EXCL JAPAN IMPORT 12" (no returns)!!!

Definitely,NHK yx Koyxen is a outstanding talent of Japanese electronic music. He released for Pan,L.I.E.S.,Diagonal and more remarkable labels so far. This EP appeared full of his characteristic sound. It means a roughly raw techno and dirty acid tracks. enjoy.


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The next transmission from planet BRUK comes courtesy of Lårry, an enigmatic artist ploughing an individualist furrow through various fields of electronic expression, one hand tweaking the tiller and the other casually dismissing the rules of rave.

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Finding a rich seam in stark minimalism, soundsystem pressure and fractalised rhythm, Cassius Select is at the vanguard of contemporary broken beats and punishing low end. This new Select transmission comes correct on Bruk, prodding at the same bold dance futurism already laid down by Siete Catorce and FFT, whilst sounding nothing like either of them. 'Dread Percent's swelling pads and dislocated MC shards are a foil for the ruff angles of 'Fish Tek'. 'Mess Mutual' teases and stalks at a lower tempo and then twists up another set of bars over a bed of alien drone, laying the groundwork for the massive, grime-licked hooks of 'Shake Like Me'. Hinting at the anthemic while remaining steadfastly cool and deadly, Cassius Select's mutant brand of club has the space and versatility to slip between scenes, doing damage wherever it lands.

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Sound artist and researcher Amit Dinesh Patel aka Dushume began working in the field of music technology in 2000. In 2021, he began a research project addressing the distinctive lack of visibility for Black and Brown artists within the field of experimental music and sound: "Exploring Cultural Diversity in Experimental Sound", hosted at the Sound/Image Research Centre, University of Greenwich. Disruptive Frequencies is one output of this research. Patel, together with five other Black and South Asian experimental and electronic artists recorded new music to release as part of this compilation. Crossing noise, high-energy electronic music, deep bass, ambient and experimental soundscapes, this compilation is a statement challenging institutional Whiteness, racist biases, lack of visibility and access to experimental practices. Each contribution pushes the boundaries of sound manipulation, turntablism, field recording, audio fragmentations and sound collage techniques.

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Italian music producer, DJ and sound artist, Piezo, joins the Nervous Horizon roster with a 5-tracker EP titled Cyclic Wavez. Stretching into a vast, yet coherent, sound exploration while maintaining his quirky andversatile approach to composition and sound design, the producer travels across the wide array of stylesthat inform his versatile flare.Thought-provoking, but dance floor-ready,Cyclic Waves EP is a shape-shifting, hyper-detailed and funnily weird new creaturewhere Piezo'sattention to sound design and unexpected creative choices will shock and surprise you.

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The third album from crooner Pink Shabab, for fans of Avalon era Roxy Music, Bullion, Gary Lucas and other odd pop troubadors. Strong air play from Charlie Bones of Do!!You!!!Radio

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Mancunian pianist and producer Matt Wilde prepares to release his debut album 'Hello World' via Band on the Wall Recordings. With a slew of hotly tipped projects released over the past two years via Root Records & Inner Ocean Records- Matt has been steadily gaining support from the likes of Jamie Cullum, Gilles Peterson, Jazz FM & many more. With his name firmly cemented as one to watch in the Jazz / Beats landscape, 'Hello World' promises to be his most expansive body of work to date. 'Hello World' is an audio catalogue of personal experiences, thoughts and feelings, shared with honesty and curiosity for the human condition. Matt crafts emotive and uplifting compositions denoting a tender illustration of the human experience, finding and celebrating the simple and beautiful moments of life.

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Ocela can be a dance album if you want it to be, but above that, it is an album about dancing. The second instalment in a planned trilogy, it regards dance as a form of pathmaking, a physical chronology of a journey. Its voyager is the eponymous Ocela // an invented feminine form of the word steel // who wields both strength and brittleness. While the first album (Spojky Ciary) focused on Ocela's inception and youth, here she is mature // on a resolute trajectory between birth and passing away.Ocela is not a concept album // unless you want it to be // but it is an album built around beats. While there is a loose precedent for rhythms in the two-piece project Jamka, the trilogy also marks Daniel Kordik's solo return to melodical composition. On this record, Ocela dances on her orbits in patterns that are harmonious but always slightly elliptic. Each song on the album travels with its own varying velocity, before it abruptly finds itself at the subjective beginning. Then it goes through further revolutions, with determination bordering on a lack of choice.Recorded live onto a 4-track before mixing, Ocela is unlike its predecessor in that it shuns any form of field recording, and was instead made using only hardware (Elektron Octatrack MK1, Elektron Digitone, Jomox Mbase01).Daniel Kordik, also known as Iskra, is one half of Jamka, member of the Urbsounds Collective, co-founder of Earshots Recordings and Ocela is his second release on the melodramatic label Weltschmerzen.

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First Word Records is very proud to welcome the return of the inimitable Kaidi Tatham, with his 5th album for us, entitled 'The Only Way'. Kaidi Tatham is a legendary multi-instrumentalist born in the Midlands and based in Belfast. Established as one of the original creators of the Broken Beat sound, he is a virtuoso on the keys and a true innovator in sound production. A deeply prolific artist, this is Kaidi's 5th solo album under his own name, following on from 'Don't Rush The Process' (2022), 'An Insight To All Minds' (2021), 'It's A World Before You' (2018), and 'In Search Of Hope' (re-pressed in 2020), all released on First Word, along with several EPs from 2017 onwards. 'The Only Way' is the latest chapter in Kaidi's entirely unique explorations into sound. 11 tracks touching on bruk, funk, jazz, mid-tempo hip hop and hyper-energetic Brazilian flavours, all thrown into a melting pot that's difficult to define, but all containing Kaidi's unmistakable sonic signature. The epic opener 'Reason We're Here' starts the album softly, before switching midway into KT's trademark synth-lead bruk boogie, to set the scene of what's to come. Lead track 'The Only Way' sees the return of Philly MC Uhmeer (Jazzy Jeff's son), his third collab with Kaidi and a timely celebratory track about this thing called Hip Hop, in its 50th year. 'Feels Like I'm On My Own' is a statement within itself, starting off as a jazz-funk jam, before switching to breakneck Brazilian choro, in the only way Kaidi can, with 'It's On' on a similar vein. 'Fricassee' is some heads down dancery business, and there are more guests with Trian Kayhatu appearing on 'Alien @$^%' and Matt Lord on the super energetic album closer 'Not Suffering'. Kaidi Tatham continues to grow on his already impressive catalogue, a body of work that falls within the cracks of jazz and dance music, exemplifying modern British black brilliance; uncompromising, innovative, groundbreaking, intricately sophisticated and deeply funky. His fanbase expands on every release and it's no surprise that that fanbase includes a diverse set of peers such as Madlib ("ahead of his time"), Gilles Peterson ("a key part of an entire movement") and K15 ("a limitless source of inspiration") to name just a few of the many influenced by Kaidi's sound.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More