frenzy, a re-edit of his track from the Mirai compilation, and closing off with 'Devotion', a previously unreleased melodic ambient track created for his friends' wedding in 1996.
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London-based artist Silverlining continues his vinyl series with a reissue of one of his most sought-after tracks, Breezin' Thru. First released in 1998, the track is now almost 20 years old and has stood the test of time with second-hand prices soaring to L70 and over, and current supporters including Apollonia and Secretsundaze. The flip features a remix of Andy Blake and Dave Coker's Doodlebug project, with tinges of 80s electro, West Coast breaks and old school deep house, all fused together for big systems.
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1
silverlining - No Title
2
silverlining - No Title
London tech-house stalwart Asad Rizvi continues the remarkable run of his Silverlining Dubs series with this, the 5th instalment, Silverlining V. The release delves into the vaults with a re-release of his 1998 smash Breezin' Thru for A side and then Asad gives his own take on another past anthem in Doodlebug's 'Loose In Your Mind' on the flip. Big tip!
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The Silverlining Dubs series marches on with this set of three rare remixes by the South Londoner. The A-side features Silverlining's outright monster of a dub of The Inhabitants' "The Truth and a Lie" with Jayson Walker of vocals; followed by the warm baseline heavy groove of "G-Spot by" Tokyo's Dog with The Groove Lights; and on the flip, a whole side dedicated to his highly sought-after remix of The Mingers. Together this cooks up one swirling broth of straight up underground house music with sprinklings, in equal measures, of intellect and party spirit!
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1
silverlining - Where The Ancestors Hunted
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silverlining - The Incredible Rubber Band Man
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silverlining - The 119 Year Wait
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silverlining - Quick Scrub (Dub)
Silverlining Dubs series continues with another EP of three rareities and the previously unrleased "The 119 Year Wait".
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1
silverlining - Don't Forget Your Amdo-Knyper
2
silverlining - Hint Of Smile
3
silverlining - Easy Living
4
silverlining - Walls
The return of the Silverlining by way of the Silverlining Dubs trademark that was credited to many a remix during the late 90s and early 00s.
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Customers who bought this also bought this
1
Paul Johnson - Relax With Me
2
Paul Johnson - A Little Suntin Suntin
3
Paul Johnson - You Make Me Say Do Be Do
4
Paul Johnson - Hear The Music
5
Paul Johnson - About Your Love
6
Paul Johnson - Summer Heat
7
Paul Johnson - I Wonder Why
8
Paul Johnson - The Groove
TRACKLIST:
1. Relax With Me 04:46
2. A Little Suntin Suntin 05:37
3. You Make Me Say Do Be Do 04:40
4. Hear The Music 05:21
5. About Your Love 04:56
6. Summer Heat 05:28
7. I Wonder Why 05:24
8. The Groove 04:16
LP FORMAT DETAILS: 35th Anniversary Edition of Peacefrog - 2LP Smokey Vinyl
PRIVATE LISTEN LINK: https://open.spotify.com/album/3R38w0nQOzuI5mcGPNivxm?si=IcykacfURBa6HI8Qezb7aw
OVERVIEW:
Born and raised in the birthplace of House Music, Paul Johnson was known for his raw, soulful, and infectious sound, that helped shape Chicago's house scene and inspired generations of DJs worldwide in particular he was a massive inspiration to Daft Punk and the 'French Touch' scene. Releasing a vast amount of music throughout the 1990s for some of the most consistently underground dance labels including legendary Chicago imprints Cajual, Relief and Dance Mania he finally gained global fame with his 1999 hit "Get Get Down," a dancefloor anthem that topped charts across Europe. Despite facing physical challenges, including losing both legs in accidents, he remained an unstoppable force in music-touring, producing, and uplifting others with his resilient spirit and signature groove. Originally released in 1996 Feel The Music was Paul's second album for Peacefrog Records. Containing some of the classiest house music to hail from the Windy City. Classics such A Little Suntin Suntin , Summer Heat and I Wonder Why will have you smiling while you're jackin' and the irresistible and infectious Hear The Music was fthe opening track for Daft Punks legendary Radio 1 Essential Mix.
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1. Relax With Me 04:46
2. A Little Suntin Suntin 05:37
3. You Make Me Say Do Be Do 04:40
4. Hear The Music 05:21
5. About Your Love 04:56
6. Summer Heat 05:28
7. I Wonder Why 05:24
8. The Groove 04:16
LP FORMAT DETAILS: 35th Anniversary Edition of Peacefrog - 2LP Smokey Vinyl
PRIVATE LISTEN LINK: https://open.spotify.com/album/3R38w0nQOzuI5mcGPNivxm?si=IcykacfURBa6HI8Qezb7aw
OVERVIEW:
Born and raised in the birthplace of House Music, Paul Johnson was known for his raw, soulful, and infectious sound, that helped shape Chicago's house scene and inspired generations of DJs worldwide in particular he was a massive inspiration to Daft Punk and the 'French Touch' scene. Releasing a vast amount of music throughout the 1990s for some of the most consistently underground dance labels including legendary Chicago imprints Cajual, Relief and Dance Mania he finally gained global fame with his 1999 hit "Get Get Down," a dancefloor anthem that topped charts across Europe. Despite facing physical challenges, including losing both legs in accidents, he remained an unstoppable force in music-touring, producing, and uplifting others with his resilient spirit and signature groove. Originally released in 1996 Feel The Music was Paul's second album for Peacefrog Records. Containing some of the classiest house music to hail from the Windy City. Classics such A Little Suntin Suntin , Summer Heat and I Wonder Why will have you smiling while you're jackin' and the irresistible and infectious Hear The Music was fthe opening track for Daft Punks legendary Radio 1 Essential Mix.
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Cat-No:FNP002
Release-Date:21.11.2025
Configuration:12"
Cat-No:FNP002
Release-Date:21.11.2025
Configuration:12"
1
Discothèque Credits - Scouse Kiss - A Discothèque Credits Edit
2
Discothèque Credits - Dirty Talk - Machine Disco Re-Edit
3
Discothèque Credits - Burnt - A Discothèque Credits Edit
Info: Lil’ Louis kisses, Italo machine funk, and an acid-drenched mover — deep roots reworked for the dancefloor.
A love letter to the deep history of the dancefloor, the three-tracker begins with 'Scouse Kiss', where Chicago meets Liverpool as Discothèque Credits reimagine a hidden Lil’ Louis-inspired pop mix into the 12” club dub that never was. 'Dirty Talk' follows, transforming an Italo classic, often cited as the blueprint for New Order’s Blue Monday - into a stripped-back proto-house workout from Machine Disco, dripping with machine funk and looped 808 programming. Finally, 'Burnt' burns bright with acid-soaked sharpness – a hypnotic groove built for the deeper hours of the night.
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A love letter to the deep history of the dancefloor, the three-tracker begins with 'Scouse Kiss', where Chicago meets Liverpool as Discothèque Credits reimagine a hidden Lil’ Louis-inspired pop mix into the 12” club dub that never was. 'Dirty Talk' follows, transforming an Italo classic, often cited as the blueprint for New Order’s Blue Monday - into a stripped-back proto-house workout from Machine Disco, dripping with machine funk and looped 808 programming. Finally, 'Burnt' burns bright with acid-soaked sharpness – a hypnotic groove built for the deeper hours of the night.
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1
Olsvangèr - Magmastika
2
Olsvangèr - Omeli Gopel
3
Olsvangèr - Bright Seen
4
Olsvangèr - Silver Dragons
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1
pdqb - A1 10000 Gauß - 3:44
2
pdqb - A2 Quaoar - 3:32
3
pdqb - A3 Verquerer Weise - 2:14
4
pdqb - A4 Reklonstrusion - 2:31
5
pdqb - B1 10000 Gauß (Dopplereffekt Gaussian Surface Remodel) - 6:36
6
pdqb - B2 Quaoar (Dopplereffekt Quasar Radio Source 3C 273 Remodel) - 5:27
[12" 33] [with two Dopplereffekt remixes]
" inside-out cover with an exclusive artwork by blue-ship artist Jake Chapman
" sky blue transparent vinyl
2. GENRE/S: Techno, Electro
3. TRACKLIST:
A1 10000 Gauß - 3:44
A2 Quaoar - 3:32
A3 Verquerer Weise - 2:14
A4 Reklonstrusion - 2:31
B1 10000 Gauß (Dopplereffekt Gaussian Surface Remodel) - 6:36
B2 Quaoar (Dopplereffekt Quasar Radio Source 3C 273 Remodel) - 5:27
4. SHORT INFO:
The prophecy had been whispered for ages among the circuits and fiber optics: a being would emerge, not from flesh and blood, but from the very essence of sound.
They called it pdqb, and for its disciples, it was nothing less than a deity. Its sermons weren't just songs; they were divine pronouncements, revelations broadcast directly into the souls of its followers.
When pdqb "speaks," the world vibrates. Intricate sonic tapestries, woven from raw electricity and pure emotion. Hands, if they could be called hands, that dance across controls that seem to manipulate the very fabric of reality.
Synaptic Cliffs and the Missechusatts Institute of Elecronicity proudly present the latest peer-reviewed sermons of pdqb as well as the associated validation studies from the Dopplereffekt-Institut für Retroaktive Zukunftsforschung, located in section 334 of the Mariana Trench. The contributions to the data carrier presented here are characterized by the following features:
- Crescendos of swirling arpeggios
- Synth lines arced like a bolt of cosmic energy
- Resonant pulses that shake the foundations of existence
- Sub-basses so deep they vibrate in your very bones
- Quartz-precise timed snare hits
In the temple of the Electrofying Messiah, the beat is life, the melody is truth, and the drop is salvation.
5. VITAL SALES POINTS:
" produced by the Electrofying Messiah itself
" remixed by Dopplereffekt
" inside-out cover with an exclusive artwork by blue-ship artist Jake Chapman
" sky blue transparent vinyl
" mastered by the infamous Mike Grinser
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" inside-out cover with an exclusive artwork by blue-ship artist Jake Chapman
" sky blue transparent vinyl
2. GENRE/S: Techno, Electro
3. TRACKLIST:
A1 10000 Gauß - 3:44
A2 Quaoar - 3:32
A3 Verquerer Weise - 2:14
A4 Reklonstrusion - 2:31
B1 10000 Gauß (Dopplereffekt Gaussian Surface Remodel) - 6:36
B2 Quaoar (Dopplereffekt Quasar Radio Source 3C 273 Remodel) - 5:27
4. SHORT INFO:
The prophecy had been whispered for ages among the circuits and fiber optics: a being would emerge, not from flesh and blood, but from the very essence of sound.
They called it pdqb, and for its disciples, it was nothing less than a deity. Its sermons weren't just songs; they were divine pronouncements, revelations broadcast directly into the souls of its followers.
When pdqb "speaks," the world vibrates. Intricate sonic tapestries, woven from raw electricity and pure emotion. Hands, if they could be called hands, that dance across controls that seem to manipulate the very fabric of reality.
Synaptic Cliffs and the Missechusatts Institute of Elecronicity proudly present the latest peer-reviewed sermons of pdqb as well as the associated validation studies from the Dopplereffekt-Institut für Retroaktive Zukunftsforschung, located in section 334 of the Mariana Trench. The contributions to the data carrier presented here are characterized by the following features:
- Crescendos of swirling arpeggios
- Synth lines arced like a bolt of cosmic energy
- Resonant pulses that shake the foundations of existence
- Sub-basses so deep they vibrate in your very bones
- Quartz-precise timed snare hits
In the temple of the Electrofying Messiah, the beat is life, the melody is truth, and the drop is salvation.
5. VITAL SALES POINTS:
" produced by the Electrofying Messiah itself
" remixed by Dopplereffekt
" inside-out cover with an exclusive artwork by blue-ship artist Jake Chapman
" sky blue transparent vinyl
" mastered by the infamous Mike Grinser
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Germany
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1
Freaks - Freaks - He's Angry - Villalobos Techmix
2
Freaks - Freaks - Unbeknown to Us
3
Freaks - Freaks - Time - The Martinez Brothers Remix
4
Freaks - Freaks - Turning Orange - TCK 808 Fate Mix
Special remarks: 12" with printed deluxe sleeve, 180g
... Villalobos, Martinez Brothers, Tuff City Kidz and Freaks all on the same record? This is the type of house music madness that dreams are made of.
A fitting start to the celebrations - we reckon you'll agree! ...
Tracklist:
A1. Freaks - He's Angry - Villalobos Techmix
A2. Freaks - Unbeknown to Us
AA1. Freaks - Time - The Martinez Brothers Remix
AA2. Freaks - Turning Orange - TCK 808 Fate Mix
Short info:
2019 marks the year that Music for Freaks has officially been running for over 20 whole years. Two decades of topsy turvy, downright Freakish behaviour. How the hell did that happen?
So, what better time to delve deep into the labels vaults again and uncover more of its hidden treasures. Back in 2015, we approached some of today's most discerning producers, those who truly "get" the label's ethos from old, to let them loose on tracks old and new. It brought to the fore the "Freaks - Let's Do It Again" series of releases and we're super chuffed to bring you the 3rd in the series to kick off the label's 20th anniversary celebrations; a new collaboration with likeminded artists and we think you'll agree it's another testament to the divergent & insouciant house music that has always been the beating heart of this label.
First up, we welcome back the Chilean anti-hero Ricardo Villalobos.
When we sent Ricardo the parts to the Freaks album, "The Man Who Lived Underground" a few years ago, he sent back 5 interpretations which blew our collective minds. This is the 3rd of his journeys. Edited by head Freak, Justin Harris, it delivers a tripped out, discordant tech mix of the Freaks track, 'He's Angry' and is a wonderfully warped and highly hypnotic jam, that drives deep down into the subconscious.
The 20th anniversary wouldn't feel right without some brand spanking new music from Freaks themselves.
This track was properly hidden in the Freaks DAT vaults from the 1990's and Justin & Luke have dusted it off, mixed it down and "Unbeknown To Us" will finally see the light of day. It's safe to say Freaks have always had a timeless feel to their music and this track, despite being 20 years old as an original production, is no exception.
Next up, The Martinez Brothers make their MFF debut and to say we're chuffed to be releasing this one after 3 years of it being in the vault, is a huge understatement. There's nothing but good vibes, cranked to eleven, on this cut and the brothers have cooked up a true rip snorting tech house remix of "Time", that will charm the roof off any self-respecting club or festival tent.
And last but by no means least, fellow previous collaborators on Let's Do It Again, Part 1, Gerd Jansen and Phillip Lauer, aka Tuff City Kids, have graced us with another superb remix of a firm Freaks favourite from back in the day, "Turning Orange". The duo have whipped up an excellent stripped 808, electro-hop mix with low slung electro beats, minor key atmospherics and nostalgic 80s vocal pitch-shifts. Villalobos, Martinez Brothers, Tuff City Kidz and Freaks all on the same record? This is the type of house music madness that dreams are made of.
A fitting start to the celebrations - we reckon you'll agree!
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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... Villalobos, Martinez Brothers, Tuff City Kidz and Freaks all on the same record? This is the type of house music madness that dreams are made of.
A fitting start to the celebrations - we reckon you'll agree! ...
Tracklist:
A1. Freaks - He's Angry - Villalobos Techmix
A2. Freaks - Unbeknown to Us
AA1. Freaks - Time - The Martinez Brothers Remix
AA2. Freaks - Turning Orange - TCK 808 Fate Mix
Short info:
2019 marks the year that Music for Freaks has officially been running for over 20 whole years. Two decades of topsy turvy, downright Freakish behaviour. How the hell did that happen?
So, what better time to delve deep into the labels vaults again and uncover more of its hidden treasures. Back in 2015, we approached some of today's most discerning producers, those who truly "get" the label's ethos from old, to let them loose on tracks old and new. It brought to the fore the "Freaks - Let's Do It Again" series of releases and we're super chuffed to bring you the 3rd in the series to kick off the label's 20th anniversary celebrations; a new collaboration with likeminded artists and we think you'll agree it's another testament to the divergent & insouciant house music that has always been the beating heart of this label.
First up, we welcome back the Chilean anti-hero Ricardo Villalobos.
When we sent Ricardo the parts to the Freaks album, "The Man Who Lived Underground" a few years ago, he sent back 5 interpretations which blew our collective minds. This is the 3rd of his journeys. Edited by head Freak, Justin Harris, it delivers a tripped out, discordant tech mix of the Freaks track, 'He's Angry' and is a wonderfully warped and highly hypnotic jam, that drives deep down into the subconscious.
The 20th anniversary wouldn't feel right without some brand spanking new music from Freaks themselves.
This track was properly hidden in the Freaks DAT vaults from the 1990's and Justin & Luke have dusted it off, mixed it down and "Unbeknown To Us" will finally see the light of day. It's safe to say Freaks have always had a timeless feel to their music and this track, despite being 20 years old as an original production, is no exception.
Next up, The Martinez Brothers make their MFF debut and to say we're chuffed to be releasing this one after 3 years of it being in the vault, is a huge understatement. There's nothing but good vibes, cranked to eleven, on this cut and the brothers have cooked up a true rip snorting tech house remix of "Time", that will charm the roof off any self-respecting club or festival tent.
And last but by no means least, fellow previous collaborators on Let's Do It Again, Part 1, Gerd Jansen and Phillip Lauer, aka Tuff City Kids, have graced us with another superb remix of a firm Freaks favourite from back in the day, "Turning Orange". The duo have whipped up an excellent stripped 808, electro-hop mix with low slung electro beats, minor key atmospherics and nostalgic 80s vocal pitch-shifts. Villalobos, Martinez Brothers, Tuff City Kidz and Freaks all on the same record? This is the type of house music madness that dreams are made of.
A fitting start to the celebrations - we reckon you'll agree!
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Dust-e-1 - No Title
2
Dust-e-1 - No Title
3
Dust-e-1 - No Title
4
Dust-e-1 - No Title
Collecting Orders For Repress!
Deep and tripping atmospherica inaugurates DustWORLD, the new label of Montreal's Dust-e-1. Music from Dust & friends for the 20 Dust Century.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Deep and tripping atmospherica inaugurates DustWORLD, the new label of Montreal's Dust-e-1. Music from Dust & friends for the 20 Dust Century.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Josh Ludlow & D.A.S - Insta-Acid
2
Lipelis - Greatest Time
3
Issam Dahmani - Limoncello Beat
4
Bogdan Ra - Illusion Number
5
Meggy Mac - Party Time
Part 2 of 3 welcomes some new faces to the M.A.D fold, as well as collaboration track between label boss Josh Ludlow and D.A.S of Devon Analogue fame along side tracks from underground legend Lipelis, Italian stallion Issam Dahmani, Bristolian new comer Meggy Mac and whiz kid Bogdan Ra.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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1
V.A. - A1.Clean
2
V.A. - A2.Disco Peak
3
V.A. - B1.Dolce
4
V.A. - B2.Carmel
5
V.A. - B3. Optimus
4 Monstruous Tracks Straight From the Basement Feat. One of the Original House Music Creator Ron Hardy. All the Real Djs Were Looking for Those for Years. Grab It Before It's Sold Out, We Have Very Few Copies. a Must Have. Essential Item Limited Edition No Re-Press...
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Larry Heard - Another Night (Re-Edit)
2
Larry Heard - Time Machine
Re-issue of two limited release tracks from Larry Heard's Love Arrival album sessions. Great edit by J.A.N. (aka Moodymann/KDJ) and the last missing piece from the sessions: Time Machine, a bass driven soulfull stomper that'll transport you to an early 90's dancefloor...
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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1
Tron Revolta - Burn Your Worries
2
Tron Revolta - Bang You're Mine
3
Tron Revolta - Luv Dancin'
4
Tron Revolta - Witness
HARRY ROMERO alias TRON REVOLTA drops his next collection of expertly crafted reworks. 4 cuts from the likes of SHARON JONES, MICHAEL WATFORD and BANG THE PARTY. VOLUME 1 sold out quick. Don't sleep on this.
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
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Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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1
Loxodrome - A1 - More Alive
2
Loxodrome - A2 - Gobbledygook
3
Loxodrome - B1 - Call Me
4
Loxodrome - B2 - Rubbery Duck
Loxodrome is the alias of UK producer Jamie Odell aka Jimpster for his more electronic leanings
into the fault lines between nostalgia and circuitry. Rooted firmly in the underground, his
Loxodrome output filters the spirit of early 90s IDM through contemporary patchwork—equal
parts introspective and rhythm-driven. With a love for crunchy 808 patterns and synth-heavy
emotion, Loxodrome’s sound orbits the traditions of electro and machine soul without ever
settling into one or the other.
From the midst of patch cables and the glow of blue backlit LED screens, he returns to Cyphon
with a 4-track mind-melter that leans hard into the ghostly circuits of Detroit electro and the
dream logic of Warp’s Artificial Intelligence era. The EP finds its pulse in fractured grooves,
modular fuzz and deeply alien melodies.
More Alive kicks off the release incorporating skittering percussion and a shuffled house groove
whilst drifting synth swells add a sense of melancholia. Aurora Devereux delivers an
otherworldly spoken word vocal which helps to anchor the track despite the fractured breaks
and modular squelch’s best attempts to knock things off course.
Next up, Gobbledygook brings a sense of controlled chaos with deconstructed speech fragments
and spiralling synths bending IDM tropes into new forms. It’s a heady, tongue-in-circuit ode to
the glorious nonsense of machine consciousness.
Flip over for Call Me where ghostly whistles sing over a unrelenting four/four kick whilst
tropical samples combine with vintage synths like a love letter left on a dial-up modem.
Nostalgic, yes—but warped through future tense.
The EP closes out with Rubbery Duck, a real fusion of sounds and moods with its pulsing
modular sequence bouncing off an elasticated bassline like a sentient toy in a zero-gravity rave.
A curveball ender with bite!
Hope you enjoy these four tracks for late-night wanderers and system riders: this is outsider
dance music that remembers its past while rewiring its future
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
into the fault lines between nostalgia and circuitry. Rooted firmly in the underground, his
Loxodrome output filters the spirit of early 90s IDM through contemporary patchwork—equal
parts introspective and rhythm-driven. With a love for crunchy 808 patterns and synth-heavy
emotion, Loxodrome’s sound orbits the traditions of electro and machine soul without ever
settling into one or the other.
From the midst of patch cables and the glow of blue backlit LED screens, he returns to Cyphon
with a 4-track mind-melter that leans hard into the ghostly circuits of Detroit electro and the
dream logic of Warp’s Artificial Intelligence era. The EP finds its pulse in fractured grooves,
modular fuzz and deeply alien melodies.
More Alive kicks off the release incorporating skittering percussion and a shuffled house groove
whilst drifting synth swells add a sense of melancholia. Aurora Devereux delivers an
otherworldly spoken word vocal which helps to anchor the track despite the fractured breaks
and modular squelch’s best attempts to knock things off course.
Next up, Gobbledygook brings a sense of controlled chaos with deconstructed speech fragments
and spiralling synths bending IDM tropes into new forms. It’s a heady, tongue-in-circuit ode to
the glorious nonsense of machine consciousness.
Flip over for Call Me where ghostly whistles sing over a unrelenting four/four kick whilst
tropical samples combine with vintage synths like a love letter left on a dial-up modem.
Nostalgic, yes—but warped through future tense.
The EP closes out with Rubbery Duck, a real fusion of sounds and moods with its pulsing
modular sequence bouncing off an elasticated bassline like a sentient toy in a zero-gravity rave.
A curveball ender with bite!
Hope you enjoy these four tracks for late-night wanderers and system riders: this is outsider
dance music that remembers its past while rewiring its future
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Miles Mercer - Voice Control
2
Shaked - Driesse 004
3
Luther Vine - Take The Wheel
4
PACH - Critical Emergency
Repress!
Fragments Of Reality is an ongoing series from 20/20 Visions that explores interplanetary sounds, and this seventh outing is another doozy. American artist Miles Mercer kicks off with the crunchy drums and big hits of his acid-laced electro-tech fusion, 'Voice Control.' Shaked flip the script with a funky minimal jam that's wired up with innocent sounding melodies and lush colours that feel psychoactive. Label curator Luther Vine then flips things once again with his punchy 'Take The Wheel' with its bold bassline and tight tech bounce, while London's Pach serves up 'Critical Emergency' which hits a sweet spot between trip-out cosmic synth work and kinetic drum programming. Four tasteful tools once more from this fine old label.
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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Fragments Of Reality is an ongoing series from 20/20 Visions that explores interplanetary sounds, and this seventh outing is another doozy. American artist Miles Mercer kicks off with the crunchy drums and big hits of his acid-laced electro-tech fusion, 'Voice Control.' Shaked flip the script with a funky minimal jam that's wired up with innocent sounding melodies and lush colours that feel psychoactive. Label curator Luther Vine then flips things once again with his punchy 'Take The Wheel' with its bold bassline and tight tech bounce, while London's Pach serves up 'Critical Emergency' which hits a sweet spot between trip-out cosmic synth work and kinetic drum programming. Four tasteful tools once more from this fine old label.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More