Keeping the possibilities for Brukkage reliably wide as we enter the album sphere, we're proud to present a heavyweight long player from Japanese maverick Kohei Matsunaga, aka NHK yx Koyxen. Keeping up with Matsunaga's past work requires a diligent detective, mangling his aliases like he mangles his sound but always coming up with provocative, rave re-arranging goods for labels like Diagonal, DFA, Pan, L.I.E.S. and right back to Mille Plateaux, WordSound, Important and Skam. If that sounds like a lot of name-dropping, it's simply to paint the picture of a long-serving polymath whose wares can attract the most critical ears, and as such it's a privilege to release a new album of his works. On this new record he brings that unmistakable flair to a towering 13 tracks of side-swerving dance abstraction. From airlock electro reveries and music box malfunctions to blunted beatdowns thrown down dusty corridors, this album splits the difference between a suite of full-blown productions and the sketch-pad sonics of a mixtape. The hip-hop influence looms large, but it's pinged through oscillators oscillating at freak-frequencies and interrupted by creaky gates in need of a good oiling, upended by slippery pools of sonic interference. Consistently sick and never stalling, this is everything we needed from an album on Bruk, even if never could have predicted goods as cracked and precious as this.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore

The next transmission from planet BRUK comes courtesy of Lårry, an enigmatic artist ploughing an individualist furrow through various fields of electronic expression, one hand tweaking the tiller and the other casually dismissing the rules of rave.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore

Finding a rich seam in stark minimalism, soundsystem pressure and fractalised rhythm, Cassius Select is at the vanguard of contemporary broken beats and punishing low end. This new Select transmission comes correct on Bruk, prodding at the same bold dance futurism already laid down by Siete Catorce and FFT, whilst sounding nothing like either of them. 'Dread Percent's swelling pads and dislocated MC shards are a foil for the ruff angles of 'Fish Tek'. 'Mess Mutual' teases and stalks at a lower tempo and then twists up another set of bars over a bed of alien drone, laying the groundwork for the massive, grime-licked hooks of 'Shake Like Me'. Hinting at the anthemic while remaining steadfastly cool and deadly, Cassius Select's mutant brand of club has the space and versatility to slip between scenes, doing damage wherever it lands.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore

Kim Rapatti, aka Mono Junk, is a key figure in Finnish techno, known for his deep, hardware-driven sound. A firm believer in analogue synthesis, he has been shaping raw and hypnotic club tracks since the early '90s, drawing inspiration from Detroit pioneers like Derrick May and Juan Atkins. His releases have appeared on his own imprint, DUM Records, as well as Skudge, Forbidden Planet, and most recently, Cold Blow—earning him a dedicated following among DJs and collectors. Recorded in Turku in 2002 using the Korg Minikorg 700s, Loving Your Mind showcases Mono Junk's signature stripped-down grooves and live hardware improvisation—an essential pick for anyone seeking an authentic slice of early-2000s machine funk. Alongside the title track is Gamma, a previously unheard production that was commissioned as an exclusive for a highly regarded mix series, further cementing Mono Junk's status as a trusted name in underground techno. Built around a percussive groove, a deep electro-funk bassline, and a four-to-the-floor pulse, the track unfolds in an atmospheric haze, balancing dancefloor functionality with hypnotic depth. The B-side features remixes from Katerina and Sansibar, two of Finland's most notable international breakthroughs in recent years, known for their modern yet timeless club productions that nod to classic techno and house. Katerina, a versatile DJ and producer with releases on Rekids, Running Back, and Cómeme, transforms Loving Your Mind into a high-energy techno duet, layering her own vocals over the original vocal track, with her infectious synth lead as the icing on the cake. Sansibar, one of the fastest-rising names in the underground with releases on Kalahari Oyster Cult, WARNING, and Émotsiya, delivers a darker, four-to-the-floor rework—bringing a sinister edge while maintaining the raw energy of classic machine funk.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore

Been a longtime comin, but very happy its here now!!!! Two tracks from the Gregory James edition - the superb cover version of the "Aint no sunshine" sample tastic!!!! massive club groove, much needed as a 7" 45 rpm On the flip is the classic sample from back in the days by the Balistic bros "I'll fly away"


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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore

Florence Adooni Unleashes A.O.E.I.U. – An Afro-Futuristic Highlife Odyssey: Step into the future of highlife with Florence Adooni's debut album, A.O.E.I.U. (An Ordinary Exercise In Unity). Rooted in the rich traditions of Ghana's Fra Fra culture and propelled by cosmic production from Philophon Records' visionary Max Weissenfeldt, this release is a bold fusion of ancestral rhythms and forward-thinking grooves. Across seven transcendent tracks, Florence's luminous vocals lead the charge, weaving through celestial saxophone lines, syncopated highlife guitar riffs, and pulsating basslines. From the ethereal echoes of Mam Pe'ela Su'ure (My Heart is Pure) to the hypnotic funk of Uh-Ah Song, A.O.E.I.U. is a sonic journey where tradition meets innovation, connecting the past, present, and future in a single breath.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore

At the start of the 60s, a new wave of gospel-influenced jazz started to emerge, with hits such as Art Blakey & The Jazz Messengers' "Moanin'" and Cannonball Adderley's "Work Song" epitomizing this evolution in the genre. The terms "soul jazz" and "funky jazz" were coined as a way to describe this new sound that was making an impact in the US and also on the other sides of the Atlantic and Pacific oceans.In 1964, Ray Charles made his first visit to Japan. Then, in 1968, Martha & The Vandellas and Stevie Wonder set foot in the country, followed by Sam & Dave in 1969, Ike & Tina Turner in 1970, and B.B. King in 1971. The TV show "Soul Train" also began airing in Japan in the early 1970s. A watershed moment happened in 1973 when Sammy Davis Jr. was cast in a TV commercial for Suntory whisky — and the influence of the US Black entertainment world had really landed, with soul, jazz, and funk artists becoming household names.Nippon Columbia played a pivotal role during this turning point. The company had contracts with Buddah Records and Blue Thumb Records, releasing notable works by artists such as Gladys Knight & The Pips, Curtis Mayfield, The Crusaders, and The Pointer Sisters. At the same time, the label was also releasing several Japanese soul, jazz, and funk projects under the lead of music director Jiro Inagaki. Inagaki, a saxophonist who began his professional career in the early 1950s, honed his skills at U.S. military camps, where he shared his love of music with the Black servicemen. In the 1960s, he played with drummer Hideo Shiraki's band, which was widely considered to be Japan's representative group of the funky jazz movement. Later, Inagaki went on to pursue more cutting-edge sounds with his Soul Media project, including being a pioneering figure in the "jazz rock" genre. By working closely with Inagaki and his various musical projects, Nippon Columbia really placed the company at the center of an exciting and important period in Japanese music.In 1965, Nippon Columbia opened a recording studio in Tokyo's Akasaka neighborhood. Akasaka was also home to the first ever discotheque in Japan, the legendary MUGEN, which ran from 1968 to 1987 and where many acts performed, including Con Funk Shun, the Bar-Kays, Ike & Tina Turner, B.B. King, Sam & Dave, Three Degrees, and Edwin Starr, as well as many local Japanese singers and musicians. This melting pot of creativity in the area led to the recording of many singles and albums by Japanese artists that were infused with the sounds of soul and funk. Most of these recordings were not available outside of Japan and remain rare and unknown musical gems. The selection you are holding in your hands is an explosive collection of 10 essential tracks released by the legendary Nippon Columbia label between 1969 and 1977, capturing the raw, unapparelled energy that was flowing through the air of the Akasaka streets at this electrifying time. Enjoy!

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore