If uncertainty was according to Zygmunt Bauman in 1999 one of the conditions characterizing the post-industrial society this is even more true today. We weren’t sure to return to tell you with sounds our vision of things but in the end here we are.

Pries Akis of Shaknis & Egzotikka is a journey in uncertainty, but not the social one, the inner one of relationships and love. It’s a tale of the individualistic vision that feeds on narcissism and super ego to feed itself. Decadence and nostalgic atmospheres but charged with a positive energy imprinted on both sides of a 7" ready to push you into your introspective leap.

A two-track EP, “Pries Akis” by Shaknis & Egzotikka, is a journey in the uncertainty of relationships and love. It’s a tale of the individualistic vision that feeds on narcissism and super-ego to exist. Decadence and nostalgic atmospheres, charged with positive energy, imprinted on both sides of a 7" ready to push you into your introspective leap. “Pries Akis” / “In Front of Your Eyes” EP was born between two producers from different backgrounds with similar tastes. Electro producer Shaknis inspired the early ideas of the EP using his analog equipment, creating a solid foundation for Egzotikka. A Cold Wave producer, guitarist, and songwriter formed the identity of this new analog post-punkish-sounding EP.

80’s instruments such as classic Roland drums, Polivox, and Fender guitars were used to create the modern Lo-fi sound filled with lyrics about narcissism, toxic relationships, and super-ego driven by a strong belief in a fucked up society.

This EP was recorded during the spring of 2022 in London, UK, and Šiauliai, Lithuania. More

A roundup of positive nostalgia from Fontaine SMC: two french artists and friends who share the same vision of electronic music. They have several project under other names, often axed on IDM/electro, but this time the joined the forces for a synthwave and punk flavor project.

I was a soldier EP is a social criticism/journey into human fears and hard relationships, synthetized into an 80s look, dusty and raw sounding.

A mix of punk dementia and the most intense dance music, the one that takes the joints and makes you move them well. A sound that seems to come from a white label from the start of 90s to mystery titillate the timpani of the contemporary listener, but it does so in a familiar way.

300 limited vinyl units.
Mastered at Sensorium.
Design by FM. More

Nostalgie E´ternelle might sound like a new name on our shameless label but in fact they are 2/3 of Sauerstofff and with Face a´ l'incertitude EP they keep us in balance between the 1987’s atmosphere of Leer and those of the city of Hamburg in 2019 where Inox Kapell and Dieter Mauson have recorded part of the record.

A style lesson that we welcome with great pleasure by two artists with 35 years of friendship and militancy in the post-punk scene in Europe.

An EP that ranges between the dementia no wave of “Human Biodiversity”, the synthetic minimalism of “Die ganze Wut”, the atmospheric romance of “Under Water Dream”; between the dub sonorities of “Raumseelen” and the new wavish of “Wo es weiter geht” and “Thank You!”

The release will be available in the usual 300 limited vinyl units from July 5. More

Time is running and a lot of distorted frequencies have passed in our eardrums since that first self-produced release on Sony cassettes in 2016.

Raw Culture turns 5 and for its fifth anniversary it is its handyman Asymmetrical to blow out the candles.

After his first EP “For Muthafucka Use Only” released in 2017, Asymmetrical returns to his little baby with an album, Blind Faith.

Inspired by Ben Elton dark, savagely comic novel where he imagine a post- apocalyptic society where religious intolerance combines with a confessional sex obsessed, self-centric culture to create a world where nakedness is modesty, ignorance is wisdom and privacy is a dangerous perversion, Blind Faith aims to be a critique of post capitalist society and to redesign the idea and the relationship in the contemporary club.

Two densely engraved sides for a total of 8 tracks ranging from Ebm to techno, from electro to New Wave, all connected by raw rhythms, noise and distant voices.

All tracks written and produced by Asymmetrical at FAUNA53, Roma 2020. More

Raw Culture renews its love with France by carving it on
the wax.The Parisian Security Dj, honorary member of the Knick Knack
Yoda squad, returns, after the success of "Fucking DJ", in collaboration with
Sophia De Jong released on our t last VA, this time with two whole sides
dedicated to his weirdness.Resident of Rinse France, in his sound,
converge endless cues from his musical research, expressed through his already
proven skills as a producer in his infamous Aubervilliers Studios. Roughness and
overwhelming grooves are his characteristic traits.Within the EP a
collaboration with his snack dude Rawmance, Parisian by birth, Italian by
adoption, with whom he shares also the Drew C. Mance
project.Asymmetrical , boss of the label, did the role of Celine Dion in
“Ramp Age” with his magic voice.Finally, to complete the work, we have the
pleasure to have in our infamous stables tha guy Cardopusher, who cooks his
version of "domestic xs" with his unmistakable groove and sound that makes even
the stones move from the ground.The release as always will be available
in a limited series of 300 hand stamped vinyl.Mastered at
Sensorium More

'Bra Tid' marks the vibrant debut LP from D. Apal, a playful exploration of dance music characterized by creamy synths, dub-infused rhythms and soulful melodies.
The album showcases a fusion of 70's and 80's influences alongside nods to modern music, resulting in a captivating blend of funk, disco and electronica. More

*** STUNNING EXOTICA-MOD-JAZZ FROM THE 1960s ***

John Lemon was a versatile Louisiana-born reeds and flute player who lent his deep, sonorous tenor to everything from exotica to R&B to bebop jazz and everything in between. The following statement is taken verbatim from the liner notes of his "Yes Baby" album, his only known full-length as bandleader: "Beginning with the "Coot" Lewis band in his hometown of Shreveport, Louisiana, snowballed him through bands such as, George Williams, of New Orleans, Big Joe Turner of the west coast, Pee Wee Crayton, the Cloves, and from Memphis to Omaha with Nat Towles. From East to West with Sam Cook Rotundun John Lemons perpetually strived on progressive effect for good contemporary listening music. Since '54, John has made most of the Jazz Clubs up and down the West Coast. A recent hold over engagement at the Celebrity Room, of Woody Lewis' Sportsman Bowl, was interrupted by an engagement at the Las Vegas Hotel Riviera on the same show with Frankie Lane, and then to Reubins Super Club of Las Vegas, where he and organist Jimmy Scott stayed for weeks. But Los Angeles has got something that everyone calls home, even John couldn't break the feeling."

"Hey Baby" by the John Lemon Quartet is exotica-mod-soul-jazz at its very best! A stunning treasure rarely to be found - unless it's on Mo-Jazz!

Key selling points:

- limited to 505 hand-numbered copies

- includes full album download code

- deluxe vinyl LP with authentic 1960s tip-on cover

- pressed on BIOVINYL => Replacement of petroleum in S-PVC by recycling used cooking oil or industrial waste gases More

Bassist Leroy Vinnegar has gone down in history as the person who popularised the "walking bass" style in jazz. He was worked with Chet Baker, Eddie Harris, Les McCann, Lee Konitz, and Stan Getz. His milestone 1973 album 'Glass Of Water' featuring Dwight Dickerson on the rhodes and wurlitzer slipped into obscurity shortly after release. However, in recent years it has been rediscovered and has become highly coveted as a grail for crate diggers and jazz collectors worldwide.
On High is proud to present the first ever reissue of this long forgotten classic. Remastered and pressed on audiophile virgin vinyl to fully capture the wonderful spacey emotion of Vinnegar's classic LP. More

Manzo's new drop is a volume packed with four shamelessly pleasurable edits, a ray of sun shining brightly over the green pastures ready to bring summer vibes to every farm and ranch! Ici C'est Toujours Les Vacances opens with a wheel of french- roquefort-house that is all smiles and grooves. Then, Belgian Mambo slows down the beat, swaying into a mystic acid trip. We shake horns and cowbells like there's no tomorrow on the alluring beat of Sea Urchin before the final epic ride of Ferramenta nº20, an interstellar tractor that shoots you straight into a disco-infused outer space.

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Tracklisting
A1 Alley Cats - Walking Down Memorylane
A2 TTC - What Iz It
A3 Alley Cats - Starbase
B1 Alley Cats - Gone
B2 TTC - Word On The Street
B3 Alley Cats - Sunflower Morning More

The near mythical Drowning in Her gets a repress courtesy of a Tone Def Records and Over/Shadow collaboration. The flip is complimented by an awesome remix from the one and only Sonar's Ghost. Say no More...............
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Sugar Honey Iced Tea! is the highly anticipated debut album from musclecars, set for a May 2024 release on BBE Music. Having already established their presence in the club scene, from the joyous atmosphere of their Coloring Lessons parties to their residency at Nowadays in NYC, and with genre-bending performances worldwide, musclecars are eager to unveil this new world they've intentionally crafted.

This forthcoming album comprises 13 tracks that sonically come together to offer a profound lens into the Afro-American experience. Themes range from joy, to loss, intimacy, helplessness, perseverance, and all the facets that lie in between. From the very first tune, musclecars set the tone with an exploration of afro-dystopia, carrying listeners through the entire album whilst creating imaginary futures born out of self-preservation and self-discovery.

Through their practice of sonic storytelling, native New Yorkers Brandon Weems and Craig Handfield use this album to speak to the nuances of their daily lives and their environment. Join them on this musical journey as they delve into a collection that captures the essence of the black experience with authenticity, emotion, and rhythm. This album stands as one of their favorite bodies of work in recent memory, and they're so excited to share it with you. More

Max Graef, the trailblazing German producer is back, this time applying his sparkling flair and infectious appeal to the widescreen spectrum of psychedelic, starry-eyed jams of his third album, comfortably nestled into a bean bag in the backroom. Natural Element coincides with the 10th anniversary of his revered debut LP Rivers of the Red Planet, which remains a cherished high watermark for label and artist alike.

Listening link: https://soundcloud.com/tartelet-records/sets/max-graef-natural-element-lp-promo-use-only/s-mCjL1fRN23l

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Proudly presenting a new series of Mr Bongo reissues exploring the incredible back catalogue of Sonny Lester’s iconic Groove Merchant record label. First up, the spellbinding funk-fuelled, soul jazz album ‘Simba’, by guitar maestro O'Donel Levy.

Baltimore-born, Levy was already well regarded as one of the best up-and-coming jazz guitarists at the time of Simba’s release. Having toured with George Benson and Jimmy McGriff, as well as featuring on McGriff’s Black Pearl album on Blue Note, he went on to sign with Sonny Lester’s Groove Merchant. Produced by Lester himself and recorded over two back-to-back days of sessions in 1973, Simba features a who's who of ‘70s session players. The album features the legendary studio drummer Steve Gadd, Cecil Bridgewater on Flugelhorn, bass by Tony Levin and arrangements by Manny Albam.

A masterclass in tight yet effortlessly funk-driven rhythms, the tracks showcase these musicians at their zenith. Album opener 'Bad, Bad, Simba' wouldn’t have been out of place on a Lalo Schifrin ‘70s car chase soundtrack. Levy's playing is brilliant, bright and slick, with an infectiously exuberant energy that is complimented perfectly by Gadd's supreme drumming. ‘Playhouse' serves up another vibrant offering, Wah Wah guitars, horns and flutes duelling it out in a fast-paced fashion.

The cinematic thread continues throughout, yet with the tempo taken down a notch. 'Sierra Lonely' and ‘Sad, Sad, Simba’ head into lush ballad territory, with superb arrangements by Albam and beautiful playing by Collins and Bridgewater on Flugelhorn. Here Levy shines without taking any limelight, as the players synergize to a relaxed perfection. ‘Nigerian Knights’ closes the album flawlessly, showcasing once more Levy’s understated yet magnetic flow on the guitar.

Every track on ‘Simba’ is a winner. As with CTI Recordings of the same era, the feel and textures of Sonny Lester's productions have that pre-emptive, hip-hop aesthetic, which later producers would rework and reimagine. This album is expertly balanced, deftly arranged and magically executed, ebbing and flowing with a cool buoyancy that just grooves and grooves. More