Wah Wah 45s are very excited to announce a brand new remixes from dub donPrince Fattyfor beloved Afro-reggae outfitSoothsayers. Love Is Still The Answeris a beautifully uplifting song, written and sung by long time Soothsayers member and collaboratorJulia Bielabout the eternal power of love and its ability to overcome hate. It appears in its original incarnation on the band's recent, critically acclaimed album,Fly Higher. Mike Pelaconi, AKA Prince Fatty has been part of the Wah Wah 45s and Soothsayers extended family for many years, and here he delivers a typically crowd pleasing mix, in both vocal and dub form, from the world of Rockers Reggae, calling legendary reggae drummerHorsemaninto the studio, and crafting a lush rocksteady remix with a new horn arrangement and stripped back instrumentation. "In a world that feels more divided and chaotic than ever,Love Is Still the Answer is a reminder that real change can still come from within. We may feel powerless in the face of global turmoil, but when we choose love - actively, consistently, even in tough situations - we reclaim strength for ourselves. This song calls us back to our shared humanity, to the energy that connects us all. It's an invitation to tune into what really matters, and to rediscover beauty where we may have forgotten to seek it." Robin Hopcraft (Soothsayers)

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Wah Wah 45s present a limited edition vinyl special from Afro-dub masters, Soothsayers. With a history that goes back three decades, having released two classic LPs (Tradition and We Are Many) and numerous EPs and remixes on the imprint, the band deliver two brand new and exclusive versions of one of the highlights of their new LP, entitled Fly Higher. Love Will Find a Way features vocalists Maia Avery and Akin Soul, both former members of Youthsayers - a South London based music performance and education group, taught by Soothsayers band members. With new mixes by acclaimed Sao Paulo based producer Victor Rice, it's a stepping reggae vocal duo piece with a strong, universal message asserting that despite the current divisive political rhetoric and the championing of greed over human empathy by those in power, love will always be a more powerful force than hatred and division. Maia and Akin Soul's distinctive voices blend and weave beautifully over a hypnotic groove with a fresh and poignant emotional energy contributing to what should be a future steppers classic. These previously unreleased mixes are available in both vocal and dub versions on hand-stamped 7-inch vinyl and Bandcamp only.

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Two years since their last release on the label, Wah Wah 45s are proud to present exciting, brand new music from Afrobeat supergroup Eparapo, featuring Fela Kuti disciple and the UK's "Afrobeat Ambassador",Dele Sosimi, and percussionist, vocalist and one half of label mates Raz & Afla,Aflay Sackey. Following on from their debut LP,Take To The Streets, which gained support fromHuey MorganandDeb Granton BBC Radio 6 Music, and Jazz FM'sRobbie Vincent, and the subsequent remix projects that also received a lot of love from 6 Music'sJamz SupernovaandCerys Matthews, bass playerSuman Joshi's vibrant and righteous all-star outfit return with two more heavyweight Afrobeat bangers that provide a desperately needed call to action

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Danish instrumental sextet Sunbörn—winners of four Danish Grammys—join forces with acclaimed Italian producer/DJ Clap! Clap! (Paul Simon, Warp) for a boundary-blurring new album: Earth Is Begging. Releasing in autumn 2025 on Wah Wah 45s, the project is a vibrant celebration of global culture and sonic fusion. It's a place where Afrobeat grooves meet Middle Eastern textures, subtle Bossa Nova influences, jazz harmonies and clubby beats - with everything lit up by a keen Nordic sense of melody and space. Less about genre and more about energy, it's dance music built from curiosity and connection. That's the world of 'Earth Is Begging'

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Wah Wah 45s present the long awaited new album from Afro-dub masters,Soothsayers, entitledFly Higher. With a history that goes back three decades, having released two classic LPs (TraditionandWe Are Many) and numerous EPs and remixes on the imprint, the band deliver possibly their finest body of work to date. Soothsayers' twelfth studio album will be released on vinyl only (and via Bandcamp) in September this year - twenty-five years since they unleashed their debut LP,Lost City. The album features the very essence of the band - the vital ingredients that have been part of their sound since the outset, incorporating the diaspora, family and community that they have built along their journey. Fly Higherblends Afrobeat, soul, jazz and dub grooves and is packed with uplifting, ear-worm melodies delivered via stirring three-part harmonies, horn hooks and mesmerising basslines. The sound is typically organic and warm, and showcases Soothsayers' original songwriting style, which in turn pays respect to a variety of influences, but avoids cliche and predictability.

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London, UK – Almost Music, the debut album from Land of Echo, is a deeply personal celebration of return — to the city, to community, and to sound. Released via Wah Wah 45s, this record marks a heartfelt re-entry into a post-pandemic and politically confused world, with music shaped by reflection, hope, and the timeless pulse of the dancefloor. Blending altered disco, downtempo soul, and experimental electronics, Almost Music invites listeners into an emotive soundscape where every beat and bassline carries weight. It's a sonic journey through shared struggles and future-facing optimism. At the heart of Land of Echo is Rob Mac, producer and longtime figure in UK underground music. From running the legendary Scratch hip-hop nights in the '90s to releasing under aliases like Speeka (on Wah Wah 45s), Gum Drop, An Explore, and Jumbonics, Rob returns here to the soulful edges of dance music — armed with vintage gear, fresh vision, and a deep connection to his collaborators. Lucy Wilkins, violinist and synth explorer, brings cinematic sweep and subtle textures to the record. Known for her work with Massive Attack, Radiohead and Roxy Music, Lucy is Rob's most consistent creative partner. Her contribution is both foundational and exploratory. On vocals, two powerful voices lead the charge: Kathy Diamond, from Sheffield brings soul pedigree and bold, unmistakable songwriting. She's collaborated with Maurice Fulton and been remixed by Morgan Geist, Hercules & The Love Affair, and many more. Ayana Homma, from Tokyo, brings a global perspective — raised in Japan and Singapore, trained in jazz in California, and now embedded in London's scene via the Jazzy Sport collective. She also lends her voice to the Tokyo Riddim Band and Sound Anthropology, delivering fearless and expressive performances in both Japanese and English.

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Wah Wah 45s are very proud to present the debut LP from an exciting, brand new signing for 2025. The music of Isaac de Martin, otherwise known as IKE, blends jazz and electronic influences into warm, smooth, and often cinematic soundscapes. A certain eclecticism is not surprising considering that the composer, producer and guitarist was born in Italy into a musical family with British roots, studied classical guitar, graduated in jazz and went on to develop his personal style through creative experimentation, live touring and collaborative work with artists from a variety of disciplines and countries. Under the shadow of the pandemic, IKE headed to Egypt, a country that has always held a deep fascination for him. Finding sanctuary between teaching at Cairo's Heliopolis University and observing the progress of an ecological development community, the creative foundation of IKE's forthcoming LP, entitled On Higher Dreams began to take form. Music holds a revered position in Egyptian culture; it has done so for countless generations. With a western eye, some can be guilty of seeing music solely through the lens of entertainment. In Egypt, music holds its more natural position, as an essential and supportive accompaniment to the human experience. In Egyptian universities, faculty meetings often commence with live concerts, setting the correct tone and environment for the discussions to follow. IKE was invited to perform in this setting, and this approach to music, as well as the philosophy that underpins it, was keenly absorbed. In western culture, all too often we bear the contrast of living with a physical and social connection, freedom and expression against one with isolation, restriction and fear. For IKE, Egypt displayed another stark contrast; one which formed the thematic centre of On Higher Dreams. It is water that dictates the pulse of life in Egypt, with the Nile Delta standing as a lush, nourishing testament to the transformative power of the element, when set against the backdrop of the arid landscape it carves its ways through. There is a deep connection between the people of Egypt and this life-giving force. This album is an ode to this fundamental relationship. Upon returning to Europe, IKE spent a year digesting, interpreting, understanding and refining the spirit of the work, before setting about recording in 2022 at Big Snuff Studios, Berlin. The all-analog setup that was available allowed IKE to integrate the warmth of '60s and '70s recordings, creating an atmospheric bed on which contemporary synths could lie. A live studio environment was consciously selected to preserve the raw, honest emotion of the performances. Tracks like Nilo capture the lifeblood of Egypt—the Nile—while Sidda navigates the journey down the Blue Nile to its source at Lake Tana in Ethiopia, paying tribute to Ethiopian traditional music. Risorgini is a homage to Italian film composer Giuliano Sorgini, blending experimental and Afro elements into a resuscitation of his musical approach. The album's overall vintage yet dynamic atmosphere, reinforces the themes of nature and existential flow. It is this that perhaps most prominently shines through on the record. It invites listeners to open themselves to the ebb and flow of life, encouraging a spontaneous, heartfelt engagement with the world in the spirit of acceptance and serenity. IKE's journey through Egypt serves as both a narrative and a metaphor for this liberating approach to life—where, like the water of the Nile, we find our own paths naturally, beautifully, inevitably to reach Higher Dreams.

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Coming together as Raz & Afla, Raz Olsher and Afla Sackey converge worlds through their dynamic fusion of electronic and traditional African rhythms, forging a path that is as bold as it is innovative. Rooted in their deep-seated passion for music and cultural exploration, they seamlessly blend their distinct musical backgrounds to create a unique sonic landscape that captivates audiences worldwide. Raz Olsher is a visionary producer and composer known for his boundary-pushing electronic soundscapes, bringing his expertise in blending diverse musical elements to the duo. His meticulous attention to detail and penchant for experimentation form the foundation upon which Raz & Afla's sound thrives. Already part of the Wah Wah 45s family with his band Afrik Bawantu, Afla Sackey is an esteemed percussionist and vocalist with roots tracing back to Ghana. He infuses the duo's music with rich traditional African rhythms and melodies. Afla's virtuosity on percussion instruments and his soulful vocals add a visceral, organic dimension to their compositions, creating a mesmerising auditory experience that transcends cultural boundaries. Together, Raz & Afla defy genre limitations, seamlessly weaving together electronic beats, Afrobeat grooves, and intricate percussive textures. Their music resonates with a deep sense of cultural authenticity and a forward-thinking approach that pushes the boundaries of contemporary music.

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Wah Wah 45s are proud to present the debut LP on the label from Ghanaian vocalist and djembe drummer Afla Sackey. With his band Afrik Bawantu, he has fulfilled thedreamof blending traditional Ghanaian music with sizzling Afrobeat grooves, topping it off with anirresistibly funky twist! Their unique blend of vibrant African rhythms with brisk, animatedhorn sections and heavy bass-lines bring a fresh perspective to the Afrobeat genre. Destination provides a much needed moment of positivity in these turbulent times

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Wah Wah 45s are very proud and excited to announce the debut album fromYouthsayers- an ongoing and enduring South London community project, founded byRobin HopcraftandIdris Rahmanof our very own, legendary Afro-reggae outfitSoothsayers. Youthsayers was established in 2016 and ever since has consistently provided free of charge opportunities for young people to come together, learn an instrument and perform music under the tutelage of Robin and Idris. This has been made possible, in part, through donations from local businesses and private benefactors, but also live fundraisers and now through commercially released music! Over the course of eight tracks the band deliver their own unique takes on classic and contemporary pieces of music from the world of dub and Afro-jazz, including covers ofTheon Cross,Fela Kuti,Cedric IM Brooks,The Fontanellesand of course, Soothsayers themselves.

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Wah Wah 45s are very proud to present Sun Dogs, the incredible debut album from composer, songwriter and producer Jamie Finlay - a unique blend of electric soul, spiritual jazz and psychedelia. A deeply layered and personal album that explores themes of love, loss, grief, and finding strength through turbulent times. With their expansive arrangements and complex harmonies, you can hear the spiritual jazz influences of Lonnie Liston Smith and Pharaoh Sanders on the two opening tracks, Destroy Create Part 1 and Rain Will Come. These are followed by the Ethio-jazz leaning Staring at the Sun, with its pounding baritone sax chorus and ethereal vocals. Next up is the stripped back psyche soul of Family, the album's first single, with a haunting performance from Ellen Beth Abdi. Parhelion calls to mind Headhunters-era Herbie, with its off kilter jazz-fusion vibe, and is followed by the bittersweet Give Back My Love, which comes across like Stereolab and Everything But The Girl meets Rotary Connection. Penultimate song Destroy Create Part 2 leads us into broken-beat territory, and finally, with its pulsing bass line, layered vocal harmonies and crescendos, the closing track, Daylight, is an optimistic future anthem, bringing to mind the work of Charles Stepney, the Mizell Brothers and James Mason.

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2023 sees the return of multi-talented Norwegian producer Espen Horne to Wah Wah 45s, after a 24 year hiatus. The man behind the label's very first release, the now seminal Magnetica, never lost his connection with the imprint and has remained very much part of the Wah Wah family, making a comeback this year with his first solo material under his own name since that club classic from 1999.

Back in the spring, the first single from the project, the gorgeous soul-jazz beauty Bakeren, featuring the stunning vocals of Resonators' Faye Houston, quickly found a home on Gilles Peterson's internationally renowned BBC Radio 6 show as well as that of Jazz FM legend Robbie Vincent, Bandcamp Weekly and the Fresh Finds Jazz Spotify playlist.

Following that, Bergen Sunrays, became a weekly fixture on the Craig Charles Funk & Soul Show on BBC 6 Music, with the limited 7-inch of both singles selling out within hours of release.

Next up was the wistful Den Franske Gitaren, a lugubrious soul-jazz piece with drum & bass leanings featuring Bergen based MC and vocalist Aich, which found favour with legends Laurent Garnier and Jazzanova as well as hot Japanese production outfit Dazzle Drums.

This was closely followed by the final single to be taken from the album, the stunning and outspoken vocal jazz waltzer Nada Pode Me Calar (which roughly translates to Nothing Can Shut Me Up!) featuring the sublime talent of Olav Wo¨llo on vocals and Juno - anotherr big one with Gilles Peterson on Worldwide FM and Deb Grant on BBC 6 Music.

And now the full album, entitled The Anatomy Of Serene Eloquence is available for your aural delectation. Recorded largely during lockdown, the LP is a sophisticated and composed piece of work that sees the Norwegian producer make connections with musicians from across Europe, and some closer to home, to collaborate on this sedate and peaceful collection of songs.

The aforementioned Faye Houston also appears on the soulful, dub flavoured Don't Fall Asleep, a piece of music that explores the feeling of being isolated whilst sharing a mutual love and drive to explore new sonic possibilities.

Elsewhere, Olav Wo¨llo pops up again too, this time on O Mar E A Lua and once again singing in Portuguese to give this track a certain Tropicalia feel, as Espen explains:

"Olav Wo¨llo is a close friend, an excellent musician and vocalist, and a capoeira professor here in Bergen. He has spent much of his life living in Brazil and speaks Portuguese fluently. He wrote the lyrics for this tune years ago and had just been waiting for the right collaboration to come along.

We went to his lovely studio out on this remote island, made a massive gyoza meal, had some serious good wine and stayed the whole night to record his vocal harmonies and outspoken lyrics."

The single Bergen Sunrays also appears on the album in instrumental form with featured keys courtesy of London based player Rory More - here entitled Rory's Sunrays. His Lowrey organ adds a more melancholic feel to the track, as it does on the stunning Belle E´poque, alongside the ivory work of Eirik Bla°sternes - an emotional, contemplative and atmospheric track that was tested and shaped in the eclipse of Covid.

As with Belle E´poque, La Psychosomnie is a playful yet explorative cut that examines insomnia, paralysis and hypnosis courtesy of some enigmatic French spoken word spinning around a framework of drums, bass and swirling keys.

And finally, the album offers up an alternative version of the single Den Franske Gitaren, this time featuring Martin Halla, a vocalist out of the Bergen Grieg Jazz Academy and winner of the Norwegian version of The Voice back in 2012! The perfect flip to Aich's more mournful interpretation of this bass and drum future classic.

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Wah Wah 45s are proud to present the full debut album from Afrobeat supergroupEparapo. Having come togetherduring the unprecedented events of the pandemic and the Black Lives Matter movement, and despite being a project born from the privations of lockdown, their music is ultimately an expression of hope, resilience & resurgence.The word "eparapo" means "join forces" in Yoruba, the language of Afrobeat. It's also the title of a track by the late, greatTony Allen- drummer for Afrobeat legendFela Kutiand lifelong friend and mentor of our very own "Afrobeat Ambassador",Dele Sosimi. Not only did Tony help to invent Afrobeat, he always looked for ways to push the boundaries, never content with recreating what had gone before but constantly expanding and developing the genre. This project hopes to pay homage to his legacy, and that of Fela Kuti himself. Its aim is to innovate, fuse and diversify while still retaining the essence of the music. The force behind Eparapo is bassist, composer & producerSuman Joshi.He has been a member of Dele Sosimi's Afrobeat Orchestra for nearly a decade and has performed on stage with the likes of Tony Allen, Seun Kuti, Ginger Baker & Laura Mvula. He is also bassist with UK jazz ensemble Collocutor and fusion project Cubafrobeat. "The Eparapo project was conceived during a time of lockdowns & government scandals. The music that makes up this album was written and recorded against a backdrop of societal upheaval, culture wars and rising wealth inequality. With little scrutiny or resistance from the mainstream media, our human and democratic rights were being eroded and our institutions debased. Even our right to protest is now under threat. This is a call to action, an expression of frustration & anger at what our nation has become. It's saying that enough is enough, it's time to join forces and make our voices heard. It's time to take to the streets."Suman Joshi The title track is an epic eleven minute musical representation of this frustration and anger, where the musicians really let loose and allow their voices to be heard. As the only instrumental track on the album it acts as a call to action that is central to this body of work. Featured vocalists on the album are Fela Kuti disciple and Wah Wah 45s artistDele Sosimi, who appears on the singlesBlack Lives Matter,From London To LagosandWho Invented Back & White?as well as a more recent recording,Follow The Money; and London based, Ghanaian born master percussionist and vocalistAfla Sackey, who takes lead vocals on the mournful yet somehow hopefulBeautiful City. The rest of the group comprises of highly rated UK jazz vocalistSahra Gure; saxophonist, composer, producer and bandleader of the renowned forward thinking jazz outfit Collocutor,Tamar Osborn; keyboard player, producer and front man for Lokkhi Terra and Cubafrobeat,Kishon Khan; one of the UK's finest and most in demand trumpeters,Graeme Flowers, who has played with Quincy Jones, Gregory Porter and many more; trombonist for Bellowhead and mainstay of Dele's Afrobeat Orchestra,Justin Thurgur; and finally drummer for Steamdown and Sons of Kemet, as well as the man behind the Nache project,Eddie Wakili Hick.



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Following on from the successes of their first two LPs, "Kalba" and "Small Small", Isaac Birituro & The Rail Abandon return with the "Kontonbili EP". A collection of seven tracks that trace the traditional West African roots of their sound whilst adding their unique touch, largely courtesy of Isaac's xylophone, Sonny Johns' folky embellishments and the vocal prowess of powerful Ghanaian songstress Wiyaala.

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Wah Wah 45s are proud to present a new set of remixes, as well as originals released on vinyl for the very first time, from Afrobeat supergroup Eparapo. Having come togetherduring the unprecedented events of the pandemic and the Black Lives Matter movement, and despite being a project born from the privations of lockdown, their music is ultimately an expression of hope, resilience & resurgence. The force behind Eparapo is bassist, composer & producerSuman Joshi.He has been a member of Dele Sosimi's Afrobeat Orchestra for nearly a decade and has performed on stage with the likes of Tony Allen, Seun Kuti, Ginger Baker & Laura Mvula. He is also bassist with UK jazz ensemble Collocutor and fusion project Cubafrobeat. Featured vocalist on both original tracks, and remixes, is the aforementioned Dele Sosimi - keyboard player and musical director for Fela's Egypt 80 as well as Wah Wah 45s recording artist on both his solo material and the recent collaboration with house music producer, Medlar. The rest of the group comprises of bandleader ofAfrik Bawantuand percussionist for Ibibio Sound Machine and Keleketla,Afla Sackey; highly rated UK jazz vocalistSahra Gure; saxophonist, composer, producer and bandleader of the renowned forward thinking jazz outfit Collocutor,Tamar Obsorn; keyboard player, producer and front man for Lokkhi Terra and Cubafrobeat,Kishon Khan; one of the UK's finest and most in demand trumpeters,Graeme Flowers, who has played with Quincy Jones, Gregory Porter and many more; trombonist for Bellowhead and mainstay of Dele's Afrobeat Orchestra,Justin Thurgur; and finally drummer for Steamdown and Sons of Kemet, as well as the man behind the Nache project,Eddie Wakili Hick.

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Wah Wah 45s are proud to present the return of a unique collaboration between the U.K. 's very own Afrobeat Ambassador, Dele Sosimi, and a producer who's been at the forefront of the South London electronic music scene for over a decade now, Medlar. The pair first joined forces seven years ago, when Medlar was asked by Dele's label to remix the title track from his last album, You No Fit Touch Am. The result was possibly one of the most popular and cherished remixes to appear on the imprint. The producer's respect for the history of Afrobeat shined through in the mix of course, but it was his ability to finely balance that with his house music instincts whilst adding an infectious groove and classic 80s analogue synths that really stood out. The track was an instant classic, and it soon became clear that the Afrobeat Ambassador and Peckham producer needed to make some music together. Having never actually met during the remix process, the dating began, and luckily the two were a perfect match. Two years on from their first recorded output, the Full Moon EP - a record that received radio support from Gilles Peterson on BBC 6Music, as well as tastemakers and DJs across the globe, and was even featured on the latest edition of Grand Theft Auto -the duo return with the State Of Play EP. The heavy hitting four tracker features special guests Tamar Osborn of Collocutor fame, and South African rising star Zito Mowa, as well as a pair of Dele and Medlar's most popular jams from their live sets, perfectly baked for the dance floor.

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Bev Lee Harling returns with her first solo recording in almost a decade. She won the hearts and musical minds of DJs across the board with her 2012 debut LP, Barefoot In Your Kitchen, which BBC 6Music's Gilles Peterson made his Album of the Week. Now the gifted singer, violinist and composer returns with twelve beautiful pieces of music that tell a very personal story of the years since. Having swapped the busy streets of North London for the calmer shores of Hastings in Sussex to bring up her young family, it's fair to say that Bev's priorities might have changed somewhat over the past few years, but the music was never far away. Her new environment, and musical family (including multi-talented partner and album co-producer Frank Moon) added plenty of fresh inspiration to her recordings, and we're very excited to share her new album, entitled Little Anchor, with you this Autumn. The album is in some senses a travelogue, a 9 year journey of a creative womannavigating the landscape of parenting. Each song is a snapshot taken at a differentlocation in time, in a world where finding balance between creative freedom and motherhood is still a struggle, from the uplifting and euphoric Beautiful Life, to the heavy and harassed Only Got A Minute. Between the unexpected joys of parenting, grappleswith mental health and feelings of inadequacy, and fighting for every second ofcreative time while slowly accepting a life very different to the one that existedbefore, this unedited family album emerged bursting with quirky childhoodmemories, dark musings and celebrations of musical passion and legacy. Each song carries breakthrough personal moments in rebuilding strength as an artist, as a person, as a parent. Even down to a very emotional moment with Ray Davies of The Kinks, during a songwriting retreat, where album closer This Violin String, a deeply personal ode to her recently departed mum, was written… The personal nature of this record is self-evident, it bursts through every note and word in each song. We're very excited to be able to share such a special album,afresh foray into the always unpredictable, experimental and playful world of Bev Lee Harling.

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Cyphon Recordings continue their deep dive into the rich heritage of UK and Detroit electronic sounds with their second label release, this time from Danny Was A Drag King label boss DJ Rocca.

Active since the 90s, the Italian producer is a dedicated explorer of the Italo Disco-inspired sounds native to his home. He’s been plotting his sonic journey for decades, making pit stops at labels across Europe including Rekids,Toy Tonics, Slow Motion, Rotten City Records and Roam Recordings. On top of his solo outings, collaboration has played a big role in his production journey to date. He’s worked with artists like Howie B, Jazzanova and Zed Bias, as well as joining forces on ongoing projects with fellow Italian stalwart Daniele Baldelli and Dimitri From Paris, the latter under the name Erodiscotique.

Now back on his solo pursuits for Cyphon, Rocca proves he’s still very much at the top of his game. The four cuts on ‘Code 041’ explore all shades of electro, from raw, old school machine funk to futuristic cosmic sounds. It’s electro done the Rocca way.

The title track sets the tone. An eerie bass line crawls along, providing a bed for reflective pads to glide and mysterious synth sounds and echoing vocal samples to ricochet above. ‘No Gym’ greets us next, bringing that Italo flair Rocca’s mastered so well. It’s the most vibrant track on the release, matching colourful pinging synths and tropical-tinged melodies with a signature driving acid bass line.

On the flip, ‘The Bigger Lake’ takes the EP in a different direction, on a trip through dark glistening pads, tittering percussion and sub aquatic bass before the dusty breaks and moody, jazzy keys of ‘Omega’ bring the release to a close. Mirroring Cyphon’s label ethos, Rocca showcases the best of the past and present of a timeless sound.


DJ Feedback:

Hammer / Feel My Bicep - This is sounding absolutely great! x

Laurent Garnier - Twisted funkyness… Great stuff

Pattn / Fabric Resident - These are quality productions, sounding crisp. Really like the No Gym track.

Josh Cheon / Dark Entries - loving the first track!

Cormac / Polari Records - enjoying the no gym track

Justin Cudmore / The Bunker NYC - I am liking this release! I'd love to play this.

REES / CWPT - Big lover of this one!

Ryan Clover / Homage NYC - Sound a bit too lo-fi for my tastes when it comes to electro.

Ngoni Egan / United Identities - Really solid release. Love the Omega track. The pads are lovely in it! Arrangement and journey of the track is great :)

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Los Angeles-based producer and DJ Captain Planet returns with his sixth full-length album, DIG—a high-energy project that channels the global spirit of his world-renowned DJ sets. Having lit up clubs and festivals across Europe, Asia, Africa, South America, and the U.S., Captain Planet is celebrated for his ability to fuse Afro, Latin, and Caribbean traditions with hip-hop, dancehall, and electronic funk. With over two decades of experience, he delivers a sound that is as eclectic as it is unifying, built to move dance floors worldwide. DIG brings together vocalists from Brazil, Colombia, Haiti, Nigeria, Ghana, and Angola, weaving their traditions into bass-heavy, drum-driven tracks with infectious energy. Standout single Tony's House—a rework of Afrobeat legend Tony Allen's "Afrodisco Beat"—is already earning heavy festival play from top DJs around the globe. The record also showcases Captain Planet's versatility, from the nature-infused textures of "Thirst No More" to the soulful "Mi Calor" with longtime collaborator Chico Mann. Backed by international press coverage (The Fader, Complex, Bandcamp), strong radio support (BBC, NPR, KCRW), and chart-topping past releases, DIG cements Captain Planet's reputation as a boundary-pushing producer bringing global sounds to the modern dance floor.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

After more than a year of road-testing and building anticipation on dance floors worldwide, this eagerly awaited 12" release has finally arrived. Championed heavily by producer and DJ Vick Lavender himself, and supported by legendary selector Joaquin Joe Claussell, demand for this record has reached a fever pitch. With requests pouring in and excitement growing by the day, label head Carl Dupri knew the time was right.

"Girl" manifests as a masterful musical composition, crafted in the distinct deep, soulful style that only Vick Lavender can deliver. Rich textures, warm grooves, and elevated arrangements create an immersive soundscape that speaks directly to the heart and the dance floor alike.

Topping it off is the stunning vocal performance from the incomparable Angel A., whose soulful delivery adds depth, emotion, and timeless elegance to the production.

Pressed and housed in a beautifully designed 12" artwork jacket, this release is the total package-music, message, and presentation. Judging by the overwhelming demand and DJ support, it's only a matter of time before this one disappears from shelves and crates.



Enjoy the Journey


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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

The creative bond between Atjazz and Fred Everything is a story decades in the making. It began in 1998 at The Bomb in Nottingham during a DiY label night—a label through which they both released music. That first encounter sparked a lasting friendship and a steady exchange of ideas that would continue for many years. While they collaborated regularly and remixed each other’s work, it wasn’t until the summer of 2022 that they committed to making a full-length album.

The project took shape during an 8-day stay at Martin’s (Atjazz) home in the Midlands of England, where they set themselves the challenge of writing one track per day. Their shared musical language allowed ideas to move quickly, with some tracks forming in under an hour. Over the next three years, the material was carefully developed alongside their respective album projects: Atjazz’s Starbase 17, Fred Everything’s JUNO Nominated Love, Care, Kindness & Hope, and All Is Well’s A Break In Time.

A final session in Montreal in 2024, coinciding with Fred’s 50th birthday, brought the album into focus. From there, the duo invited a select group of world-class collaborators, including Jorge Bezerra (The Joe Zawinul Syndicate / St Germain), Octavio N. Santos (SiR, Lupe Fiasco), Clyde Beats, Ernesto & The Basement Gospel, and Dominique Fils-Aimé.

The result is a personal, well-constructed record that draws on the spirit of 90s deep house while applying three decades of experience to a deeply rooted, forward-thinking sound. It is a sonic testament that honours their mutual love of synthesizers, beat making, and sound design.

It is a project that took 8 days to start, 3 years to finish, and 30 years to perfect.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Collaboration is stimulating, it's in my blood.' Thus speaks Brian Jackson and his philosophy for making music and it's indeed collaboration that runs through this amazing album of reimagined and revisited songs from his artistic past. Featuring artists such as Black Thought, Rahsaan Patterson, Josh Milan, Moodymann, Omar, J. Ivy, Lisa Fischer, Rich Medina, Raquel Ra Brown and others and being produced by Masters At Work, ‘Now More Than Ever’ takes the enduring classic tracks that Brian Jackson made with Gil Scott-Heron and places them in the now over nineteen tracks and across a triple vinyl LP, Double CD and digital release.
PRODUCED BY MASTERS AT WORK aka KENNY DOPE and LOUIE VEGA

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Fela Kuti in Dub is a showcase album containing four essential songs by Fela Kuti in the style of a Jamaican Discomix, evolving from an instrumental cover version to a dub version, celebrating the musical heritage of Nigeria and Jamaica likewise. Please understand this work as a hommage to both musical cultures. The four tracks were chosen because they are a timeless witness to the political potential of music, that being proofed by their actuality. The songs feature essential dub e?ects like echoes, reverb and filtering but also feature analogue sound e?ects underlining and sonically illustrating the missing lyrical content. These vary from thundery spring reverbs and percussion instruments imitating the pouring rain on „Water No Get Enemy“ to marching soldiers and shot gun like reverbs on „Zombie“. From a cash register on „Expensive Shit“ to the dub sirens created live on a Korg MS10 on „Everything Scatter“.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Barefoot Beats drop two highly infectious Brazilian power jams for all the vinyl collectors and lovers of International sounds out there.

Regular contributor to the imprint Bernardo Pinheiro teams up with Zaidan to expertly craft a timeless Reggae classic into a pure Brazilian good times anthem.

Over on the flip, Rio based producer Joutro Mundo combines superbly with Dicky Trisco to produce a more late night inspired number which is ready to fuel your Carnarave and set that dance floor on fire.

All delivered on a beautiful, LTD edition 10inch vinyl pressing.

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More