1
Kloke - Lucidity
2
Kloke - Emeralds
3
Kloke - Möbius Strip
4
Kloke - The Man Who Began To Suspect He Was Made Of Glass
5
Kloke - Paradiso
6
Kloke - Control
7
Kloke - Goose Cuts
8
Kloke - Dark Logic
9
Kloke - Invisible City
10
Kloke - Nightfall
11
Kloke - Spaces
12
Kloke - Odyssey
Riding high on a prolific wave of output, Kloke returns to Mindgames with Lucidity — an album that confirms his position at the forefront of modern jungle.
Andy Donnelly has been actively releasing a broad swathe of electronic music since the late 00s, but it's his sharpened focus on jungle and drum & bass over the past 10 years that has cemented his reputation. As well as working closely with fellow scene leaders like Tim Reaper, the Australian artist has hit a flow state with his productions where the quality and quantity seems limitless. Since Mindgames started as a Samurai Music sub-label, Kloke has been a core part of the imprint's identity. Having already dropped the Mindgame 8 EP earlier this year, Donnelly is back with a full-length salvo of advanced jungle heavy on the technicalities and even heavier on the vibes.
Lucidity makes its mark from the very first blast of breakbeat science that opens up the title track. From that point on Donnelly works at full tilt, edging gritty textures into his sampling and capturing classic jungle's melancholic mystery through an expansive palette of re-pitched hooks. This is carefully crafted soundsystem music in thrall to the tradition of jungle, but at no point does it sound tired or throwback. One key element is the dynamic intensity of Donnelly's arrangements, shifting gears with devastating poise whether darting through the starry-eyed arps and deft breaks of 'Mobius Strip' or chopping around the jagged angles and noirish licks of 'Goose Cuts'.
Donnelly folds many moods into his jungle tapestries. 'Paradiso' conjures a smoky, haunting atmosphere while 'Nightfall' leads on techy darkside stabs before unfurling shadowy jazz licks that flicker like ghosts through the dense forest of drums. At all times, the commitment to mind-bending configurations of compound breaks drives the album forwards. No two beats roll the same as Donnelly indulges his precise and profound instinct for next-level edits and heavyweight production.
Gritty, raw and true to the roots of the culture, Kloke stands tall on Lucidity. It's the kind of detailed, deep and deadly album that shows jungle at its absolute best — a sound that still feels like the future in the right hands.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Andy Donnelly has been actively releasing a broad swathe of electronic music since the late 00s, but it's his sharpened focus on jungle and drum & bass over the past 10 years that has cemented his reputation. As well as working closely with fellow scene leaders like Tim Reaper, the Australian artist has hit a flow state with his productions where the quality and quantity seems limitless. Since Mindgames started as a Samurai Music sub-label, Kloke has been a core part of the imprint's identity. Having already dropped the Mindgame 8 EP earlier this year, Donnelly is back with a full-length salvo of advanced jungle heavy on the technicalities and even heavier on the vibes.
Lucidity makes its mark from the very first blast of breakbeat science that opens up the title track. From that point on Donnelly works at full tilt, edging gritty textures into his sampling and capturing classic jungle's melancholic mystery through an expansive palette of re-pitched hooks. This is carefully crafted soundsystem music in thrall to the tradition of jungle, but at no point does it sound tired or throwback. One key element is the dynamic intensity of Donnelly's arrangements, shifting gears with devastating poise whether darting through the starry-eyed arps and deft breaks of 'Mobius Strip' or chopping around the jagged angles and noirish licks of 'Goose Cuts'.
Donnelly folds many moods into his jungle tapestries. 'Paradiso' conjures a smoky, haunting atmosphere while 'Nightfall' leads on techy darkside stabs before unfurling shadowy jazz licks that flicker like ghosts through the dense forest of drums. At all times, the commitment to mind-bending configurations of compound breaks drives the album forwards. No two beats roll the same as Donnelly indulges his precise and profound instinct for next-level edits and heavyweight production.
Gritty, raw and true to the roots of the culture, Kloke stands tall on Lucidity. It's the kind of detailed, deep and deadly album that shows jungle at its absolute best — a sound that still feels like the future in the right hands.
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DE - 22113 Hamburg
Germany
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More records from Kloke
1
Kloke - Different Vibrations
2
Kloke - Offline
3
Kloke - Reality
4
Kloke - Digital Tribes
5
Kloke - All Love
6
Kloke - Utopians
7
Kloke - Rebellion
8
Kloke - Emissary
9
Kloke - Tomorrow's World
10
Kloke - Symbols
11
Kloke - Drum Telepathy
12
Kloke - To The Moon
A bit of background on how this release came about: I was touring Australia & New Zealand and for one of the shows, I was performing in Melbourne, which is where Kloke is based. I finally got the opportunity to meet him in person for the first time ever, after many years of collaborations with him online and having supported/enjoyed a lot of his music.
I got to visit his studio where we worked on a tune together and afterwards, he was playing me some of the music he had been working on recently and I noticed that they were all in one big folder, where he explained that every time he works on music, he exports what he's done so far into this one folder with multiple versions/iterations of each track he does. There were 1000s & 1000s of files in this folder... ????
Of course, I was insistent on taking this folder away with me haha, and even though I didn't get everything off him, he was generous enough to give me a lot of what was in there. After the tour was done and I was back home, I listened through everything I had from him, which took weeks (if not months) of ploughing through it all, with the aim of putting together an album of my favourites and after a lot of back & forth between us, we were able to come up with this release, On Rhythm, which I'm really pleased with & I hope he is too!
Anyway, big respect to Kloke for consistently creating some amazing music, thank you to my girlfriend Marta who handled the design for this release & a special mention to Nergal who brought me to Australia & New Zealand, which led to me meeting Kloke in person, visiting his studio and then putting this release together.
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DE - 22113 Hamburg
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I got to visit his studio where we worked on a tune together and afterwards, he was playing me some of the music he had been working on recently and I noticed that they were all in one big folder, where he explained that every time he works on music, he exports what he's done so far into this one folder with multiple versions/iterations of each track he does. There were 1000s & 1000s of files in this folder... ????
Of course, I was insistent on taking this folder away with me haha, and even though I didn't get everything off him, he was generous enough to give me a lot of what was in there. After the tour was done and I was back home, I listened through everything I had from him, which took weeks (if not months) of ploughing through it all, with the aim of putting together an album of my favourites and after a lot of back & forth between us, we were able to come up with this release, On Rhythm, which I'm really pleased with & I hope he is too!
Anyway, big respect to Kloke for consistently creating some amazing music, thank you to my girlfriend Marta who handled the design for this release & a special mention to Nergal who brought me to Australia & New Zealand, which led to me meeting Kloke in person, visiting his studio and then putting this release together.
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DE - 22113 Hamburg
Germany
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1
Kloke - Supernatural
2
Kloke - Rorschach
3
Kloke - All Worlds
4
Kloke - Fazed
By now an essential part of the Mindgames story, Kloke follows up his LP with Tim Reaper on Hyperdub with 4 tracks of Jungle vitality. As always with Andy's productions, there are fragments of memories that you can't quite identify embedded in the tunes framework, but the Kloke magic is using these familiar elements to build new tunes that enhance and embody this era of sound perfectly albeit with a distinctly recognisable identity. Of course this is the raison d'être of the Jungle revivalist producer set, but very few have mastered it like Kloke.
Slightly more floor-centric than his last Mindgames set, Mindgame 8 has a rugged vibe with punchy b lines and jagged breaks, doubling down on it's embedded authenticity.
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Slightly more floor-centric than his last Mindgames set, Mindgame 8 has a rugged vibe with punchy b lines and jagged breaks, doubling down on it's embedded authenticity.
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1
Kloke - waveform 09
2
Kloke - waveform 10
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1
Kloke - Dark Knight
2
Kloke - Appearance Of A World
3
Kloke - Dark Knight (LQ remix)
4
Kloke - Inspectah
Tracklisting
A1 Kloke - Dark Knight
A2 Kloke - Appearance Of A World
B1 Kloke - Dark Knight (LQ remix)
B2 Kloke - Inspectah
Sales Note
Kloke joins the Run it Red label for a stunning 4 track jungle ep. Fresh from dropping several excellent releases on Future Retro, !K7 and several other labels as well as collaborations with Tim Reaper, Kloke brings the 93 darkside style into the year 2023 for Echo Chamber Sound's sub label.
These tracks have the perfect balance of rawness and intricacy that Kloke is known for and could be mistaken for lost dubs played at Rage or the Bluenote sessions with only a cassette recording to tell the tale. Luckily they are brand new tunes, crisply mastered at The Exchange and pressed on a 4 track 12inch. Label owner LQ reworks the title tune Dark Knight with signature low end power and dubwise sonic manipulation.
Limited run of 300 copies. Artwork by RQ Product.
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WAS - Word and Sound Medien GmbH
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A1 Kloke - Dark Knight
A2 Kloke - Appearance Of A World
B1 Kloke - Dark Knight (LQ remix)
B2 Kloke - Inspectah
Sales Note
Kloke joins the Run it Red label for a stunning 4 track jungle ep. Fresh from dropping several excellent releases on Future Retro, !K7 and several other labels as well as collaborations with Tim Reaper, Kloke brings the 93 darkside style into the year 2023 for Echo Chamber Sound's sub label.
These tracks have the perfect balance of rawness and intricacy that Kloke is known for and could be mistaken for lost dubs played at Rage or the Bluenote sessions with only a cassette recording to tell the tale. Luckily they are brand new tunes, crisply mastered at The Exchange and pressed on a 4 track 12inch. Label owner LQ reworks the title tune Dark Knight with signature low end power and dubwise sonic manipulation.
Limited run of 300 copies. Artwork by RQ Product.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Kloke - Crystal Caves
2
Kloke - All Around
3
Kloke - Dreams
Australian based producer Kloke debuts on UTTU with the 2nd in a series of ambient jungle 12s Cosmic Connection Vol.2 - counter culture classic space jamz.
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
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More records from Mindgames
1
Kloke & Tim Reaper - Conga Fury
2
Kloke & Tim Reaper - Canyon
3
Kloke & Tim Reaper - It's You
4
Kloke & Tim Reaper - Speed
The tenth Mindgames release reconnects with the roots — Kloke &Tim Reaper tracing the pulse of jungle through a focused, modern lens. Breaks surge, bass breathes, textures unfold with purpose. Raw yet measured — energy in balance, defining the Mindgames approach..
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Germany
Contact: [email protected]More
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Kloke - Supernatural
2
Kloke - Rorschach
3
Kloke - All Worlds
4
Kloke - Fazed
By now an essential part of the Mindgames story, Kloke follows up his LP with Tim Reaper on Hyperdub with 4 tracks of Jungle vitality. As always with Andy's productions, there are fragments of memories that you can't quite identify embedded in the tunes framework, but the Kloke magic is using these familiar elements to build new tunes that enhance and embody this era of sound perfectly albeit with a distinctly recognisable identity. Of course this is the raison d'être of the Jungle revivalist producer set, but very few have mastered it like Kloke.
Slightly more floor-centric than his last Mindgames set, Mindgame 8 has a rugged vibe with punchy b lines and jagged breaks, doubling down on it's embedded authenticity.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Slightly more floor-centric than his last Mindgames set, Mindgame 8 has a rugged vibe with punchy b lines and jagged breaks, doubling down on it's embedded authenticity.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Eusebeia - Peace Be With You
2
Eusebeia - Flow
3
Eusebeia - Zenith
Seb returns to Mindgames with 3 new deep jungle mind massages.
Mindgames 7 strikes a perfect balance between euphoria and introspective emotive power, a talent Seb has mastered.
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Mindgames 7 strikes a perfect balance between euphoria and introspective emotive power, a talent Seb has mastered.
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1
ASC - Shadow Of The Beast
2
ASC - Phaaze
3
ASC - Heaven's Night
Mindgames' commitment to capturing the essence of golden era Jungle while infusing it with updated production techniques perfectly complements ASC's approach. On these two EP’s, ASC bridges the expansive soundscapes of his Spatial releases and the raw dynamism of his 2020 jungle trilogy for Samurai Music.
From the heads down launchpad of Shadow Of The Beast, to the deep stepping glide of Phaaze, and onto the epic scapes of Cells Interlinked, ASC writes a sonic manifesto of his mastery of deep jungle. Snowblind is a reverent nod to Photek’s fascination with space jazz, while Flux is a floating groove that snakes itself around one of the most infectious b lines you will hear anywhere.
Seven timeless entries in the Jungle story book that embody the spirit of the 90s while reshaping it’s framework into entrancing new forms.
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From the heads down launchpad of Shadow Of The Beast, to the deep stepping glide of Phaaze, and onto the epic scapes of Cells Interlinked, ASC writes a sonic manifesto of his mastery of deep jungle. Snowblind is a reverent nod to Photek’s fascination with space jazz, while Flux is a floating groove that snakes itself around one of the most infectious b lines you will hear anywhere.
Seven timeless entries in the Jungle story book that embody the spirit of the 90s while reshaping it’s framework into entrancing new forms.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
ASC - Cells Interlinked
2
ASC - Flux
3
ASC - Snowblind
4
ASC - Open Your Mind
Mindgames' commitment to capturing the essence of golden era Jungle while infusing it with updated production techniques perfectly complements ASC's approach. On these two EP’s, ASC bridges the expansive soundscapes of his Spatial releases and the raw dynamism of his 2020 jungle trilogy for Samurai Music.
From the heads down launchpad of Shadow Of The Beast, to the deep stepping glide of Phaaze, and onto the epic scapes of Cells Interlinked, ASC writes a sonic manifesto of his mastery of deep jungle. Snowblind is a reverent nod to Photek’s fascination with space jazz, while Flux is a floating groove that snakes itself around one of the most infectious b lines you will hear anywhere.
Seven timeless entries in the Jungle story book that embody the spirit of the 90s while reshaping it’s framework into entrancing new forms.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
From the heads down launchpad of Shadow Of The Beast, to the deep stepping glide of Phaaze, and onto the epic scapes of Cells Interlinked, ASC writes a sonic manifesto of his mastery of deep jungle. Snowblind is a reverent nod to Photek’s fascination with space jazz, while Flux is a floating groove that snakes itself around one of the most infectious b lines you will hear anywhere.
Seven timeless entries in the Jungle story book that embody the spirit of the 90s while reshaping it’s framework into entrancing new forms.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Scruscru dives into "the modern Yerevan bubble of music" with a new various artists outing that takes a look at the Armenian take on jazz, hip hop and house. It's utterly refreshing right off the bat with Vahagn M & Ycrow layering up jazzy keys with nice contemporary deep house swing, UNDO takes things into a vibey live jazz lounge and Your Friend Daao lays down shuffling and broken drum patterns that are effervescent with Neo-soul and nu-jazz energy. Elsewhere, Yerevan Calling's 'Next Step' brings stuttering jazz swagger and Shhau & Mesrop sink into a deep and soulful late-night sound on 'Andset'. There is a great deal of musical charm and originality to all of these fresh fusions, which makes this is vital LP.
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1
Takeo Moriyama - Exchange
2
Takeo Moriyama - Watarase
3
Takeo Moriyama - Step
4
Takeo Moriyama - Smile
5
Takeo Moriyama - Good Bye
*Pressed on clear blue vinyl
*Housed in a gatefold jacket
*With obi
*Extensive liner notes by Yusuke Ogawa (Universounds/Deep Jazz Reality) in Japanese and English translation
*Originally released in 1981
Since the late 1960s, jazz drummer Takeo Moriyama has been a dominant force in the free jazz scene, initially with the Yosuke Yamashita Trio, and more recently, collaborating with the KYOTO JAZZ SEXTET, earning respect from past to present. Recorded in 1980 with his quartet featuring Fumio Itabashi, this album is renowned for being the first to include the emotionally rich Japanese masterpiece "Watarase". Other highlights include the spirited "Exchange" and the beautifully poignant "Goodbye". Each track is a standout, offering a grand-scale performance where tranquility and movement organically intertwine, making it one of the top albums in the history of Japanese jazz.
Takeo Moriyama(Drums)
Yoshio Kuniyasu(Tenor & Soprano Sax)
Fumio Itabashi(Piano)
Hideaki Mochizuki(Bass)
Koichi Matsukaze(Alto & Tenor Sax, Flute)
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*Housed in a gatefold jacket
*With obi
*Extensive liner notes by Yusuke Ogawa (Universounds/Deep Jazz Reality) in Japanese and English translation
*Originally released in 1981
Since the late 1960s, jazz drummer Takeo Moriyama has been a dominant force in the free jazz scene, initially with the Yosuke Yamashita Trio, and more recently, collaborating with the KYOTO JAZZ SEXTET, earning respect from past to present. Recorded in 1980 with his quartet featuring Fumio Itabashi, this album is renowned for being the first to include the emotionally rich Japanese masterpiece "Watarase". Other highlights include the spirited "Exchange" and the beautifully poignant "Goodbye". Each track is a standout, offering a grand-scale performance where tranquility and movement organically intertwine, making it one of the top albums in the history of Japanese jazz.
Takeo Moriyama(Drums)
Yoshio Kuniyasu(Tenor & Soprano Sax)
Fumio Itabashi(Piano)
Hideaki Mochizuki(Bass)
Koichi Matsukaze(Alto & Tenor Sax, Flute)
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Tracklist
Side 1
1. "Sunrise" (14:41)
Side 2
1. "Watarase" (12:05)
Side 3
1. "Exchange" (20:45)
Side 4
1. "Hush-A-Bye" (10:20)
2. "Good Bye" (5:07)
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Germany
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Side 1
1. "Sunrise" (14:41)
Side 2
1. "Watarase" (12:05)
Side 3
1. "Exchange" (20:45)
Side 4
1. "Hush-A-Bye" (10:20)
2. "Good Bye" (5:07)
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1
SND & RTN - The Mole
2
SND & RTN - The Vacuum of Space
3
SND & RTN - Rhudaur
4
SND & RTN - Noise Factory
Tracklisting
A1 SND & RTN - The Mole
A2 SND & RTN - The Vacuum of Space
B1 SND & RTN - Rhudaur
B2 SND & RTN - Noise Factory
Sales Note
ECHOLTD013: Mastered on a reel to reel tape machine cut on 12" 180g Gold marbled vinyl.
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A1 SND & RTN - The Mole
A2 SND & RTN - The Vacuum of Space
B1 SND & RTN - Rhudaur
B2 SND & RTN - Noise Factory
Sales Note
ECHOLTD013: Mastered on a reel to reel tape machine cut on 12" 180g Gold marbled vinyl.
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1
Hiromasa Suzuki - High-Flying
2
Hiromasa Suzuki - Screwdriver
3
Hiromasa Suzuki - Scramble
4
Hiromasa Suzuki - Between O&M
5
Hiromasa Suzuki - Smash
6
Hiromasa Suzuki - Straight Flash
7
Hiromasa Suzuki - Out Of Focus
*Pressed on clear pink vinyl
*Housed in a gatefold jacket
*With obi
*Extensive liner notes by Yusuke Ogawa (Universounds/Deep Jazz Reality) in Japanese and English translation
*Originally released in 1976
Composer and arranger of Hiroshi Suzuki's "Romance" and Jiro Inagaki's "Breeze," Hiromasa Suzuki is a musician who had worked extensively in the Japanese entertainment industry, not only in jazz, but also in pops, cinema, television, and animation music production. This album is a pre-fusion/crossover masterpiece produced by Jiro Inagaki and recorded with talented players such as Shuichi Murakami, Akira Okazawa, and Masayoshi Takanaka.
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*Housed in a gatefold jacket
*With obi
*Extensive liner notes by Yusuke Ogawa (Universounds/Deep Jazz Reality) in Japanese and English translation
*Originally released in 1976
Composer and arranger of Hiroshi Suzuki's "Romance" and Jiro Inagaki's "Breeze," Hiromasa Suzuki is a musician who had worked extensively in the Japanese entertainment industry, not only in jazz, but also in pops, cinema, television, and animation music production. This album is a pre-fusion/crossover masterpiece produced by Jiro Inagaki and recorded with talented players such as Shuichi Murakami, Akira Okazawa, and Masayoshi Takanaka.
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1
Mantsche - Africa Inna Dub
2
Mantsche - Dub Poetry
Black Vinyl
Genre: Dubtechno
Tracklist:
A – Africa Inna Dub 05:49
B – Dub Poetry 06:08
Short Info:
Fourth instalment xin FDFs Essentials Series by Austrians finest Mantsche himself, bringing back essential vibes.
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Genre: Dubtechno
Tracklist:
A – Africa Inna Dub 05:49
B – Dub Poetry 06:08
Short Info:
Fourth instalment xin FDFs Essentials Series by Austrians finest Mantsche himself, bringing back essential vibes.
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1
Jiro Inagaki & Soul Media - No Title
2
Jiro Inagaki & Soul Media - No Title
*Pressed on clear red vinyl
*Housed in a gatefold jacket
*With obi
*Extensive liner notes by Yusuke Ogawa (Universounds/Deep Jazz Reality) in Japanese and English translation
*Originally released in 1970
A heretical masterpiece with an overwhelming presence in the history of Japanese jazz. Jiro Inagaki was one of the central figures in the development of jazz rock in Japan. Inagaki, who had doubts about the existing jazz music, turned the helm to jazz-rock at once with this album recorded in 1970. From the opening track "The Vamp" to the closing "Head Rock," Inagaki poured all his ideas and passion into this jazz-rock album that leaves no time to exhale.
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*Housed in a gatefold jacket
*With obi
*Extensive liner notes by Yusuke Ogawa (Universounds/Deep Jazz Reality) in Japanese and English translation
*Originally released in 1970
A heretical masterpiece with an overwhelming presence in the history of Japanese jazz. Jiro Inagaki was one of the central figures in the development of jazz rock in Japan. Inagaki, who had doubts about the existing jazz music, turned the helm to jazz-rock at once with this album recorded in 1970. From the opening track "The Vamp" to the closing "Head Rock," Inagaki poured all his ideas and passion into this jazz-rock album that leaves no time to exhale.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Client_03 - You Are A Machine
2
Client_03 - Maximal Liberation Exercise
3
Client_03 - Image Connector Demonstration
4
Client_03 - Assimilation Inspector
5
Client_03 - Decommission ( x Shinra)
6
Client_03 - OptimismOutputNode
7
Client_03 - Search-Augmented Factuality Evaluator
8
Client_03 - Responsibility Optimization
9
Client_03 - TESTBED DOT SELF_03
10
Client_03 - Survival Companion Candidate Exporter
11
Client_03 - ImitationAssemblyVolume
12
Client_03 - Consumption Analysis
13
Client_03 - EmergencyCalibrationPageToDisk
14
Client_03 - Registration Error
15
Client_03 - The Last Human ( x Lorn)
Your boss ignores you,
but you feel nothing,
You are a machine.
Your friends underestimate you,
but you feel nothing,
You are a machine.
Your eyes survey the vast beauty of nature,
but you feel nothing,
You are a machine.
Your time is coming to an end,
but you feel nothing,
You are a machine.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
but you feel nothing,
You are a machine.
Your friends underestimate you,
but you feel nothing,
You are a machine.
Your eyes survey the vast beauty of nature,
but you feel nothing,
You are a machine.
Your time is coming to an end,
but you feel nothing,
You are a machine.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
SOPHIE - BIPP
2
SOPHIE - ELLE
3
SOPHIE - LEMONADE
4
SOPHIE - HARD
5
SOPHIE - MSMSMSM
6
SOPHIE - VYZEE
7
SOPHIE - L.O.V.E.
8
SOPHIE - UNISIL
9
SOPHIE - GET HIGHER
10
SOPHIE - OOH
11
SOPHIE - JUST LIKE WE NEVER SAID GOODBYE
Black Vinyl!
To mark 10 years since SOPHIE’s game-changing singles collection PRODUCT, Numbers are celebrating with a special edition featuring 11 songs across Deluxe Vinyl and Compact Disc.
This anniversary release includes bonus tracks, track-by-track slide posters, and a SOPHIE PRODUCT Card. Physical editions are now available for pre-order and released on 11th July 2025.
SOPHIE classics ‘BIPP’, ‘LEMONADE’ and ‘VYZEE’ are joined by two immaculate PRODUCT-era songs ‘OOH’ and ‘GET HIGHER’ recorded and produced at the time, each with colourful single artwork completing the set.
‘OOH’ is one of SOPHIE's earliest productions that has been through several revisions since 2011. It was one of three original tracks that Numbers had signed when SOPHIE uploaded the song alongside 'BIPP' and 'ELLE' to her Soundcloud, and while it had been through several iterations and speed changes, this finalised version was completed by SOPHIE in 2019.
SOPHIE once described ‘OOH’ as “hi tech club dance pop”. Musically speaking, the earworm hook is carved out by her signature portamento-infused synths and candy-coated lyrics, a firm cult classic approved by AG Cook and Charli XCX. Initially titled 'MAKE RESPECT', the track was first performed live by SOPHIE in 2011 to a handful of lucky people at a beach afterparty surrounding Sonar Festival, Barcelona and later that year at Manhattan's New Museum. The vocal was recorded as the first track in the same one-day recording session as SOPHIE's debut single 'NOTHING MORE TO SAY', released on the Huntley & Palmers label, where Sophie's songwriting was performed by the London vocalist Jaide Green.
The genesis of the ‘OOH’ and ‘NOTHING MORE TO SAY’ recording session is lore-worthy in its own right: after watching Jaide Green perform live with Olly Murs during the sixth series of The X Factor in 2009, SOPHIE reached out and invited Jaide to record in her home bedroom studio.
‘GET HIGHER’ was born during joyous sessions in 2013, when SOPHIE’s beat was introduced to the vocalists Cassie Davis and Sean Mullins. The track feels like a visionary precursor to ‘Vroom Vroom’, and doesn't sound out of place next to the sub-clang intensity of SOPHIE’s ‘HARD’ and ‘MSMSMSM’. Striking a playful balance between blissed-out hyperpop and club-ready Atlanta trap, it showcases SOPHIE’s signature, laser sharp sound design. Originally released as a bonus track on the Japanese CD edition of PRODUCT, ‘GET HIGHER’ has remained a hidden gem.
A groundbreaking producer, songwriter and performer, SOPHIE's visionary approach reshaped the landscape of pop and electronic music. Emerging in the early 2010s, SOPHIE introduced a hyper-detailed, futuristic sound defined by metallic textures, elastic basslines, and an uncanny blend of synthetic and emotional tones. Collaborating with artists including Charli XCX, Madonna, Vince Staples and Arca, SOPHIE helped pioneer a new pop movement while challenging conventions around identity, genre and production. SOPHIE's work continues to resonate deeply, leaving a lasting impact on a generation of artists and listeners alike. Discography: PRODUCT (2015), OIL OF EVERY PEARL'S UN-INSIDES (2018), SOPHIE (released posthumously, 2024).
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
To mark 10 years since SOPHIE’s game-changing singles collection PRODUCT, Numbers are celebrating with a special edition featuring 11 songs across Deluxe Vinyl and Compact Disc.
This anniversary release includes bonus tracks, track-by-track slide posters, and a SOPHIE PRODUCT Card. Physical editions are now available for pre-order and released on 11th July 2025.
SOPHIE classics ‘BIPP’, ‘LEMONADE’ and ‘VYZEE’ are joined by two immaculate PRODUCT-era songs ‘OOH’ and ‘GET HIGHER’ recorded and produced at the time, each with colourful single artwork completing the set.
‘OOH’ is one of SOPHIE's earliest productions that has been through several revisions since 2011. It was one of three original tracks that Numbers had signed when SOPHIE uploaded the song alongside 'BIPP' and 'ELLE' to her Soundcloud, and while it had been through several iterations and speed changes, this finalised version was completed by SOPHIE in 2019.
SOPHIE once described ‘OOH’ as “hi tech club dance pop”. Musically speaking, the earworm hook is carved out by her signature portamento-infused synths and candy-coated lyrics, a firm cult classic approved by AG Cook and Charli XCX. Initially titled 'MAKE RESPECT', the track was first performed live by SOPHIE in 2011 to a handful of lucky people at a beach afterparty surrounding Sonar Festival, Barcelona and later that year at Manhattan's New Museum. The vocal was recorded as the first track in the same one-day recording session as SOPHIE's debut single 'NOTHING MORE TO SAY', released on the Huntley & Palmers label, where Sophie's songwriting was performed by the London vocalist Jaide Green.
The genesis of the ‘OOH’ and ‘NOTHING MORE TO SAY’ recording session is lore-worthy in its own right: after watching Jaide Green perform live with Olly Murs during the sixth series of The X Factor in 2009, SOPHIE reached out and invited Jaide to record in her home bedroom studio.
‘GET HIGHER’ was born during joyous sessions in 2013, when SOPHIE’s beat was introduced to the vocalists Cassie Davis and Sean Mullins. The track feels like a visionary precursor to ‘Vroom Vroom’, and doesn't sound out of place next to the sub-clang intensity of SOPHIE’s ‘HARD’ and ‘MSMSMSM’. Striking a playful balance between blissed-out hyperpop and club-ready Atlanta trap, it showcases SOPHIE’s signature, laser sharp sound design. Originally released as a bonus track on the Japanese CD edition of PRODUCT, ‘GET HIGHER’ has remained a hidden gem.
A groundbreaking producer, songwriter and performer, SOPHIE's visionary approach reshaped the landscape of pop and electronic music. Emerging in the early 2010s, SOPHIE introduced a hyper-detailed, futuristic sound defined by metallic textures, elastic basslines, and an uncanny blend of synthetic and emotional tones. Collaborating with artists including Charli XCX, Madonna, Vince Staples and Arca, SOPHIE helped pioneer a new pop movement while challenging conventions around identity, genre and production. SOPHIE's work continues to resonate deeply, leaving a lasting impact on a generation of artists and listeners alike. Discography: PRODUCT (2015), OIL OF EVERY PEARL'S UN-INSIDES (2018), SOPHIE (released posthumously, 2024).
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Ousmane Kouyaté - Kfeimba
2
Ousmane Kouyaté - N‘Ny
12” VINYL Limited Edition 180g - Comes with a Silk-Screen printed cover and a Pink colored vinyl
Born in 1952 in Dabola, Guinea, Ousmane was heir to the tradition of the Griots, the storytellers, poets and musicians who had served for centuries as the guardians of West African cultural heritage. He picked up the guitar and balafon in his early years and formed a youth band in his teens, but it was while studying agriculture at Kankan University that he decided to devote his life to music.
He moved to Bamako where he soon fell in with Mory Kanté and Les Ambassadeurs du Motel de Bamako, who were busy forging a modern Mandingue sound. He performed occasionally with the band and, when they finally broke up in 1977, he was asked to join guitarist Kanté Manfila and singer Salif Keita in a new venture. The newly-formed Les Ambassadeurs Internationaux relocated to Abidjan, where they came to the attention of legendary Beninese producer Badmos. Their electrifying first album, released in 1978, made them stars throughout West Africa.
After a few years of touring, Ousmane decided to focus on his own compositions and went to the esteemed JBZ Recording Studio in Abidjan. Accompanied by his fellow musicians from Les Ambassadeurs, Ousmane recorded “Kefimba” – named after the all-black bull from his childhood with whom he had shared his Manioc meals – and “N’Ny”; both were released initially on cassette before making their way to vinyl in 1982 and 1983.
Ousmane left Les Ambassadeurs shortly before their split in the mid-1980s, but he continued to work with Salif Keita, serving as his guitarist for more than three decades. After bringing their music to audiences throughout the world, the two friends eventually settled in France – for Ousmane it was the fulfilment of a lifelong aspiration.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Born in 1952 in Dabola, Guinea, Ousmane was heir to the tradition of the Griots, the storytellers, poets and musicians who had served for centuries as the guardians of West African cultural heritage. He picked up the guitar and balafon in his early years and formed a youth band in his teens, but it was while studying agriculture at Kankan University that he decided to devote his life to music.
He moved to Bamako where he soon fell in with Mory Kanté and Les Ambassadeurs du Motel de Bamako, who were busy forging a modern Mandingue sound. He performed occasionally with the band and, when they finally broke up in 1977, he was asked to join guitarist Kanté Manfila and singer Salif Keita in a new venture. The newly-formed Les Ambassadeurs Internationaux relocated to Abidjan, where they came to the attention of legendary Beninese producer Badmos. Their electrifying first album, released in 1978, made them stars throughout West Africa.
After a few years of touring, Ousmane decided to focus on his own compositions and went to the esteemed JBZ Recording Studio in Abidjan. Accompanied by his fellow musicians from Les Ambassadeurs, Ousmane recorded “Kefimba” – named after the all-black bull from his childhood with whom he had shared his Manioc meals – and “N’Ny”; both were released initially on cassette before making their way to vinyl in 1982 and 1983.
Ousmane left Les Ambassadeurs shortly before their split in the mid-1980s, but he continued to work with Salif Keita, serving as his guitarist for more than three decades. After bringing their music to audiences throughout the world, the two friends eventually settled in France – for Ousmane it was the fulfilment of a lifelong aspiration.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
HO CO PA CO CHO CO QUIN QUIN - Adan no Umibe
2
HO CO PA CO CHO CO QUIN QUIN - Correspondances
3
HO CO PA CO CHO CO QUIN QUIN - Koe o Kikasete
Following their mesmerizing debut Tradition, CHO CO PA CO CHO CO QUIN QUIN return with Correspondances—a 7-inch release that drifts effortlessly between organic textures and delicate electronic landscapes. Expanding on their signature blend of dreamy synth work and nylon-stringed warmth, the trio refines their approach with a more mature, immersive sound that feels both nostalgic and forward-thinking.
The A-side, “Adan no Umibe” (Adan’s Seashore), opens with a soft, relaxed vocal delivery reminiscent of Haruomi Hosono’s solo work, floating over a gentle groove of nylon guitars and spacious synths. It captures the essence of a quiet shore, where melodies ebb and flow like waves against the sand, infused with the scent of Okinawa.
The title track, “Correspondances,” embraces an airy, ambient minimalism. Whispered vocals glide over sparse beats, floating basslines, and interwoven birdsong—blurring the lines between nature and sound.
Closing the record, “Koe o Kikasete” (Hear Me Your Voice) introduces a subtle rhythmic pulse, with its soft vocal refrain weaving through a beautiful chord progression, layered with nylon guitar and delicate electronic textures. The birdsong theme resurfaces here, echoing the lyrics and enhancing the immersive, weightless atmosphere.
While rooted in the warmth of vintage Japanese pop experimentalism, Correspondances carries CHO CO PA CO CHO CO QUIN QUIN’s sound into new, refined territory.
This is a record of quiet yet deeply expressive beauty—an invitation to pause, listen, and drift.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
The A-side, “Adan no Umibe” (Adan’s Seashore), opens with a soft, relaxed vocal delivery reminiscent of Haruomi Hosono’s solo work, floating over a gentle groove of nylon guitars and spacious synths. It captures the essence of a quiet shore, where melodies ebb and flow like waves against the sand, infused with the scent of Okinawa.
The title track, “Correspondances,” embraces an airy, ambient minimalism. Whispered vocals glide over sparse beats, floating basslines, and interwoven birdsong—blurring the lines between nature and sound.
Closing the record, “Koe o Kikasete” (Hear Me Your Voice) introduces a subtle rhythmic pulse, with its soft vocal refrain weaving through a beautiful chord progression, layered with nylon guitar and delicate electronic textures. The birdsong theme resurfaces here, echoing the lyrics and enhancing the immersive, weightless atmosphere.
While rooted in the warmth of vintage Japanese pop experimentalism, Correspondances carries CHO CO PA CO CHO CO QUIN QUIN’s sound into new, refined territory.
This is a record of quiet yet deeply expressive beauty—an invitation to pause, listen, and drift.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
WZ - Organix
2
WZ - Wolpha
3
WZ - Encoded
4
WZ - Neurotikum
A specialist in reducing multiple genres at once into their minimalist form, WZ has a talent for making music with character. Organix EP offers 4 deep tracks grooving around 138.6bpm, built for sound systems and built for the dance music, It’s WZ and it’s here on Modern Hypnosis.
Enjoy responsibly.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Enjoy responsibly.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More