As is now a well-established tradition, when 7 appears in the catalogue number it is the turn of handyman Asymmetrical. The title takes its inspiration from a tag that appeared in the bathroom of the historical Knick Knack Yoda after one of the (in)usual nights, and is a leap in time, a project born from the layering of different sessions that took place between 2018 and 2020 and only sees the light of day today. 7 is also the number of inches of PVC on which this double is engraved, hosting on one side the track that gives the album its name, on whose rhythms the sound of Luigi Gargano’s saxophone echoes. On the other Estetica Della Notte, is a journey into the phenomenology of tumultuous nights in the shadow of Rome’s Dome. The covers of the 170 numbered records are embellished by Ester Reset’s photographic project, available for extended fruition in the editorial project accompanying the 30 limited edition copies.

limited to 170 numbered copies.

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That true beauty lies in the essentiality and meticulous combination of a few elements is sometimes not just a cliché. The delicate blend of Roland CR-78, acoustic guitar and dissonant organs that intertwine in Open Windows is a vivid demonstration of this. It is these few elements, now distant and hinted at and now close and deafening, that paint the backdrop of melancholic nostalgia where laconic whispers move the listener within the paintings that bear the sonic signature of Human Figures. To Daniel Lewis’ new project, which has seen its springboard through releases on the label of his friends at Frigio Records, perhaps the adjective “new” is already quite tight. He has built a very recognizable sonic tibre, an influence of producers and listeners at different latitudes of the post-punk and wave scene.

In the 8 canvases of Open Windows the folk tradition is repainted in a more contemporary guise: the sweet and sad litanies are alternated with fast and frenetic stornelli in which the combination of tradition and experimentation constitutes the stylistic signature. The open window through which the listener has the opportunity to look out in this album does not, however, give onto a natural external panorama. It projects into an inner world where introspection and silence are the only chance to grasp its sublime beauty.

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If uncertainty was according to Zygmunt Bauman in 1999 one of the conditions characterizing the post-industrial society this is even more true today. We weren’t sure to return to tell you with sounds our vision of things but in the end here we are.

Pries Akis of Shaknis & Egzotikka is a journey in uncertainty, but not the social one, the inner one of relationships and love. It’s a tale of the individualistic vision that feeds on narcissism and super ego to feed itself. Decadence and nostalgic atmospheres but charged with a positive energy imprinted on both sides of a 7" ready to push you into your introspective leap.

A two-track EP, “Pries Akis” by Shaknis & Egzotikka, is a journey in the uncertainty of relationships and love. It’s a tale of the individualistic vision that feeds on narcissism and super-ego to exist. Decadence and nostalgic atmospheres, charged with positive energy, imprinted on both sides of a 7" ready to push you into your introspective leap. “Pries Akis” / “In Front of Your Eyes” EP was born between two producers from different backgrounds with similar tastes. Electro producer Shaknis inspired the early ideas of the EP using his analog equipment, creating a solid foundation for Egzotikka. A Cold Wave producer, guitarist, and songwriter formed the identity of this new analog post-punkish-sounding EP.

80’s instruments such as classic Roland drums, Polivox, and Fender guitars were used to create the modern Lo-fi sound filled with lyrics about narcissism, toxic relationships, and super-ego driven by a strong belief in a fucked up society.

This EP was recorded during the spring of 2022 in London, UK, and Šiauliai, Lithuania.

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A roundup of positive nostalgia from Fontaine SMC: two french artists and friends who share the same vision of electronic music. They have several project under other names, often axed on IDM/electro, but this time the joined the forces for a synthwave and punk flavor project.

I was a soldier EP is a social criticism/journey into human fears and hard relationships, synthetized into an 80s look, dusty and raw sounding.

A mix of punk dementia and the most intense dance music, the one that takes the joints and makes you move them well. A sound that seems to come from a white label from the start of 90s to mystery titillate the timpani of the contemporary listener, but it does so in a familiar way.

300 limited vinyl units.
Mastered at Sensorium.
Design by FM.

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Nostalgie E´ternelle might sound like a new name on our shameless label but in fact they are 2/3 of Sauerstofff and with Face a´ l'incertitude EP they keep us in balance between the 1987’s atmosphere of Leer and those of the city of Hamburg in 2019 where Inox Kapell and Dieter Mauson have recorded part of the record.

A style lesson that we welcome with great pleasure by two artists with 35 years of friendship and militancy in the post-punk scene in Europe.

An EP that ranges between the dementia no wave of “Human Biodiversity”, the synthetic minimalism of “Die ganze Wut”, the atmospheric romance of “Under Water Dream”; between the dub sonorities of “Raumseelen” and the new wavish of “Wo es weiter geht” and “Thank You!”

The release will be available in the usual 300 limited vinyl units from July 5.

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Time is running and a lot of distorted frequencies have passed in our eardrums since that first self-produced release on Sony cassettes in 2016.

Raw Culture turns 5 and for its fifth anniversary it is its handyman Asymmetrical to blow out the candles.

After his first EP “For Muthafucka Use Only” released in 2017, Asymmetrical returns to his little baby with an album, Blind Faith.

Inspired by Ben Elton dark, savagely comic novel where he imagine a post- apocalyptic society where religious intolerance combines with a confessional sex obsessed, self-centric culture to create a world where nakedness is modesty, ignorance is wisdom and privacy is a dangerous perversion, Blind Faith aims to be a critique of post capitalist society and to redesign the idea and the relationship in the contemporary club.

Two densely engraved sides for a total of 8 tracks ranging from Ebm to techno, from electro to New Wave, all connected by raw rhythms, noise and distant voices.

All tracks written and produced by Asymmetrical at FAUNA53, Roma 2020.

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Raw Culture renews its love with France by carving it on
the wax.The Parisian Security Dj, honorary member of the Knick Knack
Yoda squad, returns, after the success of "Fucking DJ", in collaboration with
Sophia De Jong released on our t last VA, this time with two whole sides
dedicated to his weirdness.Resident of Rinse France, in his sound,
converge endless cues from his musical research, expressed through his already
proven skills as a producer in his infamous Aubervilliers Studios. Roughness and
overwhelming grooves are his characteristic traits.Within the EP a
collaboration with his snack dude Rawmance, Parisian by birth, Italian by
adoption, with whom he shares also the Drew C. Mance
project.Asymmetrical , boss of the label, did the role of Celine Dion in
“Ramp Age” with his magic voice.Finally, to complete the work, we have the
pleasure to have in our infamous stables tha guy Cardopusher, who cooks his
version of "domestic xs" with his unmistakable groove and sound that makes even
the stones move from the ground.The release as always will be available
in a limited series of 300 hand stamped vinyl.Mastered at
Sensorium

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2025 Repress!

Tracklisting
A1 Another Channel feat. Prince Morella - Nameless Woman
B1 Another Channel feat. Marina P - Find a Way
B2 Another Channel - Version of Love

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It took a village to create Le Motel’s Odd Numbers / Só Lé. Beneath its pulsing, shimmering tones, the record is alive with the sounds of everyday life—purring mopeds, idle whistling, the din of kitchens and whisper of rain, voices joyful and contemplative, scenes of bustling cities and domestic intimacy.

Le Motel—who runs the Brussels-based record label Maloca—gathered sounds, photographs, and videos while traveling in Vietnam in 2023. From Hanoi he ventured to Hmong communities in the mountains near the border with China, building out a network of contacts gathered from friends and friends of friends. But Odd Numbers / Só

Lé—which takes its title from traditional Vietnamese numerological beliefs and customs—is wholly unlike the extractive product typical of exploitative modes of Western tourism; the album’s final shape was deeply dependent upon the participation of the people the artist met in Vietnam.

Back in Brussels after his travels, as Le Motel began working with his materials, he sent early drafts to his contacts, inviting their input. This back-and-forth eventually yielded a dynamic collective effort in which nine of the album’s 15 tracks feature multiple composer credits. Among the album’s diverse collaborators are Yvonne Qu?nh-Lan Duon, an educator and ethnomusicologist; Chi Chi, the daughter of a Hmong shaman; and Phapxa Chan, who contributes three poems inspired by landscape and Le Motel’s own music (and, in one case, psychedelics).

The result is an album that is not about making sound, broadcasting it as a one-way communication, but instead about the empathic practice of listening—about listening as an integral and even ethical part of musical creation, even (especially!) when that music is created on a computer, rather than conjured by a group of players sharing space in real time. It’s an album that adopts many of the traditional trappings of ambient music while reminding us of the importance of intentional modes of creation. Brian Eno famously said that ambient music must be as ignorable as it is interesting, but Le Motel’s Odd Numbers / S? L? suggests, to the contrary, the richness of experience available to us should we make the effort to open our ears.

Complementing the album, Le Motel’s Odd Numbers / S? L? also takes the form of a multimedia exhibition including photographs, video, and text-based works created in collaboration with Belgian designer and programmer Antoine Jaunard and Vietnamese poet Phapxa Chan. The exhibition is on view from January 23 until March 2, at Brussels’ 254Forest gallery, as part of Photo Brussels Festival 2025.

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ISBN: 978-1-913231-73-6

Synthesizer Evolution: From Analogue to Digital (and Back) author Oli Freke returns with a new volume in his Synthesizer Evolution A6 zine series. The modular resurgence of the past 25 years has been a wonder to behold. Where musicians were once chained to their DAWs, we are now liberated once again to wire, patch, and modulate in the real world, choosing from a mind-boggling array of options.
Modular Greats celebrates the fusion of art, logic, science, and serendipity in modular synthesis, highlighting some of the best-selling, most creative, and most impactful modules of the 21st century. Featured manufacturers include Make Noise, Mutable Instruments, TipTop Audio, Intellijel, Rossum Electro-Music, Doepfer—and many more!

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repress

Full Colour Sleeve w/ DL Code


The 2nd full lengths album from Another Channel's analogue universe is about to drop on Moonshine Recordings.

Tracklist:
A1 Another Channel Intro
A2 Another Channel Congo
A3 Another Channel Zulu
A4 Another Channel feat. Masis Wickedness
A5 Another Channel Never
B1 Another Channel Unison
B2 Another Channel Let Some
B3 Another Channel Qin
B4 Another Channel Seed
B5 Another Channel Outro

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ISBN: 978-1-913231-72-9

Synthesizer Evolution: From Analogue to Digital (and Back) author Oli Freke returns with a new volume in his Synthesizer Evolution A6 zine series. The first two volumes (Vintage Synths and Drum Machines & Samplers) focused on vintage electronic instruments from the 1970s and 1980s. Volume three moves into the 21st century, showcasing a selection of the most interesting, impactful, and—arguably—best synthesizers of the past two decades.

The synths in this book celebrate the vast range of sonic possibilities now available to musicians and producers. From analogue wonders to extraordinary digital creations, from tightly designed monosynths to open-ended polyphonic beasts, each one is more marvellous than the last!

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CLASSIC RE-PRESS!. Tony Foster gets the ball rolling with some warm, inviting late night house, with jazzy keys, shuffling beats, and a wandering bassline providing backing for a deep male vocal track. Next up is the first of 2 D-Squared cuts, "Hey Lil Girl", with some great filtered swing samples (Lena Horne) intertwined with a bumping bassline and shuffling house beats for some swinging house grooves that have a distinct dubby touch to them. On the flipside, Delano Smith goes with skipping beats, stabbing chords, and a steady bassline on "Overseas", with them all given dubby delays and run through filters for a tracky house groover for the floor crowds. Last up is the second of the D-Squared offerings, "Detox", with it's heavy kick and wandering funky bassline the main players, joined by textured synths and crisp beats for more late night house goodness.

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DOVS are the duo of Vienna’s Johannes Auvinen, aka Tin Man, and Mexico City’s Gabo Barranco, aka AAAA. Psychic Geography is their second album together, but it differs considerably from both their respective solo work and their 2019 debut LP together, Silent Cities: Where that album’s hardware-based acid kept its gaze focused squarely on the dancefloor, Psychic Geography is a strictly ambient affair.

The album has its roots in a trio of beatless tracks that peppered Silent Cities; this time, the duo decided to try making an entire album with no drums. “It opened up the chance to make a different, more narrative style of music with more complex structures,” Auvinen says. Ambiguity and uncertainty are key watchwords for their music, which moves with eerie, liquid grace. Untethered from 4/4 kicks, their music drifts and morphs; familiar acid sequences give way to surprising shifts in tone and mood. And with no drums to distract the ear, the seeming simplicity of their silvery synth lines opens up to reveal remarkable depth and dynamism.

Barranco and Auvinen recorded the album together in the studio utilizing machines like the Roland TB-303, Juno G, Prophet 5, Elektron Octatrack MKII, Make Noise DPO and René, Mutable Clouds, Roland SH-101, Behringer TD3, and Sherman Filterbank. Listen on good speakers or headphones, and you can tell: Their gear yields a tonal richness that recalls the ambient and cosmic music of decades earlier. You can practically feel the heat from their circuits warming the air.

The meaning behind the name DOVS is as ambiguous as the duo’s music. (Dig, if you will, the picture of Picasso’s dove of peace—or, perhaps, the outline of a bird pressed into a small white pill.) But Psychic Geography needs little explanation. DOVS’ album is a collection of mental maps of imaginary places. Set your coordinates for the mirage on the horizon and prepare to dissolve.

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