Challenger was the debut and unique album from the iconic and unique italo disco band Baby’s Gang. Altough oficially it had only two singles (Happy Song and Challenger), some other labels found extra tracks to be released as single (America) when Memory Records decided to focus on new releases. Produced by Anfrando Maiola (KOTO), Stefano Cundari and Alessadro Zanni, ‘My LIttle Japanese Boy’ is one of those tracks so it was worth buying the album. The album did not neither included the original version for Happy Song, but a ‘Remix’. Probably someone back in the days should have made this EP including both track…now we have done it. This 12" included the original versions plus two Razor’s Edit to make it more DJ Friendly.

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Directly from the Many Records files, an iconic italo disco track from early 1985 written and arranged by Enzo Vallicelli (the man behind great hits from Cruisin’ Gang of Max-Him). No remixes or updates are needed for this track, it still sounds as fresh and powerful as the day it was released.

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Italoconnection reworks of these 80’s Fred Ventura italo disco classics!

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Another banger from the Time Records catalogue claiming for a re-issue. Super Time Records sound from 1985. This was originally released without a cover but we decided it deserved one!

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Reissue of this italo disco classic from 1986 by the late Albert One

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Re-issue of this italo disco classic from 1984.

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Re-issue from this italo disco classic from 1985. Contains original vocal and instrumental versions.

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Originally released by Lombardoni Publishing on 1986, this is probably one of the hidden gems from the label.

‘Indio’ contains all the elements of italo disco classic tune: Super energetic mood, male + female vocalist and different leads to complete a great tune.

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Originally released on Discomagic in 1988, probably it’s one of the last italo disco classics tracks from the 80s.

The track was composed by Fred Ventura (not performed) and Gianfranco Bortolotti (Media Records).Very energetic track with a unique structure in its genre, more clubby than an italo classic track. A unique fantastique lead melted into a likely trancy bassline. Dub version a bit more clubby on b-side.

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Released originally in 1986 by the small label Industry it had a short distribution and only a few labels released all over Europe (only south of Europe). Mid tempo track to fit any italo disco mood.

Not brassy melodies but super melodic leads combined with the perfect male voice. If you are an italo disco follower and you have had this record back in the 80s, it will be probably among your favs. This one not to miss.

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Having a new release from Ken Laszlo is always a good new. No doubt this is one of the most famous vocalist, not only for oldies but also for new generation italo disco. What if we joint the vocalist to Carino Cat production, one of the top producers from Sweden? Then you have a banger!

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New Andermay release!

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Two sought after Italo Disco releases by ‘Rose’ on this re-issue by Blanco Y Negro.

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Two sought after Italo Disco releases by ‘Rose’ on this re-issue by Blanco Y Negro.

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Munich’s DJ and Digging crew Super Sound Global drops into rotation with their first vinyl record. Coming in hot with four hefty dancefloor cuts — whipped up through guerrilla-style sampling and oldschool production tricks. Spin it!

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South Asian dance and electronic music rarities handpicked, remastered and occasionally reworked. Featuring overlooked future classics from India, Pakistan, the U.K., Canada, Guyana and Suriname released between 1983 and 1992. The Vinyl Factory’s number one reissue of 2021, this x2LP compilation has been out of print since its initial release and is highly in-demand with collectors and selectors alike with the original pressing fetching well over $100 on Discogs. We’ve been hard at work to give it the repress it deserves – a stunning x2LP gatefold package housing clear coloured 180-gram eco-friendly records, limited to 200 copies.

The first in Naya Beat’s series of compilations and full-length album reissues, Volume 1 has become a reference piece for hidden electronic and dance music gems from the overlooked ‘80s and ‘90s South Asian music scene. From East-West’s dancefloor filler ‘Can't Face The Night (Club Mix)’ to Remo’s balearic masterpiece ‘Jungle Days’ (off his seminal album Bombay City!) to other disco, synth-pop and balearic dancefloor bangers from artists like Babla & His Orchestra, Sheila Chandra, Bappi Lahiri and Asha Puthli to name a few, this double album includes highly sought after, previously never reissued and otherwise impossible to find grails.

Naya Beat founders Turbotito and Ragz spent years endlessly hunting through dusty records, obscure cassettes and unreleased studio tapes to deliver a reference release for contemporary collectors, tastemakers and bold selectors looking for fresh sounds. Featuring an incredible gatefold package with Naya Beat’s trademark stunning artwork and extensively researched liner notes, the x2LP release has been mastered and cut to vinyl for the discerning listener and DJ by Grammy-nominated Frank Merritt from The Carvery, London.

A1 - Sheila Chandra – The Awakening
A2 - Babla & His Orchestra – Sabko Maloom Hain Main Sharabi Nahin
A3 - Nazia Hassan and Zobeb Hassan - Dost
iA4 - Pinky Ann Rihal – The Indian Dance
B1 - Arundhati Bhaumik – Kaga Bole Mera (Turbotito & Ragz Rework)
B2 - Musarrat – Hosh Nahin Hai Ji Mujhe
B3 - Remo – Jungle Days
C1 - Asha Puthli – Chipko Chipko
C2 - Manjeet Kondal – Ishkaan De Mamle
C3 - Shakti – Pi Pi (Turbotito & Ragz Rework)
D1 - East-West – Can't Face The Night (Club Mix)
D2 - Bappi Lahiri & Suresh – Thottu Thottu Aadavaa (Turbotito & Ragz Rework)
D3 - Mangal – Masti Bhara Sama Hai (Turbotito & Ragz Rework)

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Born 2 Be Free continues its good early work with another dose of UKG old skool magic. It comes from the label head Azaad, whose previous drops have all sold out in quick time, and this one will likely do the same such is its magnetic appeal. The Londoner opens up with 'Caliente' and rides on bumpy drums with some turbo-charged stabs injecting the heat. 'Feel It' bobble along with cute chords brings a balmy feel next to whispered vocals and low slung bass for maximum lip curl. 'I Want You' brings another timeless vibe with its neon pads and cuddly, immersive atmosphere then the Az Gets Deep mix sets down with some extra depth and drive.

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Gladstone Deluxe is one of the most exciting musicians in the US right now. They make futuristic, deep, percussive yet smooth techno, deep house and electro. They also play timbales in NYC queer and trans salsa band Las Mariquitas, and are a frequent collaborator with fellow East Coast sonic trailblazers Kiernan Laveaux, Johnny Zoloft, and Mira Mira. They have released on Black Techno Matters, Data Disk, Misc, Innocent Music, How Things Are Made, and now Fixed Rhythms is excited to add to the Gladstone lore with their new offering, “No Haterade EP”.

A1 “Cleanse” is zippy tech-y house…think groovy, up-beat, sexy, like something you’d hear in a Titonton Duvante set. A2 is a remix, “Teakup – Where’s My Snare (Gladstone Deluxe Remix)”. Now the EP takes a turn towards psychedelic electro. Spacey trippy vocal manipulations, swelling deep space gravitational waves swelling and resolving. The B side opens with the “No Haterade” track. Arpeggiated electro that slaps with swagger. The final track is a longer, 9 minute driving deep housey techno tune. A bass line that you never want to stop, luscious pads, brain-tingling pings, melodic percussive synth runs, and a touch of acid.

If Gladstone is not already on your radar, take heed! Big tunes here!

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French house maestro Franck Roger returns with the latest chapter in his Earthrumental Music series.

A standout 4-track EP designed for deep, late-night dancefloor sessions.

A masterclass in groove and atmosphere, this is essential listening for discerning house heads.

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Loz Goddard steps into new sonic territory on his Physical Education debut—delivering four machine-driven cuts rooted in analog hardware sounds, with high-energy rhythms and dancefloor intent. Leaving behind the sample-heavy textures and live instrumentation of previous releases, this EP leans more into synthesizers and drum machines, channelling the pulse of classic club gear with plenty of added bounce. Subtle nods to the sounds and moods of 90s and early 2000s video games add a nostalgic digital sheen—balancing playfulness, drive and warmth in equal measure.

Four forward-thinking jams from a seasoned producer.

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Asphalt DJ returns to Oddysee with another intoxicating 4-track formula, titled
“Double O”. Operating on a solo tip this time around, the Berlin-based producer further expands his sonic palette and offers a versatile collection of steamy club workouts geared towards various stages of dancefloor functionality. The record seamlessly touches on seductive after-hours bounce, slices of late nite propulsion and flawless rhythmic explorations, while keeping firm footing in the 90 and 00’s sound spectrum.

With an eye on the ongoing terror inflicted upon the Palestinian people, we (artist & label) decided to donate all proceeds from this release to Save The Children - Gaza and West Bank Emergency.

www.savethechildren.org/us/where-we-work/west-bank-gaza.

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Straight fire from the vaults! Three deep raw joints including the legendary floor anthems "Live at Palladium" and "Back to my Groove” by the legend Phil Weeks, back on wax with that gritty groove. OG vibes only — limited press, real heads know. Grab Rare Cuts before it’s gone!

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The follow-up to Naya Beat’s seminal Volume 1 release features a lovingly curated selection of deep cuts from an overlooked era of South Asian house, street soul and downtempo originally released between 1988 and 1994. A critics favorite with the likes of Pitchfork (8.0/10), DJ Mag, Mixmag and 4Columns, Volume 2 was a standout release of 2024. Repeating the success of Volume 1, it was The Vinyl Factory’s number one reissue of 2024 and featured on Best Of lists at Phonica Records, Juno, KCRW and In Sheep’s Clothing. It is now available in a spectacular package, a stunning x2LP gatefold package housing clear coloured 180-gram eco-friendly records, limited to 200 copies.

While Volume 1 explored early 80s balearic, synth pop and disco, Volume 2 spotlights a unique era in the late 80s and early 90s in diasporic cities like London and New York when South Asian music was infused with acid house, New Beat and dub. There is a true wealth of sounds here, from The Jets Orkhestra’s organ-fuelled house romp ‘X-290’ to the downtempo splendour of the Asha Bhosle fronted West India Company. Lady M lends the Hindi house track and arpeggiated wonder of ‘Kali Raat’ and Mantra’s eponymously titled cut is a hypnotic gem. Featuring other scintillating balearic house, dub and street soul from the likes of Asha Puthli, Bappi Lahiri, Johnny Zee and Kuljit Bhamra, this double album is a treasure trove of never-before-reissued and previously impossible-to-?nd holy grails.

Naya Beat founders Turbotito and Ragz spent years endlessly hunting through dusty records, obscure cassettes and unreleased studio tapes to deliver a reference release for contemporary collectors, tastemakers and bold selectors looking for fresh sounds. Featuring an incredible gatefold package with Naya Beat’s trademark stunning artwork and extensively researched liner notes, the x2LP release has been cut to vinyl for the discerning listener and DJ by Grammy-nominated Frank Merritt from The Carvery, London.

A1 - West India Company - My Shooting Star
A2 - Bappi Lahiri - Rama Rama
A3 - Sharlene Boodram - Chamkay 'D' Chutney (Turbotito & Ragz Remix)
B1 - Kuljit Bhamra - Dholdrums
B2 - Mantra - Mantra
B3 - Heera - Beat The Rhythm (Check It Out)
C1 - Lady M - Kali Raat (Edit)
C2 - Johnny Zee - Billo To Meri Aan
C3 - Turbotito & Ragz ft. Manjeet Kondal – Pyaar (Edit)
C4 - Sangeeta – Calling (Turbotito & Ragz Remix)
D1 - The Jets Orkhestra - X-290 (Turbotito & Ragz Remix)
D2 - Fantasy Nite Club - O My Baby
D3 - Deepak Khazanchi ft. Asha Puthli - Bass Fire (On And On) (Turbotito & Ragz Remix)

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It's time to set those jaws to wobble mode as this funky favourite label is back with more serious sounds for the disco, this time from Hysteric. 'Italo Mystery Theme' is a brilliant timewarp to the 80s with its overtly streamy and seductive vocals over neat guitars and stepping disco drums with lush chords. 'After Dark' is more breezy and hip-swinging with its airy vocals and wet claps, then 'Sugar Daddy Again' brings rugged analogue bass sounds and snappy drums under some erotic vocal work. 'All Right' shuts down with a UK street soul-cum-disco groover that's lit up with nice neon chords.

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