Munich’s DJ and Digging crew Super Sound Global drops into rotation with their first vinyl record. Coming in hot with four hefty dancefloor cuts — whipped up through guerrilla-style sampling and oldschool production tricks. Spin it!

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"You didn’t know you needed it, but you dreamed of it."

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350 copies Hand Stamped. First release from Takeovers Music run label Mama Said No! featuring two edits and one unreleased track.
Groovy stuff that will make your hips Rock and your feet sore. Comfortable dancing shoes are strongly recommended!

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Tracklisting
A1 Unknown Artist - Sun After Rain
B1 Unknown Artist - Can't Stop The Feeling

Sales Note
The Unknown Artist returns on Flipsight with deep soul/disco cuts. Sun after rain is what we all deserve, no one will ever stop that feeling. No digitals - Vinyl only

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2025 Repress

Tracklisting:
A1 Unknown Artist - Sucka For Love
A2 Unknown Artist - Next Life Time
B1 Unknown Artist - Searching
B2 Unknown Artist - Call Tyrone

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Tracklisting
A1 Unknown Artist - Somebody To Love
A2 Unknown Artist - Sirens
A3 Unknown Artist - I Wish You'd Never
B1 Unknown Artist - Ojos Asi
B2 Unknown Artist - Do You See The Light
B3 Unknown Artist - You're Not Alone

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Tracklisting
A1 Unknown Artist - Hirameki
A2 Unknown Artist - Chernobyl
B1 Unknown Artist - Catharsis
B2 Unknown Artist - Acid Hirameki

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DISCO REMIXES!

A. DON’T STOP

B. ICE COLD (Feat. DIONISOS)

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DISCO REMIXES!


A. GET UP

B1. ZOMBIES

B2. HOW

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DISCO EDITS!

A. IN THE BUSH

B. NOW I KNOW

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Supreme Italo boogie 2 sider, a double banger! Two faves from the long out of print “FALL IN THE GROOVE” LP, GIOVANNI DAMICO is officially out of hiding and back in the moonlight with his Chicago label team STAR CREATURE. The A Side gives us a slice of Psychedelic Boogie that is continentally agnostic. The B Side hits us with an Afro-Italo smacker that's already been known to fill dancefloors worldwide! Housed in a replica 7" Jacket and ready for trouble

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Razor-N-Tape goes big for their first ever edits VA on their legendary white label series! Timed to drop at their Detroit Movement weekend event, this spicy 12 Inch includes contributions from four of the artists on the bill: Glenn Underground, Rahaan, The Patchouli Brothers and JKriv. Classic RNT style, all killer no filler disco heat on this one!

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Black Truffle is thrilled to announce Spilla, the second album from Nantes-based Ensemble Nist-Nah, 48 minutes of music for Gamelan, drum kits, wood and metal percussion instruments, and plucked strings that will surely count as one of the most electrifying records you hear this year. Founded by the Australian drummer/percussionist Will Guthrie in 2019, continuing the explorations begun in solo form on Nist-Nah (Black Truffle, 2020), the ensemble (eight or nine core members with occasional guests) has been consistently active in the half-decade since: composing, rehearsing, recording and touring Europe (with a mass of equipment in tow) to great acclaim. Spilla tracks the continuing evolution of the project since the recording of their first album, Elders (Black Truffle, 2022). The two sides of this record document two different iterations of the group, and the members' compositional input has increased: each side contains one piece by a member other than Guthrie. It has become clearer than ever that Ensemble Nist-Nah is not an attempt at a European Gamelan ensemble but rather a hybrid percussion ensemble that uses instruments from a Javanese Gamelan alongside other percussion to perform original music informed by a variety of South East Asian music but also by everything from free jazz to contemporary hip-hop: while Nist-Nah and Elders both featured traditional Javanese pieces, on Spilla the only tune not generated by a member of the group is by Guthrie’s long-time musical hero and occasional collaborator Roscoe Mitchell.

The two short pieces that open the record could almost be the two sides of a wild 7” selected to show off what the Ensemble can do. On opener ‘Gerak Maju’, intricately skittering open-snare patterns bounce over clanging metal, chiming bell-like tones and deep gong hits, adapting the rhythm-register connections heard in traditional Gamelan musics—where the lowest pitched sounds are heard least frequently—to a cut-up breakbeat straight off Feed Me Weird Things. ‘Strollabout’ then moves into an entirely different realm of meditative repeating patterns, performed entirely on Chinese, Javanese and Vietnamese gongs. The remaining seven pieces, ranging from three to twelve minutes, offer up a wealth of different percussive, compositional and arrangement possibilities. On ‘Ghostly Klang’, two drumkits mirror each other’s moves, bouncing hats and snares across the stereo field in a way that recalls On the Corner and the jittering hi hat patterns of trap, while slow moving melodies on the tuned instruments add a sense of majesty contrasted by scurrying details in resonant wood. The epic closing track presents a take on Roscoe Mitchell’s ‘Uncle’, performed by the Art Ensemble of Chicago on their classic Urban Bushmen live album. Where the Art Ensemble used Mitchell’s dirge-like melody as a jumping off point for virtuosic improvisational flights, Ensemble Nist-Nah rethink the piece as a near-static dialogue between the monumental, slow-moving sequence of unison tuned percussion notes and a textural cloud that grows in richness and intensity from whispering cymbal rolls into a mass of gong overtones and bowed metal.

Beautifully recorded and mixed, Spilla arrives in a sleeve decorated with core member Charles Dubois’ drawings of cymbals and gongs. Against the backdrop of a wider musical landscape dominated by over-produced electronic slop and bland harmonic wallpaper, Ensemble Nist-Nah stands out as a reminder, vital and unpretentious, of the joys and possibilities of human beings playing instruments together.

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An unlikely fusion od disco-funk grooves and Indian vibes. Bruno Boogie blends swirling keyboards, fat baselines and hypnotic percussion into a sonic journey that smells like spices and wet dance floors. Bruno Boogie – just pure boogie!

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Limited reissue of Underground Wave, Volume 4 (originally from 2015).

Compiled by Lieven De Ridder for Walhalla Records, known for Minimal Wave.

180-gram black vinyl with insert.



Limited reprint of the sold-out Volume 3 from the Underground Wave series, featuring Belgian and Dutch wave, synth, and minimal artists. Most tracks were previously only on cassette. Walhalla Records is dedicated to reviving the 80s/90s cassette scene by releasing rare material, often for the first time



Tracklist
A1. Schicksal: Power Hate Destruction (03:41)
A2. Ratbau: Ordinateur (05:06)
A3. Palais Des Bauzards: It’s Disgusting (remix) (04:29)
A4. A Thunder Orchestra: Shall I Do It? (04:02)
A5. M.Bryo: Let’s Go To War (04:18)
A6. The Arch: Ice In Your Eyes (03:11)

B1. Genetic Factor: The Lizard King, Empty Highway (05:02)
B2. Elektronische Machine: Tanz 86 (04:11)
B3. No Honey From These: Dreams (04:32)
B4. Paschen’s Law: Magnifying Transmitter (06:20)
B5. Bene Gesserit: Les Aliens (06:03)


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When Daichi Furukawa showed up on our radar in 2018, it was at a time when the ESP Institute was loosely focusing on (our obtuse version of) club-friendly releases, but upon our first listen to his Ground demos that would become his debut 2xLP 'Sunizm', we immediately threw accessibility out the window again. Ground is technically from Osaka, but we believe he’s actually from another planet, merely passing through, collecting data from all aspects of Earth—be it organic, animal, chemical, or human-made fodder. Perhaps his clan found the “Golden Record” on our space junk Voyager 1 and considered our attempt at self-representation oblivious, mediocre, laughable, and decided to come show us how it could be done properly. After the inimitable 'Sunizm', a slew of singles and remixes, and follow-up EP entitled 'Wakusei', we’re proud to finally present the long-awaited 2xLP, 'Yaoyorozoo'. Once again, Daichi steps into some hybrid-of-hybrids territory—a truly mutant fusion of culture and sonics that should make no sense at all, but his confidence (and disregard for public comprehension) shows no mercy in thrusting his vision upon us. 'Yaoyorozoo' is both ancient and future, primitive and advanced, tribal and lone wolf—a mélange of human success and failure, a cerebral scraping of consciousness, a granular paste of Earthly artefacts smeared across 73 minutes. Moments of undeniable beauty devolve into heavy and uncomfortable hallucinations, voices speak to us from hidden spaces in the soundstage… or do they? Scenes are set just long enough for the listener to accept one reality, only to be abruptly disoriented by jarring elements that pull our subconscious center-stage and question our sense of perception. What the fuck is actually happening here? Everything evolves tangentially, much like dream abstractions—or this press release itself—testing the limits of audience patience and laughing at any semblance of what’s acceptable, functional, or conventional.

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FLABBERGAST duo Vincent Lemieux and Guillaume Coutu Dumont presents, via Yoyaku x Chapelle XIV, their first full-length album “Consolation in Constellation,” an expertly composed interplanetary voyage of sound.

Emerging first as an unexpected collab/supernova for a MUTEK_rec release, Flabbergast has evolved exponentially since its inception. Drawing from their respective musical roots in improvised live sets and classical composition, Lemieux and Dumont’s collaborative digital work stands out for its unique blend of spontaneity and discovery, combining experimental elements with a focused, coherent approach.]

Rooted in their rich history of compositional experience and musical influence, this new release defies classification and convention, offering an auditory travel experience orbiting electronic, jazz, acid house, and futuristic grooves.

Throughout the album, percussive progressions evolve into infectious breakbeats and intricately crafted galactic grooves. Consolation in Constellation is a voyage through space and time – an experimental journey where Flabbergast navigates new frontiers composed of events horizons, planetary systems and gleaming stars.

In harmony with the artistic vision of Yoyaku and Chapelle XIV, the album’s cover art seamlessly integrates the visual with sound in an immersive invitation to exploration.
Multimedia artists Marius Escande and Sarah Illouz bring the project’s psychedelic, galactic essence to life with surreal and multidimensional visuals reminiscent of a dream or former existence.

Consolation in Constellation is a masterful debut album from Flabbergast; with its mastery of genre, composition, and experimentation, it paves the way for a future destined to push the boundaries of sound to infinity.

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Debut release for Small Edits with the mysterious "The Groomer". Two smashed revision from the past for this new 7” series.

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Manzo Edits Vol. 5 trots proudly back into the ring, tail high and hooves tapping, with four fresh cuts to leave the dancefloor gasping for hay. "Rosy" opens the stampede with groovy springtime melancholy: Manzo is lovesick, staring across the fence at a cow he just can’t forget. "Amare Moto" slinks in with sultry swagger, a slow and sexy jam built to get the hips moving. On the flip, "You Have To Cry Tonight" struts in with crisp Italo drums and more attitude than a Saturday night stallion. We close with "Bring Me", an alpine rave of cowbells and yodeling, ready for the pasture.

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