1
Bacao Rhythm & Steel Band - Nautilus
2
Bacao Rhythm & Steel Band - Maria También
3
Bacao Rhythm & Steel Band - Let's Grow
4
Bacao Rhythm & Steel Band - PIMP (Version)
5
Bacao Rhythm & Steel Band - Look Out Baby (Here I Come)
6
Bacao Rhythm & Steel Band - Great To Be Here
7
Bacao Rhythm & Steel Band - Juicy Fruit
8
Bacao Rhythm & Steel Band - 8th Wonder
9
Bacao Rhythm & Steel Band - Murkit Gem
10
Bacao Rhythm & Steel Band - All For The Cash
11
Bacao Rhythm & Steel Band - Kaiso Noir
12
Bacao Rhythm & Steel Band - Guess Who's Back
13
Bacao Rhythm & Steel Band - Giana Sisters
Ocean Blue Smoke Vinyl!
Preview: https://www.youtube.com/watch?v=0e_THRbov9Q
Bacao Rhythm & Steel Band, the mysterious steel pan outfit hailing from Hamburg, Germany made significant noise in 2024 when French film Anatomy of a Fall won an Academy Award for best original screenplay. Bacao’s cover of 50 Cent’s “PIMP” was featured so heavily in the film and plays such a huge role in the storyline that it became synonymous with its success. Subsequently, they ushered in the first appearance of steel pans in the orchestra pit at the Academy Awards so they could play the tune as director Justine Triet walked on stage to accept the award. All of this brought a lot of new fans to Bacao and pushed the streaming numbers of “PIMP” well past 40 million. For those in the know, this tune made its way into underground fame back in 2008 when it was first pressed on band leader Bjorn Wagner’s own Mocambo imprint and was often mistaken for the original sample source from which 50 made his hit.
All accolades and international fame aside, “PIMP” is literally just the tip of the Bacao iceberg. With four full length albums and a tall stack of 7” singles that have become staples to DJs around the world, they have been prolific since signing with Big Crown in 2014. Despite the constant releases and elaborate catalog, every recording session has borne more fruit than could fit on an album, leaving a handful of tunes in the recording vault. Here on Big Crown Vaults Vol. 4 we open up that vault and give all (well, most of) those tunes a proper pressing and release.
The album opens up with their cover of the Bob James uber-classic breakbeat “Nautilus” and they put a spin on the original that puts it directly in the must have category for all hip hop and breakbeat enthusiasts. Keeping their foot on the gas, they give the BRSB treatment to the Khruangbin classic “Maria También” with their signature bottom heavy drums taking the energy of the tune to a whole new place. Infamous for digging deep in the crates when picking material to reinterpret, they next take on Royce the 5’9”'s J Dilla produced “Let’s Grow”. Originally the B side to the first pressing of “PIMP” (and making an appearance on the very limited first 2LP pressing of their debut album 55) we put the “PIMP (Version)” on here where they give their original recording the proper dub treatment with melodica and tape echo galore. They turn up the tempo and the funk covering the Jackson 5’s “Great To Be Here” and again dive deep into obscurity with the Billy Jones dancefloor burner “Lookout Baby (Here I Come)”. While part of the allure of a new Bacao Rhythm & Steel Band album is finding out what covers they are going to take on, it is equally intriguing to see what original tunes they’ve cooked up. While BCR Vaults Vol. 4 only has one original, “Kaiso Noir”, it’s an uptempo crowd-pleaser that sounds like a mix between a b-boy break and a James Bond score.
This collection of songs spans from 2008 to 2023 and runs a variety of genres from hip hop to jazz to soul and pop through the Bacao lens. The band is already at work on their 5th full length studio album and this compilation should be the perfect thing to hold fans over until it arrives.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Preview: https://www.youtube.com/watch?v=0e_THRbov9Q
Bacao Rhythm & Steel Band, the mysterious steel pan outfit hailing from Hamburg, Germany made significant noise in 2024 when French film Anatomy of a Fall won an Academy Award for best original screenplay. Bacao’s cover of 50 Cent’s “PIMP” was featured so heavily in the film and plays such a huge role in the storyline that it became synonymous with its success. Subsequently, they ushered in the first appearance of steel pans in the orchestra pit at the Academy Awards so they could play the tune as director Justine Triet walked on stage to accept the award. All of this brought a lot of new fans to Bacao and pushed the streaming numbers of “PIMP” well past 40 million. For those in the know, this tune made its way into underground fame back in 2008 when it was first pressed on band leader Bjorn Wagner’s own Mocambo imprint and was often mistaken for the original sample source from which 50 made his hit.
All accolades and international fame aside, “PIMP” is literally just the tip of the Bacao iceberg. With four full length albums and a tall stack of 7” singles that have become staples to DJs around the world, they have been prolific since signing with Big Crown in 2014. Despite the constant releases and elaborate catalog, every recording session has borne more fruit than could fit on an album, leaving a handful of tunes in the recording vault. Here on Big Crown Vaults Vol. 4 we open up that vault and give all (well, most of) those tunes a proper pressing and release.
The album opens up with their cover of the Bob James uber-classic breakbeat “Nautilus” and they put a spin on the original that puts it directly in the must have category for all hip hop and breakbeat enthusiasts. Keeping their foot on the gas, they give the BRSB treatment to the Khruangbin classic “Maria También” with their signature bottom heavy drums taking the energy of the tune to a whole new place. Infamous for digging deep in the crates when picking material to reinterpret, they next take on Royce the 5’9”'s J Dilla produced “Let’s Grow”. Originally the B side to the first pressing of “PIMP” (and making an appearance on the very limited first 2LP pressing of their debut album 55) we put the “PIMP (Version)” on here where they give their original recording the proper dub treatment with melodica and tape echo galore. They turn up the tempo and the funk covering the Jackson 5’s “Great To Be Here” and again dive deep into obscurity with the Billy Jones dancefloor burner “Lookout Baby (Here I Come)”. While part of the allure of a new Bacao Rhythm & Steel Band album is finding out what covers they are going to take on, it is equally intriguing to see what original tunes they’ve cooked up. While BCR Vaults Vol. 4 only has one original, “Kaiso Noir”, it’s an uptempo crowd-pleaser that sounds like a mix between a b-boy break and a James Bond score.
This collection of songs spans from 2008 to 2023 and runs a variety of genres from hip hop to jazz to soul and pop through the Bacao lens. The band is already at work on their 5th full length studio album and this compilation should be the perfect thing to hold fans over until it arrives.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Big Crown Records
Tracklist:
1.Frizzante
2.Turandot feat. Marianne Mirage
3.Big Top
4.Houdini
5.Zio Tony feat. Molly Lewis
6.I Can't Control This Bliss feat. Dream Crease
7.Crema
8.Miss Neptune feat. Elizabeth Steiner
9.Sorgini feat. Dave Guy
10.Sprezzatura
11.Hip Then
12.Catoni feat. 13th Ward Social Club
13.Quattro Passi feat. Chiara Civello
14.Over Now
Big Crown Records is proud to present Glera, Marco Benevento’s debut album on the label.
Marco Benevento has always moved like someone who understands the studio as its own instrument, not just a room where the toys are. Long before he began appearing on stages with Freddie Gibbs and Madlib, and in the liner notes of albums by Clairo and Leon Bridges, Benevento was already thinking like a producer - listening for texture, tension, and negative space, and for the strange emotional alchemy that occurs when groove and curiosity collide. His new album Glera sharpens that instinct into focus, presenting Benevento not only as a virtuosic keyboardist and bandleader, but as a composer building worlds from rhythm, tone, and feeling.
Glera is a genre-bending jazz record that folds in soul and reggae’s elastic low end with an open-door sense of possibility. The project began three years ago as a kind of private exercise, with Benevento writing intuitively, inspired by Italian film scores and melody. Over time, those sketches evolved into something broader and more muscular, culminating in the grand majesty heard here. What emerges is music that moves cinematically without becoming precious. Tracks can feel like chase scenes or slow dissolves, sometimes within the same song, with jazz improvisation sharing space alongside reggae pocket, orchestral elements, and psych-pop atmosphere. It’s exploratory but grounded, complex yet unmistakably groove-forward.
Album opener “Frizzante” is pure musical celebration captured on tape - a high-energy, feel-good banger that finds Marco trading melodies with himself over a relentless groove. On “Turandot,” Benevento is joined by Italy’s own Marianne Mirage on vocals; the haunting, cinematic track sits comfortably between the worlds of Portishead and Serge Gainsbourg. Then comes “Big Top,” stretching the album’s palette even further; equipped with voice memos and peacock calls, it’s most aptly summed up as “circus funk.” Blow the whistle and the game begins with the jazz-fusion–esque dancefloor filler “Houdini,” a kick-in-the-door burner from the very first drumbeat. Blending dream pop into the mix on “I Can’t Control This Bliss,” Marco invites Dream Crease to the microphone for a dose of lo-fi gorgeousness. Elizabeth Steiner brings her storied harp work to “Miss Neptune” over a deeply vibey, reggae-influenced backing track. Putting the pedal to the metal, “Sprezzatura” plays like a high-speed pursuit through narrow streets, while “Quattro Passi” brings the pace down to a saunter, featuring jazz vocalist Chiara Civello.
Marco Benevento is operating at the highest level, shaping sound with purpose and curiosity. This album announces itself loudly—both outward-facing and deeply intimate. It’s music that moves—across genres, tempos, and registers—while remaining anchored to the joy of discovery. It’s a record that embodies motion, carrying the past forward without ever standing still.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1.Frizzante
2.Turandot feat. Marianne Mirage
3.Big Top
4.Houdini
5.Zio Tony feat. Molly Lewis
6.I Can't Control This Bliss feat. Dream Crease
7.Crema
8.Miss Neptune feat. Elizabeth Steiner
9.Sorgini feat. Dave Guy
10.Sprezzatura
11.Hip Then
12.Catoni feat. 13th Ward Social Club
13.Quattro Passi feat. Chiara Civello
14.Over Now
Big Crown Records is proud to present Glera, Marco Benevento’s debut album on the label.
Marco Benevento has always moved like someone who understands the studio as its own instrument, not just a room where the toys are. Long before he began appearing on stages with Freddie Gibbs and Madlib, and in the liner notes of albums by Clairo and Leon Bridges, Benevento was already thinking like a producer - listening for texture, tension, and negative space, and for the strange emotional alchemy that occurs when groove and curiosity collide. His new album Glera sharpens that instinct into focus, presenting Benevento not only as a virtuosic keyboardist and bandleader, but as a composer building worlds from rhythm, tone, and feeling.
Glera is a genre-bending jazz record that folds in soul and reggae’s elastic low end with an open-door sense of possibility. The project began three years ago as a kind of private exercise, with Benevento writing intuitively, inspired by Italian film scores and melody. Over time, those sketches evolved into something broader and more muscular, culminating in the grand majesty heard here. What emerges is music that moves cinematically without becoming precious. Tracks can feel like chase scenes or slow dissolves, sometimes within the same song, with jazz improvisation sharing space alongside reggae pocket, orchestral elements, and psych-pop atmosphere. It’s exploratory but grounded, complex yet unmistakably groove-forward.
Album opener “Frizzante” is pure musical celebration captured on tape - a high-energy, feel-good banger that finds Marco trading melodies with himself over a relentless groove. On “Turandot,” Benevento is joined by Italy’s own Marianne Mirage on vocals; the haunting, cinematic track sits comfortably between the worlds of Portishead and Serge Gainsbourg. Then comes “Big Top,” stretching the album’s palette even further; equipped with voice memos and peacock calls, it’s most aptly summed up as “circus funk.” Blow the whistle and the game begins with the jazz-fusion–esque dancefloor filler “Houdini,” a kick-in-the-door burner from the very first drumbeat. Blending dream pop into the mix on “I Can’t Control This Bliss,” Marco invites Dream Crease to the microphone for a dose of lo-fi gorgeousness. Elizabeth Steiner brings her storied harp work to “Miss Neptune” over a deeply vibey, reggae-influenced backing track. Putting the pedal to the metal, “Sprezzatura” plays like a high-speed pursuit through narrow streets, while “Quattro Passi” brings the pace down to a saunter, featuring jazz vocalist Chiara Civello.
Marco Benevento is operating at the highest level, shaping sound with purpose and curiosity. This album announces itself loudly—both outward-facing and deeply intimate. It’s music that moves—across genres, tempos, and registers—while remaining anchored to the joy of discovery. It’s a record that embodies motion, carrying the past forward without ever standing still.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Preview: https://www.youtube.com/watch?v=EKvzbJ0DMcg
Tracklist:
1.Under the Silver Moon
2.6 Years
3.Harap Dan Ragu
4.Through the Changes
5.Di Hotel Malibu
6.I'd Be Lost
7.Di Dalam
8.I'm Just a Girl
9.The More
10.Selatan
11.What's On Your Mind
12.Crazy Eyes
13.Boru
14.Rahasia
Big Crown is proud to present Thee Marloes’ sophomore album, Di Hotel Malibu. It arrives as a widening of the frame — a confident step away from the lines that once neatly held their sound, and toward something more porous, conversational, and deeply Indonesian. It’s been two years since Perak, the Surabaya trio’s debut for Big Crown Records, introduced their unique sound. This new record doesn’t abandon that lineage so much as stretch it, showing how much they have grown as a band since the release of their debut and all the experiences that came with it. Composed of vocalist and keyboardist Natassya Sianturi, guitarist and producer Sinatrya Dharaka and drummer Tommy Satwick, Thee Marloes have always worked as a unit, their songs shaped by shared reference points and a lived-in sense of groove. On this album, that collective language expands. The arrangements move across a broader spectrum, with new instrumental colors, unexpected rhythmic turns, and a looser approach to structure. The band describes it as a response to the last two years of living: social realities, love lives in flux, and all that success has brought into their lives.
The album opener “Under the Silver Moon” is a stone cold two-stepper that addresses the bitter and the sweet of long-distance love affairs over a breezy musical backdrop. “Six Years” is a page from singer Natassya Sianturi’s life and her struggle to take the step of leaving a comfortable and stable daytime job to follow her dreams of a full-time career in music. “Harap Dan Ragu” explores life, death, and the emotions that orbit them, opening with an earworm guitar riff that ushers in Sianturi’s honeyed vocals, this time in her native language of Indonesian. The album continues to switch vibes and tones track to track with the darker, more introspective “The More”. The gorgeous musicianship and pulsing drums are met with the deeply poetic lyrics that walk the line between futility and unbreakable resilience. Thee Marloes dip into their drop dead gorgeous ballad bag with “Through the Changes” with a powerful yet delicate song about how we imagine and deal with what comes after death. “Boru” sung entirely in Batak, a traditional language from North Sumatera, goes further into asserting heritage as a foundation and mission statement for the group while “I’d Be Lost” takes us back to the dancefloor with a light and lovely profession of love.
In the end, Di Hotel Malibu is the result of the best type of inspiration: the global attention Thee Marloes have earned, and the chance to play their homegrown music for fans around the world has put wind in their sails. Enjoy the record, then catch them as they tour the globe. Soul Music from Surabaya, another Big Crown Sureshot.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist:
1.Under the Silver Moon
2.6 Years
3.Harap Dan Ragu
4.Through the Changes
5.Di Hotel Malibu
6.I'd Be Lost
7.Di Dalam
8.I'm Just a Girl
9.The More
10.Selatan
11.What's On Your Mind
12.Crazy Eyes
13.Boru
14.Rahasia
Big Crown is proud to present Thee Marloes’ sophomore album, Di Hotel Malibu. It arrives as a widening of the frame — a confident step away from the lines that once neatly held their sound, and toward something more porous, conversational, and deeply Indonesian. It’s been two years since Perak, the Surabaya trio’s debut for Big Crown Records, introduced their unique sound. This new record doesn’t abandon that lineage so much as stretch it, showing how much they have grown as a band since the release of their debut and all the experiences that came with it. Composed of vocalist and keyboardist Natassya Sianturi, guitarist and producer Sinatrya Dharaka and drummer Tommy Satwick, Thee Marloes have always worked as a unit, their songs shaped by shared reference points and a lived-in sense of groove. On this album, that collective language expands. The arrangements move across a broader spectrum, with new instrumental colors, unexpected rhythmic turns, and a looser approach to structure. The band describes it as a response to the last two years of living: social realities, love lives in flux, and all that success has brought into their lives.
The album opener “Under the Silver Moon” is a stone cold two-stepper that addresses the bitter and the sweet of long-distance love affairs over a breezy musical backdrop. “Six Years” is a page from singer Natassya Sianturi’s life and her struggle to take the step of leaving a comfortable and stable daytime job to follow her dreams of a full-time career in music. “Harap Dan Ragu” explores life, death, and the emotions that orbit them, opening with an earworm guitar riff that ushers in Sianturi’s honeyed vocals, this time in her native language of Indonesian. The album continues to switch vibes and tones track to track with the darker, more introspective “The More”. The gorgeous musicianship and pulsing drums are met with the deeply poetic lyrics that walk the line between futility and unbreakable resilience. Thee Marloes dip into their drop dead gorgeous ballad bag with “Through the Changes” with a powerful yet delicate song about how we imagine and deal with what comes after death. “Boru” sung entirely in Batak, a traditional language from North Sumatera, goes further into asserting heritage as a foundation and mission statement for the group while “I’d Be Lost” takes us back to the dancefloor with a light and lovely profession of love.
In the end, Di Hotel Malibu is the result of the best type of inspiration: the global attention Thee Marloes have earned, and the chance to play their homegrown music for fans around the world has put wind in their sails. Enjoy the record, then catch them as they tour the globe. Soul Music from Surabaya, another Big Crown Sureshot.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Les Imprés - You & I
2
Les Imprés - Again & Again
3
Les Imprés - Untainted Love
4
Les Imprés - Get Lost
5
Les Imprés - Only Love
6
Les Imprés - Greatest Mistake
7
Les Imprés - With You
8
Les Imprés - Next Summer
9
Les Imprés - Miss The Days Feat. Ama Li
10
Les Imprés - Close My Eyes
11
Les Imprés - Beware
12
Les Imprés - Paradise
Previews:
You & I - https://www.youtube.com/watch?v=Tqile8b0jHo
Again & Again - https://www.youtube.com/watch?v=_ANhe55pJP0
Big Crown Records is proud to present the sophomore full-length from Les Imprimés, Fading Forward. Spearheaded by self-taught multi-instrumentalist and producer Morten Martens, the album explores mortality, escapism, and a myriad of experiences associated with love.
Martens made a tremendous impression with his highly acclaimed 2023 debut Rêverie and has since cultivated a diehard fanbase whose demographics are as wide-ranging as the influences that shape his music. He mixes tones from ’60s and ’70s soul with arrangement nods to doo-wop records, takes drum energy from hip-hop, and covers the whole thing with vocal stylings drawn from ’90s and 2000s alternative. But it is Martens’ lyrics, emotion, and delivery that truly bring everything together and help him stand out from his peers. There’s an infectiousness and pop sensibility in the writing, executed with the utmost class and taste, giving Les Imprimés the rare quality of immediate attraction that only deepens with repeat listens.
Hailing from Kristiansand, Norway, Martens plays nearly every instrument on Fading Forward, produces and arranges the album, and of course sings. “It’s soul music, but I don’t exactly have the soul voice,” Morten explains humbly. “But I do it my own way, in a way that’s mine.”
Album opener “You & I” is Morten’s homage to his partner, who sticks it out “through the chaos and the blunders” with him. Punchy drums and cascading pianos make this one a proper two-stepper and an anthem for those lucky enough to find someone who understands them and helps them through the parts of life where they need it most. “Again & Again” slows the pace and deals with the heavier side of love and life, as Martens professes his resilience through the mishaps, heartbreak, and letdowns of love affairs gone wrong. “Untainted Love” brings the sweet side of new love center stage with a tune that plays on the title of the Gloria Jones classic. “Get Lost” leans into the metaphysical with an invitation to leave reality behind and spend time with Les Imprimés, where there’s room to dream. “Only Love” is built over a gritty drum break, with a chorus that is simple yet profound, and an arrangement that gives it the energy of a mantra. The album turns to the dancefloor on “With You,” an uptempo, uplifting tune about a fleeting encounter that leaves you pining for more. Martens longs for her, but joyfully—as if simply remembering that such a connection is possible is exactly what he needed. Martens is joined by guest vocalist Ama Li on “Miss the Days,” a slow-burning ballad that reckons back to simpler times when love felt easier. Fading Forward closes on a wholly somber note with “Paradise,” a tune that wishes freedom and peace to a friend who passed away.
In the small town of Kristiansand, Norway, there is a huge talent who spent much of his life laying low and playing in the background. Signing to New York’s Big Crown Records inspired Morten Martens to begin sharing his own music. The response to his debut Rêverie pushed him out of the studio and onto the stage, serving as inspiration to push his artistry to new heights—heights that are fully realized on Fading Forward.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
You & I - https://www.youtube.com/watch?v=Tqile8b0jHo
Again & Again - https://www.youtube.com/watch?v=_ANhe55pJP0
Big Crown Records is proud to present the sophomore full-length from Les Imprimés, Fading Forward. Spearheaded by self-taught multi-instrumentalist and producer Morten Martens, the album explores mortality, escapism, and a myriad of experiences associated with love.
Martens made a tremendous impression with his highly acclaimed 2023 debut Rêverie and has since cultivated a diehard fanbase whose demographics are as wide-ranging as the influences that shape his music. He mixes tones from ’60s and ’70s soul with arrangement nods to doo-wop records, takes drum energy from hip-hop, and covers the whole thing with vocal stylings drawn from ’90s and 2000s alternative. But it is Martens’ lyrics, emotion, and delivery that truly bring everything together and help him stand out from his peers. There’s an infectiousness and pop sensibility in the writing, executed with the utmost class and taste, giving Les Imprimés the rare quality of immediate attraction that only deepens with repeat listens.
Hailing from Kristiansand, Norway, Martens plays nearly every instrument on Fading Forward, produces and arranges the album, and of course sings. “It’s soul music, but I don’t exactly have the soul voice,” Morten explains humbly. “But I do it my own way, in a way that’s mine.”
Album opener “You & I” is Morten’s homage to his partner, who sticks it out “through the chaos and the blunders” with him. Punchy drums and cascading pianos make this one a proper two-stepper and an anthem for those lucky enough to find someone who understands them and helps them through the parts of life where they need it most. “Again & Again” slows the pace and deals with the heavier side of love and life, as Martens professes his resilience through the mishaps, heartbreak, and letdowns of love affairs gone wrong. “Untainted Love” brings the sweet side of new love center stage with a tune that plays on the title of the Gloria Jones classic. “Get Lost” leans into the metaphysical with an invitation to leave reality behind and spend time with Les Imprimés, where there’s room to dream. “Only Love” is built over a gritty drum break, with a chorus that is simple yet profound, and an arrangement that gives it the energy of a mantra. The album turns to the dancefloor on “With You,” an uptempo, uplifting tune about a fleeting encounter that leaves you pining for more. Martens longs for her, but joyfully—as if simply remembering that such a connection is possible is exactly what he needed. Martens is joined by guest vocalist Ama Li on “Miss the Days,” a slow-burning ballad that reckons back to simpler times when love felt easier. Fading Forward closes on a wholly somber note with “Paradise,” a tune that wishes freedom and peace to a friend who passed away.
In the small town of Kristiansand, Norway, there is a huge talent who spent much of his life laying low and playing in the background. Signing to New York’s Big Crown Records inspired Morten Martens to begin sharing his own music. The response to his debut Rêverie pushed him out of the studio and onto the stage, serving as inspiration to push his artistry to new heights—heights that are fully realized on Fading Forward.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Field Green Vinyl. Big Crown Records is proud to present the instrumental version of El Michels Affair's 2025 instant classic 24 Hr Sports. The roster of vocal features on 24 Hr Sports is amazing, Clairo, Norah Jones, Florence Adooni, Shintaro Sakamoto, two different choirs, and even some singing from the man himself, Leon Michels. The background vocals contributions are amazing; Lady Wray and Kevin Martin from Brainstory to name a few. But alas, there's a new energy that shows up in the listen when you pair it down to the impeccable musicianship and Leon's tried and true "Midas Touch" production. Leon plays a ton of instruments across the album and is joined by the regular cast of heavy hitters; Homer Steinweiss, Nick Movshon, Dave Guy, Marco Benevento, Hether, and more. There is even a saxophone solo by the late, great Rahsaan Roland Kirk.Some would argue this is some of the best music being made by some of the best musicians of our time. We wouldn't argue with anyone...we let the music do what it does.
Tracklist
1.1DRUMLINE (INSTRUMENTAL)
1.2MáGICA (INSTRUMENTAL)
1.324 HR SPORTS THEME NO. 1 (INSTRUMENTAL)
1.4SAY GOODBYE (INSTRUMENTAL)
1.5OAKLEY'S CAR WASH (INSTRUMENTAL) FEAT. DAVE GUY
1.6ANTICIPATE (INSTRUMENTAL)
1.7EASTSIDE (INSTRUMENTAL)
1.8CLEAN THE LINE (INSTRUMENTAL)
1.9CORTEX (INSTRUMENTAL)
1.10SHINING (INSTRUMENTAL)
1.1124 HR SPORTS THEME NO. 2 (INSTRUMENTAL)
1.12INDIFFERENCE (INSTRUMENTAL)
1.13CARRY ME AWAY(INSTRUMENTAL)
1.14TAKE MY HAND (INSTRUMENTAL) FEAT. RAHSAAN ROLAND KIRK
1.15OPEN SEASON (INSTRUMENTAL)
1.16VICTORY LAP (INSTRUMENTAL)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist
1.1DRUMLINE (INSTRUMENTAL)
1.2MáGICA (INSTRUMENTAL)
1.324 HR SPORTS THEME NO. 1 (INSTRUMENTAL)
1.4SAY GOODBYE (INSTRUMENTAL)
1.5OAKLEY'S CAR WASH (INSTRUMENTAL) FEAT. DAVE GUY
1.6ANTICIPATE (INSTRUMENTAL)
1.7EASTSIDE (INSTRUMENTAL)
1.8CLEAN THE LINE (INSTRUMENTAL)
1.9CORTEX (INSTRUMENTAL)
1.10SHINING (INSTRUMENTAL)
1.1124 HR SPORTS THEME NO. 2 (INSTRUMENTAL)
1.12INDIFFERENCE (INSTRUMENTAL)
1.13CARRY ME AWAY(INSTRUMENTAL)
1.14TAKE MY HAND (INSTRUMENTAL) FEAT. RAHSAAN ROLAND KIRK
1.15OPEN SEASON (INSTRUMENTAL)
1.16VICTORY LAP (INSTRUMENTAL)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Lady Wray - My Best Step
2
Lady Wray - Be A Witness
3
Lady Wray - Where Could I Be
4
Lady Wray - Hard Times
5
Lady Wray - Best For Us
6
Lady Wray - Cover Girl
7
Lady Wray - You're Gonna Win
8
Lady Wray - Time
9
Lady Wray - What It Means
10
Lady Wray - Higher
11
Lady Wray - Calm
Preview: https://www.youtube.com/watch?v=3IwXJudLctA
Lady Wray makes her highly anticipated return with Cover Girl, her third album on Big Crown Records. The album opener “My Best Step” says it all, “my next step is my best step”, and indeed she is taking her artistry to a new high and making the best music of her life. The celebratory Cover Girl takes listeners on a free-spirited joyride glittered with ‘60s and '70s-inspired soul and disco, ‘90s hip-hop and R&B, and perhaps the most defining element, gospel. Following the healing journey that was 2022’s Piece of Me, Nicole has performed on The Late Show With Stephen Colbert, NPR’s Tiny Desk, and toured the world. After this period of growth, Lady Wray is now ready to let her hair down and embrace all of what life has to offer. Reunited with producer Leon Michels (Norah Jones / Clairo / El Michels Affair) for the record, the outcome is effortless and undeniable, a reflection of their longtime collaboration that extends over a decade.
“I've gravitated more towards love and self-care with this album. Piece of Me was realizing that I was going to be a mother, and all those feelings were on my heart,” Lady Wray says. “Now I'm able to sit back and be a real boss. I got my career, my motherhood, and my marriage by the horns. I've grown into this more self-aware and beautiful flower for Cover Girl.” With an almighty voice, soul-stirring lyrics, and a magnetic personality, the singer-songwriter reflects her appreciation for her family, her faith, and her renewed love for herself—all of which drive her new record.
Lead single “You’re Gonna Win” is a report to the dance floor, feel good banger. Cole lets loose while naming and claiming her power “I do not care who came before me, after me there will be none” as she likens her company to winning the lottery. The Fabulous Rainbow Singers choir joins on the chorus taking the whole affair to church and putting it next to the finest gospel-disco records ever pressed. “Be a Witness” is a funky, mid-tempo powerhouse that would make Prince proud. Nicole finds the perfect groove over punchy drum machines and infectious synthesizers, singing about a love destined to happen, and spreading the good vibes to everyone in earshot. Cover Girl’s title track is one of the album’s most vulnerable moments. Lady Wray delivers a show-stopping performance over the stripped down track as she details her journey to finding herself again: “I lost myself trying to please someone else / I want to be me again.” The title stems from a childhood nickname she earned for her consistently manicured style. Lady Wray explains. “As I grew up and got into the music business, I lost that happy part of me. I see that happiness in my daughter, who’s just beautiful, talented, and smart. ‘Cover Girl’ is me going back to that little girl. It’s about getting back to loving yourself and healing.” Similarly on “Where Could I Be,” she reclaims the happiness and sense of identity that she lost focus of through life’s struggles. Nicole gushes about her love and respect for her marriage on “Best For Us” & “Hard Times”, both acknowledging the imperfection and referencing the strength and resilience of true love. She sings to her daughter on “Higher,” teaching her how to love and be loved, encouraging her to be confident and persistent.
Lady Wray was born to sing, sharing her soul and her life with us through her music. She has amassed a diehard worldwide fanbase with her relatable messages and incomparable voice. Whether singing of her struggles or strengths, there’s a comfort that comes from the way she makes us know we are not alone in any of it. Nicole Wray is inspiring and uplifting. Having been through a lot, she’s taken all of it and made herself a better person and a better artist.
“You need to rule your own world. Don't let anybody get in your way. You rock with your dreams until the wheels fall off,” Lady Wray says. “That's what I've been doing with my career since 1998. I know who I am and what I bring to the table. It's been a heck of a journey, and I feel so happy to be making the best music of my life.”
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Lady Wray makes her highly anticipated return with Cover Girl, her third album on Big Crown Records. The album opener “My Best Step” says it all, “my next step is my best step”, and indeed she is taking her artistry to a new high and making the best music of her life. The celebratory Cover Girl takes listeners on a free-spirited joyride glittered with ‘60s and '70s-inspired soul and disco, ‘90s hip-hop and R&B, and perhaps the most defining element, gospel. Following the healing journey that was 2022’s Piece of Me, Nicole has performed on The Late Show With Stephen Colbert, NPR’s Tiny Desk, and toured the world. After this period of growth, Lady Wray is now ready to let her hair down and embrace all of what life has to offer. Reunited with producer Leon Michels (Norah Jones / Clairo / El Michels Affair) for the record, the outcome is effortless and undeniable, a reflection of their longtime collaboration that extends over a decade.
“I've gravitated more towards love and self-care with this album. Piece of Me was realizing that I was going to be a mother, and all those feelings were on my heart,” Lady Wray says. “Now I'm able to sit back and be a real boss. I got my career, my motherhood, and my marriage by the horns. I've grown into this more self-aware and beautiful flower for Cover Girl.” With an almighty voice, soul-stirring lyrics, and a magnetic personality, the singer-songwriter reflects her appreciation for her family, her faith, and her renewed love for herself—all of which drive her new record.
Lead single “You’re Gonna Win” is a report to the dance floor, feel good banger. Cole lets loose while naming and claiming her power “I do not care who came before me, after me there will be none” as she likens her company to winning the lottery. The Fabulous Rainbow Singers choir joins on the chorus taking the whole affair to church and putting it next to the finest gospel-disco records ever pressed. “Be a Witness” is a funky, mid-tempo powerhouse that would make Prince proud. Nicole finds the perfect groove over punchy drum machines and infectious synthesizers, singing about a love destined to happen, and spreading the good vibes to everyone in earshot. Cover Girl’s title track is one of the album’s most vulnerable moments. Lady Wray delivers a show-stopping performance over the stripped down track as she details her journey to finding herself again: “I lost myself trying to please someone else / I want to be me again.” The title stems from a childhood nickname she earned for her consistently manicured style. Lady Wray explains. “As I grew up and got into the music business, I lost that happy part of me. I see that happiness in my daughter, who’s just beautiful, talented, and smart. ‘Cover Girl’ is me going back to that little girl. It’s about getting back to loving yourself and healing.” Similarly on “Where Could I Be,” she reclaims the happiness and sense of identity that she lost focus of through life’s struggles. Nicole gushes about her love and respect for her marriage on “Best For Us” & “Hard Times”, both acknowledging the imperfection and referencing the strength and resilience of true love. She sings to her daughter on “Higher,” teaching her how to love and be loved, encouraging her to be confident and persistent.
Lady Wray was born to sing, sharing her soul and her life with us through her music. She has amassed a diehard worldwide fanbase with her relatable messages and incomparable voice. Whether singing of her struggles or strengths, there’s a comfort that comes from the way she makes us know we are not alone in any of it. Nicole Wray is inspiring and uplifting. Having been through a lot, she’s taken all of it and made herself a better person and a better artist.
“You need to rule your own world. Don't let anybody get in your way. You rock with your dreams until the wheels fall off,” Lady Wray says. “That's what I've been doing with my career since 1998. I know who I am and what I bring to the table. It's been a heck of a journey, and I feel so happy to be making the best music of my life.”
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Lady Wray - My Best Step
2
Lady Wray - Be A Witness
3
Lady Wray - Where Could I Be
4
Lady Wray - Hard Times
5
Lady Wray - Best For Us
6
Lady Wray - Cover Girl
7
Lady Wray - You're Gonna Win
8
Lady Wray - Time
9
Lady Wray - What It Means
10
Lady Wray - Higher
11
Lady Wray - Calm
Clear Pink Vinyl!
Preview: https://www.youtube.com/watch?v=3IwXJudLctA
Lady Wray makes her highly anticipated return with Cover Girl, her third album on Big Crown Records. The album opener “My Best Step” says it all, “my next step is my best step”, and indeed she is taking her artistry to a new high and making the best music of her life. The celebratory Cover Girl takes listeners on a free-spirited joyride glittered with ‘60s and '70s-inspired soul and disco, ‘90s hip-hop and R&B, and perhaps the most defining element, gospel. Following the healing journey that was 2022’s Piece of Me, Nicole has performed on The Late Show With Stephen Colbert, NPR’s Tiny Desk, and toured the world. After this period of growth, Lady Wray is now ready to let her hair down and embrace all of what life has to offer. Reunited with producer Leon Michels (Norah Jones / Clairo / El Michels Affair) for the record, the outcome is effortless and undeniable, a reflection of their longtime collaboration that extends over a decade.
“I've gravitated more towards love and self-care with this album. Piece of Me was realizing that I was going to be a mother, and all those feelings were on my heart,” Lady Wray says. “Now I'm able to sit back and be a real boss. I got my career, my motherhood, and my marriage by the horns. I've grown into this more self-aware and beautiful flower for Cover Girl.” With an almighty voice, soul-stirring lyrics, and a magnetic personality, the singer-songwriter reflects her appreciation for her family, her faith, and her renewed love for herself—all of which drive her new record.
Lead single “You’re Gonna Win” is a report to the dance floor, feel good banger. Cole lets loose while naming and claiming her power “I do not care who came before me, after me there will be none” as she likens her company to winning the lottery. The Fabulous Rainbow Singers choir joins on the chorus taking the whole affair to church and putting it next to the finest gospel-disco records ever pressed. “Be a Witness” is a funky, mid-tempo powerhouse that would make Prince proud. Nicole finds the perfect groove over punchy drum machines and infectious synthesizers, singing about a love destined to happen, and spreading the good vibes to everyone in earshot. Cover Girl’s title track is one of the album’s most vulnerable moments. Lady Wray delivers a show-stopping performance over the stripped down track as she details her journey to finding herself again: “I lost myself trying to please someone else / I want to be me again.” The title stems from a childhood nickname she earned for her consistently manicured style. Lady Wray explains. “As I grew up and got into the music business, I lost that happy part of me. I see that happiness in my daughter, who’s just beautiful, talented, and smart. ‘Cover Girl’ is me going back to that little girl. It’s about getting back to loving yourself and healing.” Similarly on “Where Could I Be,” she reclaims the happiness and sense of identity that she lost focus of through life’s struggles. Nicole gushes about her love and respect for her marriage on “Best For Us” & “Hard Times”, both acknowledging the imperfection and referencing the strength and resilience of true love. She sings to her daughter on “Higher,” teaching her how to love and be loved, encouraging her to be confident and persistent.
Lady Wray was born to sing, sharing her soul and her life with us through her music. She has amassed a diehard worldwide fanbase with her relatable messages and incomparable voice. Whether singing of her struggles or strengths, there’s a comfort that comes from the way she makes us know we are not alone in any of it. Nicole Wray is inspiring and uplifting. Having been through a lot, she’s taken all of it and made herself a better person and a better artist.
“You need to rule your own world. Don't let anybody get in your way. You rock with your dreams until the wheels fall off,” Lady Wray says. “That's what I've been doing with my career since 1998. I know who I am and what I bring to the table. It's been a heck of a journey, and I feel so happy to be making the best music of my life.”
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Preview: https://www.youtube.com/watch?v=3IwXJudLctA
Lady Wray makes her highly anticipated return with Cover Girl, her third album on Big Crown Records. The album opener “My Best Step” says it all, “my next step is my best step”, and indeed she is taking her artistry to a new high and making the best music of her life. The celebratory Cover Girl takes listeners on a free-spirited joyride glittered with ‘60s and '70s-inspired soul and disco, ‘90s hip-hop and R&B, and perhaps the most defining element, gospel. Following the healing journey that was 2022’s Piece of Me, Nicole has performed on The Late Show With Stephen Colbert, NPR’s Tiny Desk, and toured the world. After this period of growth, Lady Wray is now ready to let her hair down and embrace all of what life has to offer. Reunited with producer Leon Michels (Norah Jones / Clairo / El Michels Affair) for the record, the outcome is effortless and undeniable, a reflection of their longtime collaboration that extends over a decade.
“I've gravitated more towards love and self-care with this album. Piece of Me was realizing that I was going to be a mother, and all those feelings were on my heart,” Lady Wray says. “Now I'm able to sit back and be a real boss. I got my career, my motherhood, and my marriage by the horns. I've grown into this more self-aware and beautiful flower for Cover Girl.” With an almighty voice, soul-stirring lyrics, and a magnetic personality, the singer-songwriter reflects her appreciation for her family, her faith, and her renewed love for herself—all of which drive her new record.
Lead single “You’re Gonna Win” is a report to the dance floor, feel good banger. Cole lets loose while naming and claiming her power “I do not care who came before me, after me there will be none” as she likens her company to winning the lottery. The Fabulous Rainbow Singers choir joins on the chorus taking the whole affair to church and putting it next to the finest gospel-disco records ever pressed. “Be a Witness” is a funky, mid-tempo powerhouse that would make Prince proud. Nicole finds the perfect groove over punchy drum machines and infectious synthesizers, singing about a love destined to happen, and spreading the good vibes to everyone in earshot. Cover Girl’s title track is one of the album’s most vulnerable moments. Lady Wray delivers a show-stopping performance over the stripped down track as she details her journey to finding herself again: “I lost myself trying to please someone else / I want to be me again.” The title stems from a childhood nickname she earned for her consistently manicured style. Lady Wray explains. “As I grew up and got into the music business, I lost that happy part of me. I see that happiness in my daughter, who’s just beautiful, talented, and smart. ‘Cover Girl’ is me going back to that little girl. It’s about getting back to loving yourself and healing.” Similarly on “Where Could I Be,” she reclaims the happiness and sense of identity that she lost focus of through life’s struggles. Nicole gushes about her love and respect for her marriage on “Best For Us” & “Hard Times”, both acknowledging the imperfection and referencing the strength and resilience of true love. She sings to her daughter on “Higher,” teaching her how to love and be loved, encouraging her to be confident and persistent.
Lady Wray was born to sing, sharing her soul and her life with us through her music. She has amassed a diehard worldwide fanbase with her relatable messages and incomparable voice. Whether singing of her struggles or strengths, there’s a comfort that comes from the way she makes us know we are not alone in any of it. Nicole Wray is inspiring and uplifting. Having been through a lot, she’s taken all of it and made herself a better person and a better artist.
“You need to rule your own world. Don't let anybody get in your way. You rock with your dreams until the wheels fall off,” Lady Wray says. “That's what I've been doing with my career since 1998. I know who I am and what I bring to the table. It's been a heck of a journey, and I feel so happy to be making the best music of my life.”
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Leon Michels has quietly become one of the most sought-after producers in music. His signature sound has caught the attention of the mainstream while continuing to inspire the underground. Since 2023's El Michels Affair & Black Thought album Glorious Game, Michels has been busy producing records for other artists; Norah Jones' Grammy winning Visions, Clairo's Grammy nominated Charm, Kali Uchis' "Moonlight", as well as albums for labelmates Brainstory, Derya Yyldyrym & Grup imek, Thee Heart Tones, and Liam Bailey. His new album 24 Hr Sports marks the highly anticipated return to recording under his own moniker, El Michels Affair 24 Hr Sports was inspired by the fashion and graphic design of `80s & `90s Sports Illustrated magazines, MF DOOM's Special Herbs albums, the sample sources used on them, and gospel music a la Pastor T.L. Barrett. The sum of those inuences with Michels' impeccable creative touch prove to be the recipe for an instant classic that will surely be one of the most heralded releases of 2025. The album opener "Drum Line" is an anthemic, uplifting tune with marching band drumming and thundering brass arrangements that command undivided attention and set the tone for what's to come. 24 Hr Sports sees a signicant departure from the largely instrumental music of the El Michels Affair catalog with a roster of vocal features that manages to mirror the undenable genre of his music. The rst one on the album is "Mágica" which features Brazil's Rogê. He takes the already pumping energy of the track over the top with his fútbol inspired lyrics. Moving from Brazil to Ghana, "Say Goodbye" features Florence Adooni who touts her individuality with an effortless swag jumping between Frafra and English, telling it like it is in the earworm chorus, "never gonna nd a girl like me_". Labelmate and world renowned trumpeter from The Roots, Dave Guy joins the `70s groove of "Oakley's Car Wash" with his distinct horn lines before the track switches lanes, closing with a dubby outro. From raucous to serene, "Anticipate" featuring Clairo picks up on the musical synergy between her and Leon that created 2024's Charm album. Clairo rides signature EMA arrangements perfectly as she pines for an unattainable love over the band's airtight instrumentation. "Eastside" is a song that could soundtrack a sunrise over the ocean, putting Leon's tasteful use of space and arrangement on a pedestal. By way of Japan, The Suginami Children's Choir join in on the lush "Clean The Line" singing a song about the moon, the sun, and birds. Next, "Cortex" kicks in the door with gritty distorted guitars and thundering drums that puts a moment of pure cinematic intensity in the middle of the album. Leon himself handles lead vocals on "Shining," a song about looking for a friend to share the joys of a sunny day with. The universally adored Shintaro Sakamoto is featured on "Indifference", a swanky tune built on bouncing basslines and ute chops. Shintaro uses the arrangements to go from singing to speaking, musing over a eeting love. The Grammy winning duo of Norah Jones and Michels reunite on "Carry Me Away" with Jones' honeyed vocals soaring over a track that is hard to place but easy to love. Leon leans into El Michels Affair territory on the tune that sounds decidedly different from the Norah Jones records he has produced. "Take My Hand" puts gospel inuence front and center with the Fabulous Rainbow Singers choir on the chorus and a saxophone solo from the late great Rahsaan Roland Kirk. "Open Season", a mid tempo, piano driven number with group vocals chanting "we want the gold, we want the gold_" could soundtrack a slow motion highlight reel, while the aptly titled album closer "Victory Lap" is a dreamy euphoric wind-down worthy of the record that just nished. When all is said and done, the trophy on the cover of the album speaks volumes. El Michels Affair is champion sound and 24 Hr Sports hammers that home.
Tracklist
1.1DRUMLINE
1.2MáGICA FEAT ROGê
1.324 HR SPORTS THEME NO 1
1.4SAY GOODBYE FEAT FLORENCE ADOONI
1.5OAKLEY'S CAR WASH FEAT DAVE GUY
1.6ANTICIPATE FEAT CLAIRO
1.7EASTSIDE
1.8CLEAN THE LINE
1.9CORTEX
1.10SHINING
1.1124 HR SPORTS THEME NO 2
1.12INDIFFERENCE FEAT SHINTARO SAKAMOTO
1.13CARRY ME AWAY FEAT NORAH JONES
1.14TAKE MY HAND FEAT RAHSAAN ROLAND KIRK
1.15OPEN SEASON
1.16VICTORY LAP
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist
1.1DRUMLINE
1.2MáGICA FEAT ROGê
1.324 HR SPORTS THEME NO 1
1.4SAY GOODBYE FEAT FLORENCE ADOONI
1.5OAKLEY'S CAR WASH FEAT DAVE GUY
1.6ANTICIPATE FEAT CLAIRO
1.7EASTSIDE
1.8CLEAN THE LINE
1.9CORTEX
1.10SHINING
1.1124 HR SPORTS THEME NO 2
1.12INDIFFERENCE FEAT SHINTARO SAKAMOTO
1.13CARRY ME AWAY FEAT NORAH JONES
1.14TAKE MY HAND FEAT RAHSAAN ROLAND KIRK
1.15OPEN SEASON
1.16VICTORY LAP
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
El Michels Affair pulls two standouts from his forthcoming 24 Hr Sports album and presses them on a sureshot two-sider 7". The A side 'Say Goodbye' is an instant hit with bouncing basslines & drums that carry the infectious and endearing vocals of Ghana's own Florence Adooni. The bouncy energy of the track is taken to the next level by Florence's earworm chorus which is sure to make this a record in heavy rotation around the globe. The B side 'Mágica' is yet another instant hit that smashes through the speakers from the first note. El Michels Affair teams up with Brazil's own Rogê, whose vocals pour gas on the already fire track. Turn this one up to 10 and find the dancefloor_
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Surprise Chef - Sleep Dreams
2
Surprise Chef - Bully Ball
3
Surprise Chef - Body Slam
4
Surprise Chef - Consulate Case
5
Surprise Chef - Dangerous
6
Surprise Chef - Websites
7
Surprise Chef - Fare Evader
8
Surprise Chef - Tag Dag
9
Surprise Chef - Plumb Tuckered
10
Surprise Chef - Dreamer's Disease
11
Surprise Chef - Slippery Dip
Australia’s world-renowned cinematic soul outfit Surprise Chef return with new album Superb. A record that represents a change in their creative approach and turns up the heat in their music. Trading in their meticulous writing and recording techniques for a looser and less planned approach with the intentions of bringing more levity to the process, and it comes through in spades. The high caliber musicianship is still front and center, but they push their sound into a more energetic and fun place on this album.
Album opener “Sleep Dreams” is the closest thing to a Surprise Chef tune one would come to expect, but then lead single “Bully Ball” comes on and you get the picture that they came to kick in the door on this one. The song’s gritty drums thunder through the speakers and get covered with percussion, keys, bass, and guitar chanks that stay in the pocket and bring the funk with them. The band pushes the boundaries of arrangement with tunes like “Body Slam” that starts off like a sweet soul track then pulls a 180, turning dark and haunting, centering on a sound they created by tucking a timpani into a bathroom two doors down from the mixing board. That same sense of experimentation comes up again on “Fare Evader” where they pepper another neck breaking rhythm track with synth notes that sound like robot sound effects from a 70s sci-fi film. The fellas turn up the tempo for the dance with tunes like “Consulate Case” and “Tag Dag”; the former pulling influence from afro-funk and the latter from jazz-funk. They take us deep into the beautiful world of Surprise Chef ballads on “Websites” and double down on their abilities to make beautiful and ethereal tracks with “Dreamer’s Disease”.
With their new album Superb, their new approach, and plans to tour the world, we are about to see Surprise Chef take the step from the underground’s most beloved to a household name and we are definitely here for it.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Album opener “Sleep Dreams” is the closest thing to a Surprise Chef tune one would come to expect, but then lead single “Bully Ball” comes on and you get the picture that they came to kick in the door on this one. The song’s gritty drums thunder through the speakers and get covered with percussion, keys, bass, and guitar chanks that stay in the pocket and bring the funk with them. The band pushes the boundaries of arrangement with tunes like “Body Slam” that starts off like a sweet soul track then pulls a 180, turning dark and haunting, centering on a sound they created by tucking a timpani into a bathroom two doors down from the mixing board. That same sense of experimentation comes up again on “Fare Evader” where they pepper another neck breaking rhythm track with synth notes that sound like robot sound effects from a 70s sci-fi film. The fellas turn up the tempo for the dance with tunes like “Consulate Case” and “Tag Dag”; the former pulling influence from afro-funk and the latter from jazz-funk. They take us deep into the beautiful world of Surprise Chef ballads on “Websites” and double down on their abilities to make beautiful and ethereal tracks with “Dreamer’s Disease”.
With their new album Superb, their new approach, and plans to tour the world, we are about to see Surprise Chef take the step from the underground’s most beloved to a household name and we are definitely here for it.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Surprise Chef - Sleep Dreams
2
Surprise Chef - Bully Ball
3
Surprise Chef - Body Slam
4
Surprise Chef - Consulate Case
5
Surprise Chef - Dangerous
6
Surprise Chef - Websites
7
Surprise Chef - Fare Evader
8
Surprise Chef - Tag Dag
9
Surprise Chef - Plumb Tuckered
10
Surprise Chef - Dreamer's Disease
11
Surprise Chef - Slippery Dip
Translucent Tangerine Vinyl!
Australia’s world-renowned cinematic soul outfit Surprise Chef return with new album Superb. A record that represents a change in their creative approach and turns up the heat in their music. Trading in their meticulous writing and recording techniques for a looser and less planned approach with the intentions of bringing more levity to the process, and it comes through in spades. The high caliber musicianship is still front and center, but they push their sound into a more energetic and fun place on this album.
Album opener “Sleep Dreams” is the closest thing to a Surprise Chef tune one would come to expect, but then lead single “Bully Ball” comes on and you get the picture that they came to kick in the door on this one. The song’s gritty drums thunder through the speakers and get covered with percussion, keys, bass, and guitar chanks that stay in the pocket and bring the funk with them. The band pushes the boundaries of arrangement with tunes like “Body Slam” that starts off like a sweet soul track then pulls a 180, turning dark and haunting, centering on a sound they created by tucking a timpani into a bathroom two doors down from the mixing board. That same sense of experimentation comes up again on “Fare Evader” where they pepper another neck breaking rhythm track with synth notes that sound like robot sound effects from a 70s sci-fi film. The fellas turn up the tempo for the dance with tunes like “Consulate Case” and “Tag Dag”; the former pulling influence from afro-funk and the latter from jazz-funk. They take us deep into the beautiful world of Surprise Chef ballads on “Websites” and double down on their abilities to make beautiful and ethereal tracks with “Dreamer’s Disease”.
With their new album Superb, their new approach, and plans to tour the world, we are about to see Surprise Chef take the step from the underground’s most beloved to a household name and we are definitely here for it.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Australia’s world-renowned cinematic soul outfit Surprise Chef return with new album Superb. A record that represents a change in their creative approach and turns up the heat in their music. Trading in their meticulous writing and recording techniques for a looser and less planned approach with the intentions of bringing more levity to the process, and it comes through in spades. The high caliber musicianship is still front and center, but they push their sound into a more energetic and fun place on this album.
Album opener “Sleep Dreams” is the closest thing to a Surprise Chef tune one would come to expect, but then lead single “Bully Ball” comes on and you get the picture that they came to kick in the door on this one. The song’s gritty drums thunder through the speakers and get covered with percussion, keys, bass, and guitar chanks that stay in the pocket and bring the funk with them. The band pushes the boundaries of arrangement with tunes like “Body Slam” that starts off like a sweet soul track then pulls a 180, turning dark and haunting, centering on a sound they created by tucking a timpani into a bathroom two doors down from the mixing board. That same sense of experimentation comes up again on “Fare Evader” where they pepper another neck breaking rhythm track with synth notes that sound like robot sound effects from a 70s sci-fi film. The fellas turn up the tempo for the dance with tunes like “Consulate Case” and “Tag Dag”; the former pulling influence from afro-funk and the latter from jazz-funk. They take us deep into the beautiful world of Surprise Chef ballads on “Websites” and double down on their abilities to make beautiful and ethereal tracks with “Dreamer’s Disease”.
With their new album Superb, their new approach, and plans to tour the world, we are about to see Surprise Chef take the step from the underground’s most beloved to a household name and we are definitely here for it.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Lady Wray - Be A Witness
2
Lady Wray - Best For Us
Lady Wray treats us to an unstoppable two-sider while she and Grammy-nominated producer Leon Michels (Clairo / El Michels Affair) put the finishing touches on her forthcoming album.
The A side “Be A Witness” showcases one of the new directions Lady Wray is taking her sound. Nicole’s vocals soar over bottom heavy drum machine and Nick Movshon’s funky basslines making this a proper mid-tempo dance floor filler. Lady Wray sings about a love destined to happen, celebrates the joys that come with it, and spreads the good vibes to everyone in earshot.
The B side “Best For Us” is a gorgeous tune about love, commitment, intention, and overcoming the tough times. Synths and background vocals float over Homer Steinweiss’ signature in-the-pocket drums creating the perfect backdrop for Cole’s world-renowned voice. This one will be an instant two-step classic.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
The A side “Be A Witness” showcases one of the new directions Lady Wray is taking her sound. Nicole’s vocals soar over bottom heavy drum machine and Nick Movshon’s funky basslines making this a proper mid-tempo dance floor filler. Lady Wray sings about a love destined to happen, celebrates the joys that come with it, and spreads the good vibes to everyone in earshot.
The B side “Best For Us” is a gorgeous tune about love, commitment, intention, and overcoming the tough times. Synths and background vocals float over Homer Steinweiss’ signature in-the-pocket drums creating the perfect backdrop for Cole’s world-renowned voice. This one will be an instant two-step classic.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
El Michels Affair - Mr. Brew
2
El Michels Affair - Kodak
El Michels Affair treats us to a new two-sider of instant EMA classics.
The menacing introduction of the A side’s “Mr Brew” gives way to a beautiful and spacious tune in a classic tension and release dynamic. Gentle guitars, strings, flutes, and brass seamlessly take turns over the heavy drum track sending anyone with synesthesia into a world of color.
The B side “Kodak” is a masterclass in space and arrangement. The mellow pace of the drums is adorned with gorgeous instrumentation that creates the perfect mood. EMA never putting too much paint on the canvas and always capturing the vibe.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
The menacing introduction of the A side’s “Mr Brew” gives way to a beautiful and spacious tune in a classic tension and release dynamic. Gentle guitars, strings, flutes, and brass seamlessly take turns over the heavy drum track sending anyone with synesthesia into a world of color.
The B side “Kodak” is a masterclass in space and arrangement. The mellow pace of the drums is adorned with gorgeous instrumentation that creates the perfect mood. EMA never putting too much paint on the canvas and always capturing the vibe.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Derya Yildirim & Grup Simsek - Çiçek Açiyor
2
Derya Yildirim & Grup Simsek - Cool Hand
3
Derya Yildirim & Grup Simsek - Yakamoz
4
Derya Yildirim & Grup Simsek - Hop Bico
5
Derya Yildirim & Grup Simsek - Bilemedim Ki
6
Derya Yildirim & Grup Simsek - Yüz Yüze
7
Derya Yildirim & Grup Simsek - Istanbul'un Kuslari
8
Derya Yildirim & Grup Simsek - Direne Direne
9
Derya Yildirim & Grup Simsek - Ceylan
10
Derya Yildirim & Grup Simsek - Misket
11
Derya Yildirim & Grup Simsek - Günes
Big Crown Records is proud to present Derya Yildirim & Grup Simsek’s latest album Yarin Yoksa. The show stopping intensity of Derya backed by the psychedelic soul of Grup Simsek with production by Leon Michels has yielded a stand out record that challenges genre with a broad appeal and a powerful message.
They refer to themselves as “outernational” over international as they say it suggests a sound that’s more inclusive or “beyond borders.” Derya, who sings and plays the baglama, is German born to Turkish parents. Drummer Helen Wells is Berlin-based by way of South Africa while keyboard player Graham Mushnik and guitar/bass player Antonin Voyant are both French. The collective influences they bring to Anatolian music make for a completely unique and fresh sound that both pushes the genre forward and champions its rich heritage.
Yarin Yoksa which translates to If There Is No Tomorrow delves into deeply personal pain and collective resistance with a central thread of loss, longing, and hope for change running throughout. The lyrics are poetic and rely heavily on symbolic language, metaphors, and storytelling while the music shifts track to track making each tune stand out on its own but work together perfectly as an album.
“Cool Hand”, the first single released on Big Crown in September of 2024, is a beautiful juxtaposition of intensity and lightheartedness over a thoroughly infectious groove. The message is poetic and complicated, repeatedly declaring “I love you, I’m crazy about you” but ultimately finding a sense of peace through accepting a broken heart. “Direne Direne” is a protest song that embodies the struggle and tireless pursuit of justice encouraging people to resist oppression. Derya’s lyrics soar over the psych-soul musical backdrop as her story of personal struggle transforms to a universal call for resilience and strength. The slow and weighty vibe of “Yakamoz” lets onto the meaning of the lyrics even to those who don’t understand Turkish. It is a deeply moving song that captures the profound emotions connected to displacement and loss without knowing if you will ever return. The steady groove of the band, along with the anguished vocals paint a vivid picture of the devastation experienced by the protagonist who ultimately realizes that her roots are within her and anywhere she goes is her home.
Nine of the tunes on the album are original compositions but they also take on three Anatollian folk songs with their own inimitable approach. The acapella introduction of “Misket”, a folk song from Ankara/Türkiye, will stop you in your tracks. The tune deals with death and how the living cope and continue a relationship with those who have passed away. Another traditional tune from Sivas that they put their signature sound to is “Hop Bico”, a tune about a playful character named Bico who is a symbol of vitality and spirit. The synth intro grabs your ear from the first note and the earworm chorus encouraging Bico to lead the group in celebration and embrace life through dance has the same effect on everyone who hears it.
The band has taken a big step forward that you can hear on this record. Derya’s passion and authenticity is front and center and the music is too moving to deny. Yarin Yoksa is sure to captivate the hearts and minds of all those who hear it, and just wait til you hear them play it live…
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
They refer to themselves as “outernational” over international as they say it suggests a sound that’s more inclusive or “beyond borders.” Derya, who sings and plays the baglama, is German born to Turkish parents. Drummer Helen Wells is Berlin-based by way of South Africa while keyboard player Graham Mushnik and guitar/bass player Antonin Voyant are both French. The collective influences they bring to Anatolian music make for a completely unique and fresh sound that both pushes the genre forward and champions its rich heritage.
Yarin Yoksa which translates to If There Is No Tomorrow delves into deeply personal pain and collective resistance with a central thread of loss, longing, and hope for change running throughout. The lyrics are poetic and rely heavily on symbolic language, metaphors, and storytelling while the music shifts track to track making each tune stand out on its own but work together perfectly as an album.
“Cool Hand”, the first single released on Big Crown in September of 2024, is a beautiful juxtaposition of intensity and lightheartedness over a thoroughly infectious groove. The message is poetic and complicated, repeatedly declaring “I love you, I’m crazy about you” but ultimately finding a sense of peace through accepting a broken heart. “Direne Direne” is a protest song that embodies the struggle and tireless pursuit of justice encouraging people to resist oppression. Derya’s lyrics soar over the psych-soul musical backdrop as her story of personal struggle transforms to a universal call for resilience and strength. The slow and weighty vibe of “Yakamoz” lets onto the meaning of the lyrics even to those who don’t understand Turkish. It is a deeply moving song that captures the profound emotions connected to displacement and loss without knowing if you will ever return. The steady groove of the band, along with the anguished vocals paint a vivid picture of the devastation experienced by the protagonist who ultimately realizes that her roots are within her and anywhere she goes is her home.
Nine of the tunes on the album are original compositions but they also take on three Anatollian folk songs with their own inimitable approach. The acapella introduction of “Misket”, a folk song from Ankara/Türkiye, will stop you in your tracks. The tune deals with death and how the living cope and continue a relationship with those who have passed away. Another traditional tune from Sivas that they put their signature sound to is “Hop Bico”, a tune about a playful character named Bico who is a symbol of vitality and spirit. The synth intro grabs your ear from the first note and the earworm chorus encouraging Bico to lead the group in celebration and embrace life through dance has the same effect on everyone who hears it.
The band has taken a big step forward that you can hear on this record. Derya’s passion and authenticity is front and center and the music is too moving to deny. Yarin Yoksa is sure to captivate the hearts and minds of all those who hear it, and just wait til you hear them play it live…
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Derya Yildirim & Grup Simsek - Çiçek Açiyor
2
Derya Yildirim & Grup Simsek - Cool Hand
3
Derya Yildirim & Grup Simsek - Yakamoz
4
Derya Yildirim & Grup Simsek - Hop Bico
5
Derya Yildirim & Grup Simsek - Bilemedim Ki
6
Derya Yildirim & Grup Simsek - Yüz Yüze
7
Derya Yildirim & Grup Simsek - Istanbul'un Kuslari
8
Derya Yildirim & Grup Simsek - Direne Direne
9
Derya Yildirim & Grup Simsek - Ceylan
10
Derya Yildirim & Grup Simsek - Misket
11
Derya Yildirim & Grup Simsek - Günes
Clear Pink w/ Purple Smoke Vinyl!
Big Crown Records is proud to present Derya Yildirim & Grup Simsek’s latest album Yarin Yoksa. The show stopping intensity of Derya backed by the psychedelic soul of Grup Simsek with production by Leon Michels has yielded a stand out record that challenges genre with a broad appeal and a powerful message.
They refer to themselves as “outernational” over international as they say it suggests a sound that’s more inclusive or “beyond borders.” Derya, who sings and plays the baglama, is German born to Turkish parents. Drummer Helen Wells is Berlin-based by way of South Africa while keyboard player Graham Mushnik and guitar/bass player Antonin Voyant are both French. The collective influences they bring to Anatolian music make for a completely unique and fresh sound that both pushes the genre forward and champions its rich heritage.
Yarin Yoksa which translates to If There Is No Tomorrow delves into deeply personal pain and collective resistance with a central thread of loss, longing, and hope for change running throughout. The lyrics are poetic and rely heavily on symbolic language, metaphors, and storytelling while the music shifts track to track making each tune stand out on its own but work together perfectly as an album.
“Cool Hand”, the first single released on Big Crown in September of 2024, is a beautiful juxtaposition of intensity and lightheartedness over a thoroughly infectious groove. The message is poetic and complicated, repeatedly declaring “I love you, I’m crazy about you” but ultimately finding a sense of peace through accepting a broken heart. “Direne Direne” is a protest song that embodies the struggle and tireless pursuit of justice encouraging people to resist oppression. Derya’s lyrics soar over the psych-soul musical backdrop as her story of personal struggle transforms to a universal call for resilience and strength. The slow and weighty vibe of “Yakamoz” lets onto the meaning of the lyrics even to those who don’t understand Turkish. It is a deeply moving song that captures the profound emotions connected to displacement and loss without knowing if you will ever return. The steady groove of the band, along with the anguished vocals paint a vivid picture of the devastation experienced by the protagonist who ultimately realizes that her roots are within her and anywhere she goes is her home.
Nine of the tunes on the album are original compositions but they also take on three Anatollian folk songs with their own inimitable approach. The acapella introduction of “Misket”, a folk song from Ankara/Türkiye, will stop you in your tracks. The tune deals with death and how the living cope and continue a relationship with those who have passed away. Another traditional tune from Sivas that they put their signature sound to is “Hop Bico”, a tune about a playful character named Bico who is a symbol of vitality and spirit. The synth intro grabs your ear from the first note and the earworm chorus encouraging Bico to lead the group in celebration and embrace life through dance has the same effect on everyone who hears it.
The band has taken a big step forward that you can hear on this record. Derya’s passion and authenticity is front and center and the music is too moving to deny. Yarin Yoksa is sure to captivate the hearts and minds of all those who hear it, and just wait til you hear them play it live…
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Big Crown Records is proud to present Derya Yildirim & Grup Simsek’s latest album Yarin Yoksa. The show stopping intensity of Derya backed by the psychedelic soul of Grup Simsek with production by Leon Michels has yielded a stand out record that challenges genre with a broad appeal and a powerful message.
They refer to themselves as “outernational” over international as they say it suggests a sound that’s more inclusive or “beyond borders.” Derya, who sings and plays the baglama, is German born to Turkish parents. Drummer Helen Wells is Berlin-based by way of South Africa while keyboard player Graham Mushnik and guitar/bass player Antonin Voyant are both French. The collective influences they bring to Anatolian music make for a completely unique and fresh sound that both pushes the genre forward and champions its rich heritage.
Yarin Yoksa which translates to If There Is No Tomorrow delves into deeply personal pain and collective resistance with a central thread of loss, longing, and hope for change running throughout. The lyrics are poetic and rely heavily on symbolic language, metaphors, and storytelling while the music shifts track to track making each tune stand out on its own but work together perfectly as an album.
“Cool Hand”, the first single released on Big Crown in September of 2024, is a beautiful juxtaposition of intensity and lightheartedness over a thoroughly infectious groove. The message is poetic and complicated, repeatedly declaring “I love you, I’m crazy about you” but ultimately finding a sense of peace through accepting a broken heart. “Direne Direne” is a protest song that embodies the struggle and tireless pursuit of justice encouraging people to resist oppression. Derya’s lyrics soar over the psych-soul musical backdrop as her story of personal struggle transforms to a universal call for resilience and strength. The slow and weighty vibe of “Yakamoz” lets onto the meaning of the lyrics even to those who don’t understand Turkish. It is a deeply moving song that captures the profound emotions connected to displacement and loss without knowing if you will ever return. The steady groove of the band, along with the anguished vocals paint a vivid picture of the devastation experienced by the protagonist who ultimately realizes that her roots are within her and anywhere she goes is her home.
Nine of the tunes on the album are original compositions but they also take on three Anatollian folk songs with their own inimitable approach. The acapella introduction of “Misket”, a folk song from Ankara/Türkiye, will stop you in your tracks. The tune deals with death and how the living cope and continue a relationship with those who have passed away. Another traditional tune from Sivas that they put their signature sound to is “Hop Bico”, a tune about a playful character named Bico who is a symbol of vitality and spirit. The synth intro grabs your ear from the first note and the earworm chorus encouraging Bico to lead the group in celebration and embrace life through dance has the same effect on everyone who hears it.
The band has taken a big step forward that you can hear on this record. Derya’s passion and authenticity is front and center and the music is too moving to deny. Yarin Yoksa is sure to captivate the hearts and minds of all those who hear it, and just wait til you hear them play it live…
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Killer cover of the Wu classic 'Shadow Boxin' from GZA's cinematic masterpiece 'Liquid Swords'. El Michels Affair takes the tune and makes it their own with dancing guitar licks, floating organ notes, and their signature heavy drums. On the flip, they cover Ghostface's 'Iron Maiden', the tune that opened up and set the tone for his debut classic 'Ironman'!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Homer - Rollin' feat. KIRBY
2
Homer - Camera feat. girl named GOLDEN
3
Homer - Deep Sea feat. Hether
4
Homer - Now That It's Over feat. Hether and Flikka
5
Homer - Racecar Driver feat. KIRBY, Hether and girl named GOLDEN
6
Homer - So Get Up! feat. MINOVA and Michael Rault
7
Homer - Wishing Well feat. girl named GOLDEN
8
Homer - Hide It Behind the Light I'm Shining Through feat. girl named GOLDEN
9
Homer - Start Select feat. Hether
10
Homer - Forever and Ever and Ever and Ever feat. Hether
11
Homer - Goldie feat. Dave Guy
Preview: https://www.youtube.com/watch?v=LdCiqqpFmEU
Homer Steinweiss has an incredibly storied career in music that started when he was just a teenager. He's drummed for nearly every "retro soul" group that mattered and his distinctive stickwork helped blend the raw-but-receptive soul sound back into the mainstream via the likes of Amy Winehouse & Sharon Jones. He’s now one of the most in demand drummers in the world, playing with Jonas Brothers, Clairo, Solange, Adele, and Bruno Mars to name a few. With his debut solo release Ensatina, Homer is stepping to the forefront as both musician and producer. His new record is a reflection of who he is now and a testament to how struggle often brings about a needed change.
In 2020 Homer had to reckon with considerable emotional turbulence; at the same time that his band Holy Hive broke up, a personal relationship of 20+ years fell apart putting Homer in an uncertain place mentally. The fallout was significant enough for him to seek professional help. "I was going through these super manic highs and then very depressive lows," Homer describes. "And being in all that, it's just so tough to imagine that the other side is there, that it'll be ok." But, with time, professional help, and support from friends and family, Homer made it through and has been forever changed. This album is a product of that period of his life.
The first song from these sessions, “Now That It’s Over” perfectly sums up Homer’s triumph through those tough times. It's a song of changing perspective and contemplation with haunting vocals from Hether and Flikka. "Paul (Castelluzzo—aka, Hether), as a friend, saw me through these highs and lows," Homer points out. "I only had the one line, 'Now that it's over, I'm alright,' but he felt that lyric so much that he wrote all these sections and lyrics and basically completed the song. It was like he was writing to me." Hether also features on album standouts “Deep Sea”, a modern love song, “Start Select”, a juxtaposition of inspiration and melancholy, and “Forever and Ever and Ever and Ever” which is an incredible contemporary take on the B side soul ballad. Homer uses his innate gift for bringing seemingly opposing energies together on “Racecar Driver”, pairing the vocals of Hether & long time friend and collaborator KIRBY to make a genre challenging banger. KIRBY also graces the album opener “Rollin’”, an airy, warm-weather invoking song that her raspy voice perfectly compliments. He puts his drumming front and center on “So Get Up!”, a bottom heavy infectious track that MINOVA’s vocals turn into an instant hit that is sure to smash speakers. On “Wishing Well” & “Hide It Behind the Light I’m Shining Through” Homer is joined by girl named GOLDEN, who’s unique voice effortlessly finds the pocket in each tune. The man on trumpet, and fellow Big Crown label mate Dave Guy, puts his incomparable playing on the album closer “Goldie” which Homer says is the part of the movie where the credits roll.
Making this album was a refuge for Homer and it put him back on track. Ensatina is a glimpse into the different energies and influences that make Homer tick. To say he was always much more than a drummer would be an understatement, and this first solo offering is just the beginning of his next chapter.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Homer Steinweiss has an incredibly storied career in music that started when he was just a teenager. He's drummed for nearly every "retro soul" group that mattered and his distinctive stickwork helped blend the raw-but-receptive soul sound back into the mainstream via the likes of Amy Winehouse & Sharon Jones. He’s now one of the most in demand drummers in the world, playing with Jonas Brothers, Clairo, Solange, Adele, and Bruno Mars to name a few. With his debut solo release Ensatina, Homer is stepping to the forefront as both musician and producer. His new record is a reflection of who he is now and a testament to how struggle often brings about a needed change.
In 2020 Homer had to reckon with considerable emotional turbulence; at the same time that his band Holy Hive broke up, a personal relationship of 20+ years fell apart putting Homer in an uncertain place mentally. The fallout was significant enough for him to seek professional help. "I was going through these super manic highs and then very depressive lows," Homer describes. "And being in all that, it's just so tough to imagine that the other side is there, that it'll be ok." But, with time, professional help, and support from friends and family, Homer made it through and has been forever changed. This album is a product of that period of his life.
The first song from these sessions, “Now That It’s Over” perfectly sums up Homer’s triumph through those tough times. It's a song of changing perspective and contemplation with haunting vocals from Hether and Flikka. "Paul (Castelluzzo—aka, Hether), as a friend, saw me through these highs and lows," Homer points out. "I only had the one line, 'Now that it's over, I'm alright,' but he felt that lyric so much that he wrote all these sections and lyrics and basically completed the song. It was like he was writing to me." Hether also features on album standouts “Deep Sea”, a modern love song, “Start Select”, a juxtaposition of inspiration and melancholy, and “Forever and Ever and Ever and Ever” which is an incredible contemporary take on the B side soul ballad. Homer uses his innate gift for bringing seemingly opposing energies together on “Racecar Driver”, pairing the vocals of Hether & long time friend and collaborator KIRBY to make a genre challenging banger. KIRBY also graces the album opener “Rollin’”, an airy, warm-weather invoking song that her raspy voice perfectly compliments. He puts his drumming front and center on “So Get Up!”, a bottom heavy infectious track that MINOVA’s vocals turn into an instant hit that is sure to smash speakers. On “Wishing Well” & “Hide It Behind the Light I’m Shining Through” Homer is joined by girl named GOLDEN, who’s unique voice effortlessly finds the pocket in each tune. The man on trumpet, and fellow Big Crown label mate Dave Guy, puts his incomparable playing on the album closer “Goldie” which Homer says is the part of the movie where the credits roll.
Making this album was a refuge for Homer and it put him back on track. Ensatina is a glimpse into the different energies and influences that make Homer tick. To say he was always much more than a drummer would be an understatement, and this first solo offering is just the beginning of his next chapter.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Derya Yildirim & Grup Simsek - Cool Hand
2
Derya Yildirim & Grup Simsek - Yakamoz
Big Crown Records is proud to present Derya Yildirim & Grup Simsek’s debut 7” offering on the label. They came to New York in June of 2024 to record their new album at The Diamond Mine Studio in Queens with Leon Michels handling production. These are the first two tunes from those sessions and they are very telling of what is to come on the new album.
The A side “Cool Hand” is a beautiful juxtaposition of intensity and lightheartedness with lyrics that explore the depths of unrequited love while the music is uplifting and bright. Derya’s passionate vocals and maverick Saz playing ride atop the band’s infectious groove as she conjures images of pink mountains and unbloomed yellow tulips. The message is poetic and complicated, repeatedly declaring “I love you, I’m crazy about you” but ultimately finding a sense of peace through accepting a broken heart.
The B side “Yakamoz” is a deeply moving song that captures the profound emotions connected to displacement and loss. The lyrics tell the story of someone who had to leave their home, the place of their roots, out of necessity and is uncertain if they will ever return. A sense of irreversible departure is echoed in the recurring lines, “I can’t go back home again, I can’t look back.” The steady groove of the band, along with the anguished vocals paint a vivid picture of the devastation experienced by the protagonist who ultimately realizes that her roots are within her and anywhere she goes is her home.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
The A side “Cool Hand” is a beautiful juxtaposition of intensity and lightheartedness with lyrics that explore the depths of unrequited love while the music is uplifting and bright. Derya’s passionate vocals and maverick Saz playing ride atop the band’s infectious groove as she conjures images of pink mountains and unbloomed yellow tulips. The message is poetic and complicated, repeatedly declaring “I love you, I’m crazy about you” but ultimately finding a sense of peace through accepting a broken heart.
The B side “Yakamoz” is a deeply moving song that captures the profound emotions connected to displacement and loss. The lyrics tell the story of someone who had to leave their home, the place of their roots, out of necessity and is uncertain if they will ever return. A sense of irreversible departure is echoed in the recurring lines, “I can’t go back home again, I can’t look back.” The steady groove of the band, along with the anguished vocals paint a vivid picture of the devastation experienced by the protagonist who ultimately realizes that her roots are within her and anywhere she goes is her home.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Big Crown Records
Cat-No:BCRLPC1129
Release-Date:06.09.2024
Genre:Dope Beat/Hip Hop
Configuration:LP
Label:Big Crown Records
Cat-No:BCRLPC1129
Release-Date:06.09.2024
Genre:Dope Beat/Hip Hop
Configuration:LP
1
El Michels Affair & Black Thought - Grateful (Instrumental)
2
El Michels Affair & Black Thought - Glorious Game (Instrumental)
3
El Michels Affair & Black Thought - I'm Still Somehow (Instrumental)
4
El Michels Affair & Black Thought - Hollow Way (Instrumental)
5
El Michels Affair & Black Thought - Protocol (Instrumental)
6
El Michels Affair & Black Thought - The Weather (Instrumental)
7
El Michels Affair & Black Thought - That Girl (Instrumental)
8
El Michels Affair & Black Thought - I Would Never (Instrumental)
9
El Michels Affair & Black Thought - Alone (Instrumental)
10
El Michels Affair & Black Thought - Miracle (Instrumental)
11
El Michels Affair & Black Thought - Glorious Game (Reprise) (Instrumental)
12
El Michels Affair & Black Thought - Alter Ego Feat. Brainstory (Instrumental)
Blood Smoke Vinyl. The Instrumental version of the underground classic El Michels Affair & Black Thought collaborative album Glorious Game When Leon Michels and El Michels Affair released their rst record, Sounding Out The City, in 2005, it was hard to guess what was next for Michels and his then-introduced, now-patented "cinematic soul" sound. Now, four EMA studio albums and scores of tribute and remix projects later_all while producing for some of the biggest names in the industry_Michels has trademarked his sound, with each project taking audiences somewhere new and pushing the boundaries of what he is known for. The man is a river, not a lake and this time he takes his golden touch into the realm of hip-hop laying down a musical bed for one of the greatest to ever rhyme into a microphone: Black Thought of The Roots crew. Releasing on Big Crown Records, the LP is called Glorious Game and it is a remarkable debut partnership in more ways than one. Michels provides his bottom-heavy, soul-tinged production for Black Thought who gives us some of the more personal and transparent verses we've ever heard from him. Michels and Black Thought have been in each other's orbit for a while now. The two rst met in the 2000s when Thought was rst getting familiar with the contemporary soul scene. "Out of that whole world, Menahan Street Band was probably my favorite," recalling the funk and soul group Michels was a founding member of back in 2007. Fast forward a few years and musicians from that collective_Dave Guy on trumpet and Ian Hendrickson-Smith on sax _are now full time players with The Roots. This connection eventually led Leon and Thought to doing a few fundraising events around NYC and Philly together. "Before long, Black Thought was coming around the studio and would jam with us from time to time," Michels explains. "Then, fast forward to 2020 and COVID lockdowns, he just hit me up out of the blue, wanting me to send him stuff to write to. We both were looking to stay busy." Being that Black Thought is the co-founder and emcee for, hands down, the best live-band group in hip-hop. Michels took a decidedly different approach to this project and instead of sending recorded tracks of live compositions, he pulled out the sampler and sampled himself and some records from his collection. "I'm a big fan of soul music," as if Michels has to remind us. "And part of hip-hop's appeal to me has always been the sample-based production" For Glorious Game, Michels would make wholly composed and recorded soul songs in his studio, sample himself, then chop and/or loop up his sounds and create instrumentals for Black Thought. On some tracks he took a more traditional hip-hop approach, starting from samples of other people's music but then adding live instrumentation on top.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Clear Pink Vinyl!
Preview: https://www.youtube.com/watch?v=3IwXJudLctA
Lady Wray makes her highly anticipated return with Cover Girl, her third album on Big Crown Records. The album opener “My Best Step” says it all, “my next step is my best step”, and indeed she is taking her artistry to a new high and making the best music of her life. The celebratory Cover Girl takes listeners on a free-spirited joyride glittered with ‘60s and '70s-inspired soul and disco, ‘90s hip-hop and R&B, and perhaps the most defining element, gospel. Following the healing journey that was 2022’s Piece of Me, Nicole has performed on The Late Show With Stephen Colbert, NPR’s Tiny Desk, and toured the world. After this period of growth, Lady Wray is now ready to let her hair down and embrace all of what life has to offer. Reunited with producer Leon Michels (Norah Jones / Clairo / El Michels Affair) for the record, the outcome is effortless and undeniable, a reflection of their longtime collaboration that extends over a decade.
“I've gravitated more towards love and self-care with this album. Piece of Me was realizing that I was going to be a mother, and all those feelings were on my heart,” Lady Wray says. “Now I'm able to sit back and be a real boss. I got my career, my motherhood, and my marriage by the horns. I've grown into this more self-aware and beautiful flower for Cover Girl.” With an almighty voice, soul-stirring lyrics, and a magnetic personality, the singer-songwriter reflects her appreciation for her family, her faith, and her renewed love for herself—all of which drive her new record.
Lead single “You’re Gonna Win” is a report to the dance floor, feel good banger. Cole lets loose while naming and claiming her power “I do not care who came before me, after me there will be none” as she likens her company to winning the lottery. The Fabulous Rainbow Singers choir joins on the chorus taking the whole affair to church and putting it next to the finest gospel-disco records ever pressed. “Be a Witness” is a funky, mid-tempo powerhouse that would make Prince proud. Nicole finds the perfect groove over punchy drum machines and infectious synthesizers, singing about a love destined to happen, and spreading the good vibes to everyone in earshot. Cover Girl’s title track is one of the album’s most vulnerable moments. Lady Wray delivers a show-stopping performance over the stripped down track as she details her journey to finding herself again: “I lost myself trying to please someone else / I want to be me again.” The title stems from a childhood nickname she earned for her consistently manicured style. Lady Wray explains. “As I grew up and got into the music business, I lost that happy part of me. I see that happiness in my daughter, who’s just beautiful, talented, and smart. ‘Cover Girl’ is me going back to that little girl. It’s about getting back to loving yourself and healing.” Similarly on “Where Could I Be,” she reclaims the happiness and sense of identity that she lost focus of through life’s struggles. Nicole gushes about her love and respect for her marriage on “Best For Us” & “Hard Times”, both acknowledging the imperfection and referencing the strength and resilience of true love. She sings to her daughter on “Higher,” teaching her how to love and be loved, encouraging her to be confident and persistent.
Lady Wray was born to sing, sharing her soul and her life with us through her music. She has amassed a diehard worldwide fanbase with her relatable messages and incomparable voice. Whether singing of her struggles or strengths, there’s a comfort that comes from the way she makes us know we are not alone in any of it. Nicole Wray is inspiring and uplifting. Having been through a lot, she’s taken all of it and made herself a better person and a better artist.
“You need to rule your own world. Don't let anybody get in your way. You rock with your dreams until the wheels fall off,” Lady Wray says. “That's what I've been doing with my career since 1998. I know who I am and what I bring to the table. It's been a heck of a journey, and I feel so happy to be making the best music of my life.”
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Preview: https://www.youtube.com/watch?v=3IwXJudLctA
Lady Wray makes her highly anticipated return with Cover Girl, her third album on Big Crown Records. The album opener “My Best Step” says it all, “my next step is my best step”, and indeed she is taking her artistry to a new high and making the best music of her life. The celebratory Cover Girl takes listeners on a free-spirited joyride glittered with ‘60s and '70s-inspired soul and disco, ‘90s hip-hop and R&B, and perhaps the most defining element, gospel. Following the healing journey that was 2022’s Piece of Me, Nicole has performed on The Late Show With Stephen Colbert, NPR’s Tiny Desk, and toured the world. After this period of growth, Lady Wray is now ready to let her hair down and embrace all of what life has to offer. Reunited with producer Leon Michels (Norah Jones / Clairo / El Michels Affair) for the record, the outcome is effortless and undeniable, a reflection of their longtime collaboration that extends over a decade.
“I've gravitated more towards love and self-care with this album. Piece of Me was realizing that I was going to be a mother, and all those feelings were on my heart,” Lady Wray says. “Now I'm able to sit back and be a real boss. I got my career, my motherhood, and my marriage by the horns. I've grown into this more self-aware and beautiful flower for Cover Girl.” With an almighty voice, soul-stirring lyrics, and a magnetic personality, the singer-songwriter reflects her appreciation for her family, her faith, and her renewed love for herself—all of which drive her new record.
Lead single “You’re Gonna Win” is a report to the dance floor, feel good banger. Cole lets loose while naming and claiming her power “I do not care who came before me, after me there will be none” as she likens her company to winning the lottery. The Fabulous Rainbow Singers choir joins on the chorus taking the whole affair to church and putting it next to the finest gospel-disco records ever pressed. “Be a Witness” is a funky, mid-tempo powerhouse that would make Prince proud. Nicole finds the perfect groove over punchy drum machines and infectious synthesizers, singing about a love destined to happen, and spreading the good vibes to everyone in earshot. Cover Girl’s title track is one of the album’s most vulnerable moments. Lady Wray delivers a show-stopping performance over the stripped down track as she details her journey to finding herself again: “I lost myself trying to please someone else / I want to be me again.” The title stems from a childhood nickname she earned for her consistently manicured style. Lady Wray explains. “As I grew up and got into the music business, I lost that happy part of me. I see that happiness in my daughter, who’s just beautiful, talented, and smart. ‘Cover Girl’ is me going back to that little girl. It’s about getting back to loving yourself and healing.” Similarly on “Where Could I Be,” she reclaims the happiness and sense of identity that she lost focus of through life’s struggles. Nicole gushes about her love and respect for her marriage on “Best For Us” & “Hard Times”, both acknowledging the imperfection and referencing the strength and resilience of true love. She sings to her daughter on “Higher,” teaching her how to love and be loved, encouraging her to be confident and persistent.
Lady Wray was born to sing, sharing her soul and her life with us through her music. She has amassed a diehard worldwide fanbase with her relatable messages and incomparable voice. Whether singing of her struggles or strengths, there’s a comfort that comes from the way she makes us know we are not alone in any of it. Nicole Wray is inspiring and uplifting. Having been through a lot, she’s taken all of it and made herself a better person and a better artist.
“You need to rule your own world. Don't let anybody get in your way. You rock with your dreams until the wheels fall off,” Lady Wray says. “That's what I've been doing with my career since 1998. I know who I am and what I bring to the table. It's been a heck of a journey, and I feel so happy to be making the best music of my life.”
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Leon Michels has quietly become one of the most sought-after producers in music. His signature sound has caught the attention of the mainstream while continuing to inspire the underground. Since 2023's El Michels Affair & Black Thought album Glorious Game, Michels has been busy producing records for other artists; Norah Jones' Grammy winning Visions, Clairo's Grammy nominated Charm, Kali Uchis' "Moonlight", as well as albums for labelmates Brainstory, Derya Yyldyrym & Grup imek, Thee Heart Tones, and Liam Bailey. His new album 24 Hr Sports marks the highly anticipated return to recording under his own moniker, El Michels Affair 24 Hr Sports was inspired by the fashion and graphic design of `80s & `90s Sports Illustrated magazines, MF DOOM's Special Herbs albums, the sample sources used on them, and gospel music a la Pastor T.L. Barrett. The sum of those inuences with Michels' impeccable creative touch prove to be the recipe for an instant classic that will surely be one of the most heralded releases of 2025. The album opener "Drum Line" is an anthemic, uplifting tune with marching band drumming and thundering brass arrangements that command undivided attention and set the tone for what's to come. 24 Hr Sports sees a signicant departure from the largely instrumental music of the El Michels Affair catalog with a roster of vocal features that manages to mirror the undenable genre of his music. The rst one on the album is "Mágica" which features Brazil's Rogê. He takes the already pumping energy of the track over the top with his fútbol inspired lyrics. Moving from Brazil to Ghana, "Say Goodbye" features Florence Adooni who touts her individuality with an effortless swag jumping between Frafra and English, telling it like it is in the earworm chorus, "never gonna nd a girl like me_". Labelmate and world renowned trumpeter from The Roots, Dave Guy joins the `70s groove of "Oakley's Car Wash" with his distinct horn lines before the track switches lanes, closing with a dubby outro. From raucous to serene, "Anticipate" featuring Clairo picks up on the musical synergy between her and Leon that created 2024's Charm album. Clairo rides signature EMA arrangements perfectly as she pines for an unattainable love over the band's airtight instrumentation. "Eastside" is a song that could soundtrack a sunrise over the ocean, putting Leon's tasteful use of space and arrangement on a pedestal. By way of Japan, The Suginami Children's Choir join in on the lush "Clean The Line" singing a song about the moon, the sun, and birds. Next, "Cortex" kicks in the door with gritty distorted guitars and thundering drums that puts a moment of pure cinematic intensity in the middle of the album. Leon himself handles lead vocals on "Shining," a song about looking for a friend to share the joys of a sunny day with. The universally adored Shintaro Sakamoto is featured on "Indifference", a swanky tune built on bouncing basslines and ute chops. Shintaro uses the arrangements to go from singing to speaking, musing over a eeting love. The Grammy winning duo of Norah Jones and Michels reunite on "Carry Me Away" with Jones' honeyed vocals soaring over a track that is hard to place but easy to love. Leon leans into El Michels Affair territory on the tune that sounds decidedly different from the Norah Jones records he has produced. "Take My Hand" puts gospel inuence front and center with the Fabulous Rainbow Singers choir on the chorus and a saxophone solo from the late great Rahsaan Roland Kirk. "Open Season", a mid tempo, piano driven number with group vocals chanting "we want the gold, we want the gold_" could soundtrack a slow motion highlight reel, while the aptly titled album closer "Victory Lap" is a dreamy euphoric wind-down worthy of the record that just nished. When all is said and done, the trophy on the cover of the album speaks volumes. El Michels Affair is champion sound and 24 Hr Sports hammers that home.
Tracklist
1.1DRUMLINE
1.2MáGICA FEAT ROGê
1.324 HR SPORTS THEME NO 1
1.4SAY GOODBYE FEAT FLORENCE ADOONI
1.5OAKLEY'S CAR WASH FEAT DAVE GUY
1.6ANTICIPATE FEAT CLAIRO
1.7EASTSIDE
1.8CLEAN THE LINE
1.9CORTEX
1.10SHINING
1.1124 HR SPORTS THEME NO 2
1.12INDIFFERENCE FEAT SHINTARO SAKAMOTO
1.13CARRY ME AWAY FEAT NORAH JONES
1.14TAKE MY HAND FEAT RAHSAAN ROLAND KIRK
1.15OPEN SEASON
1.16VICTORY LAP
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist
1.1DRUMLINE
1.2MáGICA FEAT ROGê
1.324 HR SPORTS THEME NO 1
1.4SAY GOODBYE FEAT FLORENCE ADOONI
1.5OAKLEY'S CAR WASH FEAT DAVE GUY
1.6ANTICIPATE FEAT CLAIRO
1.7EASTSIDE
1.8CLEAN THE LINE
1.9CORTEX
1.10SHINING
1.1124 HR SPORTS THEME NO 2
1.12INDIFFERENCE FEAT SHINTARO SAKAMOTO
1.13CARRY ME AWAY FEAT NORAH JONES
1.14TAKE MY HAND FEAT RAHSAAN ROLAND KIRK
1.15OPEN SEASON
1.16VICTORY LAP
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Azymuth - Belenzinho
2
Azymuth - Fantasy '82
3
Azymuth - Marca Tempo
4
Azymuth - Andaraí
5
Azymuth - Arabutã
6
Azymuth - Samba Pro Mamão
7
Azymuth - O Mergulhador
8
Azymuth - Last Summer in Rio (Featuring Jean Paul ‘Bluey’ Maunick, of Incognito)
Red Vinyl - 750 copies limited.
In an ever-expanding musical universe, Azymuth have long existed as a celestial giant, drawing countless artists, musicians and followers into their orbit. Marking fifty years since their 1975 debut album Azimuth, their new album Marca Passo proves that the band’s alchemic brew of Brazilian jazz-funk and cosmic samba soul remains as vital as ever, as the group honours the profound legacy of their departed founders.
Recorded in Rio de Janeiro, Marca Passo is the first full-length release since the passing of founding drummer Ivan "Mamão" Conti in 2023, following the earlier loss of keyboardist José Roberto Bertrami in 2012. Alex Malheiros, the sole remaining original member, sees his stewardship of the band’s musical legacy as his spiritual duty. He is joined by the equally devoted Kiko Continentino (Milton Nascimento, Djavan) on keyboards, who has been with the group since 2016, and new recruit Renato Massa (Marcos Valle, Ed Motta) on drums.
Yet since their earliest recorded music, Azymuth have always been far greater than the sum of their parts. The "three-man orchestra’s" unmistakable sound is rooted in Brazil's MPB studio scene of the 1970s and early 1980s—a time when artists blended traditional Brazilian rhythms with global jazz, rock, and emerging psychedelic and progressive elements. Marca Passo continues this legacy, seamlessly fusing Brazilian musical traditions with global influences while showcasing the exceptional musicianship that powers Azymuth's distinctive, multi-dimensional sound.
The album is produced by studio mastermind Daniel Maunick, responsible for Azymuth’s two previous studio albums, Fênix in 2016 and Aurora in 2011. Daniel’s credits also include albums by Marcos Valle, Sabrina Malheiros and Terry Callier. Azymuth also invited Daniel’s father, British jazz-funk royalty Jean Paul “Bluey” Maunick, of Incognito, to play guitar on a new version of Azymuth’s eighties classic “Last Summer In Rio”, in tribute to the song’s composer, José Roberto Bertrami. Equally, “Samba Pro Mamao” is a new composition dedicated to Azymuth’s beloved original drummer, Ivan “Mamão” Conti.
Credits:
Alex Malheiros - Bass, Acoustic Guitar & Vocals: 1,2, 3, 4, 5, 6, 7, 8, 9, 10
Kiko Continentino - Keyboards, Organ, Vocoder & Vocals: 2, 3, 4, 5, 6, 7, 8, 9, 10
Renato Massa - Drums & Vocals: : 2, 3, 4, 5, 6, 8, 9, 10
Ian Moreira - Percussion: 1, 2, 3, 4, 5, 6, 8, 9, 10
Sidinho Moreira - Percussion: 1, 2, 3, 4, 5, 7, 8, 9, 10
Dudu Viana - Keyboards & Vocals: 1
Victor Bertrami - Drums: 1
Mangueirinha - Repinique: 3
Jean Paul ‘Bluey’ Maunick - Electric Guitar: 5
Jose Carlos Bigorna - Soprano Sax: 9
Daniel Maunick: Additional Percussion, Synths & EFX: 1, 2, 3, 4, 5, 6, 7, 8, 9
Produced, Engineered, Mixed & Arranged by Daniel Maunick
Co-Produced & Arranged by Alex Malheiros
Executive Producer: Joe Davis
Recorded by:
Daniel Maunick & Leonardo Vieira @ Estúdio Nos Trilhos, Santa Teresa, Rio, Brazil
Daniel Maunick & Amadeu Signorelli @ Sigstudio, Niterói, Rio, Brazil
Daniel Maunick & Alex Malheiros @ Estúdio Basslab, Piratininga, Rio, Brazil
Mixed by Daniel Maunick @ The Sugar Shack, Carluke, Scotland
Artwork & Design: Tyler Askew
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
In an ever-expanding musical universe, Azymuth have long existed as a celestial giant, drawing countless artists, musicians and followers into their orbit. Marking fifty years since their 1975 debut album Azimuth, their new album Marca Passo proves that the band’s alchemic brew of Brazilian jazz-funk and cosmic samba soul remains as vital as ever, as the group honours the profound legacy of their departed founders.
Recorded in Rio de Janeiro, Marca Passo is the first full-length release since the passing of founding drummer Ivan "Mamão" Conti in 2023, following the earlier loss of keyboardist José Roberto Bertrami in 2012. Alex Malheiros, the sole remaining original member, sees his stewardship of the band’s musical legacy as his spiritual duty. He is joined by the equally devoted Kiko Continentino (Milton Nascimento, Djavan) on keyboards, who has been with the group since 2016, and new recruit Renato Massa (Marcos Valle, Ed Motta) on drums.
Yet since their earliest recorded music, Azymuth have always been far greater than the sum of their parts. The "three-man orchestra’s" unmistakable sound is rooted in Brazil's MPB studio scene of the 1970s and early 1980s—a time when artists blended traditional Brazilian rhythms with global jazz, rock, and emerging psychedelic and progressive elements. Marca Passo continues this legacy, seamlessly fusing Brazilian musical traditions with global influences while showcasing the exceptional musicianship that powers Azymuth's distinctive, multi-dimensional sound.
The album is produced by studio mastermind Daniel Maunick, responsible for Azymuth’s two previous studio albums, Fênix in 2016 and Aurora in 2011. Daniel’s credits also include albums by Marcos Valle, Sabrina Malheiros and Terry Callier. Azymuth also invited Daniel’s father, British jazz-funk royalty Jean Paul “Bluey” Maunick, of Incognito, to play guitar on a new version of Azymuth’s eighties classic “Last Summer In Rio”, in tribute to the song’s composer, José Roberto Bertrami. Equally, “Samba Pro Mamao” is a new composition dedicated to Azymuth’s beloved original drummer, Ivan “Mamão” Conti.
Credits:
Alex Malheiros - Bass, Acoustic Guitar & Vocals: 1,2, 3, 4, 5, 6, 7, 8, 9, 10
Kiko Continentino - Keyboards, Organ, Vocoder & Vocals: 2, 3, 4, 5, 6, 7, 8, 9, 10
Renato Massa - Drums & Vocals: : 2, 3, 4, 5, 6, 8, 9, 10
Ian Moreira - Percussion: 1, 2, 3, 4, 5, 6, 8, 9, 10
Sidinho Moreira - Percussion: 1, 2, 3, 4, 5, 7, 8, 9, 10
Dudu Viana - Keyboards & Vocals: 1
Victor Bertrami - Drums: 1
Mangueirinha - Repinique: 3
Jean Paul ‘Bluey’ Maunick - Electric Guitar: 5
Jose Carlos Bigorna - Soprano Sax: 9
Daniel Maunick: Additional Percussion, Synths & EFX: 1, 2, 3, 4, 5, 6, 7, 8, 9
Produced, Engineered, Mixed & Arranged by Daniel Maunick
Co-Produced & Arranged by Alex Malheiros
Executive Producer: Joe Davis
Recorded by:
Daniel Maunick & Leonardo Vieira @ Estúdio Nos Trilhos, Santa Teresa, Rio, Brazil
Daniel Maunick & Amadeu Signorelli @ Sigstudio, Niterói, Rio, Brazil
Daniel Maunick & Alex Malheiros @ Estúdio Basslab, Piratininga, Rio, Brazil
Mixed by Daniel Maunick @ The Sugar Shack, Carluke, Scotland
Artwork & Design: Tyler Askew
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Djingo Typical Band - Vini Ouais
2
Djingo Typical Band - Vini Ouais (Art Of Tones Remix)
The label say:
"Guts unearthed this afro-caribbean gem "Vini Ouais" by Djingo Typical Band for his Straight from the Decks compilation. Inspired, Art of Tones created an unofficial remix—a heartfelt tribute to this French Guiana treasure. It quickly lit up dance floors, shared among DJs like GUTS, Antal, Radio Meuh... and many more...
Here comes the official release, the remix is set to become a dancefloor banger.
Guts a déniché cette pépite de biguine-zouk signée Djingo Typical Band, "Vini Ouais", et l’a aussitôt intégrée à sa compilation à succès Straight from the Decks. Séduit à son tour, le talentueux producteur et remixeur Art of Tones en propose un remix non officiel, véritable déclaration d’amour à ce bijou venu de Guyane française.
Très vite, le titre revisité enflamme les dancefloors, circulant discrètement entre quelques DJ privilégiés, comme un secret bien gardé. Face à l’engouement et aux nombreuses demandes, le remix sort enfin officiellement, pour le plus grand plaisir de tous. Il est désormais joué par Antal, Laurent Garnier, Radio Meuh, Guts, Art of Tones, et bien d'autres, révélant un groove irrésistible qui met tout le monde d’accord."
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
"Guts unearthed this afro-caribbean gem "Vini Ouais" by Djingo Typical Band for his Straight from the Decks compilation. Inspired, Art of Tones created an unofficial remix—a heartfelt tribute to this French Guiana treasure. It quickly lit up dance floors, shared among DJs like GUTS, Antal, Radio Meuh... and many more...
Here comes the official release, the remix is set to become a dancefloor banger.
Guts a déniché cette pépite de biguine-zouk signée Djingo Typical Band, "Vini Ouais", et l’a aussitôt intégrée à sa compilation à succès Straight from the Decks. Séduit à son tour, le talentueux producteur et remixeur Art of Tones en propose un remix non officiel, véritable déclaration d’amour à ce bijou venu de Guyane française.
Très vite, le titre revisité enflamme les dancefloors, circulant discrètement entre quelques DJ privilégiés, comme un secret bien gardé. Face à l’engouement et aux nombreuses demandes, le remix sort enfin officiellement, pour le plus grand plaisir de tous. Il est désormais joué par Antal, Laurent Garnier, Radio Meuh, Guts, Art of Tones, et bien d'autres, révélant un groove irrésistible qui met tout le monde d’accord."
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Mystic Jungle - The Memory (Feat. Roxana)
2
Mato - Remind Me (Feat. Lady Gatica)
3
Soul Sugar - Sun Goddess
4
Taggy Matcher - Pushin' Too Hard
5
Taggy Matcher - The Message
6
Soul Sugar - Midnight
7
Taggy Matcher - Stayin’ Alive (Feat. John Milk)
8
Mato - Between the Sheets (Feat. Sonny Tender)
Stix Records, a sub-label of Favorite Recordings, is back with "Disco Reggae Vol. 6", continuing the much-loved series that kicked off over a decade ago.
Born in Jamaica, Reggae has always shared deep roots with Soul, Funk, R&B, and Pop from the US, and the island’s musicians have long mastered the art of reimagining iconic songs through their unique lens. With the Disco Reggae series, Stix Records proudly continues that tradition, serving up fresh reggae reinterpretations of timeless classics across various genres.
This sixth edition expands the selection with tributes to legendary artists like Roy Ayers, Patrice Rushen, Cymande, The Isley Brothers, Ramsey Lewis and Earth, Wind & Fire, to name just a few.
All covers on this volume were carefully curated by Charles Maurice, ensuring a cohesive and inspired selection throughout.
At the controls, it’s the same crew of friends as usual ; Taggy Matcher, Soul Sugar aka Booker Gee, and Mato, and this time, Mystic Jungle joins the gang with a killer Roy Ayers cover.
Get ready for a feel-good ride, perfect for dancing under the stars, cruising with the windows down, or just vibing with friends.
A1 - Mystic Jungle - The Memory (Feat. Roxana)
A2 - Mato - Remind Me (Feat. Lady Gatica)
A3 - Soul Sugar ?- Sun Goddess
A4 - Taggy Matcher – Pushin' Too Hard
B1 - Taggy Matcher - The Message
B2 - Soul Sugar - Midnight
B3 - Taggy Matcher - Stayin’ Alive (Feat. John Milk)
B4 - Mato - Between the Sheets (Feat. Sonny Tender)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Born in Jamaica, Reggae has always shared deep roots with Soul, Funk, R&B, and Pop from the US, and the island’s musicians have long mastered the art of reimagining iconic songs through their unique lens. With the Disco Reggae series, Stix Records proudly continues that tradition, serving up fresh reggae reinterpretations of timeless classics across various genres.
This sixth edition expands the selection with tributes to legendary artists like Roy Ayers, Patrice Rushen, Cymande, The Isley Brothers, Ramsey Lewis and Earth, Wind & Fire, to name just a few.
All covers on this volume were carefully curated by Charles Maurice, ensuring a cohesive and inspired selection throughout.
At the controls, it’s the same crew of friends as usual ; Taggy Matcher, Soul Sugar aka Booker Gee, and Mato, and this time, Mystic Jungle joins the gang with a killer Roy Ayers cover.
Get ready for a feel-good ride, perfect for dancing under the stars, cruising with the windows down, or just vibing with friends.
A1 - Mystic Jungle - The Memory (Feat. Roxana)
A2 - Mato - Remind Me (Feat. Lady Gatica)
A3 - Soul Sugar ?- Sun Goddess
A4 - Taggy Matcher – Pushin' Too Hard
B1 - Taggy Matcher - The Message
B2 - Soul Sugar - Midnight
B3 - Taggy Matcher - Stayin’ Alive (Feat. John Milk)
B4 - Mato - Between the Sheets (Feat. Sonny Tender)
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1
Surprise Chef - Sleep Dreams
2
Surprise Chef - Bully Ball
3
Surprise Chef - Body Slam
4
Surprise Chef - Consulate Case
5
Surprise Chef - Dangerous
6
Surprise Chef - Websites
7
Surprise Chef - Fare Evader
8
Surprise Chef - Tag Dag
9
Surprise Chef - Plumb Tuckered
10
Surprise Chef - Dreamer's Disease
11
Surprise Chef - Slippery Dip
Australia’s world-renowned cinematic soul outfit Surprise Chef return with new album Superb. A record that represents a change in their creative approach and turns up the heat in their music. Trading in their meticulous writing and recording techniques for a looser and less planned approach with the intentions of bringing more levity to the process, and it comes through in spades. The high caliber musicianship is still front and center, but they push their sound into a more energetic and fun place on this album.
Album opener “Sleep Dreams” is the closest thing to a Surprise Chef tune one would come to expect, but then lead single “Bully Ball” comes on and you get the picture that they came to kick in the door on this one. The song’s gritty drums thunder through the speakers and get covered with percussion, keys, bass, and guitar chanks that stay in the pocket and bring the funk with them. The band pushes the boundaries of arrangement with tunes like “Body Slam” that starts off like a sweet soul track then pulls a 180, turning dark and haunting, centering on a sound they created by tucking a timpani into a bathroom two doors down from the mixing board. That same sense of experimentation comes up again on “Fare Evader” where they pepper another neck breaking rhythm track with synth notes that sound like robot sound effects from a 70s sci-fi film. The fellas turn up the tempo for the dance with tunes like “Consulate Case” and “Tag Dag”; the former pulling influence from afro-funk and the latter from jazz-funk. They take us deep into the beautiful world of Surprise Chef ballads on “Websites” and double down on their abilities to make beautiful and ethereal tracks with “Dreamer’s Disease”.
With their new album Superb, their new approach, and plans to tour the world, we are about to see Surprise Chef take the step from the underground’s most beloved to a household name and we are definitely here for it.
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Album opener “Sleep Dreams” is the closest thing to a Surprise Chef tune one would come to expect, but then lead single “Bully Ball” comes on and you get the picture that they came to kick in the door on this one. The song’s gritty drums thunder through the speakers and get covered with percussion, keys, bass, and guitar chanks that stay in the pocket and bring the funk with them. The band pushes the boundaries of arrangement with tunes like “Body Slam” that starts off like a sweet soul track then pulls a 180, turning dark and haunting, centering on a sound they created by tucking a timpani into a bathroom two doors down from the mixing board. That same sense of experimentation comes up again on “Fare Evader” where they pepper another neck breaking rhythm track with synth notes that sound like robot sound effects from a 70s sci-fi film. The fellas turn up the tempo for the dance with tunes like “Consulate Case” and “Tag Dag”; the former pulling influence from afro-funk and the latter from jazz-funk. They take us deep into the beautiful world of Surprise Chef ballads on “Websites” and double down on their abilities to make beautiful and ethereal tracks with “Dreamer’s Disease”.
With their new album Superb, their new approach, and plans to tour the world, we are about to see Surprise Chef take the step from the underground’s most beloved to a household name and we are definitely here for it.
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DE - 22113 Hamburg
Germany
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1
Paul Johnson - Get Get Down (Original Extended Mix)
2
Paul Johnson - Get Get Down (Loopapella)
3
Paul Johnson - Get Get Down (Get Get Nerio'S Remix)
4
Paul Johnson - Get Get Down (XXX Remix)
Blue Vinyl Repress!
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Germany
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Germany
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1
Secret Squirrel - Something New
2
Secret Squirrel - Sick Sensation
3
Secret Squirrel - Shockwave Sauce
4
Secret Squirrel - Spike Up
Tracklisting
A1 Secret Squirrel - Something New
A2 Secret Squirrel - Sick Sensation
B1 Secret Squirrel - Shockwave Sauce
B2 Secret Squirrel - Spike Up
Sales Note
Get ready to jump as Bogwoppa returns with 'SPIKE UP EP' from Secret Squirrel! Packed with throwback breaks and a badboy basslines, This exuberant release channels classic UK vibes with a modern edge into 4 bombastic tracks guaranteed to shake you out of your tree.
Don't miss out - Bogwoppa is back, and it's time to move!
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A1 Secret Squirrel - Something New
A2 Secret Squirrel - Sick Sensation
B1 Secret Squirrel - Shockwave Sauce
B2 Secret Squirrel - Spike Up
Sales Note
Get ready to jump as Bogwoppa returns with 'SPIKE UP EP' from Secret Squirrel! Packed with throwback breaks and a badboy basslines, This exuberant release channels classic UK vibes with a modern edge into 4 bombastic tracks guaranteed to shake you out of your tree.
Don't miss out - Bogwoppa is back, and it's time to move!
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1
Scrappy - Freeze (Scrappy Mix)
2
Scrappy - Freeze (Mad Dog Dub)
3
Scrappy - Freeze (Limelight Mix)
4
Scrappy - Don't You Wanna Dance (Unreleased 1990 Mix)
5
Scrappy - Freeze (Credit Power Dub)
6
Scrappy - Welcome To My House (Jerome Derradji Edit)
7
Scrappy - Freeze '92 (Remix)
8
Scrappy - Don't Give Up On Love (Long Version)
9
Scrappy - Love Motion Diversey St Trip (Acid Love)
In the midst of House music's burgeoning scene in 1986 Chicago, a young local DJ named Jonathan Gilbert, known as Scrappy, seized a golden opportunity to showcase his skills at the renowned Medusa's Club's video room. It was in 1987, one fateful night, when the main DJ failed to show up, that Gilbert stepped in, securing a residency at one of the city's hottest spots. As the year progressed, Gilbert ventured into music production, teaming up with The Boxx Boys--Jim Marcus and Van Christie, notable for their later formation of the iconic group Die Warzau. Their collaboration birthed the legendary acid house anthem from Chicago, "Freeze," which Gilbert released under his Zap Records label in 1988, solidifying his place in Chicago's music history. The track became a timeless favorite, and is often featured in Jerome Derradji's sets. With Scrappy's gracious consent, we have the privilege of reissuing this seminal track, along with delving into his archives to uncover previously unreleased gems and alternate versions from his Atlantic Records era around 1990. For a brief period, Scrappy rode the waves of Chicago's house scene with his distinctive flair before bidding farewell to pursue new horizons in California. Presented for the first time on Still Music, "Acid House + Medusa's - Chicago, 1987-1992" invites listeners on a journey through the vibrant tapestry of late-eighties Chicago House. DJing, indulgence, romance, and the pulsating beats of acid house defined Scrappy's era, and fortunately, he left behind a legacy of unforgettable house tunes, emblematic of the city's unparalleled musical spirit. This limited edition DLP release, accompanied by an insert detailing the captivating tale of one of Chicago's unsung talents, ensures that Scrappy's story and his contribution to the era remain etched in musical history.
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1
Leon Mitchison & The Eastex Freeway Band - What Cha Need
2
Leon Mitchison & The Eastex Freeway Band - I'll Take You There
"What Cha Need" / “I’ll Take You There by Leon Mitchison Features Mixes by Kenny Dope is a special release from Kay-Dee Records in collaboration with Now-Again Records. This edition features a deep, funk-infused mix by Kenny Dope, who brings his signature style to the original master 8-track tapes of this classic track.This unreleased remix is a true gem, offering fans a chance to hear Kenny Dope’s interpretation of a funk classic, perfect for DJs, collectors, and anyone who appreciates vintage funk and soulful remixes. The deep grooves and break-heavy production are sure to elevate any DJ set or vinyl collection.
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Germany
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1
Q Lazzarus - Goodbye Horses (Extended Mix)
2
Q Lazzarus - Goodbye Horses (Instrumental)
3
Q Lazzarus - Hellfire
4
Q Lazzarus - Summertime
5
Q Lazzarus - Goodbye Horses (Acapella)
At long last, Q Lazzarus says hello to Dark Entries. Q Lazzarus is the moniker of Diane Luckey, born in New Jersey in 1960. While living in the East Village in New York City in the 1980s, Diane met songwriter Bill Garvey at a party and they recorded “Goodbye Horses” in his home studio. As the story goes, Luckey met Hollywood director Jonathan Demme when she picked him up in her taxi during a snowstorm in 1986. Demme was wowed by her demo tape, which was playing in the cab, and they ended up hanging out at a restaurant for hours talking about life and music. “He liked it so much, I gave him the tape I was listening to, he said he would call me for one of his movies, but I didn’t really take it seriously.” said Luckey. Demme would have the song “Goodbye Horses” first appear in his offbeat comedy Married to the Mob, and then again more memorably in Silence of the Lambs when Buffalo Bill changes into women’s clothing while drowning out his intended victim’s pleas with loud music. Despite the exposure, both Luckey and Garvey languished in relative obscurity. “Goodbye Horses” is the definition of a cult classic, an ethereal tearjerker driven by Garvey’s lush synth work and Luckey’s unmistakably powerful voice. Garvey says, “the song is about transcendence over those who see the world as only earthly and finite.”
Over 15 years of effort have gone into the making of this release. All five songs on this record were previously unreleased and are sourced from original master tapes. The extended version of “Goodbye Horses” was newly mixed from the original stems by Alberto Hernandez at Fantasy Studios. Instrumental and acapella versions of the song are included, which are also available for the first time. Side B opens with “Hellfire,” a brooding number about the New York BDSM nightclub of the same name, showcasing the range and force of Luckey’s voice. “Summertime” follows, with a sauntering synth-reggae spin on the 1937 George Gershwin number. Both B-side tracks are also new mixdowns and edits from the original stems. This record is released alongside Eva Aridjis Fuentes’s documentary on Q Lazzarus, Goodbye Horses: The Many Lives of Q Lazzarus, a work chronicling the life of the enigmatic Luckey. It is an opportune moment to reflect on the underrecognized artists we have lost and the undeniable brilliance of both Diane Luckey and William Garvey.
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Over 15 years of effort have gone into the making of this release. All five songs on this record were previously unreleased and are sourced from original master tapes. The extended version of “Goodbye Horses” was newly mixed from the original stems by Alberto Hernandez at Fantasy Studios. Instrumental and acapella versions of the song are included, which are also available for the first time. Side B opens with “Hellfire,” a brooding number about the New York BDSM nightclub of the same name, showcasing the range and force of Luckey’s voice. “Summertime” follows, with a sauntering synth-reggae spin on the 1937 George Gershwin number. Both B-side tracks are also new mixdowns and edits from the original stems. This record is released alongside Eva Aridjis Fuentes’s documentary on Q Lazzarus, Goodbye Horses: The Many Lives of Q Lazzarus, a work chronicling the life of the enigmatic Luckey. It is an opportune moment to reflect on the underrecognized artists we have lost and the undeniable brilliance of both Diane Luckey and William Garvey.
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1
Brenda - Where Did I Go Wrong?
2
Brenda - Family
Solo project of ARIA-nominated Hudson Whitlock of Surprise Chef, who have 45 million+ Spotify streams, and The Cactus Channel who have 40 million+ Spotify streams. Album features members of Surprise Chef and Karate Boogaloo. Melbourne, Australia's indie-soul wunderkind Brenda, solo project of Surprise Chef's Hudson Whitlock, make their College Of Knowledge debut with two heartbreaking, moody ballads 'Where Did I Go Wrong?' and 'Family'.
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Germany
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