1
A.J. Sound - Basemental
2
A.J. Sound - Single Cell
3
A.J. Sound - High Riser
The Block E.P. by A.J. Sound is the alias of two heavyweights in the scene, Arthur Smith (Artwork) and John Kennedy (Big Apple Records). First released in 1995 this blend of Techno and Acid is getting a much-deserved reissue and remaster for its 30 year anniversary. This widely desired release is a masterpiece of minimal techno. Basemental a track thrashed by Laurent Garnier for years, so much that it featured on his "Laboratoire Mix". This feature brought even more attention to this rare release. Copies on the second hand market are being sold at £40 and even more. Now Decoy Records are treating us to this much needed reissue for collectors and DJ’s alike who weren’t favoured enough the first time round to grab a copy for themselves.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Various Artists (Inner Science, Kaoru In - A1 Kaoru Inoue ‘Em Paz’
2
Various Artists (Inner Science, Kaoru In - A2 Gabby and Lopez ‘Drive From Miracles ‘ (Kaoru Inoue remix)
3
Various Artists (Inner Science, Kaoru In - A3 Inner Science ‘Alight’
4
Various Artists (Inner Science, Kaoru In - B1 Aquarium ‘Rainy Night in Shibuya (...deepspace slow down mix)
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Various Artists (Inner Science, Kaoru In - B2 Naohito Uchiyama ‘Shugetsu’
6
Various Artists (Inner Science, Kaoru In - B3 Keta Ra ‘Equals’
7
Various Artists (Inner Science, Kaoru In - C1 Yuu Udagawa ‘Infinite Possibility’
8
Various Artists (Inner Science, Kaoru In - C2 Noah ‘Gemini - Mysterious lot ‘
9
Various Artists (Inner Science, Kaoru In - C3 Sauce81 ‘Sign Of Secret Love’
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Various Artists (Inner Science, Kaoru In - D1 Waltz ‘Folkesta’
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Various Artists (Inner Science, Kaoru In - D2 Kuniyuki ‘ Free’
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Various Artists (Inner Science, Kaoru In - D3 Ken Ishii presents Metropolitan Harmonic Formulas
Territory: WW -FR
A1 Kaoru Inoue ‘Em Paz’
A2 Gabby and Lopez ‘Drive From Miracles ‘ (Kaoru Inoue remix)
A3 Inner Science ‘Alight’
B1 Aquarium ‘Rainy Night in Shibuya (???deepspace slow down mix)
B2 Naohito Uchiyama ‘Shugetsu’
B3 Keta Ra ‘Equals’
C1 Yuu Udagawa ‘Infinite Possibility’
C2 Noah ‘Gemini - Mysterious lot ‘
Written & Produced by Noah, taken from the album ‘Noire’
C3 Sauce81 ‘Sign Of Secret Love’
C4 Keita Sano ‘Tai + Dai’
D1 Waltz ‘Folkesta’
D2 Kuniyuki ‘ Free’
D3 Ken Ishii presents Metropolitan Harmonic Formulas
Can You Feel It (feat. Metropolitan Harmonic Formulas and Naruyoshi Kikuchi)
Written by Larry Heard. Produced by Ken Ishii. Saxophones by Naruyoshi Kikuchi. Mixed by Ken Ishii at Far East Lab and Skywalker Studios. Published by Truelove Music/TAP.
Still on and about after years of the most intense crate digging, gem mining, desperate head-scratching and avid schooling, thirsty as ever for the next musical thrill to wrap our ears and brains around, here comes the fruit of our life-long love story with Japanese electronics, Denshi Ongaku No Bigaku Vol. 1 and Vol.2. From the soul-fulfilling first crush felt upon hearing the iconic soundtrack of ‘Merry Christmas Mr. Lawrence’ by Ryuichi Sakamoto onto our release of Inner Science ‘Cosmo Tracks’, through the life-affirming sets of Laurent Garnier at Dijon’s seminal club, l’An-fer, which have at all times nurtured and expanded our taste for Easternmost delicacies, the influence of Japanese music on our vision and endeavours was paramount to the development of our catalogue, whether directly or indirectly.
This first volume gets the ball rolling with a fine assortment of mostly ambient, electronica and deep house-focussed joints. Draped in organic membranes and ASMR-like synth tapestries, K. Inoue’s nu-agey opener ‘Em Paz’ takes us on a ride across the most serene dreamscapes. Jazzing up these lush and oneiric coastal vibes, Gabby & Lopez ‘Drive form the Miracle’ merges a sense of Californian psychedelia with a straight out hard-bop swing. No stranger to our catalogue, Inner Science returns to serve up a crystalline slice of laid-back house on a mystique-imbued tip he holds the secret to. Flip it over and here comes Aquarium with the splendidly immersive ‘Rainy Night in Shibuya’, which very much feels like wandering amidst its neon-upholstered streets and swarming hallways in a bubble of your own.
Naohito Uchiyama treats us to a synth-drenched nocturnal ballad with the ‘80s-inflected vibes of ’Shugetsu’, whereas Keta Ra cuts a path of ethereal sublimation via the mischievously fun and bouncy balearic lounge of ‘equals’. Masterly crafted by Yuu Udagawa, ‘Infinite Possibility’ eases us in a realm where weightless pop and low-slung abstract hip-hop combine to further exhilarating effect. All in harp-driven brittleness and velveteen sub-bass stealth, Noah ‘Gemini - Mysterious Lot’ has us drifting to a lavishly orchestrated headspace, laying down an impressive work on textures and arrangements. All in on the sedated drip-tease flex, Sauce81 ’Sign of Secret Love’ is a blast of freaky hedonism, just as ready to cast its hypnotic spell down the sweatbox as it was upon its original release ten years ago.
Languid jacking house tune ’Tai+Dai’ from Keita Sano blows the winds of discoid luvin’ across the room with its impeccable balance of sharp, glimmering synthwork and driving bass onslaughts from the depths. An odd slice of reshuffled folk music, Waltz ‘Folkesta’ makes for some eerie invitation of sorts, enchanting and spookily haunting in equal measure. Back to a fevered, hip-swaying mindset, Kuniyuki hi-NRG jazz number ‘Free’ is an absolute wonder of piano and drums-driven boogie, cut from the same cloth as some of Blue Note’s finest Cuban jazz classics. Rounding off the package, Japanese legend Ken Ishii’s version of Larry Heard’s house Hall-of-Famer ‘Can You Feel It’ is pure bliss in a can, tailored to turn any crowd into a shapeless cloud of balmy euphoria and universal love, whatever the place or time.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 Kaoru Inoue ‘Em Paz’
A2 Gabby and Lopez ‘Drive From Miracles ‘ (Kaoru Inoue remix)
A3 Inner Science ‘Alight’
B1 Aquarium ‘Rainy Night in Shibuya (???deepspace slow down mix)
B2 Naohito Uchiyama ‘Shugetsu’
B3 Keta Ra ‘Equals’
C1 Yuu Udagawa ‘Infinite Possibility’
C2 Noah ‘Gemini - Mysterious lot ‘
Written & Produced by Noah, taken from the album ‘Noire’
C3 Sauce81 ‘Sign Of Secret Love’
C4 Keita Sano ‘Tai + Dai’
D1 Waltz ‘Folkesta’
D2 Kuniyuki ‘ Free’
D3 Ken Ishii presents Metropolitan Harmonic Formulas
Can You Feel It (feat. Metropolitan Harmonic Formulas and Naruyoshi Kikuchi)
Written by Larry Heard. Produced by Ken Ishii. Saxophones by Naruyoshi Kikuchi. Mixed by Ken Ishii at Far East Lab and Skywalker Studios. Published by Truelove Music/TAP.
Still on and about after years of the most intense crate digging, gem mining, desperate head-scratching and avid schooling, thirsty as ever for the next musical thrill to wrap our ears and brains around, here comes the fruit of our life-long love story with Japanese electronics, Denshi Ongaku No Bigaku Vol. 1 and Vol.2. From the soul-fulfilling first crush felt upon hearing the iconic soundtrack of ‘Merry Christmas Mr. Lawrence’ by Ryuichi Sakamoto onto our release of Inner Science ‘Cosmo Tracks’, through the life-affirming sets of Laurent Garnier at Dijon’s seminal club, l’An-fer, which have at all times nurtured and expanded our taste for Easternmost delicacies, the influence of Japanese music on our vision and endeavours was paramount to the development of our catalogue, whether directly or indirectly.
This first volume gets the ball rolling with a fine assortment of mostly ambient, electronica and deep house-focussed joints. Draped in organic membranes and ASMR-like synth tapestries, K. Inoue’s nu-agey opener ‘Em Paz’ takes us on a ride across the most serene dreamscapes. Jazzing up these lush and oneiric coastal vibes, Gabby & Lopez ‘Drive form the Miracle’ merges a sense of Californian psychedelia with a straight out hard-bop swing. No stranger to our catalogue, Inner Science returns to serve up a crystalline slice of laid-back house on a mystique-imbued tip he holds the secret to. Flip it over and here comes Aquarium with the splendidly immersive ‘Rainy Night in Shibuya’, which very much feels like wandering amidst its neon-upholstered streets and swarming hallways in a bubble of your own.
Naohito Uchiyama treats us to a synth-drenched nocturnal ballad with the ‘80s-inflected vibes of ’Shugetsu’, whereas Keta Ra cuts a path of ethereal sublimation via the mischievously fun and bouncy balearic lounge of ‘equals’. Masterly crafted by Yuu Udagawa, ‘Infinite Possibility’ eases us in a realm where weightless pop and low-slung abstract hip-hop combine to further exhilarating effect. All in harp-driven brittleness and velveteen sub-bass stealth, Noah ‘Gemini - Mysterious Lot’ has us drifting to a lavishly orchestrated headspace, laying down an impressive work on textures and arrangements. All in on the sedated drip-tease flex, Sauce81 ’Sign of Secret Love’ is a blast of freaky hedonism, just as ready to cast its hypnotic spell down the sweatbox as it was upon its original release ten years ago.
Languid jacking house tune ’Tai+Dai’ from Keita Sano blows the winds of discoid luvin’ across the room with its impeccable balance of sharp, glimmering synthwork and driving bass onslaughts from the depths. An odd slice of reshuffled folk music, Waltz ‘Folkesta’ makes for some eerie invitation of sorts, enchanting and spookily haunting in equal measure. Back to a fevered, hip-swaying mindset, Kuniyuki hi-NRG jazz number ‘Free’ is an absolute wonder of piano and drums-driven boogie, cut from the same cloth as some of Blue Note’s finest Cuban jazz classics. Rounding off the package, Japanese legend Ken Ishii’s version of Larry Heard’s house Hall-of-Famer ‘Can You Feel It’ is pure bliss in a can, tailored to turn any crowd into a shapeless cloud of balmy euphoria and universal love, whatever the place or time.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Various Artists (Seiji Ono, Uyama Hiroto - A1 Seiji Ono ‘ Celebrate Your Life
2
Various Artists (Seiji Ono, Uyama Hiroto - A2 Uyama Hiroto ‘Compass’
3
Various Artists (Seiji Ono, Uyama Hiroto - A3 J.A.K.A.M ‘Pray’
4
Various Artists (Seiji Ono, Uyama Hiroto - B1 Yuu Udagawa ‘We Float’
5
Various Artists (Seiji Ono, Uyama Hiroto - B2 Jazztronik ‘ Neon Forest’ (vinyl only)
6
Various Artists (Seiji Ono, Uyama Hiroto - B3 BRISA ‘State of Mind’
7
Various Artists (Seiji Ono, Uyama Hiroto - C1 Ryoma Takemasa ‘Deepn’ (The Backwoods remix)
8
Various Artists (Seiji Ono, Uyama Hiroto - C2 The Backwoods ‘Cloud Nine’
9
Various Artists (Seiji Ono, Uyama Hiroto - D1 909 State ‘RaTaTaTam’ (Hiroshi Watanabe Instrumental remix)
10
Various Artists (Seiji Ono, Uyama Hiroto - D2 Tomi Chair ‘Remorse’ (Satoshi Fumi Mix)
Territory: WW -FR
Still on and about after years of the most intense crate digging, gem mining, desperate head-scratching and avid schooling, thirsty as ever for the next musical thrill to wrap our ears and brains around, here comes the fruit of our life-long love story with Japanese electronics, Denshi Ongaku No Bigaku Vol. 1 and Vol.2. From the soul-fulfilling first crush felt upon hearing the iconic soundtrack of ‘Merry Christmas Mr. Lawrence’ by Ryuichi Sakamoto onto our release of Inner Science ‘Cosmo Tracks’, through the life-affirming sets of Laurent Garnier at Dijon’s seminal club, l’An-fer, which have at all times nurtured and expanded our taste for Easternmost delicacies, the influence of Japanese music on our vision and endeavours was paramount to the development of our catalogue, whether directly or indirectly.
This first volume gets the ball rolling with a fine assortment of mostly ambient, electronica and deep house-focussed joints. Draped in organic membranes and ASMR-like synth tapestries, K. Inoue’s nu-agey opener ‘Em Paz’ takes us on a ride across the most serene dreamscapes. Jazzing up these lush and oneiric coastal vibes, Gabby & Lopez ‘Drive form the Miracle’ merges a sense of Californian psychedelia with a straight out hard-bop swing. No stranger to our catalogue, Inner Science returns to serve up a crystalline slice of laid-back house on a mystique-imbued tip he holds the secret to. Flip it over and here comes Aquarium with the splendidly immersive ‘Rainy Night in Shibuya’, which very much feels like wandering amidst its neon-upholstered streets and swarming hallways in a bubble of your own.
Naohito Uchiyama treats us to a synth-drenched nocturnal ballad with the ‘80s-inflected vibes of ’Shugetsu’, whereas Keta Ra cuts a path of ethereal sublimation via the mischievously fun and bouncy balearic lounge of ‘equals’. Masterly crafted by Yuu Udagawa, ‘Infinite Possibility’ eases us in a realm where weightless pop and low-slung abstract hip-hop combine to further exhilarating effect. All in harp-driven brittleness and velveteen sub-bass stealth, Noah ‘Gemini - Mysterious Lot’ has us drifting to a lavishly orchestrated headspace, laying down an impressive work on textures and arrangements. All in on the sedated drip-tease flex, Sauce81 ’Sign of Secret Love’ is a blast of freaky hedonism, just as ready to cast its hypnotic spell down the sweatbox as it was upon its original release ten years ago.
Languid jacking house tune ’Tai+Dai’ from Keita Sano blows the winds of discoid luvin’ across the room with its impeccable balance of sharp, glimmering synthwork and driving bass onslaughts from the depths. An odd slice of reshuffled folk music, Waltz ‘Folkesta’ makes for some eerie invitation of sorts, enchanting and spookily haunting in equal measure. Back to a fevered, hip-swaying mindset, Kuniyuki hi-NRG jazz number ‘Free’ is an absolute wonder of piano and drums-driven boogie, cut from the same cloth as some of Blue Note’s finest Cuban jazz classics. Rounding off the package, Japanese legend Ken Ishii’s version of Larry Heard’s house Hall-of-Famer ‘Can You Feel It’ is pure bliss in a can, tailored to turn any crowd into a shapeless cloud of balmy euphoria and universal love, whatever the place or time.
A1 Seiji Ono ‘ Celebrate Your Life
A2 Uyama Hiroto ‘Compass’
A3 J.A.K.A.M ‘Pray’
B1 Yuu Udagawa ‘We Float’
B2 Jazztronik ‘ Neon Forest’ (vinyl only)
B3 BRISA ‘State of Mind’
C1 Ryoma Takemasa ‘Deepn’ (The Backwoods remix)
Remix: The Backwoods (DJ Kent of Force Of Nature)
C2 The Backwoods ‘Cloud Nine’
Written & Produced by The Backwoods
Guitar : LOADRUNNER
D1 909 State ‘RaTaTaTam’ (Hiroshi Watanabe Instrumental remix)
D2 Tomi Chair ‘Remorse’ (Satoshi Fumi Mix)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Still on and about after years of the most intense crate digging, gem mining, desperate head-scratching and avid schooling, thirsty as ever for the next musical thrill to wrap our ears and brains around, here comes the fruit of our life-long love story with Japanese electronics, Denshi Ongaku No Bigaku Vol. 1 and Vol.2. From the soul-fulfilling first crush felt upon hearing the iconic soundtrack of ‘Merry Christmas Mr. Lawrence’ by Ryuichi Sakamoto onto our release of Inner Science ‘Cosmo Tracks’, through the life-affirming sets of Laurent Garnier at Dijon’s seminal club, l’An-fer, which have at all times nurtured and expanded our taste for Easternmost delicacies, the influence of Japanese music on our vision and endeavours was paramount to the development of our catalogue, whether directly or indirectly.
This first volume gets the ball rolling with a fine assortment of mostly ambient, electronica and deep house-focussed joints. Draped in organic membranes and ASMR-like synth tapestries, K. Inoue’s nu-agey opener ‘Em Paz’ takes us on a ride across the most serene dreamscapes. Jazzing up these lush and oneiric coastal vibes, Gabby & Lopez ‘Drive form the Miracle’ merges a sense of Californian psychedelia with a straight out hard-bop swing. No stranger to our catalogue, Inner Science returns to serve up a crystalline slice of laid-back house on a mystique-imbued tip he holds the secret to. Flip it over and here comes Aquarium with the splendidly immersive ‘Rainy Night in Shibuya’, which very much feels like wandering amidst its neon-upholstered streets and swarming hallways in a bubble of your own.
Naohito Uchiyama treats us to a synth-drenched nocturnal ballad with the ‘80s-inflected vibes of ’Shugetsu’, whereas Keta Ra cuts a path of ethereal sublimation via the mischievously fun and bouncy balearic lounge of ‘equals’. Masterly crafted by Yuu Udagawa, ‘Infinite Possibility’ eases us in a realm where weightless pop and low-slung abstract hip-hop combine to further exhilarating effect. All in harp-driven brittleness and velveteen sub-bass stealth, Noah ‘Gemini - Mysterious Lot’ has us drifting to a lavishly orchestrated headspace, laying down an impressive work on textures and arrangements. All in on the sedated drip-tease flex, Sauce81 ’Sign of Secret Love’ is a blast of freaky hedonism, just as ready to cast its hypnotic spell down the sweatbox as it was upon its original release ten years ago.
Languid jacking house tune ’Tai+Dai’ from Keita Sano blows the winds of discoid luvin’ across the room with its impeccable balance of sharp, glimmering synthwork and driving bass onslaughts from the depths. An odd slice of reshuffled folk music, Waltz ‘Folkesta’ makes for some eerie invitation of sorts, enchanting and spookily haunting in equal measure. Back to a fevered, hip-swaying mindset, Kuniyuki hi-NRG jazz number ‘Free’ is an absolute wonder of piano and drums-driven boogie, cut from the same cloth as some of Blue Note’s finest Cuban jazz classics. Rounding off the package, Japanese legend Ken Ishii’s version of Larry Heard’s house Hall-of-Famer ‘Can You Feel It’ is pure bliss in a can, tailored to turn any crowd into a shapeless cloud of balmy euphoria and universal love, whatever the place or time.
A1 Seiji Ono ‘ Celebrate Your Life
A2 Uyama Hiroto ‘Compass’
A3 J.A.K.A.M ‘Pray’
B1 Yuu Udagawa ‘We Float’
B2 Jazztronik ‘ Neon Forest’ (vinyl only)
B3 BRISA ‘State of Mind’
C1 Ryoma Takemasa ‘Deepn’ (The Backwoods remix)
Remix: The Backwoods (DJ Kent of Force Of Nature)
C2 The Backwoods ‘Cloud Nine’
Written & Produced by The Backwoods
Guitar : LOADRUNNER
D1 909 State ‘RaTaTaTam’ (Hiroshi Watanabe Instrumental remix)
D2 Tomi Chair ‘Remorse’ (Satoshi Fumi Mix)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Black Meteoric Star - 5am Open Air Sunrise
2
Black Meteoric Star - Buttplug Thumb Drive
3
Black Meteoric Star - Control Top
4
Black Meteoric Star - Feel The Energy
5
Black Meteoric Star - Pombagira
6
Black Meteoric Star - S weat
7
Black Meteoric Star - Squuezed Into These Jeans
8
Black Meteoric Star - Subwoofer Speaker Freaker Feat. Scotia)
9
Black Meteoric Star - The Calling
Wet is the fifth full length album by Black Meteoric Star and the 10th release. Black Meteoric Star is a project Rayna started in 2006 when she was living in Berlin that brought together her life long love of dance music culture with spiritual themes, drag, and her formative experiences of S/M culture Black Meteoric Star has always had an avenger quality in Rayna's life and creative work, and this iteration plays that role in response to the current political landscape. Wet celebrates the long standing shared history of electronic music and queer leather/SM culture and imagines a future where these two cultural expressions are re-connected.
Electronic music and leather/SM are both ways that queer people have historically built community, created and shared knowledge, and kept each other safe. The current administration demonizes and villainizes queer people on the basis of a false moral framework of respectability, and its a trick. No amount of acting "respectable" will humanize queer people in the eyes of this administration and get us the rights we deserve. Revitalizing the connection between electronic music and queer leather/SM is a way to affirm the cultural power of both during a time when it has never been clearer that we keep each other safe. Rayna, a transgender woman with a deep commitment to all of these cultural forms, has a strong message to deliver with this album. She has been a DJ and producer of electronic music for over thirty years and has been producing community cultural events for as long. She has also been involved in kink and bdsm for decades and is a well-known and respected DJ in the New York leatherdyke scene. Rayna made international headlines in 2017 when she came out as transgender while touring with LCD Soundsystem. In 2018 she left the Grammy winning band to pursue projects that were more connected with her queer experience, including founding Voluminous Arts a cultural organization that supports trans artists. Black Meteoric Star is a continuation of a thread in Rayna's work that runs through her Paper Eyes project and her role in Black Leotard Front. This thread has a comic book or x rated graphic novel component based around her experiences of being a sad lonely lesbian trans girl who got bullied a lot and found escape and the possibility of being avenged through X men comics and Dungeons and Dragons books.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Electronic music and leather/SM are both ways that queer people have historically built community, created and shared knowledge, and kept each other safe. The current administration demonizes and villainizes queer people on the basis of a false moral framework of respectability, and its a trick. No amount of acting "respectable" will humanize queer people in the eyes of this administration and get us the rights we deserve. Revitalizing the connection between electronic music and queer leather/SM is a way to affirm the cultural power of both during a time when it has never been clearer that we keep each other safe. Rayna, a transgender woman with a deep commitment to all of these cultural forms, has a strong message to deliver with this album. She has been a DJ and producer of electronic music for over thirty years and has been producing community cultural events for as long. She has also been involved in kink and bdsm for decades and is a well-known and respected DJ in the New York leatherdyke scene. Rayna made international headlines in 2017 when she came out as transgender while touring with LCD Soundsystem. In 2018 she left the Grammy winning band to pursue projects that were more connected with her queer experience, including founding Voluminous Arts a cultural organization that supports trans artists. Black Meteoric Star is a continuation of a thread in Rayna's work that runs through her Paper Eyes project and her role in Black Leotard Front. This thread has a comic book or x rated graphic novel component based around her experiences of being a sad lonely lesbian trans girl who got bullied a lot and found escape and the possibility of being avenged through X men comics and Dungeons and Dragons books.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
At their chilliest, most magnificent and dreadful.
Brilliantly remastered, one-sided.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Brilliantly remastered, one-sided.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Black Meteoric Star - No Title
2
Black Meteoric Star - No Title
3
Black Meteoric Star - No Title
4
Black Meteoric Star - No Title
5
Black Meteoric Star - No Title
6
Black Meteoric Star - No Title
7
Black Meteoric Star - No Title
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Black Meteoric Star - No Title
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Black Meteoric Star - No Title
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Black Meteoric Star - No Title
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Black Meteoric Star - No Title
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Black Meteoric Star - No Title
Voluminous Arts happily announces its second official release, a 12 track digital album and accompanying 3xLP limited 3 color vinyl edition entitled “Disco” by Gavilán Rayna Russom’s elusive alias Black Meteoric Star.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Silent Servant - M-87 (04:02)
2
Silent Servant - M-90 (04:32)
3
Silent Servant - M-99 (06:08)
4
Silent Servant - M-00 (04:45)
Territories: World excl. UK
2025 Repress
FORMAT: 12" 180g vinyl, generic sleeve, dl card
TRACKLIST
1. / A1 M-87 04:02
2. / A2 M-90 04:32
3. / B1 M-99 06:08
4. / B2 M-00 04:45
Juan Mendez aka Silent Servant is a figure in techno history that needs little introduction. As a member of the Sandwell District collective and the label’s art director he collaborated on works that were responsible for a global focal shift in the genre as their label adapted and challenged the paradigm of minimal techno, taking influence from other sources such as dub, post-punk, and even classical minimalism.
But Mendez’s relationship with music goes back much further than these seminal releases. With In Memoriam, Silent Servant’s latest release on Tresor Records, Mendez writes a deeply personal memoir of a 30-plus year career spent exploring and absorbing the shadowy side of music; a carefully crafted elegy to people, places, and times past and the lasting effect they have on the present.
Across the four tracks, Mendez pays tribute to the earliest Detroit techno and electro, the Belgian EBM movement and the wave music that followed, the monumental dub techno sound from Berlin, and the harder, abrasive sound of the UK at the turn of the last millennium; exploring and referencing the genres that informed his later work. Each track name gives a hint to the timeframe he is revisiting and re-contextualising as the E.P. repurposes the styles that exerted an influence on him.
This E.P. represents a pure distillation of Mendez’s memories whilst also cementing his place in the current and future sound of 21st century techno; aware of where we came from but focused on where we are heading.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
2025 Repress
FORMAT: 12" 180g vinyl, generic sleeve, dl card
TRACKLIST
1. / A1 M-87 04:02
2. / A2 M-90 04:32
3. / B1 M-99 06:08
4. / B2 M-00 04:45
Juan Mendez aka Silent Servant is a figure in techno history that needs little introduction. As a member of the Sandwell District collective and the label’s art director he collaborated on works that were responsible for a global focal shift in the genre as their label adapted and challenged the paradigm of minimal techno, taking influence from other sources such as dub, post-punk, and even classical minimalism.
But Mendez’s relationship with music goes back much further than these seminal releases. With In Memoriam, Silent Servant’s latest release on Tresor Records, Mendez writes a deeply personal memoir of a 30-plus year career spent exploring and absorbing the shadowy side of music; a carefully crafted elegy to people, places, and times past and the lasting effect they have on the present.
Across the four tracks, Mendez pays tribute to the earliest Detroit techno and electro, the Belgian EBM movement and the wave music that followed, the monumental dub techno sound from Berlin, and the harder, abrasive sound of the UK at the turn of the last millennium; exploring and referencing the genres that informed his later work. Each track name gives a hint to the timeframe he is revisiting and re-contextualising as the E.P. repurposes the styles that exerted an influence on him.
This E.P. represents a pure distillation of Mendez’s memories whilst also cementing his place in the current and future sound of 21st century techno; aware of where we came from but focused on where we are heading.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Gary´s Garage - Gary Loves Garage
2
Gary´s Garage - Garage Visit NYC (BA Premium Economy)
3
Gary´s Garage - Gary´s SP1200 (Doesn’t Have One Yet)
4
Gary´s Garage - Gary´s Pad Patterns
RUSH RELEASE!
It’s been a mere two months since Gaz released his first EP after coming back from a debilitating addiction to Greggs sausage rolls. Despite this long road of recovery, he has kept himself out of trouble and returned to furnish us with four more slabs of Steak Baked Garage Bakes!
Gary Loves Garage is a track of such pure Garage that if you knew how to take a m7/9 chord and pitch it about a bit you would be in the same ballpark. A lot of the Deep Garage Dads from his area Whatsapp Gary and on occasion, sit outside his house desperate for the library of m7/9 pad samples which Gaz has lovingly built up over many years on multiple Zip Disks. Of course, Gary would never share these m7/9’s as they form the backbone of his productions and if they got into the wrong hands there would be implications.
Gary gets a rare trip to NYC on Gary Visits NYC (BA Premium Economy). As the name suggests, Gaz splashed out on a British Airways Premium Economy ticket from Heathrow Terminal 5C but unfortunately Gaz got hammered in the Wetherspoons and didn’t realise that a 5C departure meant you had to get on the underground rail connection. He missed his flight.
Gary’s SP1200 - still a bone of contention for Gary with the lack of funds in his current life meaning an SP1200 is way out of reach. He has multiple ex-wives and various children which prove a drain on the monthly finances.
Finally -Gary’s Pad Patterns could be a paean to the aforementioned Zip disc, one of Gaz’s favourites! Zip disc 4 of 8. This has his best m7/9 chord samples on it and actually has not left the Zip reader since 1999 - apart from that one time when Gaz had to change the SCSI cable.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
It’s been a mere two months since Gaz released his first EP after coming back from a debilitating addiction to Greggs sausage rolls. Despite this long road of recovery, he has kept himself out of trouble and returned to furnish us with four more slabs of Steak Baked Garage Bakes!
Gary Loves Garage is a track of such pure Garage that if you knew how to take a m7/9 chord and pitch it about a bit you would be in the same ballpark. A lot of the Deep Garage Dads from his area Whatsapp Gary and on occasion, sit outside his house desperate for the library of m7/9 pad samples which Gaz has lovingly built up over many years on multiple Zip Disks. Of course, Gary would never share these m7/9’s as they form the backbone of his productions and if they got into the wrong hands there would be implications.
Gary gets a rare trip to NYC on Gary Visits NYC (BA Premium Economy). As the name suggests, Gaz splashed out on a British Airways Premium Economy ticket from Heathrow Terminal 5C but unfortunately Gaz got hammered in the Wetherspoons and didn’t realise that a 5C departure meant you had to get on the underground rail connection. He missed his flight.
Gary’s SP1200 - still a bone of contention for Gary with the lack of funds in his current life meaning an SP1200 is way out of reach. He has multiple ex-wives and various children which prove a drain on the monthly finances.
Finally -Gary’s Pad Patterns could be a paean to the aforementioned Zip disc, one of Gaz’s favourites! Zip disc 4 of 8. This has his best m7/9 chord samples on it and actually has not left the Zip reader since 1999 - apart from that one time when Gaz had to change the SCSI cable.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Unknown Artist - I've Taken (Too Many Garys)
2
Unknown Artist - Gary's Ballad
3
Unknown Artist - Gary's Garage (Is A Good Garage)
4
Unknown Artist - Nigel Garage
Picture a world without Garys. Picture a world without a Garage. Not a pleasant thought? That’s where Gary’s Garage comes in.
He’s got the Gary. He’s got the Garage (but not the UK Garage, though).Since 1950, there’s been a sharp decline in babies being named Gary. Garys are becoming a rare breed. That’s why Gary’s Garage was born – to release a garage record so pure and joyous, it’ll inspire parents everywhere to name their newborn “Gary,” bringing the name back to its rightful place.
Inspired by a faxed in reaction sheet to Azuli Records in 1999, Gary has graced us with 4 fresh tracks of Gazza Garage to form the Not Enough Garys EP. First up, I’ve Taken (Too Many Garys) — a chunky, bass-driven anthem that hits like a Greggs sausage roll on a summer’s day. Evoking memories of the 0171-dialling code, it’s pure stodge.
Next, Gary’s Ballad finds Gary in a reflective mood, lamenting the loss of the UK high street institution, Woolworths. Side 2 cranks up the GAZ with Gary’s Garage (Is A Good Garage), bringing back memories of some questionable nights in Streatham in the early 2000s.We close out with Nigel Garage, where Gaz digs out his Emu SP1200 and ramps up the BPM for maximum impact. Just kidding — Gary can’t afford an SP1200.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
He’s got the Gary. He’s got the Garage (but not the UK Garage, though).Since 1950, there’s been a sharp decline in babies being named Gary. Garys are becoming a rare breed. That’s why Gary’s Garage was born – to release a garage record so pure and joyous, it’ll inspire parents everywhere to name their newborn “Gary,” bringing the name back to its rightful place.
Inspired by a faxed in reaction sheet to Azuli Records in 1999, Gary has graced us with 4 fresh tracks of Gazza Garage to form the Not Enough Garys EP. First up, I’ve Taken (Too Many Garys) — a chunky, bass-driven anthem that hits like a Greggs sausage roll on a summer’s day. Evoking memories of the 0171-dialling code, it’s pure stodge.
Next, Gary’s Ballad finds Gary in a reflective mood, lamenting the loss of the UK high street institution, Woolworths. Side 2 cranks up the GAZ with Gary’s Garage (Is A Good Garage), bringing back memories of some questionable nights in Streatham in the early 2000s.We close out with Nigel Garage, where Gaz digs out his Emu SP1200 and ramps up the BPM for maximum impact. Just kidding — Gary can’t afford an SP1200.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Crazy P - Any Signs Of Love
2
Crazy P - Portals
3
Crazy P - System Failure
4
Crazy P - Not Too Late
5
Crazy P - Love Is Power
6
Crazy P - Mystify
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Crazy P - The Revolution Will Not Be Anything
8
Crazy P - Human After All
9
Crazy P - You Know How It Goes
10
Crazy P - Strange Affair
25 years on from the release of their debut LP A Nice Hot Bath With.., acclaimed English dance collective Crazy P return with their ninth studio album, Any Signs of Love.
Written and recorded in 2023, before the untimely passing of beloved frontwoman Danielle Moore, Any Signs of Love, is Crazy P at their best, crystallising three decades of unforgettable live performances, solid friendship and above all, excellent tunes.
Masters at blending a range of classic references, from underground disco to Fleetwood Mac, and making it entirely their own, the band’s drive to continually evolve as songwriters, producers, and performers is witnessed across the album’s 10 glorious new tracks. Lead single ‘Human After All, is the perfect introduction - a feel good, sultry groover, bedecked with italo-y arps, infectious piano hooks, and drenched in Balearic beats.
Their first album in five years, ‘Any Signs of Love,’ delivers everything fans expect from a band of their calibre—whose catalogue has built a loyal, multi-generational following and is equally at home soundtracking sweaty basement clubs, and outdoor raves, as it is on huge festival stages. From the anthemic ‘The Revolution Will Not Be Anything’, to the Italo-esque title track, and the psychedelic fruitiness of ‘Not Too Late’, Any Signs of Love contains all the core ingredients of the Crazy P magic: grooves galore, hooks, and the electrifying vocals of charismatic leader, Danielle Moore.
Listen: https://listen.k7.com/9f4e565f-a79e-4d0f-9088-49c4875aee45
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Written and recorded in 2023, before the untimely passing of beloved frontwoman Danielle Moore, Any Signs of Love, is Crazy P at their best, crystallising three decades of unforgettable live performances, solid friendship and above all, excellent tunes.
Masters at blending a range of classic references, from underground disco to Fleetwood Mac, and making it entirely their own, the band’s drive to continually evolve as songwriters, producers, and performers is witnessed across the album’s 10 glorious new tracks. Lead single ‘Human After All, is the perfect introduction - a feel good, sultry groover, bedecked with italo-y arps, infectious piano hooks, and drenched in Balearic beats.
Their first album in five years, ‘Any Signs of Love,’ delivers everything fans expect from a band of their calibre—whose catalogue has built a loyal, multi-generational following and is equally at home soundtracking sweaty basement clubs, and outdoor raves, as it is on huge festival stages. From the anthemic ‘The Revolution Will Not Be Anything’, to the Italo-esque title track, and the psychedelic fruitiness of ‘Not Too Late’, Any Signs of Love contains all the core ingredients of the Crazy P magic: grooves galore, hooks, and the electrifying vocals of charismatic leader, Danielle Moore.
Listen: https://listen.k7.com/9f4e565f-a79e-4d0f-9088-49c4875aee45
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Nu Genea - Bar Mediterraneo
2
Nu Genea - Tienate
3
Nu Genea - Gelbi (with Marzouk Mejri)
4
Nu Genea - Marechia (with Celia Kameni)
5
Nu Genea - Straniero
6
Nu Genea - Vesuvio
7
Nu Genea - Rire
8
Nu Genea - La Crisi
Four years after Nuova Napoli, Nu Genea are back with Bar Mediterraneo, a new album and journey, which projects the
sounds of the Neapolitan duo formed by Massimo Di Lena and Lucio Aquilina even further.
Nu Genea's Bar Mediterraneo is an idea of a shared place where people meet and fuse together; a space that leaves its
doors open to travellers and their lives, always exposed to the whims of fate. Some of this can be experienced through the
multitude of sounds that come together in the tracks, layers of different acoustic instruments, voices and synthesizers
merging in a unique musical blend.
Opening up to the voices of many different people, separated by languages but united by the sea and the music, Nu
Genea's hometown, Napoli, becomes a true place of encounter.
You can hear this all along. In "Gelbi", a gorgeously deep and propulsive Ney flute plunges into murky waters of the
melancholic Tunisian dialect sung by Marzouk Mejri. In "Marechia'", unbridled happiness and sun ooze from the delicate
vocals of Célia Kameni and create an acrobatic bridge between French and Neapolitan language. In "Straniero", your
soul is arrested from the moment the slow spell-binding mandolin ignites the hypnotic patterns recorded by the legendary
Afrobeat drummer Tony Allen. In "Bar Mediterraneo", the title track, bittersweet guitar’s riffs, analog waves and choirs are
overwhelming the song giving you what you would like to hear on a boat trip along the Amalfi Coast.
Nu Genea couldn't afford to overlook their firmly anchored roots into the Neapolitan culture and its dialect with "Tienaté",
where the power of neapolitan language (interpreted by Fabiana Martone) supports those quarter-tone strings and the
uncessant folk-disco groove that spreads to the entire song. In "Praja Magia", repetitive mandolin riffs lead the song,
giving space to a choral yet tight vocal line that speaks of Varcaturo, a village close to Napoli. In "Rire", a volley of poetic,
deceptively laidback, lyrical fury interpreted by Sicilian Marco Castello intimately combines with a highly musical, multitextured
instrumental backbone and the swoon of a chanson in its heart. In "La Crisi'', the lyrics of a Raffaele Viviani’s
poem from 1930 have been adapted to a laidback jazz-funk groove in full NG style. In "Vesuvio", revaluing the evocative
verses and powerful mantra of Vesuvio, Nu Genea re-adapted to the dancefloor a folk song by the working-class band E’
Zezi from Pomigliano D'Arco, combining the voices of a school choir with Jupiter-6 arpeggios and bold percussions.
Bar Mediterraneo is the place where people constantly return to transform curiosity into participation, tradition into
sharing, unfamiliar into familiar. When travellers come through its “doors”, carrying their treasures of words and emotions,
they aren’t strangers any more. They take part in a shared experience, enriching themselves and others by leading to
unexpected musical journeys.
TRACKLIST:
A1. Bar Mediterraneo
A2. Tienaté
A3. Gelbi (with Marzouk Mejri)
A4. Marechià (with Célia Kameni)
A5. Straniero
B1. Praja Magia
B2. Vesuvio
B3. Rire
B4. La Crisi
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
sounds of the Neapolitan duo formed by Massimo Di Lena and Lucio Aquilina even further.
Nu Genea's Bar Mediterraneo is an idea of a shared place where people meet and fuse together; a space that leaves its
doors open to travellers and their lives, always exposed to the whims of fate. Some of this can be experienced through the
multitude of sounds that come together in the tracks, layers of different acoustic instruments, voices and synthesizers
merging in a unique musical blend.
Opening up to the voices of many different people, separated by languages but united by the sea and the music, Nu
Genea's hometown, Napoli, becomes a true place of encounter.
You can hear this all along. In "Gelbi", a gorgeously deep and propulsive Ney flute plunges into murky waters of the
melancholic Tunisian dialect sung by Marzouk Mejri. In "Marechia'", unbridled happiness and sun ooze from the delicate
vocals of Célia Kameni and create an acrobatic bridge between French and Neapolitan language. In "Straniero", your
soul is arrested from the moment the slow spell-binding mandolin ignites the hypnotic patterns recorded by the legendary
Afrobeat drummer Tony Allen. In "Bar Mediterraneo", the title track, bittersweet guitar’s riffs, analog waves and choirs are
overwhelming the song giving you what you would like to hear on a boat trip along the Amalfi Coast.
Nu Genea couldn't afford to overlook their firmly anchored roots into the Neapolitan culture and its dialect with "Tienaté",
where the power of neapolitan language (interpreted by Fabiana Martone) supports those quarter-tone strings and the
uncessant folk-disco groove that spreads to the entire song. In "Praja Magia", repetitive mandolin riffs lead the song,
giving space to a choral yet tight vocal line that speaks of Varcaturo, a village close to Napoli. In "Rire", a volley of poetic,
deceptively laidback, lyrical fury interpreted by Sicilian Marco Castello intimately combines with a highly musical, multitextured
instrumental backbone and the swoon of a chanson in its heart. In "La Crisi'', the lyrics of a Raffaele Viviani’s
poem from 1930 have been adapted to a laidback jazz-funk groove in full NG style. In "Vesuvio", revaluing the evocative
verses and powerful mantra of Vesuvio, Nu Genea re-adapted to the dancefloor a folk song by the working-class band E’
Zezi from Pomigliano D'Arco, combining the voices of a school choir with Jupiter-6 arpeggios and bold percussions.
Bar Mediterraneo is the place where people constantly return to transform curiosity into participation, tradition into
sharing, unfamiliar into familiar. When travellers come through its “doors”, carrying their treasures of words and emotions,
they aren’t strangers any more. They take part in a shared experience, enriching themselves and others by leading to
unexpected musical journeys.
TRACKLIST:
A1. Bar Mediterraneo
A2. Tienaté
A3. Gelbi (with Marzouk Mejri)
A4. Marechià (with Célia Kameni)
A5. Straniero
B1. Praja Magia
B2. Vesuvio
B3. Rire
B4. La Crisi
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
E.R.P. - A1.5080 JD 800
2
E.R.P. - A2.Microcentric
3
E.R.P. - B2.Four Alone
4
E.R.P. - B1.5080 JD 800 (Convextion Remix)
Heavyweight groove from ERP — deep electro pressure with Microcentric on the flip, plus a killer Convextion remix. Pure machine soul for late-night heads.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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DE - 22113 Hamburg
Germany
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1
A1. Dj Soch - Explosion
2
A2.AIssam Dahmani - The Bass Said So
3
B1. Manuold - Harmony
4
B2. Nicholas - Club Haze
After careful consideration, Black Angus Records has changed its name to BKA Records – short for ""Beats Kickin' Again."" The label relaunches with an EP that fully reflects its roots: four impactful tracks by Italian artists who are now well established in the international house music scene. The first track comes from DJ Soch, founder of the label. It's marked by a powerful beat, driving bassline, and a flowing synth solo that builds tension and energy, aiming straight for the dancefloor. Next is Issam Dahmani, a young DJ and producer, now also a partner in the label, with a warm, full-bodied track that in some sections recalls the sonic approach of Kerri Chandler. A track that's hard not to play. The third cut is by Manuold, a seasoned producer from Palermo, who delivers a sound inspired by early '90s New York house, dreamy and atmospheric, with a strong groove throughout. Closing the EP is Nicholas (of Aura Safari) with a classic flavored production pulled from his archive: gospel touches, piano house elements, and swinging rhythms come together in a track that perfectly embodies the essence of house music.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More