Label:Bordello A Parigi
Cat-No:BAP227
Release-Date:16.05.2025
Configuration:12"
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Label:Bordello A Parigi
Cat-No:BAP227
Release-Date:16.05.2025
Configuration:12"
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Konerytmi - Super Ekstaasi
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Konerytmi - Klassikkoelokuva
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Konerytmi - Hirvijarvi
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Konerytmi - Uusiaalto
Bordello A Parigi welcome the prolific Kirill Junolainen into the fold. He debuts under his Konerytmi alias with four tracks that join the dots of disco, italo, synth pop and wave. The title piece, “Super Ekstaasi”, is an analogue rollercoaster of emotive lyrics and sparkling synthlines shot through with distant melancholy. The frosty “Klassikkoelokuva” follows. Contrasting its predecessor, this glacial work of electro cuts crystalline chords with crisp claps and bending basslines. Temperatures rise on the flip. Slow and sci-fi inspired, the thoughtful “Hirvijarvi” explores the cosmos through searching synthlines and probing percussion. The gamut of Konerytmic is on display with the finale being no exception. “Uusiaalto” is both brittle and bold. Refracted computer chirps are draped in soaring strings, pinpricks of drum piercing the stern samples that break the delicacy of the track’s composition. Super Ekstaasi through and through.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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More records from Konerytmi
Label:Electrowax
Cat-No:EWX03
Release-Date:28.03.2024
Genre:Electro
Configuration:12"
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Label:Electrowax
Cat-No:EWX03
Release-Date:28.03.2024
Genre:Electro
Configuration:12"
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Konerytmi - Hiekkalinna
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Konerytmi - Kesakausi
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Konerytmi - Avaruukisko
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Konerytmi - Saaristo
Kirill Junolainen aka Konerytmi is back with another beautiful record on ELECTROWAX!
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:DOMINA TRXXX
Cat-No:DMX011
Release-Date:25.08.2023
Genre:Electro
Configuration:12"
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Label:DOMINA TRXXX
Cat-No:DMX011
Release-Date:25.08.2023
Genre:Electro
Configuration:12"
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Konerytmi - Breikkitanssi
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Konerytmi - Psychedelic Research
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Konerytmi - Avaruusunelma
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Konerytmi - Tikkukaramelli
Domina TRXXX presents Kirill Junolainen aka Konerytmi - Teoreema EP
Big retro release - not only for the lovers of good old Gigolo Records!
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Big retro release - not only for the lovers of good old Gigolo Records!
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Label:Electro Music Coalition
Cat-No:emcv011
Release-Date:07.07.2023
Genre:Electro
Configuration:12"
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Label:Electro Music Coalition
Cat-No:emcv011
Release-Date:07.07.2023
Genre:Electro
Configuration:12"
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Konerytmi - Kukka
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Konerytmi - Fantomi
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Konerytmi - Astrofyysikko
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Konerytmi - Astrodanssi
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Konerytmi - Kaupunki
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Konerytmi - Vesiputous
Tracklisting:
A1 Konerytmi - Kukka
A2 Konerytmi - Fantomi
A3 Konerytmi - Astrofyysikko
B1 Konerytmi - Astrodanssi
B2 Konerytmi - Kaupunki
B3 Konerytmi - Vesiputous
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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A1 Konerytmi - Kukka
A2 Konerytmi - Fantomi
A3 Konerytmi - Astrofyysikko
B1 Konerytmi - Astrodanssi
B2 Konerytmi - Kaupunki
B3 Konerytmi - Vesiputous
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:Industrias Mekanikas
Cat-No:INDMEK-007
Release-Date:04.11.2022
Genre:Electro
Configuration:12"
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Cat-No:INDMEK-007
Release-Date:04.11.2022
Genre:Electro
Configuration:12"
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Konerytmi - Tietokonegrafiikka
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Konerytmi - Uutiset
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Konerytmi - Matriisi
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Konerytmi - Voimalaitos
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Konerytmi - Kvantti
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Konerytmi - Musta Peili
The new reference of INDUSTRIAS MEKANIKAS is signed by another great artist of the electro scene, KONERYTMI is who gives name to the seventh reference of the Madrid label, which continues betting on this new release by sounds to the purest electro.
Voimalaitos EP is the title of this new work of KONERYTMI, where he prints all his character in 6 tracks that will shake the dance floors, broken bases and dark bass lines that will hypnotize you and will not let you stop dancing.
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Liebigstrasse 2-20
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Voimalaitos EP is the title of this new work of KONERYTMI, where he prints all his character in 6 tracks that will shake the dance floors, broken bases and dark bass lines that will hypnotize you and will not let you stop dancing.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:ELECTROWAX
Cat-No:EWX01
Release-Date:02.09.2022
Genre:Electro
Configuration:12"
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Label:ELECTROWAX
Cat-No:EWX01
Release-Date:02.09.2022
Genre:Electro
Configuration:12"
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Konerytmi - Pori Jazz
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Konerytmi - Ikkunat
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Konerytmi - Sokeri
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Konerytmi - Konekieli
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Konerytmi - Yokilpailu
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Konerytmi - Koodi
RAWAX got a new baby called ELECTROWAX!
We love the genre and now it became an own platform!
Starting with Kirill Junolainen aka Konerytmi from Saint Petersburg.
And as it's the first release, we celebrate it with 6 tracks!
More music for you :)
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Liebigstrasse 2-20
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We love the genre and now it became an own platform!
Starting with Kirill Junolainen aka Konerytmi from Saint Petersburg.
And as it's the first release, we celebrate it with 6 tracks!
More music for you :)
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Label:eudemonia
Cat-No:eudemonia012
Release-Date:05.08.2022
Genre:Alternative/Electronic
Configuration:12"
Barcode:4250101444081
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Label:eudemonia
Cat-No:eudemonia012
Release-Date:05.08.2022
Genre:Alternative/Electronic
Configuration:12"
Barcode:4250101444081
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Konerytmi - Turun Palloseura
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Konerytmi - Ikuisesti Nuori
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Konerytmi - Uimaranta
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Konerytmi - Valokuvaus
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Konerytmi - Aikakone
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Konerytmi - Muoti 1986
Konerytmi aka Kirill Jonolainen has been around the electronic music scene for quite some time. Even though he didn't see his first vinyl release as Konerytmi until 2020, he was already able to make a name for himself with a lot of EPs under various other aliases like JLM Werx or Dr. Floyd. For eudemonia Kirill created a unique 6-track EP tingling between Electro and Italo showing what an outstanding producer he is.
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Liebigstrasse 2-20
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Label:Infiltrate
Cat-No:INFILTRATE010
Release-Date:29.11.2021
Genre:Electro
Configuration:12"
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Label:Infiltrate
Cat-No:INFILTRATE010
Release-Date:29.11.2021
Genre:Electro
Configuration:12"
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Konerytmi - Nauhuri
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Konerytmi - Autiomaa
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Konerytmi - Lumivyory
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Konerytmi - Polaaritahti
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Konerytmi - Mustikka
Sturdy electro thumpery from Konery TMI, served up in five portions across what will surely prove a highly delectable EP for fans of the genre. Opening track 'Nauhuri' and 'Automaa' are both full of grace and gorgeous, effortless glide, while 'Lumivyory' alters the mood somewhat to get down and dirty with some thoroughly filthy acid squelch filth. 'Polaaritahti' takes its cue from the more minimal 80s sounds of Egyptian Lover or Hashim, before we draw to a close with the more serene and soothing 'Mustikka'.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
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12"
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Label:Electro Music Coalition
Cat-No:emcv008
Release-Date:09.07.2021
Genre:Electro
Configuration:12"
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Label:Electro Music Coalition
Cat-No:emcv008
Release-Date:09.07.2021
Genre:Electro
Configuration:12"
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Konerytmi - A1 - Ajastin
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Konerytmi - A2 - Ajaton
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Konerytmi - A3 - Aivosolu
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Konerytmi - B1 - Lokakuu
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Konerytmi - B2 - Lakritsi
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Konerytmi - B3 - Meripihka
Tracklist:
A1 Konerytmi - Ajastin
A2 Konerytmi - Ajaton
A3 Konerytmi - Aivosolu
B1 Konerytmi - Lokakuu
B2 Konerytmi - Lakritsi
B3 Konerytmi - Meripihka
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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A1 Konerytmi - Ajastin
A2 Konerytmi - Ajaton
A3 Konerytmi - Aivosolu
B1 Konerytmi - Lokakuu
B2 Konerytmi - Lakritsi
B3 Konerytmi - Meripihka
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
More records from Bordello A Parigi
Label:Bordello A Parigi
Cat-No:BAP236
Release-Date:25.07.2025
Configuration:12"
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Label:Bordello A Parigi
Cat-No:BAP236
Release-Date:25.07.2025
Configuration:12"
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Gus Paterson - Energy Fields
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Gus Paterson - Emotive Feels
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Gus Paterson - Cyborg Dateline
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Gus Paterson - Jetpack Joyride
Energy Fields is Gus Paterson’s vinyl debut. One of the brains behind Bokhari Records, this four tracker melts disco, italo and house into a creamy funk fondue. Staggered bleeps and crisp percussion introduce the title piece, samples echo as a squelching thick bassline drops. Countering the fudgey strings are sparkling synthlines, bold brassy analogue bursts tethering the track to the floor. Although tempos drop for “Emotive Feel,” the energy remains high. Robust keys are further fortified by blasts from vintage machines, a free flowing groove lifted into astral jazz. Sharp beats open the flip for “Cyborg Dateline.” Soon, Paterson’s melodic skill takes over. Layers of inspiration are held together by ambling notes. Echoes of cosmic and disco are adopted, a contemporary twist delivered through the complex intertwining of elements. Paterson takes us into the stratosphere for the finale. “Jetpack Joyride” maintains the rhythm of its predecessor, pouring on the funk through daring piano lines and rich strings of double bass. A trip into the beyond from this debutant.
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Label:Bordello A Parigi
Cat-No:BAP230
Release-Date:11.07.2025
Configuration:7"
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Label:Bordello A Parigi
Cat-No:BAP230
Release-Date:11.07.2025
Configuration:7"
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Real Velour - Lover
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Real Velour - Look What You've Done
Returning to the Bordello, and the seven-inch, is Real Velour. This secretive figure reappears with two tracks of indie dance that bend and re-shape elements of italo disco, minimal pop and synth wave to create an utterly unique experience. Sleazy basslines and tropical percussion give way to heavily vocodered words in “Lover”, machine amor breaking to spoken human voice as melodies twirl. The romance described is one of passion, of friendship and of fidelity; but, with a hint of control. Clever and addictive, the composition cherry-picks bittersweet sounds to depict this relationship. The flip, “Look What You’ve Done”, maintains the candystore keys of the A-Side; the tone shifting as lyrics adopt a brazen and fortified vigour. It appears maybe that the promises of “Lover” have been shattered. While the love story turns to hurt feelings and regret, Real Velour keep the energy high to revel in the final break-up.
Note: limited to 200 copies
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Liebigstrasse 2-20
DE - 22113 Hamburg
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Note: limited to 200 copies
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Liebigstrasse 2-20
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Label:Bordello A Parigi
Cat-No:BAP233
Release-Date:11.07.2025
Configuration:7"
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Label:Bordello A Parigi
Cat-No:BAP233
Release-Date:11.07.2025
Configuration:7"
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Glitterin - Try No More
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Glitterin - Try No More (Instrumental)
A small package that delivers a serious wallop, “Try No More” by Glitterin is guaranteed to provide some heat on dancefloors this Summer. From the juddering throb of the opening kicks to the ricocheting rhythms, the track fixes itself directly under the mirrorball from the outset. Produced by Jason Core, this is late night lover affair material that is brimming with energy. When the firework melody bursts, it ignites. Sharp and warm synth stabs are left smouldering by the driving and impassioned voice of Sandry Sanz. A tale of unrequited love unfolds between the cymbal crashes and spiralling synthines, lines that grow ever bolder through Tony David’s emotive guitar solo. The flip is dedicated to Core’s instrumentation with the range of analogue sounds and synthesizer intensity coming to the fore. Intricate patterns and counter melodies are woven, key shifts and pulsating percussion imbibe this dub mix with all the spirit of the original. Fierce and fiery from beginning to end.
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Label:Bordello A Parigi
Cat-No:BAP234
Release-Date:04.07.2025
Configuration:12"
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Infinity Night - Tu Ne Me Re´ponds Pas
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Infinity Night - Full Of Stars
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Infinity Night - Les SOuvenirs Des Valerie
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Infinity Night - Nymphomania
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Infinity Night - Le Temps Qui Passe
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Infinity Night - I Comme Icare
A decade has passed since Infinity Night graced Bordello A Parigi with his wonderful Winter and Summer EPs. After too long a wait, the French producer returns with the aptly titled Le Temps Qui Passe. Six slices of select synthesizer music make up the 12”, tracks lovingly crafted with Frederic Bergamaschi’s trademark analogue warmth. A melancholic melody meanders through brightness in “Tu Ne Me Re´ponds Pas”, dulcet words hidden under the machine gauze of a vocoder. Skittish percussion gives way to the refrain of “It’s Full of Stars”. Hazy keys appear as an arpeggiator rumbles below a shimmering sky. “Les Souvenirs De Valerie” picks up where its predecessor left off. Astral notes are beamed into the heavens, echoing into the while crisp cymbals tether the piece. Infinity Night has always sought that point of balance in his music, a bittersweetness he accentuates and explores. This is true in the darker shades of “Nymphomania”. Beats are bolstered, key stabs piercing the tenderness of analogue trills. The title track is a rich patchwork. A burbling undercurrent supports forays into diverse tangents with lyrics surfacing through key shifts and sliding scales. Marching to militaristic rhythms, “I Comme Icare” is the curtain call. The stringent drums are broken by sailing synthlines, vocals masked in a familiar mesh to close. Le Temps Qui Passe, well worth the wait.
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Liebigstrasse 2-20
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Label:Bordello A Parigi
Cat-No:BAP224
Release-Date:20.06.2025
Configuration:12"
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Cat-No:BAP224
Release-Date:20.06.2025
Configuration:12"
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Panthera - Fumare
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Panthera - Lucifera
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Panthera - The Magic Touch
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Panthera - Toccata
Panthera is back at the Bordello with his most energy-packed release to date. Synthsizer Hits III is forged in the heat of Hi-NRG, the romance of italo and the daring synthesizer hooks of 1980s Europe. A thick rasping beat pounds above a juddering arpeggiator line before hedonistic surges ignite “Fumare”, an achingly addictive opener. Vocals are toyed with, used to increase the potency of the chosen machines and sounds. A circling chant infects “Lucifera” as a joyous melody takes hold of this modern Summer anthem, euphoric notes ushering in the dawn while speakers and strobe throb. There is a palpable power that permeates the 12”. “The Magic Touch” sends strings sailing skyward as rich percussive textures take root below. From this fertile ground, a sensational ode to the synthesizer flowers. Vocoder lyrics, pulsating rhythms and keys that are truly fantastical. “Toccata” finishes this analogue celebration. Slow burning with disco inflections, this finale soon shows its true colours. Daring counter melodies frolic, from the elegant and refined to the brash and broad, in this mirrorball inspired last dance.
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Liebigstrasse 2-20
DE - 22113 Hamburg
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Label:Bordello A Parigi
Cat-No:BAP231
Release-Date:06.06.2025
Genre:House
Configuration:12"
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Label:Bordello A Parigi
Cat-No:BAP231
Release-Date:06.06.2025
Genre:House
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Skatebård & Lauer - Trollkraft
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Skatebård & Lauer - One Night In Geilo
What do you get if you put two synthesizer sorcerers in the same room? In the case of Skatebård and Lauer, the answer is Trollkraft. Between them, the Norwegian-German partnership have hundreds of releases, run record labels and have wowed crowds across the globe. In short, the two tracks of Trollkraft are the product of some serious electronic talent. Rich and textured drum layers give way to strings and a vibrating bass for the title piece. Twists and turns abound, elements of disco and house brush shoulders with indie and italo as the pair tear down genre divisions. A 90s heyday influence that runs through both offerings, with “One Night In Geilo” taking its cue from house rhythms and a two-stepping melody adopted from that emblematic decade. Reimagining rave in their own effervescent and playful style, these strobe and fog veterans serve up a fat slice of glow-stick elation. Strings weave high into the dawning sky, bongos and toms reveling next incandescent synthines with just a touch of trance thrown in to add spice to this heady and euphoric mix. Two tracks from two true masters.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
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Germany
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12"
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Alektra (Daniel Monaco & John Noseda) - Shake Your Body
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Alektra (Daniel Monaco & John Noseda) - Shake Your Body (Instrumental)
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Alektra (Daniel Monaco & John Noseda) - Shake Your Body (A Cappella)
Daniel Monaco and John Noseda join forces for Alektra, a new project born out of a deep love for Hi-NRG and raw 808 sounds. Renowned for their dj sets, trips that delve into tropical obscurities, Chicago jack and Rimini romances, the pair have channelled a unique blend of untamed house and shimmering italo melodies into pure dancefloor euphoria. Their debut release, “Shake Your Body,” drops on Bordello A Parigi. Neon synthwork is punctured by clean punches of percussion, scaling melodies set firmly in the golden analogue era. Key stabs drive the track with Only Bee’s honeyed lyrics pushing the energy levels higher. In true 1980s anthem form, the flip is dedicated to the instrumental with the synthesizers and their hypnotic melodies taking centre stage: Alektra’s machines smouldering with fiery intensity. That same intensity closes, Only Bee’s mellifluous vocals given the limelight for the acapella close. Dancefloor definitions redefined. Welcome to Alektra.
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Liebigstrasse 2-20
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Germany
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Label:Bordello A Parigi
Cat-No:BAP223
Release-Date:16.05.2025
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Figi & Luca Dell'Orso - Mr. Computer
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Figi & Luca Dell'Orso - Fire With Fire
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Figi & Luca Dell'Orso - Moonlight (Vocoder Version)
Mr. Computer sees two figureheads of Dutch electronics pay homage to the voice of electro disco, the vocoder. Figi and Luca dell’Orso team up to sing praise of a tool that has crossed genres and styles and give the little metal larynx deserved limelight on their own three track theatre. Rumbling bass is shot through with crisp snaps in the title piece, warbling vocals rising as keys dance in this wonderful collaboration. Production across the 12” is beautifully clean and sharp, allowing the rich analogue sound and robotic lyrics to be fully appreciated. Of course, as happens with the vocoder, those lyrics are just that shade of bittersweet. That brooding quality is used to full effect by Luca dell’Orso in “Fire with Fire”. A bold and daring melody is countered by a tale flecked with sorrow, the brightness and immersion of synths contrasted by the filtered and fractured human voice. Figi flies solo for the finale. “Moonlight (Vocoder Version)” dips words in a thick mechanical syrup, a story of burning love recanted to moonbeam rinses and bending disco bars. A true celebration of man and machine.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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LP
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Label:Bordello A Parigi
Cat-No:BAP228
Release-Date:09.05.2025
Genre:Soundtracks
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Simon Hanes - Aimer Commencer
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Simon Hanes - Aimer Jouer
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Simon Hanes - Aimer Colombophiler
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Simon Hanes - Aimer Naviguer
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Simon Hanes - Aimer Galérer
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Simon Hanes - Aimer Perdre
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Simon Hanes - Aimer Sombrer
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Simon Hanes - Aimer Rêver
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Simon Hanes - Aimer Finir (Disco)
Aimer Perdre is a movie by the Guit Brothers and tells the story of Armande Pigeon; the queen of shenanigans. In Brussels, she struggles to make ends meet because she can’t stop gambling on everything, always ending up on the wrong side of luck. When she teams up with Ronnie one night, everything changes – they win it all. And when you hit a winning streak, you have to know when to stop.
For Aimer Perdre, Brooklyn NY native Simon Hanes travelled to Brussels in order to work directly with the directors, synchronizing the editing of the film with the composition of the soundtrack so that both processes would influence each other. Hanes and the Guits spent 3 months working alongside each other almost every day, passing ideas back and forth and allowing the soundtrack to grow organically. The music is an honest representation of Hanes’ experiences over those months, which he spent couch surfing across Brussels, sharing meals and ideas with new friends in broken refrains of French and English – falling asleep at the Cinémathèque, and occasionally breaking into abandoned buildings…but thats a story for another time.
Throughout all this, Simon hired musicians he met in bars, members of the Brussels experimental/artistic community, singers from a choir that was rehearsing in the squat where the Guits built their editing room…All the while sculpting the soundtrack out of these seemingly dissolute elements and constantly blurring the line between the compositional process and his day to day life.
Finally the process culminated in hiring the FAMES string orchestra for ONE SINGLE HOUR (all they could afford) to achieve the full orchestral sound the film’s climax so clearly needed.
The end result, like the film itself, is a reflection of life – a hodgepodge of sounds, colors and ideas that come together to create a beautiful, unique tapestry, sometimes harmonious, other times less so.
Comes with a limited edition flexidisc with a bonus track.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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For Aimer Perdre, Brooklyn NY native Simon Hanes travelled to Brussels in order to work directly with the directors, synchronizing the editing of the film with the composition of the soundtrack so that both processes would influence each other. Hanes and the Guits spent 3 months working alongside each other almost every day, passing ideas back and forth and allowing the soundtrack to grow organically. The music is an honest representation of Hanes’ experiences over those months, which he spent couch surfing across Brussels, sharing meals and ideas with new friends in broken refrains of French and English – falling asleep at the Cinémathèque, and occasionally breaking into abandoned buildings…but thats a story for another time.
Throughout all this, Simon hired musicians he met in bars, members of the Brussels experimental/artistic community, singers from a choir that was rehearsing in the squat where the Guits built their editing room…All the while sculpting the soundtrack out of these seemingly dissolute elements and constantly blurring the line between the compositional process and his day to day life.
Finally the process culminated in hiring the FAMES string orchestra for ONE SINGLE HOUR (all they could afford) to achieve the full orchestral sound the film’s climax so clearly needed.
The end result, like the film itself, is a reflection of life – a hodgepodge of sounds, colors and ideas that come together to create a beautiful, unique tapestry, sometimes harmonious, other times less so.
Comes with a limited edition flexidisc with a bonus track.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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12"
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Tallac - Chemtrail Sufers
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Luksek - Tropicale
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Francesco Cascella - That Moment
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Hypersensitive - Disco Homicide
Through darkness diamonds spread their richest light…
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Germany
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Label:Bordello A Parigi
Cat-No:BAP219
Release-Date:18.04.2025
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Pearz - Halloumi Amour
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Pearz - Breath
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Pearz - International Lovers Feat. Kuntessa
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Pearz - Seasons
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Pearz - Florence, Alabama
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Pearz - Tropic Of Capricorn Feat. Vanbasten
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Pearz - Lima
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Pearz - Boulevard
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Pearz - Pink Sunset
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Pearz - Don't Be A Stranger
‘Pearz is the evocative project of Italian-born, LA-based multi-instrumentalist Francesco Perini. His debut album, Pacifico is the culmination of a five-year journey through the cities that shaped him: Florence, London, and Los Angeles. Drawing inspiration from a mix of disco, electro, nu-jazz, and Japanese City Pop, Pacifico, reflects his eclectic musical evolution. The title, Pacifico—meaning “peaceful” or “calm” in Italian—embodies the album’s theme of the closing experience of his travels.
The album features collaborations with a diverse range of artists, including Kuntessa (East London’s DIY queen), Vanbasten (The voice of Roma’s suburbs) Natalie Findlay, Jules Apollinaire, Gimmy El Helou, David Bardon, Oscar Robertson, Ruari Meehan, Luca Landi, Fabio Ricciolo, Andrea Palombi and Jamie Allen.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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The album features collaborations with a diverse range of artists, including Kuntessa (East London’s DIY queen), Vanbasten (The voice of Roma’s suburbs) Natalie Findlay, Jules Apollinaire, Gimmy El Helou, David Bardon, Oscar Robertson, Ruari Meehan, Luca Landi, Fabio Ricciolo, Andrea Palombi and Jamie Allen.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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12"
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Label:Bordello A Parigi
Cat-No:BAP225
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Genre:Electro
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Antoni Maiovvi - Later Not Lately
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Antoni Maiovvi - Slack Blabbath
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Antoni Maiovvi - Later Not Lately (Legowelt Remix)
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Antoni Maiovvi - The Madness In The Method
Antoni Maiovvi is an artist like few others. “Knights of New Haven” summarises his unique ability and unparalleled range. This return to the Bordello reflects the influence of the West Coast Sound of the Netherlands as well as that machine music of his adopted home of the U.S. “Later Not Lately” bends bars above a throbbing kick, hi-hats ruffling the clean arcs of string. Echoes of Chicago and Detroit penetrate the EP. Melting melodies fold and oscillate under the crashing cymbals of “Slack Blabbath”, staggered synthlines jolted by tight percussion patterns. A brother-in-arms opens the flip, Danny Wolfers drafted in under his Legowelt moniker to turn his magic to “Later Not Lately”. Undulating undertones are sliced by serrated snares before a sordid TB303 is unsheathed, Wolfers’ soulful and squalid retelling of the original. “The Madness in the Method” closes. Fizzing static blurs drum patterns, a taut note piercing the dense bass fog. Teetering between the profound and the profane, Maiovvi pivots his horror disco trademark sound with driving house drums and devil-may-care grandeur. An EP of epic proportions.
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Liebigstrasse 2-20
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Germany
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Label:Bordello A Parigi
Cat-No:BAP220
Release-Date:18.04.2025
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Nackley - Return Of The Ghecko
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Nackley - Sublime Desolation
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Nackley - Been A Long Time
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Nackley - Heartbreaker Feat. Atahra & Child Of
Music possesses an incredible ability to transform raw emotion into an expansive array of expression. Nackley knows this ideation well. Having spent years working behind the scenes as an agent, Bordello’s latest discovery now steps fully into the spotlight with Anger Management, channeling the turbulence of transition into sound.
Cathartic and charged compositions are at the heart of this four-track release. Acid-dipped keys are both delicate and direct in the driving highs of Return of the Gecko, a track pulsing with raw energy. The crueler side of the music industry isn’t so much parodied here as it is dismissed entirely—Nackley lets the music do the talking. Sublime Desolation is pure dancefloor dynamite, where synth sirens detonate and explosive rhythm commands movement.
Been A Long Time arrives dripping in attitude. Breaks and a juddering bassline face off with a hustling 303 hook, harmonies weaving through deep sonic textures. A renewed confidence courses through the release as Nackley explores a range of styles, closing with the synth romance of Heartbreaker—an addictive blend of keyboards, guitar strings, and enveloping vocals are the emotive ingredients of this tear-streaked work of 1980s-inspired joy.
And joy is exactly what Anger Management delivers—a healing triumph and a bold debut declaration from a rising talent.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Cathartic and charged compositions are at the heart of this four-track release. Acid-dipped keys are both delicate and direct in the driving highs of Return of the Gecko, a track pulsing with raw energy. The crueler side of the music industry isn’t so much parodied here as it is dismissed entirely—Nackley lets the music do the talking. Sublime Desolation is pure dancefloor dynamite, where synth sirens detonate and explosive rhythm commands movement.
Been A Long Time arrives dripping in attitude. Breaks and a juddering bassline face off with a hustling 303 hook, harmonies weaving through deep sonic textures. A renewed confidence courses through the release as Nackley explores a range of styles, closing with the synth romance of Heartbreaker—an addictive blend of keyboards, guitar strings, and enveloping vocals are the emotive ingredients of this tear-streaked work of 1980s-inspired joy.
And joy is exactly what Anger Management delivers—a healing triumph and a bold debut declaration from a rising talent.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:Bordello A Parigi
Cat-No:BAP222
Release-Date:07.03.2025
Genre:techhouse
Configuration:12"
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LVCA - The Wanderer
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LVCA - Chromatic Equanimity
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LVCA - Opal
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LVCA - Opium
Hot on the heels of A Promise In The Cold Night, LVCA returns to Bordello A Parigi with The Wanderer. Building on his diverse and unique style, genre cross-pollination sits at the heart of this four tracker. Renowned for his analogue live sets, LVCA’s passion for the machine smoulders on this EP. Acid, electro and new beat are central tenets, with the synthesizer taking centre stage. A litany of influences is drawn upon. Crashing snares countered by bright bars, melodic swirls threatened by machined vocals, drum rolls and key stabs marking shifts of intent. Speaker cones conjure late night basements, darker shades churn and melt in the fog and strobe. And throughout, genres and styles converge. Chicago house thaws the frigid severity of wave, italo echoes offering a distant warmth against colder tones taking hold. A 12” that illustrates the dynamic depth and the vibrancy of a true talent.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:Bordello A Parigi
Cat-No:BAP226
Release-Date:07.03.2025
Genre:House
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Moving Still - Zaman
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Moving Still - Bang Of Luban
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Moving Still - Close To The Shams
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Moving Still - Sunday Rollover (Suntop Mix)
From the needle drop, the listener is swept away by Moving Still. The Jeddah-born, Dublin-based artist graces Bordello A Parigi with Close to the Shams, four works that summarise his broad range and even broader influences. Pulsating percussion push piano plumes and brass blasts in “Zaman.” A SWANA-inspired scent weaves through the track, with snare rolls adding spice and speed to this heady opener. Tempos drop for “Bang of Luban.” Beats are bolstered, acid squirms lending texture, while the central melody bends and turns from traditional refrains to house reimaginings.
Those traditional undercurrents continue into the B-Side. The title piece is big and bold, kicks split into broken beats while nuanced mizmar notes dip and dive with a swallow-like agility. “Sunday Rollover (Suntop Mix)” calls time on the quartet. A relaxed rhythm gives support and space to low-slung lounge lines, a dreamy and enchanting finish to an EP that illustrates the breadth and depth of Moving Still.
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Liebigstrasse 2-20
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Those traditional undercurrents continue into the B-Side. The title piece is big and bold, kicks split into broken beats while nuanced mizmar notes dip and dive with a swallow-like agility. “Sunday Rollover (Suntop Mix)” calls time on the quartet. A relaxed rhythm gives support and space to low-slung lounge lines, a dreamy and enchanting finish to an EP that illustrates the breadth and depth of Moving Still.
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Liebigstrasse 2-20
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Label:Bordello A Parigi
Cat-No:BAP213
Release-Date:14.02.2025
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Jesse Koolhaas - The D (Roland D-550)
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Jesse Koolhaas - Bell Hop (Yamaha TX81Z)
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Jesse Koolhaas - MiR (Korg M1R)
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Jesse Koolhaas - MK2 (Roland MKS-80)
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Jesse Koolhaas - 802 Nights (Yamaha TX802)
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Jesse Koolhaas - SOB (Oberheim Matrix-6)
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Jesse Koolhaas - MC202’s Act Like They Don’t Know (Roland MC-202)
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Jesse Koolhaas - The Prophessional (Sequential Circuits Prophet-5)
The history of electronic music has been defined by a handful of key synth manufacturers. Iconic brands, like Roland, Yamaha, Sequential Circuits and others, have pushed boundaries and blazed trails. But what gives each synthesizer its own unique sound? What makes one synthesizer sound distinctly different from another? And, what would happen if you only used one synthesizer to create a track? The major players of electronics are the building blocks for this music machine homage. Rack Sessions takes one synth and gives it the spotlight, the instrument is the star. The style pursued corresponds to the unique sound of the chosen piece of equipment. Looming silver screen grandeur for “The D (Roland D-550)”, stargazing elegance with “Bell Hope (Yamaha TX81Z) or gentle rolling nostalgia for “MiR (Korg M1R)”, each work is the product of the tool selected. Beats take a backseat on the flip. Open highways and burgeoning dawns are conjured in “802 Nights (Yamaha TX802)” as the listener is transported to the expertly crafted tones of the 1980s. Koolhaas chooses his elements with subtlety, adding colour to his palette to create deeply evocative works. Attack ships cruise in the spatial “SOB (Oberheim Matrix-6)” before the stalker hunts the sodden streets of “MC202’s Act Like They Don’t Know (Roland MC-202)”. The result is an album that is utterly distinctive. An immersive audio journey that guides the listener deep into the sounds of these very special synthsizers and the broad influences of this new talent.
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Label:Bordello A Parigi
Cat-No:BAP214
Release-Date:31.01.2025
Configuration:12"
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Label:Bordello A Parigi
Cat-No:BAP214
Release-Date:31.01.2025
Configuration:12"
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Alberto Melloni - Lago Lungo
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Alberto Melloni - Promised Land
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Alberto Melloni - Paradise Pie
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Alberto Melloni - Only You
The multi-faceted and multi-talented Alberto Melloni returns once more to Bordello A Parigi to unveil his musical multi-verse. “Lago Lungo”, the title piece, sets the tone for the quartet of tracks. Steady kicks thud next fizzing hi-hats as a rich and full-bodied piano melody takes hold, Melloni’s instrumentation creating sheer peaks and creamy amber plains. “Promised Land” offers a different audio topography. Key stabs are bolstered by incising beats as a late-night italo infused romp undulates from speaker cones. Underscoring the EP are influences from both disco and house, sun-kissed chords countered by textured percussion. These twin inspirations combine in the groove laden “Paradise Pie”. Clean notes are refracted in neon, undercurrents of acid lurking just below the vibrating hardwood floor. The mirrorball takes the limelight for the finale. Breathy, smokey vocals orbit funk dipped lines of “Only You”, warbling vocoders dancing under the glittering beams to the close.
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Label:Bordello A Parigi
Cat-No:BAP193
Release-Date:17.01.2025
Configuration:12"
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Voodoos & Taboos - Reversible Dream
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Voodoos & Taboos - Unconditional Love
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Voodoos & Taboos - Animae
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Voodoos & Taboos - Destino Lontano
Repress!
Voodoos and Taboos first appeared in 2019. A mysterious outfit, their melting pot sound immediately caught the ears of the faithful; acid cut with house, electro beats shot through with a punk D.I.Y. attitude. Their escapades didn’t miss us here at Bordello. Reversible Dreams collects four examples of this chameleon club style that Voodoos and Taboos have cultivated, the EP opening with the title piece. Cascading chords and whispered samples give way to rich bass strings as a playful piano melody transforms into squirming acid beams. Claps and neat notes introduce “Unconditional Love”, vocoder lyrics mingling with spoken word and juddering space TB303 squawk. The flip adopts a darker hue. Off-kilter bars and stern beats introduce “Animae”, alien electro melodies descend as a fizzing late night energy takes hold. BPMs drop for “Destino Lontano.” Warm basslines and Eastern scented synth-play weave their way through the piece, delicate strings and dawn sunshine leading to a close.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Voodoos and Taboos first appeared in 2019. A mysterious outfit, their melting pot sound immediately caught the ears of the faithful; acid cut with house, electro beats shot through with a punk D.I.Y. attitude. Their escapades didn’t miss us here at Bordello. Reversible Dreams collects four examples of this chameleon club style that Voodoos and Taboos have cultivated, the EP opening with the title piece. Cascading chords and whispered samples give way to rich bass strings as a playful piano melody transforms into squirming acid beams. Claps and neat notes introduce “Unconditional Love”, vocoder lyrics mingling with spoken word and juddering space TB303 squawk. The flip adopts a darker hue. Off-kilter bars and stern beats introduce “Animae”, alien electro melodies descend as a fizzing late night energy takes hold. BPMs drop for “Destino Lontano.” Warm basslines and Eastern scented synth-play weave their way through the piece, delicate strings and dawn sunshine leading to a close.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
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System Olympia - Lamb
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System Olympia - Close To My Nebula
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System Olympia - Call Girl
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System Olympia - Mystified
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System Olympia - Falling In Love
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System Olympia - My Lincoln
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System Olympia - Jade Stones
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System Olympia - Scandalous
2025 Repress!
All your favourite System Olympia songs in one vinyl record.
Pre-order now.
Every Version is slightly different / Limited Edition.
New slightly different cover ( different ring on the hand, name of the ring is Durante)
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All your favourite System Olympia songs in one vinyl record.
Pre-order now.
Every Version is slightly different / Limited Edition.
New slightly different cover ( different ring on the hand, name of the ring is Durante)
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
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Label:Not On Label
Cat-No:MR09
Release-Date:14.03.2025
Genre:House
Configuration:12"
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Sade - A1 - Paradise (Remix)
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Sade - B1 - By Your Side (Ben Watt Lazy Dog Remix)
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Label:Be With Records
Cat-No:bewith186lp
Release-Date:28.03.2025
Configuration:LP Excl
Barcode:4251804183918
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Cat-No:bewith186lp
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Who's Who - Palace Palace (5:39)
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Who's Who - Hypno Dance (4:44)
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Who's Who - Popeden (4:29)
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Who's Who - Roll Jacky Roll (4:42)
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Who's Who - Ad Libitum 80 (5:08)
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Who's Who - Dancin' Machine (5:10)
Format Notes: Hyper-rare disco dynamite from Thomas Bangalter's (Daft Punk) dad. 2025 first time ever, official vinyl reissue, 140g vinyl
Track List:
A1 Palace Palace 5:39
A2 Hypno Dance 4:44
A3 Popeden 4:29
B1 Roll Jacky Roll 4:42
B2 Ad Libitum 80 5:08
B3 Dancin' Machine 5:10
Release Notes:
"Daft Punk brought me here, he brought me Daft Punk"
Just knowing that this slice of hyper-rare disco dynamite was crafted by Thomas Bangalter's dad should be enough for you to buy this on sight, if only to understand a little bit more about Thomas and Daft Punk's background. But this is so much more than a Daft Punk family curio.
Born Bangalter in 1947, Daniel Vangarde is a French songwriter and producer. In 1975, Vangarde founded his label, Zagora Records, who we have worked closely with on this lovingly curated reissue. For years, Vangarde wrote and produced songs that remained underground, under several pseudonyms and for various artists. Dubbed "the secret father of French disco" this here groove-fulled firecracker - using his Who’s Who moniker - is for disco-funk, library music and cosmic beat lovers.
The intense, evocative opener "Palace Palace" positively throbs with raw energy and sounds, honestly, like something off Daft Punk's Discovery. The title refers to the fashionable Parisian club Le Palace, essentially the Parisian Studio 54. "I’d been to a nightclub in New York, a big ring where people were roller skating with a whistle. The atmosphere was great. The music was all disco. I made this song when I came back. A vocoder transformed my voice. Back then, it wasn’t used much." The track rides a killer groove and is deceptively complex, with layers of fantastic percussion and ace synth work going on all over it. Listed to on repeat, it's brilliance is simply undeniable.
The louche, slo-mo heater "Hypno Dance" is, in Be With's opinion, *the* deadly dancefloor track. A svelte slice of ace space disco again geared towards the roller skating dance mania of the day. So deep, so disco, so instrumental. An unreal track and, as the title hints at, totally hypnotic. The side closes with the somewhat throwaway "Popeden" - it's a jaunty number that you're probably best skipping, in all honesty. Have we ever steered you wrong?
The B-Side opens with the frankly enormous "Roll Jacky Roll" is another thrilling, high class roller-rink jam with beautiful melodies that's adored the world over. The wonky, abstract "Ad Libitum 80" is a super dope, swirling, staccato electro-funk bounce which sounds light years ahead of its time. This might be the real lowkey sleeper gem on this record. CHECK! This remarkable LP rounds out with the huge "Dancin' Machine". It's got sleek drums that emit an absolutely ace swagger and elements of Italo synth funk feels. A relaxed, slow rhythm throughout ensures you can't help but get your funk on when this crashes soundsystems. We'll leave the final word on this to Daniel: "It amuses me to think that my son Thomas was influenced by "Dancin’ Machine" for "Around The World", he says. Both songs being based on an hypnotic repetitive refrain. Both songs being, of course, timeless pieces of Euro genius.
Who's Who really is a fantastic late-70s-early 80s roller disco-funk essential. The audio has been carefully remastered by Be With regular Simon Francis, ensuring it sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at Record Industry in Holland.
When it came to the sleeve for this we were presented with an unusual problem: we usually have to rely on an original sleeve as the starting point for the restoration, but instead we were able to scan the original 35mm transparency of the front cover photo. The problem is that with a modern scanner the results were far sharper than when they made the original sleeve. We’ve played around with the exposure and the colour grading but we’re sorry to say that our version of the front cover still ended up looking too good! Don’t hate us.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Track List:
A1 Palace Palace 5:39
A2 Hypno Dance 4:44
A3 Popeden 4:29
B1 Roll Jacky Roll 4:42
B2 Ad Libitum 80 5:08
B3 Dancin' Machine 5:10
Release Notes:
"Daft Punk brought me here, he brought me Daft Punk"
Just knowing that this slice of hyper-rare disco dynamite was crafted by Thomas Bangalter's dad should be enough for you to buy this on sight, if only to understand a little bit more about Thomas and Daft Punk's background. But this is so much more than a Daft Punk family curio.
Born Bangalter in 1947, Daniel Vangarde is a French songwriter and producer. In 1975, Vangarde founded his label, Zagora Records, who we have worked closely with on this lovingly curated reissue. For years, Vangarde wrote and produced songs that remained underground, under several pseudonyms and for various artists. Dubbed "the secret father of French disco" this here groove-fulled firecracker - using his Who’s Who moniker - is for disco-funk, library music and cosmic beat lovers.
The intense, evocative opener "Palace Palace" positively throbs with raw energy and sounds, honestly, like something off Daft Punk's Discovery. The title refers to the fashionable Parisian club Le Palace, essentially the Parisian Studio 54. "I’d been to a nightclub in New York, a big ring where people were roller skating with a whistle. The atmosphere was great. The music was all disco. I made this song when I came back. A vocoder transformed my voice. Back then, it wasn’t used much." The track rides a killer groove and is deceptively complex, with layers of fantastic percussion and ace synth work going on all over it. Listed to on repeat, it's brilliance is simply undeniable.
The louche, slo-mo heater "Hypno Dance" is, in Be With's opinion, *the* deadly dancefloor track. A svelte slice of ace space disco again geared towards the roller skating dance mania of the day. So deep, so disco, so instrumental. An unreal track and, as the title hints at, totally hypnotic. The side closes with the somewhat throwaway "Popeden" - it's a jaunty number that you're probably best skipping, in all honesty. Have we ever steered you wrong?
The B-Side opens with the frankly enormous "Roll Jacky Roll" is another thrilling, high class roller-rink jam with beautiful melodies that's adored the world over. The wonky, abstract "Ad Libitum 80" is a super dope, swirling, staccato electro-funk bounce which sounds light years ahead of its time. This might be the real lowkey sleeper gem on this record. CHECK! This remarkable LP rounds out with the huge "Dancin' Machine". It's got sleek drums that emit an absolutely ace swagger and elements of Italo synth funk feels. A relaxed, slow rhythm throughout ensures you can't help but get your funk on when this crashes soundsystems. We'll leave the final word on this to Daniel: "It amuses me to think that my son Thomas was influenced by "Dancin’ Machine" for "Around The World", he says. Both songs being based on an hypnotic repetitive refrain. Both songs being, of course, timeless pieces of Euro genius.
Who's Who really is a fantastic late-70s-early 80s roller disco-funk essential. The audio has been carefully remastered by Be With regular Simon Francis, ensuring it sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at Record Industry in Holland.
When it came to the sleeve for this we were presented with an unusual problem: we usually have to rely on an original sleeve as the starting point for the restoration, but instead we were able to scan the original 35mm transparency of the front cover photo. The problem is that with a modern scanner the results were far sharper than when they made the original sleeve. We’ve played around with the exposure and the colour grading but we’re sorry to say that our version of the front cover still ended up looking too good! Don’t hate us.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
12"
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Label:Atlantic
Cat-No:DMD1812
Release-Date:14.03.2025
Genre:House
Configuration:12"
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1
Louie Vega & Marc Anthony Featuring Tito - A1 - The Masters At Work (Keep It Comin' Now) (One Take Tito Mix)
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Louie Vega & Marc Anthony Featuring Tito - A2 - The Masters At Work (Keep It Comin' Now) (Masters At Work Dub)
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Louie Vega & Marc Anthony Featuring Tito - A3 - The Masters At Work (Keep It Comin' Now) (Bonus Beats)
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Louie Vega & Marc Anthony Featuring Tito - B1 - The Masters At Work (Keep It Comin' Now) (The Kenlou Mix)
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Louie Vega & Marc Anthony Featuring Tito - B2 - The Masters At Work (Keep It Comin' Now) (Eddie's Mood Dub)
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Louie Vega & Marc Anthony Featuring Tito - B3 - The Masters At Work (Keep It Comin' Now) (Original LP Version)
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Label:Batov Records
Cat-No:BTR057SPL
Release-Date:25.04.2025
Configuration:LP
Barcode:4062548110364
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Label:Batov Records
Cat-No:BTR057SPL
Release-Date:25.04.2025
Configuration:LP
Barcode:4062548110364
Repress on splttered vinyl
Listen: https://listen.k7.com/85e57f38-a36d-4bb7-a47d-4e60744ebe26
Track listing
A1. BIG BAGLAMA
A2. HUDAYDA
A3. DISKO ARABESQUE
A4. OLURMU DERSIN
A5. ZUHTU (LIVE)
B1. SENI SEN OLDUGUN IÇIN
SEVDIM
B2. YAR OI
B3. YEKTE
B4. YAGMUR YAGAR TAS ÜSTÜNE
B5. CECOM
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Liebigstrasse 2-20
DE - 22113 Hamburg
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Listen: https://listen.k7.com/85e57f38-a36d-4bb7-a47d-4e60744ebe26
Track listing
A1. BIG BAGLAMA
A2. HUDAYDA
A3. DISKO ARABESQUE
A4. OLURMU DERSIN
A5. ZUHTU (LIVE)
B1. SENI SEN OLDUGUN IÇIN
SEVDIM
B2. YAR OI
B3. YEKTE
B4. YAGMUR YAGAR TAS ÜSTÜNE
B5. CECOM
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:TTJ Edits
Cat-No:TTJ5985
Release-Date:28.03.2025
Configuration:12"
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V.A. - A1.Illusion
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V.A. - A2.Street
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V.A. - B1.Heat
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V.A. - B2.Dub
Essential Item Limited Edition No Re-Press...
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Label:Be With Records
Cat-No:bewith099LP
Release-Date:13.08.2021
Genre:Soul/Funk
Configuration:2LP Excl
Barcode:4251804123402
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Last in:13.04.2022
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Last in:13.04.2022
Label:Be With Records
Cat-No:bewith099LP
Release-Date:13.08.2021
Genre:Soul/Funk
Configuration:2LP Excl
Barcode:4251804123402
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1
Lewis Taylor - A1 : Lucky (6:34)
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Lewis Taylor - A2 : Bittersweet (5:36)
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Lewis Taylor - B1 : Whoever (4:31)
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Lewis Taylor - B2 : Track (5:11)
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Lewis Taylor - B3 : Song (4:56)
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Lewis Taylor - C1 : Betterlove (5:25)
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Lewis Taylor - C2 : How (3:59)
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Lewis Taylor - D1 : Right (4:27)
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Lewis Taylor - D2 : Damn (6:01)
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Lewis Taylor - D3 : Spirit (3:16)
Territories: Worldwide no restrictions
Format Notes: 2021 re-issue as a double LP, 140g vinyl
Track list:
A1 : Lucky (6:34)
A2 : Bittersweet (5:36)
B1 : Whoever (4:31)
B2 : Track (5:11)
B3 : Song (4:56)
C1 : Betterlove (5:25)
C2 : How (3:59)
D1 : Right (4:27)
D2 : Damn (6:01)
D3 : Spirit (3:16)
Release Notes:
D’Angelo lost his shit over it. Aaliyah’s 3rd favourite track of all time is on it. David Bowie rocked up with it to a TV interview, declaring it “the most exciting sound of contemporary soul music”.
In 1996, Lewis Taylor released his self-titled masterpiece. A true modern classic, it’s an album that was years ahead of its time. Forget 25 years ago, it could easily have been made in 2021. An effortless blend of neo-soul, sophisticated pop, smart grooves and laid-back white funk, it enjoyed rapturous reviews from critics and music legends alike. But the album never managed to make an impact and given what was likely a token vinyl release at the time, the original records have long since been near-impossible to find. Lewis Taylor’s Lewis Taylor remains a holy relic for some and criminally unknown to most.
Lewis Taylor’s impeccable influences created a dazzling sonic palette: the LP as a whole suggests the visionary brilliance of Prince; the vocal stylings evoke the yearning power of Marvin Gaye; the effortless guitar playing shares the virtuosity of Jimi Hendrix; the haunting tones conjure Tricky; the innovative production and engineering invite comparisons to studio mavericks like Todd Rundgren and Brian Eno; the multi-layered, complex harmonies flash on Pet Sounds-era Brian Wilson; the dark, drama is reminiscent of both Scott Walker and Stevie Wonder; the complex arrangements create textures and moods with the feel of Shuggie Otis on Inspiration Information; the bold experimentation is akin to progressive artists like Faust and Tangerine Dream; the atmosphere is in conversation with Jeff Buckley’s Grace… and we could go on. That might all sound like marketing hyperbole, but not as far as Be With is concerned. It is a genuine wonder how an album this good could’ve passed so many people by.
But despite all the reference points, the similarities are really only skin-deep because the album sounds truly original. It occupies its own distinct, strange universe that feels dark and brooding one moment, bright and joyous the next. Ultimately, Taylor sounds like Taylor.
Although you wouldn’t know it from the credits, the album wasn’t the work of Lewis alone. Sabina Smyth gets an executive producer credit on the original sleeve, but in fact she worked with Lewis on the production and arrangements, did a lot of the backing vocals and she co-wrote Track, Song, Lucky and Damn with Lewis.
Lewis clarified all this in a Soul Jones interview with Dan Dodds in 2016. He explains how not giving Sabina the credit she was due at the time was an unfortunate consequence of where his head was at and he’s now trying to set the record straight.
Together they created an exquisite and sensually-charged record, with a freshness to the writing that makes the songs catchy, melodic-yet-deep and sometimes even funky. The music is predominantly guitar-led and a mixture of organs and synths, live drum loops and electronic percussion make for a sort of modern soul backing orchestra.
On the surface the album is gorgeously laidback, but beneath the lush, sometimes slick, production there’s a murkiness in the seriously gritty funk/hip-hop instrumentation. Lewis Taylor can be a claustrophobic listen. Even its one-word, often seemingly throw-away track titles add to the sense of unease. In its most positive moments, there’s still a sense that things aren’t quite right. The magic comes from this compelling tension.
The languid, strutting “Lucky” is a sensational opening statement. Sinuous electric guitar winds around the shaking percussion with a killer bass line rattling your bones, and Lewis’s voice is sublime. Its six-and-a-half unhurried minutes manage to distill the work of Marvin, Al Green and Bobby Womack because yes, it’s *that* good. Up next is the tough, dusty drum and jazzy, unsettling psych-guitar workout of “Bittersweet”. Aaliyah described it the “perfect song”, which says it all. By turns loping and soaring, tightly coiled and blasting free, 25 years on its discordant, swaggering majesty still sounds like future R&B.
The swinging, blue-eyed funk of “Whoever” oozes sophisticated sunshine soul for hazy days before “Track” sweeps in. The music tries to lift us up, beyond the reach of the vocals trying to drag us back down as Taylor sings “my mood is black as the darkest cloud”. The spare, dubby electro-soul of “Song” closes out the first half of the album with barely contained dread as it creeps towards the lush, synth-heavy coda.
The smouldering “Betterlove” eases us into the second half, coming on like a languorous response to the call of “Brown Sugar”, before sliding into the shuffling, softly-rocking “How”. Somehow the remarkable “Right” manages to both warm things up and smooth things out even more. Taut yet luxurious, it’s definitely not wrong.
“Damn” was to have been the album’s title track and you might also be able to hear its influence on D’Angelo’s Voodoo, maybe most obviously in the chaotic closing moments of “Untitled (How Does It Feel)”. Building to a screeching wall of noise that suddenly cuts dead, “Damn” sounds like the natural end to the album, with the celestial a cappella “Spirit” serving as a heavenly reprise.
When it came to the sleeve, art director Cally Callomon heard Taylor’s music as “sideways off-camera glances at a plethora of influences he had” and wanted to interpret that visually: “I went off into night-time London to see if I could find his song titles in off-beam low-fidelity photographs. I even found a shop called Lewis Taylor”. With a slide for each of the album’s ten tracks, nine of them are on the inner sleeve and the slide for “Damn” makes the front cover. It should’ve been the album’s title, but concerns over distribution in the US scuppered this.
One of UK soul’s most fascinating artists, Andrew Lewis Taylor is an enigmatic figure and a hugely under-appreciated talent. A prodigious multi-instrumentalist who got his start touring with heavy blues/psych outfit the Edgar Broughton Band, he released two albums of psychedelic-rock as Sheriff Jack before Island signed him on the strength of a demo alone. But Taylor was destined to be one of those artists unable (or unwilling) to be pigeonholed and despite the best efforts of Island’s publicity department the music never sold in the quantities it needed to or deserved to. Island eventually let him go in the early 2000s and in June 2006, Lewis Taylor retired from music.
Typical for the mid-90s, this CD-length album was squeezed onto a single LP for its original vinyl release. Simon Francis’s fresh vinyl mastering now spreads out the ten tracks over a double LP so nothing is compromised. And as usual, the records have been cut by Pete Norman and pressed at Record Industry. The original artwork has been restored at Be With HQ and subtly re-worked to work as a double.
This sprawling psychedelic soul opus really is a forgotten should-be-classic. We know that there are those of you who know, and as for the rest of you, we’re a bit jealous that you’re getting to hear Lewis Taylor for the first time.
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Format Notes: 2021 re-issue as a double LP, 140g vinyl
Track list:
A1 : Lucky (6:34)
A2 : Bittersweet (5:36)
B1 : Whoever (4:31)
B2 : Track (5:11)
B3 : Song (4:56)
C1 : Betterlove (5:25)
C2 : How (3:59)
D1 : Right (4:27)
D2 : Damn (6:01)
D3 : Spirit (3:16)
Release Notes:
D’Angelo lost his shit over it. Aaliyah’s 3rd favourite track of all time is on it. David Bowie rocked up with it to a TV interview, declaring it “the most exciting sound of contemporary soul music”.
In 1996, Lewis Taylor released his self-titled masterpiece. A true modern classic, it’s an album that was years ahead of its time. Forget 25 years ago, it could easily have been made in 2021. An effortless blend of neo-soul, sophisticated pop, smart grooves and laid-back white funk, it enjoyed rapturous reviews from critics and music legends alike. But the album never managed to make an impact and given what was likely a token vinyl release at the time, the original records have long since been near-impossible to find. Lewis Taylor’s Lewis Taylor remains a holy relic for some and criminally unknown to most.
Lewis Taylor’s impeccable influences created a dazzling sonic palette: the LP as a whole suggests the visionary brilliance of Prince; the vocal stylings evoke the yearning power of Marvin Gaye; the effortless guitar playing shares the virtuosity of Jimi Hendrix; the haunting tones conjure Tricky; the innovative production and engineering invite comparisons to studio mavericks like Todd Rundgren and Brian Eno; the multi-layered, complex harmonies flash on Pet Sounds-era Brian Wilson; the dark, drama is reminiscent of both Scott Walker and Stevie Wonder; the complex arrangements create textures and moods with the feel of Shuggie Otis on Inspiration Information; the bold experimentation is akin to progressive artists like Faust and Tangerine Dream; the atmosphere is in conversation with Jeff Buckley’s Grace… and we could go on. That might all sound like marketing hyperbole, but not as far as Be With is concerned. It is a genuine wonder how an album this good could’ve passed so many people by.
But despite all the reference points, the similarities are really only skin-deep because the album sounds truly original. It occupies its own distinct, strange universe that feels dark and brooding one moment, bright and joyous the next. Ultimately, Taylor sounds like Taylor.
Although you wouldn’t know it from the credits, the album wasn’t the work of Lewis alone. Sabina Smyth gets an executive producer credit on the original sleeve, but in fact she worked with Lewis on the production and arrangements, did a lot of the backing vocals and she co-wrote Track, Song, Lucky and Damn with Lewis.
Lewis clarified all this in a Soul Jones interview with Dan Dodds in 2016. He explains how not giving Sabina the credit she was due at the time was an unfortunate consequence of where his head was at and he’s now trying to set the record straight.
Together they created an exquisite and sensually-charged record, with a freshness to the writing that makes the songs catchy, melodic-yet-deep and sometimes even funky. The music is predominantly guitar-led and a mixture of organs and synths, live drum loops and electronic percussion make for a sort of modern soul backing orchestra.
On the surface the album is gorgeously laidback, but beneath the lush, sometimes slick, production there’s a murkiness in the seriously gritty funk/hip-hop instrumentation. Lewis Taylor can be a claustrophobic listen. Even its one-word, often seemingly throw-away track titles add to the sense of unease. In its most positive moments, there’s still a sense that things aren’t quite right. The magic comes from this compelling tension.
The languid, strutting “Lucky” is a sensational opening statement. Sinuous electric guitar winds around the shaking percussion with a killer bass line rattling your bones, and Lewis’s voice is sublime. Its six-and-a-half unhurried minutes manage to distill the work of Marvin, Al Green and Bobby Womack because yes, it’s *that* good. Up next is the tough, dusty drum and jazzy, unsettling psych-guitar workout of “Bittersweet”. Aaliyah described it the “perfect song”, which says it all. By turns loping and soaring, tightly coiled and blasting free, 25 years on its discordant, swaggering majesty still sounds like future R&B.
The swinging, blue-eyed funk of “Whoever” oozes sophisticated sunshine soul for hazy days before “Track” sweeps in. The music tries to lift us up, beyond the reach of the vocals trying to drag us back down as Taylor sings “my mood is black as the darkest cloud”. The spare, dubby electro-soul of “Song” closes out the first half of the album with barely contained dread as it creeps towards the lush, synth-heavy coda.
The smouldering “Betterlove” eases us into the second half, coming on like a languorous response to the call of “Brown Sugar”, before sliding into the shuffling, softly-rocking “How”. Somehow the remarkable “Right” manages to both warm things up and smooth things out even more. Taut yet luxurious, it’s definitely not wrong.
“Damn” was to have been the album’s title track and you might also be able to hear its influence on D’Angelo’s Voodoo, maybe most obviously in the chaotic closing moments of “Untitled (How Does It Feel)”. Building to a screeching wall of noise that suddenly cuts dead, “Damn” sounds like the natural end to the album, with the celestial a cappella “Spirit” serving as a heavenly reprise.
When it came to the sleeve, art director Cally Callomon heard Taylor’s music as “sideways off-camera glances at a plethora of influences he had” and wanted to interpret that visually: “I went off into night-time London to see if I could find his song titles in off-beam low-fidelity photographs. I even found a shop called Lewis Taylor”. With a slide for each of the album’s ten tracks, nine of them are on the inner sleeve and the slide for “Damn” makes the front cover. It should’ve been the album’s title, but concerns over distribution in the US scuppered this.
One of UK soul’s most fascinating artists, Andrew Lewis Taylor is an enigmatic figure and a hugely under-appreciated talent. A prodigious multi-instrumentalist who got his start touring with heavy blues/psych outfit the Edgar Broughton Band, he released two albums of psychedelic-rock as Sheriff Jack before Island signed him on the strength of a demo alone. But Taylor was destined to be one of those artists unable (or unwilling) to be pigeonholed and despite the best efforts of Island’s publicity department the music never sold in the quantities it needed to or deserved to. Island eventually let him go in the early 2000s and in June 2006, Lewis Taylor retired from music.
Typical for the mid-90s, this CD-length album was squeezed onto a single LP for its original vinyl release. Simon Francis’s fresh vinyl mastering now spreads out the ten tracks over a double LP so nothing is compromised. And as usual, the records have been cut by Pete Norman and pressed at Record Industry. The original artwork has been restored at Be With HQ and subtly re-worked to work as a double.
This sprawling psychedelic soul opus really is a forgotten should-be-classic. We know that there are those of you who know, and as for the rest of you, we’re a bit jealous that you’re getting to hear Lewis Taylor for the first time.
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Label:Ruff 'N Tuff
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Stekker - Feelin 96
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Stekker - U Know 92
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Stekker - Back 2 Basics Ft. Downhill2k01
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Stekker - Resampled 93
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Label:Funkyjaws Music
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Bogdan Ra - Taboo
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Bogdan Ra - La Battaglia
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Bogdan Ra - Detective
Funkyjaws Music kicks off a new series here with a focus on hefty disco jams. Bodgan RA is first up to flex his muscle with 'Taboo' which is full of bright synth lines and gorgeous vocal harmonies best to some lush guitar riffs. 'Buffalo' then brings some old-school energy with chopped-up beats and scratching that eventually unravel into a feel-good 80s disco sound. The joyous vibes flow on freely through 'La Battaglia' with its cosmic guitar leads, horns and raw claps then 'Detective' shuts down with the most steamy cut of the lot complete with brilliant funky undertones and expressive synth solos.
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Cat-No:OKNR08
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System Olympia - Luce Rossa
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System Olympia - Mi Dimentico
A Tempest Of Intimacy.
It's part of the nature of man to start with romance and build to a reality
and this is what System Olympia has done with this new 4 track EP.
Love, longing, and the restlessness of the heart and body are the foundation forces of this record.
"Luce Rossa" presents itself as an emblem of a credo, an irreverent manifesto delivered via daring melodies and empowering vocals.
System Olympia inhabits a world in which human senses are mightier than religion and "Sanctified" feat Working Men's Club is an ecstatic and highly articulated fusion of passion and redemption - a new truth about reality, whispered to your ear with infinite sweetness.
Poetic desire as a force of beauty and vitality is all over Lenzuola Di Raso. Fantasising in between satin sheets on the hottest day of the year because art and imagination mean freedom from the solitude of the mind.
Mi Dimentico makes beauty out of melancholy, and nostalgia out of the oscillation between resignation and demand.
Sanctified EP is naked skin over a sunken heart, and a soaring mind.
Tracklist:
A1 - Luce Rossa
A2 - Sanctified feat Working Men's Club
B1 - Lenzuola Di Raso
B2 - Mi Dimentico
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It's part of the nature of man to start with romance and build to a reality
and this is what System Olympia has done with this new 4 track EP.
Love, longing, and the restlessness of the heart and body are the foundation forces of this record.
"Luce Rossa" presents itself as an emblem of a credo, an irreverent manifesto delivered via daring melodies and empowering vocals.
System Olympia inhabits a world in which human senses are mightier than religion and "Sanctified" feat Working Men's Club is an ecstatic and highly articulated fusion of passion and redemption - a new truth about reality, whispered to your ear with infinite sweetness.
Poetic desire as a force of beauty and vitality is all over Lenzuola Di Raso. Fantasising in between satin sheets on the hottest day of the year because art and imagination mean freedom from the solitude of the mind.
Mi Dimentico makes beauty out of melancholy, and nostalgia out of the oscillation between resignation and demand.
Sanctified EP is naked skin over a sunken heart, and a soaring mind.
Tracklist:
A1 - Luce Rossa
A2 - Sanctified feat Working Men's Club
B1 - Lenzuola Di Raso
B2 - Mi Dimentico
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Delfonic - Flesh to Flesh
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Delfonic - You Like it We Love it
No Return!
Limited, Vinyl Only, Mastered by DJ Steaw, Mixdown by Matt Flores.
Made in Europe
A1: Flesh to Flesh
A2: Kiss Kiss
B1: Set Me Free
B2: You Like it We Love it
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Limited, Vinyl Only, Mastered by DJ Steaw, Mixdown by Matt Flores.
Made in Europe
A1: Flesh to Flesh
A2: Kiss Kiss
B1: Set Me Free
B2: You Like it We Love it
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V.A. - A1.Margeritha
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V.A. - A2.Turn You On
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V.A. - B1.Utopia Version
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V.A. - B2.Love
Essential Item Limited Edition No Re-Press...
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