Washerman is back. Rough, raw and armed to groove. Have mercy, as the resistance of the lost poets has just begun, before we face the blank city we shout out to the holy drum!A


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WAS - Word and Sound Medien GmbH
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Germany
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Washerman is a story at it's best. The humble Gianni Siravo has been around since many years under different names. He released his first records in 1998 as SEQUEL on labels like Straight Ahead and Sonar Kollektiv. In 2008 he introduced us to his AZUNI project and released the album "City Look" on Agnès' label STHLM Audio as well as 12"es on Morris Audio, Quinessentials and Drumpoet. In 2012 he decided to release his music as Washerman. His first single „Kutz From The Basement EP“ for DPC became one of the most played records that summer/autumn and gained him a big reputation, followed up by countless remixes and releases on labels like Nite Grooves, Saft and Deso. He also started his own label DEEP DOWN SLAM, where he is championing music which is inspired by the early house groove of New York and Chicago. He has been busy travelling the world as a DJ and producing music, such as this honest raw album of quality house music. His first album entitled "Raw Poet" features nothing less than a 909, a Juno 60 and some other bits to create this unique groove we can not resist. It's simply underground dance music in its purest way and straight to the point.

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Amand returns to All Day I Dream alongside Belgian newcomer Capoon for their collaborative two-track Ouverture EP. The release arrives with a bonus remix from producer/DJ Khen. Guided by a shared sense of musical storytelling, Amand and Capoon find common ground in organic instrumentation and cinematic rhythm. Across its two movements, Ouverture unfolds like a passage through dusk and dawn part meditative, part ascendant. The title track’s first part opens in a space of gentle introspection, carried by fluid percussion and softly woven synths. Its counterpart rises with quiet momentum, layering melodic phrasing, captivating vocals, and subtle rhythmic tension into a transportive finale. It’s a delicate and dreamy 12-minute journey that encapsulates the wondrous imagination of All Day I Dream curation. Khen’s remix expands the emotional arc further, blending the original’s warmth with his signature precision and dynamic melodic control. The result feels both grounded and dreamlike, aligning seamlessly with the label’s ethos of soulful progression and timeless sound design.

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Another legendary R&S classic repressed in very limited numbers only on a one-sided 12" vinyl. The original 1992 release from Dutch producer Jaydee was a 10 minute long Hammond organ workout - many remixes over the years but you cant surpass the original!!!

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The Nightlife isn’t just a single. It’s a fever dream. Honey Dijon and Chloë have built a sonic peephole into a city that only half-existed—New York’s Meatpacking District in the late ’70s, that liminal wet haze where sweat, leather, and desire commingled under streetlights that flickered like dying stars. Imagine Blade Runner rewritten by Jean Genet, but scored for bodies pressed together at 4 a.m.—that’s the terrain. And in the marrow of this track, the ghost of Kim English’s Nitelife thrums—an invocation of the 1990s underground, those rooms where freedom was fragile but absolute. Honey Dijon doesn’t just sample it. She resuscitates it, drags it into the now, dresses it in sequins and grief, insists we dance harder because the future is burning quicker. This isn’t nostalgia. This isn’t homage. This is ritual. A reminder that nightlife was always resistance—radical, erotic, communal. And The Nightlife is a portal, a signal flare, maybe even an omen. Something larger is coming. Consider this the first act.

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Cybernetic disco maestro Patrick Cowley graces Dark Entries once again with Hard Ware, an LP of far-out funk and synthpop celebrating what would have been Cowley’s 75th birthday. Best known for his chart-topping disco anthems, Cowley left us with an incredible body of work before his tragic death in 1982 due to AIDS-related illness. Since 2009, Dark Entries has been working with Cowley’s friends and family to uncover the singular artist’s lesser-known sides, including his soundtracks for gay pornographic films, which the label chronicled on compilation albums School Daze, Muscle Up, and Afternooners. Hard Ware presents the closing chapter in a trilogy of unreleased Cowley dancefloor bangers that began with 2022’s heavy-hitting Male Box and was continued with the soul and garage-inflected From Behind in 2024. The most expansive release in said trilogy, Hard Ware delivers ten tracks of pure, uncut Cowley: sultry, psychedelic, sarcastic, and just a bit sleazy. Cowley devotees will delight in “Tech-No,” a sparse instrumental demo version of his epically dystopian “Tech-No-Logical World.” You could soundtrack your next aerobics session with cheeky numbers like “Pajama Party Massacre” or “Shake It Up,” both of which feature Cowley himself on vocals. The frenetic “Big Ass in Motion” is built around samples from Rudy Ray Moore and The Madam’s infamous “Sensuous Black Woman,” an X-rated comedy record that would later feature in classic booty house records. Mid-tempo cosmic groovers are well-represented with jams like “Hellfire” and “Megablue,” which perfectly capture Cowley’s bathhouse-in-outerspace sensibilities. No collection of Cowley’s work would be complete without an interstellar floor-filler, and we’ve got quite a few here, like “Jungle Jump,” which pits whirling beats with dub-laced swirls of synth, or “Spellbinding Lover,” a Donna Summer-indebted melancholic boogie masterpiece that features Sylvester backup singer Jeanie Tracy. Hard Ware closes with the chilling synth-hymn ”Ice Age,” in which Loverde vocalist Peggy Gibbons sings of a coming frosty apocalypse. The story told in “Ice Age” mirrors the coming AIDS crisis and feels like a haunting premonition from Cowley. The record comes in a sleeve with a hand-airbrushed circuitboard-inspired design by Gwenaël Rattke, and includes lyrics as well as liner notes by Andrew Ryce and Peggy Gibbons. Hard Ware is another crucial document of a tremendous talent taken too soon.

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Coki’s seminal double A, “Tortured/Shattered”, finally repressed,

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Oots lands on Fragrance with his new EP ‘Often’ - following on from the introspective and emotional club focused single, the other 3 tracks Sacrifice My Love, With U and Sundown are cut from the same cloth but with different execution. Each track is unique, perfect for any moment on the dancefloor.

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Suburban Base Records proudly unveils the vinyl reissue of the iconic 1997 album Classic Subbase, following huge demand after releasing the album digitally at the end of last year, this becomes our huge Christmas 2025 vinyl release. For the first time since its original release, this legendary compilation is available on 3 x black vinyl, housed in a fully illustrated sleeve that pays homage to the original classic artwork. This essential collection features some of the most influential tracks from the Suburban Base catalogue, including genre-defining cuts from Sonz Of A Loop Da Loop Era, Krome & Time, QBass, M&M, Rachel Wallace, Phuture Assassins, DJ Hype, and D’Cruze. Each track has been digitally remastered to deliver enhanced clarity and punch while preserving the raw energy and spirit of the original recordings. Unavailable for over 25 years, Classic Subbase has become a coveted piece for collectors and fans of drum and bass, jungle, and rave culture. This limited-edition reissue offers a rare chance to own a mint-condition pressing of a defining album that shaped the sound of a generation. Don’t miss the opportunity to own this piece of rave history—secure your copy while supplies last and experience the timeless tracks that continue to resonate through dance music culture.

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A Vega Records special edition 7” by Elements Of Life with sneak peaks of two new Elements Of Life tracks from the forthcoming 2026 album “Dreamer”. Side A is a brilliant cover of the famed Brazilian band Black Banda Rio’s “Maria Fumaca”. Side B an energetic Latin jazz infused cover of John Coltrane’s ultra class “Giant Steps” done up Rumba style tributing the great Tito Puente with special guest, the maestro Christian McBride on upright bass. Elements Of Life are on Fiyaaah and it’s just the beginning!

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On April 13, 2019 Record Day, Vega Records celebrates with the new release “My Body” performed by none other than the Legend and King R&B, soul singer Luther Vandross. This is a song that was never released and was recorded back in 1979 by Luther Vandross when he was working on the collossal album “Never Too Much”. Brought to Louie Vega by artist and renowned background singer to the greats Mr. Fonzi Thornton, Vega was able to work on the immaculate sounds of Vandross. As Vega recalls “When I put up the tracks in my studio it sounded as if Luther were singing today, it made it so easy to come with the house grooves having such a perfect vocal performance and one of a kind tone. Once I came with the music, I felt I needed to bring in his original background singers, the A-team, which Fonzi organized in a flash. He called upon the genius singers Brenda White, Lisa Fischer, Cindy Mizelle, Tawatha Agee and of he joined the session. We are talking the A-Team of background singers, a dream come true in my studio”, Vega recalls. “And what a session it was!” To add to this impeccable package is a stunning art piece by Richard Wilson on the cover of the vinyl double pack 12”. There are seven versions to choose from ready to work b2b. LOUIE VEGA SENDS A BIG HAPPY BIRTHDAY TO LUTHER VANDROSS (which is on April 20, 2019) & THANK YOU TO FONZI THORNTON, SEVETA WILLIAMS, AND VANDROSS MUSIC, LLC.

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