Reissue of this italo disco rarity from 1985 with Flemming Dalum and George Hysteric remixes.

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WAS - Word and Sound Medien GmbH
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Reissue of this italo disco obscurity from 1987. Comes with Flemming Dalum and TinTin remixes.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Reissue of this italo disco classic from 1983. Comes with Flemming Dalum and F. Ricci remixes.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Reissue of this italo disco classic from 1983. Comes with Flemming Dalum and F. Ricci remixes.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Reissue of this italo disco classic from 1986 with Flemming Dalum and DSTRTD SGNL remixes.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Reissue of this italo classic from 1986. Comes with Flemming Dalum and DSTRTD SGNL remix.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore

Reissue of this italo classic from 1986. Comes with Flemming Dalum remix.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Reissue of this italo disco classic from 1986. Comes with remixes by Flemming Dalum and Italo4ever.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Italo space disco classic from 1990. Comes with Flemming Dalum and DJ CON-T & Opposite Direction Remix.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Reissue of this italo disco classic from 1986 with Flemming Dalum and DJ TinTin remixes!

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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The world-famous hit “U Got 2 Let The Music” by Cappella, which first conquered the dance charts in 1993 and became a worldwide classic with its energetic beat and catchy chorus, is now available on a limited, colored 12” maxi vinyl. An absolute must-have for collectors and music lovers!

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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
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talo disco reissue originally released in 1985. Comes with Flemming Dalum and A.P. Mono remixes.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Reissue of this italo disco rarity from 1984. Comes with Flemming Dalum remixes.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore

Reissue of this italo classic from 1985 with Flemming Dalum and R. Ricci remixes.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Reissue of this italo disco rarity from 1983. Comes with Flemming Dalum and Vanzetti & Sacco remixes.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Reissue of this italo disco classic from 1983. Comes with Flemming Dalum and Victor Ark remixes!

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Reissue of this classic from 1983.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Reissue of this italo disco classic from 1984. Comes with Flemming Dalum remixes.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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DISCO REMIXES!


A. GET UP

B1. ZOMBIES

B2. HOW

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DISCO EDITS!

A. IN THE BUSH

B. NOW I KNOW

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DISCO REMIXES!

A. DON’T STOP

B. ICE COLD (Feat. DIONISOS)

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Manzo Edits Vol. 5 trots proudly back into the ring, tail high and hooves tapping, with four fresh cuts to leave the dancefloor gasping for hay. "Rosy" opens the stampede with groovy springtime melancholy: Manzo is lovesick, staring across the fence at a cow he just can’t forget. "Amare Moto" slinks in with sultry swagger, a slow and sexy jam built to get the hips moving. On the flip, "You Have To Cry Tonight" struts in with crisp Italo drums and more attitude than a Saturday night stallion. We close with "Bring Me", an alpine rave of cowbells and yodeling, ready for the pasture.

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WAS - Word and Sound Medien GmbH
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Limited reissue of Underground Wave, Volume 4 (originally from 2015).

Compiled by Lieven De Ridder for Walhalla Records, known for Minimal Wave.

180-gram black vinyl with insert.



Limited reprint of the sold-out Volume 3 from the Underground Wave series, featuring Belgian and Dutch wave, synth, and minimal artists. Most tracks were previously only on cassette. Walhalla Records is dedicated to reviving the 80s/90s cassette scene by releasing rare material, often for the first time



Tracklist
A1. Schicksal: Power Hate Destruction (03:41)
A2. Ratbau: Ordinateur (05:06)
A3. Palais Des Bauzards: It’s Disgusting (remix) (04:29)
A4. A Thunder Orchestra: Shall I Do It? (04:02)
A5. M.Bryo: Let’s Go To War (04:18)
A6. The Arch: Ice In Your Eyes (03:11)

B1. Genetic Factor: The Lizard King, Empty Highway (05:02)
B2. Elektronische Machine: Tanz 86 (04:11)
B3. No Honey From These: Dreams (04:32)
B4. Paschen’s Law: Magnifying Transmitter (06:20)
B5. Bene Gesserit: Les Aliens (06:03)


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Imagine this: Sitting in a darkened room in Dalston, London… the music pushes across a very nicely tuned sound system, (a la Cafe Oto) the artist says "not quite sure what to do with this track, or what to call it"…. In a moment of bravado one shouts out in reply "Release it!" Well this is where the very long story starts… we won't bother you with the other details for now, but this is the start of how we managed to have the one and only Jimi Tenor to grace the fl.oz roster! Jimi went onto play 'Release Me!' live for Gilles Peterson on BBC 6 Music the following day and we've kind of been playing catch up ever since, The 'brukked' up remix and dub versions come courtesy of Special Guest - the new guise of (ex zero dB) Chris Vogado… more to come:
Watch this one blow up

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DE - 22113 Hamburg
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Supreme Italo boogie 2 sider, a double banger! Two faves from the long out of print “FALL IN THE GROOVE” LP, GIOVANNI DAMICO is officially out of hiding and back in the moonlight with his Chicago label team STAR CREATURE. The A Side gives us a slice of Psychedelic Boogie that is continentally agnostic. The B Side hits us with an Afro-Italo smacker that's already been known to fill dancefloors worldwide! Housed in a replica 7" Jacket and ready for trouble

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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
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Razor-N-Tape goes big for their first ever edits VA on their legendary white label series! Timed to drop at their Detroit Movement weekend event, this spicy 12 Inch includes contributions from four of the artists on the bill: Glenn Underground, Rahaan, The Patchouli Brothers and JKriv. Classic RNT style, all killer no filler disco heat on this one!

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Black Truffle is thrilled to announce Spilla, the second album from Nantes-based Ensemble Nist-Nah, 48 minutes of music for Gamelan, drum kits, wood and metal percussion instruments, and plucked strings that will surely count as one of the most electrifying records you hear this year. Founded by the Australian drummer/percussionist Will Guthrie in 2019, continuing the explorations begun in solo form on Nist-Nah (Black Truffle, 2020), the ensemble (eight or nine core members with occasional guests) has been consistently active in the half-decade since: composing, rehearsing, recording and touring Europe (with a mass of equipment in tow) to great acclaim. Spilla tracks the continuing evolution of the project since the recording of their first album, Elders (Black Truffle, 2022). The two sides of this record document two different iterations of the group, and the members' compositional input has increased: each side contains one piece by a member other than Guthrie. It has become clearer than ever that Ensemble Nist-Nah is not an attempt at a European Gamelan ensemble but rather a hybrid percussion ensemble that uses instruments from a Javanese Gamelan alongside other percussion to perform original music informed by a variety of South East Asian music but also by everything from free jazz to contemporary hip-hop: while Nist-Nah and Elders both featured traditional Javanese pieces, on Spilla the only tune not generated by a member of the group is by Guthrie’s long-time musical hero and occasional collaborator Roscoe Mitchell.

The two short pieces that open the record could almost be the two sides of a wild 7” selected to show off what the Ensemble can do. On opener ‘Gerak Maju’, intricately skittering open-snare patterns bounce over clanging metal, chiming bell-like tones and deep gong hits, adapting the rhythm-register connections heard in traditional Gamelan musics—where the lowest pitched sounds are heard least frequently—to a cut-up breakbeat straight off Feed Me Weird Things. ‘Strollabout’ then moves into an entirely different realm of meditative repeating patterns, performed entirely on Chinese, Javanese and Vietnamese gongs. The remaining seven pieces, ranging from three to twelve minutes, offer up a wealth of different percussive, compositional and arrangement possibilities. On ‘Ghostly Klang’, two drumkits mirror each other’s moves, bouncing hats and snares across the stereo field in a way that recalls On the Corner and the jittering hi hat patterns of trap, while slow moving melodies on the tuned instruments add a sense of majesty contrasted by scurrying details in resonant wood. The epic closing track presents a take on Roscoe Mitchell’s ‘Uncle’, performed by the Art Ensemble of Chicago on their classic Urban Bushmen live album. Where the Art Ensemble used Mitchell’s dirge-like melody as a jumping off point for virtuosic improvisational flights, Ensemble Nist-Nah rethink the piece as a near-static dialogue between the monumental, slow-moving sequence of unison tuned percussion notes and a textural cloud that grows in richness and intensity from whispering cymbal rolls into a mass of gong overtones and bowed metal.

Beautifully recorded and mixed, Spilla arrives in a sleeve decorated with core member Charles Dubois’ drawings of cymbals and gongs. Against the backdrop of a wider musical landscape dominated by over-produced electronic slop and bland harmonic wallpaper, Ensemble Nist-Nah stands out as a reminder, vital and unpretentious, of the joys and possibilities of human beings playing instruments together.

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An unlikely fusion od disco-funk grooves and Indian vibes. Bruno Boogie blends swirling keyboards, fat baselines and hypnotic percussion into a sonic journey that smells like spices and wet dance floors. Bruno Boogie – just pure boogie!

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WAS - Word and Sound Medien GmbH
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When Daichi Furukawa showed up on our radar in 2018, it was at a time when the ESP Institute was loosely focusing on (our obtuse version of) club-friendly releases, but upon our first listen to his Ground demos that would become his debut 2xLP 'Sunizm', we immediately threw accessibility out the window again. Ground is technically from Osaka, but we believe he’s actually from another planet, merely passing through, collecting data from all aspects of Earth—be it organic, animal, chemical, or human-made fodder. Perhaps his clan found the “Golden Record” on our space junk Voyager 1 and considered our attempt at self-representation oblivious, mediocre, laughable, and decided to come show us how it could be done properly. After the inimitable 'Sunizm', a slew of singles and remixes, and follow-up EP entitled 'Wakusei', we’re proud to finally present the long-awaited 2xLP, 'Yaoyorozoo'. Once again, Daichi steps into some hybrid-of-hybrids territory—a truly mutant fusion of culture and sonics that should make no sense at all, but his confidence (and disregard for public comprehension) shows no mercy in thrusting his vision upon us. 'Yaoyorozoo' is both ancient and future, primitive and advanced, tribal and lone wolf—a mélange of human success and failure, a cerebral scraping of consciousness, a granular paste of Earthly artefacts smeared across 73 minutes. Moments of undeniable beauty devolve into heavy and uncomfortable hallucinations, voices speak to us from hidden spaces in the soundstage… or do they? Scenes are set just long enough for the listener to accept one reality, only to be abruptly disoriented by jarring elements that pull our subconscious center-stage and question our sense of perception. What the fuck is actually happening here? Everything evolves tangentially, much like dream abstractions—or this press release itself—testing the limits of audience patience and laughing at any semblance of what’s acceptable, functional, or conventional.

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