Tracklisting
A1 Unknown Artist - FLO
B1 Unknown Artist - Raise

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The Venetian Orchestra strikes again, this time with "Señora" on the A side, an extended new take on Victor “Il Pirulli’s” rendition of “Señora”, kept in secret for years, but a track that few lucky ones might have already heard on certain DJ Harvey sets over the last recent years. Skilfully encapsulating the Balearic juices of the original while still giving it a playful full bodied new sound, sitting somewhere in between the categories of a remix and cover version with a newly made instrumentation, pure drama!
B side shifts the listener into a slower gear with a Gypsy Kings downtempo classic “Caminando”, stretching it out into dreamy mediterranean bliss, a chuggy dub atmospheric re-work of a Flamenco love anthem. Limited quantities, buy on sight.

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Tracklisting
A1 Unknown Artists - Shape Shifting
A2 Unknown Artists - These Mornings
B1 Unknown Artists - I'm God
B2 Unknown Artists - Beautiful
B3 Unknown Artists - Wrong Side

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Tracklisting
A1 Unknown Artist - Ice Cream Dub
B1 Unknown Artist - Marijuana

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2026 repress


Tracklisting
A1 Unknown Artist - Samba Samba
A2 Unknown Artist - Lo Que Esta Pasando
B1 Unknown Artist - Cafe Y Ron
B2 Unknown Artist - Get Funky

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2026 repress

Tracklisting
A1 Unknown Artist - Show Me Luv
B1 Unknown Artist - Break A Dawn

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Loftsoul Re-Works returns with its eighth installment, delivering a vibrant 4-track EP that blends house, disco, and funky grooves with unmistakable style. warm, soulful energy, infectious rhythms, and refined production that stays true to the timeless sound.


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2026 repress

A1 Unknown Artist - Good Feelin'
B1 Unknown Artist - Heart Break

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Tracklisting
A1 Unknown Artist - Requiem 4 Dreams (Amen Addict Remix)
B1 Unknown Artist - Ocean I (Hardcore Jungle Remix)
B2 Unknown Artist - Morning After

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This catchy edit brings George Michael's 1987 cult ballad "father figure" on the dance floor. With its rough 909 kick and the straight arrangement leads the track right into the soulful glossy break of the original and switches back to underground house. Dexterous mixture that merges rather contrasting elements of two musical decades with appropriate respect to the masterpiece of one of the former giants of mainstream pop. Definitley a must have including savety DJ douple copy on the flip!

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In 2022, Daniele “Shield” Contrini of Rebirth Records proposed Paraíso to the great man himself, a compilation honouring Alfredo’s legacy. After Alfredo’s passing in December 2024, the project was final; with artists rallying to honour his vision and memory.

Before becoming a global clubbing hotspot, Ibiza embodied freedom—a place where sunrises blurred into sunsets and music became a way of life. In the 1950s and '60s, the island drew artists, hippies, and outsiders seeking escape and creative liberty.

In 1976, Alfredo Fiorito, fleeing political repression in Argentina, arrived in Ibiza and stayed. A former music journalist, he soon began DJing at Amnesia, a farmhouse-turned-club where time bent and boundaries dissolved. With eclectic, genre-defying sets, Alfredo blended reggae, flamenco, soul, rock, and early house, crafting a hypnotic energy that captivated a generation.

British DJs like Trevor Fung, Paul Oakenfold and Danny Rampling brought this “Balearic Beat” back home. But Balearic wasn’t a style it was a mindset. As DJ Leo Mas said, it was “a state of mind,” where rhythm, spirit, and psychedelia merged.

Other clubs like KU, Es Paradis, Pacha, and Lola’s amplified the movement. Visual artists such as Yves Uro gave it a striking identity, and DJs like César de Melero, DJ Pippi, and Jon Sa Trinxa carried the sound into a new era. José Padilla’s sunset sessions at Café del Mar birthed chill-out music as breath, not just beat.

But the 1990s brought change. Laws requiring roofs on clubs altered the open-air magic. Commercialisation followed; freedom became luxury, and many pioneers left.

Still, the Balearic spirit lives—raw and untamed. It pulses in hidden parties, intimate venues like Pikes and Hostal La Torre, and sacred places like Benirrás and Las Dalias.

Featuring 16 tracks of classic and true Balearic sound; alongside House & proto-House tracks that Mr Fiorito spun, the album also includes an unreleased Alfredo track and stands as a tribute to the man, the music, and the enduring spirit of true Ibiza.

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The inaugural excursion from Fake Build comes by way of in-house coordinator “dj set”. Leading you down a well worn path, the Quest Log reveals 4 choices of deep, techy, dubby house music. Modern sheen diffused with classic grit ensures optimal groove, never overstepping or hanging too far back in the shadows.

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Before he became better known as Porn Sword Tobacco (PST), Swedish producer Henrik Jonsson released two albums under the name of Stress Assassin. Like his later oeuvre, the tunes are spacious, cinematic and multi-layered, influenced by the likes of Harold Budd and Tangerine Dream, but for this project there is additional guidance from Lee Perry and Moritz von Oswald.

Released on vinyl for the first time, Within the Office of Eye and Ear’s smoked-out ambience and blissful beats are permeated with melodic bass and cinematic space. Found sounds, floating voices and intermittent pops ripple amongst the sweet harmonies, lush atmospheres and pulsating basslines, creating a captivating other-worldly dreamspace.

As Henrik explains: “Made often at night in an attic in Gothenburg, it’s music I did in a world far away from today: the music was, and is, about not running along with a stress-y society soaked in TV, media and materialism, out of touch with the calm beauty this world gives us”

He certainly succeeded as Within the Office of Eye and Ear offers the ultimate stress assassination.

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Malta’s Melchior Sultana is a multi-instrumentalist with releases on labels like Ten Lovers Music, Oath and Underground Quality. Not to mention his own Profound Sound Music label or collaborations with Owen Jay. Here he debuts on Cataleya Music with Ghost, which is an uplifting deep winner with a Mediterranean feel. The vocals from Janelle Pulo give it a spiritual edge. Guitars and synths do the heavy lifting. Kai Alcé’s NDATL Remix really focuses on the piano keys, taking it further into Deep and Spiritual territory. Vick Lavender’s Higher Frequency Remix is a brass and key journey. This heavier interpretation gets seriously jazzy later on. Ghost is a strong debut from Sultana, backed by high quality remixes.

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Growing up on the slag heaps of County Durham Northumbria, young Sam Robson dreamed of one day finding a better way & somewhere to live with nicer bloody weather! An avid record collector from an early age he looked to music for the answer…
Born in Bradford in the late 60's and growing up in the North-East in the 70's, alternative music fast became his obsession from punk, to new wave, two tone, rock and new romantic he collected it all. Electro and Hip Hop hit his local boombox in the form of "Crucial Electro" on StreetSounds Records and he was soon hungry for anything new & electronic coming out of the U.S.
His call was answered one day at school his mate Gareth (a fellow music enthusiast) lent him a 12" record from Chicago that opened up his mind & changed his course. The piano and gospel tinged record was none other than Marshall Jefferson's "House Music Anthem" that told him "to move your body" and that "house music was gonna set you free…' The rest is History. forward 10 years later to 1996 and Big Sam is now DJing a weekly House night in Santa Barbara alongside LA stalwart DJ Doc Martin. He lives just south of Santa Barbara two blocks from the Pacific Ocean in the sunny beach town of Carpinteria, (about an hour north of Los Angeles).
The warehouse is kitted out with a full studio set up of Roland Corp's latest & greatest but he also has the City Planning Commission breathing down his neck and threatening the boot as his residence unbeknownst to him had been built without any city permits! He is told that his only hope for keeping his building safe from demolition is THE CALIFORNIA COASTAL COMMISSION who protect everything 3 miles in on the entire California coast.
With the Coastal Commission on his mind & while managing L.A Dance Mecca music store "Beatnonstop Records" he meets fellow Brit, musician & house-head Chris Penny aka CPen. They quickly bond at The Cat & the Fiddle over a pint & early 90's rave and Jungle toons. Sam invites Chris up to his studio in Carpinteria for a weekend getaway from LosAngeles and a studio seshion. That night they stuff Chris's Rhodes piano in the boot of Sam's tiny Beemer and shoot up the coast on Highway 101 Carpinteria bound with their mate Lil Johnny "Toaster Oven."
After burning the midnight oil (with fellow studio boffin & PCH engineer "Evil Eye" Nate), when daylight broke "Rhodes through Space" was born. A mastering session was quickly booked and the white labels arrived a week later where they were quickly stuffed into a suitcase and it was off to South Beach/Miami to promote the track at for WMC aka Winter Music Conference. In quiet desperation and not knowing what to name the collective "COASTAL COMMISSION' featuring CPen was agreed upon and scribbled onto the White Labels. As fortune would have it, Sam would run into Philly House stalwart King Britt outside his hotel who was a regular customer at the store back in L.A. King would be one of the first peeps to receive a copy of the record. That night King invited Sam to the club where he broke the track at the Basement Jaxx Conference party party to a packed house alongside legends Daft Punk, Armand Van Helden & DJ Sneak.
25 years later the Coastal Commission are back, remastered and Cpen has since received two Grammys with Honey Dijon for their work on Beyonce's House album. "Rhodes Through Space" is a musical tribute to the club/rave/warehouse party that is still relatable to this very day.


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Dark Entries returns to the steam room with Coatshek’s Sound Bath. For their SoundBaths series, now-defunct poppers brand Double Scorpio commissioned artists to make mixes for an imaginary queer bathhouse. When asked to contribute, San Francisco-based artist Coatshek aka Sheki Cicelsky took the opportunity to create original compositions. The resulting album, Sound Bath, serves as a masterclass in slow and sultry ambient techno. Taking inspiration from Pink Floyd, Manuel Göttsching’s E2-E4, and his friend’s DJ mixes (particularly Nick Moss and Matthew Paul’s for “Por Detroit”), Coatshek landed on 107 bpm as the optimal speed for sauna sex. With just a few synths, his Telecaster, and “lots of delays, reverb, and weed,” he sculpted stunning cuts like the effortlessly grooving “Softest” and the psych-laced “Triple Virgo.” The cover for Sound Bath was designed by Coatshek’s fiancé Nate Sprecher, and features photographs by Luke Kraman taken at The Ever Afters campout. The album also includes an insert featuring the Double Scorpio SoundBaths series artwork by Blake Wright. Equally hypnogogic and sexually supercharged, Sound Bath situates the bathhouse as a liminal dreamspace of unbounded erotic potentiality.

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Unearthing old gems, remastering and bringing them back to the forefront is what Private Parts are up to for release number 07 in the catalog. Original London Tech masters Rob Pearson & Dave Mothersole originally released Wanting You in the early 00’s, but with the extreme prices on Discogs it seemed like the right choice to get this re pressed for your pleasure.

Wanting you is everything you ever wanted from those timeless sounds of London Tech. Dubbed out vocals, tribal rhythms, pulsating acid lines and a groove to keep you locked right in.

Flipping to the B, and the biggest thank you to Rob himself for spending weeks searching old DAT tapes in his loft to find the original pre master of the driving remix from the late Iteration X. They don’t come more heads down, and hypnotic than this. Throbbing bass stabs, luscious chords and in true Iteration X style, a roller that you could keep you shaking for days on end.

It only seems fitting to dedicate this re issue to Simon Copleston, Mr Iteration X. Thank you for the music!

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Metroplex is proud to welcome Italian producers CEM3340 & 2030 to the label with the release of their new project "A Future Tribe"and their Machines Awake EP. This five-track release delivers a bold and immersive journey into electro, blending razor-sharp production with deep atmospheres and driving rhythms. Produced at their headquarters in Bari, the EP reflects both artists' precise craftsmanship and forward-looking approach to electronic music. With Machines Awake EP, CEM3340 & 2030 pay homage to the classic foundations of the genre while pushing it into new and exciting territory. Their sound aligns seamlessly with Metroplex's legacy of innovation, and we're thrilled to present this release as part of our ongoing commitment to groundbreaking electronic music. Machines Awake EP is available now across all major platforms.

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Real Tone Classics – a limited-edition vinyl release showcasing four iconic tracks handpicked from the legendary archives of Real Tone Records. A timeless tribute to house music’s golden era.

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In celebration of Pride Month, Kinga struts to Dark Entries with “Sexy Boy,” a steamy Canadian pop gem. Inspired by gender-bending pop stars of the 1980s like Boy George and Janet Jackson, a young Tomas Fussey aka Kinga ditched his “schoolboy appearance” to adopt an edgier, androgynous style. Immersed in Calgary nightlife, he became acquainted with sexy synthpop and disco songs like Madonna’s “Everybody,” Divine’s “Native Love,” and the Flirts’ “Passion” - songs which still linger in his mind. He began writing music: “It was 80s. Everyone was making a record. So I made one too.” In 1988 he teamed up with keyboardist Dan Madison and veteran producer Bob Gallo to make “Elevator Operator” and “Sexy Boy.” Kinga was surprised when the B-side “Sexy Boy” garnered substantial radio play from CFNY in Toronto. But he notes: “They saw the obvious... My physical appearance supported the lyrics.” In 1989, Amok Records backed a new “Late Night Dance Mix” version of “Sexy Boy.” Almost every part was re-recorded or remade, including Kinga’s vocals. The new version surprised Kinga with its slick production and moody atmosphere. Sales were disappointing, and Kinga stated “It was not the sound of the moment.” But these deeper house-inflected grooves feel like the sound of our current moment. This release of Sexy Boy includes five different mixes, including the original 7” mix, three versions from the 12”, and the previously unreleased “TV Mix”. Sexy Boy comes sleeved in a reproduction of the original artwork and includes an insert with liner notes and lyrics, as well as an 8x10 glossy press photo of the sexy boy himself.

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