A familiar face to the art circles of NYC and Detroit, Scott Avery is the tabbed alias for Philly-born, Detroit-based producer, Amani Olu — an ambitious creative who makes his music debut via Child Self. The EP includes four disparate tracks that explore wanderlust, play, experimentation, and unencumbered curiosity. An homage to innocence and the source of his creative expression, Child Self represents a juncture in Avery’s personal history, a moment of reflection as the artist considers the roads which have led him to the present.

Throughout the EP, memory—both personal and historical—resurfaces in roundabout ways, unlocked in ecstatic sonic transmissions, expressing the depths and sentiments that language can’t express. Coupled with Detroit’s legendary history and an aching devotion to the early years of Avery’s life, Child Self richly entwines sounds with spiritual expression. With subtle reference points and underlying samples seamlessly flowing between disco and rap, house and Motown, Child Self is a composition of gradual histories tactically woven back together into proof of concept for an ambitious and varied career to come.

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In his second EP, Scott Avery takes us on a journey through the life of MK2680—a fictional android, Martian, and human hybrid living between Earth and Mars in the year 3000. A young historian traveling through space and time searching for ancient African music traditions, MK2680's time machine malfunctions on a routine trip to Earth, leaving him stranded in Detroit in 1992. Techno, a genre he had yet to encounter, dominated the dance floors and airwaves during this time. Blown away by its emotional depth, futuristic sound, gritty textures, driving rhythms, and minimal yet hypnotic arrangements, MK2680 endeavored to make music to find a place in the universe. The result is the Dark Side of Mars.

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A familiar face to the art circles of NYC and Detroit, Scott Avery is the tabbed alias for Philly-born, Detroit-based producer, Amani Olu — an ambitious creative who makes his music debut via Child Self. The EP includes four disparate tracks that explore wanderlust, play, experimentation, and unencumbered curiosity. An homage to innocence and the source of his creative expression, Child Self represents a juncture in Avery’s personal history, a moment of reflection as the artist considers the roads which have led him to the present.

Throughout the EP, memory—both personal and historical—resurfaces in roundabout ways, unlocked in ecstatic sonic transmissions, expressing the depths and sentiments that language can’t express. Coupled with Detroit’s legendary history and an aching devotion to the early years of Avery’s life, Child Self richly entwines sounds with spiritual expression. With subtle reference points and underlying samples seamlessly flowing between disco and rap, house and Motown, Child Self is a composition of gradual histories tactically woven back together into proof of concept for an ambitious and varied career to come.

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WAS - Word and Sound Medien GmbH
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Germany
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In his second EP, Scott Avery takes us on a journey through the life of MK2680—a fictional android, Martian, and human hybrid living between Earth and Mars in the year 3000. A young historian traveling through space and time searching for ancient African music traditions, MK2680's time machine malfunctions on a routine trip to Earth, leaving him stranded in Detroit in 1992. Techno, a genre he had yet to encounter, dominated the dance floors and airwaves during this time. Blown away by its emotional depth, futuristic sound, gritty textures, driving rhythms, and minimal yet hypnotic arrangements, MK2680 endeavored to make music to find a place in the universe. The result is the Dark Side of Mars.

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The newly remastered Terminator EP by Goldie's Rufige Kru alias is here. Originally released in 1992, Terminator is widely regarded as one of the most influential tracks in jungle and drum and bass history. Sitting at a pivotal moment in the genre's evolution, the EP marked the beginning of a journey for both Goldie and Metalheadz that is still going strong today. Meticulously restored from the original DAT tapes, this remastered edition brings renewed clarity and low-end weight to a seminal release. The EP's groundbreaking experiments in timestretching and cinematic atmospheres remain as impactful as ever, a reminder of why it inspired an entire generation of producers. Releasing on 2x 12" 180g vinyl with a full artwork sleeve on 1st August.

TRACKLIST:
A. "Terminator (2025 Remastered)"
B. "Kemistry (feat. Diane Charlemagne) (2025 Remastered)"
C. "Knowledge (2025 Remastered)"
D. "Sinister (2025 Remastered)"


PRIVATE LISTEN LINK: https://on.soundcloud.com/DZn9Iw6FprrueYGCxj



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DISCO EDITS

PICTURE SLEEVE, HYPE STICKER, SHRINK WRAP.

Quality Cosmic Disco Edits from the FUNTOWN JAPAN CREW. Mastered and Pressed over 2x12" achieving the HIGHEST AUDIO QUALITY.


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- 2025 repress on 180g black vinyl -

Tracklisting
A1 Unknown - Maus
A2 Unknown - Ctrl Z
A3 Unknown - The Box
B1 Unknown - LFO
B2 Unknown - Delusion
B3 Unknown - Eindbaas

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Greg Foat, Moses Boyd and Jihad Darwish in a classic piano trio setting. Three Superb musicians skillfully performing Foat's distinctive and endearing compositions.

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Saphileaum (the pseudonym of Georgian multi-media artist Andro Gogibedashvili) is inspired by Georgian myths and legends, esotericism, earth, unity, truth and the secrets of the universe.

Over the past few years, Saphileaum has released a diverse array of albums and EPs on labels such as Good Morning Tapes, Oslated, Silent Season, Mule Musiq and Slow Life, each one reflecting his unique blend of cosmic expansiveness, tribalism and meditative storytelling.

On his first collaboration with P&F Recordings, he draws inspiration from mysticism, self study, ancient civilizations and their various cultures and mysteries.

These musings unite to create an immersive sonic experience that traverses cosmic and tribal landscapes, bringing us 'TAMALUNGMA'.

Here, the listener enters a mystical realm-space, where nature's precious spirits guide you through a journey of transition. As you walk this path, their wisdom and presence illuminate the way, helping you move closer to your true purpose.

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LN000 presents three electro tools rooted in the essence of the D. “Black Elements”, the title track, is a hypnotic journey crafted for DJ and cruising use. The looping pads and percussive bassline entrance the listener as the bed of 808 beats keep the dancefloor busy. On the B-side, “KAH” offers an exploration in the realm of electro funk. Neck snapping snares, thunderous kicks, a tweaked out bassline, and heavy breakdowns can be found in this track; this one is for the dancers. “2 Motor” closes out the EP with an energetic electro excursion. Tight beats, an anthemic lead, crashing cymbals, a dope bassline, and some funky sound design drive this track.

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LP, Indie Exclusive Edition, TigersEye Vinyl

Art Pop, Electronc, Indie

Desire, I Want to Turn Into You is the fourth studio album by American singer-songwriter and producer Caroline Polachek, and second under her given name.
Composition:
Desire, I Want to Turn Into You has been described as an art pop and alternative pop record, with elements of electronic, rock, and trip-hop.Shaad D'Souza of The Guardian wrote: "Ratcheting up both the fantastical elements of its predecessor as well as its humour and pop instinct, Desire is an eclectic, elaborate and cheekily deranged sequel, and one of the year's most anticipated releases". The album features bagpipes, children's choirs, Spanish guitar, "beats that run the gamut" from Ray of Light-style trip-hop to dembow, Celtic folk, and early '00s-style radio pop. Polachek herself described it as "a very maximalist album".

Background
After releasing Pang in late 2019, Polachek was set to tour the record, but was cut short by the COVID-19 pandemic in March 2020. Polachek stayed in London and began work on Desire, I Want to Turn Into You with close collaborator Danny L Harle. She considers the album to be a major partnership with Harle, as the record has "few other collaborators in the mix." She continued work on the album in London until mid-2021, where she briefly relocated to Barcelona alongside Harle and new collaborator Sega Bodega.

In November 2021, Polachek was featured on Charli XCX's "New Shapes" alongside Christine and the Queens. She then embarked on a North American tour with French musician Oklou for the remainder of 2021.

Dua Lipa announced Polachek as a supporting act on the North American and Canadian legs of the Future Nostalgia Tour from February to July 2022,performing at many festivals as well. Polachek was featured on Flume's "Sirens" in March, and wrote and produced the track "Afar" for PC Music artist Hyd in July. She rescheduled European tour dates to finish work on Desire, I Want to Turn Into You.

Six weeks ahead of the album release, in an interview with The Guardian, Polachek confirmed three more song titles: "Blood and Butter", "Pretty in Possible", and "Smoke".

Tracklist:
Welcome To My Island 03:53
Pretty In Possible 03:36
Bunny Is A Rider 03:17
Sunset 02:43
Crude Drawing Of An Angel 03:29
I Believe 04:07
Fly To You (feat. Grimes and Dido) 04:05
Blood And Butter 04:28
Hopedrunk Everasking 03:19
Butterfly Net 04:36
Smoke 02:57
Billions 04:56

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Following fan requests, PPU presses 2 more funk anthems from GL's 2014 Love Hexagon EP.. songs we haven't stopped playing since their initial release, bringing them back now for the 10 year anniversary.

GL, two mates from Melbourne (AUS), originally released the tracks 'Won't You See' and 'Take Me Back' in 2014 as part of their debut 'Love Hexagon' EP/cassette - a homemade homage to chart-unfriendly funk and 80s romance-dance.

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Paris’ Latency presents ‘Estradas’, an electrifying dance music album by multi-instrumentalist Valentina Magaletti and Afro-Portuguese beat-maker Nídia.

Listen: https://nidiavalentina.bandcamp.com/album/estradas

Tracklisting:
1. Andiamo
2. Rapido
3. Sicilia
4. Mata
5. Nasty
6. Estradas
7. No Promises
8. Ta A Bater Ya
9. Tutta la notte


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Abul Mogard’s first solo album on vinyl in four years, initiating his personal imprint Soft Echoes
Edition of 500 copies, BioVinyl incl. download code

'Quiet Pieces' initiates Abul Mogard’s personal imprint Soft Echoes with a definitive self-portrait of calm, contemplative, and discreet inner landscapes made audible. It is the first solo album on vinyl in four years. RIYL Alessandro Cortini, William Basinski, The Caretaker.

While sifting through archived material left idle from earlier projects, a chance encounter with a late uncle’s trove of beloved 78rpm classical and opera records prompted the reworking and completion of what would eventually become the album. Spinning dusty records at 33 and 45rpm, Abul Mogard recombined their enduring spectres with unfinished sketches from his archive. The resulting soundscape blurs distinctions between his memories and those of another, exquisitely short-circuiting the senses with its waking, dream-like lucidity.

This was a process I hadn’t explored in my earlier works. I began sampling brief moments from these records, altering them with studio effects and playing them at slower speeds. In many cases, I wasn’t entirely sure how the original music sounded. These fragments, once further processed, became a source of inspiration for my new compositions. Over time, I realised that the old pieces from the archive and the new material derived from the samples naturally complemented each other.”

The resulting pieces hover over a threshold, a liminal space that harmonises the old and older material. Voluminous waves of quiet and loud undulate between consonance and dissonance, conjuring imagery of a decaying grandeur that humanity’s decadence has surrendered to the elements. Abul Mogard’s seemingly abandoned yet vast landscapes are nevertheless intimate with timbral frissons of red-lined distortion. Elusive, yet as tangible as sea spray or smog, they affect the olfactory senses with a rarified, synesthetic quality that modestly engages one’s emotional register – a hypnotic, distinguishing feature long hailed as one of the hallmarks of his work. A fidelity to memory and dream recall is sensitively probed in the journey from the stately symphonic stasis of 'Following a dream' to the almost industrial, untethered brutality evoked by a looming silhouette that’s never fully visible in 'Constantly slipping away', culminating in the foreboding coda of 'Like a bird'. Those pieces appear to shield the album’s sentimental core, where the tempestuous play of light and shadow of 'In a studded procession' escalates to breathtaking, panoramic climax, while 'Through whispers' evokes an out-of-body-like experience encountered with visceral poignancy.

Looking back, Mogard notes an unexpected influence: “I realise being inspired by Phill Niblock, whose work I had barely known at the time but explored after his passing in 2024. His album 'Boston Tenor Index' changed the way I approached dissonance. It encouraged me to push my sound further, to the edge of a space where I began to feel uncomfortable.”

The album artwork, created by longtime collaborator Marja de Sanctis, features a photograph taken at the Temple of Jupiter Anxur, an archaeological site overlooking the Mediterranean Sea. Captured with an iPhone, the image traces the residual presence of construction techniques and architectural forms of the Romans, where material history is transcribed through contemporary tools. The convergence of ancient and modern technology aims to reverberate the site’s lasting spiritual presence – an echo persisting in what is now perceived as a quiet, emptied space. The spiral gestures towards infinity and light. Past and present dissolve into one another, reflecting 'Quiet Pieces' meditation on sound, memory, and time.

RIYL Alessandro Cortini, William Basinski, The Caretaker

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