Recorded live during Nuits Sonores, Brussels, 2022. Tomorrow Comes The Harvest is a theory initiated and put into action by late Afro Beat creator and Nigerian Drummer Tony Allen and Deroit Techno’s Jeff Mills. Each belonging to a long tradition of using music to reach higher levels of consciousness, along with veteran keyboardist Jean-Phi Dary, the three toured internationally until the untimely death of Tony Allen in 2020.



TRACKLISTING

A. Tomorrow Comes The Harvest - Metamorphosis
B. Tomorrow Comes The Harvest - Words Of Wisdom

C. Tomorrow Comes The Harvest - Peace Pipe
D1. Tomorrow Comes The Harvest - Rising Water
D2. Tomorrow Comes The Harvest - Rising Water (Reprise)


INFO

Tomorrow Comes The Harvest is the accumulative efforts of talented musicians and their visions about what makes the art form of music so special.

A theory initiated and put into action by late Afro Beat creator and Nigerian Drummer Tony Allen and Detroit Techno's Jeff Mills. Each belonging to a long tradition of using music to reach higher levels of consciousness, along with veteran keyboardist Jean-Phi Dary, the three toured internationally until the untimely death of Tony Allen in 2020. However, the foundation of the concept was cemented and ready for continuation.

Mills reconfigures the concept to function as trio once again and invites Tabla virtuoso Prabhu Edouard to join the concept.

Tomorrow Comes The Harvest is about exploring the unknown, transcending by the way of intersecting sounds and rhythm through an array of improvisational movements.



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Book

Jeff Mills - Live At Liquid Room is considered the best DJ mix ever recorded. Captured at the infamous underground dance venue in central Tokyo in 1995, the mix was not only recorded but filmed in its entirety. This book is a photographic document and a long in-depth interview with Jeff Mills, reminiscing back and explaining the experience from his perspective, as well as interviews with key people in the making of it.Not many DJ mixes from that transitional era were captured in such a graphic and a historic document.


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(Jewelcase) This year marks a major milestone in the history of electronic music: the 30th anniversary of Jeff Mills' legendary Live at Liquid Room, recorded in 1995 in Tokyo and widely regarded as one of the greatest DJ mixes of all time. A true techno anthology, this set made history with its boldness and intensity, inspiring generations of DJs and producers around the world.

To celebrate this anniversary, Jeff Mills will embark on a world tour and release a reissue of this iconic live recording.

"30 years ago, Techno music was still in its infancy, still formulating itself and attempting to find firm footing in the genre of Dance Music. Many new artists and records labels were introduced to the World as many DJs were justifiably recognized. This Liquid Room mix marks a cornerstone of the genre. The crossing and never returning back to way things were. Techno could only move forward and it did. "

-Jeff Mills

"A brazen and electric performance that enshrined his reputation as the most ambitious DJ in the world" - Pitchfork (10/10)

"1996's 'Live At The Liquid Room, Tokyo' is one of the most revered mixes ever committed to CD" - DJ mag

"Liquid Room has become the stuff of legend" - the Japan Times



Tracklist

1. Jeff Mills - Utopia
2. Jeff Mills - The Extremist (Retro Mix)
3. Surgeon - Magneze
4. Joey Beltram - The Start It Up
5. Millsart - Step To Enchantment (Stringent)
6. Jeff Mills - Life Cycle
7. Jeff Mills - Untitled A
8. DJ Funk - Work That Body
9. DJ Funk - Run
10. DJ Joe T. Vanellis Feat. Csilla - Play With The Voice in USA
11. Wicked Wipe - Rok Da House (Ian Pooley Mix)
12. Jeff Mills - i9
13. Jeff Mills - Changes Of Life
14. Circuit Breaker - Overkill
15. iO - Eternal Sun
16. Joey Beltram - Game Form (Robert Armani Remix)
17. Club MCM - Club MCM (K.A.Happy Mix)
18. Jeff Mills - AX-009
19. Surgeon - Argon
20. Traxmen - Wet Floor
21. Jeff Mills - Detached
22. Claude Young - Nocturnal
23. The Advent - Bad Boy
24. DJ Skull - Head Basher
25. Rhythim Is Rhythim - Strings Of Life
26. Jeff Mills - Loop3
27. Jeff Mills - Untitled
28. Ken Ishii - Extra (Luke Slater Mix)
29. Damon Wild - Avion
30. X-102 - Intro (X-102)
31. Jeff Mills - Humana (Growth)
32. H&M - Suspense
33. The Shadow - The Other Side
34. Dan Morgan - Flowerchild
35. Hell & Jonzon - Bazetoya
36. Jeff Mills - Casa
37. Jeff Mills - Life Cycle
38. Millsart - Step To Enchantment (Stringent)

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Limited Cassette

67 minutes (A side:35" / B side: 32")

Originally released in 1996

Compiled and DJ Mixed by Jeff Mills

Recorded at Liquid Room- Shinjuku, Tokyo October 28, 1995

Mastering: Ron Murphy at Studio Enterprises, Detroit



This year marks a major milestone in the history of electronic music: the 30th anniversary of Jeff Mills’ legendary Live at Liquid Room, recorded in 1995 in Tokyo and widely regarded as one of the greatest DJ mixes of all time. A true techno anthology, this set made history with its boldness and intensity, inspiring generations of DJs and producers around the world.“30 years ago, Techno music was still in its infancy, still formulating itself and attempting to find firm footing in the genre of Dance Music. Many new artists and records labels were introduced to the World as many DJs were justifiably recognized. This Liquid Room mix marks a cornerstone of the genre. The crossing and never returning back to way things were. Techno could only move forward and it did. “-Jeff Mills


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Limited edition picture disc including a 2025 version of i9 + a 6 minute audio commentary by Jeff Mills) This unreleased version is a new remix of the original tracks that marks the beginning of the 30-year anniversary of "Jeff Mills: Live At Liquid Room" Mix CD, where the first time "i9" was ever played. Not even pressed to vinyl yet, Mills played by the way of a 10" reel-to-reel tape player during his set.

Tracklist
A. Jeff Mills - i9 (2025 version)
B. Jeff Mills - Jeff Mills Commentary


Nothing marks the mid-1990s more than this track "i9". Not because it was very popular, but mainly because of why the track was created in the first place. In 1995, Techno Music was still growing. Still introducing itself to new listeners around the World. It was just beginning to shake away its maternal connection to Rave Culture which began about 10 years earlier to have its own distinct characteristics. But as Rave had mainly entrenched itself in certain countries around Europe like the UK, Belgium and Holland, by 1995, all of Europe and now the Americas was blazing hot for this style of Techno Music. It was intense, we were intense. And the music we were making to be played was relentless.

By that time, the fluffy, happy go-lucky 4/4 beats of the mid 1980s were transformedinto noise-bleeding jack-hammers. Specially designed to infiltrate brains and to leave to prisoners alive. It was the dark matter we all were waiting for. The substance we needed to have. And with this special substance came incredible parties and events. DJs would strategically filled their heavy vinyl record boxes like they're going on a African Safari, with ammunition that would test any sound system. For that night at the Liquid Room in Tokyo, I knew I needed to have something that would end any question of whether Techno Music had arrived. I wanted to have something that marked the end and the beginning of something else. A new way to think about dance music.

That something else was called "i9".

This limited-edition unreleased version of "i9' is a new 2025 remix by Jeff Mills of the original tracks that marks the beginning of the 30-year anniversary of "Jeff Mills: Live At Liquid Room" Mix CD, where the first time"i9" was ever played. Not even pressed to vinyl yet, Mills played by the way of a 10" reel-to-reel tape player during his set. This release is the first element from a forthcoming re-release of the Mix CD as well as more anniversary facets.

- Jeff Mills




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The next chapter in Axis Expressionist Series, A collection of vinyl and limited digital releases, curated by Millsart, an alias of Jeff Mills, of his most eclectic and transcendent compositions that derive from his Every Dog Has Its Day project aswell as new unreleased works.



"The meaning of this concept (Space Outside :Space) lies within your answers to these questions. Providing the questions are considered with honesty, the true meaning of what "Space" refers to becomes revealed.
There are no right or wrong answers, just reactions based on your view and angles on the mechanisms of life."

- Millsart aka Jeff Mills

What becomes a person that doesn't dream? What happens when we get all that we ever wanted? Do we know too much? Can we truly justify pessimism?
What are you planning on leaving behind? If given more life, stay the same or change? Life is more about giving or taking? Good fortune is based on what? What's more effective, love or hate? Do we care enough? Are we OK?
Life is mostly about ? Is there a end to this? Knowing that it propels, are we capable of critical thinking? Who is more important then yourself? What is worth dying for?



Tracklist

A1. Millsart - Interstellar Feelings
A2. Millsart - Forevermore

B1. Millsart - Vibrations From The Other Side
B2. Millsart - Some Soul, Some Space




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Tracklist

A1. Spiral Deluxe - Society's Man
A2. Spiral Deluxe - The Soloist

B. Spiral Deluxe - Paris Roulette (Long Mix)

C1. Spiral Deluxe - Shapeshifters
C2. Spiral Deluxe - Uptown

D. Spiral Deluxe - The Drive


Demonstrating the poignant power of experience + human connection + innate musicality + operating in the present moment, Jeff Mills' Spiral Deluxe collective unveil their second album - The Love Pretender. Driven by the free expression and creativity of improvised performance, Spiral Deluxe is an electronic jazz fusion project comprised electronic music visionary Jeff, along with legendary keyboardist Gerald Mitchell (Underground Resistance/ Los Hermanos), Japanese rocker Yumiko Ohno (Buffalo Daughter/Cornelius) on Moog synthesizer and the Japanese bassist, adopted New Yorker, Kenji "Jino" Hino - son of Terumasa Hino, the world famous jazz trumpeter. Together, the four key players formed a band centred around completely improvised journeys through sound.

During their unrestrained performances, what Jeff describes as sonic "conversations" arose between the musicians, as they each contributed to full-length live shows, and studio sessions. Within the boundless parameters of freeform spontaneity, they developed an unspoken understanding of one another, finding balance and poise within the unplanned performances. The resulting recordings have been used for three releases so far: Two EPs, Kobe Session (2016) and Tathata (2017), and their debut album Voodoo Magic in 2018. With The Love Pretender, we're presented with another stunning collection of "tracks" extracted from one long improv session.

With each musician proficient in their specialism and, of course, an all-out music lover, the communication between the group members became almost telepathic. Very little preparation was needed, and their performances flowed naturally and organically. This can be heard, and felt, throughout The Love Pretender. Tracks like 'The Soloist' evolve effortlessly, each new shift subtly influenced by one of the musicians nudging the conversation into a different phase, and the rest responding accordingly, or vice versa. It's music that embodies the true nature of mindfulness and letting go of fear. In their unstructured, liberated cocoon the artists thrive and create musical moments that have, fortunately, been captured for us all to immerse ourselves in. Jazzy notes fill the air, combined with electronic bass, synthesised beats, sparkling keys and an all-round warm and welcoming atmosphere, with the slight edge you can only get from improvised performance.

Sylvain Luc's posthumous appearance on the album is of significance too. The French guitarist died in March 2024 at the age of 59. His natural flair adds another dimension to the album, bringing a touch of that laid back 1980s American California Coast feeling to tracks such as 'Society's Man'. These contributions to the LP, recorded separately, add character - a final sprinkling of humanity to complement the aliveness and presence of this body of work. Three other musicians also added their creative energy to the project. They were; TOKU, a Japanese jazz musician who specialises in wind instruments, especially the cornet, trumpet and flugel horn. And there's Masa Shimizu, who also has wide-ranging with the guitar, as well as being a producer.

Themes on the album include the optimism one can have by simply trusting the process and trusting that everything will work out in the end. By playing together in the way they do, Spiral Deluxe place their trust in the mystery of what will happen next. Getting comfortable with not knowing is key to a sense of peace with regard to the future and this energy is vital to their collective musical output. By embracing the notion of the unknown, you become an eternal optimist, living in the moment, rather than projecting into the future. This cultivates excitement, an antidote to anxiety.

Meanwhile, the title alludes to the shifts and changes that have occurred in today's society, whereby it's possible to achieve success through pretending. The superficiality, and falsehood, that can often be presented via social media, can lead to questions about what's real and what's not. From AI to the fake personas that populate the dominant platforms, The Love Pretender speaks to a process that is symbolic of the time we're living in. Behaviour that has become acceptable in today's world, which may not have been as welcomed a few decades ago. But this is part of the cycle of life...

Jeff's intention with this music is to present it in high-fidelity, to be listened to over and over and over again. In post-recording he worked for hours to ensure the audio quality was as high as it could be. The goal is to create music that people can live with their entire lives, from his solo work to these masterful improvisations. Music that comes to life, music that has a voice we can replicate with our own vocals. Expressive, unstructured, and alive...

With The Love Pretender Jeff Mills continues his mission to experiment with music outside the bounds of what is typically expected. It's freeing, enlivening, vibrant and uniquely human. As ever, Jeff's visionary outlook and bold approach to musical performance and recording has produced a body of work that epitomises his often revolutionary capabilities. There's no pretending here, just pure unadulterated sonic transmissions from a wonderfully daring, inspiring and optimistic ensemble...




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Tracklist
A1. Millsart - Theme From Star Child
A2. Millsart - Satori
B1. Millsart - Love Warrior
B2. Millsart - Starlight Trance Dancer


Axis / Techno

The next chapter in Axis Expressionist Series, A collection of vinyl and limited digital releases, curated by Millsart, an alias of Jeff Mills, of his most eclectic and transcendent compositions that derive from his Every Dog Has Its Day project aswell as new unreleased works.

Imperfections are a natural part of the world, and they can make us beautiful and unique:
Nothing and everything is perfect.
We can be contorted, bent in weird ways, and still we're beautiful.".
A Star Child is the idea that a person can be incomplete and not self-aware, yet accept their imperfections. still direct their influence despite the arrangements of periodic and trending consequence.
It can also mean that imperfections can make admirable qualities stand out more clearly.

The Star Child reveals.

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The 6th chapter in Axis Expressionist Series, A collection of vinyl and limited digital releases, curated by Millsart, an alias of Jeff Mills, of his most eclectic and transcendent compositions that derive from his Every Dog Has Its Day project aswell as new unreleased works.

Tracklist

A1. Millsart - The Savvy Provocateurs Of Parallel 42
A2. Millsart - Powerland

B1. Millsart - The Divine Line
B2. Millsart - Hippie Woman Wild

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Tracklist
A1. Jeff Mills - In A Traumatized World
A2. Jeff Mills - Menticide

B1. Jeff Mills - Those Who Worked Against Us
B2. Jeff Mills - Mass Hypnosis

C1. Jeff Mills - Hold And Command
C2. Jeff Mills - Wonderous Butterfly

D1. Jeff Mills - Sacred Iridescent Mirror (The Pledge)
D2. Jeff Mills - In A Traumatized World (Human Toll Mix)
D3. Jeff Mills - Indoctrination

"Trauma and the shock effect of it - the leftover residue of harsh reality so impactful that it shapes the way you imagine, envision and calculate your position in regard to everything and everyone around you.
A new type of psychological radius evolves. Boundaries are reinforced. Relationships are recessed. A damaged brief system float aimlessly. Vulnerable to and for anything reminiscent of a worthy cause. The truth about facts became satirical monologue, dead end expressions that have no critical arrangement. We all know someone that either has been or will be"

- Jeff Mills

The Eyewitness reveals a habitual pattern in the way it symbolizes a mirror reflection of mankind in our most vulnerable moments. It is the forthcoming album of Jeff Mills and it is composed from the perspective of an unknowingly complicit bystander and it is at the very least, psychologically pathological in nature. What this release is essentially proposing is an admission to the diagnosis that no one is immune to shock and trauma. Not the accuser or the accused. And this abnormality s culturally and generally transmittable - handed down and passed over to one another disguised as righteous theatre.

As an artist, what Mills is notoriously known for is the perspectives and paths he chooses to approach hefty, complex, and sometimes, awkward subjects. The best way to recognize the narratives of his mostrecent album works such as "The Clairvoyant", an eerie transcending album that plays through like a Seance for creating a bridge to reach another dimension or "Mind Power Mind Control", a cautionary warning about the consequences of supporting deceit, mind control and mass mental persuasion is to start by first taking a moment to look at yourself in a mirror. He's suggesting sound as a reflection and what we might be able to see in ourselves. Proposing that we might be the problem and a solution. In the same vicinity of his recent solo albums, the direction, scope or target of The Eyewitness is first about us, then about it.

More than the few previous albums he's released lately, this one has a unique relationship in terms of imagery and visual treatments that represent the concept. The front cover shows Mills, neatly dressed in a black suit that appears to be caught in the act of doing something methodically as he cohorts to supportwith a bright white type of surgical light towards the viewer. Stark and in the act of.......something offensive - it could be some type of hypnotic machine at work. Other photos show him in darkened spaces. Remote and deep in thought.

Other clues are the titles of the tracks such as "Sacred Iridescent Mirror (The Pledge)": this refers to the act of installing value and credit to something ambiguous and "Menticide" which means the systematic effort to undermine and destroy a person's values and beliefs. In the opening track, "in A Traumatized World" we hear the narration spoken by Mills. In a language he specifically created for this album. It's a dialect that is designed to be undistinguishable, but spoken with a compassion that it could be sympathized with. In the latter part of the track, it reaches a climatic point. Meaning, "it" has happened. And the album is the evidence.

On extra note:

In this day and age,it's comforting to see a musician [like Jeff Mills] administer music conceptually without any conditions attached. The artistry and craft of using sound and rhythm to bring forth a concern, a warning or the result of a diagnosis to the listener.


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Tracklist

A1. Jeff Mills - Entering The Black Hole
A2. Jeff Mills - Time In The Abstract

B1. Jeff Mills feat. Jun Togawa - Contradiction (Silent Shadow Mix)
B2. Jeff Mills - Wandering

C1. Jeff Mills - When Time Stops
C2. Jeff Mills - Time Reflective

D1. Jeff Mills - Infinite Redshift
D2. Jeff Mills feat. Jun Togawa - Hole

(This double LP is cut in reverse, plays inside out) Jeff Mills Presents his new album 'The Trip', The World's First Cosmic Opera. What happens on the cosmic journey toward the black hole? What is on the other side of the black hole?Jeff Mills is set to explore these questions through a performance and an album release, that appeals to the auditory and visual senses.

An art performance focusing on being lost In space

``The Trip'' began about leaving Planet Earth and searching the cosmos for a new locations to live. Now, at 23 years later, we are entering a new chapter of the project where we encounter The Black Hole "Black Hole". A black hole is a celestial object whose gravity is so strong that no information leaks out, so it was impossible to observe it, and it was only a theoretical existence, but its location was identified for the first time in 2011. The latest research shows that it rotates on its own axis. Black holes are physically contradictory entities that are difficult to imagine, but what Jeff Mills is trying to deal with in ``The Trip'' also overlaps with singularity, which is the beginning or possible end of time and space. Displayed in 5 theoretical scenarios of what could happen after entering through the Black Hole and exiting on the other side.

Special guest: Jun Togawa

The provocative vocalist artist Jun Togawa was invited to participate by Jeff Mills as one of the highlights for this project. Among many talents such as acting and modeling, she is a trailblazing artist representing Japanese new wave, and her emotional songs have an unparalleled impact and continue to break down generational barriers. She is one of the greatest influences on Japanese avant-garde music and media, and her
career spans over 35 years.

Jeff Mills, fascinated by Jun's unique way of singingas well as a commanding stage presence, approached her through the right channels and by the evening of the same day, Jun Togawa agreed and the lyrics had been written. The recording sessions of the collaborated songs which were conducted remotely between their locations in Japan and the US, went smoothly.

Two songs are: "Contradiction" and "Hole." For both songs, Jun added the vocals to the rhythm originally composed by Jeff Mills, and the final synth pad added by Shinichi Yamaguchi was edited by Jeff Mills.
On "Contradiction" (Long Radio Mix), he wanted to include a guitar similar to the style of rock and roll legend Bo Diddley, which is masterfully played by Kazuhide Yamaji of the current Yapoos.


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The next chapter in Axis Expressionist Series, A collection of vinyl and limited digital releases, curated by Millsart, an alias of Jeff Mills, of his most eclectic and transcendent compositions that derive from his Every Dog Has Its Day project aswell as new unreleased works.



"Tear Drop Nebula" (A1): a different version Tear Drop Nebula (The Octagon Mix)) was released in Every Dog Has Its Day vol. 7 in 2020 (digital at Axisrecords.com only).

"Rationalizing our place amongst the Stars is a referendum. A mandate in the scale of a space-time continuum, which is a task that might seem infinitely cavernous to most, but a lifelong mandate to others. As nature's allowance of time just isn't favorable to an average human lifespan of a 100 years, this task must be inherited and handed down in the method of an acoustical trust. Rhythm considered as a safe depository.

Neo Tantric Parts is about high premium thought processes about simplicity and oneness. Diagnostic in the way it blends time, rhythm and harmony together as a proposal to consider placement in this moment of time". - Millsart



Tracklist



A1. Millsart - Tear Drop Nebula (Reworked Mix)

A2. Millsart - The Phonetic World

B1. Millsart - Neptunian Landing

B2. Millsart - Unidentified

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The next chapter in Axis Expressionist Series, A collection of vinyl and limited digital releases, curated by Millsart, an alias of Jeff Mills, of his most eclectic and transcendent compositions that derive from his Every Dog Has Its Day project aswell as new unreleased works.



TRACKLISTING

A1. Millsart - Just Like A (Vernacular Objects)
A2. Millsart - Transistor Love
B1. Millsart - Peace From The Virgo Cluster
B2. Millsart - Methane Bubbles


INFO

X-Ray Zulu refers all the things that could be defined as correct, as right and as perfect in an imperfect World and context. It serves as a barometric meter of all harmonious things. And with this balance, there is a certain amount of clarity and certainty about what is connected to this subject. A strong mind or opinion, passion, dedication and devotion. Essentially, this release is about undeniably and incontestable truth.

- Millsart

("Vernacular Objects" was released in digital as "Every Dog Has Its Day. Vol.13" (2020). "Just Like A (Vernacular Objects)" is a different mix.)


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TRACKLISTING

A1. Blake Reyes - At Night (Extended Mix)
A2. Blake Reyes - At Night (Vocal Acapella)
B1. Blake Reyes - At Night (Acid Bass Instrumental)
B2. Blake Reyes - At Night (Original Instrumental)

C1. Blake Reyes - The Dreamer (Original Mix)
C2. Blake Reyes - Sound Manifesto (Original Mix)
D1. Blake Reyes - Love Lies (Original Mix)
D2 Blake Reyes - Love Lies (Minimal Version)


INFO

Titled “Vernacular", the debut album by Blake Reyes is set to release on Axis Records on Friday, October 27, 2023, in vinyl and digital formats. The album is personally overseen by Jeff Mills, and is part of the "Axis Jazz" collection.

This confirms the eclecticism and versatility of both Axis and Blake Reyes, through harmony and rhythm, cultural influences, and the right touch of fusion: characteristics that have always defined jazz.

The album was recorded in three different cities (Bologna, Milan, and Rome), with Jeff Mills present during all recording and mixing sessions. Particularly in Milan, work was done at the Officine Meccaniche studios, where Duke Ellington, Quincy Jones, and many others have recorded.

?Vernacular" is an album that draws from jazz, Detroit techno and funk. It evokes operatic work due to its aspiration to create strong emotional intensity. The album features a blend of acoustic instruments such as acoustic bass, acoustic and electronic guitars, and the Steinway & Sons Grand Piano - the same Duke Ellington played in 1963 when he recorded ?The Symphonic Ellington" album - alongside electronic instruments including drum machines and Roland synths.

?I titled the album ?Vernacular' because I focused solely on production and sound quality, drawing inspiration from vernacular art, as a self-taught and artisanal approach in the noblest sense of the term", Blake Reyes explains. ?The musical references can primarily be found in Jeff Mills and his Millsart project, and more broadly in the works of composers like Bruno Nicolai, Piero Umiliani, Piero Piccioni, Brian Bennett, John Cameron, and even Raymond Scott. For the lyrics of the track ?At Night,' the visual reference that inspired the lyrics can be traced back to certain paintings by Henri Rousseau, particularly ?The Dream,' ?The Snake Charmer,' and ?Sleeping Gypsy.' All of this was done in post-production, working alongside Jeff Mills: a wonderful experience, a continuous flow and exchange of ideas."

Producer, DJ, and sound designer Blake Reyes (born Luca Vertulli) divides his time between Milan and Ibiza. His productions consistently focus on the sounds and emotions derived from tapes, samplers, drum machines, and analog synthesizers. His mixes are broadcasted on stations such as Ibiza Global Radio, Ibiza Sonica, Radio Raheem, and Olà Radio. His DJ sets are distinguished by their elegance and quality, always bringing the dancefloor to the right temperature. He boasts releases on Trax Records and Rebirth Records, and in 2019, he founded Triton Records, his own record label.

Musicians: Dario Lutrino: piano, Stefano Brandoni: guitar, Niccolò "Bolla" Bonavita: bass, Anna Bassy: singer, Blake Reyes: drum machines and synthesizers.

Music composed, produced and directed by Blake Reyes. Lyrics written by Blake Reyes. Studio Engineer: Taketo Gohara, Mastering Engineer: Giovanni Versari, Producer: Jeff Mills.

Studios: Officine Meccaniche, Milan / Fonoprint, Bologna / Forum Studios, Rome



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The next chapter in Axis Expressionist Series, A collection of vinyl and limited digital releases, curated by Millsart, an alias of Jeff Mills, of his most eclectic and transcendent compositions that derive from his Every Dog Has Its Day project aswell as new unreleased works.



TRACKLISTING

A. Millsart - The Deuce Theory
B1. Millsart - Kundalini Energy (Morning Glory Mix)
B2. Millsart - Are You Experienced (Guilty Pleasure Mix)


INFO

Morning Glory

Every twenty four hours is a chance to begin again and it is a renewed commitment to be involved in the cycle of nature - to play by rules set forth by something greater than ourselves that constantly resonates in the ears of those who are at peace. At the edge of each one of these beginnings, there is a brief moment that belongs to only "it". A special portion of time that directly connects to the circular motion of Space and Time. It is truth before reality. Realness before rationality. Self before consciousness.

We can feel it when we first see light and the recognize an indication that the new day has begun. It is honoring what makes all this possible.


Axis Expressionist Series.

A collection of vinyl and limited digital releases, curated by Millsart, an alias of Jeff Mills, of his most eclectic and transcendent compositions that derive from his Every Dog Has Its Day project as well as new unreleased works.

Vernacular creations that fall off from the "other side" of the Electronic Music tree, this project is designed for the experienced Techno music listener, and its goal is to reflect upon the pure artistry of the craft of storytelling. A realization between music and life.

Whereas "dancing" is the goal of Dance Music, the goal of this music is about "reflecting on the complexity and simplification of life". Soundtracks for people in their evolutionary process.


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Recorded live during Nuits Sonores, Brussels, 2022. Tomorrow Comes The Harvest is a theory initiated and put into action by late Afro Beat creator and Nigerian Drummer Tony Allen and Deroit Techno’s Jeff Mills. Each belonging to a long tradition of using music to reach higher levels of consciousness, along with veteran keyboardist Jean-Phi Dary, the three toured internationally until the untimely death of Tony Allen in 2020.



TRACKLISTING

A. Tomorrow Comes The Harvest - Metamorphosis
B. Tomorrow Comes The Harvest - Words Of Wisdom

C. Tomorrow Comes The Harvest - Peace Pipe
D1. Tomorrow Comes The Harvest - Rising Water
D2. Tomorrow Comes The Harvest - Rising Water (Reprise)


INFO

Tomorrow Comes The Harvest is the accumulative efforts of talented musicians and their visions about what makes the art form of music so special.

A theory initiated and put into action by late Afro Beat creator and Nigerian Drummer Tony Allen and Detroit Techno's Jeff Mills. Each belonging to a long tradition of using music to reach higher levels of consciousness, along with veteran keyboardist Jean-Phi Dary, the three toured internationally until the untimely death of Tony Allen in 2020. However, the foundation of the concept was cemented and ready for continuation.

Mills reconfigures the concept to function as trio once again and invites Tabla virtuoso Prabhu Edouard to join the concept.

Tomorrow Comes The Harvest is about exploring the unknown, transcending by the way of intersecting sounds and rhythm through an array of improvisational movements.



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Jeff Mills, April, 2023 "The Other Maria represents the character trait each of us has inside within ourselves. The silent part of us that we try to regulate, keep restrained from others and managed just beyond reach from the rest of the World. It represents the compartmentalized potential to do, say and respond with great chaotic harm, despite all unfortunate consequences. It is a full release feeling that we sometimes quietly envy as we witness with disgust and disapproval.



TRACKLISTING

A. Jeff Mills - The Dance Rebellion Starts
B1. Jeff Mills - The Other Maria
B2. Jeff Mills - Freder's Reality Switch

INFO

The Other Maria represents the character trait each of us has inside within ourselves. The silent part of us that we try to regulate, keep restrained from others and managed just beyond reach from the rest of the World. It represents the compartmentalized potential to do, say and respond with great chaotic harm, despite all unfortunate consequences. It is a full release feeling that we sometimes quietly envy as we witness with disgust and disapproval.

Widely considered a character flaw to many, yet, some would relish in the opportunity that could summon such an unpredictable internal animal. Every life has two parallel parts. The one for "them", the version of yourself that abides by all the acceptable and expected rules of engagement - often a side that is given credit on face value. The side that achieves progress through peaceful and less confrontational means. The one you use to survive.

And the other side, the one for you. An uncompromising, unthinkably ruthless version that knows no limit. That knows no fear. The side of yourself that tells you yes, when you know that "no" is the better answer.

The Other Maria isn't about comfort. It is about hard truth, but also recognizing raw emotions that stem from feeling undeniably free.

And what could one do with such a dark, yet wonderworking ability - when the absence of fear and consequence presides over the judicious process leading to an enviable fate - convinced that all actions are pure, justified, direct, but conniving. The feeling of relieved of all guilt and accountability?


But as diabolical as it can be and appear. Along with the negative static, there can be progress. As true imposes are exposed, so does the transparency of reality. A precious truth that's needed to fully understand the severity of the situation.
And with this, comes a valuable knowledge from a low level in which one once descended. Dreadfulness is softened to predictability.

- Jeff Mills, April, 2023



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Axis Expressionist Series, a collection of vinyl and limited digital releases, curated by Millsart, an alias of Jeff Mills, of his most eclectic and transcendent compositions that derive from his Every Dog Has Its Day project as well as new unreleased works.

TRACKLISTING:

A1. Millsart - Inner Eye (Extended Mix)
A2. Millsart - Nocturnal Moves
B. Millsart - That Voodoo You Do (''What if'' Mix)

INFO:

"Inner Eye" and "That Voodoo You Do" originally released in digital as "Every Dog Has Its Day vol.12" (2020)
"Nocturnal Moves" originally released in digital as "Every Dog Has Its Day vol.9" (2020)

Axis Expressionist Series:
A collection of vinyl and limited digital releases, curated by Millsart, an alias of Jeff Mills, of his most eclectic and transcendent compositions that derive from his Every Dog Has Its Day project as well as new unreleased works.

Vernacular creations that fall off from the "other side" of the Electronic Music tree, this project is designed for the experienced Techno music listener, and its goal is to reflect upon the pure artistry of the craft of storytelling. A realization between music and life.

Whereas "dancing" is the goal of Dance Music, the goal of this music is about "reflecting on the complexity and simplification of life". Soundtracks for people in their evolutionary process.



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Metropolis Metropolis three vinyl set is an abbreviated version of the most recent Electronic Music soundtrack for Fritz Lang's Metropolis (1927) by the Techno music producer and cultural icon Jeff Mills. Unlike his first soundtrack where tracks addressed specific segments of the film in a track listing form, which was created and released in 2001, this version is more a symbiotic mix of compositions that proposes a nuanced representation of the plot and storyline.

TRACKLISTING

A. Jeff Mills - The Masters Of Work And Play
B. Jeff Mills - Metropolis Metropolis

C. Jeff Mills - Maria And The Impossible Dream
D. Jeff Mills - Transformation The Aftershock And Evil

E. Jeff Mills - Yoshiwara And The Players Of Chance
F. Jeff Mills - Liaisons And Complicated Affairs


INFO

Metropolis Metropolis three vinyl set is an abbreviated version of the most recent Electronic Music soundtrack for Fritz Lang's Metropolis (1927) by the Techno music producer and cultural icon Jeff Mills. Unlike his first soundtrack where tracks addressed specific segments of the film in a track listing form, which was created and released in 2001, this version is more a symbiotic mix of compositions that proposes a nuanced representation of the plot and storyline.

As an electronic symphonic music creation, Mills proposes a few interesting points in the schematics of this album. 1- the positioning and role of the listener as the soundtrack is based on the environment of the scenes, rather than pure transcription, 2 - as a storyline that takes place in the year 2000, the choice of sound elements refer to some future commonality and foresight between the genres of Classical and Electronic music - between man and machine.

And 3, in many parts of the soundtrack where sounds are played in unison. This is symbolic of the hopefulness the storyline works towards.

"Creating music for Fritz Lang's masterpiece film "Metropolis" over the many years has been and continues to be a great experience. The film is a story about "man vs man" with the help of a machine. It's dramatic theme is as relevant now as it was when the filmed debuted in 1927. A film to enjoyed, but also noted and examined." - Jeff Mills

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Hailing from Detroit, Ryan has earned great respect over the years as a deej with a deeeeeeep bag of records. This EP is a perfect reflection of that ethos - with tracks that will have you covered no matter what time of night you're dropping the needle on this thing.

The A is heavyweight, peak time, disc jock business. Sarah O leads vocals to the A1, woozy, dubbed out, blissy joy ride that is the club mix of "Between Dreams." It would sound at home on all your favorite dancefloors, but especially those outside. The Great Outdoors baby: the biggest room there is!

Next comes the mighty Acid Mix of the title track. Cop now so you won't HAVE to Shazam it the next time you're hearing Mike Servito or Josh Cheon DJ!!! And the A side is wrapped up by 24 Hour House Music. A jittery proto house work out perfect for a night drive in YOUR city!!! The B side gives us a more of a downtempo vibe, perfect for life's breeziest occasions. LA legend Benedek lends his considerable talents to all 3 tracks, while Steven Grady and Noah Triplett for the EP's final track - "Love Dub." All reminscient of Ryan's work as part of Symptoms of Love, this side feels more like you're in a dream than between them.

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From the bellows of a galactic abyss, n-trip offers their first solo EP release on DU:RA. The label boss reveals 4 deep techno tracks cultivated from an appreciation of the stylings of Valentino Mora, Ntogn and Simone Bauer adjacent sound palettes. Attending festivals such as Organik and experiences with deep techno doofs out in the Aussie bushland has also heavily influenced this release.

Reservation and propulsive sound design shape the tracks for the most part, while aspects of field recordings are littered throughout the release of rocks, leaves and sticks from recent travels. The structural simplicity and minimalistic elements make for perfect DJ tracks to accompany swamp-like sets and throbbing sub basslines are sure to shake any doof or club system.

‘Domina’ opens the release with chiming pads and heavily delayed artefacts invoking an ethereal cosmos of which the kicks and bass gently reinforce in movement. A broken snare beat follows as gradually layers of percussion increase in intensity.

‘MML’ takes what energy has built and adds pounding toms to the rhythm. Harsh live synthesis swells in the backdrop as hi-hats and clicks pan around the white noise and minimal yet intentional synth work.

‘dddBBB’ drops the tempo as it comes in full of field recordings. Taking you on a bushwalk through a desolate dreamscape – it slowly grows and pulsates like a giant snake writhing through the cosmic jungle, stalking its prey.

‘MR13’ then takes these ideas and jacks up the tempo to finish off the release. Shakers pan about as sticks, rocks and leaves reinforce the rhythm. FM chords slowly add life to the beat and are accompanied by giant bassy pads that gradually coalesce into its humble yet driving finale.

All tracks have been produced on Gadigal Land. Always was, always will be Aboriginal Land.

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In October 1995, as part of the annual Polar Music Festival, Geir Jenssen of Biosphere and Bobby Bird of The Higher Intelligence Agency, were commissioned by Nor Concerts to collaborate together on a musical project to take place in Geir's home town of Tromsø, Norway. The brief was for them to perform three concerts, using sounds sourced from the area as the basis of the music - the machinery of the local mountain cable lift, the snow, the ice etc…

The performances from which this recording is taken, took place on top of a mountain above Tromsø, in a cabin reached by the cable car, in which the audience were transported up the mountain in turn.

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Modified Highspeed BMW Configurations

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