With effortless cool, Moriah Plaza blend Brazilian samba, cinematic Latin jazz and psychedelic 60s pop on new EP ‘Propolis’.

https://listen.k7.com/c530cfc7-7be8-41f1-92b0-7c72e209a472

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Kutiman joins Batov Records’ Middle Eastern Grooves Series with explosive double-sider

https://listen.k7.com/37a5bb49-14f6-4b36-b589-6dbefb0df606

Track listing:
A - Haraka
B - Khamsin

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Psychedelic dub, Afro-Latin rhythms and cosmic grooves come together on La Chooma’s debut for Batov Records. Drawing on Moroccan Gnawa, Colombian cumbia, Afrobeat, Jamaica dub & roots, and cosmic jazz, the six-piece ensemble create deep, hypnotic music rooted in global traditions and shaped for contemporary dance floors.

https://listen.k7.com/01a2906a-b949-46a2-a32f-27496e8f01ce

Tracklist
1.1Magic Plant
1.2High Glow
1.3Huachuma
1.4Praise
1.5Rhinno Dance
1.6Lonely
1.7Cozumel
1.8Gamal Gadol
1.9Cookie Crumble Cumbia
1.10Veggie Berber Boy

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"Electro Baghdad" expands on the ideas explored on the duo"s self-released 2023 debut EP "Electro Hafla, and builds upon SHIRAN"s solo work, which earned her a Songlines "Top of the World" award and widespread praise for her expressive voice and dynamic reinterpretation of traditional Yemeni music - an influence drawn from her maternal heritage. Both born to half-Yemeni, half-Iraqi parents in Israel, SHIRAN and Bakal"s music reflect their diverse heritage. Singing previously in Yemenite Arabic, she bridged generations by blending traditional melodies with contemporary sounds. Now with "Electro Baghdad", SHIRAN and Bakal pay tribute to their Iraqi roots, recontextualising traditional songs passed down through generations, using analog synths, heavy basslines, and pulsing electronic grooves.

Tracklist
1.1Sghayiroun
1.2Alahudlak Yaba
1.3Ah Ya Layla Yumma
1.4Ami Ya Bayaa Elward
1.5Eshrab Kasak Wethanna
1.6Alamtni Shlon Ahibak
1.7Ya Hnayna Ya Yumma
1.8Ayaratni Bi-Shaib (Baba Musa)

https://listen.k7.com/343b5736-8710-443e-a3f9-8aafb893fcac

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Repress on splttered vinyl

Listen: https://listen.k7.com/85e57f38-a36d-4bb7-a47d-4e60744ebe26

Track listing
A1. BIG BAGLAMA
A2. HUDAYDA
A3. DISKO ARABESQUE
A4. OLURMU DERSIN
A5. ZUHTU (LIVE)

B1. SENI SEN OLDUGUN IÇIN
SEVDIM
B2. YAR OI
B3. YEKTE
B4. YAGMUR YAGAR TAS ÜSTÜNE
B5. CECOM

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On their debut 45 for Batov Records, Indonesia-based BABON deliver two irresistible jams, cooked from a recipe full of Indonesian flavours, Afro Latin funk, Morricone grooves, Bollywood breaks and blues, they call "Tropical Desert Music". A must-hear for fans of Khruangbin or Sababa 5.

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Ethio-jazz pioneer Mulatu Astatke joins the Hoodna Orchestra, Tel Aviv’s number one Afro funk collective, melding his enchanting vibraphone playing with their brass heavy force across seven original compositions that play tribute to the classic Mulatu sound while forging fresh paths. Produced by and featuring Dap-King Neal Sugarman, the results are gritty, yet majestic, soulful and uplifting.

Tracklist
1.1Tension
1.2Major
1.3Hatula
1.4Yashan
1.5Delilah
1.6Dung Gate

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MOMO. releases his 7th album Gira, on Batov Records bringing together some very special musicians and guests from London’s bustling and hustling jazz community, with fellow Brazilian artists, recorded and cut to tape at East London’s Total Refreshment Center.

Tracklist
1.1Para
1.2Rio
1.3Passo de Avarandar
1.4Oqueeei
1.5Jao
1.6My Mind
1.7Beija Flor
1.8Summer Interlude
1.9A Walk In The Park
1.10Gira

Listen: https://listen.k7.com/1e1f40dd-ccd8-4a47-924d-d79a91da4830

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Batov Records presents a full-length foray into the musical world of Italian producer and multi-instrumentalist Ayala, with particular emphasis on his love of African music, from Afrobeat to disco. Whilst earning the support of leading DJs such as Colleen Cosmo Murphy, Dave Lee, Danny Tenaglia, J-Kriv, and DJ Rocco, Ayala has built an increasingly visible profile producing and DJ, with releases across a wide range of prolific labels, such as Compost, Hector Romero's Latin freestyle label, Orianna, and leading Italian label, Rebirth, early supporters of the likes of Tensnake, Motor City DrumEnsemble, Soul Clap, Jimmy Edgar, and Deetron.

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Two slices of brilliant, Gospel disco from Reginald O'Neal Cuie. Originally released on 33rpm 7" (not the most wonderful format), Athens of the North scut the tape onto a loud 12 inch for the first time. A strong two sider, (500 12" only)

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Long-time NuNorthern Soul contributor, B.J. Smith is a man in demand, dividing his time between solo work, playing guitar in Crazy P man James Baron’s popular JIM outfit, collaborating in a variety of well-regarded projects (Smith & Mudd, Bison and White Elephant amongst them) and composing for TV. Due to this impressive list of musical commitments, solo releases have been few and far between of late, with Smith’s most recent NuNorthern Soul release, a stripped back version of his Big Sur single, dropping late 2023.

It's been ever longer since he delivered a volume in his popular and ongoing Dedications To The Greats series, where the singer-songwriter and composer successfully turns his hand to other people’s songs. Since debuting the series on NuNorthern Soul in 2013 via revelatory and inspired covers of tracks by Mos Def and the Pharcyde, Smith has covered cuts by Outkast, Prefab Sprout and Soul II Soul.

On volume four, Smith’s first volume in the series for five years, he delivers a “cover of a cover” – a revolutionary and imaginative interpretation of Billy Swan’s ‘Don’t Be Cruel’, itself a version of a song first made famous by Elvis Presley. It was their mutual love of Swan’s version that brought Smith together with the release’s most prominent guest artist, Joe Harvey-Whyte, whose lilting, bittersweet and deeply emotive pedal steel performances can be heard across the EP.

Smith provides three contrasting takes. The EP is led by the ‘Mother Earth’ version, a slowly unfurling epic in which waves of effects-laden pedal steel and sun-splashed picking acoustic guitars usher in Smith’s eyes-closed vocalisations, settling into a groove reminiscent of his collaborative work with long-time friend and collaborator Paul ‘Mudd’ Murphy that showcases Harvey-Whyte centre stage to joyful effect. As the 14-minute epic progresses, we’re treated to long, languid electric guitar solos, percussion-laden slow-motion builds and hazy, stretched-out organ solos. It’s a breathlessly brilliant concoction that’s a million miles away from either Swan or Presley’s versions.

In contrast, the similarly epic ‘Earth Heart’ version – available in full vocal and instrumental takes – pushes the song front and centre. Following an extended build up, where Tamar Osborn’s gorgeous and fluid flute motifs rub shoulders with languid guitar solos and Harvey-Whyte’s pedal steel, Smith takes to the mic, delivering an emotive performance of the song’s heartfelt lyrics over a hushed, slow-motion groove. The track builds in waves as it progresses, with Smith layering up instrumentation as it rolls towards a fine conclusion.

Completing a superb package is the ‘Root Heart Version’, a Balearic-meets-Americana take built around shuffling drums, toasty bass guitar, extended pedal steel instrumentation, flashes of flute and Smith’s sun-bright acoustic guitar. Loved-up and more than a little saucer-eyed, it’s a bona-fide sunset delight.

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This record is a Chicago collaboration between Vick Lavender and a legendary singer and producer, Ron Carroll. Ron is best known as the voice of timeless winners like Back Together, Angel and Lucky Star. Vick Lavender is a high profile producer and remixer and a regular on Cataleya Music. He runs his own Sophisticado Recordings label and has recently released two LPs, Beyond and Time Traveler. All I Got For You (Is Love) is a proper vocal anthem. It features funky guitars, star kissed keys and a committed vocal delivery. This is classic Soulful House from Carroll and Lavender! Paint A Picture is a key driven winner that will put you in a positive mood. Modern House songs that really deliver like the classics are rare, but Vick and Ron are on point with the memorable All I Got For You (Is Love).


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Originally a jewel from Sunnyview Records (born from the legendary TK Productions). Dolos’ Night So Right was a slick blend of electronic funk and soul with an unmistakable boogie-disco swagger. Hailed by fans as a “lush, echo-drenched boogie monster” with a “pre-house” edge, it was already dancefloor gold.

Now, Dr Packer breathes new life into the classic, delivering a silky, tension-charged rework steeped in his trademark disco-house finesse. A warm, rolling bassline locks the groove as percussion pulls back, letting Rhodes chords, filtered strings, and subtle guitar licks shine. The result? A masterclass in dancefloor tease and release, pure, modern-classic disco magic.

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Compiled by Dubby & Antal, Techno Kayo Volume One is a dancefloor-friendly selection focusing on Japanese proto-techno, electro-pop, and synthpop from the 1980s. Pressed at 45RPM. Comes with OBI and insert with liner notes. Note: This release is only available on physical format (Vinyl & CD) / no downloads will be available.

In late-1970s Japan, a new and unique “genre” called techno kayo emerged, blending catchy pop melodies with the futuristic sounds of synthesizers and drum machines. Rooted in the older kayokyoku style, it was influenced by European electronic acts like Kraftwerk, but had a distinctly Japanese flair. Artists such as Yellow Magic Orchestra pioneered this retro-futuristic sound, creating music that felt both nostalgic and ahead of its time.

Dubby, owner of the legendary record shop Ondas in Tokyo, was one of the first to make Japanese music available to the outside world. He has teamed up with Antal, co-founder of the Amsterdam-based, Rush Hour Records, to release the first in a series of compilations.

Artwork from Johann Kauth (Stenze Quo)

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LB0097LP-NDC (Non Die Cut) Floating Points, Pharoah Sanders & The London Symphony Orchestra "Promises" will be the new standard product moving forward

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Welcome to the colourful world of Tiombe´ Lockhart, where post-modern soul meets dub lullabies and much more. In this second album for Mother Tongue she explores more experimental sides of her sophisticated musical palette. Opening track Kali Ma bursts with heavy drums and Tiombe´’s signature vocal layers, setting the tone with energy and distinction. Previous single An Osirian Dream is paired with another collaboration with Georgia Anne Muldrow, Strange Things, where dub tones collide with a melancholic soul narrative. The futuristic R’n’B of I Divine meets the head-nodding paradise of Be Good To Me, sewing a rich tapestry of exquisite vocal layers. Get lost in this accomplished voyage into the mind, heart, and spirit of a truly unique artist.

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Recloose’s ‘Dust’ returns to the spotlight on The Remedy Project, with the remaster of the original joined by remixes from Natasha Diggs, Aroop Roy and a never before available accapella. First championed by Gilles Peterson on BBC Radio 1 in the noughties, ‘Dust’ is now a cult favourite as it effortlessly bridged genres and soundtracked dancefloors across the globe. The track’s warm groove, featuring Joe Dukie’s unmistakable vocals and Recloose’s signature production, cemented it as an underground classic; Dallas Tamaira, occasionally releasing under the alias Joe Dukie, is best known as the lead singer of New Zealand band Fat Freddy’s Drop. A pioneering figure in the Detroit electronic scene, Recloose (aka Matt Chicoine) first broke through in the late 90s with support from techno legend Carl Craig, releasing on Planet E and later building deep ties with New Zealand’s fertile soul and jazz community. His music fuses house, funk, and broken beat with a distinct warmth and musicality that have made him a trusted name across generations of selectors. To mark its 20th anniversary, ‘Dust’ is renewed with a package of remixes from some of the scene’s finest tastemakers. Natasha Diggs injects her soulful New York finesse, while Aroop Roy brings his global dancefloor touch. With the two new remixes sitting alongside the both the original record and the accapella, ‘Dust’ is ready to gain a new generation of fans.

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Part 1 of 3 of the ‘A M.A.D 5 YEARS’ comp perfectly shows what label bosses Make A Dance are trying to achieve with their label. A broad selection of forward thinking cuts drawing inspiration from all corners of the electronic spectrum.

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Blackbox Life Recorder 21f / In a Room7 F760 by Aphex Twin will be released on the 28th July via Warp Records.
This is the first new music from Aphex Twin in five years.
He headlines nine festivals this summer.
Artwork by Weirdcore
- Specs: Black 12" vinyl in printed inner sleeve packed inside 6 panel fold out anamorphic diorama, download code, packed in resealable bag
Tracklisting:
A1. Blackbox Life Recorder 21f
A2. zin2 test5
AA1. in a room7 F760
AA2. Blackbox Life Recorder 22 [Parallax Mix]


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ELSI is proud to announce the long-awaited vinyl repress of Cosmic Sound by legendary DJ and producer Daniele Baldelli, landing on July 31st, 2025. Originally released in 2009, Cosmic Sound returns to turntables worldwide with a freshly remastered sound, enhancing the tracks for a more club-focused energy. This special repress also includes Girotondo, an obscure chuggy weapon previously released on Gomma Records, brought to this repress to make this release the ultimate eclectic DJ tool.
Baldelli, widely regarded as the godfather of the cosmic sound, brings his signature blend of Italo, cosmic disco, and leftfield grooves to the first vinyl release on ELSI. Cosmic Sound captures the spirit of genre-defying DJ sets that made his residency at Cosmic Club in the late '70s and '80s legendary - a hypnotic, kaleidoscopic journey through spacey synths, playful percussion, and dancefloor transcendence.
The repress will be vinyl-only, distributed exclusively by Sound Metaphors (Berlin), and pressed in limited quantities making it a must-have for collectors, cosmic heads, and disco aficionados alike.

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