1
Meat Beat Manifesto & DHS - Pandemic
2
Meat Beat Manifesto & DHS - Aggressive Mantis Squad
3
Meat Beat Manifesto & DHS - Automatic Mouth
4
Meat Beat Manifesto & DHS - International Sound System
Long time collaborators Meat Beat Manifesto (Jack Dangers) & DHS (Benjamin Stokes) get together on fresh new 12” EP ‘Man From Mantis’. Both artists have rich musical histories, Dangers having released an extensive collection of music as MBM since the late 80s including pre-hardcore/jungle breakbeat touchstones (Helter Skelter/Radio Babylon) & late 90s masterpiece ‘Prime Audio Soup’, released on Trent Reznor’s Nothing Records and recognisable from its use in The Matrix. Stokes on the other hand has a smaller back catalogue but no less influential, having been responsible for all-time-classic foundational techno blueprint ‘House of God’.
Dangers & Stokes have always played around beyond the edges of the familiar and this EP is no different: 4 tracks of breakbeat techno future-sound that live in a world of their own. ‘Pandemic’ opens the EP with squeaky-clean mechanical acid, intentional and direct, tight and well-controlled, underpinned by a revolving, bubbling acid line. ‘Aggressive Mantis Squad’ comes bearing weighted breaks and hinterland bleeps, spanning the past and the future. B-Side opener ‘Automatic Mouth’ is a twisting chugger, occasionally breaking down to reveal a whirring & stuttering machine-spirit before the EP closes with the drum-fest dream sequence of ‘International Sound System’.
These are lab-grown rhythm bombs, finely tuned off-kilter grooves, razor sharp crucial beats ready for the future, out on Love Love Records, June 9th 2023. More
Dangers & Stokes have always played around beyond the edges of the familiar and this EP is no different: 4 tracks of breakbeat techno future-sound that live in a world of their own. ‘Pandemic’ opens the EP with squeaky-clean mechanical acid, intentional and direct, tight and well-controlled, underpinned by a revolving, bubbling acid line. ‘Aggressive Mantis Squad’ comes bearing weighted breaks and hinterland bleeps, spanning the past and the future. B-Side opener ‘Automatic Mouth’ is a twisting chugger, occasionally breaking down to reveal a whirring & stuttering machine-spirit before the EP closes with the drum-fest dream sequence of ‘International Sound System’.
These are lab-grown rhythm bombs, finely tuned off-kilter grooves, razor sharp crucial beats ready for the future, out on Love Love Records, June 9th 2023. More
More records from Love Love Records
1
Nasty Rhythm - Energy Trip Pt 2
2
Nasty Rhythm - Bad Boy Bizniz
3
Nasty Rhythm - Energy Trip Pt 2 (The DJ Producer Warehouse Break-In Remix)
4
Nasty Rhythm - Energy Trip Pt 2 (Rognvald & Crushed Pill Mix)
Essex-based Nasty Rhythm is a raver from the good old days who turned his hand to making music a few years back during UKs lockdowns, causing a minor sensation on youtube after uploading his very first track. The raving spirit shines through brightly here, capturing the vibe of 1992 hardcore like lightning in a bottle on the 2 original A side tracks. Backed with pumped up remixes from The DJ Producer and Rognvald the whole EP provides a breakneck trip along the hardcore continuum.
More
1
Ben Pest & Kursa - Hide Rate
2
Ben Pest & Kursa - Lard Style (feat. Scheme Boy)
3
Ben Pest & Kursa - Having An Obnoxious Moment
4
Ben Pest & Kursa - Big Square Wheels
5
Ben Pest & Kursa - Totally Kippered
Love Love host a collaborative release by two of the freshest contemporary Avon producers, Best Pest and Kursa. Kursa (also one half of S.Murk) has built a notable following in the UK as well as in the USA, playing out often at big stateside events with his own style of tight, maximalist bass music - think Tipper, Eprom, Noisia etc… Ben Pest is no stranger to Love Love with 2 previous solo releases under his belt, best known for his crunchy techno & electro and ripping hardware live-sets. Here they come together for a 5 track genre-hopping EP, each flexing their respective production sensibilities, splicing elements of dubstep, grime, hardcore & garage together, along with a healthy dose of multi-dimensional sound design, to make some of the noisiest modern dance music going. Early support from: Clouds, Giant Swan, Rob Hall, A Made Up Sound, Om Unit, Nikki Nair, Luke Sanger, Deft, Warlock, Second Storey...
More
1
dgoHn & Badun - Ghot
2
dgoHn & Badun - Not Just A Best
3
dgoHn & Badun - Untitled (everything is same size)
4
dgoHn & Badun - VHS Copy 1979
Drumfunk/braindance don dgoHn (John Cunnane) returns to Love Love for a collaborative 4 track EP, 'Talk To The Planets', alongside avant-garde experimentalist Danish friend Oliver Duckert. Oliver is an electronic evangelist and the founding member of chameleonic cyberjazz group Badun, created in Århus, Denmark, but often found tuning in and out of the space/time hyperlink. John who needs no introduction at this point makes his first appearance on the label since widely-lauded 2020 album 'Undesignated Proximate' and follow-up 2022 remix project which featured an array of peers such as Skee Mask, Djrum, Meat Beat Manifesto and Equinox. White coloured vinyl in a full colour spined sleeve.
More
1
Hellfish & Bryan Fury - Baby Eaters
2
Hellfish & Bryan Fury - Acid Abyss
Hellfish and Bryan Fury, the Axe Gabba Murda Mob, are two of the biggest innovators in hardcore techno / gabba. Both have been pushing the genre in all kinds of directions for over two decades providing the pulse for thousands of parties around the globe. So with this in mind, we are honoured to present 'Baby Eaters', an earth shaking joyride to the very edge of the human psyche and beyond.
More
1
dgoHn - Puppet (Equinox Remix)
2
dgoHn - Daisy Takes Two (Meat Beat Manifesto Dub Selection Remix)
3
dgoHn - Stachybotrys (Coco Bryce Rework)
4
dgoHn - Lucky Gonk (Macc & dgoHn Remix)
5
dgoHn - Electryon (Wisp remix)
6
dgoHn - Lucky Gonk (Forest Drive West Remix)
7
dgoHn - Turnips Are OK (Rognvald Remix)
8
dgoHn - Conty (Scrase Remix)
9
dgoHn - Ninnyhammer (Djrum Remix)
10
dgoHn - Robin's Windmill (Skee Mask Remix)
11
dgoHn - AF0156984 (Quavis remix)
12
dgoHn - Invisible Sandwich (Carl Brown's Pea & Mint Mix)
*CLIPS NOW AVAILABLE*
a1. Puppet (Equinox Remix)
a2.Daisy Takes Two (Meat Beat Manifesto Dub Selection Remix)
b1. Stachybotrys (Coco Bryce Rework)
b2. Lucky Gonk (Macc & dgoHn Remix)
c1. Electryon (Wisp remix)
c2. Lucky Gonk (Forest Drive West Remix)
d1. Turnips Are OK (Rognvald Remix)
d2. Conty (Scrase Remix)
e1. Ninnyhammer (Djrum Remix)
e2. Robin's Windmill (Skee Mask Remix)
f1. AF0156984 (Quavis remix)
f2. Invisible Sandwich (Carl Brown's Pea & Mint Mix)
Undesignated remixes is an expansive project containing 12 remixes of tracks from dgoHn’s iconic 2020 full-length by some choice artists from in and around the Love Love sphere. Remixes that take dgoHn’s unique razor-sharp original productions and send them through a loop and round the twist, some stripped down, some messed up, most but not all maintaining the speedier tempos that dgoHn likes to work around. The result is a collection of seriously futuristic electronic music with some stylistic leanings towards labels like braindance or drumfunk or jungle but completely genre-eluding as a whole, reshaped from the minerals of the original LP by some absolute dons of their craft.
Opening the album Equinox does a fantastic job highlighting the lushness of ‘Puppet’ layering sky-high sunshine pads before sliding into Meat Beat Manifesto’s heavy sci-fi acid dub version of ‘Daisy Takes Two’. A woozy remix of ‘Lucky Gonk’ by Macc & dgoHn marks the first new material from them as a duo since ’09 and Wisp also makes a rare appearance bringing his inimitable post-rephlexian vibes on an agonisingly wonderful, melody-heavy remix of 'Electryon'. Skee Mask’s choice of remixing ‘Robin’s Windmill’ turns the original into a bundle of writhing rhythms organically unfolding with swelling ambient tones. Homegrown heroes Rognvald & Scrase both opt for pumped up post-breakcore in unconventional time signatures while Djrum emphatically provides the LP’s dose of peak jungle choppage, tempering the drum breaks of ‘Ninnyhammer’ with a blistering amen. Also featured on the LP are crisp and beefy drum workouts courtesy of Coco Bryce and Forest Drive West, visceral and apocalyptic half-time bass from Activia Benz affiliated duo Quavis and virtuosic noir-jazz tearout from fellow East-Anglian Carl Brown. More
a1. Puppet (Equinox Remix)
a2.Daisy Takes Two (Meat Beat Manifesto Dub Selection Remix)
b1. Stachybotrys (Coco Bryce Rework)
b2. Lucky Gonk (Macc & dgoHn Remix)
c1. Electryon (Wisp remix)
c2. Lucky Gonk (Forest Drive West Remix)
d1. Turnips Are OK (Rognvald Remix)
d2. Conty (Scrase Remix)
e1. Ninnyhammer (Djrum Remix)
e2. Robin's Windmill (Skee Mask Remix)
f1. AF0156984 (Quavis remix)
f2. Invisible Sandwich (Carl Brown's Pea & Mint Mix)
Undesignated remixes is an expansive project containing 12 remixes of tracks from dgoHn’s iconic 2020 full-length by some choice artists from in and around the Love Love sphere. Remixes that take dgoHn’s unique razor-sharp original productions and send them through a loop and round the twist, some stripped down, some messed up, most but not all maintaining the speedier tempos that dgoHn likes to work around. The result is a collection of seriously futuristic electronic music with some stylistic leanings towards labels like braindance or drumfunk or jungle but completely genre-eluding as a whole, reshaped from the minerals of the original LP by some absolute dons of their craft.
Opening the album Equinox does a fantastic job highlighting the lushness of ‘Puppet’ layering sky-high sunshine pads before sliding into Meat Beat Manifesto’s heavy sci-fi acid dub version of ‘Daisy Takes Two’. A woozy remix of ‘Lucky Gonk’ by Macc & dgoHn marks the first new material from them as a duo since ’09 and Wisp also makes a rare appearance bringing his inimitable post-rephlexian vibes on an agonisingly wonderful, melody-heavy remix of 'Electryon'. Skee Mask’s choice of remixing ‘Robin’s Windmill’ turns the original into a bundle of writhing rhythms organically unfolding with swelling ambient tones. Homegrown heroes Rognvald & Scrase both opt for pumped up post-breakcore in unconventional time signatures while Djrum emphatically provides the LP’s dose of peak jungle choppage, tempering the drum breaks of ‘Ninnyhammer’ with a blistering amen. Also featured on the LP are crisp and beefy drum workouts courtesy of Coco Bryce and Forest Drive West, visceral and apocalyptic half-time bass from Activia Benz affiliated duo Quavis and virtuosic noir-jazz tearout from fellow East-Anglian Carl Brown. More
1
dgoHn - Daisy Takes Two
2
dgoHn - Lucky Gonk
3
dgoHn - AF0156984
4
dgoHn - Electryon
5
dgoHn - Robin's Windmill
6
dgoHn - Conty
7
dgoHn - Ninnyhammer
8
dgoHn - Turnips Are OK
9
dgoHn - Stachybotrys
10
dgoHn - Invisible Sandwich
11
dgoHn - Puppet
12
dgoHn - Windy
Repress!
New music from dgoHn (John Cunnane) is always exciting, this LP especially so. After a recent release on Astrophonica, a self released collection of tracks in 2018 and 3 singles on Love Love since the inception of their partnership in 2016, John comes back to Love Love with the big album. Conceived in the Essex heartland, 'Undesignated Proximate' contains 12 all-killer mega fresh cuts of the kind of boundlessly creative material that we have come to know him for, marking the most comprehensive collection yet of dgoHn's music.
With a meddlesome level of experimentation and a knack for pumping out truly futuristic rhythms, John's ideas are utterly compelling, effortlessly peddling some of the most refreshing sounds to be found in the drum and bass / drumfunk / jungle worlds over a quarter of a century since the birth of the style. Not constrained by genre however his resolute chops, rich sound worlds and melodic structures form very real pieces of music, full of character and feeling. The production here is tighter than ever and while the tracks are technically adept, they drip in pure personality and raw energy. These are tracks made with a brain and a heart.
Likenesses to great Jazz drummers are just as appropriate to his music as they are his contemporaries in braindance or drum and bass and his noisier influences often bleed through. 'Stachybotrys' sees dgoHn's drums at their most frantic and tracks like this, as well as 'Invisible Sandwich' and 'Ninnyhammer' are rinsers of the highest calibre. The depth of these compositions are a complete antidote to mundanity and while the mainstay of the productions on the album are fully sound system-ready, cuts like 'Electryon', 'Puppet' and 'Windy' are so smooth they could almost be considered ambient.
10 years on from the classic album "Some Shit Saaink" made with friend Bob (Macc) on Subtle Audio/Rephlex, John"s music has garnered many notable fans including Aphex Twin, Skee Mask, DJ Food, Thom Yorke, Ben UFO, Lee Gamble and Tom Ravenscroft finding a firm place in the hearts of many. 'Undesignated Proximate' is a timeless collection of music that sets a high bar for what can be achieved with a computer and some nifty ideas. More
New music from dgoHn (John Cunnane) is always exciting, this LP especially so. After a recent release on Astrophonica, a self released collection of tracks in 2018 and 3 singles on Love Love since the inception of their partnership in 2016, John comes back to Love Love with the big album. Conceived in the Essex heartland, 'Undesignated Proximate' contains 12 all-killer mega fresh cuts of the kind of boundlessly creative material that we have come to know him for, marking the most comprehensive collection yet of dgoHn's music.
With a meddlesome level of experimentation and a knack for pumping out truly futuristic rhythms, John's ideas are utterly compelling, effortlessly peddling some of the most refreshing sounds to be found in the drum and bass / drumfunk / jungle worlds over a quarter of a century since the birth of the style. Not constrained by genre however his resolute chops, rich sound worlds and melodic structures form very real pieces of music, full of character and feeling. The production here is tighter than ever and while the tracks are technically adept, they drip in pure personality and raw energy. These are tracks made with a brain and a heart.
Likenesses to great Jazz drummers are just as appropriate to his music as they are his contemporaries in braindance or drum and bass and his noisier influences often bleed through. 'Stachybotrys' sees dgoHn's drums at their most frantic and tracks like this, as well as 'Invisible Sandwich' and 'Ninnyhammer' are rinsers of the highest calibre. The depth of these compositions are a complete antidote to mundanity and while the mainstay of the productions on the album are fully sound system-ready, cuts like 'Electryon', 'Puppet' and 'Windy' are so smooth they could almost be considered ambient.
10 years on from the classic album "Some Shit Saaink" made with friend Bob (Macc) on Subtle Audio/Rephlex, John"s music has garnered many notable fans including Aphex Twin, Skee Mask, DJ Food, Thom Yorke, Ben UFO, Lee Gamble and Tom Ravenscroft finding a firm place in the hearts of many. 'Undesignated Proximate' is a timeless collection of music that sets a high bar for what can be achieved with a computer and some nifty ideas. More
1
Si Begg - No Title
2
Si Begg - No Title
3
Si Begg - No Title
4
Si Begg - No Title
Precision electro-acid house? Bass-injected rumble techno? Call it what you want, this new 12" from Si Begg perfectly shows off this legendary UK producer's hold on sonic manipulation, coming beautifully presented on a white coloured 12" in a full printed spined sleeve.
Recording music since '93, Si's catalogue of music has always pushed the boundaries of dance movements of the day: electro, breaks, garage, bass, techno and almost everything else. With a weird and wide-ranging career that includes a 2004 Peel Session and music put out alongside Tipper and Neil Landstrumm on labels like Tresor, Fuel and Novamute, Begg has proven himself as one of the true greats of the sound.
Focusing his career on TV and film in recent years has meant a slow-down in the rate of bangers making their way outside of Begg's studio but "400 Million Pieces of You" shows that they are still very much being made, and are perhaps bigger than ever in their magnitude.
A side track "P1 Tek 2 Neu Anfang" takes the form of a subaquatic acid monster with a bubbling urgency coursing through its veins. The Drexcyian inflection is clear as tracks "Elektronisch For Pleasure" and "P1 Voltage 2 Repeater" take the full plunge into a fizzing electro sea. While the trance-like "When We Were Young" harks back to a more hedonistic time the robofunk grooves found on "400 million Pieces of You" still sound like they're from the future. More
Recording music since '93, Si's catalogue of music has always pushed the boundaries of dance movements of the day: electro, breaks, garage, bass, techno and almost everything else. With a weird and wide-ranging career that includes a 2004 Peel Session and music put out alongside Tipper and Neil Landstrumm on labels like Tresor, Fuel and Novamute, Begg has proven himself as one of the true greats of the sound.
Focusing his career on TV and film in recent years has meant a slow-down in the rate of bangers making their way outside of Begg's studio but "400 Million Pieces of You" shows that they are still very much being made, and are perhaps bigger than ever in their magnitude.
A side track "P1 Tek 2 Neu Anfang" takes the form of a subaquatic acid monster with a bubbling urgency coursing through its veins. The Drexcyian inflection is clear as tracks "Elektronisch For Pleasure" and "P1 Voltage 2 Repeater" take the full plunge into a fizzing electro sea. While the trance-like "When We Were Young" harks back to a more hedonistic time the robofunk grooves found on "400 million Pieces of You" still sound like they're from the future. More
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1
Grauzone - Eisbär
2
Grauzone - FILM 2
3
Grauzone - Ich Lieb Sie
2024 repress
The First Authorised, Official Re Edition of this Electronic, New Wave, Cold Wave, Pop, Synth, Post-Punk Classic, Personally Overseen by Stephan Eicher, Everything Original: Art, Tracklist, Cut on 45 rpm - Printed on 350 GSM Paperstock incl. Sticker!
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.
Tracklisting:
A1. Eisbär
B1. FILM 2
B2. Ich Lieb Sie
Info:
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.
Ich möchte ein Eisbär sein…Written by Martin Eicher after a nightmare in which he saw talking polar bears on the walls, and with music by the Grauzone crew consisting of Martin and his brother Stephan Eicher, Marco Repetto, Christian "GT" Trüssel, and Claudine Chirac (on saxophone), "Eisbär" is the most recognizable title from the band, a sublime mix of ingredients reflecting the transitional era it comes from - the raw energy of punk music still palpable, combined with the audacity of early electronics, the warm groove of a disco gem, beautifully fragile lyrics, and one of the best basslines ever. It became a mega hit, totally unplanned, but how could you resist such a track?
"FILM 2" is the ultimate b-side monster, a menacing all-instrumental pre-techno masterpiece, slowly building to a magnetizing frenzy. An instant underground favorite, it was famously heard played at both speeds depending on the scenes and DJs you were frequenting, 45rpm as it was first intended, and 33rpm for the cosmic experience (search Daniele Baldelli’s Cosmic C75 1982 mixtape online for a great example of this).
The maxi single ends with "Ich Lieb Sie", a synth-pop meets doo-wop ballad, a true love song oozing with innocence. Simple, stylish, and just right.
At the crossroads of post-punk, new wave, pop, and electronic experimentation, the Eisbär maxi offers three songs that are technically different but hold the same spirit, the perfect embodiment of Grauzone’s music - wild, unpredictable, and youthful, yet sophisticated, catchy, and ingenious. The magic recipe for the good stuff.
Stephan Eicher went on to be, arguably, the most successful Swiss musician ever, with an international career extending from pop chanson to experimental escapades and collaborations with Moondog, artists Sophie Calle and John Armleder, and author Martin Suter among many other luminaries. Marco Repetto flourished as a techno and ambient producer, releasing multiple projects including releases on Aphex Twin’s Rephlex label.
Grauzone and WRWTFWW will continue to collaborate on the band’s 40th anniversary reissue campaign, with numerous projects planned for the year, including a vast selection of music, visuals, and literature never available before.
More
The First Authorised, Official Re Edition of this Electronic, New Wave, Cold Wave, Pop, Synth, Post-Punk Classic, Personally Overseen by Stephan Eicher, Everything Original: Art, Tracklist, Cut on 45 rpm - Printed on 350 GSM Paperstock incl. Sticker!
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.
Tracklisting:
A1. Eisbär
B1. FILM 2
B2. Ich Lieb Sie
Info:
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.
Ich möchte ein Eisbär sein…Written by Martin Eicher after a nightmare in which he saw talking polar bears on the walls, and with music by the Grauzone crew consisting of Martin and his brother Stephan Eicher, Marco Repetto, Christian "GT" Trüssel, and Claudine Chirac (on saxophone), "Eisbär" is the most recognizable title from the band, a sublime mix of ingredients reflecting the transitional era it comes from - the raw energy of punk music still palpable, combined with the audacity of early electronics, the warm groove of a disco gem, beautifully fragile lyrics, and one of the best basslines ever. It became a mega hit, totally unplanned, but how could you resist such a track?
"FILM 2" is the ultimate b-side monster, a menacing all-instrumental pre-techno masterpiece, slowly building to a magnetizing frenzy. An instant underground favorite, it was famously heard played at both speeds depending on the scenes and DJs you were frequenting, 45rpm as it was first intended, and 33rpm for the cosmic experience (search Daniele Baldelli’s Cosmic C75 1982 mixtape online for a great example of this).
The maxi single ends with "Ich Lieb Sie", a synth-pop meets doo-wop ballad, a true love song oozing with innocence. Simple, stylish, and just right.
At the crossroads of post-punk, new wave, pop, and electronic experimentation, the Eisbär maxi offers three songs that are technically different but hold the same spirit, the perfect embodiment of Grauzone’s music - wild, unpredictable, and youthful, yet sophisticated, catchy, and ingenious. The magic recipe for the good stuff.
Stephan Eicher went on to be, arguably, the most successful Swiss musician ever, with an international career extending from pop chanson to experimental escapades and collaborations with Moondog, artists Sophie Calle and John Armleder, and author Martin Suter among many other luminaries. Marco Repetto flourished as a techno and ambient producer, releasing multiple projects including releases on Aphex Twin’s Rephlex label.
Grauzone and WRWTFWW will continue to collaborate on the band’s 40th anniversary reissue campaign, with numerous projects planned for the year, including a vast selection of music, visuals, and literature never available before.
More
Cat-No:WPR004
Release-Date:17.11.2023
Configuration:12"
Cat-No:WPR004
Release-Date:17.11.2023
Configuration:12"
1
Hybrid Man - Eternal Nightglow
2
Hybrid Man - Sunwave
3
Hybrid Man - Bluegums
4
Hybrid Man - Swept By The Undertow
Wax’o Paradiso returns with their fourth release, a full-fidelity four track EP from Naarm/Melbourne producers Hybrid Man.
‘Dust & Liquid’ sees Hybrid Man lower BPMs into balearic territory, offering a shimmering, pulsing and textured contribution to the label’s efforts to canonise and catalogue the extraordinary psychedelia being produced in so-called Australia.
‘Eternal Nightglow’ sets the record’s tone beautifully with a soaring 90bpm-yet-high-energy pace that subtly evokes the idealism and innocence of early William Orbit, yet firmly roots itself in the contemporary. Organic bass tones juxtapose with but do not contradict swirling cosmic synth work, with a flip-to-dub breakdown that would make fans of Bill Laswell smile.
‘Sunwave’ ups the ante slightly and sets the tempo to chug! Beginning to introduce the neo-prog sound that Naarm has rightly earned a reputation for doing so well. Both a party starter and one for the after hours.
With ‘Bluegums’ the record leaves the downtempo for dust, edging the EP into gentle doof territory. As the name suggests it yearns to be heard loud and clear, amongst the trees in the expansiveness of the Australian countryside. Juxtaposing the natural and the machine, the dust and the liquid.
An aptly well-rounded conclusion to the ‘Dust & Liquid’ Journey, ‘Swept by the Undertow’ bookends the record by returning to slower, moodier space, with a stepping descent into, as the name suggests, murkier aquatic zones.
Written and Produced by Julien Huynh & Will Holden
Mastered by Joseph Buchan
Artwork by Sprinkles
All tracks were recorded in the summer of 2021/22 at Romantica Studios, Brunswick East, Wurundjeri Country More
‘Dust & Liquid’ sees Hybrid Man lower BPMs into balearic territory, offering a shimmering, pulsing and textured contribution to the label’s efforts to canonise and catalogue the extraordinary psychedelia being produced in so-called Australia.
‘Eternal Nightglow’ sets the record’s tone beautifully with a soaring 90bpm-yet-high-energy pace that subtly evokes the idealism and innocence of early William Orbit, yet firmly roots itself in the contemporary. Organic bass tones juxtapose with but do not contradict swirling cosmic synth work, with a flip-to-dub breakdown that would make fans of Bill Laswell smile.
‘Sunwave’ ups the ante slightly and sets the tempo to chug! Beginning to introduce the neo-prog sound that Naarm has rightly earned a reputation for doing so well. Both a party starter and one for the after hours.
With ‘Bluegums’ the record leaves the downtempo for dust, edging the EP into gentle doof territory. As the name suggests it yearns to be heard loud and clear, amongst the trees in the expansiveness of the Australian countryside. Juxtaposing the natural and the machine, the dust and the liquid.
An aptly well-rounded conclusion to the ‘Dust & Liquid’ Journey, ‘Swept by the Undertow’ bookends the record by returning to slower, moodier space, with a stepping descent into, as the name suggests, murkier aquatic zones.
Written and Produced by Julien Huynh & Will Holden
Mastered by Joseph Buchan
Artwork by Sprinkles
All tracks were recorded in the summer of 2021/22 at Romantica Studios, Brunswick East, Wurundjeri Country More
1
dhs - A1: From Outerspace
2
dhs - B1: DHS Theme 2014
3
dhs - B2: Voodoo Breaks
Vinyl Only. The second release from Nicolas Lutz's My Own Jupiter. 3 quirky tracks which work well for the floor by DHS. Bomb!!
More
1
V.A. - A1. Stuck In The Middle
2
V.A. - A2. Sjefen
3
V.A. - B1. For your love
Label:Underground Resistance
Cat-No:UR-049
Release-Date:29.03.2024
Genre:Detroit Techno
Configuration:12"
Label:Underground Resistance
Cat-No:UR-049
Release-Date:29.03.2024
Genre:Detroit Techno
Configuration:12"
1
UR - Jaguar
2
UR - Ascesion
Next batch coming in on the 14th of july.
The Aztecs return. UR receives the message. The Aztecs and the Hermanos make the transition from the guitar player. Natives didn’t take the robbery of Mother Earth’s land or her culture lightly. A new warrior culture, the Electronics did not back down when a war broke out with the programmers over this production. Those who know were avenged for the transgression. Strong beautiful music with a stronger beautiful spirit. A first in the history of music: big can lose. Hear it and feel the power of the cats that still prowl the streets of Detroit. More
The Aztecs return. UR receives the message. The Aztecs and the Hermanos make the transition from the guitar player. Natives didn’t take the robbery of Mother Earth’s land or her culture lightly. A new warrior culture, the Electronics did not back down when a war broke out with the programmers over this production. Those who know were avenged for the transgression. Strong beautiful music with a stronger beautiful spirit. A first in the history of music: big can lose. Hear it and feel the power of the cats that still prowl the streets of Detroit. More
1
dj koze - XTC
2
dj koze - Knee On Belly
2024 repress
Tracklist A. XTC - B. Knee On Belly
Shortinfo: DJ Koze's 2013 album opus Amygdala has continued to bewitch all who encounter it since its release. Tipped as his own personal Sgt. Pepper, the sublime long-player revealed a fully-realised and personal body of work, complete with a classic songwriting at its core, House in its heart, and veins coursing with psychedelic color. "La Duquesa" was the album's dreamy single standout, a journey into deep, tropical ecstasy.
"XTC" begins in the same spirit, and captures the all the blissful allusions of its name, but its initial gentility belies the deep intensity to come. Floating pads glow with celestial ambience as a kick drum is gradually coaxed into solid form, and the introduction of spoken text begins the second act. "Many people are experimenting with the drug Ecstasy," it says, "…is the drug like the lie and meditation the truth? Or am I missing something that could really help me?". "XTC" then transforms: sweetly imploring tones become demanding, gentle gradients between chords turn hard-edged, and sharp hi-hats cut through the haze. Complete with Koze's signature percussive quirks, it drives towards the track's final pay off: an undeniable, all-consuming, irresistible high.
"Knee On Belly" recalls Koze at his most tongue-in-cheek and overt; it is bright, bold and literally brassy, using cut-up horns of all shapes and sizes to patchwork together his own unique arrangement. With the highs and mid ranges accounted for, Koze adds in a swollen, thrumming bass line to mix to bring this floor-filler to life. "Knee on Belly" recalls a raw, filtered and funky approach to groove, with a nod to disco house and the art of artful sampling, as it orbits between its own neon highs and simmering lows.
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Tracklist A. XTC - B. Knee On Belly
Shortinfo: DJ Koze's 2013 album opus Amygdala has continued to bewitch all who encounter it since its release. Tipped as his own personal Sgt. Pepper, the sublime long-player revealed a fully-realised and personal body of work, complete with a classic songwriting at its core, House in its heart, and veins coursing with psychedelic color. "La Duquesa" was the album's dreamy single standout, a journey into deep, tropical ecstasy.
"XTC" begins in the same spirit, and captures the all the blissful allusions of its name, but its initial gentility belies the deep intensity to come. Floating pads glow with celestial ambience as a kick drum is gradually coaxed into solid form, and the introduction of spoken text begins the second act. "Many people are experimenting with the drug Ecstasy," it says, "…is the drug like the lie and meditation the truth? Or am I missing something that could really help me?". "XTC" then transforms: sweetly imploring tones become demanding, gentle gradients between chords turn hard-edged, and sharp hi-hats cut through the haze. Complete with Koze's signature percussive quirks, it drives towards the track's final pay off: an undeniable, all-consuming, irresistible high.
"Knee On Belly" recalls Koze at his most tongue-in-cheek and overt; it is bright, bold and literally brassy, using cut-up horns of all shapes and sizes to patchwork together his own unique arrangement. With the highs and mid ranges accounted for, Koze adds in a swollen, thrumming bass line to mix to bring this floor-filler to life. "Knee on Belly" recalls a raw, filtered and funky approach to groove, with a nod to disco house and the art of artful sampling, as it orbits between its own neon highs and simmering lows.
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1
Jordon Alexander - Seasonal
2
Jordon Alexander - Linea Rossa
3
Jordon Alexander - Winter
4
Jordon Alexander - Marathon
Tracklist
A1. Seasonal
A2. Linea Rossa
B1. Winter
B2. Marathon
Jordon Alexander (pen name Mall Grab) brilliantly carved out his very own niche in dance music. Influenced by hardcore punk skateboarding and high fashion (Linea Rossa!) in equal parts the young Australian delivers precise studies in house and techno. As entertaining as they are excitatory there hasn’t been a bump on his road so far. Alexander’s debut for Running Back proves this point. How The Dogs Chill Vol.2 delivers four high octane tracks whose DNA contains traces of deep house and a penchant for atmospheric and dulcet melodies. But they are also muscle-bound soaring and cater to the aptitude of shaking legs. Written in 2022 while he was around the flora and fauna of Australia these tracks are also supposed to sound somewhat botanical – or at least evoke the sensory experience of a visit to a greenhouse. Carefully sequenced and crafted one is left with an appetite as soon as the playtime is over. Proper nutriment for party people and serious music pendants alike.
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A1. Seasonal
A2. Linea Rossa
B1. Winter
B2. Marathon
Jordon Alexander (pen name Mall Grab) brilliantly carved out his very own niche in dance music. Influenced by hardcore punk skateboarding and high fashion (Linea Rossa!) in equal parts the young Australian delivers precise studies in house and techno. As entertaining as they are excitatory there hasn’t been a bump on his road so far. Alexander’s debut for Running Back proves this point. How The Dogs Chill Vol.2 delivers four high octane tracks whose DNA contains traces of deep house and a penchant for atmospheric and dulcet melodies. But they are also muscle-bound soaring and cater to the aptitude of shaking legs. Written in 2022 while he was around the flora and fauna of Australia these tracks are also supposed to sound somewhat botanical – or at least evoke the sensory experience of a visit to a greenhouse. Carefully sequenced and crafted one is left with an appetite as soon as the playtime is over. Proper nutriment for party people and serious music pendants alike.
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Label:Underground Resistance
Cat-No:UR-020
Release-Date:14.07.2023
Genre:Detroit Techno
Configuration:12"
Label:Underground Resistance
Cat-No:UR-020
Release-Date:14.07.2023
Genre:Detroit Techno
Configuration:12"
1
Underground Resistance - Amazon
2
Underground Resistance - Jupiter Jazz
3
Underground Resistance - Cosmic Traveler
4
Underground Resistance - Greater Than Yourself
Repress!
Definitely one of the greatest techno records ever made. Please get your order in ASAP. More
Definitely one of the greatest techno records ever made. Please get your order in ASAP. More
1
Sister Sledge - - He's The Greatest Dancer (Dimitri From Paris 12" Version)
2
Norma Jean Wright - - Saturday (Dimitri From Paris 12" Version)
3
Sister Sledge - - He's The Greatest Dancer (Dimitri From Paris Instrumental)
4
Norma Jean Wright - - Saturday (Dimitri From Paris Instrumental)
Rarely does an artist pay homage to the classics like Dimitri From Paris. The Grammy nominated producer, remixer, composer and DJ has made every one of his repertoire of reworks sound effortless; no mean feat when the original tracks are by the likes of Disco’s greatest musicians. In 2018 he released his “lifetime achievement” on Glitterbox, with the strictly limited pressing of the ‘Dimitri From Paris presents Le Chic Remix’ boxset. Now the 12’s have their own separate outings, bringing greater focus onto the individual productions, as each vinyl features two of the incredible Dimitri remixes, along with their respective instrumentals on the B-Side. On this release we hear ‘He’s The Greatest Dancer’ get the Dimitri treatment that showcases unheard sections from the master tapes, followed by Norma Jean Wright’s life-affirming ‘Saturday’, remixed to cinematic proportions once again by Dimitri.
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1
Convextion - Equanimity
2
Convextion - Solum Ferrum
3
Convextion - Desolte Hub
4
Convextion - Astrum
5
Convextion - Premiata
6
Convextion - Frozen Surface
7
Convextion - Sulphur Vent
8
Convextion - JMA020603
REPRESS!
TIP!!!!!
2022 repress of this classic techno album by Convextion aka E.R.P. - After the stunning E.R.P. release (Down Low VEXT2) that was stated on our website as best techno 12'' of 2005, Mr Hanson returns under his Convextion moniker to drop a brilliant double pack that will possibly be the best techno record of 2006. We love it! More
TIP!!!!!
2022 repress of this classic techno album by Convextion aka E.R.P. - After the stunning E.R.P. release (Down Low VEXT2) that was stated on our website as best techno 12'' of 2005, Mr Hanson returns under his Convextion moniker to drop a brilliant double pack that will possibly be the best techno record of 2006. We love it! More
1
NO MORE - Suicide Commando
2
NO MORE - In A White Room
Format: 7" / 1000 copies, purple vinyl, additional stamp on label
Tracklist
A1: Suicide Commando
B1: In A White Room
File under: PostPunk / Wave
Release Info:
The year is 1981. The Kiel-based PostPunk / Wave underground outfit NO MORE releases their second ever single „Suicide Commando“ and their world changes forever. Well, not only their world – THE world.
What began as an independently published 7“ single became a cult classic, a genre defining – and defying – song, an all-time dancefloor favorite of many, a timeless signature piece that escaped its original realm of PostPunk x Wave x Indie x Alternative to also become engrained
in the DNA of modern electronic dancefloor culture most prominently in the beloved late 90s permutation presented by DJ Hell which became a classic in its own right.
Now the year is 2021. Four decades have passed and NO MORE's „Suicide Commando“ is back once again - well... the song actually never left! -, this time harking back to the very beginning, the original vibe and the original format.
Remastered and re-released with the original tracklisting and paying homage to the original artwork „Suicide Commando“ will be available in 7“ format for the first time since 1981.
And staying true to the underground blueprint this 40th anniversary re-release edition once again is put out on the circuit through a small independent label: the Intrauterin Recordings offspring El Caballo Semental which also released NO MORE's „123456789 *baze.djunkiii
& Herr Brandt Dream A NuDream Remix“ as a limited to 200 copies one-sided, colored whitelabel 7“ edition in 2019.
More
Tracklist
A1: Suicide Commando
B1: In A White Room
File under: PostPunk / Wave
Release Info:
The year is 1981. The Kiel-based PostPunk / Wave underground outfit NO MORE releases their second ever single „Suicide Commando“ and their world changes forever. Well, not only their world – THE world.
What began as an independently published 7“ single became a cult classic, a genre defining – and defying – song, an all-time dancefloor favorite of many, a timeless signature piece that escaped its original realm of PostPunk x Wave x Indie x Alternative to also become engrained
in the DNA of modern electronic dancefloor culture most prominently in the beloved late 90s permutation presented by DJ Hell which became a classic in its own right.
Now the year is 2021. Four decades have passed and NO MORE's „Suicide Commando“ is back once again - well... the song actually never left! -, this time harking back to the very beginning, the original vibe and the original format.
Remastered and re-released with the original tracklisting and paying homage to the original artwork „Suicide Commando“ will be available in 7“ format for the first time since 1981.
And staying true to the underground blueprint this 40th anniversary re-release edition once again is put out on the circuit through a small independent label: the Intrauterin Recordings offspring El Caballo Semental which also released NO MORE's „123456789 *baze.djunkiii
& Herr Brandt Dream A NuDream Remix“ as a limited to 200 copies one-sided, colored whitelabel 7“ edition in 2019.
More
1
Michel Cleis, - Mir a nero
2
Michel Cleis, - Amaranthus
2022 repress
A: Mir a nero ISRC: DEMM11200019
B: Amaranthus ISRC: DEMM11200020
It's been three years since Swiss producer Michel Cleis conjured a storm with "La Mezcla", a Cadenza hit cemented into house canon as it was swiftly reissued by Strictly Rhythm, bringing the sabor latino into clubs worldwide. Some more 12"s and a number of high-profile remixes (going from tracey thorn to skunk anansie,for labels like rekids , bronswood or Aus) later, he's now teaming up with DJ Koze's crew for his next move: a colorful, crescendoing 12-minute tune that's ready to make a splash in your summer soundtrack. "Mir a Nero" begins with a steady, upbeat kick underlying a simple piano arpeggio - like if Philip Glass make dance music - but then some accents of vibrant hand percussion loosen up the vibe, soon progressing into rhythmic layers that cause the energy to swell. By the 4-minute mark, a subtle, buzzing synth permeates the background, contrasting the track's overall organic feel, leading into the playful piano chords and colombian vocal hook. Simply put, this is Latin House with that anomalous Pampa Records swagger, drenched with flavor like Sangria-soaked mango. Flip that baby over and you get "Amaranthus", named after the famed flower that represents immortality. This piece stands as a color-negative of "Mir a Nero", an unwavering stomp with just shadows of the piano sample heard earlier. Freeze-dried rather than sun-ripened, "Amaranthus" is a dubby, more technofied counterpart to the A-Side, crafted for deeper and darker moments on the dancefloor.
More
A: Mir a nero ISRC: DEMM11200019
B: Amaranthus ISRC: DEMM11200020
It's been three years since Swiss producer Michel Cleis conjured a storm with "La Mezcla", a Cadenza hit cemented into house canon as it was swiftly reissued by Strictly Rhythm, bringing the sabor latino into clubs worldwide. Some more 12"s and a number of high-profile remixes (going from tracey thorn to skunk anansie,for labels like rekids , bronswood or Aus) later, he's now teaming up with DJ Koze's crew for his next move: a colorful, crescendoing 12-minute tune that's ready to make a splash in your summer soundtrack. "Mir a Nero" begins with a steady, upbeat kick underlying a simple piano arpeggio - like if Philip Glass make dance music - but then some accents of vibrant hand percussion loosen up the vibe, soon progressing into rhythmic layers that cause the energy to swell. By the 4-minute mark, a subtle, buzzing synth permeates the background, contrasting the track's overall organic feel, leading into the playful piano chords and colombian vocal hook. Simply put, this is Latin House with that anomalous Pampa Records swagger, drenched with flavor like Sangria-soaked mango. Flip that baby over and you get "Amaranthus", named after the famed flower that represents immortality. This piece stands as a color-negative of "Mir a Nero", an unwavering stomp with just shadows of the piano sample heard earlier. Freeze-dried rather than sun-ripened, "Amaranthus" is a dubby, more technofied counterpart to the A-Side, crafted for deeper and darker moments on the dancefloor.
More