Clear Memory welcomes En Direct back. After their appearance on CLEAR001 they released two EP's on our sister label Lunatic. With 'The Illusion Of Control', En Direct release their first album. A long player diving deep into the realms of the human mind and its abyss. Exploring insecurities, uproar and mania with Industrial studies and EBM, rounding it off with bittersweet Minimal Wave and Electro for the sleepless Edition of 200, comes with Info-Sheet.

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No sleep till Leipzig. 6 track EP in the ether with new and familiar faces. From acidic Slow-Death-Funk to the resurrection of Cybotron to a ballad that has been delayed by Deutsche Post. Claim it before you are shown an error message.

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WAS - Word and Sound Medien GmbH
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Fresh produce from the man behind the synths. 8008 EP is the sixth edition in Varum's discography. Showcasing his signature style of bouncy beats with just the right hint of breaks thrown in. True to its creator, this EP is not playing it shy when it comes to bold synth-lines and making the best of the drum machines at hand. A wild ride in various tempi and vibes.

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Riding the Thin Line" is an EP by DJ Bone, an influential figure in the Detroit techno scene. Released in 1999, the EP showcases DJ Bone's signature style characterized by deep, driving beats and intricate rhythms. The tracks blend elements of classic Detroit techno with contemporary sounds, reflecting his ability to bridge different eras of electronic music. The EP is noted for its experimental approach while maintaining a dancefloor-friendly vibe. Each track offers a unique listening experience, highlighting DJ Bone's skills as a producer and DJ. His work often emphasizes a sense of journey, making "Riding the Thin Line" a compelling addition to any techno enthusiast's collection. Overall, the EP reinforces DJ Bone's reputation as a pioneer and an innovator within the techno genre.

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In 2025 Acid Jazz announced the Spring Revisited project, in collaboration with Ace Records, exploring the musical legacy of the iconic New York label Spring Records, with a series of new mixes and limited edition vinyl releases.

After the rapid sell-out of the first release – 12” mixes of Millie Jackson’s iconic ‘We Got To Hit It Off’ from Dimitri From Paris and Opolopo respectively – they are introducing a special 7” to the series. This release is fronted by Dimitri’s ‘Liberated Woman Edit’ of the track – a vinyl exclusive, dance-floor and flight-ready for DJ sets this summer. It is backed by a special edit of Dave Lee’s inspired disco mix of The Joneses ‘Love Contest’.

It is presented in a beautiful, aged reproduction of the classic Spring house-bag, looking as if it were hand-delivered to you from 1979. Limited to 500 copies.

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Housey Doingz, widely regarded as one of the most influential collectives to emerge from the London scene, returns to Sushitech with an extraordinary new release, set to become a cornerstone for discerning collectors.

This exclusive 10x10” series reflects Sushitech's 20th anniversary, featuring remastered tracks, rare and previously unreleased material carefully selected from the legendary Strange Weather DAT archives.

The first installment includes a remastered version of the iconic Flying Saucer, a true Fabric classic, alongside a never heard before, unreleased dub version.

Sushitech 20th anniversary.

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We’re proud to present the next release on Evasive Records: a heavyweight repress two-tracker uniting label head honcho Rob Pearson with long-time collaborator Robin Ball (Groove Pleasure / Memory Box).

Originally released in 2006 on Robin Ball’s Groove Pleasure imprint (Cat. No. GPL11), ‘Don’t Put Up Wit Dat’ marked the first collaboration between these two respected DJs, producers, and label bosses. With the resurgence of early-2000s tech house and renewed interest in the signature South London sound, original copies of this underground gem have been fetching well over £100 on Discogs. A relentless, driving cut of pure tech house craftsmanship, this one has been in high demand from crate diggers and connoisseurs alike — and now it’s finally back on wax.

‘The Right Vibes’, the duo’s second collaboration, followed in 2008. Produced at Evasive Records' South London HQ, Online Studios, it originally appeared on the EVA021 Various Artists EP. Another standout slice of tech house, this track has remained a staple on Discogs want-lists for years — and for good reason. With a rock-solid groove, peak-time floor power, and a breakdown that still delivers nearly two decades later, it's a natural choice for reissue.

Both tracks have been lovingly mastered by Marco Pellegrino at Analog Cut (Berlin) from the original Online Studios DAT tapes — sounding every bit as fat, if not fatter, than the original vinyl releases.

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Repress!

Melchior Productions Ltd. returns to his own My King Is Light imprint with a brand-new 12"—this time alongside Romanian-Russian pianist-producer Mischa Blanos, one third of the acclaimed Amorf trio, Jupiter Tracks pt. 1 is a beautiful record, deep and emotional, as if beamed in from another world—yes, Jupiter.

Across “Push,” “First Eva,” and “Spirit Of 23,” the pair interlace meticulous programming and crystalline sound design into an ever-shifting strain of minimal house. Dispensing with overt drama, the EP zooms in on nuance: textures flicker between digital shimmer and tactile grit, while Melchior’s trademark restraint leaves ample space for Blanos’s melodic Midas touch to radiate quietly.

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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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Housey Doingz, widely regarded as one of the most influential collectives to emerge from the London scene, returns to Sushitech with an extraordinary new release, set to become a cornerstone for discerning collectors.

This exclusive 10x10” series reflects Sushitech's 20th anniversary, featuring remastered tracks, rare and previously unreleased material carefully selected from the legendary Strange Weather DAT archives.

The forth installment in the series is big, bold and raw, driven by 303 basslines.On the A side, the unreleased Without You with heavy dub version on the flip. These house rarities come straight from the exclusive archives of these legendary pioneers.

Sushitech 20th anniversary.

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AKU welcomes UK producer Subb-an for its 26th release with a deep and powerful 12”. Four versatile tracks blending rolling basslines and refined textures that reflect the precision of his production. An essential addition to any record bag, tailored for timeless moments on the dancefloor.

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Gladio Operations closes 2024 with its tenth release, which bears the signature of the German producer Elektrotechnik.

This EP, entitled Kontrast, comprises three original tracks and two remixes. The A-side starts with Sigma, a rogue track with light trance touches and an appropriate psychedelic bass line. Russian producer Larionov returns to Gladio and gifts us his fantastic vision of Sigma, turning it into a more energetic piece destined exclusively for the hottest dancefloors. Side A ends with Kontrast, a track of aggressive rhythms and moulded with powerful dark textures.

On the B-side, we encounter Die Bestie, perhaps the most robust track and possessor of disturbing and tenebrous harmonies, an enigmatic journey with no return. The owners of the UHF label get back on track by creating remixes, being in charge of closing the EP, and offering us a deeper and more cosmic approach than the original track.

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In recent years, Blackploid has come to be one of Central Processing Unit's signature artists. The German producer has averaged more than a record a year for the Sheffield imprint since he first landed on CPU in 2021. This prolific run continues withCosmic Drama, Blackploid's second LP for the label. The album takes the baton from its predecessorEnter Universein style, delivering twelve tracks of top-quality machine-funk that draw down from electro's classic artists while also imbuing proceedings with a playfulness that very much gives things a signature Blackploid-ish flavour. Cosmic Dramasets its stall out from the off. The opening run of 'Alien', 'World Construction' and 'Virtual State' all deliver piston-snapping beats which anchor pleasing melanges of B-movie synth lines. Alongside this, Blackploid adds little flourishes which add buoyancy to each joint - a syncopated bassline reminiscent of I-f's late-90s classic 'Space Invaders Are Smoking Grass', crackling robo-voiced commands, skittering synth chords which wash across the mix and so on. It's the work of someone completely at ease with their craft, comfortable enough to take risks without upsetting the apple cart of their sound's core appeal. Blackploid's idiosyncratic approach to synth work is something which distinguishesCosmic Dramafrom the pack. Electro has long been a genre which prides itself on innovation on the keys, but few producers are willing to push their sonics as far as Blackploid does - take the seasick churn of pads and processors on 'Multiverse', for instance, or the way John Carpenter-esque single-note lines dovetail with gurgling synthetic pulses and eerie, spacious chords on 'The Lab', a highlight ofCosmic Drama's midsection. Cosmic Dramaskips along at club tempo throughout - every one of these joints will get bodies moving in dark rooms across the galaxy. However, even when tracks maintain their single-minded pursuit of machine-funk perfection, they never forget to deliver on the hooks. Blackploid has lead lines (and counter-melodies) to burn here, and each track knots them together in ever-more intriguing ways as they plough onwards. Drexciyan heads will be thrilled by the sci-fi delights of 'Species', for instance, while Blackploid brings melodies as cold as they are catchy on the aptly-named 'Polar Dunes'. By the timeCosmic Dramahits upon the vroom-vrooming bassline line of closer 'Contact', you're fully enthralled to the album's combination of broken-beat heft and synthetic melodiousness. Central Processing Unit mainstay Blackploid comes through with another delightful dozen of electro heaters for the Sheffield label.

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