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Label:Big Crown Records
Cat-No:BCRLPC1181
Release-Date:02.05.2025
Genre:Funk
Configuration:LP
Barcode:0349223018141
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Label:Big Crown Records
Cat-No:BCRLPC1181
Release-Date:02.05.2025
Genre:Funk
Configuration:LP
Barcode:0349223018141
1
Bacao Rhythm & Steel Band - Nautilus
2
Bacao Rhythm & Steel Band - Maria También
3
Bacao Rhythm & Steel Band - Let's Grow
4
Bacao Rhythm & Steel Band - PIMP (Version)
5
Bacao Rhythm & Steel Band - Look Out Baby (Here I Come)
6
Bacao Rhythm & Steel Band - Great To Be Here
7
Bacao Rhythm & Steel Band - Juicy Fruit
8
Bacao Rhythm & Steel Band - 8th Wonder
9
Bacao Rhythm & Steel Band - Murkit Gem
10
Bacao Rhythm & Steel Band - All For The Cash
11
Bacao Rhythm & Steel Band - Kaiso Noir
12
Bacao Rhythm & Steel Band - Guess Who's Back
13
Bacao Rhythm & Steel Band - Giana Sisters
Ocean Blue Smoke Vinyl!
Preview: https://www.youtube.com/watch?v=0e_THRbov9Q
Bacao Rhythm & Steel Band, the mysterious steel pan outfit hailing from Hamburg, Germany made significant noise in 2024 when French film Anatomy of a Fall won an Academy Award for best original screenplay. Bacao’s cover of 50 Cent’s “PIMP” was featured so heavily in the film and plays such a huge role in the storyline that it became synonymous with its success. Subsequently, they ushered in the first appearance of steel pans in the orchestra pit at the Academy Awards so they could play the tune as director Justine Triet walked on stage to accept the award. All of this brought a lot of new fans to Bacao and pushed the streaming numbers of “PIMP” well past 40 million. For those in the know, this tune made its way into underground fame back in 2008 when it was first pressed on band leader Bjorn Wagner’s own Mocambo imprint and was often mistaken for the original sample source from which 50 made his hit.
All accolades and international fame aside, “PIMP” is literally just the tip of the Bacao iceberg. With four full length albums and a tall stack of 7” singles that have become staples to DJs around the world, they have been prolific since signing with Big Crown in 2014. Despite the constant releases and elaborate catalog, every recording session has borne more fruit than could fit on an album, leaving a handful of tunes in the recording vault. Here on Big Crown Vaults Vol. 4 we open up that vault and give all (well, most of) those tunes a proper pressing and release.
The album opens up with their cover of the Bob James uber-classic breakbeat “Nautilus” and they put a spin on the original that puts it directly in the must have category for all hip hop and breakbeat enthusiasts. Keeping their foot on the gas, they give the BRSB treatment to the Khruangbin classic “Maria También” with their signature bottom heavy drums taking the energy of the tune to a whole new place. Infamous for digging deep in the crates when picking material to reinterpret, they next take on Royce the 5’9”'s J Dilla produced “Let’s Grow”. Originally the B side to the first pressing of “PIMP” (and making an appearance on the very limited first 2LP pressing of their debut album 55) we put the “PIMP (Version)” on here where they give their original recording the proper dub treatment with melodica and tape echo galore. They turn up the tempo and the funk covering the Jackson 5’s “Great To Be Here” and again dive deep into obscurity with the Billy Jones dancefloor burner “Lookout Baby (Here I Come)”. While part of the allure of a new Bacao Rhythm & Steel Band album is finding out what covers they are going to take on, it is equally intriguing to see what original tunes they’ve cooked up. While BCR Vaults Vol. 4 only has one original, “Kaiso Noir”, it’s an uptempo crowd-pleaser that sounds like a mix between a b-boy break and a James Bond score.
This collection of songs spans from 2008 to 2023 and runs a variety of genres from hip hop to jazz to soul and pop through the Bacao lens. The band is already at work on their 5th full length studio album and this compilation should be the perfect thing to hold fans over until it arrives.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Preview: https://www.youtube.com/watch?v=0e_THRbov9Q
Bacao Rhythm & Steel Band, the mysterious steel pan outfit hailing from Hamburg, Germany made significant noise in 2024 when French film Anatomy of a Fall won an Academy Award for best original screenplay. Bacao’s cover of 50 Cent’s “PIMP” was featured so heavily in the film and plays such a huge role in the storyline that it became synonymous with its success. Subsequently, they ushered in the first appearance of steel pans in the orchestra pit at the Academy Awards so they could play the tune as director Justine Triet walked on stage to accept the award. All of this brought a lot of new fans to Bacao and pushed the streaming numbers of “PIMP” well past 40 million. For those in the know, this tune made its way into underground fame back in 2008 when it was first pressed on band leader Bjorn Wagner’s own Mocambo imprint and was often mistaken for the original sample source from which 50 made his hit.
All accolades and international fame aside, “PIMP” is literally just the tip of the Bacao iceberg. With four full length albums and a tall stack of 7” singles that have become staples to DJs around the world, they have been prolific since signing with Big Crown in 2014. Despite the constant releases and elaborate catalog, every recording session has borne more fruit than could fit on an album, leaving a handful of tunes in the recording vault. Here on Big Crown Vaults Vol. 4 we open up that vault and give all (well, most of) those tunes a proper pressing and release.
The album opens up with their cover of the Bob James uber-classic breakbeat “Nautilus” and they put a spin on the original that puts it directly in the must have category for all hip hop and breakbeat enthusiasts. Keeping their foot on the gas, they give the BRSB treatment to the Khruangbin classic “Maria También” with their signature bottom heavy drums taking the energy of the tune to a whole new place. Infamous for digging deep in the crates when picking material to reinterpret, they next take on Royce the 5’9”'s J Dilla produced “Let’s Grow”. Originally the B side to the first pressing of “PIMP” (and making an appearance on the very limited first 2LP pressing of their debut album 55) we put the “PIMP (Version)” on here where they give their original recording the proper dub treatment with melodica and tape echo galore. They turn up the tempo and the funk covering the Jackson 5’s “Great To Be Here” and again dive deep into obscurity with the Billy Jones dancefloor burner “Lookout Baby (Here I Come)”. While part of the allure of a new Bacao Rhythm & Steel Band album is finding out what covers they are going to take on, it is equally intriguing to see what original tunes they’ve cooked up. While BCR Vaults Vol. 4 only has one original, “Kaiso Noir”, it’s an uptempo crowd-pleaser that sounds like a mix between a b-boy break and a James Bond score.
This collection of songs spans from 2008 to 2023 and runs a variety of genres from hip hop to jazz to soul and pop through the Bacao lens. The band is already at work on their 5th full length studio album and this compilation should be the perfect thing to hold fans over until it arrives.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Big Crown Records
Label:Big Crown Records
Cat-No:BCRLP183
Release-Date:16.05.2025
Genre:Soul/Funk
Configuration:LP
Barcode:0349223018318
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Label:Big Crown Records
Cat-No:BCRLP183
Release-Date:16.05.2025
Genre:Soul/Funk
Configuration:LP
Barcode:0349223018318
1
Surprise Chef - Sleep Dreams
2
Surprise Chef - Bully Ball
3
Surprise Chef - Body Slam
4
Surprise Chef - Consulate Case
5
Surprise Chef - Dangerous
6
Surprise Chef - Websites
7
Surprise Chef - Fare Evader
8
Surprise Chef - Tag Dag
9
Surprise Chef - Plumb Tuckered
10
Surprise Chef - Dreamer's Disease
11
Surprise Chef - Slippery Dip
Australia’s world-renowned cinematic soul outfit Surprise Chef return with new album Superb. A record that represents a change in their creative approach and turns up the heat in their music. Trading in their meticulous writing and recording techniques for a looser and less planned approach with the intentions of bringing more levity to the process, and it comes through in spades. The high caliber musicianship is still front and center, but they push their sound into a more energetic and fun place on this album.
Album opener “Sleep Dreams” is the closest thing to a Surprise Chef tune one would come to expect, but then lead single “Bully Ball” comes on and you get the picture that they came to kick in the door on this one. The song’s gritty drums thunder through the speakers and get covered with percussion, keys, bass, and guitar chanks that stay in the pocket and bring the funk with them. The band pushes the boundaries of arrangement with tunes like “Body Slam” that starts off like a sweet soul track then pulls a 180, turning dark and haunting, centering on a sound they created by tucking a timpani into a bathroom two doors down from the mixing board. That same sense of experimentation comes up again on “Fare Evader” where they pepper another neck breaking rhythm track with synth notes that sound like robot sound effects from a 70s sci-fi film. The fellas turn up the tempo for the dance with tunes like “Consulate Case” and “Tag Dag”; the former pulling influence from afro-funk and the latter from jazz-funk. They take us deep into the beautiful world of Surprise Chef ballads on “Websites” and double down on their abilities to make beautiful and ethereal tracks with “Dreamer’s Disease”.
With their new album Superb, their new approach, and plans to tour the world, we are about to see Surprise Chef take the step from the underground’s most beloved to a household name and we are definitely here for it.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Album opener “Sleep Dreams” is the closest thing to a Surprise Chef tune one would come to expect, but then lead single “Bully Ball” comes on and you get the picture that they came to kick in the door on this one. The song’s gritty drums thunder through the speakers and get covered with percussion, keys, bass, and guitar chanks that stay in the pocket and bring the funk with them. The band pushes the boundaries of arrangement with tunes like “Body Slam” that starts off like a sweet soul track then pulls a 180, turning dark and haunting, centering on a sound they created by tucking a timpani into a bathroom two doors down from the mixing board. That same sense of experimentation comes up again on “Fare Evader” where they pepper another neck breaking rhythm track with synth notes that sound like robot sound effects from a 70s sci-fi film. The fellas turn up the tempo for the dance with tunes like “Consulate Case” and “Tag Dag”; the former pulling influence from afro-funk and the latter from jazz-funk. They take us deep into the beautiful world of Surprise Chef ballads on “Websites” and double down on their abilities to make beautiful and ethereal tracks with “Dreamer’s Disease”.
With their new album Superb, their new approach, and plans to tour the world, we are about to see Surprise Chef take the step from the underground’s most beloved to a household name and we are definitely here for it.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
LP
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Label:Big Crown Records
Cat-No:BCRLPC2183
Release-Date:16.05.2025
Genre:Soul/Funk
Configuration:LP
Barcode:0349223018363
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Label:Big Crown Records
Cat-No:BCRLPC2183
Release-Date:16.05.2025
Genre:Soul/Funk
Configuration:LP
Barcode:0349223018363
1
Surprise Chef - Sleep Dreams
2
Surprise Chef - Bully Ball
3
Surprise Chef - Body Slam
4
Surprise Chef - Consulate Case
5
Surprise Chef - Dangerous
6
Surprise Chef - Websites
7
Surprise Chef - Fare Evader
8
Surprise Chef - Tag Dag
9
Surprise Chef - Plumb Tuckered
10
Surprise Chef - Dreamer's Disease
11
Surprise Chef - Slippery Dip
Translucent Tangerine Vinyl!
Australia’s world-renowned cinematic soul outfit Surprise Chef return with new album Superb. A record that represents a change in their creative approach and turns up the heat in their music. Trading in their meticulous writing and recording techniques for a looser and less planned approach with the intentions of bringing more levity to the process, and it comes through in spades. The high caliber musicianship is still front and center, but they push their sound into a more energetic and fun place on this album.
Album opener “Sleep Dreams” is the closest thing to a Surprise Chef tune one would come to expect, but then lead single “Bully Ball” comes on and you get the picture that they came to kick in the door on this one. The song’s gritty drums thunder through the speakers and get covered with percussion, keys, bass, and guitar chanks that stay in the pocket and bring the funk with them. The band pushes the boundaries of arrangement with tunes like “Body Slam” that starts off like a sweet soul track then pulls a 180, turning dark and haunting, centering on a sound they created by tucking a timpani into a bathroom two doors down from the mixing board. That same sense of experimentation comes up again on “Fare Evader” where they pepper another neck breaking rhythm track with synth notes that sound like robot sound effects from a 70s sci-fi film. The fellas turn up the tempo for the dance with tunes like “Consulate Case” and “Tag Dag”; the former pulling influence from afro-funk and the latter from jazz-funk. They take us deep into the beautiful world of Surprise Chef ballads on “Websites” and double down on their abilities to make beautiful and ethereal tracks with “Dreamer’s Disease”.
With their new album Superb, their new approach, and plans to tour the world, we are about to see Surprise Chef take the step from the underground’s most beloved to a household name and we are definitely here for it.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Australia’s world-renowned cinematic soul outfit Surprise Chef return with new album Superb. A record that represents a change in their creative approach and turns up the heat in their music. Trading in their meticulous writing and recording techniques for a looser and less planned approach with the intentions of bringing more levity to the process, and it comes through in spades. The high caliber musicianship is still front and center, but they push their sound into a more energetic and fun place on this album.
Album opener “Sleep Dreams” is the closest thing to a Surprise Chef tune one would come to expect, but then lead single “Bully Ball” comes on and you get the picture that they came to kick in the door on this one. The song’s gritty drums thunder through the speakers and get covered with percussion, keys, bass, and guitar chanks that stay in the pocket and bring the funk with them. The band pushes the boundaries of arrangement with tunes like “Body Slam” that starts off like a sweet soul track then pulls a 180, turning dark and haunting, centering on a sound they created by tucking a timpani into a bathroom two doors down from the mixing board. That same sense of experimentation comes up again on “Fare Evader” where they pepper another neck breaking rhythm track with synth notes that sound like robot sound effects from a 70s sci-fi film. The fellas turn up the tempo for the dance with tunes like “Consulate Case” and “Tag Dag”; the former pulling influence from afro-funk and the latter from jazz-funk. They take us deep into the beautiful world of Surprise Chef ballads on “Websites” and double down on their abilities to make beautiful and ethereal tracks with “Dreamer’s Disease”.
With their new album Superb, their new approach, and plans to tour the world, we are about to see Surprise Chef take the step from the underground’s most beloved to a household name and we are definitely here for it.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Big Crown Records
Cat-No:BCR151
Release-Date:18.04.2025
Genre:Soul/Funk
Configuration:7"
Barcode:0349223015119
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Last in:30.04.2025
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Label:Big Crown Records
Cat-No:BCR151
Release-Date:18.04.2025
Genre:Soul/Funk
Configuration:7"
Barcode:0349223015119
1
Lady Wray - Be A Witness
2
Lady Wray - Best For Us
Lady Wray treats us to an unstoppable two-sider while she and Grammy-nominated producer Leon Michels (Clairo / El Michels Affair) put the finishing touches on her forthcoming album.
The A side “Be A Witness” showcases one of the new directions Lady Wray is taking her sound. Nicole’s vocals soar over bottom heavy drum machine and Nick Movshon’s funky basslines making this a proper mid-tempo dance floor filler. Lady Wray sings about a love destined to happen, celebrates the joys that come with it, and spreads the good vibes to everyone in earshot.
The B side “Best For Us” is a gorgeous tune about love, commitment, intention, and overcoming the tough times. Synths and background vocals float over Homer Steinweiss’ signature in-the-pocket drums creating the perfect backdrop for Cole’s world-renowned voice. This one will be an instant two-step classic.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
The A side “Be A Witness” showcases one of the new directions Lady Wray is taking her sound. Nicole’s vocals soar over bottom heavy drum machine and Nick Movshon’s funky basslines making this a proper mid-tempo dance floor filler. Lady Wray sings about a love destined to happen, celebrates the joys that come with it, and spreads the good vibes to everyone in earshot.
The B side “Best For Us” is a gorgeous tune about love, commitment, intention, and overcoming the tough times. Synths and background vocals float over Homer Steinweiss’ signature in-the-pocket drums creating the perfect backdrop for Cole’s world-renowned voice. This one will be an instant two-step classic.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Big Crown records
Cat-No:BCR199
Release-Date:28.03.2025
Genre:Soul/Funk
Configuration:7"
Barcode:0349223019919
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Last in:04.04.2025
Label:Big Crown records
Cat-No:BCR199
Release-Date:28.03.2025
Genre:Soul/Funk
Configuration:7"
Barcode:0349223019919
1
El Michels Affair - Mr. Brew
2
El Michels Affair - Kodak
El Michels Affair treats us to a new two-sider of instant EMA classics.
The menacing introduction of the A side’s “Mr Brew” gives way to a beautiful and spacious tune in a classic tension and release dynamic. Gentle guitars, strings, flutes, and brass seamlessly take turns over the heavy drum track sending anyone with synesthesia into a world of color.
The B side “Kodak” is a masterclass in space and arrangement. The mellow pace of the drums is adorned with gorgeous instrumentation that creates the perfect mood. EMA never putting too much paint on the canvas and always capturing the vibe.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
The menacing introduction of the A side’s “Mr Brew” gives way to a beautiful and spacious tune in a classic tension and release dynamic. Gentle guitars, strings, flutes, and brass seamlessly take turns over the heavy drum track sending anyone with synesthesia into a world of color.
The B side “Kodak” is a masterclass in space and arrangement. The mellow pace of the drums is adorned with gorgeous instrumentation that creates the perfect mood. EMA never putting too much paint on the canvas and always capturing the vibe.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Big Crown Records
Cat-No:BCRLP190
Release-Date:14.03.2025
Configuration:LP
Barcode:0349223019018
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Last in:16.05.2025
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Last in:16.05.2025
Label:Big Crown Records
Cat-No:BCRLP190
Release-Date:14.03.2025
Configuration:LP
Barcode:0349223019018
1
Derya Yildirim & Grup Simsek - Çiçek Açiyor
2
Derya Yildirim & Grup Simsek - Cool Hand
3
Derya Yildirim & Grup Simsek - Yakamoz
4
Derya Yildirim & Grup Simsek - Hop Bico
5
Derya Yildirim & Grup Simsek - Bilemedim Ki
6
Derya Yildirim & Grup Simsek - Yüz Yüze
7
Derya Yildirim & Grup Simsek - Istanbul'un Kuslari
8
Derya Yildirim & Grup Simsek - Direne Direne
9
Derya Yildirim & Grup Simsek - Ceylan
10
Derya Yildirim & Grup Simsek - Misket
11
Derya Yildirim & Grup Simsek - Günes
Big Crown Records is proud to present Derya Yildirim & Grup Simsek’s latest album Yarin Yoksa. The show stopping intensity of Derya backed by the psychedelic soul of Grup Simsek with production by Leon Michels has yielded a stand out record that challenges genre with a broad appeal and a powerful message.
They refer to themselves as “outernational” over international as they say it suggests a sound that’s more inclusive or “beyond borders.” Derya, who sings and plays the baglama, is German born to Turkish parents. Drummer Helen Wells is Berlin-based by way of South Africa while keyboard player Graham Mushnik and guitar/bass player Antonin Voyant are both French. The collective influences they bring to Anatolian music make for a completely unique and fresh sound that both pushes the genre forward and champions its rich heritage.
Yarin Yoksa which translates to If There Is No Tomorrow delves into deeply personal pain and collective resistance with a central thread of loss, longing, and hope for change running throughout. The lyrics are poetic and rely heavily on symbolic language, metaphors, and storytelling while the music shifts track to track making each tune stand out on its own but work together perfectly as an album.
“Cool Hand”, the first single released on Big Crown in September of 2024, is a beautiful juxtaposition of intensity and lightheartedness over a thoroughly infectious groove. The message is poetic and complicated, repeatedly declaring “I love you, I’m crazy about you” but ultimately finding a sense of peace through accepting a broken heart. “Direne Direne” is a protest song that embodies the struggle and tireless pursuit of justice encouraging people to resist oppression. Derya’s lyrics soar over the psych-soul musical backdrop as her story of personal struggle transforms to a universal call for resilience and strength. The slow and weighty vibe of “Yakamoz” lets onto the meaning of the lyrics even to those who don’t understand Turkish. It is a deeply moving song that captures the profound emotions connected to displacement and loss without knowing if you will ever return. The steady groove of the band, along with the anguished vocals paint a vivid picture of the devastation experienced by the protagonist who ultimately realizes that her roots are within her and anywhere she goes is her home.
Nine of the tunes on the album are original compositions but they also take on three Anatollian folk songs with their own inimitable approach. The acapella introduction of “Misket”, a folk song from Ankara/Türkiye, will stop you in your tracks. The tune deals with death and how the living cope and continue a relationship with those who have passed away. Another traditional tune from Sivas that they put their signature sound to is “Hop Bico”, a tune about a playful character named Bico who is a symbol of vitality and spirit. The synth intro grabs your ear from the first note and the earworm chorus encouraging Bico to lead the group in celebration and embrace life through dance has the same effect on everyone who hears it.
The band has taken a big step forward that you can hear on this record. Derya’s passion and authenticity is front and center and the music is too moving to deny. Yarin Yoksa is sure to captivate the hearts and minds of all those who hear it, and just wait til you hear them play it live…
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
They refer to themselves as “outernational” over international as they say it suggests a sound that’s more inclusive or “beyond borders.” Derya, who sings and plays the baglama, is German born to Turkish parents. Drummer Helen Wells is Berlin-based by way of South Africa while keyboard player Graham Mushnik and guitar/bass player Antonin Voyant are both French. The collective influences they bring to Anatolian music make for a completely unique and fresh sound that both pushes the genre forward and champions its rich heritage.
Yarin Yoksa which translates to If There Is No Tomorrow delves into deeply personal pain and collective resistance with a central thread of loss, longing, and hope for change running throughout. The lyrics are poetic and rely heavily on symbolic language, metaphors, and storytelling while the music shifts track to track making each tune stand out on its own but work together perfectly as an album.
“Cool Hand”, the first single released on Big Crown in September of 2024, is a beautiful juxtaposition of intensity and lightheartedness over a thoroughly infectious groove. The message is poetic and complicated, repeatedly declaring “I love you, I’m crazy about you” but ultimately finding a sense of peace through accepting a broken heart. “Direne Direne” is a protest song that embodies the struggle and tireless pursuit of justice encouraging people to resist oppression. Derya’s lyrics soar over the psych-soul musical backdrop as her story of personal struggle transforms to a universal call for resilience and strength. The slow and weighty vibe of “Yakamoz” lets onto the meaning of the lyrics even to those who don’t understand Turkish. It is a deeply moving song that captures the profound emotions connected to displacement and loss without knowing if you will ever return. The steady groove of the band, along with the anguished vocals paint a vivid picture of the devastation experienced by the protagonist who ultimately realizes that her roots are within her and anywhere she goes is her home.
Nine of the tunes on the album are original compositions but they also take on three Anatollian folk songs with their own inimitable approach. The acapella introduction of “Misket”, a folk song from Ankara/Türkiye, will stop you in your tracks. The tune deals with death and how the living cope and continue a relationship with those who have passed away. Another traditional tune from Sivas that they put their signature sound to is “Hop Bico”, a tune about a playful character named Bico who is a symbol of vitality and spirit. The synth intro grabs your ear from the first note and the earworm chorus encouraging Bico to lead the group in celebration and embrace life through dance has the same effect on everyone who hears it.
The band has taken a big step forward that you can hear on this record. Derya’s passion and authenticity is front and center and the music is too moving to deny. Yarin Yoksa is sure to captivate the hearts and minds of all those who hear it, and just wait til you hear them play it live…
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
LP
backorder
Label:Big Crown Records
Cat-No:BCRLPC2190
Release-Date:14.03.2025
Configuration:LP
Barcode:0349223019063
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Last in:27.05.2025
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Label:Big Crown Records
Cat-No:BCRLPC2190
Release-Date:14.03.2025
Configuration:LP
Barcode:0349223019063
1
Derya Yildirim & Grup Simsek - Çiçek Açiyor
2
Derya Yildirim & Grup Simsek - Cool Hand
3
Derya Yildirim & Grup Simsek - Yakamoz
4
Derya Yildirim & Grup Simsek - Hop Bico
5
Derya Yildirim & Grup Simsek - Bilemedim Ki
6
Derya Yildirim & Grup Simsek - Yüz Yüze
7
Derya Yildirim & Grup Simsek - Istanbul'un Kuslari
8
Derya Yildirim & Grup Simsek - Direne Direne
9
Derya Yildirim & Grup Simsek - Ceylan
10
Derya Yildirim & Grup Simsek - Misket
11
Derya Yildirim & Grup Simsek - Günes
Clear Pink w/ Purple Smoke Vinyl!
Big Crown Records is proud to present Derya Yildirim & Grup Simsek’s latest album Yarin Yoksa. The show stopping intensity of Derya backed by the psychedelic soul of Grup Simsek with production by Leon Michels has yielded a stand out record that challenges genre with a broad appeal and a powerful message.
They refer to themselves as “outernational” over international as they say it suggests a sound that’s more inclusive or “beyond borders.” Derya, who sings and plays the baglama, is German born to Turkish parents. Drummer Helen Wells is Berlin-based by way of South Africa while keyboard player Graham Mushnik and guitar/bass player Antonin Voyant are both French. The collective influences they bring to Anatolian music make for a completely unique and fresh sound that both pushes the genre forward and champions its rich heritage.
Yarin Yoksa which translates to If There Is No Tomorrow delves into deeply personal pain and collective resistance with a central thread of loss, longing, and hope for change running throughout. The lyrics are poetic and rely heavily on symbolic language, metaphors, and storytelling while the music shifts track to track making each tune stand out on its own but work together perfectly as an album.
“Cool Hand”, the first single released on Big Crown in September of 2024, is a beautiful juxtaposition of intensity and lightheartedness over a thoroughly infectious groove. The message is poetic and complicated, repeatedly declaring “I love you, I’m crazy about you” but ultimately finding a sense of peace through accepting a broken heart. “Direne Direne” is a protest song that embodies the struggle and tireless pursuit of justice encouraging people to resist oppression. Derya’s lyrics soar over the psych-soul musical backdrop as her story of personal struggle transforms to a universal call for resilience and strength. The slow and weighty vibe of “Yakamoz” lets onto the meaning of the lyrics even to those who don’t understand Turkish. It is a deeply moving song that captures the profound emotions connected to displacement and loss without knowing if you will ever return. The steady groove of the band, along with the anguished vocals paint a vivid picture of the devastation experienced by the protagonist who ultimately realizes that her roots are within her and anywhere she goes is her home.
Nine of the tunes on the album are original compositions but they also take on three Anatollian folk songs with their own inimitable approach. The acapella introduction of “Misket”, a folk song from Ankara/Türkiye, will stop you in your tracks. The tune deals with death and how the living cope and continue a relationship with those who have passed away. Another traditional tune from Sivas that they put their signature sound to is “Hop Bico”, a tune about a playful character named Bico who is a symbol of vitality and spirit. The synth intro grabs your ear from the first note and the earworm chorus encouraging Bico to lead the group in celebration and embrace life through dance has the same effect on everyone who hears it.
The band has taken a big step forward that you can hear on this record. Derya’s passion and authenticity is front and center and the music is too moving to deny. Yarin Yoksa is sure to captivate the hearts and minds of all those who hear it, and just wait til you hear them play it live…
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Big Crown Records is proud to present Derya Yildirim & Grup Simsek’s latest album Yarin Yoksa. The show stopping intensity of Derya backed by the psychedelic soul of Grup Simsek with production by Leon Michels has yielded a stand out record that challenges genre with a broad appeal and a powerful message.
They refer to themselves as “outernational” over international as they say it suggests a sound that’s more inclusive or “beyond borders.” Derya, who sings and plays the baglama, is German born to Turkish parents. Drummer Helen Wells is Berlin-based by way of South Africa while keyboard player Graham Mushnik and guitar/bass player Antonin Voyant are both French. The collective influences they bring to Anatolian music make for a completely unique and fresh sound that both pushes the genre forward and champions its rich heritage.
Yarin Yoksa which translates to If There Is No Tomorrow delves into deeply personal pain and collective resistance with a central thread of loss, longing, and hope for change running throughout. The lyrics are poetic and rely heavily on symbolic language, metaphors, and storytelling while the music shifts track to track making each tune stand out on its own but work together perfectly as an album.
“Cool Hand”, the first single released on Big Crown in September of 2024, is a beautiful juxtaposition of intensity and lightheartedness over a thoroughly infectious groove. The message is poetic and complicated, repeatedly declaring “I love you, I’m crazy about you” but ultimately finding a sense of peace through accepting a broken heart. “Direne Direne” is a protest song that embodies the struggle and tireless pursuit of justice encouraging people to resist oppression. Derya’s lyrics soar over the psych-soul musical backdrop as her story of personal struggle transforms to a universal call for resilience and strength. The slow and weighty vibe of “Yakamoz” lets onto the meaning of the lyrics even to those who don’t understand Turkish. It is a deeply moving song that captures the profound emotions connected to displacement and loss without knowing if you will ever return. The steady groove of the band, along with the anguished vocals paint a vivid picture of the devastation experienced by the protagonist who ultimately realizes that her roots are within her and anywhere she goes is her home.
Nine of the tunes on the album are original compositions but they also take on three Anatollian folk songs with their own inimitable approach. The acapella introduction of “Misket”, a folk song from Ankara/Türkiye, will stop you in your tracks. The tune deals with death and how the living cope and continue a relationship with those who have passed away. Another traditional tune from Sivas that they put their signature sound to is “Hop Bico”, a tune about a playful character named Bico who is a symbol of vitality and spirit. The synth intro grabs your ear from the first note and the earworm chorus encouraging Bico to lead the group in celebration and embrace life through dance has the same effect on everyone who hears it.
The band has taken a big step forward that you can hear on this record. Derya’s passion and authenticity is front and center and the music is too moving to deny. Yarin Yoksa is sure to captivate the hearts and minds of all those who hear it, and just wait til you hear them play it live…
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Big Crown Records
Cat-No:BCRLP42
Release-Date:24.02.2025
Genre:Soul/Funk
Configuration:7"
Barcode:
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Killer cover of the Wu classic 'Shadow Boxin' from GZA's cinematic masterpiece 'Liquid Swords'. El Michels Affair takes the tune and makes it their own with dancing guitar licks, floating organ notes, and their signature heavy drums. On the flip, they cover Ghostface's 'Iron Maiden', the tune that opened up and set the tone for his debut classic 'Ironman'!
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Big Crown Records
Cat-No:BCRLP185
Release-Date:15.11.2024
Genre:Soul/Funk
Configuration:LP
Barcode:0349223018516
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Cat-No:BCRLP185
Release-Date:15.11.2024
Genre:Soul/Funk
Configuration:LP
Barcode:0349223018516
1
Homer - Rollin' feat. KIRBY
2
Homer - Camera feat. girl named GOLDEN
3
Homer - Deep Sea feat. Hether
4
Homer - Now That It's Over feat. Hether and Flikka
5
Homer - Racecar Driver feat. KIRBY, Hether and girl named GOLDEN
6
Homer - So Get Up! feat. MINOVA and Michael Rault
7
Homer - Wishing Well feat. girl named GOLDEN
8
Homer - Hide It Behind the Light I'm Shining Through feat. girl named GOLDEN
9
Homer - Start Select feat. Hether
10
Homer - Forever and Ever and Ever and Ever feat. Hether
11
Homer - Goldie feat. Dave Guy
Preview: https://www.youtube.com/watch?v=LdCiqqpFmEU
Homer Steinweiss has an incredibly storied career in music that started when he was just a teenager. He's drummed for nearly every "retro soul" group that mattered and his distinctive stickwork helped blend the raw-but-receptive soul sound back into the mainstream via the likes of Amy Winehouse & Sharon Jones. He’s now one of the most in demand drummers in the world, playing with Jonas Brothers, Clairo, Solange, Adele, and Bruno Mars to name a few. With his debut solo release Ensatina, Homer is stepping to the forefront as both musician and producer. His new record is a reflection of who he is now and a testament to how struggle often brings about a needed change.
In 2020 Homer had to reckon with considerable emotional turbulence; at the same time that his band Holy Hive broke up, a personal relationship of 20+ years fell apart putting Homer in an uncertain place mentally. The fallout was significant enough for him to seek professional help. "I was going through these super manic highs and then very depressive lows," Homer describes. "And being in all that, it's just so tough to imagine that the other side is there, that it'll be ok." But, with time, professional help, and support from friends and family, Homer made it through and has been forever changed. This album is a product of that period of his life.
The first song from these sessions, “Now That It’s Over” perfectly sums up Homer’s triumph through those tough times. It's a song of changing perspective and contemplation with haunting vocals from Hether and Flikka. "Paul (Castelluzzo—aka, Hether), as a friend, saw me through these highs and lows," Homer points out. "I only had the one line, 'Now that it's over, I'm alright,' but he felt that lyric so much that he wrote all these sections and lyrics and basically completed the song. It was like he was writing to me." Hether also features on album standouts “Deep Sea”, a modern love song, “Start Select”, a juxtaposition of inspiration and melancholy, and “Forever and Ever and Ever and Ever” which is an incredible contemporary take on the B side soul ballad. Homer uses his innate gift for bringing seemingly opposing energies together on “Racecar Driver”, pairing the vocals of Hether & long time friend and collaborator KIRBY to make a genre challenging banger. KIRBY also graces the album opener “Rollin’”, an airy, warm-weather invoking song that her raspy voice perfectly compliments. He puts his drumming front and center on “So Get Up!”, a bottom heavy infectious track that MINOVA’s vocals turn into an instant hit that is sure to smash speakers. On “Wishing Well” & “Hide It Behind the Light I’m Shining Through” Homer is joined by girl named GOLDEN, who’s unique voice effortlessly finds the pocket in each tune. The man on trumpet, and fellow Big Crown label mate Dave Guy, puts his incomparable playing on the album closer “Goldie” which Homer says is the part of the movie where the credits roll.
Making this album was a refuge for Homer and it put him back on track. Ensatina is a glimpse into the different energies and influences that make Homer tick. To say he was always much more than a drummer would be an understatement, and this first solo offering is just the beginning of his next chapter.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Homer Steinweiss has an incredibly storied career in music that started when he was just a teenager. He's drummed for nearly every "retro soul" group that mattered and his distinctive stickwork helped blend the raw-but-receptive soul sound back into the mainstream via the likes of Amy Winehouse & Sharon Jones. He’s now one of the most in demand drummers in the world, playing with Jonas Brothers, Clairo, Solange, Adele, and Bruno Mars to name a few. With his debut solo release Ensatina, Homer is stepping to the forefront as both musician and producer. His new record is a reflection of who he is now and a testament to how struggle often brings about a needed change.
In 2020 Homer had to reckon with considerable emotional turbulence; at the same time that his band Holy Hive broke up, a personal relationship of 20+ years fell apart putting Homer in an uncertain place mentally. The fallout was significant enough for him to seek professional help. "I was going through these super manic highs and then very depressive lows," Homer describes. "And being in all that, it's just so tough to imagine that the other side is there, that it'll be ok." But, with time, professional help, and support from friends and family, Homer made it through and has been forever changed. This album is a product of that period of his life.
The first song from these sessions, “Now That It’s Over” perfectly sums up Homer’s triumph through those tough times. It's a song of changing perspective and contemplation with haunting vocals from Hether and Flikka. "Paul (Castelluzzo—aka, Hether), as a friend, saw me through these highs and lows," Homer points out. "I only had the one line, 'Now that it's over, I'm alright,' but he felt that lyric so much that he wrote all these sections and lyrics and basically completed the song. It was like he was writing to me." Hether also features on album standouts “Deep Sea”, a modern love song, “Start Select”, a juxtaposition of inspiration and melancholy, and “Forever and Ever and Ever and Ever” which is an incredible contemporary take on the B side soul ballad. Homer uses his innate gift for bringing seemingly opposing energies together on “Racecar Driver”, pairing the vocals of Hether & long time friend and collaborator KIRBY to make a genre challenging banger. KIRBY also graces the album opener “Rollin’”, an airy, warm-weather invoking song that her raspy voice perfectly compliments. He puts his drumming front and center on “So Get Up!”, a bottom heavy infectious track that MINOVA’s vocals turn into an instant hit that is sure to smash speakers. On “Wishing Well” & “Hide It Behind the Light I’m Shining Through” Homer is joined by girl named GOLDEN, who’s unique voice effortlessly finds the pocket in each tune. The man on trumpet, and fellow Big Crown label mate Dave Guy, puts his incomparable playing on the album closer “Goldie” which Homer says is the part of the movie where the credits roll.
Making this album was a refuge for Homer and it put him back on track. Ensatina is a glimpse into the different energies and influences that make Homer tick. To say he was always much more than a drummer would be an understatement, and this first solo offering is just the beginning of his next chapter.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
7"
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Label:Big Crown Records
Cat-No:BCRLP145
Release-Date:27.09.2024
Genre:Soul/Funk
Configuration:7"
Barcode:0349223014525
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Cat-No:BCRLP145
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Configuration:7"
Barcode:0349223014525
1
Derya Yildirim & Grup Simsek - Cool Hand
2
Derya Yildirim & Grup Simsek - Yakamoz
Big Crown Records is proud to present Derya Yildirim & Grup Simsek’s debut 7” offering on the label. They came to New York in June of 2024 to record their new album at The Diamond Mine Studio in Queens with Leon Michels handling production. These are the first two tunes from those sessions and they are very telling of what is to come on the new album.
The A side “Cool Hand” is a beautiful juxtaposition of intensity and lightheartedness with lyrics that explore the depths of unrequited love while the music is uplifting and bright. Derya’s passionate vocals and maverick Saz playing ride atop the band’s infectious groove as she conjures images of pink mountains and unbloomed yellow tulips. The message is poetic and complicated, repeatedly declaring “I love you, I’m crazy about you” but ultimately finding a sense of peace through accepting a broken heart.
The B side “Yakamoz” is a deeply moving song that captures the profound emotions connected to displacement and loss. The lyrics tell the story of someone who had to leave their home, the place of their roots, out of necessity and is uncertain if they will ever return. A sense of irreversible departure is echoed in the recurring lines, “I can’t go back home again, I can’t look back.” The steady groove of the band, along with the anguished vocals paint a vivid picture of the devastation experienced by the protagonist who ultimately realizes that her roots are within her and anywhere she goes is her home.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
The A side “Cool Hand” is a beautiful juxtaposition of intensity and lightheartedness with lyrics that explore the depths of unrequited love while the music is uplifting and bright. Derya’s passionate vocals and maverick Saz playing ride atop the band’s infectious groove as she conjures images of pink mountains and unbloomed yellow tulips. The message is poetic and complicated, repeatedly declaring “I love you, I’m crazy about you” but ultimately finding a sense of peace through accepting a broken heart.
The B side “Yakamoz” is a deeply moving song that captures the profound emotions connected to displacement and loss. The lyrics tell the story of someone who had to leave their home, the place of their roots, out of necessity and is uncertain if they will ever return. A sense of irreversible departure is echoed in the recurring lines, “I can’t go back home again, I can’t look back.” The steady groove of the band, along with the anguished vocals paint a vivid picture of the devastation experienced by the protagonist who ultimately realizes that her roots are within her and anywhere she goes is her home.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Big Crown Records
Cat-No:BCRLP177
Release-Date:20.09.2024
Configuration:LP
Barcode:0349223017717
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Cat-No:BCRLP177
Release-Date:20.09.2024
Configuration:LP
Barcode:0349223017717
1
Dave Guy - 7th Heaven
2
Dave Guy - Footwork
3
Dave Guy - I'll Follow You
4
Dave Guy - Morning Glory
5
Dave Guy - Pinky Ring
6
Dave Guy - Diamond Encore
7
Dave Guy - Still Standing
8
Dave Guy - Dave Wants You
9
Dave Guy - Drony Boy
10
Dave Guy - Quesodillas
11
Dave Guy - The Green Door
12
Dave Guy - Ruby's Rubies
Big Crown Records is proud to present Dave Guy’s debut album Ruby.
Having lent his talents both on stage and in the studio to artists like Amy Winehouse, Lizzo, Pharrell, and Sharon Jones and currently playing every night on The Tonight Show as a member of The Roots, Dave steps out on his own with a jazz record that is both unique and modern. Ruby mixes his musical influences with the energies of the city that raised him, capturing different moods and inviting the listener into the world as Dave Guy sees and feels it.
Recorded in Queens at The Legendary Diamond Mine, the album is produced by Homer Steinweiss and Nick Movshon and features musical contributions from Leon Michels, Marco Benevento, Claire Cottrill, and more.
Ruby instantly sits with the classics as an album that is fully realized and not simply a collection of songs. Lead single “7th Heaven” opens the album with an anthemic energy as Dave’s horn lines soar over thundering drums, ethereal vocals, and dancing piano. Keeping the energy high, “Footwork” is a Latin inspired number that is sure to soundtrack many a dance floor from SoHo to Harlem. The synth intro of “Pinky Ring” cleanses your palate for the mood shift when the track drops. Deep bass tones underline the impeccable drumming and Dave effortlessly finds the pocket wasting no notes as the verses and choruses trade off. The record leans into spiritual jazz vibes on “Diamond Encore” with a dark and deep almost “Axelrodish” rhythm track then picks the energy back up with the stomper “Still Standing”. “Dave Wants You” has a bop all its own with an unorthodox drum pattern that Dave anchors with his trumpet hits. The otherworldly arrangement of “Drony Boy” puts the production on a pedestal. The first intro almost serves as an intermission on the album while the second intro sets up the neck snapping track that is about to drop. A menacing guitar signals the builds and the whole thing is juxtaposed by Dave’s beautiful trumpet riffs. “Quesodillas” & “Green Door” begin the autumn of the album with their mellow & intimate energy and “Ruby’s Rubies”, the album’s closer is the perfect ending to the journey.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Having lent his talents both on stage and in the studio to artists like Amy Winehouse, Lizzo, Pharrell, and Sharon Jones and currently playing every night on The Tonight Show as a member of The Roots, Dave steps out on his own with a jazz record that is both unique and modern. Ruby mixes his musical influences with the energies of the city that raised him, capturing different moods and inviting the listener into the world as Dave Guy sees and feels it.
Recorded in Queens at The Legendary Diamond Mine, the album is produced by Homer Steinweiss and Nick Movshon and features musical contributions from Leon Michels, Marco Benevento, Claire Cottrill, and more.
Ruby instantly sits with the classics as an album that is fully realized and not simply a collection of songs. Lead single “7th Heaven” opens the album with an anthemic energy as Dave’s horn lines soar over thundering drums, ethereal vocals, and dancing piano. Keeping the energy high, “Footwork” is a Latin inspired number that is sure to soundtrack many a dance floor from SoHo to Harlem. The synth intro of “Pinky Ring” cleanses your palate for the mood shift when the track drops. Deep bass tones underline the impeccable drumming and Dave effortlessly finds the pocket wasting no notes as the verses and choruses trade off. The record leans into spiritual jazz vibes on “Diamond Encore” with a dark and deep almost “Axelrodish” rhythm track then picks the energy back up with the stomper “Still Standing”. “Dave Wants You” has a bop all its own with an unorthodox drum pattern that Dave anchors with his trumpet hits. The otherworldly arrangement of “Drony Boy” puts the production on a pedestal. The first intro almost serves as an intermission on the album while the second intro sets up the neck snapping track that is about to drop. A menacing guitar signals the builds and the whole thing is juxtaposed by Dave’s beautiful trumpet riffs. “Quesodillas” & “Green Door” begin the autumn of the album with their mellow & intimate energy and “Ruby’s Rubies”, the album’s closer is the perfect ending to the journey.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
LP
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Label:Big Crown Records
Cat-No:BCRLPC1129
Release-Date:06.09.2024
Genre:Dope Beat/Hip Hop
Configuration:LP
Barcode:0349223012910
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Cat-No:BCRLPC1129
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Genre:Dope Beat/Hip Hop
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Barcode:0349223012910
1
El Michels Affair & Black Thought - Grateful (Instrumental)
2
El Michels Affair & Black Thought - Glorious Game (Instrumental)
3
El Michels Affair & Black Thought - I'm Still Somehow (Instrumental)
4
El Michels Affair & Black Thought - Hollow Way (Instrumental)
5
El Michels Affair & Black Thought - Protocol (Instrumental)
6
El Michels Affair & Black Thought - The Weather (Instrumental)
7
El Michels Affair & Black Thought - That Girl (Instrumental)
8
El Michels Affair & Black Thought - I Would Never (Instrumental)
9
El Michels Affair & Black Thought - Alone (Instrumental)
10
El Michels Affair & Black Thought - Miracle (Instrumental)
11
El Michels Affair & Black Thought - Glorious Game (Reprise) (Instrumental)
12
El Michels Affair & Black Thought - Alter Ego Feat. Brainstory (Instrumental)
Blood Smoke Vinyl. The Instrumental version of the underground classic El Michels Affair & Black Thought collaborative album Glorious Game When Leon Michels and El Michels Affair released their rst record, Sounding Out The City, in 2005, it was hard to guess what was next for Michels and his then-introduced, now-patented "cinematic soul" sound. Now, four EMA studio albums and scores of tribute and remix projects later_all while producing for some of the biggest names in the industry_Michels has trademarked his sound, with each project taking audiences somewhere new and pushing the boundaries of what he is known for. The man is a river, not a lake and this time he takes his golden touch into the realm of hip-hop laying down a musical bed for one of the greatest to ever rhyme into a microphone: Black Thought of The Roots crew. Releasing on Big Crown Records, the LP is called Glorious Game and it is a remarkable debut partnership in more ways than one. Michels provides his bottom-heavy, soul-tinged production for Black Thought who gives us some of the more personal and transparent verses we've ever heard from him. Michels and Black Thought have been in each other's orbit for a while now. The two rst met in the 2000s when Thought was rst getting familiar with the contemporary soul scene. "Out of that whole world, Menahan Street Band was probably my favorite," recalling the funk and soul group Michels was a founding member of back in 2007. Fast forward a few years and musicians from that collective_Dave Guy on trumpet and Ian Hendrickson-Smith on sax _are now full time players with The Roots. This connection eventually led Leon and Thought to doing a few fundraising events around NYC and Philly together. "Before long, Black Thought was coming around the studio and would jam with us from time to time," Michels explains. "Then, fast forward to 2020 and COVID lockdowns, he just hit me up out of the blue, wanting me to send him stuff to write to. We both were looking to stay busy." Being that Black Thought is the co-founder and emcee for, hands down, the best live-band group in hip-hop. Michels took a decidedly different approach to this project and instead of sending recorded tracks of live compositions, he pulled out the sampler and sampled himself and some records from his collection. "I'm a big fan of soul music," as if Michels has to remind us. "And part of hip-hop's appeal to me has always been the sample-based production" For Glorious Game, Michels would make wholly composed and recorded soul songs in his studio, sample himself, then chop and/or loop up his sounds and create instrumentals for Black Thought. On some tracks he took a more traditional hip-hop approach, starting from samples of other people's music but then adding live instrumentation on top.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
LP
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Label:Big Crown Records
Cat-No:BCRLPC2179
Release-Date:09.08.2024
Genre:Soul/Funk
Configuration:LP
Barcode:0349223017953
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Release-Date:09.08.2024
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Barcode:0349223017953
1
Thee Marloes - I Know
2
Thee Marloes - Logika
3
Thee Marloes - Summer
4
Thee Marloes - Midnight Hotline
5
Thee Marloes - Beri Cinta Waktu
6
Thee Marloes - True Love
7
Thee Marloes - Mungkin Saja
8
Thee Marloes - Not Today
9
Thee Marloes - Over
10
Thee Marloes - No One Else
11
Thee Marloes - Nona
12
Thee Marloes - Thank You
Preview: https://www.youtube.com/watch?v=JgRmvgOYH0Y
Big Crown Records ist stolz darauf, "Perak", das Debütalbum von Thee Marloes, zu präsentieren. Wenn man Thee Marloes zum ersten Mal hört, mag einem ihr spezieller Soul-Sound vertraut vorkommen. Da sind die wuchtigen Trommeln, eine sanfte Gitarre und eine schöne Stimme, die über unerwiderte Liebe und die Komplikationen in Herzensangelegenheiten singt. Aber dann ist da etwas unbestreitbar anderes an Thee Marloes und ihrer Musik, etwas Neues und Unverwechselbares. Die meisten, die mit Soulmusik vertraut sind, haben wahrscheinlich noch nie etwas aus Surabaya, Indonesien, gehört - dem Ort, den Thee Marloes ihre Heimat nennen. Thee Marloes, das sind Natassya Sianturi (Gesang und Keyboard), Tommy Satwick (Schlagzeug) und Sinatrya ("Raka") Dharaka (Gitarre und Produktion). Ihr Sound hat die universelle Anziehungskraft von Soul, Jazz und Pop, aber mit einem ganz eigenen Ansatz, der auf ihre lokale Kultur und ihren globalen Einfluss zurückzuführen ist. Die erste Auskopplung von "Perak" ist "Midnight Hotline", die heiße A-Seite ihrer Debüt-7" auf Big Crown. Eine druckvolle Dancefloor-Nummer mit einem ansteckenden Refrain, vibrierendem Piano und jazzigen Gitarrenlicks. Die B-Seite "Beri Cinta Waktu" ist auch auf dem Album und hat alles, was eine beliebte Soul-Ballade ausmacht, aber der Text ist auf Indonesisch. Unabhängig von der Sprachbarriere ist das Gefühl in ihrer Musik spürbar, was dazu beiträgt, dass ihre Songs nachvollziehbar sind und ans Herz gehen. "I Know" ist ein Mid-Tempo-Song, der davon handelt, wie man den Schleier der Lügen von einer Liebesaffäre, die auf Falschheit beruht, wegzieht. "Not Today" gehört zu den groovigsten Wohlfühlsongs, die man an einem Sonntagmorgen spielen kann. Natassya erinnert uns daran, uns selbst Raum zu geben, ganz gleich, was das Leben uns vor die Füße wirft. "Mungkin Saja" zieht das Tempo mit einem weiteren Dancefloor-Smoker wieder an, während Thee Marloes mit "True Love" in die gefühlvolle Seite des Jazz eintauchen, mit einer Beat-Ballade, die eine Tarantino-Tanzszene untermalen könnte. "Over" beginnt mit einem schweren Drum-Break und entwickelt sich zu einem epischen Arrangement, das in Schichten wunderschöner Melodien getränkt ist und das Chaos einer Liebesaffäre, die abrupt endet, perfekt einfängt. "Perak" ist eine Reise aus dem Herzen Surabayas in den Geist des Soul-Sounds. Es geht darum, einen Raum zu schaffen, wo keiner war, und es zu tun, weil man es liebt. Man spürt den Spaß, den Thee Marloes haben, ihre Musik zu machen, vom Songwriting und Aufnehmen bis hin zu den Auftritten vor Publikum. "Wir wollen das, was wir leben, mit anderen teilen", sagt Natassya. Egal, welche Sprache man spricht oder aus welcher Kultur man kommt, die Musik und die Energie von Thee Marloes sind so charmant, dass wir sie alle noch jahrelang in der Nähe des Plattenspielers haben werden.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Big Crown Records ist stolz darauf, "Perak", das Debütalbum von Thee Marloes, zu präsentieren. Wenn man Thee Marloes zum ersten Mal hört, mag einem ihr spezieller Soul-Sound vertraut vorkommen. Da sind die wuchtigen Trommeln, eine sanfte Gitarre und eine schöne Stimme, die über unerwiderte Liebe und die Komplikationen in Herzensangelegenheiten singt. Aber dann ist da etwas unbestreitbar anderes an Thee Marloes und ihrer Musik, etwas Neues und Unverwechselbares. Die meisten, die mit Soulmusik vertraut sind, haben wahrscheinlich noch nie etwas aus Surabaya, Indonesien, gehört - dem Ort, den Thee Marloes ihre Heimat nennen. Thee Marloes, das sind Natassya Sianturi (Gesang und Keyboard), Tommy Satwick (Schlagzeug) und Sinatrya ("Raka") Dharaka (Gitarre und Produktion). Ihr Sound hat die universelle Anziehungskraft von Soul, Jazz und Pop, aber mit einem ganz eigenen Ansatz, der auf ihre lokale Kultur und ihren globalen Einfluss zurückzuführen ist. Die erste Auskopplung von "Perak" ist "Midnight Hotline", die heiße A-Seite ihrer Debüt-7" auf Big Crown. Eine druckvolle Dancefloor-Nummer mit einem ansteckenden Refrain, vibrierendem Piano und jazzigen Gitarrenlicks. Die B-Seite "Beri Cinta Waktu" ist auch auf dem Album und hat alles, was eine beliebte Soul-Ballade ausmacht, aber der Text ist auf Indonesisch. Unabhängig von der Sprachbarriere ist das Gefühl in ihrer Musik spürbar, was dazu beiträgt, dass ihre Songs nachvollziehbar sind und ans Herz gehen. "I Know" ist ein Mid-Tempo-Song, der davon handelt, wie man den Schleier der Lügen von einer Liebesaffäre, die auf Falschheit beruht, wegzieht. "Not Today" gehört zu den groovigsten Wohlfühlsongs, die man an einem Sonntagmorgen spielen kann. Natassya erinnert uns daran, uns selbst Raum zu geben, ganz gleich, was das Leben uns vor die Füße wirft. "Mungkin Saja" zieht das Tempo mit einem weiteren Dancefloor-Smoker wieder an, während Thee Marloes mit "True Love" in die gefühlvolle Seite des Jazz eintauchen, mit einer Beat-Ballade, die eine Tarantino-Tanzszene untermalen könnte. "Over" beginnt mit einem schweren Drum-Break und entwickelt sich zu einem epischen Arrangement, das in Schichten wunderschöner Melodien getränkt ist und das Chaos einer Liebesaffäre, die abrupt endet, perfekt einfängt. "Perak" ist eine Reise aus dem Herzen Surabayas in den Geist des Soul-Sounds. Es geht darum, einen Raum zu schaffen, wo keiner war, und es zu tun, weil man es liebt. Man spürt den Spaß, den Thee Marloes haben, ihre Musik zu machen, vom Songwriting und Aufnehmen bis hin zu den Auftritten vor Publikum. "Wir wollen das, was wir leben, mit anderen teilen", sagt Natassya. Egal, welche Sprache man spricht oder aus welcher Kultur man kommt, die Musik und die Energie von Thee Marloes sind so charmant, dass wir sie alle noch jahrelang in der Nähe des Plattenspielers haben werden.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
LP
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Label:Big Crown Records
Cat-No:BCRLPC193
Release-Date:21.06.2024
Genre:Soul/Funk
Configuration:LP
Barcode:0349223009347
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Label:Big Crown Records
Cat-No:BCRLPC193
Release-Date:21.06.2024
Genre:Soul/Funk
Configuration:LP
Barcode:0349223009347
1
The Shacks - For Real
2
The Shacks - Trip To Japan
3
The Shacks - Wings
4
The Shacks - Smile Now, Cry Later
5
The Shacks - Gentle Feat. El Michels Affair
6
The Shacks - Sunday
7
The Shacks - Crimson & Clover
8
The Shacks - Wind
9
The Shacks - Bambi
10
The Shacks - Drone
11
The Shacks - My Guy
12
The Shacks - All I Could See
Clear Orange Vinyl!
Compilation mit unveröffentlichten Songs von The Shacks, produziert von El Michels Affair und Max Shrager. Inklusive der Viral-Hit Coverversion von "Crimson & Clover". Für Fans von Katie Bollinger, Drugdealer, Khruangbin, Soccer Mommy, Japanese Breakfast, El Michels Affair, Clairo, Faye Webster, Men I Trust. Die cineastischen Songs von The Shacks, angeführt von Sängerin/Bassistin Shannon Wise und Gitarrist/Produzent Max Shrager, sind der Soundtrack zu einer geheimnisvollen alternativen Realität. The Shacks waren eine der ersten Bands, die bei Big Crown Records unter Vertrag genommen wurden. Shannon war damals 17, also musste bis zu ihrem achtzehnten Geburtstag gewartet werden, bis der Deal abgeschlossen werden konnte. Ihr Einstieg war ein Feature auf dem El Michels Affair-Track "Strange Boy". Als Nächstes folgte die B-Seite der El Michels Affair Single "No Surprise". Dann kam die selbstbetitelte Debüt-EP, und von da an ging es Schlag auf Schlag. The Shacks tourten mit Chicano Batman und Khruangbin durch die USA und Europa. Während einer dieser Tourneen entstand die Apple-Werbung, bei der die The Shacks Coverversion von "This Strange Effect" in einer weltweiten Werbekampagne platziert wurde. Der Regisseur bestand darauf, dass Shannon die Hauptrolle in dem Spot spielte, der in den USA auf allen großen TV-Sendern lief, während des Superbowls, SNL und allen anderen hochkarätigen Sendungen jener Zeit. Später wurde der Spot weltweit ausgestrahlt und erreichte etwa eine Milliarde Aufrufe. 2018 erschien mit "Haze" ihr mit Spannung erwartetes Debütalbum und die Band tourte durch die Welt, um die Platte zu promoten. Doch wie das Schicksal es wollte, brach die Band auseinander, bevor das nächste Album fertiggestellt war. Shannon und Max trennten sich 2020. In der Blütezeit der Band waren sie sehr produktiv und machten jede Menge Aufnahmen, aber viele dieser Songs haben nie das Licht der Welt erblickt. Auf "Big Crown Vaults Vol. 2" wurden nun einige der besten dieser unveröffentlichten Tracks und einige Songs, die nie eine Vinylpressung gesehen haben, für die Fans zusammengestellt.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Compilation mit unveröffentlichten Songs von The Shacks, produziert von El Michels Affair und Max Shrager. Inklusive der Viral-Hit Coverversion von "Crimson & Clover". Für Fans von Katie Bollinger, Drugdealer, Khruangbin, Soccer Mommy, Japanese Breakfast, El Michels Affair, Clairo, Faye Webster, Men I Trust. Die cineastischen Songs von The Shacks, angeführt von Sängerin/Bassistin Shannon Wise und Gitarrist/Produzent Max Shrager, sind der Soundtrack zu einer geheimnisvollen alternativen Realität. The Shacks waren eine der ersten Bands, die bei Big Crown Records unter Vertrag genommen wurden. Shannon war damals 17, also musste bis zu ihrem achtzehnten Geburtstag gewartet werden, bis der Deal abgeschlossen werden konnte. Ihr Einstieg war ein Feature auf dem El Michels Affair-Track "Strange Boy". Als Nächstes folgte die B-Seite der El Michels Affair Single "No Surprise". Dann kam die selbstbetitelte Debüt-EP, und von da an ging es Schlag auf Schlag. The Shacks tourten mit Chicano Batman und Khruangbin durch die USA und Europa. Während einer dieser Tourneen entstand die Apple-Werbung, bei der die The Shacks Coverversion von "This Strange Effect" in einer weltweiten Werbekampagne platziert wurde. Der Regisseur bestand darauf, dass Shannon die Hauptrolle in dem Spot spielte, der in den USA auf allen großen TV-Sendern lief, während des Superbowls, SNL und allen anderen hochkarätigen Sendungen jener Zeit. Später wurde der Spot weltweit ausgestrahlt und erreichte etwa eine Milliarde Aufrufe. 2018 erschien mit "Haze" ihr mit Spannung erwartetes Debütalbum und die Band tourte durch die Welt, um die Platte zu promoten. Doch wie das Schicksal es wollte, brach die Band auseinander, bevor das nächste Album fertiggestellt war. Shannon und Max trennten sich 2020. In der Blütezeit der Band waren sie sehr produktiv und machten jede Menge Aufnahmen, aber viele dieser Songs haben nie das Licht der Welt erblickt. Auf "Big Crown Vaults Vol. 2" wurden nun einige der besten dieser unveröffentlichten Tracks und einige Songs, die nie eine Vinylpressung gesehen haben, für die Fans zusammengestellt.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Big Crown Records
Cat-No:BCRLP112
Release-Date:19.04.2024
Genre:Soul/Funk
Configuration:LP
Barcode:0349223011210
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Last in:22.04.2024
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Label:Big Crown Records
Cat-No:BCRLP112
Release-Date:19.04.2024
Genre:Soul/Funk
Configuration:LP
Barcode:0349223011210
1
Brainstory - Nobody Buy You
2
Brainstory - Peach Optimo
3
Brainstory - Listen
4
Brainstory - Gift Of Life
5
Brainstory - NyNy
6
Brainstory - I Will Be
7
Brainstory - Hanging On
8
Brainstory - XFaded
9
Brainstory - Too Yung
10
Brainstory - Stay
11
Brainstory - Sweet & Lovely
12
Brainstory - Rialto Winds
Big Crown Records is proud to present Brainstory’s sophomore full-length album Sounds Good.
Based in L.A. but hailing from the Inland Empire's own Rialto, California, two-thirds of Brainstory, Kevin and Tony Martin are brothers by blood, while Eric Hagstrom is a brother through their music and long term friendship. Since they started the band they have constantly faced situations that forced them to rise to the occasion. They got signed to Big Crown Records, they stepped up their game. COVID happened, they learned to record themselves. They started touring a ton sharing the stage with the likes of Lady Wray and they got their live show super tight. All of this time spent grinding and growing has certainly paid off. The path to take their art to the next level is clearer than ever, and once again, they are here for it. If there is one thing that is abundantly clear on Sounds Good, it’s that Brainstory has leveled up.
Part of this evolution is undoubtedly attributed to having access to and working constantly in their own studio in Long Beach. Another major factor is that their brotherhood has expanded. "I've been playing music with my brother all my life and now with Eric for a long time," Tony tells us. "Leon, though, is like another brother I've just met."
Leon Michels, Big Crown's co-owner, produced this record and applied his unmistakable golden touch in crucial ways. The other member of the extended Brainstory brotherhood whose contributions were essential to the album, is studio engineer legend Jens Jungkurth who controls the tones and textures of the music. "That's what you're hearing, our connection, the fun moments, the little details," Kevin describes. "This record isn't half what it is without them—and it made us want to match that effort," and match that effort they did.
Album opener "Nobody But You" is an uplifting, dance floor burner, that shows off a new side of Brainstory's range. Drummer Eric Hagstrom’s crushing back beat lays the foundation for an inspirational feel good banger that manages to take the uncomfortable truth that “nobody will save you but you” and turn it into pure blissful motivation. "Peach Optimo" is a laid back half time tune that blends the bounce of Down South Hip-Hop with California G funk and Jazz. They once again show off their B said ballad talents with "Gift Of Life" but this time taking the genre to a new place with lyrics about existentialism and a track that is drop dead gorgeous, haunting, and profound all at once. "NyNy" is an homage to Kev and Tony's recently deceased grandfather while "Too Yung" is a show stopping, deeply personal, stripped down number about being introduced to alcohol at a young age. They put another hit on the boards with "Hanging On," a Latin / Psychedelic Soul inspired banger featuring Claire Cottrill on background vocals while "XFaded” addresses the all too common vicious cycle of smoking and drinking too much over a trippy shuffle.
"It's been four years since our last full length record, and with everything that's happened since, it's like we've been catching up to ourselves." That's one way to describe change: catching up to oneself. Each member of Brainstory has gone through shifts, both personally and musically, and all of that threads through Sounds Good. It's easy to say that the music industry can be short on lasting, genuine relationships. However, for Brainstory, from day one it's been about standing by each other, for each other. Their friendship started the group, and now, this expanded brotherhood is supporting them to push it further. The stars have aligned for them to take a big and well deserved step with this new album and it couldn't have happened to a better group of guys. Ups and downs of course, but they are acutely aware of how good the big picture has been for them and you can hear it in their music—music that just Sounds Good.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Based in L.A. but hailing from the Inland Empire's own Rialto, California, two-thirds of Brainstory, Kevin and Tony Martin are brothers by blood, while Eric Hagstrom is a brother through their music and long term friendship. Since they started the band they have constantly faced situations that forced them to rise to the occasion. They got signed to Big Crown Records, they stepped up their game. COVID happened, they learned to record themselves. They started touring a ton sharing the stage with the likes of Lady Wray and they got their live show super tight. All of this time spent grinding and growing has certainly paid off. The path to take their art to the next level is clearer than ever, and once again, they are here for it. If there is one thing that is abundantly clear on Sounds Good, it’s that Brainstory has leveled up.
Part of this evolution is undoubtedly attributed to having access to and working constantly in their own studio in Long Beach. Another major factor is that their brotherhood has expanded. "I've been playing music with my brother all my life and now with Eric for a long time," Tony tells us. "Leon, though, is like another brother I've just met."
Leon Michels, Big Crown's co-owner, produced this record and applied his unmistakable golden touch in crucial ways. The other member of the extended Brainstory brotherhood whose contributions were essential to the album, is studio engineer legend Jens Jungkurth who controls the tones and textures of the music. "That's what you're hearing, our connection, the fun moments, the little details," Kevin describes. "This record isn't half what it is without them—and it made us want to match that effort," and match that effort they did.
Album opener "Nobody But You" is an uplifting, dance floor burner, that shows off a new side of Brainstory's range. Drummer Eric Hagstrom’s crushing back beat lays the foundation for an inspirational feel good banger that manages to take the uncomfortable truth that “nobody will save you but you” and turn it into pure blissful motivation. "Peach Optimo" is a laid back half time tune that blends the bounce of Down South Hip-Hop with California G funk and Jazz. They once again show off their B said ballad talents with "Gift Of Life" but this time taking the genre to a new place with lyrics about existentialism and a track that is drop dead gorgeous, haunting, and profound all at once. "NyNy" is an homage to Kev and Tony's recently deceased grandfather while "Too Yung" is a show stopping, deeply personal, stripped down number about being introduced to alcohol at a young age. They put another hit on the boards with "Hanging On," a Latin / Psychedelic Soul inspired banger featuring Claire Cottrill on background vocals while "XFaded” addresses the all too common vicious cycle of smoking and drinking too much over a trippy shuffle.
"It's been four years since our last full length record, and with everything that's happened since, it's like we've been catching up to ourselves." That's one way to describe change: catching up to oneself. Each member of Brainstory has gone through shifts, both personally and musically, and all of that threads through Sounds Good. It's easy to say that the music industry can be short on lasting, genuine relationships. However, for Brainstory, from day one it's been about standing by each other, for each other. Their friendship started the group, and now, this expanded brotherhood is supporting them to push it further. The stars have aligned for them to take a big and well deserved step with this new album and it couldn't have happened to a better group of guys. Ups and downs of course, but they are acutely aware of how good the big picture has been for them and you can hear it in their music—music that just Sounds Good.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Big Crown Records
Cat-No:BCRLPC2112
Release-Date:19.04.2024
Genre:Soul/Funk
Configuration:LP
Barcode:0349223011258
backorder
Last in:-
+ Show full info- Close
backorder
Last in:-
Label:Big Crown Records
Cat-No:BCRLPC2112
Release-Date:19.04.2024
Genre:Soul/Funk
Configuration:LP
Barcode:0349223011258
1
Brainstory - Nobody But You
2
Brainstory - Peach Optimo
3
Brainstory - Listen
4
Brainstory - Gift Of Life
5
Brainstory - NyNy
6
Brainstory - I Will Be
7
Brainstory - Hanging On
8
Brainstory - XFaded
9
Brainstory - Too Yung
10
Brainstory - Stay
11
Brainstory - Sweet & Lovely
12
Brainstory - Rialto Winds
Green Felt Vinyl!
Big Crown Records is proud to present Brainstory’s sophomore full-length album Sounds Good.
Based in L.A. but hailing from the Inland Empire's own Rialto, California, two-thirds of Brainstory, Kevin and Tony Martin are brothers by blood, while Eric Hagstrom is a brother through their music and long term friendship. Since they started the band they have constantly faced situations that forced them to rise to the occasion. They got signed to Big Crown Records, they stepped up their game. COVID happened, they learned to record themselves. They started touring a ton sharing the stage with the likes of Lady Wray and they got their live show super tight. All of this time spent grinding and growing has certainly paid off. The path to take their art to the next level is clearer than ever, and once again, they are here for it. If there is one thing that is abundantly clear on Sounds Good, it’s that Brainstory has leveled up.
Part of this evolution is undoubtedly attributed to having access to and working constantly in their own studio in Long Beach. Another major factor is that their brotherhood has expanded. "I've been playing music with my brother all my life and now with Eric for a long time," Tony tells us. "Leon, though, is like another brother I've just met."
Leon Michels, Big Crown's co-owner, produced this record and applied his unmistakable golden touch in crucial ways. The other member of the extended Brainstory brotherhood whose contributions were essential to the album, is studio engineer legend Jens Jungkurth who controls the tones and textures of the music. "That's what you're hearing, our connection, the fun moments, the little details," Kevin describes. "This record isn't half what it is without them—and it made us want to match that effort," and match that effort they did.
Album opener "Nobody But You" is an uplifting, dance floor burner, that shows off a new side of Brainstory's range. Drummer Eric Hagstrom’s crushing back beat lays the foundation for an inspirational feel good banger that manages to take the uncomfortable truth that “nobody will save you but you” and turn it into pure blissful motivation. "Peach Optimo" is a laid back half time tune that blends the bounce of Down South Hip-Hop with California G funk and Jazz. They once again show off their B said ballad talents with "Gift Of Life" but this time taking the genre to a new place with lyrics about existentialism and a track that is drop dead gorgeous, haunting, and profound all at once. "NyNy" is an homage to Kev and Tony's recently deceased grandfather while "Too Yung" is a show stopping, deeply personal, stripped down number about being introduced to alcohol at a young age. They put another hit on the boards with "Hanging On," a Latin / Psychedelic Soul inspired banger featuring Claire Cottrill on background vocals while "XFaded” addresses the all too common vicious cycle of smoking and drinking too much over a trippy shuffle.
"It's been four years since our last full length record, and with everything that's happened since, it's like we've been catching up to ourselves." That's one way to describe change: catching up to oneself. Each member of Brainstory has gone through shifts, both personally and musically, and all of that threads through Sounds Good. It's easy to say that the music industry can be short on lasting, genuine relationships. However, for Brainstory, from day one it's been about standing by each other, for each other. Their friendship started the group, and now, this expanded brotherhood is supporting them to push it further. The stars have aligned for them to take a big and well deserved step with this new album and it couldn't have happened to a better group of guys. Ups and downs of course, but they are acutely aware of how good the big picture has been for them and you can hear it in their music—music that just Sounds Good.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Big Crown Records is proud to present Brainstory’s sophomore full-length album Sounds Good.
Based in L.A. but hailing from the Inland Empire's own Rialto, California, two-thirds of Brainstory, Kevin and Tony Martin are brothers by blood, while Eric Hagstrom is a brother through their music and long term friendship. Since they started the band they have constantly faced situations that forced them to rise to the occasion. They got signed to Big Crown Records, they stepped up their game. COVID happened, they learned to record themselves. They started touring a ton sharing the stage with the likes of Lady Wray and they got their live show super tight. All of this time spent grinding and growing has certainly paid off. The path to take their art to the next level is clearer than ever, and once again, they are here for it. If there is one thing that is abundantly clear on Sounds Good, it’s that Brainstory has leveled up.
Part of this evolution is undoubtedly attributed to having access to and working constantly in their own studio in Long Beach. Another major factor is that their brotherhood has expanded. "I've been playing music with my brother all my life and now with Eric for a long time," Tony tells us. "Leon, though, is like another brother I've just met."
Leon Michels, Big Crown's co-owner, produced this record and applied his unmistakable golden touch in crucial ways. The other member of the extended Brainstory brotherhood whose contributions were essential to the album, is studio engineer legend Jens Jungkurth who controls the tones and textures of the music. "That's what you're hearing, our connection, the fun moments, the little details," Kevin describes. "This record isn't half what it is without them—and it made us want to match that effort," and match that effort they did.
Album opener "Nobody But You" is an uplifting, dance floor burner, that shows off a new side of Brainstory's range. Drummer Eric Hagstrom’s crushing back beat lays the foundation for an inspirational feel good banger that manages to take the uncomfortable truth that “nobody will save you but you” and turn it into pure blissful motivation. "Peach Optimo" is a laid back half time tune that blends the bounce of Down South Hip-Hop with California G funk and Jazz. They once again show off their B said ballad talents with "Gift Of Life" but this time taking the genre to a new place with lyrics about existentialism and a track that is drop dead gorgeous, haunting, and profound all at once. "NyNy" is an homage to Kev and Tony's recently deceased grandfather while "Too Yung" is a show stopping, deeply personal, stripped down number about being introduced to alcohol at a young age. They put another hit on the boards with "Hanging On," a Latin / Psychedelic Soul inspired banger featuring Claire Cottrill on background vocals while "XFaded” addresses the all too common vicious cycle of smoking and drinking too much over a trippy shuffle.
"It's been four years since our last full length record, and with everything that's happened since, it's like we've been catching up to ourselves." That's one way to describe change: catching up to oneself. Each member of Brainstory has gone through shifts, both personally and musically, and all of that threads through Sounds Good. It's easy to say that the music industry can be short on lasting, genuine relationships. However, for Brainstory, from day one it's been about standing by each other, for each other. Their friendship started the group, and now, this expanded brotherhood is supporting them to push it further. The stars have aligned for them to take a big and well deserved step with this new album and it couldn't have happened to a better group of guys. Ups and downs of course, but they are acutely aware of how good the big picture has been for them and you can hear it in their music—music that just Sounds Good.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Big Crown Records
Cat-No:BCRLP131
Release-Date:23.02.2024
Genre:Dub/Reggae
Configuration:LP
Barcode:0349223013115
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Last in:21.01.2025
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Last in:21.01.2025
Label:Big Crown Records
Cat-No:BCRLP131
Release-Date:23.02.2024
Genre:Dub/Reggae
Configuration:LP
Barcode:0349223013115
1
Liam Bailey - Holding On
2
Liam Bailey - Dumb
3
Liam Bailey - Sekkle Down
4
Liam Bailey - Boy
5
Liam Bailey - Dance With Me
6
Liam Bailey - Disorder Starts At Home
7
Liam Bailey - Mercy Tree
8
Liam Bailey - Sour Wine
9
Liam Bailey - Canary In The Coal Mine
10
Liam Bailey - Winter Is WIthin Thee
11
Liam Bailey - I Got No Answers
12
Liam Bailey - Light Up The Darkness
Big Crown Records is proud to present Zero Grace, Liam Bailey’s sophomore album on the label. Following the success of 2020’s Ekundayo album, the tried and true chemistry of Bailey and producer Leon Michels (El Michels Affair) is on full display again as they take the sound they established and push it further. On Zero Grace they lean more into the bleeding heart singer-songwriter side of Liam. The result, much like Bailey himself, is impulsively honest without reserve.
Born and raised in Nottingham, England, the son of an English mother and 2nd generation Jamaican English father, Liam will admit his early childhood was fairly chaotic and filled with "all the cliche racism that happens when people started mixing up in the '80s in England." Liam got his early influences from his mom’s record collection. Bob Marley and Dillinger, Stevie Wonder and The Supremes, The Beatles and Jimi Hendrix would eventually shape the singer/songwriter we know today. Fast-forward to 2005, Liam is in London performing at every open mic and acoustic night he could, hustling with hopes of landing a record deal. It was through this time that Liam first teamed up with Michels, musician/producer luminary, and the co-founder of Brooklyn's own Big Crown Records. Liam flew out to New York and those first sessions together produced the now classic tunes “When Will They Learn” and “I’m Gonna Miss You” which still gets spins at Reggae spots around the globe and were co-signed by heavy hitters like David Rodigan & Don Letts.
That first trip to NYC brought a lot of industry attention to Liam, including being noticed by a just-famous Amy Winehouse who heard one of Liam's apartment-made, lo-fi recordings, and liked what she heard. Regardless of the audio quality, Liam's particular sound shone through—all guitar, warm-rough and genuine soul. Eventually Liam signed to Polydor and wound up bumping against the typical major label industry obstacles. They already had an idea of the Liam they wanted to make, promote, and push. With the typical large advance enticement, Liam did his best to trust that path. "Maybe I can make it work,' that's what you're thinking," Liam remembers, "but, you quickly find out that you can't."
Zero Grace is full of freedom and love, in fact, working with Leon Michels and Big Crown Records has encouraged Liam to be himself. On album opener “Holding On '' Bailey speaks to his observations & fears when looking out at the world in front of him and also to the dedication it has taken to get on the other side of his personal trials & tribulations. “Dance With Me" is an instantly infectious two-stepper that nods to those incredible soul records that were coming out of Jamaica during the early Reggae days. Bailey steps into the dance with hopes of finding a new love and pulls us all out on the dance floor with him. “Disorder Starts At Home” is another close to the chest tune that addresses the difficulties he struggles with from his early chaotic childhood and his progress in getting past them. "Mercy Tree" is a powerhouse of Reggae Rebel Music. Bailey addresses the racial tensions that plague humanity and encourages everyone to step up and do their part to help foster equality. What starts out as a declaration of injustice turns into a call for action and an inspiration for hope.
Bailey has managed another album that moves across genres but remains entirely cohesive. The title Zero Grace represents his uninhibited energy. He wears his heart on his sleeve, he speaks his mind without filters, and he has little concern for formalities where his ambitions are concerned. He won't be held back ever. One thing is for sure, his talent speaks for itself, and it is on full display on this album.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Born and raised in Nottingham, England, the son of an English mother and 2nd generation Jamaican English father, Liam will admit his early childhood was fairly chaotic and filled with "all the cliche racism that happens when people started mixing up in the '80s in England." Liam got his early influences from his mom’s record collection. Bob Marley and Dillinger, Stevie Wonder and The Supremes, The Beatles and Jimi Hendrix would eventually shape the singer/songwriter we know today. Fast-forward to 2005, Liam is in London performing at every open mic and acoustic night he could, hustling with hopes of landing a record deal. It was through this time that Liam first teamed up with Michels, musician/producer luminary, and the co-founder of Brooklyn's own Big Crown Records. Liam flew out to New York and those first sessions together produced the now classic tunes “When Will They Learn” and “I’m Gonna Miss You” which still gets spins at Reggae spots around the globe and were co-signed by heavy hitters like David Rodigan & Don Letts.
That first trip to NYC brought a lot of industry attention to Liam, including being noticed by a just-famous Amy Winehouse who heard one of Liam's apartment-made, lo-fi recordings, and liked what she heard. Regardless of the audio quality, Liam's particular sound shone through—all guitar, warm-rough and genuine soul. Eventually Liam signed to Polydor and wound up bumping against the typical major label industry obstacles. They already had an idea of the Liam they wanted to make, promote, and push. With the typical large advance enticement, Liam did his best to trust that path. "Maybe I can make it work,' that's what you're thinking," Liam remembers, "but, you quickly find out that you can't."
Zero Grace is full of freedom and love, in fact, working with Leon Michels and Big Crown Records has encouraged Liam to be himself. On album opener “Holding On '' Bailey speaks to his observations & fears when looking out at the world in front of him and also to the dedication it has taken to get on the other side of his personal trials & tribulations. “Dance With Me" is an instantly infectious two-stepper that nods to those incredible soul records that were coming out of Jamaica during the early Reggae days. Bailey steps into the dance with hopes of finding a new love and pulls us all out on the dance floor with him. “Disorder Starts At Home” is another close to the chest tune that addresses the difficulties he struggles with from his early chaotic childhood and his progress in getting past them. "Mercy Tree" is a powerhouse of Reggae Rebel Music. Bailey addresses the racial tensions that plague humanity and encourages everyone to step up and do their part to help foster equality. What starts out as a declaration of injustice turns into a call for action and an inspiration for hope.
Bailey has managed another album that moves across genres but remains entirely cohesive. The title Zero Grace represents his uninhibited energy. He wears his heart on his sleeve, he speaks his mind without filters, and he has little concern for formalities where his ambitions are concerned. He won't be held back ever. One thing is for sure, his talent speaks for itself, and it is on full display on this album.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Big Crown Records
Cat-No:BCRLP148
Release-Date:22.09.2023
Genre:Soul/Funk
Configuration:LP
Barcode:0349223014815
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Label:Big Crown Records
Cat-No:BCRLP148
Release-Date:22.09.2023
Genre:Soul/Funk
Configuration:LP
Barcode:0349223014815
Tracklist:
1. This Is My Story
2.Love It Is Not Love (feat. Shanny of The Shacks) https://www.youtube.com/watch?v=1ff2vgkorpM
3.Green Milk
4.Red Is The Rose (Folk Version)
5.The Shame
6.Swimmer
7.Celeste
8.Kingdom Of The Sun 03:44
9.Middle Of The Night
10.A Perfect Space
11.Driftless
12.End Of Time
Holy Hive released two full length albums and one EP in the short span of 3 years and then they decided to disband. In 2019, while recording their debut album world renown harpist Mary Lattimore was in NY. They got together in the studio on a whim and wound up recording their Harping EP in a few days. They followed that up with their 2020 full length debut Float Back To You which became an instant cult classic and defined their unique “Folk Soul” sound. Frontman Paul Spring’s tender falsetto and maverick guitar playing over Homer Steinweiss’ incomparable drumming and production proved to be a match made in heaven and created a sound that piqued the ears and charmed the hearts of all those who heard it. By the time they started recording their sophomore album COVID, commitments, and life started taking their toll on the band.
Spring and Steinweiss took their sound and pushed it way forward on their eponymous 2nd album keeping the anchor of their sound they established while exploring where else they could take it. Unbeknownst to the public by the time that record was released the band was done and had moved on to other things individually. While fans will undoubtedly not like this news, we will all have the timeless music they made while together, and, prolific they certainly were…
Big Crown Vaults Vol. 3 : Holy Hive digs into the treasure trove of unreleased recordings and pulls some that never saw their way to vinyl and in all honesty, this is not even half of what is in there. These recordings were made during their two album sessions largely, some were recorded before they even signed to Big Crown. The compilation kicks off with the tune that started it all on the label, their smashing cover of The Invincibles “This Is My Story” that was previously only on a 7”. “Love It Is Not Love”, “Middle Of The Night”, “Celeste”, and their cover of “Kingdom Of The Sun” all feature guest vocals by Shanny of The Shacks who had started playing bass with them at their live shows and sitting in on a lot of the recording sessions. “The Shame” features Robin Pecknold of Fleet Foxes on bass and El Michels Affair on flute, the latter also plays on “A Perfect Space”. At one point in time the would turn the live show over to Paul Spring who would perform the Irish folk tune “Red Is The Rose” in a traditional style with just him singing and playing acoustic guitar and then launch into their rendition of the song that is on Float Back To You. That stripped down version is featured here on Vaults Vol. 3. The comp finishes poetically with “End Of Time” and it is unlikely that we will ever release the rest of what is sitting in the vault.
On behalf of ourselves and all the fans we’d like to take this time to thank Holy Hive for the gorgeous music they made together. We will continue to enjoy it forever. Of course as individuals everyone involved from the core members to the people who lent their talents to certain songs continue to make music. Find them, follow them, enjoy their music.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1. This Is My Story
2.Love It Is Not Love (feat. Shanny of The Shacks) https://www.youtube.com/watch?v=1ff2vgkorpM
3.Green Milk
4.Red Is The Rose (Folk Version)
5.The Shame
6.Swimmer
7.Celeste
8.Kingdom Of The Sun 03:44
9.Middle Of The Night
10.A Perfect Space
11.Driftless
12.End Of Time
Holy Hive released two full length albums and one EP in the short span of 3 years and then they decided to disband. In 2019, while recording their debut album world renown harpist Mary Lattimore was in NY. They got together in the studio on a whim and wound up recording their Harping EP in a few days. They followed that up with their 2020 full length debut Float Back To You which became an instant cult classic and defined their unique “Folk Soul” sound. Frontman Paul Spring’s tender falsetto and maverick guitar playing over Homer Steinweiss’ incomparable drumming and production proved to be a match made in heaven and created a sound that piqued the ears and charmed the hearts of all those who heard it. By the time they started recording their sophomore album COVID, commitments, and life started taking their toll on the band.
Spring and Steinweiss took their sound and pushed it way forward on their eponymous 2nd album keeping the anchor of their sound they established while exploring where else they could take it. Unbeknownst to the public by the time that record was released the band was done and had moved on to other things individually. While fans will undoubtedly not like this news, we will all have the timeless music they made while together, and, prolific they certainly were…
Big Crown Vaults Vol. 3 : Holy Hive digs into the treasure trove of unreleased recordings and pulls some that never saw their way to vinyl and in all honesty, this is not even half of what is in there. These recordings were made during their two album sessions largely, some were recorded before they even signed to Big Crown. The compilation kicks off with the tune that started it all on the label, their smashing cover of The Invincibles “This Is My Story” that was previously only on a 7”. “Love It Is Not Love”, “Middle Of The Night”, “Celeste”, and their cover of “Kingdom Of The Sun” all feature guest vocals by Shanny of The Shacks who had started playing bass with them at their live shows and sitting in on a lot of the recording sessions. “The Shame” features Robin Pecknold of Fleet Foxes on bass and El Michels Affair on flute, the latter also plays on “A Perfect Space”. At one point in time the would turn the live show over to Paul Spring who would perform the Irish folk tune “Red Is The Rose” in a traditional style with just him singing and playing acoustic guitar and then launch into their rendition of the song that is on Float Back To You. That stripped down version is featured here on Vaults Vol. 3. The comp finishes poetically with “End Of Time” and it is unlikely that we will ever release the rest of what is sitting in the vault.
On behalf of ourselves and all the fans we’d like to take this time to thank Holy Hive for the gorgeous music they made together. We will continue to enjoy it forever. Of course as individuals everyone involved from the core members to the people who lent their talents to certain songs continue to make music. Find them, follow them, enjoy their music.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Big Crown Records
Cat-No:BCRLPC2138
Release-Date:11.08.2023
Genre:Soul/Funk
Configuration:LP
Barcode:0349223013856
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Last in:10.08.2023
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Label:Big Crown Records
Cat-No:BCRLPC2138
Release-Date:11.08.2023
Genre:Soul/Funk
Configuration:LP
Barcode:0349223013856
Lucid Blue Vinyl!
Tracklist:
1.I'll Never Leave
2.Falling Away - https://www.youtube.com/watch?v=XxDMgENSanQ
3.Chess
4.Still Here - https://www.youtube.com/watch?v=4MO6Pf9E46g
5.If I 03:06 - https://www.youtube.com/watch?v=evrcLpXHqEE
6.It's Over
7.Love & Flowers - https://www.youtube.com/watch?v=XY5mQ3tcXM4
8.You
9.Our Love
10.Next To Me
11.Thousand Clouds
12.Muse
Big Crown Records is proud to present the debut full length offering from Les Imprimés, Rêverie. The stirring and ethereal sounds of Les Imprimés have been making fans of anyone who hears them since their first 7” single hit the speakers. Morten Martens is the man behind the band. Born, raised, and working in Kristiansand, Norway, he keeps a low profile while making his heartfelt, highly infectious, and unique music. This album is a long time coming for Martens and it is sure to make him a name to be reckoned with.
The first thing you notice listening to Les Imprimés is the high level of musicianship. Martens plays nearly every instrument on the recordings and handles the production and arranging. He has been making records for decades, winning a Spellemann Award (aka, the Norwegian Grammy) in 2006 for producing a Hip Hop album as well as getting nominations across three other genres. While awards and accolades speak to the level of his talent, this new album really shows who he is as an artist on his own terms.
Moving away from being a hired gun on the touring scene naturally led him to start doing more studio work. Slowly collecting gear and getting more experience behind the boards he built his own studio on the island of Odderøya and was making a living playing with and recording other people's music. As the story goes, after those sessions would end he would work on his own project into the wee hours of the night. From these late night sessions, Les Imprimés was born and Rêverie began to take shape.
However, "it wasn't until COVID, when things locked down, that I was really able to find the time to focus on Les Imprimés" Morten says about creating and leading his own solo project. "It was a scary time. But I knew I had to do something with it." He took the sum of his influences, combined them with his own vibe and got busy writing the music, playing the instruments, and singing the songs. "It's soul music, but I don't exactly have the soul voice," Morten explains humbly. "But I do it my own way, in a way that's mine."
It is his sound, his fingerprint, his sensibility, that makes his music hard to categorize. He has crafted an album of songs with different energies that all fit together to make one gorgeous record. The lead single “Falling Away” starts with a raw drum break and turns into a lushly arranged tune that paints the picture of love when it slips away. On “Still Here” he professes his resilience through life’s twists and turns over a thundering track that puts a new spin on the B side ballad genre. Songs like “You” and “Our Love” mix tones from 60s and 70s Soul with arrangement nods to Doo Wop records while Martens’ lyrics and delivery leave you singing the melodies long after they finish. “Love & Flowers” finds Martens in a moment of clarity with a song that fits the niche sub genre of happy break up tunes, the four on the floor track will move the dancefloor while the message will resonate with anyone who put too much effort into the wrong situation in their lives. However, it is songs like “Muse” and “Chess” that really encapsulate the uniqueness of Les Imprimés as they push the boundaries of genre, one a profession of love for music and the other a cover of an electronic record respectively. Martens’ lyrics, emotion, and delivery truly make the whole thing come together and stand out from any of his peers. There’s an infectiousness and a pop sensibility in the writing that is done with the utmost class and taste giving Les Imprimés the rare quality of immediate attraction that only deepens the more you listen.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist:
1.I'll Never Leave
2.Falling Away - https://www.youtube.com/watch?v=XxDMgENSanQ
3.Chess
4.Still Here - https://www.youtube.com/watch?v=4MO6Pf9E46g
5.If I 03:06 - https://www.youtube.com/watch?v=evrcLpXHqEE
6.It's Over
7.Love & Flowers - https://www.youtube.com/watch?v=XY5mQ3tcXM4
8.You
9.Our Love
10.Next To Me
11.Thousand Clouds
12.Muse
Big Crown Records is proud to present the debut full length offering from Les Imprimés, Rêverie. The stirring and ethereal sounds of Les Imprimés have been making fans of anyone who hears them since their first 7” single hit the speakers. Morten Martens is the man behind the band. Born, raised, and working in Kristiansand, Norway, he keeps a low profile while making his heartfelt, highly infectious, and unique music. This album is a long time coming for Martens and it is sure to make him a name to be reckoned with.
The first thing you notice listening to Les Imprimés is the high level of musicianship. Martens plays nearly every instrument on the recordings and handles the production and arranging. He has been making records for decades, winning a Spellemann Award (aka, the Norwegian Grammy) in 2006 for producing a Hip Hop album as well as getting nominations across three other genres. While awards and accolades speak to the level of his talent, this new album really shows who he is as an artist on his own terms.
Moving away from being a hired gun on the touring scene naturally led him to start doing more studio work. Slowly collecting gear and getting more experience behind the boards he built his own studio on the island of Odderøya and was making a living playing with and recording other people's music. As the story goes, after those sessions would end he would work on his own project into the wee hours of the night. From these late night sessions, Les Imprimés was born and Rêverie began to take shape.
However, "it wasn't until COVID, when things locked down, that I was really able to find the time to focus on Les Imprimés" Morten says about creating and leading his own solo project. "It was a scary time. But I knew I had to do something with it." He took the sum of his influences, combined them with his own vibe and got busy writing the music, playing the instruments, and singing the songs. "It's soul music, but I don't exactly have the soul voice," Morten explains humbly. "But I do it my own way, in a way that's mine."
It is his sound, his fingerprint, his sensibility, that makes his music hard to categorize. He has crafted an album of songs with different energies that all fit together to make one gorgeous record. The lead single “Falling Away” starts with a raw drum break and turns into a lushly arranged tune that paints the picture of love when it slips away. On “Still Here” he professes his resilience through life’s twists and turns over a thundering track that puts a new spin on the B side ballad genre. Songs like “You” and “Our Love” mix tones from 60s and 70s Soul with arrangement nods to Doo Wop records while Martens’ lyrics and delivery leave you singing the melodies long after they finish. “Love & Flowers” finds Martens in a moment of clarity with a song that fits the niche sub genre of happy break up tunes, the four on the floor track will move the dancefloor while the message will resonate with anyone who put too much effort into the wrong situation in their lives. However, it is songs like “Muse” and “Chess” that really encapsulate the uniqueness of Les Imprimés as they push the boundaries of genre, one a profession of love for music and the other a cover of an electronic record respectively. Martens’ lyrics, emotion, and delivery truly make the whole thing come together and stand out from any of his peers. There’s an infectiousness and a pop sensibility in the writing that is done with the utmost class and taste giving Les Imprimés the rare quality of immediate attraction that only deepens the more you listen.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
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Contact: [email protected]More
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 Secret Squirrel - Something New
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
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Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
At long last, Q Lazzarus says hello to Dark Entries. Q Lazzarus is the moniker of Diane Luckey, born in New Jersey in 1960. While living in the East Village in New York City in the 1980s, Diane met songwriter Bill Garvey at a party and they recorded “Goodbye Horses” in his home studio. As the story goes, Luckey met Hollywood director Jonathan Demme when she picked him up in her taxi during a snowstorm in 1986. Demme was wowed by her demo tape, which was playing in the cab, and they ended up hanging out at a restaurant for hours talking about life and music. “He liked it so much, I gave him the tape I was listening to, he said he would call me for one of his movies, but I didn’t really take it seriously.” said Luckey. Demme would have the song “Goodbye Horses” first appear in his offbeat comedy Married to the Mob, and then again more memorably in Silence of the Lambs when Buffalo Bill changes into women’s clothing while drowning out his intended victim’s pleas with loud music. Despite the exposure, both Luckey and Garvey languished in relative obscurity. “Goodbye Horses” is the definition of a cult classic, an ethereal tearjerker driven by Garvey’s lush synth work and Luckey’s unmistakably powerful voice. Garvey says, “the song is about transcendence over those who see the world as only earthly and finite.”
Over 15 years of effort have gone into the making of this release. All five songs on this record were previously unreleased and are sourced from original master tapes. The extended version of “Goodbye Horses” was newly mixed from the original stems by Alberto Hernandez at Fantasy Studios. Instrumental and acapella versions of the song are included, which are also available for the first time. Side B opens with “Hellfire,” a brooding number about the New York BDSM nightclub of the same name, showcasing the range and force of Luckey’s voice. “Summertime” follows, with a sauntering synth-reggae spin on the 1937 George Gershwin number. Both B-side tracks are also new mixdowns and edits from the original stems. This record is released alongside Eva Aridjis Fuentes’s documentary on Q Lazzarus, Goodbye Horses: The Many Lives of Q Lazzarus, a work chronicling the life of the enigmatic Luckey. It is an opportune moment to reflect on the underrecognized artists we have lost and the undeniable brilliance of both Diane Luckey and William Garvey.
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7"
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Cat-No:COK45001
Release-Date:02.05.2025
Genre:Soul/Funk
Configuration:7"
Barcode:617308091922
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Configuration:7"
Barcode:617308091922
1
Brenda - Where Did I Go Wrong?
2
Brenda - Family
Solo project of ARIA-nominated Hudson Whitlock of Surprise Chef, who have 45 million+ Spotify streams, and The Cactus Channel who have 40 million+ Spotify streams. Album features members of Surprise Chef and Karate Boogaloo. Melbourne, Australia's indie-soul wunderkind Brenda, solo project of Surprise Chef's Hudson Whitlock, make their College Of Knowledge debut with two heartbreaking, moody ballads 'Where Did I Go Wrong?' and 'Family'.
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DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Germany
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Label:D.KO Records
Cat-No:DKORLP02
Release-Date:20.06.2025
Genre:Electronic, Electronica
Configuration:2LP Excl
Barcode:3770018072753
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Last in:22.01.2025
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Label:D.KO Records
Cat-No:DKORLP02
Release-Date:20.06.2025
Genre:Electronic, Electronica
Configuration:2LP Excl
Barcode:3770018072753
1
Mad Rey - sunday blues 1 (dub mix)
2
Mad Rey - luv dub mix
3
Mad Rey - Tuesday good day (dub mix)
4
Mad Rey - longday (dub mix)
5
Mad Rey - Fruit
6
Mad Rey - no return (dub mix)
7
Mad Rey - Deeper (dub mix)
8
Mad Rey - please don't wait (dub mix)
Territories: ww -fr
Repress
Genre: Electronic
Tracklist :
A1. sunday blues 1 (dub mix)
A2. luv dub mix
B1. Tuesday good day (dub mix)
B2. longday (dub mix)
B3. Fruit
C1. no return (dub mix)
C2. Deeper (dub mix)
D1. please don't wait (dub mix)
The title of the double LP ”please don’t wait” is simple and refers to the passage of time, urgency, and the present moment. It’s a message that calls for movement and action. (The title also references a track of the same name performed by rapper Jwles, released in 2018.)
After a stay in Detroit in 2022, Mad Rey returned to Montreuil, inspired and brimming with energy. He repaired his MPC2000XL and unearthed two vintage synthesizers from the 2000s: a Korg Triton and a Yamaha Motif.
Connected together, these three instruments revived sensations and inspired him to create one track per day. After two years of work, the producer felt the desire to bring together the eight instrumental tracks he most enjoyed recording.
Each track is a "live" recording, preserving its raw energy. The sounds of the instruments convey nostalgia and melancholy. The recording is raw, delivering a message of peace, humility, and unity. It pays tribute to the early days of house music.
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Liebigstrasse 2-20
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Germany
Contact: [email protected]More
Repress
Genre: Electronic
Tracklist :
A1. sunday blues 1 (dub mix)
A2. luv dub mix
B1. Tuesday good day (dub mix)
B2. longday (dub mix)
B3. Fruit
C1. no return (dub mix)
C2. Deeper (dub mix)
D1. please don't wait (dub mix)
The title of the double LP ”please don’t wait” is simple and refers to the passage of time, urgency, and the present moment. It’s a message that calls for movement and action. (The title also references a track of the same name performed by rapper Jwles, released in 2018.)
After a stay in Detroit in 2022, Mad Rey returned to Montreuil, inspired and brimming with energy. He repaired his MPC2000XL and unearthed two vintage synthesizers from the 2000s: a Korg Triton and a Yamaha Motif.
Connected together, these three instruments revived sensations and inspired him to create one track per day. After two years of work, the producer felt the desire to bring together the eight instrumental tracks he most enjoyed recording.
Each track is a "live" recording, preserving its raw energy. The sounds of the instruments convey nostalgia and melancholy. The recording is raw, delivering a message of peace, humility, and unity. It pays tribute to the early days of house music.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
12"
in stock
Label:Acid Jazz Records
Cat-No:AJX849T
Release-Date:02.05.2025
Genre:Soul/Funk
Configuration:12"
Barcode:5051083217286
in stock
Last in:16.06.2025
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Last in:16.06.2025
Label:Acid Jazz Records
Cat-No:AJX849T
Release-Date:02.05.2025
Genre:Soul/Funk
Configuration:12"
Barcode:5051083217286
1
Millie Jackson - We Got To Hit It Off (Dimitri From Paris Liberated Woman mix)
2
Millie Jackson - We Got To Hit It Off (Dimitri From Paris Liberated Woman dub)
3
Millie Jackson - We Got To Hit It Off (Opolopo mix)
4
Millie Jackson - We Got To Hit It Off (Opolopo Deeper mix)
Spring Revisited is a collaboration between Ace Records and Acid Jazz, with a series of special vinyl releases
throughout 2025. It will feature 20 top mixers creating exclusive mixes from the storied New York label Spring,
which made its name in the 1970s with hits from The Fatback Band, Millie Jackson and Joe Simon.
Those working on the project include Dimitri From Paris, Kenny Dope, Dave Lee, DJ Spinna, Opolopo, The
Reflex, Cosmo Murphy, Folamore, Joe Claussell, and more yet to be announced.
The first release sees Dimitri from Paris take on Millie Jackson’s dance floor classic ‘We Got To Hit It Off’; a
vibrant reconstruction created with access to the original tapes that cleverly updates the track for modern club
land.
On the flip, Opolopo give us their own take, which adds an electric touch to the proceedings, especially on their
‘deeper’ mix.
Acid Jazz’s 12-inch release features these four mixes on a limited edition of 500 copies, housed in a sleeve that
looks like it was mailed for you to play in 1979 from your favourite record pool
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
throughout 2025. It will feature 20 top mixers creating exclusive mixes from the storied New York label Spring,
which made its name in the 1970s with hits from The Fatback Band, Millie Jackson and Joe Simon.
Those working on the project include Dimitri From Paris, Kenny Dope, Dave Lee, DJ Spinna, Opolopo, The
Reflex, Cosmo Murphy, Folamore, Joe Claussell, and more yet to be announced.
The first release sees Dimitri from Paris take on Millie Jackson’s dance floor classic ‘We Got To Hit It Off’; a
vibrant reconstruction created with access to the original tapes that cleverly updates the track for modern club
land.
On the flip, Opolopo give us their own take, which adds an electric touch to the proceedings, especially on their
‘deeper’ mix.
Acid Jazz’s 12-inch release features these four mixes on a limited edition of 500 copies, housed in a sleeve that
looks like it was mailed for you to play in 1979 from your favourite record pool
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
2LP
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Label:Still Music
Cat-No:STILLMDLP017
Release-Date:28.06.2024
Genre:Chicago House
Configuration:2LP
Barcode:8718723252058
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Last in:01.07.2024
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Label:Still Music
Cat-No:STILLMDLP017
Release-Date:28.06.2024
Genre:Chicago House
Configuration:2LP
Barcode:8718723252058
1
Scrappy - Freeze (Scrappy Mix)
2
Scrappy - Freeze (Mad Dog Dub)
3
Scrappy - Freeze (Limelight Mix)
4
Scrappy - Don't You Wanna Dance (Unreleased 1990 Mix)
5
Scrappy - Freeze (Credit Power Dub)
6
Scrappy - Welcome To My House (Jerome Derradji Edit)
7
Scrappy - Freeze '92 (Remix)
8
Scrappy - Don't Give Up On Love (Long Version)
9
Scrappy - Love Motion Diversey St Trip (Acid Love)
In the midst of House music's burgeoning scene in 1986 Chicago, a young local DJ named Jonathan Gilbert, known as Scrappy, seized a golden opportunity to showcase his skills at the renowned Medusa's Club's video room. It was in 1987, one fateful night, when the main DJ failed to show up, that Gilbert stepped in, securing a residency at one of the city's hottest spots. As the year progressed, Gilbert ventured into music production, teaming up with The Boxx Boys--Jim Marcus and Van Christie, notable for their later formation of the iconic group Die Warzau. Their collaboration birthed the legendary acid house anthem from Chicago, "Freeze," which Gilbert released under his Zap Records label in 1988, solidifying his place in Chicago's music history. The track became a timeless favorite, and is often featured in Jerome Derradji's sets. With Scrappy's gracious consent, we have the privilege of reissuing this seminal track, along with delving into his archives to uncover previously unreleased gems and alternate versions from his Atlantic Records era around 1990. For a brief period, Scrappy rode the waves of Chicago's house scene with his distinctive flair before bidding farewell to pursue new horizons in California. Presented for the first time on Still Music, "Acid House + Medusa's - Chicago, 1987-1992" invites listeners on a journey through the vibrant tapestry of late-eighties Chicago House. DJing, indulgence, romance, and the pulsating beats of acid house defined Scrappy's era, and fortunately, he left behind a legacy of unforgettable house tunes, emblematic of the city's unparalleled musical spirit. This limited edition DLP release, accompanied by an insert detailing the captivating tale of one of Chicago's unsung talents, ensures that Scrappy's story and his contribution to the era remain etched in musical history.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
7"
backorder
Label:Kay-Dee Records
Cat-No:KD085
Release-Date:18.04.2025
Genre:Funk
Configuration:7"
Barcode:199350231131
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Last in:13.05.2025
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Last in:13.05.2025
Label:Kay-Dee Records
Cat-No:KD085
Release-Date:18.04.2025
Genre:Funk
Configuration:7"
Barcode:199350231131
1
Leon Mitchison & The Eastex Freeway Band - What Cha Need
2
Leon Mitchison & The Eastex Freeway Band - I'll Take You There
"What Cha Need" / “I’ll Take You There by Leon Mitchison Features Mixes by Kenny Dope is a special release from Kay-Dee Records in collaboration with Now-Again Records. This edition features a deep, funk-infused mix by Kenny Dope, who brings his signature style to the original master 8-track tapes of this classic track.This unreleased remix is a true gem, offering fans a chance to hear Kenny Dope’s interpretation of a funk classic, perfect for DJs, collectors, and anyone who appreciates vintage funk and soulful remixes. The deep grooves and break-heavy production are sure to elevate any DJ set or vinyl collection.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Dead Oceans
Cat-No:DOCLP367
Release-Date:27.06.2025
Genre:Soul/Funk
Configuration:LP
Barcode:0656605166711
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Label:Dead Oceans
Cat-No:DOCLP367
Release-Date:27.06.2025
Genre:Soul/Funk
Configuration:LP
Barcode:0656605166711
1
Durand Jones & The Indications - Flowers
2
Durand Jones & The Indications - Paradise
3
Durand Jones & The Indications - Lover's Holiday
4
Durand Jones & The Indications - I Need The Answer
5
Durand Jones & The Indications - Flower Moon
6
Durand Jones & The Indications - Really Wanna Be With You
7
Durand Jones & The Indications - Been So Long
8
Durand Jones & The Indications - Everything
9
Durand Jones & The Indications - Rust And Steel
10
Durand Jones & The Indications - If Not For Love
11
Durand Jones & The Indications - Without You
Preview: https://www.youtube.com/watch?v=FVmtLopTBFw
Durand Jones & The Indications are in bloom.
After more than a decade of music-making, the trio have blossomed as a unit and are basking in their successes. On their aptly titled new album, Flowers, The Indications unfurl their true colors — embracing all their roots and influences, maturation and confidence, and share them with the world. "We spent the last 10 years building this house and now we’re living in it,” says Blake Rhein.
Flowers reflects DJI's growth and conviction: It's grown and sexy, fit for cruising and kissing, and delights in the softer side of soul and disco. "All of these songs touch on such mature topics, things that we never got to sing about before," says Durand Jones. "We are all in our 30s, have all been through ups and downs in our personal lives and professional lives, and flowers are a sign of maturity, growth, spring, productivity."
On lead single “Been So Long”, the Indications (Durand Jones – vocals, Aaron Frazer – drums/vocals, Blake Rhein – guitar) sing in unison: “It’s been so long/since we’ve been gone/it’s good to be back together.” It’s a song that contemplates the universal experience of returning to your hometown, alongside their experience of creating Flowers– a personal homecoming.
Since forming in 2012, the road has taken The Indications from those origins at Indiana University, Bloomington to the global stage, playing shows throughout Europe, Japan, Australia, and New Zealand. West Coast shows — where DJI has a strong following among the lowrider and vintage soul enthusiasts — consistently sell out. In March 2025, they will support Lenny Kravitz in arenas around Europe on his Blue Electric Light tour.
It has also seen the release of their three thoughtful, harmonic albums: Durand Jones & The Indications (2016), American Love Call (2019) and Private Space (2021). All brought international acclaim, a dedicated following and hundreds of millions of streams. This without a platinum feature or viral hit that upped the ante; when fans show up, and they do in droves, it’s for this band and the magic they make.
For as far as Durand Jones and The Indications have come, Flowers grew from the desire to return to their roots in a Bloomington basement, a space where they first found camaraderie in gritty funk and Southern soul that would inspire their self-titled debut.
As on that 2016 release (which was recorded on a Tascam four-track tape machine), The Indications prioritized collaboration while creating Flowers. Much of the self-produced album was written together at Rhein's Chicago studio, and many tracks are based on one-take demos — proof that vibes were particularly high, each member pulling from their refined tool kits with ease. Notes Frazer: "We took the spirit of play that started the project, and added in the wisdom and lessons that we've acquired through the years."
"When I think of Flowers, I think of this sense of naturalness. There's a lot of courage in showing the human side of making music," adds Rhein. "We spent the most energy playing to each other’s strengths and learning how to support each other. Being able to make art from an intuitive level takes a lot of confidence, not second guessing yourself, not asking if it's going to be well received."
Jones says Flowers is the result of significant personal transformation. "I had spent the last year and a half laying everything out that I felt insecure about — I felt insecure about my sexuality, growing up poor; about a myriad of things. I laid all of that out on the table and it made me such a stronger person, to the point that I got back to the Indications and I was way more sure of myself."
Pulling sonically and spiritually from each of the group's previous releases and solo work — Jones released his debut album, Wait Til I Get Over, in 2023; Frazer followed with his sophomore effort, Into The Blue, in 2024; and Rhein writes and releases as Patchwork Inc. — Flowers is the next stage of DJI's inspired soulful discography. DJI are not only accepting their flowers, but indulging in their sweet and sexy fragrance.
Close on the dancefloor, backseat of the car, behind-closed-doors vibes permeate Flowers. The bass-thumping fantasy getaway of "Paradise" channels the likes of Sade, Stevie Wonder and Minnie Ripperton, while Frazer's trademark falsetto guides listeners to an end-of-night dancefloor on single "Flower Moon."
"I feel like I can tap into myself in more of a personal way than I could back with American Love Call," Jones says of "Really Wanna Be With You," a string-laden, private press disco-inspired track written about an ex Jones believed to be a soulmate. "I love how triumphant and glorious that arrangement sounds; you dance through the heartache, you dance through the pain, and you keep it moving."
While Durand Jones and the Indications may be in bloom, their flowers are perennial. "We still find so much joy in doing this, that we can still be exploring new avenues," Frazer says. "We're so blessed to have such a wide range of influence and musical minds that have such a good grip on the things that they love, and the ability to synthesize those influences and bring them to a group setting. So we'll continue to do what we're doing for many years to come."
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Durand Jones & The Indications are in bloom.
After more than a decade of music-making, the trio have blossomed as a unit and are basking in their successes. On their aptly titled new album, Flowers, The Indications unfurl their true colors — embracing all their roots and influences, maturation and confidence, and share them with the world. "We spent the last 10 years building this house and now we’re living in it,” says Blake Rhein.
Flowers reflects DJI's growth and conviction: It's grown and sexy, fit for cruising and kissing, and delights in the softer side of soul and disco. "All of these songs touch on such mature topics, things that we never got to sing about before," says Durand Jones. "We are all in our 30s, have all been through ups and downs in our personal lives and professional lives, and flowers are a sign of maturity, growth, spring, productivity."
On lead single “Been So Long”, the Indications (Durand Jones – vocals, Aaron Frazer – drums/vocals, Blake Rhein – guitar) sing in unison: “It’s been so long/since we’ve been gone/it’s good to be back together.” It’s a song that contemplates the universal experience of returning to your hometown, alongside their experience of creating Flowers– a personal homecoming.
Since forming in 2012, the road has taken The Indications from those origins at Indiana University, Bloomington to the global stage, playing shows throughout Europe, Japan, Australia, and New Zealand. West Coast shows — where DJI has a strong following among the lowrider and vintage soul enthusiasts — consistently sell out. In March 2025, they will support Lenny Kravitz in arenas around Europe on his Blue Electric Light tour.
It has also seen the release of their three thoughtful, harmonic albums: Durand Jones & The Indications (2016), American Love Call (2019) and Private Space (2021). All brought international acclaim, a dedicated following and hundreds of millions of streams. This without a platinum feature or viral hit that upped the ante; when fans show up, and they do in droves, it’s for this band and the magic they make.
For as far as Durand Jones and The Indications have come, Flowers grew from the desire to return to their roots in a Bloomington basement, a space where they first found camaraderie in gritty funk and Southern soul that would inspire their self-titled debut.
As on that 2016 release (which was recorded on a Tascam four-track tape machine), The Indications prioritized collaboration while creating Flowers. Much of the self-produced album was written together at Rhein's Chicago studio, and many tracks are based on one-take demos — proof that vibes were particularly high, each member pulling from their refined tool kits with ease. Notes Frazer: "We took the spirit of play that started the project, and added in the wisdom and lessons that we've acquired through the years."
"When I think of Flowers, I think of this sense of naturalness. There's a lot of courage in showing the human side of making music," adds Rhein. "We spent the most energy playing to each other’s strengths and learning how to support each other. Being able to make art from an intuitive level takes a lot of confidence, not second guessing yourself, not asking if it's going to be well received."
Jones says Flowers is the result of significant personal transformation. "I had spent the last year and a half laying everything out that I felt insecure about — I felt insecure about my sexuality, growing up poor; about a myriad of things. I laid all of that out on the table and it made me such a stronger person, to the point that I got back to the Indications and I was way more sure of myself."
Pulling sonically and spiritually from each of the group's previous releases and solo work — Jones released his debut album, Wait Til I Get Over, in 2023; Frazer followed with his sophomore effort, Into The Blue, in 2024; and Rhein writes and releases as Patchwork Inc. — Flowers is the next stage of DJI's inspired soulful discography. DJI are not only accepting their flowers, but indulging in their sweet and sexy fragrance.
Close on the dancefloor, backseat of the car, behind-closed-doors vibes permeate Flowers. The bass-thumping fantasy getaway of "Paradise" channels the likes of Sade, Stevie Wonder and Minnie Ripperton, while Frazer's trademark falsetto guides listeners to an end-of-night dancefloor on single "Flower Moon."
"I feel like I can tap into myself in more of a personal way than I could back with American Love Call," Jones says of "Really Wanna Be With You," a string-laden, private press disco-inspired track written about an ex Jones believed to be a soulmate. "I love how triumphant and glorious that arrangement sounds; you dance through the heartache, you dance through the pain, and you keep it moving."
While Durand Jones and the Indications may be in bloom, their flowers are perennial. "We still find so much joy in doing this, that we can still be exploring new avenues," Frazer says. "We're so blessed to have such a wide range of influence and musical minds that have such a good grip on the things that they love, and the ability to synthesize those influences and bring them to a group setting. So we'll continue to do what we're doing for many years to come."
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
LP
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Label:Hell Yeah Recordings
Cat-No:HYR7280G
Release-Date:25.04.2025
Configuration:LP
Barcode:5060202599622
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Cat-No:HYR7280G
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1
Aura Safari / Jimi Tenor - Bodily Synesthesia
2
Aura Safari / Jimi Tenor - Lundar Wind
3
Aura Safari / Jimi Tenor - Beswitched By The Sea
4
Aura Safari / Jimi Tenor - My BlueBell
5
Aura Safari / Jimi Tenor - Last Waltz In Perugia
6
Aura Safari / Jimi Tenor - Gimlet
7
Aura Safari / Jimi Tenor - It's Too Easy To Love You
8
Aura Safari / Jimi Tenor - Your Magic Touch
9
Aura Safari / Jimi Tenor - Indigo
Green Vinyl Repress!
In the year since it was first released on Hell Yeah, Aura Safari and Jimi Tenor's Sensory Blending has become a cult modern classic. To celebrate its conquering of Balearic heads and jazz funk hearts everywhere, it now arrives on green transparent vinyl.
The album came about after a chance meeting when Finnish musician Jimi Tenor was playing a Hell Yeah party in Perugia. He had some free time so was hooked up with local collective Aura Safari. It was the first time they had ever met but that didn't stop magic from happening in the studio and giving rise to this lush, rich, life-affirming album.
Tenor is no stranger to collaboration. He has previously worked with Japanese master Calm, regularly plays with Cold Diamond & Mink and has explored psychedelic space-jazz-funk fusion over more than 25 albums and 45 EPs. Right now he is in a rich vein of form, continuing to tour the world and drop cosmic soul voyages on a regal basis.
A year on this album still stands up and has crossed over int several different scenes thanks to high profile plays from plenty of tastemakers. Aura Safari musicians Lorenzo Francioli, Ruggero Bonucci, Nicola Pitassio and the production team were all on top form and truly cemented their reputation as a collective to watch.
'Bodily Synesthesia' is the seductive opener with steamy sax notes and gentle grooves that are topped by aloof vocal whispers. 'Lunar Wind' is another slow and steamy mix of jazzy keys and soulful vocal hooks, 'Bewitched By The Sea' is a more tropical and percussive number with majestic melodies and 'My Bluebell' picks up the pace with jazz-funk grooves and hustling chords. 'Last Waltz In Perugia' has freeform sax lines soaring over meticulous drums that ebb and flow and 'Gimlet' brings a playful, samba-tinged rhythm and sunny flute leads straight from South America. There's a laidback, carefree mood to 'It's Too Easy To Love You' while 'Your Magic Touch' is a dancey number that exudes melodic joy, and 'Indigo' closes in dramatic fashion with a conversational sax that sticks long in the memory.
Sensory Blending is the soundtrack to a steamy summer vacation up amongst the stars.
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In the year since it was first released on Hell Yeah, Aura Safari and Jimi Tenor's Sensory Blending has become a cult modern classic. To celebrate its conquering of Balearic heads and jazz funk hearts everywhere, it now arrives on green transparent vinyl.
The album came about after a chance meeting when Finnish musician Jimi Tenor was playing a Hell Yeah party in Perugia. He had some free time so was hooked up with local collective Aura Safari. It was the first time they had ever met but that didn't stop magic from happening in the studio and giving rise to this lush, rich, life-affirming album.
Tenor is no stranger to collaboration. He has previously worked with Japanese master Calm, regularly plays with Cold Diamond & Mink and has explored psychedelic space-jazz-funk fusion over more than 25 albums and 45 EPs. Right now he is in a rich vein of form, continuing to tour the world and drop cosmic soul voyages on a regal basis.
A year on this album still stands up and has crossed over int several different scenes thanks to high profile plays from plenty of tastemakers. Aura Safari musicians Lorenzo Francioli, Ruggero Bonucci, Nicola Pitassio and the production team were all on top form and truly cemented their reputation as a collective to watch.
'Bodily Synesthesia' is the seductive opener with steamy sax notes and gentle grooves that are topped by aloof vocal whispers. 'Lunar Wind' is another slow and steamy mix of jazzy keys and soulful vocal hooks, 'Bewitched By The Sea' is a more tropical and percussive number with majestic melodies and 'My Bluebell' picks up the pace with jazz-funk grooves and hustling chords. 'Last Waltz In Perugia' has freeform sax lines soaring over meticulous drums that ebb and flow and 'Gimlet' brings a playful, samba-tinged rhythm and sunny flute leads straight from South America. There's a laidback, carefree mood to 'It's Too Easy To Love You' while 'Your Magic Touch' is a dancey number that exudes melodic joy, and 'Indigo' closes in dramatic fashion with a conversational sax that sticks long in the memory.
Sensory Blending is the soundtrack to a steamy summer vacation up amongst the stars.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:!K7 Records
Cat-No:K7386EP
Release-Date:04.12.2020
Genre:House
Configuration:12" Excl
Barcode:730003738609
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Last in:17.04.2025
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Last in:17.04.2025
Label:!K7 Records
Cat-No:K7386EP
Release-Date:04.12.2020
Genre:House
Configuration:12" Excl
Barcode:730003738609
1
Red Axes - A1 Ho Chi Min (feat. Bèo Dat Mây Trôi & HCMC Students)
2
Red Axes - A2 Hanoi (feat. Cô Ðôi Thu'o'ng Ngàn & Viet Rice Band)
3
Red Axes - B1 Phu Quok (feat. Minh Duong)
4
Red Axes - B2 Hue (feat. Music Acadamy Students)
2020 repress
Tracklist:
A1 Ho Chi Min (feat. Bèo Dat Mây Trôi & HCMC Students)
A2 Hanoi (feat. Cô Ðôi Thu'o'ng Ngàn & Viet Rice Band)
B1 Phu Quok (feat. Minh Duong)
B2 Hue (feat. Music Acadamy Students)
Release Info:
A year after Red Axes’s musical adventures took them through the sounds and scenes of Africa, they return with a second EP in the Trips series that finds them exploring the rich rhythms of Vietnam.
This project is a multi media venture combining music, film and travel in pursuit of extra ordinary collaborations. It finds the esteemed pair made up of Niv Arzi and Dori Sadovnik explore local cultures and traditions, link up with local musicians and record them playing indigenous instruments as well as presenting workshops for youth music schools. It comes after the Garzen Records bosses have established their unique mix of synths, guitars and genres as diverse as house, acid and leftfield experimentalism on vital labels from Phantasy to Dark Entries.
Opener ‘Ho Chi Minh’ is a brisling track with funky bass loops and the hustle and bustle of a market square infusing the organic house grooves. Local percussion, jazz keys and vocal coos all add to the richness of this most uplifting beat. ‘Hanoi’ is even more exotic thanks to the enchanting lead vocal, jungle bird calls and low slung bass, while ‘Phu Quoc’ gets more rave, with phased bass riding up and down there sale, an intoxicating lead line that sounds something like a didgeridoo and a manic synth that darts about the mix with disorienting effects. Closer ‘Hue’ is a blissful and almost Balearic beat with a shimmering lead melody line and layer upon layer of wind instruments, claps and hits that speak directly to your soul.
The accompanying film captures the essence of the trip, shows some of the recording sessions and local life in Vietnam, from beach parties to incense rituals via communal dances in public spaces, all of which inspired and infuse this record. As such it is a fantastically colourful and immersive EP that takes you to the other side of the world with real authenticity.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist:
A1 Ho Chi Min (feat. Bèo Dat Mây Trôi & HCMC Students)
A2 Hanoi (feat. Cô Ðôi Thu'o'ng Ngàn & Viet Rice Band)
B1 Phu Quok (feat. Minh Duong)
B2 Hue (feat. Music Acadamy Students)
Release Info:
A year after Red Axes’s musical adventures took them through the sounds and scenes of Africa, they return with a second EP in the Trips series that finds them exploring the rich rhythms of Vietnam.
This project is a multi media venture combining music, film and travel in pursuit of extra ordinary collaborations. It finds the esteemed pair made up of Niv Arzi and Dori Sadovnik explore local cultures and traditions, link up with local musicians and record them playing indigenous instruments as well as presenting workshops for youth music schools. It comes after the Garzen Records bosses have established their unique mix of synths, guitars and genres as diverse as house, acid and leftfield experimentalism on vital labels from Phantasy to Dark Entries.
Opener ‘Ho Chi Minh’ is a brisling track with funky bass loops and the hustle and bustle of a market square infusing the organic house grooves. Local percussion, jazz keys and vocal coos all add to the richness of this most uplifting beat. ‘Hanoi’ is even more exotic thanks to the enchanting lead vocal, jungle bird calls and low slung bass, while ‘Phu Quoc’ gets more rave, with phased bass riding up and down there sale, an intoxicating lead line that sounds something like a didgeridoo and a manic synth that darts about the mix with disorienting effects. Closer ‘Hue’ is a blissful and almost Balearic beat with a shimmering lead melody line and layer upon layer of wind instruments, claps and hits that speak directly to your soul.
The accompanying film captures the essence of the trip, shows some of the recording sessions and local life in Vietnam, from beach parties to incense rituals via communal dances in public spaces, all of which inspired and infuse this record. As such it is a fantastically colourful and immersive EP that takes you to the other side of the world with real authenticity.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
LP
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Label:Far Out Recordings
Cat-No:FARLIB001
Release-Date:12.04.2025
Genre:World Music
Configuration:LP
Barcode:5065007965719
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Last in:28.04.2025
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Last in:28.04.2025
Label:Far Out Recordings
Cat-No:FARLIB001
Release-Date:12.04.2025
Genre:World Music
Configuration:LP
Barcode:5065007965719
**RSD 2025**
Far Out Recordings proudly presents a special Record Store Day 2025 reissue of L’Ora del Cocktail, an exquisite and rare gem by the legendary Italian composer and multi-instrumentalist Alessandro Alessandroni. Originally released in the golden era of Italian library music, L’Ora del Cocktail is a sonic masterpiece that encapsulates the sophistication of mid-century cocktail culture with Alessandroni’s unmistakable flair for magical melody and otherworldly brilliance.
Renowned for his work on iconic Spaghetti Western scores with Ennio Morricone and his groundbreaking contributions to library music, Alessandroni channels his genius into this album, blending jazz, bossa nova, and lounge music with his signature wordless vocal arrangements and lush instrumentation. Featuring his remarkable talent on guitar, piano, and mandolincello, this album paints a vibrant portrait of 1970s cosmopolitan cool.
This Record Store Day exclusive reissue has been remastered from the original tapes, offering crystal-clear fidelity while preserving the warm analog charm of the original pressing.
A must-have for soundtrack enthusiasts, library music collectors, and fans of timeless lounge grooves, L’Ora del Cocktail invites you to rediscover the magic of Alessandro Alessandroni in his element.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Far Out Recordings proudly presents a special Record Store Day 2025 reissue of L’Ora del Cocktail, an exquisite and rare gem by the legendary Italian composer and multi-instrumentalist Alessandro Alessandroni. Originally released in the golden era of Italian library music, L’Ora del Cocktail is a sonic masterpiece that encapsulates the sophistication of mid-century cocktail culture with Alessandroni’s unmistakable flair for magical melody and otherworldly brilliance.
Renowned for his work on iconic Spaghetti Western scores with Ennio Morricone and his groundbreaking contributions to library music, Alessandroni channels his genius into this album, blending jazz, bossa nova, and lounge music with his signature wordless vocal arrangements and lush instrumentation. Featuring his remarkable talent on guitar, piano, and mandolincello, this album paints a vibrant portrait of 1970s cosmopolitan cool.
This Record Store Day exclusive reissue has been remastered from the original tapes, offering crystal-clear fidelity while preserving the warm analog charm of the original pressing.
A must-have for soundtrack enthusiasts, library music collectors, and fans of timeless lounge grooves, L’Ora del Cocktail invites you to rediscover the magic of Alessandro Alessandroni in his element.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More