From Rotterdam's fertile grounds springs another thorny rose. Composer, DJ, and producer Muzmin kicks off the maiden release of 'Fusion of Thought' with 'Yucca EP', featuring four tracks of old-school harbour city slamming techno with a heady, contemporary twist. An elegant balancing act between thought-provoking sound-design and undulating, peak-time efficacy that the San Francisco Bay Area-based artist is such an expert at. A promising start for this young label.

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Tracklisting
A1 Muzmin - Brick
A2 Muzmin - What is not there
B1 Muzmin - Doesit
B2 Muzmin - Nknwn

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Tracklisting
A1 Muzmin - Altta
A2 Muzmin - The Bulb
B1 Muzmin - Yuklem
B2 Muzmin - Kran

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Tracklisting:
A1 Müzmin - Chasing None
A2 Müzmin - Repsyched
B1 Müzmin - Gryphon
B2 Müzmin - Bare Attention

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Tracklisting:
A1 Muzmin - Remora
A2 Muzmin - Dfmeg
B1 Muzmin - S-101
B2 Muzmin - Trak

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Tracklisting
A1 Müzmin - Overlord
A2 Müzmin - Serzenish
B1 Müzmin - Lofive
B2 Müzmin - Trenches

Release Note
Muzmin's well-deserved vinyl debut on Planet Rhythm showcases 4 expertly crafted contemporary techno tracks.

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2026 repress

Tracklisting
A1 Yan Cook - Rose
A2 Yan Cook - Freak Show
B1 Yan Cook - Quatro
B2 Yan Cook - Loophole

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2026 repress

Tracklisting
A1 STIPP & Genex - Last To Act
A2 STIPP & Genex - Overcall
B1 STIPP & Genex - Places
B2 STIPP & Genex - All In

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2026 repress

Tracklisting
A1 Unknown Artist - Hirameki
A2 Unknown Artist - Chernobyl
B1 Unknown Artist - Catharsis
B2 Unknown Artist - Acid Hirameki

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A1 Unknown Artist - Sinnerman
B1 Unknown Artist - Mamasei

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Tracklisting
A1 Axel Karakasis - Total Motion
A2 Axel Karakasis - Final Measure
B1 Axel Karakasis - Outrun
B2 Axel Karakasis - Impact Swingi

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Tracklisting
A1 Kaydee - Axis
A2 Kaydee - Cloud 9
B1 Kaydee - Grey Tool
B2 Kaydee - Monolith
B3 Kaydee - Innerdrift

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Tracklisting
A1 Khabiar - Between Two Worlds
A2 Khabiar - Acid Party
A3 Khabiar - Works
B1 Khabiar - Hipnosis
B2 Khabiar - Immortal Chords
B3 Khabiar - Pumuki

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Tracklisting
A1 FAÏG - Archetype
A2 FAÏG - Hint
B1 FAÏG - Imperfection Is Ok
B2 FAÏG - Exon
B3 FAÏG - Reduced
C1 FAÏG - Madd
C2 FAÏG - Onwards
D1 FAÏG - Pace
D2 FAÏG - Out Of Format
D3 FAÏG - Linde

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Tracklisting
A1 Gina Demarchi - Backstage Loop
A2 Gina Demarchi - Monochrome
A3 Gina Demarchi - Kyron
B1 Gina Demarchi - Nocturnal Frame
B2 Gina Demarchi - Devil Of Choices
B3 Gina Demarchi - Splits

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Tracklisting
A1 A.Paul - Intrigue
A2 A.Paul - Respeito [Redub]
A3 A.Paul - Mustard
B1 A.Paul - Moonspell
B2 A.Paul - Dwyster (2026 Remix)
B3 A.Paul - Adamant


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Tracklisting
A1 Plug Trax - Flights From Vilnius
A2 Plug Trax - Swing Thing
B1 Plug Trax - That Thang
B2 Plug Trax - April 15th
B3 Plug Trax - Pressure

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Repress!

Thirteen years after their landmark debut, Italian duo Voices From The Lake (Donato Dozzy & Neel) return with their much-anticipated second album, 'II' (two) on their own Spazio Disponibile.The record marks a new chapter in one of electronic music's most revered projects. Born from a friendship and a singular musical vision, Voices From The Lake first emerged as a one-off live performance in the Japanese Alps, later distilled into their self-titled 2012 album. That record has since become a touchstone in ambient techno, reshaping the global landscape of hypnotic and atmospheric electronic music. In the years since, the duo have performed worldwide, released a handful of EPs, worked on installations, and founded record labels, all while continuing to refine the project's unique identity. Yet the core of Voices From The Lake has always been its deep, aqueous approach to sound, a sensibility that returns in full force on II. "The project was never meant to become what it did," the duo reflect. "At one point, we even paused it. Only to later embrace it in all its forms. II is both a continuation and a reinvention." True to that spirit, Voices From The Lake have explored extremes in recent years, from high-tempo live sets to seated listening concerts, while remaining anchored in the meditative pulse of ambient techno. II extends this lineage, carrying forward the immersive sound design and boundary-pushing vision that has defined their work from the beginning.

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Repress!

Detroit meets the West Coast! DJ Maaco (Detroit in Effect) and Alden Tyrell commanding you to get on the dance floor. Resistance is futile against the Grays..

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Somewhere between heaven and hell…there is Fallen Angel. Dark Entries continues its mission of shining light on a generation of composers and musicians lost to AIDS with Brandy Dalton’s Fallen Angel, his soundtrack work for the award-winning Fallen Angel series. Brandy was known for many years in the LA underground for his performances with his boyfriend, Robert Woods, who was the resident DJ at Club Fuck. Eventually, they recruited John Munt to form the band Drance, becoming infamous for their high-energy performances and songs that tackled taboo topics like sadomasochism. While Drance explored the aggressive sounds of industrial and EBM, Dalton continued to produce a wide range of electronica, from abstract sonic textures to techno bangers. The Fallen Angel album collects 16 sweaty, sticky cuts composed for the pornographic series Fallen Angel, a trio of leather-focused films released by Titan Studios. The sounds here span from the fractured cyberpunk-rave of “Swelled” to the tabla-laced trance of “FA2,” taking listeners on a journey through hedonistic recesses chock full of crunchy digital drum machines and wailing FM synths. This album was originally released on CD in 1999 by Titan Studios, capitalizing on the success of the film franchise. It will be reissued on LP as well as CD, featuring 6 bonus tracks. Artwork for the album, designed by Eloise Shir-Juen Leigh, features stills from the Fallen Angel film. Also included is an insert with liner notes and photographs. This album is dedicated to Brandy, who passed away from AIDS-related illness in 2006, after battling with the disease for 17 years. Brandy’s passing was preceded by his best friend and Drance co-founder Robert’s death in 1995. Documenting a sonic shift in the 90s bathhouse music, Fallen Angel provides a hardcore BDSM ride, building upon the analogue archival soundtracks that Dark Entries has previously released.

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CD!

Somewhere between heaven and hell…there is Fallen Angel. Dark Entries continues its mission of shining light on a generation of composers and musicians lost to AIDS with Brandy Dalton’s Fallen Angel, his soundtrack work for the award-winning Fallen Angel series. Brandy was known for many years in the LA underground for his performances with his boyfriend, Robert Woods, who was the resident DJ at Club Fuck. Eventually, they recruited John Munt to form the band Drance, becoming infamous for their high-energy performances and songs that tackled taboo topics like sadomasochism. While Drance explored the aggressive sounds of industrial and EBM, Dalton continued to produce a wide range of electronica, from abstract sonic textures to techno bangers. The Fallen Angel album collects 16 sweaty, sticky cuts composed for the pornographic series Fallen Angel, a trio of leather-focused films released by Titan Studios. The sounds here span from the fractured cyberpunk-rave of “Swelled” to the tabla-laced trance of “FA2,” taking listeners on a journey through hedonistic recesses chock full of crunchy digital drum machines and wailing FM synths. This album was originally released on CD in 1999 by Titan Studios, capitalizing on the success of the film franchise. It will be reissued on LP as well as CD, featuring 6 bonus tracks. Artwork for the album, designed by Eloise Shir-Juen Leigh, features stills from the Fallen Angel film. Also included is an insert with liner notes and photographs. This album is dedicated to Brandy, who passed away from AIDS-related illness in 2006, after battling with the disease for 17 years. Brandy’s passing was preceded by his best friend and Drance co-founder Robert’s death in 1995. Documenting a sonic shift in the 90s bathhouse music, Fallen Angel provides a hardcore BDSM ride, building upon the analogue archival soundtracks that Dark Entries has previously released.

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Repress!

Raw DJ tool oldschool-not-oldschool techno bombs

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Perfect uplifting Techno / House Shedism

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1995 vintage BC: ’Q-Loop’ in full length + two cuts previously released on BCD

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A beautiful, deep and personal techno document by Mr. G who is talking the international language of musical expression (spoken and understood by everyone). Expressing his feelings and emotions via his sonic frequency philosophy on probably his most versatile release to date, a 12 track album on Childhood records This is the first time we hear Mr. G diving deep into the soundscapes and deeper dancefloor cuts on this album recorded during the global pandemic. It's marking a change in his musical vocabulary without losing his rough and raw energetic expressions. It's telling a story of forgotten places and dreams of the future. Dreams that pay tribute to the past, critical of the present, and still give hope for what's to come. Always rough and raw, the outstanding sonic frequency design on THE FORCED FORCE IS NOT THE TRUE FORCE will let you dive deeply into a more articulate and sophisticated musical language of Mr. G, while the man still keeps what we all love him for: his genuine distinct rhythms and seductive grooves that he has been sharing with the world for so many years!. --- The album is pressed DJ friendly on 3 x 180g 12" vinyl and includes a download code. ---

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Mate knows that you can't really beat the original deep house blueprint so the music it releases doesn't often try. Instead, it just tweaks and refines, colours a little around the edges, but always keeps musicality and soul at the centre. Toolate Groove is next up with a super tasteful offering that opens with quietly euphoric 'Librame' and also comes as a delicious dub. '97 Ride' (Club Mix) has a distinctly 90s feel with fun Rhodes jamming and swinging claps. The Destiny Dream Dub ups the heat with a smoking female vocal and more pronounced bassline then 'Fresh From Abidjan' brings some dusty breaks to a surging groove. As classy as it gets from front to back, frankly.

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Spider Taylor crawls over to Dark Entries with Surge Studio Music, an album of archival gay pornographic soundtracks. James Allan Taylor was born into a working-class family in Los Angeles in 1951. Nicknamed “Spider” by his father due to his frantic energy, Taylor was a natural-born guitarist, gifted with perfect pitch and a voracious musical appetite. Throughout the 70s, he expanded his musical repertoire, playing in bands ranging from country to post-punk, like his outfit Red Wedding, while always looking for new sounds and styles to explore. During this period, Taylor also partnered with his soulmate and musical collaborator, Michael Ely. They were part of a wave of bold, young, gay couples living openly together in the years immediately following the Stonewall Riots. In the early 80s, while working at the West Hollywood gay sex club Basic Plumbing, Taylor met Al Parker, the legendary pornographic actor and director, who recruited Taylor to produce the soundtrack for a film he was working on. Parker’s partnership with Steve Scott running Surge Studios produced some of the most popular all-male films of the era. Spider’s music was a natural fit for Surge, and throughout 1985 and 1986, he composed the soundtracks for five films produced by the iconic studio. Assisted by engineer Steve Conrad and armed with a drum machine and some synths, Spider’s compositions for film veer from the expansive, reverb-drenched “Rainforest” to the Miami Vice-esque chugger “Tech.” While Spider thought of this work as little more than a gig, tangential to his real craft, enthusiasts of VHS-era nostalgia and vintage erotica will be brought to bliss. Surge Studio Music will be available on both LP and CD, the latter of which includes a 20-minute version of “Strange Places…Strange Things!” as a bonus track. The album’s cover art was designed by Gwenael Rattke, and features stylish images from Surge Studios releases. Also included is an insert featuring liner notes by Will Lewis, a longtime friend of Spider. The music is released from Spider’s estate by Michael Ely, Spider’s partner of 43 years. The shadow of AIDS lingered over Surge; Steve Scott passed from AIDS-related illness in 1987, and Al Parker succumbed in 1992. In 2014, when it became legal for same-sex couples to marry in Arizona, Spider and Michael finally became wedded. Spider would pass away from liver cancer six months later.

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