'Altera Vita' is the first studio album by World renowned multi-award winning artists Tony Kofi (tenor saxophone) and Alina Bzhezhinska (harp) as a duo. The album is saxophone and harp in perfect harmony with Tony and Alina also providing the bulk of the percussion to accompany their recordings. Tony Kofi is widely recognized as one of the leading Jazz saxophonists in the UK and his duties include regularly lending his skills to legendary group Cymande for their live performances. Alina has been heralded as the "New Sound of Europe'' and the duo’s innovative and refreshing approach to recording is apparent on this album. The namesake and inspiration for this album; ‘Altera Vita’ (2023) was named in Downbeat’s jazz albums of 2023, which is very rare for a single release!
'Altera Vita' mirrors the human experience, from conception through to the inevitable end or new beginning. Throughout the journey the appreciation of our environments is paramount, 'Altera Vita' guides us through an intensified refocus on our senses through the medium of sound.
This homage to the ethereal is dedicated to the influential Pharoah Sanders —a lynchpin in the creative and personal lives of Tony & Alina. Sharing a platform during the 2017 EFG London Jazz Festival at the Barbican in a concert honouring Alice & John Coltrane, Pharoah's influence was profound. Riding the wave of inspiration following Pharoah's passing, Tony channeled his gratitude into the creation of 'Altera Vita (for Pharoah Sanders)' (single). With Alina's harmonious harp in counterpoint, a serene musical dialogue was born, echoing the grandeur of Pharoah's legacy. This track released in 2023 to critical acclaim was a major catalyst for the creation of 'Altera Vita' as an album.
'Altera Vita', the album, is a spontaneous response to a world in dire need for a reset. In a reality where billions find themselves hostage to the ‘doom-scroll’, where topics are disproportionately centred on the darker shades of our existence, and where our attempts to foster connection have only yielded deeper factionalism, 'Altera Vita' surfaces as an aural oasis. An audioscape that personifies tranquility, spirituality and peace — abstract concepts essential to the restructuring of our collective consciousness. 'Altera Vita' was designed by Tony & Alina to provide the listener with an opportunity to sit still and be aware.
The heart of 'Altera Vita' took shape during a busy summer schedule over the span of two electrifying days at Fish Factory Studios, London, The synergy between Tony & Alina underpinned these rapid-fire recording sessions. The ebbs and flows, the improvisational dance of saxophone and harp intermingled with the percussive beats also from the pair, with the phenomenal Muriel Grossmann contributing tanpura from her Ibiza base – all demonstrated the effortless energy harvest of a creative partnership seasoned over years of performance and practice. Their achievement is a testament to music as our communal solace and our binder.
Encapsulating the interplay of West African and Eastern European sonic traditions, notably expressed through jazz, Tony Kofi and Alina Bzhezhinska become symbols of our shared human fabric —a powerful reminder that our commonalities vastly overshadow our differences.
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'Altera Vita' mirrors the human experience, from conception through to the inevitable end or new beginning. Throughout the journey the appreciation of our environments is paramount, 'Altera Vita' guides us through an intensified refocus on our senses through the medium of sound.
This homage to the ethereal is dedicated to the influential Pharoah Sanders —a lynchpin in the creative and personal lives of Tony & Alina. Sharing a platform during the 2017 EFG London Jazz Festival at the Barbican in a concert honouring Alice & John Coltrane, Pharoah's influence was profound. Riding the wave of inspiration following Pharoah's passing, Tony channeled his gratitude into the creation of 'Altera Vita (for Pharoah Sanders)' (single). With Alina's harmonious harp in counterpoint, a serene musical dialogue was born, echoing the grandeur of Pharoah's legacy. This track released in 2023 to critical acclaim was a major catalyst for the creation of 'Altera Vita' as an album.
'Altera Vita', the album, is a spontaneous response to a world in dire need for a reset. In a reality where billions find themselves hostage to the ‘doom-scroll’, where topics are disproportionately centred on the darker shades of our existence, and where our attempts to foster connection have only yielded deeper factionalism, 'Altera Vita' surfaces as an aural oasis. An audioscape that personifies tranquility, spirituality and peace — abstract concepts essential to the restructuring of our collective consciousness. 'Altera Vita' was designed by Tony & Alina to provide the listener with an opportunity to sit still and be aware.
The heart of 'Altera Vita' took shape during a busy summer schedule over the span of two electrifying days at Fish Factory Studios, London, The synergy between Tony & Alina underpinned these rapid-fire recording sessions. The ebbs and flows, the improvisational dance of saxophone and harp intermingled with the percussive beats also from the pair, with the phenomenal Muriel Grossmann contributing tanpura from her Ibiza base – all demonstrated the effortless energy harvest of a creative partnership seasoned over years of performance and practice. Their achievement is a testament to music as our communal solace and our binder.
Encapsulating the interplay of West African and Eastern European sonic traditions, notably expressed through jazz, Tony Kofi and Alina Bzhezhinska become symbols of our shared human fabric —a powerful reminder that our commonalities vastly overshadow our differences.
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More records from bbe
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Universal Love: 10 Years of Love Injection is a triple LP collection of genre crossing, open-eared, open-minded tracks which celebrate not only the ten year existence of Love Injection as a 'zine, record label and radio show but also the New York parties that acted as the inspiration and raison d'être for Love Injection's birth and evolution. Indeed it was at Mancuso's iconic parties at The Loft where Love Injection founders and compilers of this collection, Barbie Bertisch and Paul Raffaele, first came up with Love Injection as the name for their project, literally whilst they were dancing to the NYC classic by Trussel. Furthermore it was the eclectic ethos of The Loft that inspired their own Universal Love parties. It was these events that funded the monthly, printed 'Zine and it is this 'Zine which included interviews and features with and on diverse musical contributors as musclecars, Patti Kane, Jaimie Branch, Isiah Collier, Kamasi Washington and major contributors to the NYC club scenes from the wider arts. This diversity and inclusion that reflects the city of New York is also reflected in the 14 tracks collated for Universal Love: 10 Years of Love Injection, including hidden producers Joe Claussell, John Morales and Maurice Fulton. It is clear from its psychedelic blues opening track , its electro interpretation of a Bossa Nova classic, fusions of Soul and Rumba, a Japanese techno reimagining of a Chicago House classic and a track order that could only have been realised by people who understand how a DJ set is built that this compilation is a must have for DJs, dancers and free thinking music lovers alike. Universal Love: 10 Years of Love Injection is more than a celebration of an anniversary; it is an encapsulation of how a vibrant scene is created and built through the curation and selection of the myriad musical options, selectors, music makers and club goers who all contribute. This really is an amazing compilation.
Disc: 1
1. Vibeka
2. Bird Brain
3. Wasp Jam
4. Ebb & Flow
5. Licik (Tribute) (Love Injection Edit)
6. Is This The Future? (Disco Version)
Disc: 2
1. Liberation Lullaby
2. Hiding From My Shadow
3. Tidal Wave
4. Oriental Express
5. Pa' Mi Gente
Disc: 3
1. Love For The Loft
2. Inclusion (The Soul Feast Cosmic Arts Dub)
3. The Duel
4. Can You Feel It
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Disc: 1
1. Vibeka
2. Bird Brain
3. Wasp Jam
4. Ebb & Flow
5. Licik (Tribute) (Love Injection Edit)
6. Is This The Future? (Disco Version)
Disc: 2
1. Liberation Lullaby
2. Hiding From My Shadow
3. Tidal Wave
4. Oriental Express
5. Pa' Mi Gente
Disc: 3
1. Love For The Loft
2. Inclusion (The Soul Feast Cosmic Arts Dub)
3. The Duel
4. Can You Feel It
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Compiled by Argentinian Djs and producers Ric Piccolo and Ariel Harari, Danza Secreta: Lost and Hidden Grooves From Argentina (1970-1980) is an emotional archive made up of music that never belonged to a single, unified scene, but shared a common spirit: a desire to experiment, to make people dance, to break away from dominant genres.
The compilation, issued as a 22 track bonanza on double vinyl, also represents a tangible history of musical resistance to the dark days of the Far-Right authoritarian, fascist and military oppression that blighted Argentina and its people throughout the 1970s and into the early 1980s. Featuring tracks originally self-released on small record labels and emerging from underground studio sessions and composed and recorded against a backdrop of the monitoring of ‘subversive’ music by the authorities, Danza Secreta is testament to the underground spirit of resistance in a blend of Soul, Funk and Disco with distinctive Argentinian signatures.
Ric Piccolo and Ariel Harari are renowned Djs and producers from Buenos Aries who share their time and DJ appearances between clubs in their homeland and those in Berlin, Barcelona, Zurich, Vienna and Paris focusing on playing Disco, Italo House and Rare Grooves with leftfield vibes.
Danza Secreta: Lost and Hidden Grooves From Argentina (1970-1980) is released as a digital download and and as a gatefold sleeve, double vinyl LP with all tracks remastered at the Grammy nominated The Carvery. It also comes with a bi-lingual booklet and liner notes that serve as a written history of this magnificent music of dance floor resistance.
Release Date: May 15th, 2026
Tracklist:
SIDE A
1. A Marietta – Giorgio Scarpinelli y su orquesta
2. Para esperar un niño – Tiburon
3. Gumbudala – Rhein
4. Tema del Tiburon – Mario Marzan
5. Guanaba – Palanca al Piso
6. Angela D – Africa
SIDE B
1. Bermilyia Avenue – Genius
2. Marruecos – The Music People
3. Take Me – Ian Durand
4. Disco Tango (Ric Piccolo rework) – Orquesta Disco Latino
5. Viajero Cosmico – Music Hall Pop Orchestra
SIDE C
1. Me llaman Manuel – Los Barbaros
2. Dando Lecciones (Harari rework) – Malvaho
3. Regine – The Music People
4. City Girl (Harari & Ric Piccolo rework) – Sula
5. In Ovni – Reginall Palmeri
SIDE D
1. Maquina de Caramelos – Sr Bife
2. Mincura – Domingo Cura
3. Ancestral – Cuasares
4. Especial De Medianoche – The Topper’s
5. Sabarabam – Rama
6. Parábola – Rodolfo Alchourron
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The compilation, issued as a 22 track bonanza on double vinyl, also represents a tangible history of musical resistance to the dark days of the Far-Right authoritarian, fascist and military oppression that blighted Argentina and its people throughout the 1970s and into the early 1980s. Featuring tracks originally self-released on small record labels and emerging from underground studio sessions and composed and recorded against a backdrop of the monitoring of ‘subversive’ music by the authorities, Danza Secreta is testament to the underground spirit of resistance in a blend of Soul, Funk and Disco with distinctive Argentinian signatures.
Ric Piccolo and Ariel Harari are renowned Djs and producers from Buenos Aries who share their time and DJ appearances between clubs in their homeland and those in Berlin, Barcelona, Zurich, Vienna and Paris focusing on playing Disco, Italo House and Rare Grooves with leftfield vibes.
Danza Secreta: Lost and Hidden Grooves From Argentina (1970-1980) is released as a digital download and and as a gatefold sleeve, double vinyl LP with all tracks remastered at the Grammy nominated The Carvery. It also comes with a bi-lingual booklet and liner notes that serve as a written history of this magnificent music of dance floor resistance.
Release Date: May 15th, 2026
Tracklist:
SIDE A
1. A Marietta – Giorgio Scarpinelli y su orquesta
2. Para esperar un niño – Tiburon
3. Gumbudala – Rhein
4. Tema del Tiburon – Mario Marzan
5. Guanaba – Palanca al Piso
6. Angela D – Africa
SIDE B
1. Bermilyia Avenue – Genius
2. Marruecos – The Music People
3. Take Me – Ian Durand
4. Disco Tango (Ric Piccolo rework) – Orquesta Disco Latino
5. Viajero Cosmico – Music Hall Pop Orchestra
SIDE C
1. Me llaman Manuel – Los Barbaros
2. Dando Lecciones (Harari rework) – Malvaho
3. Regine – The Music People
4. City Girl (Harari & Ric Piccolo rework) – Sula
5. In Ovni – Reginall Palmeri
SIDE D
1. Maquina de Caramelos – Sr Bife
2. Mincura – Domingo Cura
3. Ancestral – Cuasares
4. Especial De Medianoche – The Topper’s
5. Sabarabam – Rama
6. Parábola – Rodolfo Alchourron
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Finnish jazz producer Valtteri Laurell reworks some of J Dilla’s most iconic beats into adventurous big band versions.
With drummer/producer Teddy Rok (Teppo Mäkynen of Five Corners Quintet, Stance Bros. etc.), flutist extraordinaire Elena Pinderhughes and Laurell’s own 17-piece Ricky-Tick Big Band, he creates a big band album that you never thought you would hear.
Using the sparse and visionary beats of J Dilla as a starting point, Laurell has composed and arranged material on top of the original versions, performed by Ricky-Tick Big Band. ”My original idea was to write very abstract big band moments, that would be like samples Dilla might have used in his work. During the process though, on some of the tracks I started to feel more of a Bob James or Henry Mancini vibe in the arrangements, so the end result is a hybrid of those worlds. Naturally, the spirit of Gil Evans and the later work of Duke Ellington is also floating in the air".
To create a strong connection with the original material, Laurell asked Dilla-aficionado and drummer/producer Teppo ”Teddy Rok” Mäkynen to work with him on the rhythmic side of the pieces. Teddy Rok also mixed the album. As a special guest star, flutist Elena Pinderhughes is featured on Won’t Do and Rico Suave Bossa Nova. Ricky-Tick Big Band, which Laurell founded in 2010 is also well on display here, with rising baritone sax star Linda
Fredriksson featured on Beej-n-Dem and trumpetist Jukka Eskola featured on Y’All Ain’t Ready.
Tracklist
SIDE A
1. Y'All Ain't Ready
2. Won’t Do
3. Beej-n-Dem
SIDE B
1. Rico Suave Bossa Nova
2. B.B.E. - Big Booty Express
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With drummer/producer Teddy Rok (Teppo Mäkynen of Five Corners Quintet, Stance Bros. etc.), flutist extraordinaire Elena Pinderhughes and Laurell’s own 17-piece Ricky-Tick Big Band, he creates a big band album that you never thought you would hear.
Using the sparse and visionary beats of J Dilla as a starting point, Laurell has composed and arranged material on top of the original versions, performed by Ricky-Tick Big Band. ”My original idea was to write very abstract big band moments, that would be like samples Dilla might have used in his work. During the process though, on some of the tracks I started to feel more of a Bob James or Henry Mancini vibe in the arrangements, so the end result is a hybrid of those worlds. Naturally, the spirit of Gil Evans and the later work of Duke Ellington is also floating in the air".
To create a strong connection with the original material, Laurell asked Dilla-aficionado and drummer/producer Teppo ”Teddy Rok” Mäkynen to work with him on the rhythmic side of the pieces. Teddy Rok also mixed the album. As a special guest star, flutist Elena Pinderhughes is featured on Won’t Do and Rico Suave Bossa Nova. Ricky-Tick Big Band, which Laurell founded in 2010 is also well on display here, with rising baritone sax star Linda
Fredriksson featured on Beej-n-Dem and trumpetist Jukka Eskola featured on Y’All Ain’t Ready.
Tracklist
SIDE A
1. Y'All Ain't Ready
2. Won’t Do
3. Beej-n-Dem
SIDE B
1. Rico Suave Bossa Nova
2. B.B.E. - Big Booty Express
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Collaboration is stimulating, it's in my blood.' Thus speaks Brian Jackson and his philosophy for making music and it's indeed collaboration that runs through this amazing album of reimagined and revisited songs from his artistic past. Featuring artists such as Black Thought, Rahsaan Patterson, Josh Milan, Moodymann, Omar, J. Ivy, Lisa Fischer, Rich Medina, Raquel Ra Brown and others and being produced by Masters At Work, ‘Now More Than Ever’ takes the enduring classic tracks that Brian Jackson made with Gil Scott-Heron and places them in the now over nineteen tracks and across a triple vinyl LP, Double CD and digital release.
PRODUCED BY MASTERS AT WORK aka KENNY DOPE and LOUIE VEGA
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PRODUCED BY MASTERS AT WORK aka KENNY DOPE and LOUIE VEGA
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BBE Music is thrilled to present J Jazz: Free and Modern Jazz From Japan 1954-1988, a remarkable large-format book covering some of the deepest, rarest, and most innovative jazz music released anywhere in the post-war era. Compiled by Tony Higgins and Mike Peden, co-curators of BBE Music's acclaimed J Jazz Masterclass Series, the book also features a foreword by Japanese jazz icon, Terumasa Hino.
Vinyl Tracklist
DISC 1
A1 – Aoyama Gakuin 101 – Fervor
A2 – Hideo Ichikawa – On The Trade Wind
B1 – Toshiyuki Honda Burning Waves – Eastern Legacy
B2 – Masaru Imada – World Line
DISC 2
C1 – Crystal Zone – Rai Rai
C2 – Masahiko Sato Trio + Akira Miyazawa – Nijimasu Part 1 and 2
C3 – Hot Session – Run After
D1 – Seiichi Nakamura – Judy's Samba
D2 – Yasuhiro Kohno – My Favorite Things
DISC 3
E1 – Akira Miyazawa, Norio Maeda, Masanaga Harada, Jimmy Takeuchi, Kenichi Sonoda, Dixie Kings, George Otsuka Quintet, Masahiko Sato's Garandoh – (History of Jazz)
E2 – Mile and Half – Mile and Half
E3 – Mikio Masuda – Sonic Barrier
F1 – Tomoki Takahashi meets Elvin Jones – Another Soil
F2 –Motohiko Hino – Olive's Step
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Vinyl Tracklist
DISC 1
A1 – Aoyama Gakuin 101 – Fervor
A2 – Hideo Ichikawa – On The Trade Wind
B1 – Toshiyuki Honda Burning Waves – Eastern Legacy
B2 – Masaru Imada – World Line
DISC 2
C1 – Crystal Zone – Rai Rai
C2 – Masahiko Sato Trio + Akira Miyazawa – Nijimasu Part 1 and 2
C3 – Hot Session – Run After
D1 – Seiichi Nakamura – Judy's Samba
D2 – Yasuhiro Kohno – My Favorite Things
DISC 3
E1 – Akira Miyazawa, Norio Maeda, Masanaga Harada, Jimmy Takeuchi, Kenichi Sonoda, Dixie Kings, George Otsuka Quintet, Masahiko Sato's Garandoh – (History of Jazz)
E2 – Mile and Half – Mile and Half
E3 – Mikio Masuda – Sonic Barrier
F1 – Tomoki Takahashi meets Elvin Jones – Another Soil
F2 –Motohiko Hino – Olive's Step
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DJ Amir takes another deep dive into the back catalogue of Detroit's legendary Strata Records to curate a 2nd volume in his Strata Records – The Sound of Detroit compilations. Whereas volume one took in the soulful edge of the Strata canon this volume, as Amir says, 'leans into the label's groovier, funkier edges whilst still celebrating its bold, avant-garde spirit.'
DJ Amir's relationship to the Strata label has resulted in the release of the long lost Charles Mingus live 'Jazz in Detroit' box set released on BBE Music along with re-issues from The Lyman Woodard Organisation and re-imaginings of Strata's genre defying music by Berlin based DJ and producer collective, Jazzanova as well as remixes from Kai Alce, Wajeed, Henrik Schwarz, re.decay and DJ Amir himself and, of course, volume one of The Sound of Detroit.
Featuring music from The Soulmates, Fito Foster, Keith Boone & Janice Coombs and The Contemporary Jazz Quintet amongst others, The Sound of Detroit volume 2 absolutely exemplifies the importance of Strata Records in the history of innovative Black music as well as its place in the cultural landscape of Detroit as a powerhouse city for art and music.
Released by BBE Music in collaboration with 180 Proof Records as a triple vinyl LP and high res. digital download DJ Amir presents Strata – The Sound of Detroit volume 2 really is a gem of a compilation to grace any serious music head's record collection.
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DJ Amir's relationship to the Strata label has resulted in the release of the long lost Charles Mingus live 'Jazz in Detroit' box set released on BBE Music along with re-issues from The Lyman Woodard Organisation and re-imaginings of Strata's genre defying music by Berlin based DJ and producer collective, Jazzanova as well as remixes from Kai Alce, Wajeed, Henrik Schwarz, re.decay and DJ Amir himself and, of course, volume one of The Sound of Detroit.
Featuring music from The Soulmates, Fito Foster, Keith Boone & Janice Coombs and The Contemporary Jazz Quintet amongst others, The Sound of Detroit volume 2 absolutely exemplifies the importance of Strata Records in the history of innovative Black music as well as its place in the cultural landscape of Detroit as a powerhouse city for art and music.
Released by BBE Music in collaboration with 180 Proof Records as a triple vinyl LP and high res. digital download DJ Amir presents Strata – The Sound of Detroit volume 2 really is a gem of a compilation to grace any serious music head's record collection.
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Marking twenty years since South African producer and DJ Esa Williams left Cape Town, Dala What We Must is a deeply personal and expansive debut LP, an exploration of movement, memory, and sound shaped by two decades of creative evolution. Co-created with collaborator and multi-instrumentalist Robin G. Breeze, the album deftly combines field recordings, layered instrumentation, and emotionally resonant compositions into a nuanced, globally influenced body of work. It also stands as Esa’s most collaborative release to date, featuring contributions from musicians across London, Oaxaca, Nairobi, and Cape Town, each adding their own creative energy to a project built on openness, trust, and shared experience. The album draws inspiration from Esa’s recent ventures into documentary scoring and soundtracking, with projects like Cursed (Audible) and The Invisible Hand teaching him to listen differently, to honour space, to serve the story. That sensibility permeates the album, resulting in music that breathes, lingers, and listens as much as it speaks. The title, Dala What We Must, is a South African call to action: a reminder to do what’s necessary, even in uncertainty. Finalised in the months leading up to Esa’s transition into fatherhood, the record carries a sense of grounding, care, and quiet transformation. Dala What We Must is a sonic reflection of journey and community, a deeply collaborative project rooted in connection and guided by intention.
Tracklisting
Disc: 1
1. Kwanini
2. Ita Ayelala
3. Yanga
4. Nakupenda
Disc: 2
1. Summerskin
2. Cruisin Kruga
3. Vanguard Drive
4. Dala What We Must
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Tracklisting
Disc: 1
1. Kwanini
2. Ita Ayelala
3. Yanga
4. Nakupenda
Disc: 2
1. Summerskin
2. Cruisin Kruga
3. Vanguard Drive
4. Dala What We Must
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Volcov, the Veronese founder of the Neroli record label, returns to the BBE fold with the third compilation in his majestic series 'From the Archives' and once again this new installment is another collection of overlooked gems and unreleased beauties that are set to entice the discerning listener. As with volumes 1 and 2, 'From the Archives volume 3' features cherry picked songs that focus on melodies and weave a thread between eras and genres.
From the Archives volume 3 is a genre free journey into authentic grooves which features music from the enchanted tones of Carlo Nino & Friends, an exclusive from Collettivo Immaginario, uptempo moments from remix kings Kaidi Tatham and DJ Spinna as well as two unreleased songs from Fred P and J2 Fusion feat. Javonttee and DJ Genius.
From The Archive 3 represents another accomplished work of love from Volcov aka Enrico Crivellaro, who has a long list of albums and compilations under his belt as well as being involved in productions, edits, releases and projects with artists such as Dego, Theo Parrish, Phil Asher, Gerald Mitchell, Domu, Kaidi Tatham, Kirk Degiorgio, Patrick Gibin, Lars Bartkuhn, Ian O’Brien and many more.
Tracklist
A1. Warm Days feat. Khensy – Sunrise (QB's Soweto Mix)
A2. Carlos Niño & Friends – Thankingtheearth (Live)
A3. Collettivo Immaginario – La Macchina Dei Sogni
B1. Fred P – Watching The Sunrise
B2. Jovonn – Spirit
B3. Profusion – Saturday
C1. Jacques Schwarz-Bart – Mendé Chiraj (DJ Spinna rmx)
C2. Nyamekye Junction – Too Many Bags (Kaidi's Remix)
D1. J2 Fusion feat. Javonntte & Genius 313 – Cuba to Cali
D2. Kyoto Jazz Sextet – Mission
D3. De'Sean Jones – Lost 'n You (Edit)
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From the Archives volume 3 is a genre free journey into authentic grooves which features music from the enchanted tones of Carlo Nino & Friends, an exclusive from Collettivo Immaginario, uptempo moments from remix kings Kaidi Tatham and DJ Spinna as well as two unreleased songs from Fred P and J2 Fusion feat. Javonttee and DJ Genius.
From The Archive 3 represents another accomplished work of love from Volcov aka Enrico Crivellaro, who has a long list of albums and compilations under his belt as well as being involved in productions, edits, releases and projects with artists such as Dego, Theo Parrish, Phil Asher, Gerald Mitchell, Domu, Kaidi Tatham, Kirk Degiorgio, Patrick Gibin, Lars Bartkuhn, Ian O’Brien and many more.
Tracklist
A1. Warm Days feat. Khensy – Sunrise (QB's Soweto Mix)
A2. Carlos Niño & Friends – Thankingtheearth (Live)
A3. Collettivo Immaginario – La Macchina Dei Sogni
B1. Fred P – Watching The Sunrise
B2. Jovonn – Spirit
B3. Profusion – Saturday
C1. Jacques Schwarz-Bart – Mendé Chiraj (DJ Spinna rmx)
C2. Nyamekye Junction – Too Many Bags (Kaidi's Remix)
D1. J2 Fusion feat. Javonntte & Genius 313 – Cuba to Cali
D2. Kyoto Jazz Sextet – Mission
D3. De'Sean Jones – Lost 'n You (Edit)
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Germany
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Naive Melodies is a bold and visionary tribute to the music of Talking Heads, reinterpreted through the lens of Black musical innovation. Curated by Drew McFadden — the creative mind behind BBE’s acclaimed Modern Love (David Bowie tribute album) — this new collection dives deep into the Afro-diasporic rhythms and experimental soul roots that helped shape Talking Heads’ unmistakable New Wave sound. Inspired by artists like Fela Kuti, Parliament, and Al Green — whose influences loomed large in the band’s rhythmic DNA — Naive Melodies shines a light on the Black music traditions that underpinned their artistry.
Far from a conventional tribute, Naive Melodies reframes the band’s catalog through the voices and visions of a new generation of genre-defying artists. These interpretations illuminate the foundational grooves and sonic textures that fueled Talking Heads’ rhythm- forward aesthetic, bringing them full circle with authenticity.
“With Naive Melodies, I wanted to spotlight the deep and often overlooked influence of Black music on the sound of Talking Heads, drawing from the rhythmic foundations of Afro- diasporic traditions, soul, gospel, Latin, and spiritual jazz. This project is a chance to reimagine Talking Heads’ legacy through the lens of the very innovations that helped shape it, bringing those influences to the forefront through the voices of today’s most forward- thinking artists.” — Drew McFadden
The album features a globally minded lineup, including Liv.e, Bilal, Rogê, Miguel Atwood- Ferguson, Aja Monet, Georgia Anne Muldrow, Theo Croker, Kenny Dope, Rosie Lowe, Pachyman, W.I.T.C.H., and more — spanning Afrobeat, jazz, soul, funk, gospel, dub, electronica, orchestral, and Latin styles. It reflects not only the boundary-pushing ethos of Talking Heads, but also the influence of Black music as a cultural force that helped shape it.
TRACK LISTING
1. Heaven by Miguel Atwood-Ferguson
2. Sugar On My Tongue (Dub) by Pachyman
3. Once In A Lifetime by W.I.T.C.H.
4. Girlfriend Is Better by Georgia Anne Muldrow
5. Mind by Wu-Lu
6. Psycho Killer by Astrønne
7. Born Under Punches (The Heat Goes On) by Kenny Dope & Roísín Murphy
8. I Zimbra by Liv.e
9. The Book I Read by Aja Monet
10. Burning Down The House by Rosie Lowe
11. Uh-Oh, Love Comes to Town by EBBA
12. Road To Nowhere by Rogê
13. And She Was by Vicky Farewell
14. Crosseyed and Painless by Florence Adooni
15. Seen and Not Seen by Bilal
16. Born Under (More) Punches by Theo Crocker feat. Theophilus London
17. Take Me To The River by Dominique Johnson
18. This Must Be The Place (Naive Melody) by Leon Jean-Marie
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Far from a conventional tribute, Naive Melodies reframes the band’s catalog through the voices and visions of a new generation of genre-defying artists. These interpretations illuminate the foundational grooves and sonic textures that fueled Talking Heads’ rhythm- forward aesthetic, bringing them full circle with authenticity.
“With Naive Melodies, I wanted to spotlight the deep and often overlooked influence of Black music on the sound of Talking Heads, drawing from the rhythmic foundations of Afro- diasporic traditions, soul, gospel, Latin, and spiritual jazz. This project is a chance to reimagine Talking Heads’ legacy through the lens of the very innovations that helped shape it, bringing those influences to the forefront through the voices of today’s most forward- thinking artists.” — Drew McFadden
The album features a globally minded lineup, including Liv.e, Bilal, Rogê, Miguel Atwood- Ferguson, Aja Monet, Georgia Anne Muldrow, Theo Croker, Kenny Dope, Rosie Lowe, Pachyman, W.I.T.C.H., and more — spanning Afrobeat, jazz, soul, funk, gospel, dub, electronica, orchestral, and Latin styles. It reflects not only the boundary-pushing ethos of Talking Heads, but also the influence of Black music as a cultural force that helped shape it.
TRACK LISTING
1. Heaven by Miguel Atwood-Ferguson
2. Sugar On My Tongue (Dub) by Pachyman
3. Once In A Lifetime by W.I.T.C.H.
4. Girlfriend Is Better by Georgia Anne Muldrow
5. Mind by Wu-Lu
6. Psycho Killer by Astrønne
7. Born Under Punches (The Heat Goes On) by Kenny Dope & Roísín Murphy
8. I Zimbra by Liv.e
9. The Book I Read by Aja Monet
10. Burning Down The House by Rosie Lowe
11. Uh-Oh, Love Comes to Town by EBBA
12. Road To Nowhere by Rogê
13. And She Was by Vicky Farewell
14. Crosseyed and Painless by Florence Adooni
15. Seen and Not Seen by Bilal
16. Born Under (More) Punches by Theo Crocker feat. Theophilus London
17. Take Me To The River by Dominique Johnson
18. This Must Be The Place (Naive Melody) by Leon Jean-Marie
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DE - 22113 Hamburg
Germany
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The second digital and vinyl EP from Brian Jackson and Masters At Work’s highly anticipated ‘Now More Than Ever’ project is a masterclass in soulful innovation, musical legacy, and collaborative excellence. Carefully curated and expertly packaged for true fans, this release brings together extended versions and rare cuts that were simply too expansive, deep, and powerful to fit on the forthcoming triple LP, but far too important not to be heard.
This Double Pack also includes the title track off the forthcoming album “Now More Than Ever”, a brand-new, never-before-heard track birthed organically during the energy and creative momentum of the recording of the album. It stands as a testament to the spontaneous brilliance of Jackson, MAW and their collaborators, capturing a moment of pure musical inspiration.
The EP features seven tracks, including reimagined and extended versions of classics such as Moonshine, Lady Day and John Coltrane, and Home Is Where the Hatred Is, plus a deep focus on Racetrack in France — first recorded by Brian Jackson and Gil Scott-Heron in 1977 for their landmark Bridges album.
Highlights include:
The MAW (Masters at Work) Live Mix of Moonshine, featuring former Midnight Band/Amnesia Express multi-instrumentalist Carl Cornwell on saxophone.
A sprawling 12" version of Home Is Where the Hatred Is — a jazz-fuelled dancefloor reinterpretation blending political fire with sonic elegance.
The 12” version of Lady Day and John Coltrane, featuring Rahsaan Patterson’s soulful vocal performance set against a lush, cinematic arrangement.
A masterful reworking of Racetrack in France featuring legends Josh Milan, J. Ivy, and Moodymann, each bringing their distinct voice and flavour to this seminal piece. The Instrumental version is also included in this 2 x 12” EP.
Whether you're a long-time devotee of Brian Jackson and Gil Scott-Heron’s influential catalogue, a DJ or collector chasing rare wax, or a new listener drawn to future-leaning soul and jazz, Now More Than Ever EP 2 is an essential release — a bridge between the past, present, and the music still to come.
Vinyl Tracklist
A1. Racetrack in France (12" Version)
B1. Moonshine (MAW Live Mix)
B2. Now More Than Ever
C1. Home is Where The Hatred Is (12" Version)
D1. Lady Day & John Coltrane (12" Version)
D2. Racetrack in France (MAW Instrumental Organ Mix)
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This Double Pack also includes the title track off the forthcoming album “Now More Than Ever”, a brand-new, never-before-heard track birthed organically during the energy and creative momentum of the recording of the album. It stands as a testament to the spontaneous brilliance of Jackson, MAW and their collaborators, capturing a moment of pure musical inspiration.
The EP features seven tracks, including reimagined and extended versions of classics such as Moonshine, Lady Day and John Coltrane, and Home Is Where the Hatred Is, plus a deep focus on Racetrack in France — first recorded by Brian Jackson and Gil Scott-Heron in 1977 for their landmark Bridges album.
Highlights include:
The MAW (Masters at Work) Live Mix of Moonshine, featuring former Midnight Band/Amnesia Express multi-instrumentalist Carl Cornwell on saxophone.
A sprawling 12" version of Home Is Where the Hatred Is — a jazz-fuelled dancefloor reinterpretation blending political fire with sonic elegance.
The 12” version of Lady Day and John Coltrane, featuring Rahsaan Patterson’s soulful vocal performance set against a lush, cinematic arrangement.
A masterful reworking of Racetrack in France featuring legends Josh Milan, J. Ivy, and Moodymann, each bringing their distinct voice and flavour to this seminal piece. The Instrumental version is also included in this 2 x 12” EP.
Whether you're a long-time devotee of Brian Jackson and Gil Scott-Heron’s influential catalogue, a DJ or collector chasing rare wax, or a new listener drawn to future-leaning soul and jazz, Now More Than Ever EP 2 is an essential release — a bridge between the past, present, and the music still to come.
Vinyl Tracklist
A1. Racetrack in France (12" Version)
B1. Moonshine (MAW Live Mix)
B2. Now More Than Ever
C1. Home is Where The Hatred Is (12" Version)
D1. Lady Day & John Coltrane (12" Version)
D2. Racetrack in France (MAW Instrumental Organ Mix)
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The 10th release on ALIM Music, a stone-cold classic, has been reborn. Gil Scott-Heron and Brian Jackson's The Revolution Will Not Be Televised, the iconic song of protest and Black Consciousness, has been reimagined and revitalised for a new generation. With new lyrics and vocal performance from Black Thought, a reworked and bassline-heavy production by Masters at Work, Brian Jackson has recreated an absolute masterpiece.
Originally taken from Gil's poem as performed on his Small Talk at 125th & Lenox and then released as a proto Hip-Hop song featuring Bernard Purdie's drumming on the 1974 Pieces of a Man album, this new version updates the track's original powerful lyrics to include references to the propaganda of Fox News, social media tropes, live streaming, taking the knee and modern day consumerism. Delivered by Black Thought in his imitable style and accompanied by Brian Jackson's incisive jazz flute, these new lyrics represent a Black Liberation call to action for today's world.
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Originally taken from Gil's poem as performed on his Small Talk at 125th & Lenox and then released as a proto Hip-Hop song featuring Bernard Purdie's drumming on the 1974 Pieces of a Man album, this new version updates the track's original powerful lyrics to include references to the propaganda of Fox News, social media tropes, live streaming, taking the knee and modern day consumerism. Delivered by Black Thought in his imitable style and accompanied by Brian Jackson's incisive jazz flute, these new lyrics represent a Black Liberation call to action for today's world.
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DE - 22113 Hamburg
Germany
Contact: [email protected]More
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The Chisa Years: 1965–1975 (Rare and Unreleased) is a compilation album by South African jazz trumpeter Hugh Masekela. The album consists of 14 rare or forgotten tracks recorded by Stewart Levine and Hugh Masekela from 1965 to 1975 when they ran their own Chisa Records label.
Thom Jurek of Allmusic wrote “In sum, there isn’t a weak moment on this entire collection. It’s appeal is wide and deep and one can only hope this is the first of many volumes of this material to appear. BBE Records has done a stellar job in making this slab available.”
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Thom Jurek of Allmusic wrote “In sum, there isn’t a weak moment on this entire collection. It’s appeal is wide and deep and one can only hope this is the first of many volumes of this material to appear. BBE Records has done a stellar job in making this slab available.”
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Take Brian Jackson and Gil Scott-Heron’s iconic track “The Bottle”, add a sublime vocal
performance from UK soul legend Omar, and put it in the hands of house music pioneers
ake Brian Jackson and Gil Scott-Heron’s iconic track “The Bottle”, add a sublime vocal performance from UK soul legend Omar, and put it in the hands of house music pioneers Masters At Work—and you get a version that’s both timeless and urgent, filled with joy, fire, and social consciousness, and built for the dancefloor.
Driven by Masters At Work’s signature attention to detail, and elevated by the calibre of the musicians and vocalists involved, this reimagining of “The Bottle” evolved into something truly epic. In fact, the final mix turned out too long to fit on Brian Jackson’s upcoming 3LP album, Now More Than Ever—but everyone agreed: fans had to hear it in its full glory.
So here it is, released exactly as intended on this twin 12" vinyl and digital EP.
Also included are exclusive versions of:
“Winter in America” featuring sonorous vocals from Rich Medina
“New York City”, reimagined as a deeply soulful, downtempo groove featuring Cindy Mizelle, Dawn Tallman, and Ramona Dunlap
This EP is a love letter to the role of music in Black Liberation, reconnecting the powerful legacy of Brian Jackson and Gil Scott-Heron with the voices and vision of 2025.
A powerful taste of what’s to come on Now More Than Ever—but also a vital standalone statement, delivered by legends at the top of their game.
Tracklist
Vinyl Tracklist
A1. The Bottle (12" Version)
B1. The Bottle (MAW Bass Hit Dub)
B2. New York City
C1. Winter in America (12" Version)
D1. The Bottle (MAW Harlem Dub)
D2. The Bottle (Masters At Work Dub)
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performance from UK soul legend Omar, and put it in the hands of house music pioneers
ake Brian Jackson and Gil Scott-Heron’s iconic track “The Bottle”, add a sublime vocal performance from UK soul legend Omar, and put it in the hands of house music pioneers Masters At Work—and you get a version that’s both timeless and urgent, filled with joy, fire, and social consciousness, and built for the dancefloor.
Driven by Masters At Work’s signature attention to detail, and elevated by the calibre of the musicians and vocalists involved, this reimagining of “The Bottle” evolved into something truly epic. In fact, the final mix turned out too long to fit on Brian Jackson’s upcoming 3LP album, Now More Than Ever—but everyone agreed: fans had to hear it in its full glory.
So here it is, released exactly as intended on this twin 12" vinyl and digital EP.
Also included are exclusive versions of:
“Winter in America” featuring sonorous vocals from Rich Medina
“New York City”, reimagined as a deeply soulful, downtempo groove featuring Cindy Mizelle, Dawn Tallman, and Ramona Dunlap
This EP is a love letter to the role of music in Black Liberation, reconnecting the powerful legacy of Brian Jackson and Gil Scott-Heron with the voices and vision of 2025.
A powerful taste of what’s to come on Now More Than Ever—but also a vital standalone statement, delivered by legends at the top of their game.
Tracklist
Vinyl Tracklist
A1. The Bottle (12" Version)
B1. The Bottle (MAW Bass Hit Dub)
B2. New York City
C1. Winter in America (12" Version)
D1. The Bottle (MAW Harlem Dub)
D2. The Bottle (Masters At Work Dub)
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The collaboration between BBE Music and If Music continues with another excellent compilation in the ongoing If Music Presents series with this 2nd volume in the World Jazz Grooves chapter. Alongside the A Journey Into Deep Jazz albums in the catalogue, World Jazz Grooves Volume 2 explores the global diversity of Jazz in its many forms, as interpreted throughout the globe, with tracks from Denmark, France, Brazil, Canada, the USA and Jamaica.
Tracklisting
Disc: 1
1. Third World
2. Marlowe's Back in Tome
3. Rosa Mae
4. Aguamarina (a Elis Regina)
Disc: 2
1. Song for a New South Africa
2. Dakar
3. I En Kælder
4. Ich armes Maidlein klag mich sehr
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Tracklisting
Disc: 1
1. Third World
2. Marlowe's Back in Tome
3. Rosa Mae
4. Aguamarina (a Elis Regina)
Disc: 2
1. Song for a New South Africa
2. Dakar
3. I En Kælder
4. Ich armes Maidlein klag mich sehr
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DE - 22113 Hamburg
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Following the vinyl release of Delfonic's reworks of Roy Ayers tracks taken from the BBE Music compilation Roy Ayers-Virgin Ubiquity, it's now Osunlade's turn to add his production and remix enchantment to the music of the master craftsman with these remixes of Brand New Feeling.
Featuring the exceptional vocal talents of Merry Clayton, perhaps best known for her blistering performance on the Rolling Stones' Gimme Shelter and her own Webster Lewis penned hit Emotion, alongside Jazz vocalist and Earth, Wind & Fire, Ubiquity and Harvey Mason collaborator Silvia Cox, Osunlade's Yoruba Soul remixes have added new dimensions to this track.
Hailing from St Louis, USA Osunlade's CV includes writing music for Sesame Street to working with and producing artists as varied as Patti Labelle, Freddie Jackson, Eric Benet, Martha Wash, Salif Keita, Nadirah Shakoor and Cesaria Evora. He started the Yoruba Soul project and label after his move to New York because of 'the continued need to create the music I wanted' and it is this musical freedom that has made him one of the most distinctive music makers, producers, DJs and remixers around today.
Brand New Feeling is released as a vinyl EP featuring two tracks, the Yoruba Soul Mix Parts 1 & 2 with a digital release also featuring instrumentals of both mixes.
A1. Brand New Feeling - Yoruba Soul Mix Part 1
B1. Brand New Feeling - Yoruba Soul Mix Part 2
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Featuring the exceptional vocal talents of Merry Clayton, perhaps best known for her blistering performance on the Rolling Stones' Gimme Shelter and her own Webster Lewis penned hit Emotion, alongside Jazz vocalist and Earth, Wind & Fire, Ubiquity and Harvey Mason collaborator Silvia Cox, Osunlade's Yoruba Soul remixes have added new dimensions to this track.
Hailing from St Louis, USA Osunlade's CV includes writing music for Sesame Street to working with and producing artists as varied as Patti Labelle, Freddie Jackson, Eric Benet, Martha Wash, Salif Keita, Nadirah Shakoor and Cesaria Evora. He started the Yoruba Soul project and label after his move to New York because of 'the continued need to create the music I wanted' and it is this musical freedom that has made him one of the most distinctive music makers, producers, DJs and remixers around today.
Brand New Feeling is released as a vinyl EP featuring two tracks, the Yoruba Soul Mix Parts 1 & 2 with a digital release also featuring instrumentals of both mixes.
A1. Brand New Feeling - Yoruba Soul Mix Part 1
B1. Brand New Feeling - Yoruba Soul Mix Part 2
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Anushka's third album Ancestry comes out on BBE Music as both digital and vinyl and represents a massive hitting of the duo's potential as songwriters, musicians and performers following their well received and critically acclaimed previous releases on Brownswood and Tru Thoughts respectively. Indeed Ancestry represents their best album to date and one which befits a release on one of the UK's (and the world's) premiere independent record labels. Anushka is the collaborative name for Victoria Port and Max Wheeler. The duo first met in the vibrant club, music and arts scenes in that creativity incubating south coast town that is Brighton. With their first single, Yes Guess, gaining support from major broadcast influencers such as Gilles Peterson they released their debut album, Broken Circuit, in 2014. With major airplay support from Mary Anne Hobbs, Annie Mac, the aforementioned Gilles Peterson and others the second album Yemaya was released in 2021. On this second record they experimented with their sound, exploring darker and more complex songs and palettes. Both albums forged Anushka's sound and production values, combining a deep respect for the UK's electronic club culture mixed with Jazz and Soul. Now, with the release of Ancestry on BBE Music, the duo has created an album that furthers their sound, their songwriting, their arrangements and their production. Victoria's songwriting for Ancestry is influenced by her love of Ella Fitzgerald, Sampha, Jimmy Cliff and Georgia Anne Muldrow. Max's approach to the production on Ancestry is driven by his own ancestral back catalogue of music from Moodymann and Theo Parrish and further back to Larry Heard, Wu Tang Clan and the 90's electronica of Tricky, Portishead and David Holmes. It definitely bears repeating that list of influences has resulted in Ancestry being Anushka's best album yet. Releasing on BBE Music, on both digital and vinyl formats, Ancestry is an album that is a must for lovers of the highly innovative, jazz and soul fuelled club sound that is part of the UK's contemporary music scene.
Tracklisting
1. You Don't Dream
2. Overwhelmed
3. Really (Nothing is Cool)
4. Keep Me in the Picture
5. Wanna Dance
6. Afternoon
7. My Mother's Mother feat. Jally Kebba Sussa
8. Higher Ground
9. Q&A
10. Ancestry
11. Magic
12. Guided feat. Ebi Soda
13. Only Your Love
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Tracklisting
1. You Don't Dream
2. Overwhelmed
3. Really (Nothing is Cool)
4. Keep Me in the Picture
5. Wanna Dance
6. Afternoon
7. My Mother's Mother feat. Jally Kebba Sussa
8. Higher Ground
9. Q&A
10. Ancestry
11. Magic
12. Guided feat. Ebi Soda
13. Only Your Love
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DE - 22113 Hamburg
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Takeo Moriyama - Exchange
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Takeo Moriyama - Watarase
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Takeo Moriyama - Good Bye
*Pressed on clear blue vinyl
*Housed in a gatefold jacket
*With obi
*Extensive liner notes by Yusuke Ogawa (Universounds/Deep Jazz Reality) in Japanese and English translation
*Originally released in 1981
Since the late 1960s, jazz drummer Takeo Moriyama has been a dominant force in the free jazz scene, initially with the Yosuke Yamashita Trio, and more recently, collaborating with the KYOTO JAZZ SEXTET, earning respect from past to present. Recorded in 1980 with his quartet featuring Fumio Itabashi, this album is renowned for being the first to include the emotionally rich Japanese masterpiece "Watarase". Other highlights include the spirited "Exchange" and the beautifully poignant "Goodbye". Each track is a standout, offering a grand-scale performance where tranquility and movement organically intertwine, making it one of the top albums in the history of Japanese jazz.
Takeo Moriyama(Drums)
Yoshio Kuniyasu(Tenor & Soprano Sax)
Fumio Itabashi(Piano)
Hideaki Mochizuki(Bass)
Koichi Matsukaze(Alto & Tenor Sax, Flute)
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*Housed in a gatefold jacket
*With obi
*Extensive liner notes by Yusuke Ogawa (Universounds/Deep Jazz Reality) in Japanese and English translation
*Originally released in 1981
Since the late 1960s, jazz drummer Takeo Moriyama has been a dominant force in the free jazz scene, initially with the Yosuke Yamashita Trio, and more recently, collaborating with the KYOTO JAZZ SEXTET, earning respect from past to present. Recorded in 1980 with his quartet featuring Fumio Itabashi, this album is renowned for being the first to include the emotionally rich Japanese masterpiece "Watarase". Other highlights include the spirited "Exchange" and the beautifully poignant "Goodbye". Each track is a standout, offering a grand-scale performance where tranquility and movement organically intertwine, making it one of the top albums in the history of Japanese jazz.
Takeo Moriyama(Drums)
Yoshio Kuniyasu(Tenor & Soprano Sax)
Fumio Itabashi(Piano)
Hideaki Mochizuki(Bass)
Koichi Matsukaze(Alto & Tenor Sax, Flute)
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Germany
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1
Yoshiaki Ochi - Dawning
2
Yoshiaki Ochi - Balasong
3
Yoshiaki Ochi - Woods From The Sea
4
Yoshiaki Ochi - Madal Sonic
5
Yoshiaki Ochi - Anywhere
6
Yoshiaki Ochi - Beatsonic
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Yoshiaki Ochi - Madal Sonic # 2
8
Yoshiaki Ochi - Ear Dreamin’
9
Yoshiaki Ochi - Urban Kogili
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Yoshiaki Ochi - Beat The Water
Genre: Environmental, Ambient, Minimalism, Percussive, Tribal, Experimental
Tracklisting LP
A1. Dawning 5:20
A2. Balasong 4:32
A3. Woods From The Sea 3:43
A4. Madal Sonic 3:44
A5. Anywhere 5:06
B1. Beatsonic 4:48
B2. Madal Sonic # 2 3:20
B3. Ear Dreamin’ 4:41
B4. Urban Kogili 6:47
B5. Beat The Water 2:28
Info
WRWTFWW Records is thrilled to unveil the limited edition vinyl reissue of Natural Sonic, the groundbreaking 1990 environmental percussion album by Japanese composer and performer Yoshiaki Ochi. Long a hidden gem of the kanky? ongaku movement, Natural Sonic finally returns in its full analog glory, housed in a heavyweight sleeve with obi and carefully remastered from the original archives of Wacoal Art Center / Spiral's visionary NEWSIC label.
Originally released only in Japan at the dawn of the 1990s, Natural Sonic is a mesmerizing exploration of earthly sound and rhythm - a sonic tapestry woven from wood, water, and stone, and skin. Ochi, who at the time was the in-house composer and performer for world-renowned designer Issey Miyake, created a series of elemental pieces that blur the line between avant-garde percussion, ritual music, and environmental sound art. The result is both deeply physical and profoundly meditative - an album that breathes with nature itself.
Echoing the organic minimalism of Midori Takada's Through the Looking Glass and the ecological grandeur of Geinoh Yamashirogumi's Ecophony Gaia, Ochi's compositions open portals into primal landscapes, evoking forests, rivers, and stones in flux. Part of NEWSIC's celebrated experimental catalog - alongside Yoshio Ojima's Une Collection des Chaînons, Motohiko Hamase's #Notes of Forestry, and Satsuki Shibano's Rendez-Vous - Natural Sonic now finds new life for contemporary listeners seeking sound that feels both timeless and vital.
A singular album of resonance and restraint, Natural Sonic is a treasure from the golden age of Japanese environmental music, finally available again over three decades later.
Points of Interest
- Limited edition vinyl reissue of Yoshiaki Ochi's Natural Sonic (1990), a cult Japanese environmental music and percussion masterpiece, housed in heavyweight sleeve with obi.
- Originally released on NEWSIC, the forward-thinking label operated by Wacoal Art Center / Spiral (home to Yoshio Ojima, Motohiko Hamase, Satsuki Shibano, and more).
- A unique blend of earthly percussion (wood, water, stone) and environmental soundscapes, created during Ochi's tenure as in-house composer for Issey Miyake.
- Essential listening for fans of ambient, percussion, kanky? ongaku, experimental sound art, nature recordings, and artists such as Midori Takada, Geinoh Yamashirogumi, Ryuichi Sakamoto, and Yoshio Ojima.
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Tracklisting LP
A1. Dawning 5:20
A2. Balasong 4:32
A3. Woods From The Sea 3:43
A4. Madal Sonic 3:44
A5. Anywhere 5:06
B1. Beatsonic 4:48
B2. Madal Sonic # 2 3:20
B3. Ear Dreamin’ 4:41
B4. Urban Kogili 6:47
B5. Beat The Water 2:28
Info
WRWTFWW Records is thrilled to unveil the limited edition vinyl reissue of Natural Sonic, the groundbreaking 1990 environmental percussion album by Japanese composer and performer Yoshiaki Ochi. Long a hidden gem of the kanky? ongaku movement, Natural Sonic finally returns in its full analog glory, housed in a heavyweight sleeve with obi and carefully remastered from the original archives of Wacoal Art Center / Spiral's visionary NEWSIC label.
Originally released only in Japan at the dawn of the 1990s, Natural Sonic is a mesmerizing exploration of earthly sound and rhythm - a sonic tapestry woven from wood, water, and stone, and skin. Ochi, who at the time was the in-house composer and performer for world-renowned designer Issey Miyake, created a series of elemental pieces that blur the line between avant-garde percussion, ritual music, and environmental sound art. The result is both deeply physical and profoundly meditative - an album that breathes with nature itself.
Echoing the organic minimalism of Midori Takada's Through the Looking Glass and the ecological grandeur of Geinoh Yamashirogumi's Ecophony Gaia, Ochi's compositions open portals into primal landscapes, evoking forests, rivers, and stones in flux. Part of NEWSIC's celebrated experimental catalog - alongside Yoshio Ojima's Une Collection des Chaînons, Motohiko Hamase's #Notes of Forestry, and Satsuki Shibano's Rendez-Vous - Natural Sonic now finds new life for contemporary listeners seeking sound that feels both timeless and vital.
A singular album of resonance and restraint, Natural Sonic is a treasure from the golden age of Japanese environmental music, finally available again over three decades later.
Points of Interest
- Limited edition vinyl reissue of Yoshiaki Ochi's Natural Sonic (1990), a cult Japanese environmental music and percussion masterpiece, housed in heavyweight sleeve with obi.
- Originally released on NEWSIC, the forward-thinking label operated by Wacoal Art Center / Spiral (home to Yoshio Ojima, Motohiko Hamase, Satsuki Shibano, and more).
- A unique blend of earthly percussion (wood, water, stone) and environmental soundscapes, created during Ochi's tenure as in-house composer for Issey Miyake.
- Essential listening for fans of ambient, percussion, kanky? ongaku, experimental sound art, nature recordings, and artists such as Midori Takada, Geinoh Yamashirogumi, Ryuichi Sakamoto, and Yoshio Ojima.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Keplar
Cat-No:KeplarRev22LP
Release-Date:28.11.2025
Genre:Electronic, Electronica
Configuration:LP
Label:Keplar
Cat-No:KeplarRev22LP
Release-Date:28.11.2025
Genre:Electronic, Electronica
Configuration:LP
1
Tujiko Noriko + AOKI takamasa - Doki Doki Last Night (2025 Remaster)
2
Tujiko Noriko + AOKI takamasa - Fly-Variation (2025 Remaster)
3
Tujiko Noriko + AOKI takamasa - Alien (2025 Remaster)
4
Tujiko Noriko + AOKI takamasa - Nolicom (2025 Remaster)
5
Tujiko Noriko + AOKI takamasa - 26th Floor (2025 Remaster)
6
Tujiko Noriko + AOKI takamasa - Vinyl Words (2025 Remaster)
7
Tujiko Noriko + AOKI takamasa - When The Night Comes (2025 Remaster)
8
Tujiko Noriko + AOKI takamasa - Fly 2 (2025 Remaster)
Novisad's sophomore album on vinyl for the first time in more than 20 years
Incl. previously unreleased bonus track
Edition of 300 copies
incl. download code
Originally published by Tomlab in 2001, “Seleya” is the second full- length issued by Kristian Peters’ Novisad project. Twenty-four years after its initial release, the album’s thirteen loop-based arrangements continue to resonate with striking clarity. Keplar presents Seleya with a previously unreleased bonus track from 2004 and a fresh vinyl cut by LUPO.
These evocative miniatures feel haunted with the passage of time, bearing traces of the exploratory studio workflows, tactile imperfections, and emerging technologies that would have given birth to them: plain DAW manipulations, aliasing digitalia, the tones and timbres of the “misused” equipment ambient musicians utilized before Ableton, Eurorack, and the rise of the boutique electronics that have streamlined electronic music production.
In our present epoch, these compositions feel almost eerily nostalgic, documenting the sort of trembling, wide-eyed spirit and enviable naivety that characterizes cultural production as it ventures into new waters, unfettered by the sediments of established methodology and trend. This tendency to avoid aesthetic orthodoxy results in music that refuses to settle into predictability. Subtle frequencies drift and collide, counterpoint loops run in quiet opposition, and elegant dissonance gives rise to unexpected harmony. The album’s emotional power lies in these tensions, in the way it balances melancholy with beauty and familiarity with complexity.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Incl. previously unreleased bonus track
Edition of 300 copies
incl. download code
Originally published by Tomlab in 2001, “Seleya” is the second full- length issued by Kristian Peters’ Novisad project. Twenty-four years after its initial release, the album’s thirteen loop-based arrangements continue to resonate with striking clarity. Keplar presents Seleya with a previously unreleased bonus track from 2004 and a fresh vinyl cut by LUPO.
These evocative miniatures feel haunted with the passage of time, bearing traces of the exploratory studio workflows, tactile imperfections, and emerging technologies that would have given birth to them: plain DAW manipulations, aliasing digitalia, the tones and timbres of the “misused” equipment ambient musicians utilized before Ableton, Eurorack, and the rise of the boutique electronics that have streamlined electronic music production.
In our present epoch, these compositions feel almost eerily nostalgic, documenting the sort of trembling, wide-eyed spirit and enviable naivety that characterizes cultural production as it ventures into new waters, unfettered by the sediments of established methodology and trend. This tendency to avoid aesthetic orthodoxy results in music that refuses to settle into predictability. Subtle frequencies drift and collide, counterpoint loops run in quiet opposition, and elegant dissonance gives rise to unexpected harmony. The album’s emotional power lies in these tensions, in the way it balances melancholy with beauty and familiarity with complexity.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Cat-No:DUHFD11RT
Release-Date:28.02.2025
Configuration:2LP
Cat-No:DUHFD11RT
Release-Date:28.02.2025
Configuration:2LP
On February 28, 2025, Stereolab are making seven of their studio albums available again as 2LP editions. These utilise the same remasters as the 2019 expanded album editions, cut from the original 1/2" tapes by Bo Kondren at Calyx Mastering and overseen by Tim Gane, but without any of the bonus material from the 3LP versions (which have now been discontinued), the idea being to make more cost-effective versions of these sought-after titles available to fans and shops. Each record comes housed in a single 5mm printed sleeve with printed inner sleeves, and a protective PVC outer bag.
Albums:
1. Transient Random-Noise Bursts With Announcements (1993)
2. Mars Audiac Quintet (1994)
3. Emperor Tomato Ketchup (1996
4. Dots And Loops (1997)
5. Cobra And Phases Group Play Voltage In The Milky Night (1999)
6. Sound-Dust (2001)
7. Margerine Eclipse (2004)
Remastered from original tapes.
Co-released by band’s own label Duophonic UHF Disks and Warp Records.
Specs 2LP in 5mm spine sleeve with printed inners with a protective PVC outer sleeve
Tracklisting:
A1. Metronomic Underground
A2. Cybele’s Reverie
A3. Percolator
B1. Les Yper-Sound
B2. Spark Plug
B3. OLV 26
B4. The Noise Of Carpet
C1. Tomorrow Is Already Here
C2. Emperor Tomato Ketchup
C3. Monstre Sacre
D1. Motoroller Scalatron
D2. Slow Fast Hazel
D3. Anonymous Collective
Trailer: https://www.youtube.com/watch?v=KWNlrII31rU&t=22s
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Albums:
1. Transient Random-Noise Bursts With Announcements (1993)
2. Mars Audiac Quintet (1994)
3. Emperor Tomato Ketchup (1996
4. Dots And Loops (1997)
5. Cobra And Phases Group Play Voltage In The Milky Night (1999)
6. Sound-Dust (2001)
7. Margerine Eclipse (2004)
Remastered from original tapes.
Co-released by band’s own label Duophonic UHF Disks and Warp Records.
Specs 2LP in 5mm spine sleeve with printed inners with a protective PVC outer sleeve
Tracklisting:
A1. Metronomic Underground
A2. Cybele’s Reverie
A3. Percolator
B1. Les Yper-Sound
B2. Spark Plug
B3. OLV 26
B4. The Noise Of Carpet
C1. Tomorrow Is Already Here
C2. Emperor Tomato Ketchup
C3. Monstre Sacre
D1. Motoroller Scalatron
D2. Slow Fast Hazel
D3. Anonymous Collective
Trailer: https://www.youtube.com/watch?v=KWNlrII31rU&t=22s
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Nala Sinephro - Space 1
2
Nala Sinephro - Space 2
3
Nala Sinephro - Space 3
4
Nala Sinephro - Space 4
5
Nala Sinephro - Space 5
6
Nala Sinephro - Space 6
7
Nala Sinephro - Space 7
8
Nala Sinephro - Space 8
Caribbean-Belgian composer, producer and musician Nala Sinephro announces her debut album Space 1.8 with lead track “Space 3”. Space 1.8 will be released on 3rd September via Warp Records.
The instrumental “Space 3” is a short clip from a 3 hour improvised session with drummer Eddie Hick (Sons of Kemet) and producer/multi-instrumentalist Dwayne Kilvington on synths bass (Wonky Logic, Steam Down) culminating in a synth driven, particle-splitting, rapture. Speaking about the track, Sinephro explains: “We recorded it in the start of spring, it was a magical day. The day after recording I collaged the drums, added fifteen synths, produced and mixed it at home and it was all done.”
Sinephro’s music fuses meditative sounds, jazz sensibilities, folk and field recordings. Her musical practice is rooted in the study of frequency and geometry and guided by the premise that sound moves matter. Her debut album Space 1.8 takes shape as a metaphysical structure, where each curative space is a womb-like cocoon created by Sinephro in service of relief and affirmative, ecstatic freedom. Space 1.8 was composed, produced, performed, engineered, recorded, mixed by Sinephro at age 22. On the album, she plays modular synths and pedal harp alongside her friends James Mollison, Shirley Tetteh, Nubya Garcia, Eddie Hick, Dwayne Kilvington, Jake Long, Lyle Barton, Rudi Creswick and more.
Following electrifying live performances across the London scene, word of Nala Sinephro’s playing quickly spread throughout the UK jazz scene, consequently landing her performances as part of the celebrated jazz night Steam Down, alongside playing with and supporting the likes of Demae, Eun, Coby Sey, Rosie Turton, Robert Ames, London Contemporary Orchestra, Touching Bass, Spitfire Audio, Nadeem Din-Gabisi. She was touted as one of The Guardian’s artists to watch in 2020, has garnered support from the likes of Gilles Peterson; and is a resident DJ on NTS sharing monthly selections of celestial sounds. In 2021, she joined the innovative Warp Records roster where she continues to weave her unique sound world.
- Specs Black vinyl 12" in printed inner in printed 3mm spine outer with download card insert
TRACKLIST:
A1. Space 1
A2. Space 2
A3. Space 3
A4. Space 4
A5. Space 5
B1. Space 6
B2. Space 7
B3. Space 8
QUOTES:
“A benchmark in ambient jazz featuring outstanding players and delicately woven arrangements” - 8.3 - Pitchfork (Best New Music)
“Space 1.8 is a healing sound bath full of rigorous psychoacoustic knowledge and elegant playing” - The Observer (One to watch)
“Very few records have this capacity to make you temporarily fearless, but on Space 1.8, Sinephro harnesses the power of sound to move and heal the listener in ways that are real, and expansive.” - 9/10 - Loud & Quiet
"What sticks with Space 1.8 is the focus of its vision: precise like mathematics but imbued with a rich cosmic breadth." - 9/10 - UNCUT
'Her debut album sits at a slight angle to anything else you may have heard coming out of the UK in recent years” - Stereogum
"A calming, restorative and mind-expanding blend of jazz and ambient" - Resident Advisor (RA Recommends)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
The instrumental “Space 3” is a short clip from a 3 hour improvised session with drummer Eddie Hick (Sons of Kemet) and producer/multi-instrumentalist Dwayne Kilvington on synths bass (Wonky Logic, Steam Down) culminating in a synth driven, particle-splitting, rapture. Speaking about the track, Sinephro explains: “We recorded it in the start of spring, it was a magical day. The day after recording I collaged the drums, added fifteen synths, produced and mixed it at home and it was all done.”
Sinephro’s music fuses meditative sounds, jazz sensibilities, folk and field recordings. Her musical practice is rooted in the study of frequency and geometry and guided by the premise that sound moves matter. Her debut album Space 1.8 takes shape as a metaphysical structure, where each curative space is a womb-like cocoon created by Sinephro in service of relief and affirmative, ecstatic freedom. Space 1.8 was composed, produced, performed, engineered, recorded, mixed by Sinephro at age 22. On the album, she plays modular synths and pedal harp alongside her friends James Mollison, Shirley Tetteh, Nubya Garcia, Eddie Hick, Dwayne Kilvington, Jake Long, Lyle Barton, Rudi Creswick and more.
Following electrifying live performances across the London scene, word of Nala Sinephro’s playing quickly spread throughout the UK jazz scene, consequently landing her performances as part of the celebrated jazz night Steam Down, alongside playing with and supporting the likes of Demae, Eun, Coby Sey, Rosie Turton, Robert Ames, London Contemporary Orchestra, Touching Bass, Spitfire Audio, Nadeem Din-Gabisi. She was touted as one of The Guardian’s artists to watch in 2020, has garnered support from the likes of Gilles Peterson; and is a resident DJ on NTS sharing monthly selections of celestial sounds. In 2021, she joined the innovative Warp Records roster where she continues to weave her unique sound world.
- Specs Black vinyl 12" in printed inner in printed 3mm spine outer with download card insert
TRACKLIST:
A1. Space 1
A2. Space 2
A3. Space 3
A4. Space 4
A5. Space 5
B1. Space 6
B2. Space 7
B3. Space 8
QUOTES:
“A benchmark in ambient jazz featuring outstanding players and delicately woven arrangements” - 8.3 - Pitchfork (Best New Music)
“Space 1.8 is a healing sound bath full of rigorous psychoacoustic knowledge and elegant playing” - The Observer (One to watch)
“Very few records have this capacity to make you temporarily fearless, but on Space 1.8, Sinephro harnesses the power of sound to move and heal the listener in ways that are real, and expansive.” - 9/10 - Loud & Quiet
"What sticks with Space 1.8 is the focus of its vision: precise like mathematics but imbued with a rich cosmic breadth." - 9/10 - UNCUT
'Her debut album sits at a slight angle to anything else you may have heard coming out of the UK in recent years” - Stereogum
"A calming, restorative and mind-expanding blend of jazz and ambient" - Resident Advisor (RA Recommends)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
apan has produced some exceptionally talented jazz drummers and among them is Tatsuya Nakamura, who joins the BBE Music J Jazz Masterclass Series with his album ‘Locus’ from 1984, a session covering several bases, from heavy percussive samba to meditative avant-ambient. This is the album’s first ever reissue, although a track from ‘Locus’, ‘1/4 Samba’, was included on J Jazz vol. 3.
Nakamura began his drumming career as a teenager, inspired after seeing the documentary film “Jazz on A Summer’s Day” and listening to his idols Art Blakey and Miles Davis. By his early twenties, Nakamura was working with such luminaries as free jazz guitarist Masayuki Takayanagi, pianist Masaru Imada and band leader & composer Mitsuaki Kanno. In the mid-70s, like several other Japanese jazz players, Nakamura decided to make the move to New York where he studied drumming with Roy Haynes, and performed with members of the AACM and players from the loft and free jazz scenes including Richard Davis, George Adams, John Hicks, and Pharaoh Sanders. Returning to Japan, Nakamura continued playing as leader of his Japanese band The Jazz Fellows and in 1979, he went into the studio as leader for the classic “Where Is The Quarter” session featuring Masaru Imada, Hideto Kanai and Kenji Mori... more
A1. Locus (12:16)
A2. Wow (07:50)
B1. ¼ Samba II (11:43)
B2. Ballad (07:58)
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Nakamura began his drumming career as a teenager, inspired after seeing the documentary film “Jazz on A Summer’s Day” and listening to his idols Art Blakey and Miles Davis. By his early twenties, Nakamura was working with such luminaries as free jazz guitarist Masayuki Takayanagi, pianist Masaru Imada and band leader & composer Mitsuaki Kanno. In the mid-70s, like several other Japanese jazz players, Nakamura decided to make the move to New York where he studied drumming with Roy Haynes, and performed with members of the AACM and players from the loft and free jazz scenes including Richard Davis, George Adams, John Hicks, and Pharaoh Sanders. Returning to Japan, Nakamura continued playing as leader of his Japanese band The Jazz Fellows and in 1979, he went into the studio as leader for the classic “Where Is The Quarter” session featuring Masaru Imada, Hideto Kanai and Kenji Mori... more
A1. Locus (12:16)
A2. Wow (07:50)
B1. ¼ Samba II (11:43)
B2. Ballad (07:58)
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Shigeo Sekito - Carly & Carole
2
Shigeo Sekito - Happiness Is Me And You
3
Shigeo Sekito - This Masquerade
4
Shigeo Sekito - Paroles Paroles
5
Shigeo Sekito - A Whiter Shade Of Pale
6
Shigeo Sekito - Yesterday
7
Shigeo Sekito - The Word I
8
Shigeo Sekito - The Word II
9
Shigeo Sekito - Red Roses For A Blue Lady
10
Shigeo Sekito - Funny You Should Say That
11
Shigeo Sekito - Blue Star
12
Shigeo Sekito - Lost Horizon Share The Joy
*Pressed on clear green vinyl
*Housed in a gatefold jacket
*With obi
*Extensive liner notes by Chee Shimizu in Japanese and English translation
*Originally released in 1975
"The Word II," which gained instant worldwide recognition after being sampled by Mac DeMarco in "Chamber of Reflection" and by Travis Scott and Quavo's unit HUNCHO JACK in "How U Feel." Shigeo Seikito 's seminal work, which includes that track, will be reissued on colored vinyl. It's the most widely listened-to electone piece in the world, drawing attention from a diverse range of audiences including hip-hop, Balearic, and dream pop enthusiasts.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
*Housed in a gatefold jacket
*With obi
*Extensive liner notes by Chee Shimizu in Japanese and English translation
*Originally released in 1975
"The Word II," which gained instant worldwide recognition after being sampled by Mac DeMarco in "Chamber of Reflection" and by Travis Scott and Quavo's unit HUNCHO JACK in "How U Feel." Shigeo Seikito 's seminal work, which includes that track, will be reissued on colored vinyl. It's the most widely listened-to electone piece in the world, drawing attention from a diverse range of audiences including hip-hop, Balearic, and dream pop enthusiasts.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Gosha Martynov & Natasha Sinyakova - A1. Pozhaluysta
2
Gosha Martynov & Natasha Sinyakova - A2.Osvobodi Menia
3
Gosha Martynov & Natasha Sinyakova - A3.Ya Tebia Zhdala
4
Gosha Martynov & Natasha Sinyakova - A4.O Dereve
5
Gosha Martynov & Natasha Sinyakova - B1. Imena Rek
6
Gosha Martynov & Natasha Sinyakova - B2.Rany
7
Gosha Martynov & Natasha Sinyakova - B3.Smeshno
8
Gosha Martynov & Natasha Sinyakova - B4. Iskra
LP
File Under: Dreamy Downbeat / Emotive Electronica / Organic IDM
Release Date: 15.11.2024
Following a fallow 2023, a rejuvenated Growing Bin return to your turntable with this sublime collaborative LP from Gosha Martynov & Natasha Sinyakova. On their first foray into the physical, the duo expand the spectral ambience and medicated breaks of their earlier work with lithe touches of organic jazz and Cafe Del Mar cool, creating a complex assemblage of dreamy downbeat and emotive electronica that's entirely easy on the ears.
Opener "Pozhaluysta" seduces with smart syncopation and beguiling melody, its flute and fretwork finding ample space to slip around Natasha's voice, equal parts Cocteau operatics and jazz-club coquette, in an expression of a want beyond words. The mood shifting "Osvobodi Menia" sees the solemn, snaking sound of a sampled duduk drift into an optimism of airy pads and escapist mantra, suspended in reverb until the end of time. "Ya Tebia Zhdala" began life as a break-led experiment, gradually evolving into a romantic and naive sketch rich with splashes of piano and dynamic chorus pads. Naturalist hymn "O Dereve" weaves a dark and intimate tale from the point of view of a veteran tree as its buzzsaw guitar loops blossom into multilayered vocals full of emotion.
Awash with sonar sweeps, sumptuous pads and rolling subs, the titular "Imena Rek" channels post-rave bliss into the hypnagogic anthem the contemporary IDM-ographic have been searching for. Infectious hooks and spaced out pads ride the breakbeat rhythm for a dreamy experimental pop banger from another planet. The sombre sway of "Rany", filtered through the fog of a broken cassette recorder, trance djembe and unpredictable bass tones rivals the finest Motion Ward or In:dex releases for crepuscular charm, while "Smeshno" sees serrated drones sink into a slinking rhythm, playing counterpoint to the tender chords and yearning vocals.
"Iskra" closes out the chiasmus with a return to the organic experience of the opener, the flute and acoustic guitar augmented with nuanced hand percussion and a music box refrain. Listening to this album is like a midnight walk through an ancient forest - an experience which both scares and tempts you at the same time. From touching damp moss to feeling the thick fog with your body and watching mushrooms glow in the dark, 'Imena Rek' guides you through the terrain.
Flawlessly arranged and executed, this LP alludes to a long lineage of innovative downbeat, feels absolutely essential in the present and pushes the trip hop revivalists towards a fascinating future - Gosha Martynov & Natasha Sinyakova have created a timeless piece of music,
but what else do you expect from the Bin?
A1 Pozhaluysta B1 Imena Rek
A2 Osvobodi Menia B2 Rany
A3 Ya Tebia Zhdala B3 Smeshno
A4 O Dereve B4 Iskra
Music by Gosha Martynov & Natasha Sinyakova
Mastered by Sergey Luginin @ Luginin Studio in Moscow
Distributed by wordandsound from Hamburg
Sales notes by Patrick Ryder
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
File Under: Dreamy Downbeat / Emotive Electronica / Organic IDM
Release Date: 15.11.2024
Following a fallow 2023, a rejuvenated Growing Bin return to your turntable with this sublime collaborative LP from Gosha Martynov & Natasha Sinyakova. On their first foray into the physical, the duo expand the spectral ambience and medicated breaks of their earlier work with lithe touches of organic jazz and Cafe Del Mar cool, creating a complex assemblage of dreamy downbeat and emotive electronica that's entirely easy on the ears.
Opener "Pozhaluysta" seduces with smart syncopation and beguiling melody, its flute and fretwork finding ample space to slip around Natasha's voice, equal parts Cocteau operatics and jazz-club coquette, in an expression of a want beyond words. The mood shifting "Osvobodi Menia" sees the solemn, snaking sound of a sampled duduk drift into an optimism of airy pads and escapist mantra, suspended in reverb until the end of time. "Ya Tebia Zhdala" began life as a break-led experiment, gradually evolving into a romantic and naive sketch rich with splashes of piano and dynamic chorus pads. Naturalist hymn "O Dereve" weaves a dark and intimate tale from the point of view of a veteran tree as its buzzsaw guitar loops blossom into multilayered vocals full of emotion.
Awash with sonar sweeps, sumptuous pads and rolling subs, the titular "Imena Rek" channels post-rave bliss into the hypnagogic anthem the contemporary IDM-ographic have been searching for. Infectious hooks and spaced out pads ride the breakbeat rhythm for a dreamy experimental pop banger from another planet. The sombre sway of "Rany", filtered through the fog of a broken cassette recorder, trance djembe and unpredictable bass tones rivals the finest Motion Ward or In:dex releases for crepuscular charm, while "Smeshno" sees serrated drones sink into a slinking rhythm, playing counterpoint to the tender chords and yearning vocals.
"Iskra" closes out the chiasmus with a return to the organic experience of the opener, the flute and acoustic guitar augmented with nuanced hand percussion and a music box refrain. Listening to this album is like a midnight walk through an ancient forest - an experience which both scares and tempts you at the same time. From touching damp moss to feeling the thick fog with your body and watching mushrooms glow in the dark, 'Imena Rek' guides you through the terrain.
Flawlessly arranged and executed, this LP alludes to a long lineage of innovative downbeat, feels absolutely essential in the present and pushes the trip hop revivalists towards a fascinating future - Gosha Martynov & Natasha Sinyakova have created a timeless piece of music,
but what else do you expect from the Bin?
A1 Pozhaluysta B1 Imena Rek
A2 Osvobodi Menia B2 Rany
A3 Ya Tebia Zhdala B3 Smeshno
A4 O Dereve B4 Iskra
Music by Gosha Martynov & Natasha Sinyakova
Mastered by Sergey Luginin @ Luginin Studio in Moscow
Distributed by wordandsound from Hamburg
Sales notes by Patrick Ryder
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Lloyd McNeill - Home Rule
2
Lloyd McNeill - Just 71% Moor
3
Lloyd McNeill - 2504 Cliffbourne Pl.
4
Lloyd McNeill - Fountain In The Circle
5
Lloyd McNeill - City Tryptych
6
Lloyd McNeill - Fountain In The Circle
Soul Jazz Records’ new ox-blood red coloured vinyl limited-edition 1000-copies worldwide LP (+ download code) issue of this very rare deep spiritual jazz album first released as a private-press album in 1970 on flautist Lloyd McNeill’s own Asha Record label in Washington, DC.
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CLASSIC! DEEP Jazz includes the wicked 'Home Rule'
Lloyd McNeill is an African-American flautist, painter, poet, and photographer born in Washington, D.C., in 1935. His multi-disciplinary creative life led to encounters and friendships with Nina Simone, Picasso, Eric Dolphy, Nana Vasconceles and other legendary cultural figures. Lloyd McNeill’s hypnotic ‘Washington Suite’ was originally commissioned as a piece of music for the Capital Ballet Company, in Washington, DC.
McNeill grew up through the era of the Civil Rights Movement in the 1960s and his life and work is a reflection of those ideals. In the mid-1960s he moved to France where he became friends with Picasso, working with a number of émigré-jazz musicians whilst living in Paris. In the late 1960s he taught jazz and painting workshops at the New Thing Art and Architecture Center in Washington. In the 1970s he travelled throughout Brazil and West Africa studying music and taught music anthropology in the US.
Tracklist:
01. Home Rule
02. Just 71% Moor
03. 2504 Cliffbourne Pl.
04. Fountain In The Circle
05. City Tryptych
06. Fountain In The Circle
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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CLASSIC! DEEP Jazz includes the wicked 'Home Rule'
Lloyd McNeill is an African-American flautist, painter, poet, and photographer born in Washington, D.C., in 1935. His multi-disciplinary creative life led to encounters and friendships with Nina Simone, Picasso, Eric Dolphy, Nana Vasconceles and other legendary cultural figures. Lloyd McNeill’s hypnotic ‘Washington Suite’ was originally commissioned as a piece of music for the Capital Ballet Company, in Washington, DC.
McNeill grew up through the era of the Civil Rights Movement in the 1960s and his life and work is a reflection of those ideals. In the mid-1960s he moved to France where he became friends with Picasso, working with a number of émigré-jazz musicians whilst living in Paris. In the late 1960s he taught jazz and painting workshops at the New Thing Art and Architecture Center in Washington. In the 1970s he travelled throughout Brazil and West Africa studying music and taught music anthropology in the US.
Tracklist:
01. Home Rule
02. Just 71% Moor
03. 2504 Cliffbourne Pl.
04. Fountain In The Circle
05. City Tryptych
06. Fountain In The Circle
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Mr. Money With The Vibe is the debut studio album from
Nigerian singer Asake. Following an impressive debut and meteoric rise in the
music industry, Asake signed with YBNL Nation, the label founded by one of the
godfathers of modern Afrobeats, Olamide. The 12-track album features elements
of traditional Nigerian fuji music, Afropop, and South African Amapiano and
sees appearances from fellow Nigerian star Burna Boy and American rapper Russ.
The results are an ethereal sonic oasis that clearly sets Asake apart from his
peers. Includes the single, “Sungba (Remix),” “Peace Be Unto You (PBUY),” &
“Terminator.” 1xLP, pressed on Bone Vinyl with Red Splatter.
Tracklist:
A1/1. Dull
A2/2. Terminator
A3/3. Organise
A4/4. Peace Be Unto You (PBUY)
A5/5. Dupe
A6/6. Muse
B1/7. Joha
B2/8. Nzaza
B3/9. Ototo
B4/10. Reason (feat. Russ)
B5/11. Sunmomi
B6/12. Sungba (Remix) (feat. Burna Boy)
Key Marketing/Selling:
-
One of the
biggest Nigerian artists at the moment
-
Debut studio
album
-
The album has
over 1B streams across platforms
-
Elton John played
- ‘Organise’ in his Rocket Hour radio show on Apple Music
-
’Joha’ was Remi
Burgz’ Record Of The Week on BBC 1Xtra - w/c 20th September
-
Peaked at #1 in
31 countries on Apple Music; including UK, Nigeria, UAE, Ireland, Ghana
-
Peaked at #5 on
the US Apple Music all genre album charts
-
Peaked at #22 on
UK’s Official Albums Chart Top 100
-
25M total streams
within 24 hours of release
-
1st African debut
album to peak at #1 on the UK Apple music albums chart
-
Album release was
covered by Complex, Rolling Stone, The Guardian, The Fader, and more
-
Multiple music
videos released to support the album
-
Just recently
sold out London’s O2 Arena, marking only the 4th time a Nigerian artist has
done that - 20k tickets
-
Performed at
Barclays Center in Brooklyn on 9/8 - Sold out show - 19k tickets sold - marking
the first time an African artist has headlined and sold out the venue
-
Pressed on Bone
vinyl with Red Splatter
-
First physical
release for Asake
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Nigerian singer Asake. Following an impressive debut and meteoric rise in the
music industry, Asake signed with YBNL Nation, the label founded by one of the
godfathers of modern Afrobeats, Olamide. The 12-track album features elements
of traditional Nigerian fuji music, Afropop, and South African Amapiano and
sees appearances from fellow Nigerian star Burna Boy and American rapper Russ.
The results are an ethereal sonic oasis that clearly sets Asake apart from his
peers. Includes the single, “Sungba (Remix),” “Peace Be Unto You (PBUY),” &
“Terminator.” 1xLP, pressed on Bone Vinyl with Red Splatter.
Tracklist:
A1/1. Dull
A2/2. Terminator
A3/3. Organise
A4/4. Peace Be Unto You (PBUY)
A5/5. Dupe
A6/6. Muse
B1/7. Joha
B2/8. Nzaza
B3/9. Ototo
B4/10. Reason (feat. Russ)
B5/11. Sunmomi
B6/12. Sungba (Remix) (feat. Burna Boy)
Key Marketing/Selling:
-
One of the
biggest Nigerian artists at the moment
-
Debut studio
album
-
The album has
over 1B streams across platforms
-
Elton John played
- ‘Organise’ in his Rocket Hour radio show on Apple Music
-
’Joha’ was Remi
Burgz’ Record Of The Week on BBC 1Xtra - w/c 20th September
-
Peaked at #1 in
31 countries on Apple Music; including UK, Nigeria, UAE, Ireland, Ghana
-
Peaked at #5 on
the US Apple Music all genre album charts
-
Peaked at #22 on
UK’s Official Albums Chart Top 100
-
25M total streams
within 24 hours of release
-
1st African debut
album to peak at #1 on the UK Apple music albums chart
-
Album release was
covered by Complex, Rolling Stone, The Guardian, The Fader, and more
-
Multiple music
videos released to support the album
-
Just recently
sold out London’s O2 Arena, marking only the 4th time a Nigerian artist has
done that - 20k tickets
-
Performed at
Barclays Center in Brooklyn on 9/8 - Sold out show - 19k tickets sold - marking
the first time an African artist has headlined and sold out the venue
-
Pressed on Bone
vinyl with Red Splatter
-
First physical
release for Asake
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Popp - A1 Lilac
2
Popp - A2 Manate
3
Popp - A3 Ulam's Spiral
4
Popp - A4 Partially Ordered
5
Popp - B1 Kali
6
Popp - B2 Yerba
7
Popp - B3 Salbnuß
8
Popp - B4 AIHO
LP, 2023 RE, 180G, Transparent Vinyl, PrintPVC Sleeve
Genre: Organic Grooves / Experimental / World
Tracklist LP:
A1 Lilac 04:38 min
A2 Manate 03:23 min
A3 Ulam's Spiral 04:24 min
A4 Partially Ordered 02:24 min
B1 Kali 03:20 min
B2 Yerba 03:42 min
B3 Salbnuß 06:10 min
B4 AIHO 05:01 min
With seemingly effortless precision and a sense for the imperfect, Popp merges Ambient, Third Stream and Minimal Music on his debut album "Laya". The title derives from the Sanskrit language and signifies a place of rest and mental inactivity. In the spring of 2019 Popp created these 8 tracks from hours of improvisation in his own studio. The moments thus captured were then enriched with more sounds and effects to add layers and shed the manually played percussion of all its earthliness. The result is an album of concealed complexity and unadorned beauty.
Raised on an old farm in rural Bavaria, Simon Popp started playing the drums at the age of 9. During his studies at the Academy of Music and Theatre in Munich, he extensively studied African music from countries like Togo, Ghana and Benin where rhythm is central to culture. On his quest for this world's sounds, Popp collected and recorded a wide variety of drums and other instruments, adding to the placelessness of Laya.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Genre: Organic Grooves / Experimental / World
Tracklist LP:
A1 Lilac 04:38 min
A2 Manate 03:23 min
A3 Ulam's Spiral 04:24 min
A4 Partially Ordered 02:24 min
B1 Kali 03:20 min
B2 Yerba 03:42 min
B3 Salbnuß 06:10 min
B4 AIHO 05:01 min
With seemingly effortless precision and a sense for the imperfect, Popp merges Ambient, Third Stream and Minimal Music on his debut album "Laya". The title derives from the Sanskrit language and signifies a place of rest and mental inactivity. In the spring of 2019 Popp created these 8 tracks from hours of improvisation in his own studio. The moments thus captured were then enriched with more sounds and effects to add layers and shed the manually played percussion of all its earthliness. The result is an album of concealed complexity and unadorned beauty.
Raised on an old farm in rural Bavaria, Simon Popp started playing the drums at the age of 9. During his studies at the Academy of Music and Theatre in Munich, he extensively studied African music from countries like Togo, Ghana and Benin where rhythm is central to culture. On his quest for this world's sounds, Popp collected and recorded a wide variety of drums and other instruments, adding to the placelessness of Laya.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Song of Island is a private press album that very few people knew about. It is the third long player from pianist Yasuhiro Kohno's trio (he started his career as a member of Japanese rocker Eikichi Yazawa's band) and was recorded live at the jazz club and live house 'Again' in August 1985. This is the first time the album has ever been reissued before and captures a special time in Japanese jazz when it was all about exemplary acoustics performed live by skilled musicians. There is one take on a classic jazz standard here as well as four original pieces.
Side 1
1. "Song Of Island" (10:51)
Side 2
1. "Time For Peace" (7:47)
2. "Love For Sale" (8:37)
Side 3
1. "Mr Nilson" (13:26)
Side 4
1. "Village Festival" (12:20)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Side 1
1. "Song Of Island" (10:51)
Side 2
1. "Time For Peace" (7:47)
2. "Love For Sale" (8:37)
Side 3
1. "Mr Nilson" (13:26)
Side 4
1. "Village Festival" (12:20)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More