Polymania is a collaboration between Earl Grey and Aroma Nice, both of whom hail from the North West of the UK and are known for their genre-pushing productions in and around the overlapping modern Drum & Bass, Jungle and Drumfunk spheres. This record is a euphoric ravey jungle affair with strong acidic inflections, extrovert and dancefloor-focussed, where effortlessly slick percussive flair shines and rolling acid lines squirt out through the seams - the result of two long-time friends with heaps of production experience having a lot of fun. A-side opener 'Farce of Nature' sets the tone with high energy stabs and a big grooving bassline, rooted in 90s jungle techno but rendered in full high definition, while 'Happy Slaps' continues the theme with crisp drums dancing over an undulating resonant acid line. 'Tank Ammo' deftly ramps up the euphoria with a spiralling melody rising towards a lethal switch-up midway, using filtered choppage to burst the tension with extreme precision. Bouncy acid breaks bubbler 'Give U Up' closes the EP slowing the tempo a touch and dialling up the funk - a refreshing palate cleanser laced with rich braindance melodies and an infectious vocal hook.

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Mattias Östling makes a welcome return to Love Love as Rolando Simmons for new LP 'Animatronics' after recent forays on Analogical Force and Furthur Electronix and nearly 8 years on from his Love Love debut 'World Building'. Hailing from rural Sweden, Östling creates understated but rich and dreamlike productions which have seen him become a familiar name beyond the braindance circles his music first found a home in, recently playing live at venues in the UK like Fold and Houghton Festival. As is characteristic of Rolando Simmons' work, a strong sense of narrative runs throughout this LP. 'Animatronics' stylistically plays across the gamut of Electronica, from the lush, playful braindance of 2nd track 'Purple Soap', to the upbeat syncopated rhythms within 'GlobalGroove Dust Club', and the slowly advancing icy ambient techno dirge of closer 'Memory Defrost'. The ephemeral ambient elements laced throughout allude to a sense of comfortable sedation but darker shades no doubt loom beneath. Measured in its operation and warm in its presentation, the album often steers into unknown spaces, moving through a range of tonal shifts, all the while feeling contained within a unified and detailed imaginary world.

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Luke's Anger (real name Luke Sanger) delivers his first outing on Love Love, Ceiling Walker. Sanger is a relentlessly interesting hero of the underground, probably best known as a techno and electro producer and an active player in the live experimental techno scene across Europe, notably including multiple appearances at Berghain/PanoramaBar. Based out of Norwich, UK, Luke has put out a plethora of banging records for two decades in styles from across the rave spectrum on some of our favourite record labels like Tigerbeat6, Don't and Sneaker Social Club, as well as an increasing amount of more ambient-leaning releases under his real name in recent years. Recognised as a true techno stalwart, Luke has received support from the likes of Surgeon, Dave Clarke, The Advent and Jerome Hill. This EP fits firmly into the 'banging' camp - more than a nod to classic stateside sci-fi electro stylings as well as UK dance music's bleep techno bass foundations, this is popping, caustic, mechanical phunk expertly engineered to make you shake and wiggle. Particle Swarm kicks the EP off with strung-out synth chirps and plenty of latex squelch before moving onto the bounciest number, Threshold Rider, with buoyant bassline droplets poking through a solid 808 framework. On the flipside, title track Ceiling Walker utilises rushing crescendos and fluttering analogue rhythms to keep the dancefloor in rapture while closer, Silicon Boogie, achieves maximum levels of funk by aptly juxtaposing digi vocal snippets against square wave bass.

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Essex-based Nasty Rhythm is a raver from the good old days who turned his hand to making music a few years back during UKs lockdowns, causing a minor sensation on youtube after uploading his very first track. The raving spirit shines through brightly here, capturing the vibe of 1992 hardcore like lightning in a bottle on the 2 original A side tracks. Backed with pumped up remixes from The DJ Producer and Rognvald the whole EP provides a breakneck trip along the hardcore continuum.

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Love Love host a collaborative release by two of the freshest contemporary Avon producers, Best Pest and Kursa. Kursa (also one half of S.Murk) has built a notable following in the UK as well as in the USA, playing out often at big stateside events with his own style of tight, maximalist bass music - think Tipper, Eprom, Noisia etc… Ben Pest is no stranger to Love Love with 2 previous solo releases under his belt, best known for his crunchy techno & electro and ripping hardware live-sets. Here they come together for a 5 track genre-hopping EP, each flexing their respective production sensibilities, splicing elements of dubstep, grime, hardcore & garage together, along with a healthy dose of multi-dimensional sound design, to make some of the noisiest modern dance music going. Early support from: Clouds, Giant Swan, Rob Hall, A Made Up Sound, Om Unit, Nikki Nair, Luke Sanger, Deft, Warlock, Second Storey...

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Drumfunk/braindance don dgoHn (John Cunnane) returns to Love Love for a collaborative 4 track EP, 'Talk To The Planets', alongside avant-garde experimentalist Danish friend Oliver Duckert. Oliver is an electronic evangelist and the founding member of chameleonic cyberjazz group Badun, created in Århus, Denmark, but often found tuning in and out of the space/time hyperlink. John who needs no introduction at this point makes his first appearance on the label since widely-lauded 2020 album 'Undesignated Proximate' and follow-up 2022 remix project which featured an array of peers such as Skee Mask, Djrum, Meat Beat Manifesto and Equinox. White coloured vinyl in a full colour spined sleeve.

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Hellfish and Bryan Fury, the Axe Gabba Murda Mob, are two of the biggest innovators in hardcore techno / gabba. Both have been pushing the genre in all kinds of directions for over two decades providing the pulse for thousands of parties around the globe. So with this in mind, we are honoured to present 'Baby Eaters', an earth shaking joyride to the very edge of the human psyche and beyond.

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Long time collaborators Meat Beat Manifesto (Jack Dangers) & DHS (Benjamin Stokes) get together on fresh new 12” EP ‘Man From Mantis’. Both artists have rich musical histories, Dangers having released an extensive collection of music as MBM since the late 80s including pre-hardcore/jungle breakbeat touchstones (Helter Skelter/Radio Babylon) & late 90s masterpiece ‘Prime Audio Soup’, released on Trent Reznor’s Nothing Records and recognisable from its use in The Matrix. Stokes on the other hand has a smaller back catalogue but no less influential, having been responsible for all-time-classic foundational techno blueprint ‘House of God’.

Dangers & Stokes have always played around beyond the edges of the familiar and this EP is no different: 4 tracks of breakbeat techno future-sound that live in a world of their own. ‘Pandemic’ opens the EP with squeaky-clean mechanical acid, intentional and direct, tight and well-controlled, underpinned by a revolving, bubbling acid line. ‘Aggressive Mantis Squad’ comes bearing weighted breaks and hinterland bleeps, spanning the past and the future. B-Side opener ‘Automatic Mouth’ is a twisting chugger, occasionally breaking down to reveal a whirring & stuttering machine-spirit before the EP closes with the drum-fest dream sequence of ‘International Sound System’.

These are lab-grown rhythm bombs, finely tuned off-kilter grooves, razor sharp crucial beats ready for the future, out on Love Love Records, June 9th 2023.

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*CLIPS NOW AVAILABLE*

a1. Puppet (Equinox Remix)
a2.Daisy Takes Two (Meat Beat Manifesto Dub Selection Remix)
b1. Stachybotrys (Coco Bryce Rework)
b2. Lucky Gonk (Macc & dgoHn Remix)
c1. Electryon (Wisp remix)
c2. Lucky Gonk (Forest Drive West Remix)
d1. Turnips Are OK (Rognvald Remix)
d2. Conty (Scrase Remix)
e1. Ninnyhammer (Djrum Remix)
e2. Robin's Windmill (Skee Mask Remix)
f1. AF0156984 (Quavis remix)
f2. Invisible Sandwich (Carl Brown's Pea & Mint Mix)

Undesignated remixes is an expansive project containing 12 remixes of tracks from dgoHn’s iconic 2020 full-length by some choice artists from in and around the Love Love sphere. Remixes that take dgoHn’s unique razor-sharp original productions and send them through a loop and round the twist, some stripped down, some messed up, most but not all maintaining the speedier tempos that dgoHn likes to work around. The result is a collection of seriously futuristic electronic music with some stylistic leanings towards labels like braindance or drumfunk or jungle but completely genre-eluding as a whole, reshaped from the minerals of the original LP by some absolute dons of their craft.

Opening the album Equinox does a fantastic job highlighting the lushness of ‘Puppet’ layering sky-high sunshine pads before sliding into Meat Beat Manifesto’s heavy sci-fi acid dub version of ‘Daisy Takes Two’. A woozy remix of ‘Lucky Gonk’ by Macc & dgoHn marks the first new material from them as a duo since ’09 and Wisp also makes a rare appearance bringing his inimitable post-rephlexian vibes on an agonisingly wonderful, melody-heavy remix of 'Electryon'. Skee Mask’s choice of remixing ‘Robin’s Windmill’ turns the original into a bundle of writhing rhythms organically unfolding with swelling ambient tones. Homegrown heroes Rognvald & Scrase both opt for pumped up post-breakcore in unconventional time signatures while Djrum emphatically provides the LP’s dose of peak jungle choppage, tempering the drum breaks of ‘Ninnyhammer’ with a blistering amen. Also featured on the LP are crisp and beefy drum workouts courtesy of Coco Bryce and Forest Drive West, visceral and apocalyptic half-time bass from Activia Benz affiliated duo Quavis and virtuosic noir-jazz tearout from fellow East-Anglian Carl Brown.

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Repress!

New music from dgoHn (John Cunnane) is always exciting, this LP especially so. After a recent release on Astrophonica, a self released collection of tracks in 2018 and 3 singles on Love Love since the inception of their partnership in 2016, John comes back to Love Love with the big album. Conceived in the Essex heartland, 'Undesignated Proximate' contains 12 all-killer mega fresh cuts of the kind of boundlessly creative material that we have come to know him for, marking the most comprehensive collection yet of dgoHn's music.

With a meddlesome level of experimentation and a knack for pumping out truly futuristic rhythms, John's ideas are utterly compelling, effortlessly peddling some of the most refreshing sounds to be found in the drum and bass / drumfunk / jungle worlds over a quarter of a century since the birth of the style. Not constrained by genre however his resolute chops, rich sound worlds and melodic structures form very real pieces of music, full of character and feeling. The production here is tighter than ever and while the tracks are technically adept, they drip in pure personality and raw energy. These are tracks made with a brain and a heart.

Likenesses to great Jazz drummers are just as appropriate to his music as they are his contemporaries in braindance or drum and bass and his noisier influences often bleed through. 'Stachybotrys' sees dgoHn's drums at their most frantic and tracks like this, as well as 'Invisible Sandwich' and 'Ninnyhammer' are rinsers of the highest calibre. The depth of these compositions are a complete antidote to mundanity and while the mainstay of the productions on the album are fully sound system-ready, cuts like 'Electryon', 'Puppet' and 'Windy' are so smooth they could almost be considered ambient.

10 years on from the classic album "Some Shit Saaink" made with friend Bob (Macc) on Subtle Audio/Rephlex, John"s music has garnered many notable fans including Aphex Twin, Skee Mask, DJ Food, Thom Yorke, Ben UFO, Lee Gamble and Tom Ravenscroft finding a firm place in the hearts of many. 'Undesignated Proximate' is a timeless collection of music that sets a high bar for what can be achieved with a computer and some nifty ideas.

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Precision electro-acid house? Bass-injected rumble techno? Call it what you want, this new 12" from Si Begg perfectly shows off this legendary UK producer's hold on sonic manipulation, coming beautifully presented on a white coloured 12" in a full printed spined sleeve.
Recording music since '93, Si's catalogue of music has always pushed the boundaries of dance movements of the day: electro, breaks, garage, bass, techno and almost everything else. With a weird and wide-ranging career that includes a 2004 Peel Session and music put out alongside Tipper and Neil Landstrumm on labels like Tresor, Fuel and Novamute, Begg has proven himself as one of the true greats of the sound.
Focusing his career on TV and film in recent years has meant a slow-down in the rate of bangers making their way outside of Begg's studio but "400 Million Pieces of You" shows that they are still very much being made, and are perhaps bigger than ever in their magnitude.
A side track "P1 Tek 2 Neu Anfang" takes the form of a subaquatic acid monster with a bubbling urgency coursing through its veins. The Drexcyian inflection is clear as tracks "Elektronisch For Pleasure" and "P1 Voltage 2 Repeater" take the full plunge into a fizzing electro sea. While the trance-like "When We Were Young" harks back to a more hedonistic time the robofunk grooves found on "400 million Pieces of You" still sound like they're from the future.

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4 To The Floor continues to champion heritage tracks with Volume 6 of the Classics 12” series, ‘The MK Mixes’. As one of the most in demand producers of the halcyon period of house in the early 90s, this special delivery features three gems from MK’s impressive catalogue of remixes. Kicking off the A-Side MK remixes 4th Measure Men’s ‘4 You’, as his signature 90s-era bumping bassline, sax accents and vocal chop come into play, features typical of all his very best work. Up next the trademark MK sounds continue, as his deep and grooving mix of ‘Free Your Mind’ by Geoffrey Williams powers through the speakers. On the flip MK’s Club Mix of ‘I Never Knew Love’ by house legend Chez Damier rounds off the release, as this 12” package offers a masterclass in remixing from one of dance music’s most loved artists.

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Fresh off the back of his Glitterbox remix of CamelPhat & Elderbrook’s hit ‘Cola’, Mousse T. drops his first original release on the Glitterbox label, showing off the depth of his production skills in this sparkling genre-binding track ‘Rock The Mic’. Mousse T. enlists the help of artist TAZ, the man who became the first UK rapper to sign to hip hop mecca Def Jam, also earning a prestigious Ivor Novello award nomination for his writing skills. ‘Rock The Mic’ reunites Mousse with American song writer Inaya Day, best known for her unforgettable vocals on the German producer’s biggest record, ‘Horny’. The catchy hook and toe-tapping groove of intertwine perfectly over smooth strings to make this an irresistible record. The killer collaboration combines hip hop with disco, giving us the best of both worlds. ‘Rock The Mic’ lives up to the hype, delivering six minutes of bliss alongside a percussive remix courtesy of Kon. Kon’s Accapella and Instrumental versions round off this full rocking package.

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